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It's the Professional MasterChef quarterfinal. | 0:00:02 | 0:00:05 | |
These six talented chefs stood out in their heats. | 0:00:09 | 0:00:13 | |
Tonight, they will face two more challenges to test them even further. | 0:00:15 | 0:00:21 | |
I've found the competition so far | 0:00:21 | 0:00:23 | |
one of the toughest experiences of my life. | 0:00:23 | 0:00:25 | |
It's a lot harder than you actually think. | 0:00:25 | 0:00:27 | |
To be a quarterfinalist is a pretty epic feeling. | 0:00:28 | 0:00:31 | |
I didn't think it would mean as much as it does, | 0:00:31 | 0:00:34 | |
but being here, it's just spurring me on to go even further. | 0:00:34 | 0:00:37 | |
First, they will have to face an invention test. | 0:00:37 | 0:00:41 | |
Beautiful. Absolutely beautiful. | 0:00:41 | 0:00:43 | |
Those that get through will then face the country's most discerning | 0:00:43 | 0:00:47 | |
food critics. | 0:00:47 | 0:00:49 | |
This dish is utter perfection. | 0:00:49 | 0:00:52 | |
Only the best will earn a place in Knockout Week. | 0:00:52 | 0:00:55 | |
Six chefs, and boy, have we got a great test in store for them. | 0:00:55 | 0:01:00 | |
I want to see these chefs push themselves to the limit. | 0:01:00 | 0:01:03 | |
Chefs, welcome back. This is an invention test. | 0:01:25 | 0:01:29 | |
Four of you are going to be going through | 0:01:29 | 0:01:31 | |
and two of you are going to be going home. | 0:01:31 | 0:01:34 | |
You're going to have to think on your feet, | 0:01:34 | 0:01:36 | |
work hard, you're going to have to focus. | 0:01:36 | 0:01:38 | |
Please uncover your ingredients. | 0:01:39 | 0:01:41 | |
In front of you, you have some whole almonds, Calvados, star anise, | 0:01:44 | 0:01:49 | |
you have cinnamon, a vanilla pod, chocolate, apples, | 0:01:49 | 0:01:54 | |
some strawberries, mascarpone and a bunch of basil. | 0:01:54 | 0:01:59 | |
OK, chefs, ten minutes to plan. | 0:01:59 | 0:02:01 | |
Off you go. | 0:02:02 | 0:02:04 | |
This is quite difficult when you don't have recipes in front of you. | 0:02:08 | 0:02:11 | |
It's quite a science, so it is going to be a bit sticking to what | 0:02:11 | 0:02:13 | |
I know and getting it right. | 0:02:13 | 0:02:15 | |
All our six chefs here made savoury signature dishes. | 0:02:16 | 0:02:20 | |
This is why we have put together a pastry invention test. | 0:02:20 | 0:02:24 | |
Pastry section is a third of a menu. | 0:02:24 | 0:02:26 | |
Why miss out one third of your training? | 0:02:26 | 0:02:29 | |
We have told them - if you have a weakness, we will find it. | 0:02:29 | 0:02:32 | |
I wouldn't say that I'm a good pastry chef by trade - | 0:02:33 | 0:02:35 | |
otherwise I'd be a pastry chef not a private chef - | 0:02:35 | 0:02:37 | |
but I am comfortable enough. | 0:02:37 | 0:02:39 | |
I'm very happy with what I've got in front of me, | 0:02:41 | 0:02:43 | |
but my mind is a bit a buzz of what to do. | 0:02:43 | 0:02:46 | |
Chefs, your ten minutes is up. | 0:02:49 | 0:02:52 | |
You now have one hour and 30 minutes to make your desserts. Good luck. | 0:02:52 | 0:02:56 | |
Josh, our 26-year-old head chef from Shropshire. | 0:03:08 | 0:03:12 | |
What a signature dish. | 0:03:12 | 0:03:14 | |
Wow! A bit of controversy with that dish. | 0:03:14 | 0:03:17 | |
Just take the honeycomb out of the equation, absolutely sensational. | 0:03:17 | 0:03:20 | |
He's got a great attitude. He came in there fighting. | 0:03:20 | 0:03:23 | |
I hope he is ready to fight for today. | 0:03:23 | 0:03:25 | |
As a chef, I would say I'm quite creative. | 0:03:27 | 0:03:29 | |
I like to push boundaries, I like to almost trick the customer | 0:03:29 | 0:03:32 | |
into what they are having. | 0:03:32 | 0:03:33 | |
I like to play with their minds and their taste buds, | 0:03:33 | 0:03:35 | |
and hopefully they like it, really. | 0:03:35 | 0:03:37 | |
Josh. How does it feel to be in here? | 0:03:41 | 0:03:43 | |
Oh, it feels amazing, you know? After the previous performance, | 0:03:43 | 0:03:46 | |
I want to push on and show you that I am worthy of being here. | 0:03:46 | 0:03:48 | |
-It doesn't scare you to do a pastry challenge? -It doesn't scare me. | 0:03:48 | 0:03:51 | |
I've worked on pastry sections before. | 0:03:51 | 0:03:53 | |
It's easier said than done, you know? | 0:03:53 | 0:03:55 | |
So, I'm doing a cheesecake with strawberries, basil, | 0:03:55 | 0:03:58 | |
cracked black pepper, | 0:03:58 | 0:03:59 | |
toasted almonds as well, cos I think it's a good combination. | 0:03:59 | 0:04:02 | |
Hopefully, a few bits and bobs that will hopefully surprise you. | 0:04:02 | 0:04:04 | |
I just want to keep being me and believing in what I do. | 0:04:04 | 0:04:07 | |
Any honeycomb in your dessert? | 0:04:07 | 0:04:08 | |
No honeycomb, cos you told me to refrain today. | 0:04:08 | 0:04:10 | |
-I would have liked... -We want a honeycomb. | 0:04:10 | 0:04:12 | |
Actually, today is the day I'd like a honeycomb. | 0:04:12 | 0:04:14 | |
Maybe a surprise of a honeycomb later, who knows? | 0:04:14 | 0:04:16 | |
-I was looking forward to that. -OK, thank you. -Crack on. | 0:04:16 | 0:04:19 | |
Josh is so gung ho at the moment. | 0:04:22 | 0:04:24 | |
I love it that he really wants to push himself. | 0:04:24 | 0:04:27 | |
Josh is making a vanilla cheesecake. | 0:04:27 | 0:04:29 | |
Very interesting to see what crust he puts underneath. | 0:04:29 | 0:04:31 | |
There are no biscuits, he's going to have to make some form of a crumb. | 0:04:31 | 0:04:34 | |
The one thing I do know is that | 0:04:34 | 0:04:36 | |
if Josh can deliver a dish that comes close to his signature dish, | 0:04:36 | 0:04:40 | |
we are going to be in for a cracking dessert. | 0:04:40 | 0:04:42 | |
Angela, our 32-year-old private chef in London. | 0:04:48 | 0:04:52 | |
She split us up a little bit in the judging for the signature dish, | 0:04:52 | 0:04:55 | |
but overall, I thought she cooked very well. | 0:04:55 | 0:04:57 | |
She definitely showed promise and I think she deserves to be here. | 0:04:57 | 0:05:01 | |
I wouldn't say that I am a massively competitive person, | 0:05:03 | 0:05:06 | |
but I think some other people might disagree with me. | 0:05:06 | 0:05:09 | |
Everyone likes to win, don't they? It's a nice feeling. | 0:05:09 | 0:05:11 | |
No-one likes to lose. | 0:05:11 | 0:05:13 | |
-How do you feel about pastry today? -I'm really pleased, actually. | 0:05:17 | 0:05:19 | |
I think of the things that could have happened today, | 0:05:19 | 0:05:22 | |
it's not the worst. | 0:05:22 | 0:05:23 | |
What I'm going to do is a little pate sucree base | 0:05:25 | 0:05:29 | |
with some apple panna cotta, | 0:05:29 | 0:05:32 | |
apple and vanilla puree, a burnt apple | 0:05:32 | 0:05:34 | |
and cinnamon puree and some Italian meringue. | 0:05:34 | 0:05:37 | |
-Is this something you have done before? -All... | 0:05:37 | 0:05:40 | |
-The things separately I've done before but not the tart itself. -OK. | 0:05:40 | 0:05:44 | |
-Well, we wish you luck. -Thank you so much. | 0:05:44 | 0:05:46 | |
Angela is making us a biscuit from sweet pastry, panna cotta, | 0:05:48 | 0:05:51 | |
a mousse, hopefully some meringue, some apples. | 0:05:51 | 0:05:54 | |
It sounds like a lot of other desserts all coming together | 0:05:54 | 0:05:58 | |
as one dessert, and that just rings a few little alarm bells with me. | 0:05:58 | 0:06:02 | |
Chefs, you've had 30 minutes already. | 0:06:04 | 0:06:07 | |
You have just one hour left. | 0:06:07 | 0:06:09 | |
Danilo, our 29-year-old chef from the Italian Embassy. | 0:06:13 | 0:06:17 | |
I like his calmness, I like his control. | 0:06:17 | 0:06:20 | |
I hope Danilo can deliver something as lovely and as delicate | 0:06:20 | 0:06:23 | |
and as skilful as he did in his signature dish. | 0:06:23 | 0:06:26 | |
I can't say that I am the most creative and inventive. | 0:06:28 | 0:06:32 | |
I think it's good to stick to your guns, do what you know. | 0:06:32 | 0:06:36 | |
There is time to try new things | 0:06:36 | 0:06:38 | |
and there is time which you don't want to do that. | 0:06:38 | 0:06:41 | |
-Danilo. -Hi. -How are you? -Not bad. Can't complain. | 0:06:45 | 0:06:49 | |
I'm doing a torta caprese, which is | 0:06:49 | 0:06:51 | |
an Italian cake without any flour at all. | 0:06:51 | 0:06:54 | |
Some vanilla panna cotta and a strawberry puree with basil. | 0:06:54 | 0:06:59 | |
It sounds divine. Sounds wonderful. | 0:06:59 | 0:07:00 | |
I hope it tastes as good as it sounds. | 0:07:00 | 0:07:02 | |
-A panna cotta from an Italian chef, it's got to be right. -Yes... | 0:07:02 | 0:07:06 | |
-Ohh. You don't sound so sure. -No, I mean, you start to scare me. | 0:07:06 | 0:07:11 | |
No, don't! | 0:07:11 | 0:07:12 | |
-Ignore me. -He scares everybody. It's natural. | 0:07:12 | 0:07:14 | |
Don't worry about it, you're not the first. | 0:07:14 | 0:07:16 | |
-We'll let you get on. -Thanks a lot. -Thank you. -Thank you very much. | 0:07:16 | 0:07:19 | |
Danilo, torta caprese. | 0:07:22 | 0:07:24 | |
That's a new one on me, I don't normally speak Italian. | 0:07:24 | 0:07:26 | |
I love the sound of this, though. | 0:07:26 | 0:07:28 | |
It's got chocolate in it, strawberries, | 0:07:28 | 0:07:30 | |
basil and a vanilla panna cotta. | 0:07:30 | 0:07:32 | |
I hope that the Calvados is in there somewhere. | 0:07:32 | 0:07:34 | |
Jason is a 34-year-old freelance chef here in London. | 0:07:39 | 0:07:43 | |
Signature dish, wow. | 0:07:43 | 0:07:45 | |
All three of us agreed that he really did put Caribbean | 0:07:45 | 0:07:48 | |
food on the map. | 0:07:48 | 0:07:50 | |
Me, I'm the kind of chef that just does things on a whim. | 0:07:53 | 0:07:55 | |
I break the rules, I mix ingredients, even if | 0:07:55 | 0:07:58 | |
they don't go, until I get them to fuse together perfectly. | 0:07:58 | 0:08:00 | |
And I think that that is a true chef, | 0:08:00 | 0:08:02 | |
someone that can mix the impossible. | 0:08:02 | 0:08:04 | |
-Jason. -Yes, Chef? -What has happened to all the Calvados? | 0:08:07 | 0:08:10 | |
Yeah, I like to cook with spirits, | 0:08:10 | 0:08:12 | |
and this is one of my favourite alcohols I like to cook with also. | 0:08:12 | 0:08:15 | |
So, what I've done is reduced it with the strawberries. | 0:08:15 | 0:08:18 | |
That is going to be in a gel. | 0:08:18 | 0:08:19 | |
I'm going to set my chocolate mousse on top of that. | 0:08:19 | 0:08:22 | |
I think I'll get something out quite good. | 0:08:22 | 0:08:23 | |
Are you getting a bit confident now with what you are making? | 0:08:23 | 0:08:26 | |
Creativity test is something that I love to do. | 0:08:26 | 0:08:28 | |
I just think it is up to me to put the flavours on the plate, | 0:08:28 | 0:08:31 | |
and it should all come together. So I think that I've got a good chance. | 0:08:31 | 0:08:34 | |
Good man. | 0:08:34 | 0:08:36 | |
Calvados, strawberries, I'm curious how that will go with | 0:08:38 | 0:08:41 | |
the balance of the chocolate in his dessert. | 0:08:41 | 0:08:43 | |
I'm wondering if it is going to be overpowering for the amount | 0:08:43 | 0:08:46 | |
of strawberries he's got. | 0:08:46 | 0:08:47 | |
If it works, it will be wonderful. | 0:08:47 | 0:08:49 | |
Chefs, you've had 45 minutes. You are now halfway. | 0:08:52 | 0:08:55 | |
Darren is our 34-year-old development chef from Scotland, | 0:08:59 | 0:09:03 | |
and I'm sure you remember that langoustine dish that he made with | 0:09:03 | 0:09:06 | |
the stunning bisque. | 0:09:06 | 0:09:08 | |
It was delightful. All three of us raved about it. | 0:09:08 | 0:09:11 | |
As a development chef, I have to be very creative. | 0:09:13 | 0:09:15 | |
I've got to keep constantly coming up with things that people | 0:09:15 | 0:09:18 | |
haven't seen before, otherwise there is no point in me being there. | 0:09:18 | 0:09:21 | |
Darren, have I missed something here? | 0:09:24 | 0:09:26 | |
Cos there doesn't seem to be anything on your bench. | 0:09:26 | 0:09:28 | |
-Have you served up and cleaned up? -No, most of my prep | 0:09:28 | 0:09:30 | |
is in the fridge, semi-done. | 0:09:30 | 0:09:32 | |
I'm just waiting and hoping | 0:09:32 | 0:09:33 | |
and praying, fingers crossed that everything works. | 0:09:33 | 0:09:36 | |
What is the title of the dish? | 0:09:36 | 0:09:37 | |
Apple semifreddo with caramel chocolate mousse, | 0:09:37 | 0:09:40 | |
roasted apples and an apple puree. | 0:09:40 | 0:09:43 | |
What's the inspiration? | 0:09:43 | 0:09:44 | |
Just the beautiful flavours that were in front of us today. | 0:09:44 | 0:09:46 | |
We had some really nice apples. That caramel chocolate was screaming | 0:09:46 | 0:09:50 | |
out to be made into nice mousse - touch of cinnamon, star anise. | 0:09:50 | 0:09:52 | |
-It's just flavours that I love, really. -OK. | 0:09:52 | 0:09:54 | |
I believe dessert is one of my strengths, | 0:09:54 | 0:09:56 | |
but I also believe that dessert is a science, | 0:09:56 | 0:09:59 | |
and I find it really difficult not to have a recipe in front of me. | 0:09:59 | 0:10:02 | |
So, we will see what happens. | 0:10:02 | 0:10:05 | |
Darren says he is not comfortable working without a recipe, | 0:10:06 | 0:10:10 | |
but he looks confident. | 0:10:10 | 0:10:11 | |
Interesting combinations. | 0:10:12 | 0:10:14 | |
I think the key to the semifreddo is the freezing of it. | 0:10:14 | 0:10:16 | |
You don't want it rock hard, | 0:10:16 | 0:10:18 | |
you want it to be at the right consistency. | 0:10:18 | 0:10:20 | |
Liam is a 26-year-old sous chef at a Michelin-starred | 0:10:24 | 0:10:28 | |
-restaurant in London. -His skills test was fantastic. | 0:10:28 | 0:10:32 | |
His signature dish, he showed some great skills | 0:10:32 | 0:10:35 | |
and I think he deserves to be here. | 0:10:35 | 0:10:37 | |
If I had to say I had a weakness, it would be pastry. | 0:10:39 | 0:10:42 | |
But it wouldn't be a weakness that I'd shy away from. | 0:10:42 | 0:10:44 | |
You know, give me a challenge and I'll take it on. | 0:10:44 | 0:10:46 | |
Liam, pastry stressing you out, relaxing you? | 0:10:51 | 0:10:53 | |
-How are you feeling? -I wouldn't say it is relaxing me. | 0:10:53 | 0:10:55 | |
-It's not my strength. -Right. -I'm giving it my best, really. -OK. | 0:10:55 | 0:10:59 | |
What are you going to make for us? | 0:10:59 | 0:11:00 | |
I'm making a roast apple with a Calvados cream, a toffee sauce | 0:11:00 | 0:11:04 | |
and roasted macadamia nuts with a bit of lemon zest in there. | 0:11:04 | 0:11:07 | |
Are you using any strawberries, any basil, any lemon? | 0:11:07 | 0:11:09 | |
Are you making any pastry at all? | 0:11:09 | 0:11:11 | |
I'm not making actually any pastry. | 0:11:11 | 0:11:13 | |
I've left the strawberries and basil out because, obviously, | 0:11:13 | 0:11:15 | |
when I looked at the dish, there were two ways it was going to go. | 0:11:15 | 0:11:18 | |
It was going to go sort of apple or... | 0:11:18 | 0:11:20 | |
-So the focus is all on the apple? -Yeah, exactly. | 0:11:20 | 0:11:23 | |
Liam, is this a dessert you have done before? | 0:11:23 | 0:11:26 | |
Like I said, I haven't done much pastry, so... | 0:11:26 | 0:11:28 | |
It is an invention test, so I'm kind of inventing it right now. | 0:11:28 | 0:11:31 | |
Liam is going to be serving the apples with toffee | 0:11:36 | 0:11:38 | |
and chocolate sauce and also serving it with a Calvados cream. | 0:11:38 | 0:11:41 | |
And that is pretty much it. | 0:11:41 | 0:11:43 | |
There's no strawberries in there, there is no pastry making, there is | 0:11:43 | 0:11:46 | |
no panna cotta, so many things he could be making for this dessert. | 0:11:46 | 0:11:49 | |
This seriously is a case of winging it. | 0:11:49 | 0:11:52 | |
At the moment, I'm a bit worried for Liam. | 0:11:52 | 0:11:54 | |
Chefs, you've got 15 minutes left. | 0:11:57 | 0:11:59 | |
This is when our chefs should be checking that | 0:12:02 | 0:12:04 | |
things that are set really are set, sauces are done. | 0:12:04 | 0:12:08 | |
Everything has got to be ready to be plated. | 0:12:08 | 0:12:10 | |
Chefs, you have only eight minutes left. | 0:12:15 | 0:12:18 | |
Chefs, time is up. Stop cooking. | 0:12:25 | 0:12:27 | |
-Looks good, Chef. Well done. -Thanks. | 0:12:31 | 0:12:34 | |
HE EXHALES | 0:12:34 | 0:12:36 | |
-Want an apple? -Yeah, thank you so much. | 0:12:40 | 0:12:43 | |
First up is 34-year-old development chef Darren. | 0:12:48 | 0:12:52 | |
He's made an apple semifreddo | 0:12:52 | 0:12:54 | |
with a caramel chocolate mascarpone, | 0:12:54 | 0:12:57 | |
roasted apples, apple puree and a vanilla crumb, | 0:12:57 | 0:13:02 | |
with a Calvados syrup on the side. | 0:13:02 | 0:13:05 | |
The dish looks really appealing. It really does. | 0:13:09 | 0:13:12 | |
If I have to critique, I would just say the chocolate cream looks | 0:13:12 | 0:13:15 | |
very thick and it is splitting on the side. | 0:13:15 | 0:13:17 | |
But on presentation, I think you have done a great job here, Darren. | 0:13:17 | 0:13:20 | |
Thank you. | 0:13:20 | 0:13:22 | |
Presentation looks good, Darren. Very good. | 0:13:22 | 0:13:24 | |
Nice and crisp, nice and clean, and the syrup | 0:13:24 | 0:13:26 | |
just delivers the dish beautifully well. | 0:13:26 | 0:13:27 | |
I think the texture of the semifreddo is just right. | 0:13:38 | 0:13:41 | |
It's not too frozen and it is very creamy. It's how it should be. | 0:13:41 | 0:13:44 | |
The chocolate caramel cream is delightful against that apple | 0:13:46 | 0:13:50 | |
and with the syrup, again, it comes together. | 0:13:50 | 0:13:53 | |
What I like about this dish, Darren, is you've got | 0:13:53 | 0:13:56 | |
so many little things going on and lots of different skills. | 0:13:56 | 0:13:59 | |
And I think what I can see here is that you've really pushed | 0:13:59 | 0:14:02 | |
yourself and delivered a very, very good dish. | 0:14:02 | 0:14:04 | |
-Thank you very much. -Very good. Very, very good. | 0:14:04 | 0:14:07 | |
Thank you both. Thank you. | 0:14:07 | 0:14:08 | |
That was amazing. I'm so pleased. So pleased. | 0:14:11 | 0:14:14 | |
HE SIGHS | 0:14:15 | 0:14:17 | |
I'm over the moon with the judges' reactions to my dessert. | 0:14:18 | 0:14:21 | |
Marcus said, "Make sure you are not a one-dish wonder," | 0:14:21 | 0:14:23 | |
so hopefully I have proved today that I am not. | 0:14:23 | 0:14:25 | |
Italian Embassy chef Danilo's dessert is a torta caprese - | 0:14:28 | 0:14:32 | |
a chocolate cake made without flour - | 0:14:32 | 0:14:35 | |
with a vanilla panna cotta, | 0:14:35 | 0:14:37 | |
a strawberry mousse | 0:14:37 | 0:14:39 | |
and strawberries and basil. | 0:14:39 | 0:14:41 | |
-It looks fantastic. -Thank you. Thank you very much. -Beautiful. | 0:14:44 | 0:14:48 | |
-Absolutely beautiful. -Thank you, Chef. | 0:14:48 | 0:14:50 | |
You know, it's not too fussy but there is enough in there to | 0:14:50 | 0:14:53 | |
really make you want to dive in and try this dessert. | 0:14:53 | 0:14:55 | |
Thank you very much. | 0:14:55 | 0:14:57 | |
The cake tastes delicious. It's crunchy on the outside, it's moist. | 0:15:07 | 0:15:11 | |
Monica is still eating it so must be good. It's good. | 0:15:11 | 0:15:14 | |
I love the little nutty flavour going through it as well. | 0:15:14 | 0:15:16 | |
It's a delicious cake. | 0:15:16 | 0:15:18 | |
The panna cotta has got great texture, the strawberries on the | 0:15:18 | 0:15:21 | |
plate and the strawberry cream and the basil - this dish works. | 0:15:21 | 0:15:24 | |
It's been in good hands. You've done yourself proud. | 0:15:24 | 0:15:27 | |
Thank you very much, Chef. | 0:15:27 | 0:15:28 | |
Danilo, the cake is really good. Wonderful, wonderful, wonderful. | 0:15:28 | 0:15:32 | |
I'm not going to any more cos I'm going to finish my cake. | 0:15:32 | 0:15:34 | |
Do you know what the best thing about this dessert is? | 0:15:34 | 0:15:36 | |
There is no Gregg. He's not here. We don't have to share it with him. | 0:15:36 | 0:15:40 | |
-LAUGHS: -No, we don't have to. -Thank you very much. | 0:15:40 | 0:15:43 | |
-Thank you. -Delicious. Mm! | 0:15:43 | 0:15:44 | |
-Good job. -Thanks. | 0:15:46 | 0:15:47 | |
Top job. | 0:15:48 | 0:15:49 | |
I'm feeling really, really great now. Yeah, good. Relieved. | 0:15:54 | 0:15:58 | |
Yeah, I'm feeling good. | 0:15:58 | 0:16:01 | |
34-year-old freelance chef Jason has made strawberry | 0:16:01 | 0:16:05 | |
and Calvados jam with a light chocolate mousse, | 0:16:05 | 0:16:09 | |
mascarpone vanilla cream, | 0:16:09 | 0:16:12 | |
almond brittle and fresh strawberries. | 0:16:12 | 0:16:15 | |
The first thing I want to ask you, Jason, is, what has happened? | 0:16:21 | 0:16:24 | |
What has happened is that it totally went pear-shaped. | 0:16:24 | 0:16:26 | |
The mousse did not set as I predicted it would set. | 0:16:26 | 0:16:29 | |
-The presentation, I think we can all see, is not good. -Yes, Chef. | 0:16:29 | 0:16:33 | |
One thing is very clear about this dessert, Jason. | 0:16:41 | 0:16:45 | |
Pastry is not your thing. | 0:16:45 | 0:16:46 | |
The strawberry gel underneath has just got far, far, | 0:16:46 | 0:16:49 | |
far too much gelatine into it. | 0:16:49 | 0:16:51 | |
I mean, it's almost rubber-ball like underneath. | 0:16:51 | 0:16:53 | |
And the mousse itself isn't a mousse. | 0:16:53 | 0:16:55 | |
It's not soft, it's not light. | 0:16:55 | 0:16:57 | |
It's actually quite heavy and stodgy to be honest with you. | 0:16:57 | 0:17:00 | |
And the caramel is not good either. | 0:17:00 | 0:17:02 | |
Overall, it's not a great dessert | 0:17:02 | 0:17:03 | |
and it certainly has not been your best day in the kitchen. | 0:17:03 | 0:17:06 | |
Yes, Chef. | 0:17:06 | 0:17:07 | |
Jason, this is just bad. Bad execution. | 0:17:07 | 0:17:10 | |
Pastry is very precise for the reason that if it isn't, | 0:17:10 | 0:17:14 | |
this is what will happen. | 0:17:14 | 0:17:15 | |
What happened is I just looked away for a couple of seconds, | 0:17:19 | 0:17:22 | |
and this is pastry. | 0:17:22 | 0:17:23 | |
It went wrong. It went poof! I was like... | 0:17:23 | 0:17:25 | |
I'm not a pastry chef, so I went down in flames. | 0:17:26 | 0:17:30 | |
Sous chef Liam has made roasted and poached apple | 0:17:32 | 0:17:36 | |
with a coffee and chocolate puree, | 0:17:36 | 0:17:38 | |
and a mascarpone Calvados cream. | 0:17:38 | 0:17:41 | |
It's not a great looking dessert here, Liam. | 0:17:45 | 0:17:49 | |
It looks very simple, possibly too simple from a chef like you. | 0:17:49 | 0:17:52 | |
-Lack of experience in pastry is very evident here. Very, very clear. -Hmm. | 0:17:54 | 0:17:58 | |
Liam, the best bit about this dish | 0:18:06 | 0:18:07 | |
is the toffee on the base of the plate. | 0:18:07 | 0:18:09 | |
It's got a really nice flavour, | 0:18:09 | 0:18:11 | |
it's got a nice smoothness to it, a texture. | 0:18:11 | 0:18:13 | |
It is a very simple dessert. | 0:18:13 | 0:18:15 | |
It's fresh, it's got texture, it's got the nuts, | 0:18:15 | 0:18:18 | |
it's got the cream. But we are looking for the skill factor here. | 0:18:18 | 0:18:21 | |
Roast me an apple. | 0:18:21 | 0:18:23 | |
Don't put an apple in a water bath, blowtorch it and tell me | 0:18:23 | 0:18:27 | |
it's roasted. | 0:18:27 | 0:18:29 | |
Cos it's not. | 0:18:29 | 0:18:30 | |
OK. | 0:18:30 | 0:18:31 | |
Mm, Liam, I don't think this lives up to the expectations you | 0:18:33 | 0:18:37 | |
set for us, and I'm disappointed. | 0:18:37 | 0:18:41 | |
Gutted now. They said it was just too simple. | 0:18:44 | 0:18:47 | |
I could have pushed myself more, I had a lot of time. | 0:18:47 | 0:18:50 | |
I'm very disappointed in myself right now, really am. | 0:18:50 | 0:18:53 | |
Private chef Angela has made torched lime meringue | 0:18:56 | 0:18:59 | |
on sweet short pastry, | 0:18:59 | 0:19:02 | |
filled with roast apple, a cinnamon gel, | 0:19:02 | 0:19:06 | |
an apple and vanilla gel, | 0:19:06 | 0:19:08 | |
and Calvados and apple mascarpone. | 0:19:08 | 0:19:10 | |
It looks fantastic. | 0:19:14 | 0:19:15 | |
I love the way you've piped it. And what's really nice is to see | 0:19:15 | 0:19:18 | |
the beautiful green speckles of the lime coming through. | 0:19:18 | 0:19:20 | |
If that was sitting in a cake shop, I would think, | 0:19:20 | 0:19:22 | |
-"I'd want to buy that." -Thank you very much. | 0:19:22 | 0:19:25 | |
I think it's a really good attempt, Angela, because to make | 0:19:36 | 0:19:39 | |
a pastry with no recipe is never easy, and you have cooked it well. | 0:19:39 | 0:19:43 | |
What is missing here is a bigger, bolder flavour of the apple | 0:19:43 | 0:19:47 | |
and a little bit of acid in there. It's all very, very sweet. | 0:19:47 | 0:19:50 | |
But having said that, the meringue is incredibly light. | 0:19:50 | 0:19:53 | |
You have coloured it, and the lime zest has worked, | 0:19:53 | 0:19:56 | |
and it has a nice texture to it. | 0:19:56 | 0:19:58 | |
The pastry is lovely and crumbly. | 0:19:59 | 0:20:02 | |
I think you are a couple of minutes away from getting the base perfect. | 0:20:02 | 0:20:05 | |
I do like the tart, but I'm just finding it very sweet | 0:20:06 | 0:20:10 | |
and there's bits of apples in there, | 0:20:10 | 0:20:12 | |
but it is not as intense as I thought it would be. | 0:20:12 | 0:20:14 | |
OK. | 0:20:14 | 0:20:15 | |
In hindsight, I wish that I had made things a little bit more cohesive, | 0:20:17 | 0:20:22 | |
what was in the tart. | 0:20:22 | 0:20:23 | |
You know, it's so hard to say whether one has done enough or not. | 0:20:23 | 0:20:26 | |
Finally, it is Josh. | 0:20:28 | 0:20:30 | |
He's made a deconstructed vanilla cheesecake | 0:20:30 | 0:20:33 | |
with a basil-infused, dehydrated olive oil cake, | 0:20:33 | 0:20:37 | |
a raw strawberry salad with basil and black pepper, | 0:20:37 | 0:20:41 | |
and meringue. | 0:20:41 | 0:20:42 | |
The presentation has got very nice colours to it | 0:20:45 | 0:20:47 | |
and it's very prettily put together. | 0:20:47 | 0:20:49 | |
You have broken it down and you have dissected it up. | 0:20:49 | 0:20:51 | |
I think the presentation is really nice. | 0:20:51 | 0:20:53 | |
That meringue is lovely. | 0:21:03 | 0:21:05 | |
Just how it looks and how it is made, you have got it spot on. | 0:21:05 | 0:21:08 | |
I love the strawberries with the olive oil | 0:21:08 | 0:21:11 | |
and bits of pepper through that. | 0:21:11 | 0:21:13 | |
The cheesecake, for me, is so delicate and very light. | 0:21:13 | 0:21:17 | |
Very creamy. | 0:21:17 | 0:21:18 | |
I think the way that you have made this dish, it is unexpected | 0:21:18 | 0:21:21 | |
but pleasantly so. | 0:21:21 | 0:21:22 | |
You know what? I admire your bravery. The dish does work. | 0:21:24 | 0:21:27 | |
It is intriguing and it's different. Good job. Well done. I like it. | 0:21:27 | 0:21:31 | |
HE EXHALES | 0:21:31 | 0:21:33 | |
I'm over the moon. I got great remarks from the judges. | 0:21:34 | 0:21:37 | |
It's me putting my heart and soul on stuff, | 0:21:37 | 0:21:39 | |
it's not just a case of being a bit...trying to be different. | 0:21:39 | 0:21:42 | |
I am different. | 0:21:42 | 0:21:43 | |
(I didn't expect that.) | 0:21:44 | 0:21:46 | |
Chefs, you have certainly given Monica and I | 0:21:48 | 0:21:50 | |
something to talk about. | 0:21:50 | 0:21:52 | |
Marcus and I have got to decide which two of you have to | 0:21:52 | 0:21:55 | |
leave us today. | 0:21:55 | 0:21:56 | |
Off you go, guys. | 0:21:56 | 0:21:57 | |
Well, what an interesting invention test. | 0:22:08 | 0:22:11 | |
One of the chefs that stood out for me today was Danilo. | 0:22:11 | 0:22:14 | |
I loved his panna cotta. And that cake... I thought it was a delight. | 0:22:14 | 0:22:18 | |
A delightful dish. | 0:22:18 | 0:22:19 | |
The strawberries, the strawberry cream, the basil, | 0:22:19 | 0:22:22 | |
it all came together. | 0:22:22 | 0:22:24 | |
It was superb. | 0:22:24 | 0:22:26 | |
Josh is another chef I'm starting to take a great shine to. | 0:22:27 | 0:22:31 | |
He challenges my way of thinking about food, and I love that. | 0:22:31 | 0:22:34 | |
Very clever chef. Very, very good dessert. | 0:22:34 | 0:22:37 | |
Darren is another chef that stood out today, | 0:22:38 | 0:22:41 | |
and I really enjoyed his dessert. We both enjoyed that dessert. | 0:22:41 | 0:22:44 | |
The caramel chocolate mascarpone cream was divine. | 0:22:44 | 0:22:48 | |
It's a dish I think I'll remember. | 0:22:48 | 0:22:50 | |
Danilo, Darren and Josh. | 0:22:50 | 0:22:52 | |
I think we both agree these three chefs have got to go through. | 0:22:52 | 0:22:56 | |
I think, Monica, | 0:22:56 | 0:22:57 | |
the chef that really crumbled today without a doubt was Jason. | 0:22:57 | 0:23:02 | |
I think that really showed today in his dish. | 0:23:02 | 0:23:04 | |
Yeah, it was an absolute disaster for Jason. | 0:23:04 | 0:23:08 | |
Well, Marcus, that then leaves us with Angela and Liam. | 0:23:08 | 0:23:13 | |
Liam, I felt, hadn't really challenged himself. | 0:23:13 | 0:23:16 | |
A toffee sauce on the plate, some roasted apples that weren't roasted. | 0:23:16 | 0:23:20 | |
There's a lot of skill in this chef, but today, Monica, | 0:23:20 | 0:23:23 | |
maybe we just uncovered his weakness, and that is pastry. | 0:23:23 | 0:23:27 | |
Angela's dessert, | 0:23:28 | 0:23:29 | |
the dish just needed the acid of the apple | 0:23:29 | 0:23:32 | |
to sort of lift the sweetness. | 0:23:32 | 0:23:34 | |
Marcus, we've got two chefs and they both showed a lot of potential here. | 0:23:34 | 0:23:38 | |
But we have got to decide which one are we going to take through. | 0:23:38 | 0:23:41 | |
I'd be pretty gutted if I went home today. | 0:23:44 | 0:23:46 | |
I mean, I am pleased that I got through to the quarterfinals, | 0:23:46 | 0:23:49 | |
but gutted that I didn't make it through to the second half. | 0:23:49 | 0:23:52 | |
I've got so much I want to show. And I want to be able to, | 0:23:52 | 0:23:54 | |
given that chance, to just come back | 0:23:54 | 0:23:56 | |
and absolutely attack it like I know I can. | 0:23:56 | 0:23:59 | |
We tried some amazing desserts today. | 0:24:12 | 0:24:16 | |
Delicious, in fact. | 0:24:16 | 0:24:18 | |
But, we can only take four of you through to the critics' round. | 0:24:24 | 0:24:28 | |
And the first chef leaving the competition is... | 0:24:30 | 0:24:33 | |
..Jason. Thank you. | 0:24:38 | 0:24:40 | |
Our second chef leaving the competition is... | 0:24:44 | 0:24:47 | |
..Liam. | 0:24:51 | 0:24:52 | |
I am majorly frustrated. | 0:24:58 | 0:24:59 | |
I came here to go all the way, but it wasn't to be. | 0:24:59 | 0:25:02 | |
I messed up today on my dessert and that's why I'm going home now. | 0:25:02 | 0:25:05 | |
I feel a bit gutted, but, you know, | 0:25:07 | 0:25:09 | |
there was four marvellous dishes in there, that I saw. | 0:25:09 | 0:25:12 | |
It was my time to leave, so I'm leaving now, | 0:25:12 | 0:25:14 | |
and I think I have achieved a lot. | 0:25:14 | 0:25:16 | |
Congratulations, you are through to the critics. Well done. | 0:25:18 | 0:25:21 | |
This is all about you now. This is your food. | 0:25:41 | 0:25:44 | |
Cooking for the critics, not easy at all. | 0:25:44 | 0:25:48 | |
It's an hour for your first four plates | 0:25:48 | 0:25:51 | |
and then another 15 minutes for your dessert. | 0:25:51 | 0:25:53 | |
Today is all about control, timing, attention to detail. | 0:25:53 | 0:25:58 | |
You're going to be under a huge amount of pressure. | 0:25:58 | 0:26:00 | |
But, guys, you've got to get your heads down and deliver the goods. | 0:26:00 | 0:26:04 | |
You have got to make this something special | 0:26:04 | 0:26:06 | |
because at the end of it, one of you is leaving the competition. | 0:26:06 | 0:26:09 | |
Off you go. | 0:26:10 | 0:26:11 | |
One hour 15 minutes is tough for any chef to deliver two dishes, | 0:26:16 | 0:26:19 | |
four of each dish. | 0:26:19 | 0:26:21 | |
Huge pressure, the critics and the time constraints. | 0:26:21 | 0:26:24 | |
This is really going to test our chefs. | 0:26:24 | 0:26:26 | |
I'm feeling good cooking for critics. | 0:26:29 | 0:26:31 | |
Treat them as I would anyone else | 0:26:31 | 0:26:33 | |
that comes into the restaurant where I work. | 0:26:33 | 0:26:35 | |
It's not just being safe, I'm a bit out there today, | 0:26:35 | 0:26:37 | |
playing on flavours. | 0:26:37 | 0:26:39 | |
Just making it a bit more fun with the elements that I've got | 0:26:39 | 0:26:41 | |
going on and hopefully it will be enough for me today to go through. | 0:26:41 | 0:26:44 | |
Hey, Josh, what are you going to be cooking today? | 0:26:47 | 0:26:50 | |
A halibut dish with a warm tartare, clams, charred cucumber | 0:26:50 | 0:26:54 | |
and heritage radish. | 0:26:54 | 0:26:56 | |
It's a modern take on what I think is sort of being by the sea, | 0:26:56 | 0:26:58 | |
getting your fresh catch in. | 0:26:58 | 0:27:00 | |
I love fish, tartare sauce, salt and vinegar. I'm going to play on | 0:27:00 | 0:27:03 | |
those flavours and hopefully it'll get me there and get me through. | 0:27:03 | 0:27:05 | |
-And for dessert? -I've got a lemon meringue pie souffle. | 0:27:05 | 0:27:09 | |
-Ah, souffle. Risky. -Yeah, I think it's got to be risky, you know? | 0:27:09 | 0:27:13 | |
I'm not just here just to be a number, I'm here to go on and win. | 0:27:13 | 0:27:16 | |
The fire in my belly keeps burning, | 0:27:16 | 0:27:18 | |
so hopefully I am doing something right. | 0:27:18 | 0:27:20 | |
Is that fire in your belly going to get you through to | 0:27:20 | 0:27:23 | |
-Knockout Week, you think? -Yeah. | 0:27:23 | 0:27:25 | |
I want to be there. I want to be there. | 0:27:25 | 0:27:27 | |
I like the sound of halibut roasted. Fantastic. | 0:27:29 | 0:27:31 | |
Salt and vinegar, he is making a gel from that which I think | 0:27:31 | 0:27:34 | |
is a really interesting idea. | 0:27:34 | 0:27:36 | |
Josh's dessert, I like souffles | 0:27:36 | 0:27:38 | |
but only if it's got a bit of texture that comes to it. | 0:27:38 | 0:27:41 | |
Bring into this pine custard, something I've not had | 0:27:41 | 0:27:44 | |
and I can't wait to try. | 0:27:44 | 0:27:46 | |
Chefs, you've had 20 minutes. | 0:27:49 | 0:27:52 | |
I just love being a chef, I love the feeling of being a chef. | 0:27:59 | 0:28:02 | |
It's just great. | 0:28:02 | 0:28:03 | |
You know, it's probably the closest job in the world to | 0:28:03 | 0:28:06 | |
being a rock star without actually being a rock star. | 0:28:06 | 0:28:08 | |
It's just a cool job. | 0:28:08 | 0:28:10 | |
-Hey, Darren, how are you? -I'm good, thank you. | 0:28:14 | 0:28:16 | |
What's it feel like to finally be cooking for our critics? | 0:28:16 | 0:28:19 | |
It's an equal mix of nerves and excitement. | 0:28:19 | 0:28:21 | |
I think once I get to going, I think I'll be fine, but I'm a bit | 0:28:21 | 0:28:24 | |
fingers and thumbs at the minute. | 0:28:24 | 0:28:25 | |
What are you cooking for the critics today? | 0:28:25 | 0:28:28 | |
I'm doing a stuffed rabbit. | 0:28:28 | 0:28:29 | |
I'll water-bath it, and I'm going to serve that | 0:28:29 | 0:28:31 | |
with some braised lentils, a nice carrot puree and hopefully | 0:28:31 | 0:28:34 | |
-a really powerful jus. -And your dessert? | 0:28:34 | 0:28:37 | |
Baked chocolate mousse with a hazelnut praline | 0:28:37 | 0:28:39 | |
and to hazelnut ice cream. | 0:28:39 | 0:28:41 | |
Darren, you don't do service in your place of work, | 0:28:41 | 0:28:43 | |
and today, this is the closest you're going to get to a service. | 0:28:43 | 0:28:46 | |
-How do you feel about that? -I'm really excited about it, Marcus. | 0:28:46 | 0:28:49 | |
I don't... Like you say, I don't get an opportunity very often | 0:28:49 | 0:28:52 | |
and I miss the buzz every day. | 0:28:52 | 0:28:54 | |
So, it is a chance for me to get back to what I used to do, | 0:28:54 | 0:28:57 | |
what I love and what I miss. | 0:28:57 | 0:28:59 | |
-Good man. We'll let you crack on, Darren. -Thank you. | 0:28:59 | 0:29:01 | |
Thank you very much. | 0:29:01 | 0:29:02 | |
I really like the sound of Darren's menu. | 0:29:05 | 0:29:07 | |
I love the fact he is using a wild rabbit. | 0:29:07 | 0:29:10 | |
This is very, very difficult to get right. | 0:29:10 | 0:29:13 | |
It is the cooking in the water-bath | 0:29:13 | 0:29:14 | |
and hopefully bringing out that fantastic, rich, gamey favour. | 0:29:14 | 0:29:18 | |
Darren is making us a baked chocolate mousse. | 0:29:18 | 0:29:20 | |
And then he is going to cool it down, and then he's got to bring it | 0:29:20 | 0:29:23 | |
back up to room temperature, so it is lovely and soft. | 0:29:23 | 0:29:26 | |
I can't wait to try it. | 0:29:26 | 0:29:27 | |
Cooking for the critics, for me, I think | 0:29:32 | 0:29:34 | |
it's kind of a milestone in the competition. | 0:29:34 | 0:29:36 | |
It's, you know, people that go into restaurants | 0:29:36 | 0:29:39 | |
and make or break restaurants, essentially. | 0:29:39 | 0:29:41 | |
And make or break people's careers, which is terrifying! | 0:29:41 | 0:29:44 | |
Angela, here we are. What are you cooking? | 0:29:48 | 0:29:50 | |
Black sea bass on a bit of braised fennel with some fresh fennel | 0:29:50 | 0:29:55 | |
and lightly, lightly pickled fennel, dill creme fraiche | 0:29:55 | 0:29:59 | |
and a langoustine bisque. | 0:29:59 | 0:30:01 | |
-A lot to do. -A lot to do. -OK, and what about for dessert? | 0:30:01 | 0:30:04 | |
Lemon meringue millefeuille, lemon verbena Chantilly cream, | 0:30:04 | 0:30:08 | |
lemon verbena sorbet, Italian meringue, some raspberries | 0:30:08 | 0:30:12 | |
and some little mini lemon-flavoured meringues. | 0:30:12 | 0:30:15 | |
Wow. | 0:30:15 | 0:30:16 | |
-You have really got your work cut out for you here. -I do. | 0:30:16 | 0:30:19 | |
Quite a lot, yeah. | 0:30:19 | 0:30:20 | |
-Off you go. Crack on. -Thank you. -Good luck. | 0:30:20 | 0:30:23 | |
Angela's main course is black sea bass. | 0:30:25 | 0:30:27 | |
The key to the success of this dish is making sure the fish is | 0:30:27 | 0:30:30 | |
beautifully cooked. The langoustine bisque, looking for big flavours. | 0:30:30 | 0:30:34 | |
She's got a lot of other things going on the plate. | 0:30:34 | 0:30:36 | |
She's got cucumber, she's got fennel three ways... | 0:30:36 | 0:30:38 | |
Angela's dessert is a lemon meringue millefeuille. | 0:30:40 | 0:30:43 | |
I'll tell you something, Monica - | 0:30:43 | 0:30:44 | |
if she can pull this off, all these different flavours and all | 0:30:44 | 0:30:47 | |
these techniques, we are going to be in for a really good treat today. | 0:30:47 | 0:30:50 | |
I feel really excited to cook for the critics today. | 0:30:56 | 0:30:59 | |
It's really simple. | 0:30:59 | 0:31:00 | |
If I get this menu right, I have a chance to go to Knockout Week. | 0:31:00 | 0:31:04 | |
If I don't, it is bye-bye. | 0:31:04 | 0:31:06 | |
Danilo, how are you? | 0:31:10 | 0:31:12 | |
A bit stressed out by the timing, but now I want it. | 0:31:12 | 0:31:15 | |
-Yeah, you got a taste of it. -Yes. | 0:31:15 | 0:31:17 | |
What are you making for us today? | 0:31:17 | 0:31:19 | |
Risotto with braised onion, quail and summer truffle. | 0:31:19 | 0:31:23 | |
-I'm going for a rich taste. -Oooh. | 0:31:23 | 0:31:26 | |
I do love risotto with onion puree. | 0:31:26 | 0:31:29 | |
It just makes it more creamy and rich. | 0:31:29 | 0:31:31 | |
And the summer truffle goes perfect with quail. | 0:31:31 | 0:31:34 | |
You don't want any other truffle with meat like quail. | 0:31:34 | 0:31:37 | |
What about dessert? | 0:31:37 | 0:31:38 | |
Chocolate ganache with saffron ice cream and salted caramel. | 0:31:38 | 0:31:42 | |
-So, is this food you cook for the ambassador? -Yes. | 0:31:42 | 0:31:45 | |
This dessert I've been making for a couple of years now | 0:31:45 | 0:31:48 | |
and he is really happy with it. Guests are really happy. | 0:31:48 | 0:31:50 | |
OK, lovely. You crack on. | 0:31:50 | 0:31:52 | |
Danilo is making onion risotto. | 0:31:54 | 0:31:56 | |
We want that rice just with a little bite at the back. | 0:31:56 | 0:32:00 | |
If he can keep the cooking of that quail still pink, | 0:32:00 | 0:32:03 | |
this will be great. | 0:32:03 | 0:32:05 | |
I've never had saffron before with chocolate. | 0:32:05 | 0:32:07 | |
Really intrigued by this combination of flavours. | 0:32:07 | 0:32:10 | |
The key with saffron is the quantity - | 0:32:10 | 0:32:12 | |
too much saffron can overpower the dish itself. | 0:32:12 | 0:32:15 | |
Overall, Monica, you can feel it in the kitchen. | 0:32:19 | 0:32:21 | |
There's a huge amount of tension. The pressure is on. | 0:32:21 | 0:32:23 | |
There is a massive challenge of cooking for the critics | 0:32:23 | 0:32:26 | |
and impressing them. | 0:32:26 | 0:32:27 | |
But not only them, you and I, too. | 0:32:27 | 0:32:29 | |
The chefs who enter this competition, it is their life. | 0:32:43 | 0:32:46 | |
And if they deliver great plates of food, then their lives can change. | 0:32:46 | 0:32:51 | |
Chefs can go wrong by trying to follow fashion. | 0:32:52 | 0:32:55 | |
We are always saying, "Give us something simple." | 0:32:55 | 0:32:58 | |
I want to see strong flavours, clear ideas and great cooking. | 0:32:58 | 0:33:03 | |
We are looking for people who can combine | 0:33:03 | 0:33:07 | |
originality with good technique. | 0:33:07 | 0:33:11 | |
We'll just have to see. | 0:33:11 | 0:33:13 | |
Josh, you've got 15 minutes before your main course is up. | 0:33:17 | 0:33:20 | |
What is left to do, hon? | 0:33:20 | 0:33:21 | |
Cook my fish, char my cucumber, sort out my last bits | 0:33:21 | 0:33:24 | |
-so I'm going to get it ready. -OK. -I'm not keeping them waiting. | 0:33:24 | 0:33:28 | |
-WILLIAM: -Josh is cooking Fisherman's Catch. | 0:33:28 | 0:33:30 | |
I can almost hear the seagulls, | 0:33:30 | 0:33:32 | |
I can see the ship coming into shore with his halibut, salt and vinegar, | 0:33:32 | 0:33:36 | |
charred cucumber, warm tartare, clams and peas. | 0:33:36 | 0:33:40 | |
That sounds reasonable. | 0:33:40 | 0:33:41 | |
I'm not sure about charred cucumber, slightly worries me. | 0:33:41 | 0:33:44 | |
Josh, you've got just under five minutes. | 0:33:45 | 0:33:48 | |
Going to be there, Chef. | 0:33:48 | 0:33:50 | |
-Ready? -Yeah. -Off you go. | 0:33:57 | 0:33:59 | |
-Good. He was pushing himself. -Yeah. | 0:34:03 | 0:34:05 | |
Hi, there. | 0:34:09 | 0:34:10 | |
Thanks. | 0:34:13 | 0:34:14 | |
So, you've got what I called Fisherman's Catch. | 0:34:15 | 0:34:18 | |
You've got halibut, clams, charred cucumber, heritage radish, | 0:34:18 | 0:34:23 | |
warm tartare sauce and peas with salt and vinegar. | 0:34:23 | 0:34:25 | |
-Thank you, hope you enjoy. -Thanks. | 0:34:26 | 0:34:28 | |
The overall look of the dish is relatively pleasant. | 0:34:31 | 0:34:35 | |
I can sort of see what Josh is going for with this dish. | 0:34:48 | 0:34:51 | |
The overall impression is the flavour of fish and chips, | 0:34:51 | 0:34:55 | |
and you are just disappointed that there isn't some lovely crisp | 0:34:55 | 0:34:58 | |
beer batter and fantastic chips with it, | 0:34:58 | 0:35:01 | |
because all of these other trimmings are really adding nothing. | 0:35:01 | 0:35:05 | |
The halibut - overcooked, tired. | 0:35:05 | 0:35:08 | |
There's a reason people don't char cucumbers. | 0:35:08 | 0:35:10 | |
It's because it is completely pointless. | 0:35:10 | 0:35:12 | |
It's just an effect that you don't need. | 0:35:12 | 0:35:14 | |
I'm afraid, for me, Josh's dish doesn't work at all. | 0:35:14 | 0:35:19 | |
As good as this looks, this dish is crying out for more sauce | 0:35:21 | 0:35:24 | |
and seasoning. | 0:35:24 | 0:35:26 | |
It's not come together. | 0:35:26 | 0:35:27 | |
I hope there's going to be some salt | 0:35:27 | 0:35:29 | |
and pepper on the table out there for the critics. | 0:35:29 | 0:35:31 | |
All right, Josh, you've now got 15 minutes | 0:35:34 | 0:35:36 | |
before your desserts are due. | 0:35:36 | 0:35:38 | |
Josh's dessert is a lemon meringue souffle with pine. | 0:35:39 | 0:35:45 | |
That could be quite nice if it works, if it rises. | 0:35:45 | 0:35:48 | |
And then, he is adding pine on it, which could add a wonderful | 0:35:48 | 0:35:52 | |
kind of alpine hue or it could completely destroy it. | 0:35:52 | 0:35:56 | |
-How long will the souffles take? -Nine minutes from now, Chef. | 0:35:56 | 0:35:59 | |
-Nine minutes? -Yeah. | 0:35:59 | 0:36:00 | |
-Josh, this is looking lovely, OK? -Thank you. | 0:36:04 | 0:36:07 | |
-Can you manage two? -Yes. | 0:36:13 | 0:36:14 | |
Sorry to keep you waiting just over a minute-and-a-half. | 0:36:19 | 0:36:22 | |
-Thank you. -Sorry. | 0:36:23 | 0:36:24 | |
Thank you. | 0:36:26 | 0:36:27 | |
Sorry. | 0:36:27 | 0:36:28 | |
My dessert today is lemon meringue pie souffle with Douglas fir. | 0:36:30 | 0:36:34 | |
-Thank you. -And is there pine in the dish other than in branch form? | 0:36:34 | 0:36:38 | |
Within the anglaise that I have made, there is | 0:36:38 | 0:36:40 | |
a Douglas fir flavour through it. | 0:36:40 | 0:36:42 | |
-OK, thank you. -Thank you very much. I hope you enjoy it. | 0:36:42 | 0:36:44 | |
I love the souffle. It's light, airy, lemony. | 0:36:54 | 0:36:58 | |
I really like this sweet custard that goes onto it | 0:36:58 | 0:37:01 | |
and I love the lemon curd with the raspberries. | 0:37:01 | 0:37:04 | |
I didn't get any lemon from the souffle at all. | 0:37:04 | 0:37:06 | |
I got egg, quite rich, but incredibly bland. | 0:37:06 | 0:37:11 | |
And then we've got lemon curd with some raspberries, which is | 0:37:11 | 0:37:15 | |
absolutely splendid. | 0:37:15 | 0:37:17 | |
I'm not getting anything particularly pine-ish | 0:37:17 | 0:37:20 | |
from the custard, but it's a decent little custard. | 0:37:20 | 0:37:22 | |
There is definitely some good stuff here, | 0:37:22 | 0:37:24 | |
but it's like he really hasn't made his mind up what the main | 0:37:24 | 0:37:26 | |
part of the pudding is, so he has given us a bit of everything. | 0:37:26 | 0:37:29 | |
A kind of deconstructed lemon meringue pie. | 0:37:29 | 0:37:32 | |
If he can find himself a decent plate, | 0:37:33 | 0:37:35 | |
I'd be very happy to have it again. | 0:37:35 | 0:37:36 | |
The souffle is just egg white with very light lemon coming through. | 0:37:38 | 0:37:43 | |
The best bit about this dessert, Monica, is this. | 0:37:43 | 0:37:46 | |
The meringue, the raspberries and the lemon curd. | 0:37:46 | 0:37:48 | |
That is absolutely delicious. | 0:37:48 | 0:37:50 | |
Oh, it's unbelievable how hard that was. | 0:37:56 | 0:37:59 | |
Slightly over on my times, which I'm annoyed at | 0:37:59 | 0:38:01 | |
because it is practice, practice, practice. | 0:38:01 | 0:38:03 | |
Yeah, it was very hard. | 0:38:03 | 0:38:05 | |
Darren, three minutes for your first course. | 0:38:12 | 0:38:15 | |
I might be a couple of minutes late just so I know I am right. | 0:38:15 | 0:38:18 | |
So, Darren's main - stuffed rabbit with carrot and lentils | 0:38:19 | 0:38:22 | |
and rabbit jus. | 0:38:22 | 0:38:23 | |
Sounds all right, this one. | 0:38:23 | 0:38:25 | |
If you can cook it so it is still tender, juicy, | 0:38:25 | 0:38:29 | |
with a nice bit of jus. | 0:38:29 | 0:38:31 | |
I love lentils. | 0:38:31 | 0:38:33 | |
This could be fantastic. | 0:38:33 | 0:38:34 | |
-How is the rabbit? -It is a little under, Chef. | 0:38:37 | 0:38:40 | |
-What do you do now? -I'm going to have to pan-fry it, Chef. | 0:38:40 | 0:38:43 | |
How do you feel now? | 0:38:54 | 0:38:55 | |
I feel a bit disappointed in myself, but I feel OK. | 0:38:55 | 0:38:58 | |
Off you go. | 0:38:59 | 0:39:00 | |
Hi, I'm really sorry to keep you waiting. I apologise. | 0:39:06 | 0:39:09 | |
Thanks, Darren. | 0:39:09 | 0:39:11 | |
So, for you today, I have made a stuffed rabbit with braised | 0:39:13 | 0:39:17 | |
lentils, carrots and a rabbit jus. | 0:39:17 | 0:39:19 | |
What have you stuffed your rabbit with? | 0:39:19 | 0:39:21 | |
The rabbit is stuffed with the leg meat, | 0:39:21 | 0:39:23 | |
a little bit of pancetta and the offal from the rabbit. | 0:39:23 | 0:39:25 | |
Great, thank you. | 0:39:25 | 0:39:26 | |
I think the rabbit looks absolutely fantastic. | 0:39:29 | 0:39:32 | |
Unfortunately, the rabbit is overcooked. | 0:39:40 | 0:39:42 | |
It's quite hard and quite tough. | 0:39:42 | 0:39:45 | |
The carrots are basically raw | 0:39:45 | 0:39:47 | |
and the lentils aren't just al dente, they are massively | 0:39:47 | 0:39:50 | |
undercooked and they are supposed to be soft and melting. | 0:39:50 | 0:39:53 | |
It is such a shame because I really... | 0:39:53 | 0:39:56 | |
I wanted to love this from the moment I read it to then | 0:39:56 | 0:39:58 | |
when I saw it. | 0:39:58 | 0:40:00 | |
But it misses the mark. | 0:40:01 | 0:40:02 | |
I think this is very nice indeed. | 0:40:02 | 0:40:05 | |
-I like the carrots cos I like my carrots crunchy. -Undercooked. | 0:40:05 | 0:40:09 | |
-They are not cooked. -They are... | 0:40:09 | 0:40:12 | |
They are just charred on the outside. | 0:40:12 | 0:40:14 | |
-I mean, they are raw. -They really nice, though. | 0:40:14 | 0:40:16 | |
Are your lentils cooked? | 0:40:16 | 0:40:17 | |
My lentils are fairly gritty, | 0:40:17 | 0:40:19 | |
but that is the kind of nature of lentils. | 0:40:19 | 0:40:21 | |
I think, as usual, I'm the warm water between fire and ice | 0:40:23 | 0:40:26 | |
because I kind of sit between the two of you. | 0:40:26 | 0:40:29 | |
I don't think the lentils are undercooked. | 0:40:29 | 0:40:31 | |
I don't think the carrots are undercooked. | 0:40:31 | 0:40:33 | |
I think they are as they are meant to be, | 0:40:33 | 0:40:34 | |
but there are a few off notes for me as well. | 0:40:34 | 0:40:37 | |
Carrot puree, slightly watery. | 0:40:37 | 0:40:39 | |
But I think there is enough here to make me | 0:40:39 | 0:40:41 | |
feel confident about Darren's cooking. | 0:40:41 | 0:40:44 | |
The lentils, for me, | 0:40:45 | 0:40:46 | |
could do with another couple of minutes more cooking. | 0:40:46 | 0:40:48 | |
The jus is almost a consomme consistency. | 0:40:48 | 0:40:52 | |
I really hope Darren can turn it around with his dessert course, | 0:40:52 | 0:40:55 | |
cos he is going to need to. | 0:40:55 | 0:40:56 | |
Darren, you've now got 15 minutes for your dessert. | 0:41:00 | 0:41:03 | |
Yes, Chef. Thank you. | 0:41:03 | 0:41:04 | |
Darren moves on to a baked chocolate mousse with hazelnuts. | 0:41:05 | 0:41:10 | |
Difficult to get right | 0:41:10 | 0:41:12 | |
because you want it to have that particular texture. | 0:41:12 | 0:41:16 | |
But very, very good when it is good. | 0:41:16 | 0:41:19 | |
You almost look like you're finished. | 0:41:24 | 0:41:26 | |
Three minutes left to go. | 0:41:26 | 0:41:27 | |
This looks a very different story to your main course. | 0:41:27 | 0:41:29 | |
It's worked out in the end for the dessert. | 0:41:29 | 0:41:31 | |
I just need to quenelle my ice cream. | 0:41:31 | 0:41:33 | |
I'm going to shred some roasted hazelnuts over the top | 0:41:33 | 0:41:35 | |
and I've got a hazelnut caramel syrup. | 0:41:35 | 0:41:37 | |
-Happy? -Yes, Chef. Much happier. -Off you go. | 0:41:43 | 0:41:46 | |
Thank you. | 0:41:55 | 0:41:56 | |
So, I have made for you a baked chocolate mousse with hazelnuts, | 0:41:59 | 0:42:02 | |
a hazelnut ice cream and a hazelnut praline with a caramel syrup. | 0:42:02 | 0:42:06 | |
-Thank you. -Thank you very much. | 0:42:06 | 0:42:08 | |
This is a very competent looking pudding. Looks professional. | 0:42:10 | 0:42:14 | |
The hazelnut ice cream, I love. | 0:42:25 | 0:42:28 | |
I love the way there's a bit of salt to that tuille. | 0:42:28 | 0:42:31 | |
And the mousse may not be very moussey, | 0:42:31 | 0:42:34 | |
but it is a really, really good blast of chocolate. | 0:42:34 | 0:42:38 | |
It's a good pudding. | 0:42:38 | 0:42:39 | |
It delivers an intense belt of chocolate when you need it. | 0:42:39 | 0:42:43 | |
It would be far too rich and powerful were it not for the fact | 0:42:43 | 0:42:46 | |
that it is tempered by this soft and delicious hazelnut ice cream. | 0:42:46 | 0:42:50 | |
He has got a great palate and when he cooks well, he does it perfectly. | 0:42:50 | 0:42:55 | |
This is phenomenal. | 0:42:55 | 0:42:57 | |
Mm. | 0:43:01 | 0:43:02 | |
Once the sauce was poured on this, the dish came up to another level. | 0:43:02 | 0:43:07 | |
The tuille, lovely and thin and brittle. | 0:43:07 | 0:43:10 | |
The ice cream was velvety, smooth. It tastes of hazelnuts. Ah! | 0:43:10 | 0:43:15 | |
Fantastic ice cream. | 0:43:15 | 0:43:16 | |
To be honest with you, most things went to plan. | 0:43:18 | 0:43:20 | |
It was just the timing was tight. | 0:43:20 | 0:43:22 | |
If the rabbit hadn't been undercooked, | 0:43:22 | 0:43:24 | |
I would have maybe been seven minutes over. | 0:43:24 | 0:43:25 | |
But with the time it took to get the rabbit back, | 0:43:25 | 0:43:28 | |
it was like 15 minutes. It was just a nightmare. | 0:43:28 | 0:43:30 | |
Angela, you've got four minutes left before your main courses are due. | 0:43:36 | 0:43:39 | |
-Are we going to get there on time? -No. | 0:43:39 | 0:43:41 | |
-How over do think you're going to be? -Ten minutes. | 0:43:41 | 0:43:43 | |
-I think I need about 15 more minutes. -15 more minutes? | 0:43:43 | 0:43:45 | |
You'll have to really push this one, Angela. | 0:43:45 | 0:43:47 | |
-Now you've got to step up the pace. -Yeah. | 0:43:47 | 0:43:49 | |
So, Angela's main - black bass, | 0:43:51 | 0:43:54 | |
pickled, braised and fresh fennel, | 0:43:54 | 0:43:56 | |
cucumber, dill and langoustine bisque. | 0:43:56 | 0:43:59 | |
There's a lot going on within the time available. | 0:43:59 | 0:44:02 | |
This is one of those dishes where the chef is either going to | 0:44:02 | 0:44:05 | |
be completely frazzled with pain, agony and stress or | 0:44:05 | 0:44:08 | |
she will be very accomplished, it will come in and it'll work. | 0:44:08 | 0:44:11 | |
-How are you doing, Angela? You're out of time now. -OK. | 0:44:12 | 0:44:15 | |
-Are you happy with how it is looking? -I'm happy with the colour. | 0:44:16 | 0:44:19 | |
I'm happy with how it feels, the doneness. I am happy with it. | 0:44:19 | 0:44:22 | |
-Angela, we really need to get going. -Yeah. -Yeah. -Pushing it, pushing it. | 0:44:22 | 0:44:25 | |
All I have to do now is get the bisque into the glass things. | 0:44:25 | 0:44:29 | |
-You need to really start moving now. -Yeah, this is it. | 0:44:29 | 0:44:32 | |
-Really, really start moving. -100%, this is it. | 0:44:32 | 0:44:34 | |
Or the restaurant is closed. | 0:44:34 | 0:44:36 | |
Ooh! OK, I'm good to go. | 0:44:36 | 0:44:38 | |
You are 20 minutes late. | 0:44:38 | 0:44:40 | |
-OK. -Put on one of those big smiles of yours | 0:44:40 | 0:44:42 | |
-when you walk through the door. -Will do. | 0:44:42 | 0:44:45 | |
Wow. That was tough. | 0:44:47 | 0:44:49 | |
Hi, I'm so sorry I'm late. | 0:44:52 | 0:44:53 | |
-There you go. -Thank you. -Such a pleasure. | 0:44:56 | 0:44:58 | |
I've made black sea bass on some braised fennel with some | 0:45:00 | 0:45:04 | |
fresh fennel, pickled fennel, some dill pickle cucumber | 0:45:04 | 0:45:08 | |
and dill creme fraiche. | 0:45:08 | 0:45:10 | |
And then you have a langoustine bisque. | 0:45:10 | 0:45:12 | |
-Thank you. -That's OK. | 0:45:12 | 0:45:13 | |
It's light. | 0:45:19 | 0:45:21 | |
Ooh. Are you kidding me? | 0:45:23 | 0:45:26 | |
20 minutes over and my fish is raw? | 0:45:26 | 0:45:28 | |
If the critics got the same piece that we've got, | 0:45:28 | 0:45:31 | |
undercooked like that, they are going to tear it to pieces. | 0:45:31 | 0:45:33 | |
I think it is a very well-cooked piece of fish. | 0:45:40 | 0:45:43 | |
Tastes nice, got a bit of seasoning to it. | 0:45:43 | 0:45:46 | |
Please, can I have a big bowl of the langoustine bisque? | 0:45:46 | 0:45:50 | |
It's really nice. | 0:45:50 | 0:45:52 | |
Could be a little bit more powerful, deeper and richer and stronger. | 0:45:52 | 0:45:55 | |
But, I suppose it is probably the right measure for this quite | 0:45:55 | 0:45:59 | |
sensitive plate. | 0:45:59 | 0:46:00 | |
I'm not entirely convinced by that dill cream. | 0:46:00 | 0:46:04 | |
It doesn't fit, for me, with the rest of the dish, | 0:46:04 | 0:46:06 | |
but it's a really, really nice dish. | 0:46:06 | 0:46:08 | |
-You've got 15 minutes left. -OK. -You have to serve your dessert on time. | 0:46:13 | 0:46:17 | |
-My dessert could be on time. -Or you will be in big trouble. -OK. | 0:46:17 | 0:46:20 | |
Angela is doing a lemon meringue millefeuille with lemon | 0:46:21 | 0:46:25 | |
verbena sorbet and Chantilly. | 0:46:25 | 0:46:28 | |
There's a lot of technical stuff that has to be done, though. | 0:46:28 | 0:46:31 | |
She's got to make the sorbet, she is making the Chantilly cream, | 0:46:31 | 0:46:34 | |
she is making lemon meringue, she is making millefeuille. | 0:46:34 | 0:46:37 | |
I think this dish is too complicated for its own good. | 0:46:37 | 0:46:40 | |
-Angela, you've got five minutes left. -Thank you very much. | 0:46:42 | 0:46:44 | |
Are we good? Are we on time? | 0:46:44 | 0:46:46 | |
My Italian meringue has just solidified. | 0:46:46 | 0:46:49 | |
The sugar has just solidified in the bowl. It's not going to happen. | 0:46:49 | 0:46:52 | |
So, what are you going to do? | 0:46:52 | 0:46:54 | |
I'm just going to apologise for the lack of meringue | 0:46:54 | 0:46:56 | |
on my lemon meringue millefeuille. | 0:46:56 | 0:46:57 | |
One minute, Angela. | 0:46:58 | 0:47:00 | |
Off you go. Let's go. | 0:47:05 | 0:47:07 | |
-Thank you. -There you go, not a problem. | 0:47:17 | 0:47:19 | |
For your dessert, I have made lemon meringue millefeuille with lemon | 0:47:21 | 0:47:25 | |
verbena sorbet and a lemon verbena Chantilly cream and raspberries. | 0:47:25 | 0:47:29 | |
-Please enjoy. -Thank you. | 0:47:29 | 0:47:30 | |
A millefeuille is many-layered and this isn't many-layered. | 0:47:34 | 0:47:38 | |
It is three-layered. Let's try a spoon on it. | 0:47:38 | 0:47:41 | |
The sorbet has got a sort of syrupy taste, | 0:47:50 | 0:47:54 | |
almost like a sort of melted scented candle, isn't it? | 0:47:54 | 0:47:57 | |
It's too fragrant and that is unbalancing everything | 0:47:57 | 0:48:01 | |
else on the dish. | 0:48:01 | 0:48:02 | |
The raspberries work quite well with the lemon... | 0:48:02 | 0:48:05 | |
..glop at the bottom. It's a nice pudding. | 0:48:06 | 0:48:10 | |
-That's as far as it goes. -This hasn't worked. | 0:48:10 | 0:48:13 | |
The pastry at the bottom is way too tough. | 0:48:13 | 0:48:15 | |
The sort of almost panna cotta base is a bit too gelatinous. | 0:48:15 | 0:48:20 | |
It just leaves you disappointed. | 0:48:20 | 0:48:22 | |
The tuille, yes, they are nice, | 0:48:23 | 0:48:25 | |
but a millefeuille should be absolutely perfect on presentation. | 0:48:25 | 0:48:28 | |
Everything cut to the right size. | 0:48:28 | 0:48:30 | |
It is all about presentation on this. | 0:48:30 | 0:48:33 | |
This is not a great dessert and I'm... Ugh. | 0:48:33 | 0:48:35 | |
You know, I probably actually just got so befuddled with the... | 0:48:39 | 0:48:44 | |
..worrying about the timing that your brain almost goes into slow-mo. | 0:48:46 | 0:48:50 | |
Like you are in mud or something. I don't know. | 0:48:50 | 0:48:52 | |
Danilo, you've got four minutes left. Are you on time? | 0:49:03 | 0:49:05 | |
-Yeah, I'm going to be on time. -How is the risotto? | 0:49:05 | 0:49:07 | |
-Are you happy with it? -It can be better, but... -Don't say that. | 0:49:07 | 0:49:11 | |
I'm always hard with myself, so... | 0:49:11 | 0:49:13 | |
Danilo's main course - risotto with braised onion, | 0:49:13 | 0:49:16 | |
quails and summer truffle. | 0:49:16 | 0:49:18 | |
Every grain of rice has got to be absolutely perfect. | 0:49:18 | 0:49:21 | |
It sounds great. | 0:49:21 | 0:49:23 | |
If I saw this on a menu in a restaurant, | 0:49:23 | 0:49:25 | |
I would order it without delay. | 0:49:25 | 0:49:26 | |
-So, what is left to go on the plate now? -The quail. | 0:49:29 | 0:49:32 | |
Quail. And some sauce? | 0:49:32 | 0:49:34 | |
-Yes. I was planning to serve the sauce on the side. -Perfect. OK. | 0:49:34 | 0:49:38 | |
Quail is on and we are good to go. | 0:49:38 | 0:49:39 | |
-Timing is great. We have one chef. -One. -One. -Out of four. | 0:49:43 | 0:49:47 | |
I'll take that. | 0:49:47 | 0:49:48 | |
-Hello. -Hi. | 0:49:52 | 0:49:53 | |
Thank you. Thanks. | 0:49:57 | 0:49:58 | |
So, this is a braised onion risotto with quail and asparagus | 0:50:01 | 0:50:05 | |
and summer truffle. | 0:50:05 | 0:50:07 | |
-Thank you. -Thank you very much. Enjoy. | 0:50:07 | 0:50:09 | |
Well, it is rather pretty. | 0:50:16 | 0:50:18 | |
I love the quail. The jus is sensational. | 0:50:26 | 0:50:31 | |
But the risotto, it is just the wrong side of al dente. | 0:50:31 | 0:50:35 | |
It's al crunchy. | 0:50:35 | 0:50:36 | |
I love the risotto. | 0:50:36 | 0:50:37 | |
I love the fact there is still a little bit of crunch there. | 0:50:37 | 0:50:40 | |
But it has absorbed the flavour of those braised onions magnificently. | 0:50:40 | 0:50:44 | |
The asparagus, al dente, charred - absolutely delicious. | 0:50:44 | 0:50:48 | |
So much flavour. | 0:50:48 | 0:50:50 | |
And the quail, tender. Oh! | 0:50:50 | 0:50:53 | |
This dish is utter perfection. | 0:50:53 | 0:50:56 | |
My heart goes out to the jus. | 0:50:56 | 0:51:00 | |
Very good gravy. | 0:51:00 | 0:51:02 | |
And the idea that you can have gravy with your risotto, | 0:51:02 | 0:51:06 | |
I think he might have invented something new and wonderful. | 0:51:06 | 0:51:09 | |
The risotto is delicious. | 0:51:09 | 0:51:12 | |
The quail is beautifully cooked. | 0:51:12 | 0:51:13 | |
The summer truffle works really well. This dish is excellent. | 0:51:13 | 0:51:16 | |
Danilo has done himself proud. | 0:51:16 | 0:51:19 | |
We now have very high expectations for Danilo's dessert. | 0:51:19 | 0:51:22 | |
-15 minutes for your dessert. Are we going to be OK? -I hope so, yes. | 0:51:25 | 0:51:28 | |
-Yeah? -Thank you very much. -Good. Off you go. | 0:51:28 | 0:51:31 | |
Danilo's dessert - chocolate ganache, | 0:51:31 | 0:51:34 | |
saffron ice cream | 0:51:34 | 0:51:35 | |
and salted caramel. | 0:51:35 | 0:51:37 | |
Crowd-pleaser with a little added nuance of saffron in the ice cream | 0:51:38 | 0:51:43 | |
just to show us that he can bring in sort of more exotic ingredients. | 0:51:43 | 0:51:48 | |
Pretty good stuff. | 0:51:48 | 0:51:49 | |
Take your time. You don't have to rush it. | 0:51:51 | 0:51:53 | |
-You've got a couple of minutes. -Thank you. | 0:51:53 | 0:51:56 | |
That's it. Let's go. | 0:52:02 | 0:52:04 | |
-Good job. -Good lad. -Yeah. -Yeah. | 0:52:10 | 0:52:12 | |
-Thank you. -You're welcome. | 0:52:15 | 0:52:16 | |
So, this is a chocolate ganache with salted caramel | 0:52:18 | 0:52:22 | |
and saffron ice cream. | 0:52:22 | 0:52:23 | |
And there is a little biscuit or something here? | 0:52:23 | 0:52:26 | |
Yeah, it is a cocoa crumble. Thank you very much. | 0:52:26 | 0:52:29 | |
Well, the main event looks great. Very chocolaty, deep, rich. | 0:52:34 | 0:52:38 | |
Looking forward to eating that. | 0:52:38 | 0:52:39 | |
I do find the saffron ice cream a bit incongruous. | 0:52:39 | 0:52:43 | |
It is very overpowering. The smell is huge. | 0:52:43 | 0:52:46 | |
The colour is terrifying. | 0:52:46 | 0:52:48 | |
I'm not sure how it will match. | 0:52:48 | 0:52:50 | |
Big tick for the chocolate ganache. Also for those candied walnuts. | 0:53:00 | 0:53:04 | |
Lovely. | 0:53:04 | 0:53:05 | |
And I really like the way he has introduced salt | 0:53:05 | 0:53:08 | |
into the cocoa crumb, | 0:53:08 | 0:53:09 | |
which just brings alive all the sweetness of the chocolate. | 0:53:09 | 0:53:13 | |
Then you have got the saffron ice cream. | 0:53:13 | 0:53:14 | |
We worried about the fact that the saffron was going to | 0:53:14 | 0:53:17 | |
overpower the ice cream, and it does. | 0:53:17 | 0:53:20 | |
I don't like it even on its own. | 0:53:20 | 0:53:22 | |
But that aside, this is great. | 0:53:22 | 0:53:25 | |
Sometimes less is more, and that is really rich. | 0:53:25 | 0:53:27 | |
And just a bit of clotted cream would do me very well. | 0:53:27 | 0:53:30 | |
Would I have preferred a different type of ice cream? | 0:53:38 | 0:53:40 | |
-Personally, I would. -This is not to everyone's taste. | 0:53:40 | 0:53:43 | |
You know, a lot of people will question this | 0:53:43 | 0:53:45 | |
because of that saffron ice cream. | 0:53:45 | 0:53:47 | |
Do I like it? Yes. | 0:53:47 | 0:53:50 | |
You know, I feel like I shouldn't, but, yes, I like it. | 0:53:50 | 0:53:53 | |
That was really, really, really hard. | 0:53:56 | 0:53:59 | |
Not everything will work out perfectly. | 0:53:59 | 0:54:02 | |
I can tell you that I'm like 65% happy. | 0:54:02 | 0:54:06 | |
So, all in all, good enough. | 0:54:06 | 0:54:09 | |
That was a tough day for our chefs. | 0:54:16 | 0:54:18 | |
Pressure, frustration, things going wrong. | 0:54:18 | 0:54:22 | |
Phew, it was all in their today. | 0:54:22 | 0:54:24 | |
Shall we start with the one chef who we both know did well? | 0:54:24 | 0:54:28 | |
And that is Danilo. | 0:54:28 | 0:54:30 | |
He was the one that stood out today for me, | 0:54:30 | 0:54:32 | |
not just in the way he worked. His timing was impeccable. | 0:54:32 | 0:54:36 | |
And, of course, those dishes were great. | 0:54:36 | 0:54:39 | |
The risotto was divine. | 0:54:39 | 0:54:41 | |
His dessert was always going to divide people. | 0:54:41 | 0:54:43 | |
Saffron ice cream - | 0:54:43 | 0:54:45 | |
you're either going to like it or you really won't. | 0:54:45 | 0:54:47 | |
If that is all we've got to worry about, | 0:54:47 | 0:54:49 | |
then I don't think we've got anything to worry about. | 0:54:49 | 0:54:51 | |
I think he is, for me, the hot chef in the kitchen today. | 0:54:51 | 0:54:54 | |
-I absolutely agree with you on this. Danilo has to go through. -Yep. | 0:54:54 | 0:54:58 | |
That leaves us with our remaining three chefs. We have Josh. | 0:54:58 | 0:55:02 | |
The time caught up with him | 0:55:02 | 0:55:04 | |
and he was just missing a few things on his fish dish. | 0:55:04 | 0:55:06 | |
It was lacking seasoning and, without a doubt, more sauce. | 0:55:06 | 0:55:09 | |
His dessert today, there was the pine custard | 0:55:09 | 0:55:11 | |
and then there was that little side dish of the raspberries, | 0:55:11 | 0:55:14 | |
the meringue and the lemon curd, it was absolutely delicious. | 0:55:14 | 0:55:17 | |
Josh really wanted to push himself today, and he did that. | 0:55:17 | 0:55:21 | |
Darren looks like a chef that is just not quite used to the service. | 0:55:21 | 0:55:24 | |
When it came to the main course, he was incredibly flustered | 0:55:24 | 0:55:27 | |
and frustrated with himself and that showed on the plate. | 0:55:27 | 0:55:30 | |
He then came back with his dessert and it was like a whole new chef. | 0:55:30 | 0:55:33 | |
The star of this plate, without a doubt, was the ice cream. | 0:55:33 | 0:55:36 | |
It was divine. | 0:55:36 | 0:55:38 | |
Angela was also very late. | 0:55:40 | 0:55:42 | |
The main course, I liked the presentation. | 0:55:42 | 0:55:44 | |
It was a beautiful, elegant looking dish. | 0:55:44 | 0:55:46 | |
What really upsets me is a chef that is 20 minutes late, | 0:55:46 | 0:55:50 | |
yet the fish is raw. | 0:55:50 | 0:55:52 | |
That millefeuille should have been a stunning dessert. | 0:55:52 | 0:55:55 | |
I just think there were too many things going on with her | 0:55:55 | 0:55:57 | |
that she couldn't cope with it. | 0:55:57 | 0:55:59 | |
We have a really, really tough judging here. | 0:56:02 | 0:56:04 | |
We just have to make sure we choose the right ones to go through. | 0:56:05 | 0:56:09 | |
I hope I've done enough to stay in the competition. | 0:56:09 | 0:56:11 | |
I'd be absolutely gutted to go home now. | 0:56:11 | 0:56:13 | |
Hopefully, they can see that I am a risky person, | 0:56:13 | 0:56:15 | |
I'm willing to push myself to the limit. | 0:56:15 | 0:56:17 | |
That will keep me in. | 0:56:17 | 0:56:18 | |
I'm not feeling phenomenal, I can tell you that. | 0:56:20 | 0:56:23 | |
I'd hugely love to stay and I just think I deserve it at this point. | 0:56:23 | 0:56:27 | |
-So I don't know. -SHE SIGHS | 0:56:27 | 0:56:31 | |
Not easy cooking for the critics, as I'm sure you all now realise. | 0:56:44 | 0:56:48 | |
Marcus and I have made a decision. | 0:56:48 | 0:56:50 | |
And the chef that is leaving us is... | 0:56:51 | 0:56:54 | |
-..Angela. -Thank you very much. | 0:56:59 | 0:57:01 | |
I'm feeling pretty emotional, but, you know, it is the right choice. | 0:57:10 | 0:57:13 | |
I really hope that I can say with confidence that you did not | 0:57:13 | 0:57:16 | |
see the best of my cooking today. | 0:57:16 | 0:57:18 | |
I mean, I know you should be able to hold your nerves | 0:57:18 | 0:57:20 | |
so that it does not affect what you do, but sometimes it does. | 0:57:20 | 0:57:23 | |
And I think today it definitely did. | 0:57:23 | 0:57:25 | |
Congratulations. You are through to Knockout Week. | 0:57:30 | 0:57:33 | |
Massive relief. A place in Knockout Week is amazing. | 0:57:35 | 0:57:37 | |
I've just got to prove that I'm one of the better ones to keep | 0:57:37 | 0:57:40 | |
and keep going and hopefully push on for the semis. | 0:57:40 | 0:57:42 | |
I think I've had a bit of a reality check today. | 0:57:43 | 0:57:46 | |
I probably thought I could come in and cruise it, and it didn't | 0:57:46 | 0:57:48 | |
quite work out like that, so I need to refocus for Knockout Week. | 0:57:48 | 0:57:51 | |
Yeah, today was crazy. I'm feeling good. I'm feeling great now. | 0:57:52 | 0:57:57 | |
And relieved. | 0:57:57 | 0:57:58 | |
Next week, | 0:58:04 | 0:58:05 | |
another six professionals fight for a place in the quarterfinals. | 0:58:05 | 0:58:09 | |
-Stop, the lid. Stick the lid in. -Oh, that one. -Oof. | 0:58:13 | 0:58:16 | |
We've got issues here. | 0:58:19 | 0:58:21 | |
I wasn't a expecting a big, kick-ass dish like that from you. | 0:58:22 | 0:58:25 |