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It's the Professional MasterChef quarterfinal. | 0:00:02 | 0:00:05 | |
These six talented chefs stood out in their heats. | 0:00:09 | 0:00:12 | |
Tonight, they will face two more challenges to test them even further. | 0:00:15 | 0:00:20 | |
'I've loved the competition so far.' | 0:00:22 | 0:00:24 | |
It's been the highlight of my life, really. | 0:00:24 | 0:00:27 | |
It puts you through the mill, but you just want more and more of it. | 0:00:27 | 0:00:31 | |
'There's no resting on laurels. It's a new day.' | 0:00:31 | 0:00:34 | |
I want to be here as long as I can. | 0:00:34 | 0:00:35 | |
First, they will have to face an invention test. | 0:00:35 | 0:00:39 | |
It's delicious. | 0:00:39 | 0:00:41 | |
Really delicious. | 0:00:41 | 0:00:42 | |
Those that get through will then face the country's | 0:00:42 | 0:00:45 | |
most discerning food critics. | 0:00:45 | 0:00:48 | |
This is great food and this is what this competition's about. | 0:00:48 | 0:00:51 | |
Only the best will earn a place in knockout week. | 0:00:51 | 0:00:54 | |
I want to see the chefs shine, | 0:00:54 | 0:00:56 | |
I want to see them push themselves to new limits now. | 0:00:56 | 0:00:59 | |
They've got to rise to this challenge today. | 0:00:59 | 0:01:02 | |
This is where it gets tough. | 0:01:02 | 0:01:03 | |
Chefs, welcome to the quarterfinals and congratulations. | 0:01:22 | 0:01:26 | |
Now...it's going to get even harder. | 0:01:26 | 0:01:28 | |
What you have in front of you is an invention test. | 0:01:30 | 0:01:33 | |
This is when you get to shine and show off without limits. | 0:01:34 | 0:01:38 | |
Please reveal your ingredients. | 0:01:38 | 0:01:40 | |
In front of you, you have ten ingredients. | 0:01:44 | 0:01:47 | |
A whole poussin... | 0:01:49 | 0:01:50 | |
one squid... | 0:01:51 | 0:01:52 | |
tomatoes, couscous, | 0:01:52 | 0:01:55 | |
tender stem broccoli, | 0:01:55 | 0:01:56 | |
spinach, chillies, some thyme, | 0:01:56 | 0:01:59 | |
a mango and some dark chocolate. | 0:01:59 | 0:02:02 | |
You've all done amazing to get here today. | 0:02:03 | 0:02:05 | |
But that does not mean you get to relax. | 0:02:07 | 0:02:09 | |
Because, at the end of this test, two of you will be leaving us. | 0:02:09 | 0:02:13 | |
One hour and 15 minutes, one dish, for a place in the next round. | 0:02:14 | 0:02:19 | |
Off you go. | 0:02:19 | 0:02:20 | |
We've tested them on their skills, we've seen their signature dishes, | 0:02:24 | 0:02:28 | |
now we want to see how creative they can be. | 0:02:28 | 0:02:30 | |
This is the quarterfinal. | 0:02:34 | 0:02:35 | |
It's really important that they take it very, very seriously, | 0:02:35 | 0:02:38 | |
because this is where it really heats up. | 0:02:38 | 0:02:41 | |
27-year-old Nick is a sous-chef | 0:02:48 | 0:02:51 | |
at a fine dining restaurant in Oxfordshire. | 0:02:51 | 0:02:54 | |
Nick's personality really shines through in his food. | 0:02:54 | 0:02:57 | |
He's done two fantastic dishes so far. | 0:02:57 | 0:03:00 | |
He's an endearing personality | 0:03:01 | 0:03:03 | |
and I enjoy watching this chef cook. | 0:03:03 | 0:03:06 | |
If he can do that again today, | 0:03:06 | 0:03:07 | |
wow, I think we have a very strong chef on our hands. | 0:03:07 | 0:03:10 | |
'The further you're in it, the more you want it, definitely.' | 0:03:11 | 0:03:14 | |
I have no plans for going home, but... | 0:03:14 | 0:03:17 | |
I've just got to, just keep calm. | 0:03:17 | 0:03:18 | |
Keep calm and carry on cooking and... | 0:03:18 | 0:03:21 | |
-I'll be OK. -NICK LAUGHS | 0:03:21 | 0:03:23 | |
Nick, what have you decided to make with the ingredients? | 0:03:26 | 0:03:29 | |
I'm roasting the breast of poussin and I've stuffed the leg, | 0:03:29 | 0:03:31 | |
doing it with some tempura squid | 0:03:31 | 0:03:34 | |
and an Asian-style broth, with the chicken bones, | 0:03:34 | 0:03:36 | |
fish sauce and there's some confit potato as well. | 0:03:36 | 0:03:39 | |
Do you think you can stretch enough flavour out of a poussin carcass? | 0:03:39 | 0:03:42 | |
-I've given it my best shot, yeah. -THEY LAUGH | 0:03:42 | 0:03:45 | |
I can see food brings a smile to your face. | 0:03:45 | 0:03:47 | |
You're one of those cooks, aren't you, you sort of... | 0:03:47 | 0:03:50 | |
-you can cook anywhere, probably? -Yeah, I was lucky enough, | 0:03:50 | 0:03:53 | |
in my house there was always fresh produce, | 0:03:53 | 0:03:54 | |
my mum was baking, my nans were baking, | 0:03:54 | 0:03:57 | |
I got my first job in a pub, making potato salad | 0:03:57 | 0:03:59 | |
-and dressing plates with a bit of veg and potatoes... -Great. | 0:03:59 | 0:04:02 | |
-..my radar's on cooking, I'm pretty much... -You enjoy it. -..can't be happier. | 0:04:02 | 0:04:06 | |
-Good man. We'll let you crack on. -Thank you very much. | 0:04:06 | 0:04:09 | |
Nick is going down an Asian route with his dish, | 0:04:12 | 0:04:14 | |
he's making an Asian-inspired broth, | 0:04:14 | 0:04:17 | |
he's taking the leg of the poussin and made a mousse to fill that leg. | 0:04:17 | 0:04:21 | |
Nick's also going to be using the squid as well, | 0:04:22 | 0:04:24 | |
which is fantastic. But the most important thing about the squid | 0:04:24 | 0:04:27 | |
is that you don't sit it inside the stock, | 0:04:27 | 0:04:29 | |
you need to elevate it above the dish, so it stays nice and crisp. | 0:04:29 | 0:04:32 | |
33-year-old Andi is a senior sous-chef | 0:04:37 | 0:04:40 | |
at King's College in Cambridge. | 0:04:40 | 0:04:43 | |
Andi, wow, was he nervous! | 0:04:43 | 0:04:45 | |
Andi really struggled with the skills test, | 0:04:45 | 0:04:47 | |
but actually, his signature dish was fantastic. | 0:04:47 | 0:04:50 | |
There's something a bit exciting about his cooking. | 0:04:50 | 0:04:52 | |
If Andi can continue to keep showing us his neat tricks | 0:04:52 | 0:04:55 | |
he's got up his sleeve, we're in for a great surprise today. | 0:04:55 | 0:04:58 | |
'I'm still a bit nervous,' | 0:04:59 | 0:05:01 | |
but hopefully, going forward, I can show a bit more of my personality | 0:05:01 | 0:05:04 | |
'and get that across a bit more, cos I'm not sure that I did.' | 0:05:04 | 0:05:08 | |
-Andi, how are you? -I'm good, thank you, chefs. -Stop shaking. | 0:05:10 | 0:05:13 | |
-A little bit. -Come on, you should be used to it by now. What's the dish? | 0:05:13 | 0:05:16 | |
It's my take on a laksa, | 0:05:16 | 0:05:18 | |
which is a Malaysian broth with some squid | 0:05:18 | 0:05:22 | |
and some couscous that I've made with the broccoli | 0:05:22 | 0:05:24 | |
and hopefully, if I've got time, some crispy chicken wings as well. | 0:05:24 | 0:05:27 | |
Andi, what do you do when you're not in the kitchen? | 0:05:27 | 0:05:29 | |
I'm a single dad, I have a three-year-old son. | 0:05:29 | 0:05:32 | |
Normally, I'd shy away from this sort of thing, but... | 0:05:32 | 0:05:35 | |
I want to teach him not to shy away from anything that he's scared of. | 0:05:35 | 0:05:38 | |
So, you're going to show your son his father, petrified, | 0:05:38 | 0:05:41 | |
-shaking like a... -THEY LAUGH | 0:05:41 | 0:05:43 | |
-..shaking like a leaf on television? -Yeah. -Yeah. -Be careful here, OK? | 0:05:43 | 0:05:46 | |
Just so he can laugh at me one day. | 0:05:46 | 0:05:48 | |
-That's what dads are for. -Yeah. | 0:05:48 | 0:05:51 | |
Andi's really sold me on the laksa. | 0:05:52 | 0:05:55 | |
We know he can cook Asian-style food, because he did it with his signature dish | 0:05:55 | 0:05:58 | |
and did a really good job as well. | 0:05:58 | 0:06:00 | |
Laksa is an Asian broth that's packed with flavours. | 0:06:00 | 0:06:04 | |
I'm curious about the dish, | 0:06:04 | 0:06:05 | |
whether he's got enough of a choice of ingredients to make this | 0:06:05 | 0:06:09 | |
a fragrant and delicious laksa. | 0:06:09 | 0:06:11 | |
-What's the measurements? -100g of flour, 50g of butter. -Good lad. | 0:06:16 | 0:06:20 | |
25-year-old Bobby is a sous-chef at a fine dining restaurant in Colchester. | 0:06:20 | 0:06:26 | |
Last round, I didn't perform great, at all. | 0:06:26 | 0:06:29 | |
I'm very grateful they've given me a second chance. | 0:06:29 | 0:06:32 | |
So, yeah, I'm just going to go in with all guns blazing with it. | 0:06:32 | 0:06:35 | |
There's no room for failure any more. | 0:06:35 | 0:06:38 | |
Bobby's got passion, he's got drive. | 0:06:38 | 0:06:40 | |
We want some great cooking from him. The simpler, the better. | 0:06:40 | 0:06:43 | |
We just want to see what he's able to do properly. | 0:06:43 | 0:06:46 | |
Quarterfinal, what does that really, really, really mean to Bobby? | 0:06:48 | 0:06:51 | |
It means everything. I mean, you know, | 0:06:51 | 0:06:53 | |
I had a lot of self-doubt before I come in this competition, loads and loads and loads. | 0:06:53 | 0:06:57 | |
I'm just hoping I proved to you that I am a good chef | 0:06:57 | 0:06:59 | |
and that way I prove it to myself. | 0:06:59 | 0:07:01 | |
-What are you making for us? -Sort of take on a chicken pie. -Lovely. | 0:07:01 | 0:07:04 | |
-Best chicken pie you've ever had... -I hope so. -Let's hope so. -Yeah. | 0:07:04 | 0:07:07 | |
-Well, it'll be a little bit different. Sort of deconstructed it, a little bit. -So, different? -Yeah. | 0:07:07 | 0:07:11 | |
-I know we said that in the last round, don't be different, but... -OK. | 0:07:11 | 0:07:14 | |
There you go, notice that's cheering Marcus. | 0:07:14 | 0:07:17 | |
Bobby's going to be cooking us a deconstructed chicken pie. | 0:07:18 | 0:07:22 | |
That's gutsy. Or naive! | 0:07:22 | 0:07:23 | |
He doesn't want to overcook this chicken. | 0:07:25 | 0:07:26 | |
It's a poussin, so it's even smaller. | 0:07:26 | 0:07:29 | |
If it is then not cooked within the sauce, it can dry out really quick. | 0:07:29 | 0:07:33 | |
He's making a short pastry, | 0:07:33 | 0:07:34 | |
and what you want with short pastry is you want it to melt in the mouth. | 0:07:34 | 0:07:38 | |
I really want to see Bobby do well today, | 0:07:38 | 0:07:40 | |
and I hope this chicken pie really is what he wants it to be. | 0:07:40 | 0:07:43 | |
Chefs, you've got 35 minutes left. | 0:07:46 | 0:07:48 | |
25-year-old Sam is a junior sous-chef at a busy hotel restaurant | 0:07:53 | 0:07:57 | |
in his hometown of Newcastle. | 0:07:57 | 0:08:00 | |
I thought Sam was really brave using a stone bass for his | 0:08:00 | 0:08:03 | |
signature dish, because it is not a fish that is widely used. | 0:08:03 | 0:08:06 | |
I hope he can continue that bravery and bring it into the quarterfinals. | 0:08:06 | 0:08:10 | |
This is a chef that makes me excited about his cooking and I really | 0:08:10 | 0:08:13 | |
hope he's on his way to developing and becoming a much better chef. | 0:08:13 | 0:08:17 | |
After the last round, I feel quite confident. | 0:08:19 | 0:08:22 | |
Again, I'm feeling nervous, but I'm nervous, | 0:08:22 | 0:08:24 | |
because I really do care and I don't want to slip and make mistakes. | 0:08:24 | 0:08:28 | |
Sam, tell me, what are you making with these ingredients? | 0:08:30 | 0:08:33 | |
I'm just basically making Asian poussin broth. | 0:08:33 | 0:08:36 | |
And I'm using a breast for filling in the tortellini | 0:08:36 | 0:08:39 | |
and some crisp skin for the texture. | 0:08:39 | 0:08:41 | |
Tell me, why are you a chef? | 0:08:41 | 0:08:43 | |
I'm a chef by fluke, basically. | 0:08:43 | 0:08:45 | |
When I was 17, my knee was done in, I was playing rugby, | 0:08:45 | 0:08:49 | |
so I had to change my career, | 0:08:49 | 0:08:51 | |
but I've just been like a duck to water, really. | 0:08:51 | 0:08:53 | |
I've thrived on it and I love it. | 0:08:53 | 0:08:56 | |
Sam's making a tortellini of the poussin breast. | 0:08:58 | 0:09:02 | |
The most important thing about the tortellini | 0:09:02 | 0:09:05 | |
is the thickness of the pasta, the seasoning of the mixing side | 0:09:05 | 0:09:07 | |
and making sure that he makes a beautiful shaped tortellini. | 0:09:07 | 0:09:10 | |
There's not a lot else going on with the dish, | 0:09:10 | 0:09:13 | |
this is slightly concerning. | 0:09:13 | 0:09:14 | |
Sam looks just a little bit maybe lost | 0:09:14 | 0:09:17 | |
and I'm hoping that the dish will develop as it goes along. | 0:09:17 | 0:09:20 | |
23-year-old Alex is a senior chef de partie | 0:09:24 | 0:09:27 | |
at an award-winning restaurant in a garden centre. | 0:09:27 | 0:09:31 | |
I think that, now I've had a taste, I'm still going | 0:09:31 | 0:09:34 | |
to stick to my game plan of one step at a time. | 0:09:34 | 0:09:37 | |
I'm hoping that the judges see some potential in me and get what I'm about. | 0:09:37 | 0:09:42 | |
Alex, what are you cooking for us? | 0:09:42 | 0:09:45 | |
I'm cooking poussin on the crown with a rub of thyme, | 0:09:45 | 0:09:48 | |
a bit of peppercorns, garlic and lemon. | 0:09:48 | 0:09:50 | |
I've made a little ravioli, | 0:09:50 | 0:09:51 | |
which I'm going to fill with a bit of spinach. | 0:09:51 | 0:09:53 | |
So why the pasta, why the Italian sort of...? | 0:09:53 | 0:09:56 | |
Well, there was more Asian things which I'm not 100% | 0:09:56 | 0:09:59 | |
confident in using at this stage on an invention test. | 0:09:59 | 0:10:01 | |
I think I'd be safer to stick with something I know | 0:10:01 | 0:10:04 | |
and put up a good dish. | 0:10:04 | 0:10:05 | |
-Good luck. -Thank you. | 0:10:05 | 0:10:06 | |
Alex is using a lemon thyme and peppercorn marinade | 0:10:09 | 0:10:13 | |
and he's left the poussin on the crown. | 0:10:13 | 0:10:15 | |
He is also making a spinach ravioli as well. | 0:10:15 | 0:10:18 | |
I like the fact Alex is making his own pasta. | 0:10:18 | 0:10:21 | |
I hope it is a skill he has refined and it's lovely and thin. | 0:10:21 | 0:10:25 | |
One of the things you need to be very careful of, is that it drains | 0:10:25 | 0:10:27 | |
the water from the spinach. | 0:10:27 | 0:10:29 | |
Because, if you've got water inside the ravioli, | 0:10:29 | 0:10:31 | |
it just has a tendency to make the ravioli burst. | 0:10:31 | 0:10:34 | |
Chefs, you've got 20 minutes left. | 0:10:35 | 0:10:38 | |
34-year-old Mark is a sous-chef at a gastro pub in London. | 0:10:41 | 0:10:46 | |
Mark's skills test was a disaster. He only served us a bowl of custard. | 0:10:46 | 0:10:51 | |
I thought, at that point, I would be amazed | 0:10:51 | 0:10:54 | |
if he could pull this back and he's done it, he's here. | 0:10:54 | 0:10:58 | |
He's done it, because he served us an amazing lamb dish. | 0:10:58 | 0:11:01 | |
Yeah, I kicked myself after the first round, | 0:11:01 | 0:11:03 | |
but, you know, thankfully I got it back. | 0:11:03 | 0:11:06 | |
That feeling, when you are told | 0:11:06 | 0:11:08 | |
you can come back the following day, is incredible. | 0:11:08 | 0:11:12 | |
I've not had a relief like that for years. | 0:11:12 | 0:11:15 | |
I want to have that feeling over and over again, right up until the end. | 0:11:15 | 0:11:19 | |
What are you making for us? | 0:11:21 | 0:11:22 | |
I'm going to do Poussin, I'm going to confit the legs, | 0:11:22 | 0:11:25 | |
I'm going to make a nice sauce out of the carcasses, broccoli puree | 0:11:25 | 0:11:29 | |
and am going to do some roasted shallots. | 0:11:29 | 0:11:30 | |
-So you feel very confident, then? -Yeah. -You look confident. -I feel happy. | 0:11:30 | 0:11:34 | |
It's interesting, because, last time you walked in here, | 0:11:34 | 0:11:36 | |
not knowing what was coming, it was a nightmare for you. | 0:11:36 | 0:11:39 | |
It's just being in the presence of you two and, you know, | 0:11:39 | 0:11:41 | |
-it's quite intimidating. Quite nerve-racking. -Hmm. -Both of you. | 0:11:41 | 0:11:45 | |
-I'm not intimidating. -Yeah, you are. You are. -It's you. -You are. | 0:11:45 | 0:11:48 | |
-You both are. -See! -THEY LAUGH | 0:11:48 | 0:11:50 | |
Mark's poussin dish, to me, sounds very classical. | 0:11:53 | 0:11:57 | |
He has taken the crown off, which he's going to do separately, | 0:11:57 | 0:11:59 | |
the legs he's confit... | 0:11:59 | 0:12:01 | |
He's also making a fondant potato and I know, Monica, | 0:12:01 | 0:12:04 | |
that you love a good fondant. | 0:12:04 | 0:12:06 | |
A fondant is about great colour, great caramelisation, | 0:12:06 | 0:12:08 | |
but it has to be cooked all the way through. | 0:12:08 | 0:12:10 | |
And if it is not cooked well, I know how upset you get. | 0:12:10 | 0:12:14 | |
Chefs, you have five minutes left. | 0:12:16 | 0:12:19 | |
Just five minutes. | 0:12:19 | 0:12:21 | |
All of our chefs here today have opted for the poussin. | 0:12:26 | 0:12:29 | |
I would have liked to have seen one dessert, but you know what? | 0:12:29 | 0:12:32 | |
If we've got six different dishes here, I'm happy. | 0:12:32 | 0:12:36 | |
If they are all done well, even happier. | 0:12:36 | 0:12:38 | |
Chefs, you've got three minutes. | 0:12:44 | 0:12:46 | |
OK, stop cooking. | 0:12:54 | 0:12:56 | |
Time is up. | 0:12:56 | 0:12:58 | |
You never feel confident, do you, when you're looking at everybody else's? | 0:13:04 | 0:13:08 | |
Yeah, mate, you've done really well. | 0:13:08 | 0:13:09 | |
-That looks stunning! -Yeah, looks lovely. | 0:13:09 | 0:13:11 | |
-I fell to pieces, mate. -Hm? | 0:13:11 | 0:13:13 | |
I fell to pieces. | 0:13:13 | 0:13:14 | |
From the ten ingredients that were given, | 0:13:16 | 0:13:19 | |
Nick has made roasted breast of poussin and a mousse-stuffed leg. | 0:13:19 | 0:13:24 | |
He's served it with crispy squid, confit potato | 0:13:24 | 0:13:28 | |
and a Thai-style vegetable broth. | 0:13:28 | 0:13:31 | |
-It's a little plate of art, I think. -Thank you. | 0:13:31 | 0:13:34 | |
Nick, I think that's a very, very well-executed plate of food. | 0:13:42 | 0:13:45 | |
The broth is divine. | 0:13:45 | 0:13:47 | |
Love the fact you have taken the legs and thighs off | 0:13:47 | 0:13:49 | |
and you've turned them into a little boudin. | 0:13:49 | 0:13:53 | |
Tomato garnish, spinach, everything works, it's all seasoned. | 0:13:53 | 0:13:56 | |
-It's a very nice plate of food, Nick. Well done. -Thank you. | 0:13:56 | 0:14:00 | |
What you seem to do is just take these great | 0:14:01 | 0:14:05 | |
but simple ingredients and you elevate them. | 0:14:05 | 0:14:09 | |
Anyone can roast a poussin. | 0:14:09 | 0:14:11 | |
But you've made a mousse, you've stuffed the legs, | 0:14:11 | 0:14:14 | |
you've cooked the breast really well. | 0:14:14 | 0:14:16 | |
But it's that roasting of the bird, that seasoning of it, | 0:14:16 | 0:14:19 | |
it's caramelised, it's delicious. | 0:14:19 | 0:14:21 | |
-Really delicious. -Sure. | 0:14:21 | 0:14:23 | |
Well, I get good feedback at work, obviously, | 0:14:25 | 0:14:27 | |
but to get someone like Marcus and Monica to taste your food | 0:14:27 | 0:14:32 | |
and just praise you out loud, it's just unbelievable. | 0:14:32 | 0:14:36 | |
Andy's dish is his interpretation of a laksa, with pan-roasted squid | 0:14:39 | 0:14:45 | |
and deep-fried salt-and-pepper tentacles, | 0:14:45 | 0:14:48 | |
crispy chicken and broccoli couscous. | 0:14:48 | 0:14:51 | |
Andy, it's a nice dish. You've made a good sauce. | 0:15:00 | 0:15:05 | |
The squid is cooked nicely, so was the chicken. | 0:15:05 | 0:15:07 | |
But they're not elements that have been cooked together, | 0:15:07 | 0:15:10 | |
and I guess, because I have this laksa word stuck in my head, | 0:15:10 | 0:15:13 | |
I want to be eating something that is harmonious. | 0:15:13 | 0:15:17 | |
There's a nice warmth in the background there, but I just wish | 0:15:17 | 0:15:21 | |
you'd have cooked it together in the flavours of this sauce. | 0:15:21 | 0:15:24 | |
That's how I would attempt a laksa. | 0:15:24 | 0:15:26 | |
-Would I be right or wrong? -Right. -OK. Why didn't you do that then? | 0:15:26 | 0:15:29 | |
I was trying to just make it a bit more refined, but... | 0:15:29 | 0:15:32 | |
I should have just stuck with my gut instinct and... | 0:15:32 | 0:15:35 | |
Stick with what the dish is. | 0:15:35 | 0:15:37 | |
I sort of knew what I should have done, but hopefully, they can see | 0:15:39 | 0:15:44 | |
past the faults in the dish and they will want to see more of me. | 0:15:44 | 0:15:48 | |
Bobby has made a deconstructed chicken pie, | 0:15:48 | 0:15:52 | |
roast poussin breast on caramelised onion mash, served with poussin thigh | 0:15:52 | 0:15:57 | |
between pastry layers, tender stem broccoli and a veloute sauce. | 0:15:57 | 0:16:02 | |
Bobby, it's not the sort of pie I was thinking of, | 0:16:04 | 0:16:08 | |
-to be honest with you. -Mm-hm. | 0:16:08 | 0:16:09 | |
And when you mentioned the word "deconstruct", | 0:16:09 | 0:16:12 | |
that did ring alarm bells in my head and I was actually longing | 0:16:12 | 0:16:14 | |
and hoping for a pie, and that's not a pie. | 0:16:14 | 0:16:16 | |
Oh, Bobby. | 0:16:28 | 0:16:30 | |
Not good. | 0:16:34 | 0:16:35 | |
Really, really not good. | 0:16:37 | 0:16:40 | |
For me... The pastry, there's no flavour to it. | 0:16:40 | 0:16:43 | |
It's certainly not short. | 0:16:43 | 0:16:44 | |
The thigh is just dry, the breasts are dry. | 0:16:44 | 0:16:50 | |
I'm really... I'm really struggling to find a positive on this plate, Bobby. | 0:16:50 | 0:16:54 | |
In fact, I'm going to ask Monica. | 0:16:54 | 0:16:56 | |
-MONICA SIGHS -Oh, Bobby. | 0:16:58 | 0:17:00 | |
I applaud your enthusiasm about cooking | 0:17:00 | 0:17:04 | |
and your ideas of wanting to be different, | 0:17:04 | 0:17:08 | |
but I now question, do you have enough of the skill behind that | 0:17:08 | 0:17:12 | |
to back up your ideas at this point in your career? | 0:17:12 | 0:17:16 | |
You know... | 0:17:16 | 0:17:18 | |
Oh, it went terrible. | 0:17:18 | 0:17:19 | |
I could have delivered more, but that was me | 0:17:19 | 0:17:21 | |
trying to go all out there and obviously it just didn't work. | 0:17:21 | 0:17:25 | |
Sam has made tortellini stuffed with a poussin mousse. | 0:17:27 | 0:17:31 | |
They are accompanied by broccoli, wilted spinach, | 0:17:31 | 0:17:35 | |
crispy chicken skin flavoured with thyme and an Asian-style broth. | 0:17:35 | 0:17:39 | |
Sam, when a chef is unsure of his cooking, | 0:17:51 | 0:17:54 | |
it shows in his plate of food. | 0:17:54 | 0:17:56 | |
The tortellinis, there is nothing in the filling that | 0:17:56 | 0:17:59 | |
you eat and a burst of flavour hits you. The spinach, broccoli... | 0:17:59 | 0:18:03 | |
Yeah, they are all cooked well, | 0:18:03 | 0:18:04 | |
but there's nothing outstanding about it. | 0:18:04 | 0:18:07 | |
It is not a great dish. | 0:18:07 | 0:18:09 | |
There are things in here that I actually like. | 0:18:09 | 0:18:11 | |
The broth has got more flavour than I expected it to have. | 0:18:11 | 0:18:14 | |
It has got a little bit of warmth behind it as well, | 0:18:14 | 0:18:16 | |
a little bit of a kick. | 0:18:16 | 0:18:17 | |
I think this stage could go to another level, | 0:18:17 | 0:18:20 | |
if you just felt a little bit more enthusiastic about it yourself. | 0:18:20 | 0:18:23 | |
-Yeah, I apologise for that. -Sam, don't apologise. | 0:18:23 | 0:18:26 | |
If you are looking at us, thinking, | 0:18:26 | 0:18:27 | |
"What are they talking about?" then I would be slightly concerned. | 0:18:27 | 0:18:30 | |
The best part about this dish, and you, is that you are concerned, | 0:18:30 | 0:18:34 | |
-and that is fantastic. -Thank you. | 0:18:34 | 0:18:36 | |
I think I just went way too safe. | 0:18:39 | 0:18:41 | |
I don't know what happened to it, that's just not me. | 0:18:44 | 0:18:47 | |
Alex's dish is lemon and thyme marinated poussin | 0:18:49 | 0:18:53 | |
with spinach ravioli. | 0:18:53 | 0:18:55 | |
A tomato concasse, broccoli with a chicken jus. | 0:18:55 | 0:19:00 | |
Alex, the best thing about this dish is the chicken breast | 0:19:12 | 0:19:14 | |
and the thigh - they're cooked very well. But that is it for me, | 0:19:14 | 0:19:17 | |
it doesn't go much further than that. | 0:19:17 | 0:19:19 | |
I don't think the raviolis are that good. | 0:19:19 | 0:19:21 | |
It's sort of a light English roast dinner | 0:19:21 | 0:19:23 | |
meets Italian raviolis with spinach. | 0:19:23 | 0:19:26 | |
It just doesn't sort of work together as a complete dish. | 0:19:26 | 0:19:30 | |
I like it in parts. | 0:19:30 | 0:19:31 | |
I like the broccoli with the chicken on its own, | 0:19:31 | 0:19:34 | |
but it is just very disjointed, if that makes sense. | 0:19:34 | 0:19:38 | |
I had loads of ideas running through my head, | 0:19:39 | 0:19:42 | |
so maybe it didn't work as a whole. | 0:19:42 | 0:19:44 | |
I should have tasted it all in one spoon, got it all together | 0:19:44 | 0:19:47 | |
when I was plating and gone, "Yum." | 0:19:47 | 0:19:50 | |
Finally, it is Mark, | 0:19:50 | 0:19:52 | |
who has made roasted poussin breast with a confit leg, fondant potato, | 0:19:52 | 0:19:57 | |
roasted shallots, deep-fried spinach leaves and a broccoli puree. | 0:19:57 | 0:20:02 | |
That is a good plate of food, Mark. | 0:20:02 | 0:20:04 | |
Thank you. | 0:20:04 | 0:20:06 | |
Mark, it is a great eating dish. | 0:20:13 | 0:20:15 | |
The breast meat is just cooked nicely, | 0:20:15 | 0:20:18 | |
still got the crispy skin on there. The fondant is lovely | 0:20:18 | 0:20:20 | |
and the caramelised shallots just bring a bit of sweetness to it. | 0:20:20 | 0:20:23 | |
-But it is not overdone and that is a great-tasting sauce. -Thank you. | 0:20:23 | 0:20:27 | |
Really well cooked, Mark, very good. | 0:20:29 | 0:20:31 | |
The puree is excellent - great colour, nice and smooth - | 0:20:31 | 0:20:34 | |
and your seasoning on the dish is very good. | 0:20:34 | 0:20:37 | |
-It is beautifully executed, so a really good job. Well done. -Cheers. | 0:20:37 | 0:20:41 | |
I feel absolutely amazed. I could not have asked for better comments. | 0:20:42 | 0:20:46 | |
Really, really happy, yeah. Ecstatic, in fact, yeah. | 0:20:46 | 0:20:49 | |
Brilliant. | 0:20:54 | 0:20:56 | |
Our first invention test and, boy, | 0:20:56 | 0:20:58 | |
what a variety of dishes we got today. | 0:20:58 | 0:21:00 | |
We can only take four through to our next round. Who are our favourites? | 0:21:03 | 0:21:07 | |
Nick, without a doubt, stands out head and shoulders | 0:21:07 | 0:21:10 | |
above everyone else at the moment and even Mark as well. | 0:21:10 | 0:21:13 | |
I think they absolutely deserve to sail through to the next round. | 0:21:13 | 0:21:16 | |
For me, Bobby has to be the first chef to leave the competition. | 0:21:16 | 0:21:19 | |
He, for me, let himself down. | 0:21:19 | 0:21:21 | |
He was up against some good chefs | 0:21:21 | 0:21:23 | |
and, unfortunately, those highlighted his errors even more. | 0:21:23 | 0:21:26 | |
It then comes down to Sam, Alex and Andy. | 0:21:26 | 0:21:30 | |
We have to lose one of these chefs. | 0:21:30 | 0:21:33 | |
What happened to Sam today? | 0:21:33 | 0:21:34 | |
Sam, he was just a little bit off his mark, off his game. | 0:21:34 | 0:21:37 | |
But there was a few little bits in there that shows potential. | 0:21:37 | 0:21:41 | |
You know, we know he can cook, | 0:21:41 | 0:21:42 | |
I just think today was a little bit too tough for him. | 0:21:42 | 0:21:45 | |
I really want to stay in the competition | 0:21:45 | 0:21:47 | |
because I am really passionate about being a chef | 0:21:47 | 0:21:50 | |
and I don't want to just be a bog-standard chef. | 0:21:50 | 0:21:54 | |
I really want to be a MasterChef. | 0:21:54 | 0:21:57 | |
Alex's dish I found disjointed. | 0:21:57 | 0:21:59 | |
It didn't completely come together to make one harmonious dish, | 0:21:59 | 0:22:02 | |
but I did like parts of it. | 0:22:02 | 0:22:04 | |
This is a massive challenge that is coming next. | 0:22:04 | 0:22:06 | |
Is Alex good enough to cook for the critics? | 0:22:06 | 0:22:09 | |
I think you and I need to really question | 0:22:09 | 0:22:11 | |
-whether or not he can cope with that. -Not too confident. | 0:22:11 | 0:22:14 | |
If I stay in, then I really have to get it 100% this time. | 0:22:14 | 0:22:18 | |
Andy was a little bit disappointing today for me. | 0:22:18 | 0:22:20 | |
I felt that he had sold me the dish when we were talking to him | 0:22:20 | 0:22:24 | |
at the bench and then, when it came to the dish | 0:22:24 | 0:22:26 | |
being presented in front of us, it didn't quite hit the mark. | 0:22:26 | 0:22:29 | |
If Andy goes through to cook for the critics, | 0:22:29 | 0:22:31 | |
I want to see more diversity from him. There is more to him than this. | 0:22:31 | 0:22:35 | |
Yeah, I would love to stay in and cook my food for the critics, | 0:22:35 | 0:22:39 | |
just to show the critics that it is not just Asian food that I can cook. | 0:22:39 | 0:22:42 | |
I want to show them another side of me. | 0:22:42 | 0:22:45 | |
We have got three chefs here and we need to lose one. | 0:22:45 | 0:22:48 | |
Marcus, which two do you think can produce the most exciting food here | 0:22:51 | 0:22:55 | |
and please the critics? | 0:22:55 | 0:22:56 | |
There have been some great plates of food. | 0:23:08 | 0:23:10 | |
But there have also been some errors here, | 0:23:12 | 0:23:15 | |
and it is those errors that will cost you the competition. | 0:23:15 | 0:23:18 | |
The first chef leaving the competition is... | 0:23:19 | 0:23:22 | |
..Bobby. Thank you. | 0:23:23 | 0:23:26 | |
The second chef leaving the competition is... | 0:23:31 | 0:23:34 | |
..Alex. | 0:23:39 | 0:23:40 | |
I feel slightly disappointed but very happy | 0:23:45 | 0:23:48 | |
in how far I have come and how I competed against the other chefs. | 0:23:48 | 0:23:52 | |
I came here for a bit of self belief and I got to the quarterfinal, | 0:23:54 | 0:23:57 | |
you know? So, of course, I have it good, you know? | 0:23:57 | 0:23:59 | |
I will just keep pinching myself, really, just to improve | 0:23:59 | 0:24:03 | |
and become, you know, a good chef one day. | 0:24:03 | 0:24:05 | |
Congratulations, well done. | 0:24:11 | 0:24:13 | |
Chefs, you are now going to cook for the critics - | 0:24:30 | 0:24:34 | |
some of the toughest in the country. | 0:24:34 | 0:24:37 | |
No pressure, then! | 0:24:37 | 0:24:38 | |
One of you is going to be leaving the competition at the end | 0:24:40 | 0:24:43 | |
of today, so give it your best shot. | 0:24:43 | 0:24:45 | |
You have an hour and 15 minutes to cook two courses - | 0:24:47 | 0:24:51 | |
a main course and a dessert. | 0:24:51 | 0:24:52 | |
Off you go. Good luck. | 0:24:53 | 0:24:55 | |
You know, cooking for the critics is a big challenge - | 0:25:03 | 0:25:05 | |
probably the most intense things I will ever have to do, I reckon. | 0:25:05 | 0:25:10 | |
I am going there to focus on my food. | 0:25:10 | 0:25:12 | |
I am not phased by anyone else in the kitchen. | 0:25:12 | 0:25:14 | |
I know on my day I can cook better than them, I know I can. | 0:25:14 | 0:25:19 | |
We are going to have to really fly today. | 0:25:19 | 0:25:21 | |
There's some serious amount of work to get done | 0:25:21 | 0:25:24 | |
in such a short amount of time. | 0:25:24 | 0:25:25 | |
Cooking for the critics is something a little different. | 0:25:29 | 0:25:31 | |
It's another level. | 0:25:31 | 0:25:33 | |
They are going to be looking for something new, something exciting... | 0:25:33 | 0:25:36 | |
They are also going to pull it to pieces, given half a chance. | 0:25:36 | 0:25:39 | |
Our critics do not leave any stone unturned. | 0:25:39 | 0:25:42 | |
No, they don't, but if they find a star in this room, | 0:25:42 | 0:25:46 | |
the chef has made it. | 0:25:46 | 0:25:47 | |
There is a lot of pressure. | 0:25:50 | 0:25:51 | |
For me, the better the comments I get, the higher the expectation is. | 0:25:51 | 0:25:56 | |
It is the further I can fall, so, yeah, I am enjoying it, | 0:25:56 | 0:25:59 | |
but by no means am I taking it easy. | 0:25:59 | 0:26:01 | |
-Hey, Nick, how are you doing? -Hot. -Hot? | 0:26:05 | 0:26:08 | |
What are you cooking for the critics today? | 0:26:08 | 0:26:11 | |
I am doing pan-fried halibut fillet with a cauliflower puree, | 0:26:11 | 0:26:14 | |
curried red lentil and lemon grass sauce. | 0:26:14 | 0:26:17 | |
-And I am doing a popcorn cake as my dessert. -Popcorn cake? | 0:26:17 | 0:26:20 | |
Yeah, I suppose it was created by accident. | 0:26:20 | 0:26:23 | |
I tried to make a popcorn ganache, didn't work. | 0:26:23 | 0:26:25 | |
The mix resembled ground almond, | 0:26:25 | 0:26:27 | |
so I made a financier out of it and it really worked. | 0:26:27 | 0:26:30 | |
I really, really like it. | 0:26:30 | 0:26:32 | |
Do you think these dishes are good enough to put you through to | 0:26:32 | 0:26:34 | |
-knockout week? -I do think they're good enough, yeah. | 0:26:34 | 0:26:38 | |
I can't rest on my laurels. | 0:26:38 | 0:26:39 | |
I have had praise beyond what I could possibly dream, | 0:26:39 | 0:26:42 | |
but I want more. I want more praise. | 0:26:42 | 0:26:44 | |
-I like that. -Thank you. | 0:26:44 | 0:26:45 | |
I love the sound of Nick's dish. | 0:26:48 | 0:26:50 | |
Curried lentils, raisins, cauliflower puree | 0:26:50 | 0:26:53 | |
and that lemon grass sauce as well. | 0:26:53 | 0:26:56 | |
I hope Nick looks after the halibut. | 0:26:56 | 0:26:57 | |
It needs to go into a hot pan to seal it. | 0:26:57 | 0:26:59 | |
He has got to be very careful with the timing. | 0:26:59 | 0:27:02 | |
The lentils is all about the balance of the cooking. | 0:27:02 | 0:27:04 | |
You want the curry to come through but you don't want the curry flavour | 0:27:04 | 0:27:08 | |
to overpower the halibut and the rest of the garnishes. | 0:27:08 | 0:27:11 | |
Nick's dessert sounds interesting. | 0:27:11 | 0:27:13 | |
I have never had a popcorn cake before. | 0:27:13 | 0:27:16 | |
He is serving it with salted peanut mousse and caramelised bananas. | 0:27:16 | 0:27:22 | |
Mmm! | 0:27:22 | 0:27:24 | |
The mousse has to be light, fragrant. | 0:27:24 | 0:27:26 | |
You want the peanut flavour to come through and yet be very | 0:27:26 | 0:27:28 | |
careful with the quantity of salt that you put in that dish. | 0:27:28 | 0:27:31 | |
Too much salt and the dish is ruined. | 0:27:31 | 0:27:34 | |
My dishes today, I'm doing a lamb rump with stuffed courgette flowers | 0:27:38 | 0:27:43 | |
with goat's cheese and honey. | 0:27:43 | 0:27:44 | |
Courgette and basil puree, compressed tomato | 0:27:44 | 0:27:48 | |
and caramelised onion. | 0:27:48 | 0:27:50 | |
For dessert, I am doing chocolate coffee mouse, | 0:27:50 | 0:27:53 | |
caramel chocolate shard in a yoghurt sorbet. | 0:27:53 | 0:27:57 | |
They are not safe. | 0:27:57 | 0:28:00 | |
My last dish I did before was way too safe. | 0:28:00 | 0:28:02 | |
I think it should go great today, fingers crossed. | 0:28:02 | 0:28:06 | |
Sam, your last round was tough, wasn't it? | 0:28:08 | 0:28:10 | |
You find that really hard, the invention test. | 0:28:10 | 0:28:13 | |
It was an easy test, I was just... I don't know. Words cannot explain. | 0:28:13 | 0:28:17 | |
I need to pull my socks up, basically. | 0:28:17 | 0:28:19 | |
-Have you done this before? -Yes. -Tried and tested? -Yeah. | 0:28:19 | 0:28:22 | |
It's the closest to a service you have got so far in the competition. | 0:28:22 | 0:28:25 | |
-It is, yeah. I love service. Should be fine. -Good. | 0:28:25 | 0:28:29 | |
-Better let you get on. -Off you go. | 0:28:29 | 0:28:31 | |
Sam has chosen a rump of lamb. | 0:28:33 | 0:28:36 | |
He is cooking it in the vac pack machine, which is a very good idea, | 0:28:36 | 0:28:39 | |
especially with the time limit here. | 0:28:39 | 0:28:41 | |
All he needs to do then is to sear it in a lovely hot pan with | 0:28:41 | 0:28:44 | |
some butter and get that lovely caramelisation into it. | 0:28:44 | 0:28:48 | |
Sam's dessert is a chocolate and coffee mousse. | 0:28:48 | 0:28:51 | |
One of the most important things is that the mousse sets on time. | 0:28:51 | 0:28:55 | |
The sorbet needs to be made, it needs to be put into the freezer | 0:28:55 | 0:28:58 | |
so it is nice and firm. | 0:28:58 | 0:29:00 | |
What we don't want is our sorbet melting | 0:29:00 | 0:29:02 | |
before it gets to our critics. | 0:29:02 | 0:29:03 | |
Up until now, I cooked quite a lot of Asian flavours. | 0:29:09 | 0:29:13 | |
Hopefully, today, I can show them that I am not a one-trick pony - | 0:29:13 | 0:29:16 | |
it's not all I can do. | 0:29:16 | 0:29:18 | |
These dishes are pretty much as British as you can get, | 0:29:18 | 0:29:21 | |
so I am really looking forward to showing them something different. | 0:29:21 | 0:29:25 | |
The title of the dish is Nanny Pickles' Lamb And Greens. | 0:29:29 | 0:29:33 | |
It is a loin of lamb with spring vegetables | 0:29:33 | 0:29:35 | |
-and a shepherd's pie on the side. -Nanny Pickles? -Yeah. | 0:29:35 | 0:29:38 | |
Is your second name Pickles? | 0:29:38 | 0:29:40 | |
No, it is Peacock, but my son and my niece | 0:29:40 | 0:29:43 | |
and nephew couldn't pronounce Peacock. | 0:29:43 | 0:29:45 | |
It turned out to be Pickles and we have just run with it ever since. | 0:29:45 | 0:29:49 | |
For dessert, I have got a honey and vanilla parfait | 0:29:49 | 0:29:51 | |
-with strawberries and crumble. -You really want this, Andy. | 0:29:51 | 0:29:55 | |
Yeah, I think the last couple of rounds I have been a bit quiet | 0:29:55 | 0:29:58 | |
-but today is the day. -The last rounds have been a bit quiet? | 0:29:58 | 0:30:00 | |
Is the animal coming out of you now, is it? | 0:30:00 | 0:30:02 | |
No, I have just got too much to do now, I think! | 0:30:02 | 0:30:05 | |
-All right, get on with it. -Thank you, Chefs. | 0:30:05 | 0:30:08 | |
Nana Pickles' Lamb Loin - I quite like the title of that dish, but | 0:30:08 | 0:30:12 | |
the bit I'm really looking forward to, Monica, is the shepherd's pie. | 0:30:12 | 0:30:16 | |
I love shepherd's pie. | 0:30:16 | 0:30:17 | |
Just got to get some big, bold flavours in there. | 0:30:17 | 0:30:20 | |
You want it to be nice and rich and oozing lamb flavour, | 0:30:20 | 0:30:23 | |
and then, on top, you want a beautiful, creamy potato puree. | 0:30:23 | 0:30:26 | |
That's what I look for in a good shepherd's pie. | 0:30:26 | 0:30:29 | |
Perfect parfait for me, it's all about making sure that you can | 0:30:30 | 0:30:33 | |
still cut into it without having to chip through it like an ice block. | 0:30:33 | 0:30:38 | |
Sounds simple, but it's actually quite a lot of detail in there. | 0:30:38 | 0:30:40 | |
He's got to get the parfait right. | 0:30:40 | 0:30:42 | |
Chefs, you've had 30 minutes. | 0:30:43 | 0:30:46 | |
30 minutes. | 0:30:46 | 0:30:47 | |
Mark is going 100mph. | 0:30:49 | 0:30:51 | |
This chef is hungry for it and we can see it. | 0:30:52 | 0:30:55 | |
He's making for us a hazelnut-crusted cod | 0:30:55 | 0:30:58 | |
which he's going to slowly poach and then finish under the grill. | 0:30:58 | 0:31:02 | |
He's also serving it with the clam vinaigrette. | 0:31:02 | 0:31:05 | |
It should work as long as he gets it right, and the most important thing | 0:31:05 | 0:31:08 | |
I'm going to be looking for is | 0:31:08 | 0:31:09 | |
making sure that he doesn't overcook that cod. | 0:31:09 | 0:31:11 | |
For a dessert, Mark is making us | 0:31:11 | 0:31:13 | |
a chocolate marquise with pickled cherries and a creme fraiche sorbet. | 0:31:13 | 0:31:17 | |
The marquise is a little bit firmer than a chocolate mousse. | 0:31:17 | 0:31:20 | |
It's very, very rich and I think - | 0:31:20 | 0:31:22 | |
with the chocolate glaze on top cut through with the cherries - wow. | 0:31:22 | 0:31:26 | |
But Mark has got to watch the pickling of the cherry. | 0:31:26 | 0:31:28 | |
If they're too sharp, too sour, it can destroy this dessert. | 0:31:28 | 0:31:32 | |
-Hi, Mark. -How are you doing? -I'm all right, are you? -Good, thanks, Chef. | 0:31:34 | 0:31:37 | |
Nice to see you've got some colour back on your cheeks. | 0:31:37 | 0:31:39 | |
-You're normally as white as a ghost! -Why these two dishes? | 0:31:39 | 0:31:42 | |
Where's the inspiration from your dishes to date? | 0:31:42 | 0:31:44 | |
I think that it's just stuff that I've cooked before, stuff that's | 0:31:44 | 0:31:47 | |
been raved about by my fiancee, by my family, by my friends. | 0:31:47 | 0:31:51 | |
I love cod, I think it's a really flavourful piece of fish. | 0:31:51 | 0:31:54 | |
Chocolate - I'm a massive chocoholic. | 0:31:54 | 0:31:56 | |
-So are we! -Yeah. -Looking forward to it. | 0:31:56 | 0:31:58 | |
You know, obviously, I hoped that I'd get far in the competition, | 0:32:00 | 0:32:03 | |
but when you get here and you have to deal with the nerves and | 0:32:03 | 0:32:06 | |
the pressure, you know, there's more to it than just cooking some food. | 0:32:06 | 0:32:09 | |
Just to get this far I'm more than happy, | 0:32:09 | 0:32:12 | |
but I really want to go further. | 0:32:12 | 0:32:14 | |
What's happened, Sam? | 0:32:30 | 0:32:31 | |
I was making the chocolate-coffee mousse, | 0:32:31 | 0:32:34 | |
just added the sugar not as slow as I would like to. | 0:32:34 | 0:32:37 | |
And it's not worked. | 0:32:37 | 0:32:39 | |
-I'll get another batch on. -Pick yourself up. | 0:32:39 | 0:32:41 | |
You've got to go even faster now. | 0:32:41 | 0:32:44 | |
Chefs, you've got 15 minutes left. | 0:32:45 | 0:32:48 | |
The critics are here and hungry. | 0:32:48 | 0:32:50 | |
I always look forward to MasterChef: The Professionals, | 0:33:02 | 0:33:05 | |
because I hope I'm about to come across someone | 0:33:05 | 0:33:07 | |
at the beginning of a brilliant career so that | 0:33:07 | 0:33:09 | |
I can really smugly say, a few years down the line, that I met them when. | 0:33:09 | 0:33:15 | |
What I don't want to see is a load of foraging. | 0:33:15 | 0:33:17 | |
Don't come in here with a basket of sea vegetables from your beach hut | 0:33:17 | 0:33:22 | |
or some dandelion leaves from your nanny's back yard. | 0:33:22 | 0:33:26 | |
That doesn't tell me about how you cook, it just tells me | 0:33:26 | 0:33:28 | |
that you're following fashion. | 0:33:28 | 0:33:31 | |
I think the food that we want is food that mixes simplicity | 0:33:31 | 0:33:35 | |
with a little bit of a twist. | 0:33:35 | 0:33:37 | |
We want to be surprised, pleasantly, | 0:33:37 | 0:33:39 | |
and we're here to eat and we're hungry. | 0:33:39 | 0:33:42 | |
-Nick, you've got 2½ minutes left. -Oui. | 0:33:45 | 0:33:48 | |
Are we getting there? | 0:33:48 | 0:33:49 | |
The cauliflower's ready, puree's hot, lentils are hot. | 0:33:49 | 0:33:53 | |
Literally the cooking of the fish. | 0:33:53 | 0:33:55 | |
If I actually had a choice, | 0:33:56 | 0:33:58 | |
I could choose one of the main courses from this menu, | 0:33:58 | 0:34:01 | |
Nick's would be the one that would instinctively appeal to me - | 0:34:01 | 0:34:04 | |
pan-fried halibut, curried red lentils, cauliflower, | 0:34:04 | 0:34:07 | |
lemon grass sauce. | 0:34:07 | 0:34:08 | |
It's certainly the most interesting. | 0:34:08 | 0:34:10 | |
-Been tasting everything? -Absolutely. | 0:34:12 | 0:34:14 | |
I guess the one thing that worries me about it is there's not a lot of | 0:34:14 | 0:34:17 | |
comfort there, of squish and squelch and carbs and that sort of thing. | 0:34:17 | 0:34:21 | |
It's all about clean, pure flavours. | 0:34:21 | 0:34:24 | |
You happy with the fish? | 0:34:25 | 0:34:27 | |
I'd have liked a better colour. | 0:34:27 | 0:34:28 | |
You need to really just take your time a little bit here, OK? | 0:34:34 | 0:34:37 | |
Just keep it together, send out some nice plates. | 0:34:37 | 0:34:40 | |
Yeah, that's it. | 0:34:40 | 0:34:41 | |
Lovely. Are you happy? | 0:34:43 | 0:34:45 | |
-Yes. -OK. | 0:34:45 | 0:34:46 | |
-OK, off you go. -Thank you, Chef. | 0:34:46 | 0:34:48 | |
-That's the first time I've seen him flustered. -Yeah. | 0:34:50 | 0:34:53 | |
-It's the first time he's been under pressure, hasn't it? -It shows. | 0:34:53 | 0:34:56 | |
Thank you. | 0:34:57 | 0:34:58 | |
Thank you. | 0:34:58 | 0:35:00 | |
I've cooked you a pan-fried halibut fillet with curried lentils, | 0:35:01 | 0:35:05 | |
cauliflower and a lemon grass sauce. | 0:35:05 | 0:35:07 | |
-Hope you enjoy. -Thank you. | 0:35:07 | 0:35:09 | |
The menu had colour and flavour and a certain amount of pizzazz, | 0:35:11 | 0:35:16 | |
and what's come out is... | 0:35:16 | 0:35:18 | |
-JAY RAYNER: -A symphony of beige. | 0:35:18 | 0:35:20 | |
This is quite a frustrating dish. | 0:35:27 | 0:35:29 | |
It's a perfectly decent, nice piece of fish, but that quite | 0:35:29 | 0:35:32 | |
clever lemon grass sauce, I think he could have made more of it. | 0:35:32 | 0:35:36 | |
Then you've got this curried lentil dhal, which is really, really nice. | 0:35:36 | 0:35:40 | |
-But there's not any of it. -I don't know what to make of this. | 0:35:40 | 0:35:44 | |
He's reached for something, but I don't know what it is. | 0:35:44 | 0:35:46 | |
I actually like this dish a lot more than you guys. | 0:35:46 | 0:35:49 | |
You're nicer than us! | 0:35:49 | 0:35:51 | |
I'm really enjoying it. I think he understands flavour. | 0:35:51 | 0:35:55 | |
I really like the spicy warmth from the lentils, | 0:35:55 | 0:35:58 | |
there's sweetness from this cauliflower puree | 0:35:58 | 0:36:01 | |
and there's sharp, sweet sultanas | 0:36:01 | 0:36:04 | |
and I think, you know, I'd like to taste more of his food. | 0:36:04 | 0:36:07 | |
-MARCUS: -I think both you and I had big expectations. | 0:36:09 | 0:36:12 | |
I just don't think that Nick has taken this dish to another level. | 0:36:12 | 0:36:15 | |
When it comes to Nick's dessert, I'm genuinely excited. | 0:36:18 | 0:36:22 | |
Warm popcorn cake, salted peanut mousse, caramelised banana... | 0:36:22 | 0:36:26 | |
That better be all the things it says it is, | 0:36:26 | 0:36:28 | |
because I want to eat that. | 0:36:28 | 0:36:30 | |
Cake's come out really well. | 0:36:30 | 0:36:32 | |
Really happy with it. | 0:36:32 | 0:36:33 | |
I'm just worried it could be too sweet and too chewy and, | 0:36:33 | 0:36:37 | |
you know, my mouth won't open, which could be a tremendous thing! | 0:36:37 | 0:36:41 | |
Is the mousse all right, Nick? | 0:36:45 | 0:36:46 | |
Yeah, it's set, it's light and, yeah, | 0:36:46 | 0:36:49 | |
there's just enough salt in there. | 0:36:49 | 0:36:51 | |
Take your best plates. | 0:36:51 | 0:36:52 | |
Thank you. | 0:37:02 | 0:37:03 | |
For dessert, I've made a popcorn financier cake with peanut mousse, | 0:37:06 | 0:37:09 | |
caramelised banana and salted peanut. | 0:37:09 | 0:37:12 | |
Thank you. | 0:37:12 | 0:37:13 | |
Again, I think Nick has shown that he really does understand flavour. | 0:37:23 | 0:37:26 | |
I think there's some really delicious tastes on this plate | 0:37:26 | 0:37:30 | |
and I think that the popcorn cake is great. | 0:37:30 | 0:37:32 | |
I think it's really innovative - I've never had it before. | 0:37:32 | 0:37:34 | |
I really like it. | 0:37:34 | 0:37:36 | |
I really like the salted peanut mousse, which is delicious. | 0:37:36 | 0:37:39 | |
There's good stuff happening there, but it's just not quite there. | 0:37:39 | 0:37:42 | |
If it had been a big disc of a cake | 0:37:42 | 0:37:44 | |
and then some of the caramelised bananas | 0:37:44 | 0:37:46 | |
and a big heap of the cream, that would have been fabulous. | 0:37:46 | 0:37:48 | |
Instead it's trying to be grown up. | 0:37:48 | 0:37:51 | |
I think there's no question that Nick is a good chef. | 0:37:51 | 0:37:54 | |
He's got some nice light touches, | 0:37:54 | 0:37:56 | |
he understands about flavour combination... | 0:37:56 | 0:38:00 | |
But this guy just needs a bit of fire in his belly. | 0:38:00 | 0:38:03 | |
He needs to be a bit braver. | 0:38:03 | 0:38:05 | |
The cake, it's got an interesting flavour, I just... | 0:38:07 | 0:38:11 | |
I can't see this cake as a dessert, personally, and I think Nick | 0:38:11 | 0:38:14 | |
has just not quite hit the mark that we both were expecting him to. | 0:38:14 | 0:38:18 | |
HE SIGHS | 0:38:18 | 0:38:20 | |
Exhausted. Erm, that was hard, that was really hard. | 0:38:28 | 0:38:32 | |
The pressure is just... | 0:38:32 | 0:38:33 | |
It gets turned up about ten notches from what we've done before. | 0:38:33 | 0:38:36 | |
That was really, really tough. | 0:38:36 | 0:38:38 | |
Sam, you've got six minutes. How's it going? | 0:38:41 | 0:38:43 | |
OK, OK. Not as well as I planned. | 0:38:43 | 0:38:45 | |
So, Sam's main course is pan-fried lamb rump, | 0:38:47 | 0:38:51 | |
stuffed courgette flower with compressed tomato and goat's cheese. | 0:38:51 | 0:38:55 | |
Well, nothing to upset Auntie there, is there? | 0:38:55 | 0:38:57 | |
This combination is very, very tried and tested, | 0:38:57 | 0:39:00 | |
so it has to be done absolutely perfectly. | 0:39:00 | 0:39:03 | |
If he can cook it well, there may be a great dish. | 0:39:10 | 0:39:12 | |
My fear is it just could be a really boring dish. | 0:39:12 | 0:39:15 | |
-Are you happy with that lamb? -Yeah, perfect. | 0:39:24 | 0:39:26 | |
-Ready to go. -Ready? | 0:39:29 | 0:39:30 | |
Afternoon. | 0:39:37 | 0:39:38 | |
-Thank you. -You're welcome. | 0:39:41 | 0:39:43 | |
Thank you. | 0:39:44 | 0:39:46 | |
Your rump of lamb with compressed tomato, | 0:39:46 | 0:39:48 | |
stuffed courgette flowers with goat's cheese and honey, | 0:39:48 | 0:39:51 | |
confit onion and courgette and basil puree with lamb and Madeira sauce. | 0:39:51 | 0:39:56 | |
Thank you. | 0:39:56 | 0:39:58 | |
Well, it's an interesting-looking plateful, isn't it? | 0:39:58 | 0:40:00 | |
Because it's been put together with a slightly artistic eye. | 0:40:00 | 0:40:04 | |
Well, Tracey, I couldn't disagree with you more. | 0:40:04 | 0:40:07 | |
I can't see any artistry here. | 0:40:07 | 0:40:09 | |
It's like food that's landed on a plate with a kind of dull thud. | 0:40:09 | 0:40:12 | |
I like knowing that an animal is an animal, | 0:40:19 | 0:40:21 | |
but I don't necessarily like seeing the connective tissue. | 0:40:21 | 0:40:24 | |
This is undercooked to an extraordinary degree. | 0:40:24 | 0:40:27 | |
This is quite a curious plate of food, | 0:40:27 | 0:40:29 | |
because this compressed tomato, | 0:40:29 | 0:40:31 | |
that looks like a big chunk of watermelon, adds nothing. | 0:40:31 | 0:40:34 | |
The onion, it's OK where it's caramelised, | 0:40:34 | 0:40:37 | |
but this lacks, to me, any sort of sophistication. | 0:40:37 | 0:40:41 | |
This basil puree not only underpins the whole thing, | 0:40:41 | 0:40:45 | |
it overwhelms the whole thing. | 0:40:45 | 0:40:46 | |
I mean, it really is a very dominant flavour. | 0:40:46 | 0:40:49 | |
Altogether, it's just not harmonising, is it? | 0:40:49 | 0:40:52 | |
Didn't look too great. Didn't taste great either. | 0:40:54 | 0:40:57 | |
The thing that really jumps out at me is the bleeding of the meat, | 0:40:57 | 0:41:00 | |
and the deep-frying of the courgette with the cheese inside. | 0:41:00 | 0:41:04 | |
This, for me, has been a car crash for Sam. | 0:41:04 | 0:41:06 | |
The big question is going to be - | 0:41:06 | 0:41:08 | |
can he pull it back with his dessert? | 0:41:08 | 0:41:11 | |
-Sam, do you want to move a bit faster? -Yeah. -Yeah. | 0:41:13 | 0:41:17 | |
Sam's dessert is a chocolate espresso mousse | 0:41:17 | 0:41:20 | |
with a chocolate caramel shard and yoghurt sorbet. | 0:41:20 | 0:41:23 | |
Obviously, with the mousse, it needs to be light. | 0:41:23 | 0:41:25 | |
HE KNOCKS ON FOOD | 0:41:25 | 0:41:27 | |
It's frozen solid, man. | 0:41:27 | 0:41:30 | |
Have you left it in the blast chiller all this time? | 0:41:30 | 0:41:33 | |
-Or was it in the freezer? -It was in the blast chiller. | 0:41:33 | 0:41:36 | |
Is the sorbet ready? | 0:41:36 | 0:41:38 | |
It's in the freezer. It's setting. | 0:41:38 | 0:41:40 | |
Yoghurt sorbet - could be a good way of cutting through | 0:41:40 | 0:41:43 | |
the bitterness of the espresso mousse. | 0:41:43 | 0:41:47 | |
-It's not set, is it? -Not set. | 0:41:47 | 0:41:48 | |
'So, it could be a lovely combination of | 0:41:48 | 0:41:51 | |
'temperatures and textures,' | 0:41:51 | 0:41:53 | |
we hope. | 0:41:53 | 0:41:55 | |
-MONICA: -Come on, Sam. | 0:41:55 | 0:41:57 | |
Yeah, I'm ready to go. | 0:42:13 | 0:42:14 | |
-I'm not happy. -Oh, my God. | 0:42:18 | 0:42:20 | |
-Thank you. -You're welcome. | 0:42:22 | 0:42:26 | |
For you, I've got chocolate espresso mousse, caramel, | 0:42:26 | 0:42:29 | |
chocolate rocks, yoghurt sorbet. | 0:42:29 | 0:42:31 | |
I apologise for the tuile, | 0:42:31 | 0:42:34 | |
as I just wasn't happy to serve it. | 0:42:34 | 0:42:37 | |
-Thank you. -Thank you. | 0:42:37 | 0:42:38 | |
In an ideal world, the presentation of a dish should give you | 0:42:45 | 0:42:48 | |
some idea of what the experience of eating it is going to be, | 0:42:48 | 0:42:52 | |
and I will say that, in that regard, Sam has succeeded. | 0:42:52 | 0:42:56 | |
It's a terrible dish. | 0:42:56 | 0:42:58 | |
I think Sam might have had, sort of, technical problems, | 0:42:58 | 0:43:01 | |
but even if he hadn't, there's a fundamental problem with it, | 0:43:01 | 0:43:04 | |
which is that everything is turned up to 11, isn't it? | 0:43:04 | 0:43:07 | |
The chocolate is very bitter. | 0:43:07 | 0:43:09 | |
The coffee mousse tastes a little bit like coffee extract, | 0:43:09 | 0:43:12 | |
and there's an unpleasant sort of lactic tang to the sorbet, | 0:43:12 | 0:43:16 | |
which is now a sauce. | 0:43:16 | 0:43:18 | |
It is... It's dreadful. | 0:43:18 | 0:43:20 | |
Wow(!) | 0:43:22 | 0:43:24 | |
Marcus, we've seen some of our chefs crumble | 0:43:24 | 0:43:26 | |
when they cook for the critics, | 0:43:26 | 0:43:27 | |
-but I don't recall having it this bad. -Mmm. | 0:43:27 | 0:43:30 | |
HE SIGHS | 0:43:35 | 0:43:37 | |
'Horrendous. That's...' | 0:43:42 | 0:43:44 | |
Oh, it's just the worst nightmare. | 0:43:44 | 0:43:47 | |
Everything went wrong for us today. Everything. | 0:43:47 | 0:43:50 | |
Erm, I'm pretty embarrassed. | 0:43:50 | 0:43:52 | |
So, Andi's main dish, I think, sounds very attractive. | 0:43:58 | 0:44:01 | |
'This is basically lamb two ways.' | 0:44:01 | 0:44:04 | |
If Nanny Pickles offered me a shepherd's pie with some peas, | 0:44:04 | 0:44:06 | |
asparagus, baby gem and shallots, I'd be quite happy. | 0:44:06 | 0:44:09 | |
I don't think I need the loin of lamb with it. | 0:44:09 | 0:44:11 | |
I think he's slightly indecisive. | 0:44:11 | 0:44:13 | |
Shepherd's pie has to be really, really good, though. | 0:44:13 | 0:44:16 | |
Really, really good. | 0:44:16 | 0:44:17 | |
-Time to plate up. -Yup. | 0:44:17 | 0:44:19 | |
I wish I could stop shaking. | 0:44:24 | 0:44:26 | |
-All you've got to do is press the plates now. -It's the fun part. | 0:44:26 | 0:44:28 | |
You need to enjoy it. | 0:44:28 | 0:44:30 | |
Good job. Good job. | 0:44:33 | 0:44:35 | |
How is the shepherd's pie? | 0:44:36 | 0:44:39 | |
-They're good. -Ooh. | 0:44:39 | 0:44:40 | |
-Are we good to go? -Yes, Chef. | 0:44:40 | 0:44:42 | |
Thanks, Andi. | 0:44:50 | 0:44:51 | |
Today's main course is Nanny Pickles' lamb and greens, | 0:44:54 | 0:44:57 | |
which is a loin of lamb with spring greens, | 0:44:57 | 0:45:00 | |
pea puree and a shepherd's pie. | 0:45:00 | 0:45:02 | |
-You know what I'm going to ask you, don't you? -Who's Nanny Pickles? | 0:45:02 | 0:45:05 | |
-Who's Nanny Pickles? -It's my nan. | 0:45:05 | 0:45:07 | |
When I was younger, I always used to go to her house, | 0:45:07 | 0:45:10 | |
she would ask what I would like, | 0:45:10 | 0:45:11 | |
and it was always lamb and runner beans. | 0:45:11 | 0:45:13 | |
Thank you. | 0:45:13 | 0:45:14 | |
I do think that it's a bit of a mismatch. | 0:45:17 | 0:45:19 | |
This is a lovely spring, light... | 0:45:19 | 0:45:21 | |
light-looking plateful, | 0:45:21 | 0:45:22 | |
and then there's this big, autumnal, very rich-looking thing. | 0:45:22 | 0:45:25 | |
You know, I think we need to eat them together to see how it's | 0:45:25 | 0:45:28 | |
-going to work. -Shall we? | 0:45:28 | 0:45:29 | |
Let's do it. | 0:45:29 | 0:45:30 | |
All right. Doesn't work together. | 0:45:38 | 0:45:40 | |
I mean, there's lots of good cooking. | 0:45:40 | 0:45:42 | |
That lovely, sweet pea puree. | 0:45:42 | 0:45:44 | |
The vegetables have really got crunch. | 0:45:44 | 0:45:47 | |
The lamb is well cooked, but the problem comes with | 0:45:47 | 0:45:50 | |
the fact that the shepherd's pie just doesn't match with it at all. | 0:45:50 | 0:45:53 | |
I mean, it's like serving a self-saucing chocolate fondant | 0:45:53 | 0:45:57 | |
with, you know, a treacle tart. | 0:45:57 | 0:45:58 | |
Get rid of the lamb loin, | 0:45:58 | 0:46:00 | |
and replace it with the shepherd's pie, | 0:46:00 | 0:46:03 | |
or vice versa, but both... | 0:46:03 | 0:46:05 | |
You know, it's a waste of time, doing that separate dish. | 0:46:05 | 0:46:08 | |
The shepherd's pie is not needed, | 0:46:11 | 0:46:13 | |
but yet it's so good. | 0:46:13 | 0:46:15 | |
That's such a shame, because this is supposed to be the side dish, | 0:46:15 | 0:46:19 | |
yet that is better than the main plate itself. | 0:46:19 | 0:46:22 | |
Oh, dear. | 0:46:22 | 0:46:23 | |
The honey and vanilla parfait, strawberries and crumble | 0:46:26 | 0:46:28 | |
has me worrying about the two extremes. | 0:46:28 | 0:46:30 | |
On the one hand, it could be exactly as written, | 0:46:30 | 0:46:33 | |
which is a little bit dull. | 0:46:33 | 0:46:36 | |
On the other hand, it could be textures of honey and vanilla | 0:46:36 | 0:46:40 | |
and strawberry and crumble, and shoot me be now. | 0:46:40 | 0:46:43 | |
'With a parfait, you've got to get it set exactly right,' | 0:46:43 | 0:46:46 | |
and bring it to us in peak condition, or don't bother. | 0:46:46 | 0:46:49 | |
It's looking quite good. | 0:46:51 | 0:46:53 | |
I'm quite pleased that it's set. | 0:46:53 | 0:46:55 | |
-Is that the last thing to go on that? -Yes, Chef. | 0:47:03 | 0:47:06 | |
-Are you happy? -Yeah. | 0:47:07 | 0:47:09 | |
It's good. | 0:47:14 | 0:47:16 | |
Thank you. | 0:47:22 | 0:47:23 | |
For dessert, we have a honey and vanilla parfait | 0:47:26 | 0:47:28 | |
with strawberries and crumble. | 0:47:28 | 0:47:31 | |
-Thank you. -Thanks. | 0:47:31 | 0:47:32 | |
The parfait is well made, and he has the strawberries, | 0:47:40 | 0:47:44 | |
and he's sort of made a crumble-like thing, | 0:47:44 | 0:47:46 | |
but none of that makes excuses for just the lack of ideas. | 0:47:46 | 0:47:52 | |
I actually like that honey parfait a lot, | 0:47:52 | 0:47:53 | |
but what it needs with it is something dark and toffee-ish, | 0:47:53 | 0:47:58 | |
and caramel-y, | 0:47:58 | 0:47:59 | |
and these strawberries are just flabby and nothing. | 0:47:59 | 0:48:04 | |
It's dull, and I know it's picky, | 0:48:04 | 0:48:06 | |
cos if I cooked this at home, there would be dancing | 0:48:06 | 0:48:09 | |
-in the streets of Plumpton... -TRACEY CHUCKLES | 0:48:09 | 0:48:11 | |
..but on this show, what can one say? | 0:48:11 | 0:48:14 | |
You know, snooze-erama. | 0:48:14 | 0:48:15 | |
I think Andi's done a safe dessert here, | 0:48:18 | 0:48:21 | |
but the balance of the flavours, | 0:48:21 | 0:48:23 | |
which was what we want to see, is what makes it work. | 0:48:23 | 0:48:25 | |
It's not a bad dish, but it's not a great dish. | 0:48:25 | 0:48:28 | |
HE SIGHS | 0:48:34 | 0:48:36 | |
'It was tough.' | 0:48:36 | 0:48:37 | |
The timeframe is so, so tough, | 0:48:37 | 0:48:40 | |
to get everything absolutely bang on, exactly how you want it. | 0:48:40 | 0:48:44 | |
Erm... | 0:48:44 | 0:48:45 | |
Overall, I'm relatively happy. | 0:48:45 | 0:48:49 | |
'If I had the energy, I'd probably smile.' | 0:48:49 | 0:48:51 | |
Mark, you have three minutes left. | 0:48:56 | 0:48:58 | |
-Yeah, thank you. -What's left to do? | 0:48:58 | 0:49:00 | |
Just blanch the sea veg, | 0:49:00 | 0:49:03 | |
grill the cod, | 0:49:03 | 0:49:05 | |
and then that's it. I'm good to go. | 0:49:05 | 0:49:07 | |
Well, having said I didn't want to see someone turning up | 0:49:07 | 0:49:09 | |
with their foraging basket, | 0:49:09 | 0:49:11 | |
we have inevitably got some sea vegetables with Mark's main course, | 0:49:11 | 0:49:15 | |
but I do like the sound of it. | 0:49:15 | 0:49:18 | |
Hazelnut cod, with some lovely, slippery, dark onion puree, | 0:49:19 | 0:49:24 | |
clams and sea vegetables. Well, it all makes sense. | 0:49:24 | 0:49:27 | |
It all sounds like it could work well together. | 0:49:27 | 0:49:30 | |
-Sort of try and enjoy this bit, Mark, if you can? -Yeah. | 0:49:30 | 0:49:32 | |
I know that's easy for us to say. | 0:49:32 | 0:49:34 | |
'The problem with this kind of cookery is...' | 0:49:38 | 0:49:40 | |
it's not enough to just corral a bunch of ingredients on a plate. | 0:49:40 | 0:49:43 | |
You've got to be really good at it. | 0:49:43 | 0:49:45 | |
Good job. | 0:49:47 | 0:49:48 | |
-Nearly there? -Nearly there. | 0:49:53 | 0:49:55 | |
-Good job. -Yeah. He did very well. | 0:50:00 | 0:50:01 | |
-Hi there. -Hi. | 0:50:04 | 0:50:06 | |
Thank you very much. | 0:50:06 | 0:50:08 | |
OK, guys, so we've got a herb-crusted cod, | 0:50:08 | 0:50:10 | |
caramelised onion puree, | 0:50:10 | 0:50:12 | |
with clams and roasted Roscoff onions, | 0:50:12 | 0:50:15 | |
and some wilted sea veg. | 0:50:15 | 0:50:17 | |
And what's your foam? | 0:50:17 | 0:50:18 | |
It's cockle foam. Thank you. | 0:50:18 | 0:50:20 | |
Mark has delivered us a stunning plate of food here. | 0:50:22 | 0:50:26 | |
Wow. | 0:50:26 | 0:50:27 | |
That fish is cooked to perfection. | 0:50:27 | 0:50:30 | |
The clam vinaigrette is divine. | 0:50:30 | 0:50:32 | |
The nut crust, phew... | 0:50:32 | 0:50:35 | |
If those critics don't like that, Monica, | 0:50:35 | 0:50:37 | |
then both you and I should just give up, | 0:50:37 | 0:50:38 | |
cos that is good. Brilliant. | 0:50:38 | 0:50:40 | |
Wow. I think this is extraordinarily good. | 0:50:45 | 0:50:48 | |
The fish is perfectly cooked, | 0:50:48 | 0:50:51 | |
and that hazelnut crust is amazing. | 0:50:51 | 0:50:54 | |
It's inspired, the texture it gives to it. | 0:50:54 | 0:50:57 | |
What's clever about it is it's all supporting the fish, | 0:50:57 | 0:50:59 | |
like the fish is totally the star of the show, | 0:50:59 | 0:51:01 | |
but there's loads of other tastes going on. | 0:51:01 | 0:51:03 | |
But what really makes it sing is the use of acidity. | 0:51:03 | 0:51:06 | |
It just points everything up, | 0:51:06 | 0:51:08 | |
like little splashes of colour on an Impressionist painting. | 0:51:08 | 0:51:12 | |
That's me saying I like it. | 0:51:12 | 0:51:14 | |
It almost doesn't need that cheesy crust, | 0:51:14 | 0:51:16 | |
because there's lots of powerful flavours going... | 0:51:16 | 0:51:19 | |
-I'll have yours, then. -You can have it. | 0:51:19 | 0:51:22 | |
I mean, it's good, but the dish doesn't need it. | 0:51:22 | 0:51:25 | |
Mmm. | 0:51:27 | 0:51:29 | |
-It's one of those "Are we going to clear the plate?" moments. -Mmm. | 0:51:29 | 0:51:33 | |
Mark's dessert is dark chocolate marquise, | 0:51:41 | 0:51:44 | |
creme fraiche sorbet, pickled cherries and caramel tuile. | 0:51:44 | 0:51:48 | |
That combination of cherries and dark chocolate calls to mind, | 0:51:48 | 0:51:53 | |
inevitably, the Black Forest gateau, doesn't it? | 0:51:53 | 0:51:57 | |
Mark, it's looking good. Are you happy with it? | 0:51:57 | 0:51:59 | |
I am, yeah. Chuffed, yeah. | 0:51:59 | 0:52:00 | |
-All right, cos we've got to get a bit of a move on, OK? -Yes, Chef. | 0:52:00 | 0:52:03 | |
The little USP, the thing that's making you think | 0:52:03 | 0:52:05 | |
it's original, is the pickled cherries. | 0:52:05 | 0:52:07 | |
They'd better be really, really good pickled cherries. | 0:52:07 | 0:52:10 | |
How's the sorbet, Mark? | 0:52:16 | 0:52:17 | |
Yeah, it's not right. It's not set. | 0:52:17 | 0:52:18 | |
-Are you going to use it? -I might try and use the top. -The top? -Yeah. | 0:52:18 | 0:52:22 | |
There's no point trying to make a quenelle out of that, | 0:52:28 | 0:52:30 | |
-you might as well just put it in. -Yes, Chef. -Nice, rustic sorbet. | 0:52:30 | 0:52:33 | |
-Just the way I wanted it. -Exactly. | 0:52:33 | 0:52:36 | |
That's it. | 0:52:36 | 0:52:37 | |
Thank you. | 0:52:46 | 0:52:47 | |
Thank you. | 0:52:49 | 0:52:50 | |
We've got a dark chocolate marquise with a chocolate glaze, | 0:52:52 | 0:52:55 | |
pickled cherries, caramel tuile, and a creme fraiche sorbet. | 0:52:55 | 0:52:59 | |
Thank you very much. | 0:52:59 | 0:53:01 | |
Mmm. | 0:53:05 | 0:53:06 | |
It's really nice, isn't it? | 0:53:08 | 0:53:10 | |
I love it when this sort of thing happens on this show - | 0:53:10 | 0:53:13 | |
a sensational first course, | 0:53:13 | 0:53:15 | |
and now this dessert, which is, I think, perfect in every way. | 0:53:15 | 0:53:19 | |
He's coaxed a real depth of chocolaty flavour | 0:53:19 | 0:53:22 | |
out of that chocolate mousse, | 0:53:22 | 0:53:24 | |
but kept it just on the right side of being overwhelming. | 0:53:24 | 0:53:27 | |
The pickling of the cherries is interesting. | 0:53:27 | 0:53:30 | |
It just gives a little acidity to what otherwise could be | 0:53:30 | 0:53:32 | |
a cloying plateful. It's very clever. | 0:53:32 | 0:53:34 | |
The lovely, softness of his sorbet, | 0:53:34 | 0:53:36 | |
the sugar tuile... I mean, it's amazing. | 0:53:36 | 0:53:39 | |
This is great food and this is what this competition is about. | 0:53:39 | 0:53:42 | |
The marquise is delicious. It's so rich and velvety. | 0:53:44 | 0:53:48 | |
The cherries, that have been very gently pickled... | 0:53:48 | 0:53:50 | |
It goes without saying that they go together. | 0:53:50 | 0:53:53 | |
This is a fantastic pudding. | 0:53:53 | 0:53:54 | |
Mark's had a good day in the kitchen today. | 0:53:54 | 0:53:56 | |
He ought to hold his head up high. | 0:53:56 | 0:53:58 | |
HE SIGHS | 0:54:00 | 0:54:03 | |
'Yeah, I feel relieved that I've actually done it.' | 0:54:03 | 0:54:05 | |
I've actually got the food that I wanted to produce up on the plate. | 0:54:05 | 0:54:09 | |
I don't know what they've said, | 0:54:10 | 0:54:12 | |
so I'm not going to be overly happy, | 0:54:12 | 0:54:14 | |
but, yeah, I'm confident in what I've done today. | 0:54:14 | 0:54:17 | |
There is one thing very clear - | 0:54:23 | 0:54:25 | |
there's never an easy round in MasterChef. | 0:54:25 | 0:54:27 | |
Wow, that was tough. | 0:54:27 | 0:54:30 | |
I think, straight off, there's one chef that stood out today, | 0:54:30 | 0:54:33 | |
and that was Mark. | 0:54:33 | 0:54:35 | |
That cod dish was sensational. | 0:54:35 | 0:54:38 | |
You and I loved it, and the critics loved it too. | 0:54:38 | 0:54:41 | |
His dessert was the marquise - | 0:54:41 | 0:54:42 | |
this was a delicious dessert. | 0:54:42 | 0:54:45 | |
We're in absolute agreement. | 0:54:45 | 0:54:46 | |
Mark sails through to Knockout Week. | 0:54:46 | 0:54:48 | |
Nick is one of our star cooks. | 0:54:48 | 0:54:50 | |
He's done so well in the competition. | 0:54:50 | 0:54:52 | |
Today was a different day for Nick. | 0:54:52 | 0:54:54 | |
The critics really did enjoy Nick's popcorn cake, | 0:54:54 | 0:54:56 | |
which was quite clever. | 0:54:56 | 0:54:58 | |
The main course, the fish, | 0:54:58 | 0:54:59 | |
they didn't think quite came together, but they can see | 0:54:59 | 0:55:02 | |
some great potential in this chef, | 0:55:02 | 0:55:03 | |
which is what I'm really happy about, | 0:55:03 | 0:55:06 | |
-because we can see great potential in Nick. -Yeah. | 0:55:06 | 0:55:09 | |
For me, I mean, yeah, in my eyes, it wasn't, it wasn't... | 0:55:09 | 0:55:11 | |
It wasn't as I wanted it, | 0:55:11 | 0:55:12 | |
'so to make myself 100% happy again, want to stay in' | 0:55:12 | 0:55:15 | |
and I want to prove to them that, yeah, I can do better than that. | 0:55:15 | 0:55:19 | |
Well, that leaves us Sam and Andi. | 0:55:19 | 0:55:21 | |
Sam, oh, not a great day. | 0:55:21 | 0:55:24 | |
The lamb that was just sort of pushed to the limit | 0:55:24 | 0:55:26 | |
and bleeding all over the plate - | 0:55:26 | 0:55:28 | |
the courgette flower in the deep-fat fryer. Such a shame. | 0:55:28 | 0:55:31 | |
I didn't think it could get any worse, but then we got his dessert. | 0:55:31 | 0:55:34 | |
Got to keep your fingers crossed and hope for the best | 0:55:34 | 0:55:37 | |
and I know there's something inside of us, | 0:55:37 | 0:55:39 | |
you know, and I hope they see it in us. | 0:55:39 | 0:55:42 | |
Andi told us a story about his cooking, | 0:55:43 | 0:55:47 | |
and it was about Nanny Pickles, | 0:55:47 | 0:55:49 | |
and the memories of the food that he knew. | 0:55:49 | 0:55:52 | |
However, I don't think the cooking quite lived up to the story. | 0:55:52 | 0:55:55 | |
There is definitely, without a doubt, potential there. | 0:55:55 | 0:55:58 | |
The question is, can he deal with what's coming next? | 0:55:58 | 0:56:00 | |
Is he the chef we should take through to the next round? | 0:56:00 | 0:56:03 | |
'It's like an emotional, draining experience, but there's' | 0:56:05 | 0:56:09 | |
nothing more that I want than to go through to the next stage. | 0:56:09 | 0:56:12 | |
We'll just have to see. | 0:56:12 | 0:56:14 | |
-Phew, well, Marcus, we've got to make a decision. -Mm-hm. | 0:56:14 | 0:56:17 | |
Who deserves to go through to Knockout Week? | 0:56:17 | 0:56:20 | |
Who can deal with the pressure that's coming around the corner? | 0:56:20 | 0:56:24 | |
I think I know who. | 0:56:24 | 0:56:25 | |
Chefs, you should be proud of yourselves. | 0:56:36 | 0:56:38 | |
You've got this far. You've set the bar very, very high. | 0:56:38 | 0:56:41 | |
Unfortunately, | 0:56:43 | 0:56:44 | |
we can only take three of you through to Knockout Week. | 0:56:44 | 0:56:48 | |
The chef that is leaving us is... | 0:56:50 | 0:56:53 | |
..Sam. | 0:56:57 | 0:56:58 | |
Thank you. | 0:56:58 | 0:57:00 | |
-Best of luck. -Thank you. -Thanks, Sam. | 0:57:00 | 0:57:02 | |
'Yeah, just disappointed.' | 0:57:07 | 0:57:08 | |
I mean, I was expecting it. I had a horrendous round. | 0:57:08 | 0:57:11 | |
'But I'm going to hold my head up high, you know? | 0:57:12 | 0:57:15 | |
'I've got to cook for the critics, | 0:57:15 | 0:57:17 | |
'and there's not a lot of people who have done that.' | 0:57:17 | 0:57:19 | |
And I'm still really young and eager to do really well. | 0:57:19 | 0:57:22 | |
Guys, you are now through to Knockout Week. | 0:57:26 | 0:57:30 | |
'Yeah, today was the toughest so far.' | 0:57:32 | 0:57:34 | |
It was the most I've sweated in a kitchen for a long time. | 0:57:34 | 0:57:38 | |
'But I'm absolutely ecstatic.' | 0:57:38 | 0:57:40 | |
I mean, a place in the Knockout Week is just unreal. | 0:57:40 | 0:57:43 | |
'I mean, to even get this far is brilliant.' | 0:57:43 | 0:57:45 | |
I'm just, yeah, I'm buzzing, absolutely. | 0:57:45 | 0:57:48 | |
'Oh, I'm just over the moon,' | 0:57:49 | 0:57:51 | |
and, if I could just take this excitement and what I did with me, | 0:57:51 | 0:57:55 | |
then, yeah, the only way is up, really. | 0:57:55 | 0:57:57 | |
Next week, | 0:58:00 | 0:58:03 | |
another six professionals fight for a place in the quarterfinal. | 0:58:03 | 0:58:07 | |
It's all happening, isn't it? | 0:58:10 | 0:58:12 | |
I think it's a delightful eating dish. | 0:58:14 | 0:58:16 | |
Absolutely stunning. | 0:58:17 | 0:58:19 |