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Knockout week continues on MasterChef: The Professionals. | 0:00:02 | 0:00:05 | |
It started with ten chefs in two groups of five. | 0:00:05 | 0:00:09 | |
Last night, the first group delighted diners | 0:00:11 | 0:00:13 | |
at the Royal Society of Medicine. | 0:00:13 | 0:00:16 | |
It's a jolly good surprise. | 0:00:16 | 0:00:18 | |
I'd like more of it, please. | 0:00:18 | 0:00:20 | |
However, for Zoe, | 0:00:20 | 0:00:21 | |
the final challenge marked the end of her competition. | 0:00:21 | 0:00:25 | |
Tonight, the second group must pull out all the stops, | 0:00:26 | 0:00:29 | |
cooking at one of London's most exclusive addresses. | 0:00:29 | 0:00:33 | |
This is a massive challenge for our chefs. | 0:00:33 | 0:00:36 | |
It's going to be very interesting to see how they gel together. | 0:00:36 | 0:00:38 | |
We're looking for team spirit but I'm also looking for some flair. | 0:00:38 | 0:00:42 | |
Only the best chefs can go through to next week's semifinals. | 0:00:43 | 0:00:48 | |
I think I've done a good job so far, | 0:00:49 | 0:00:52 | |
but I'm not taking it for granted that I'm through. | 0:00:52 | 0:00:54 | |
For me to get to the semifinals, it would be absolutely amazing. | 0:00:54 | 0:00:59 | |
There's no-one that I'm not worried about. | 0:00:59 | 0:01:01 | |
I'm just going to work as hard as I can just to keep in the competition. | 0:01:01 | 0:01:05 | |
I'm going out all guns blazing, | 0:01:05 | 0:01:07 | |
it's going to be like the OK Corral in there | 0:01:07 | 0:01:09 | |
and I'll be the only one standing at the end, hopefully. | 0:01:09 | 0:01:12 | |
Chefs, good to see you. What a fabulous opportunity, | 0:01:44 | 0:01:48 | |
cooking here at the French Ambassador's residence. | 0:01:48 | 0:01:51 | |
We would like you to create a three course menu | 0:01:52 | 0:01:56 | |
for the French ambassador and her guests. | 0:01:56 | 0:01:58 | |
The food in this house is of the highest level. | 0:01:59 | 0:02:02 | |
This is a massive opportunity for you to shine as a team. | 0:02:02 | 0:02:08 | |
Guys, you've got a lot of work ahead of you. We suggest you get moving. | 0:02:08 | 0:02:12 | |
Just seeing that French flag hanging over the front door just made us all | 0:02:18 | 0:02:23 | |
a bit nervous when we were coming in. | 0:02:23 | 0:02:25 | |
We've got a great mix of guys here in our team, | 0:02:25 | 0:02:27 | |
and if we can all mix and match and come together | 0:02:27 | 0:02:30 | |
and put up some fantastic food, then, boom, | 0:02:30 | 0:02:32 | |
I think we've all got it in the bag. | 0:02:32 | 0:02:34 | |
I can't wait now, I want to get in the kitchen, | 0:02:34 | 0:02:36 | |
see what they've laid out for us, see what we've got to go with. | 0:02:36 | 0:02:38 | |
The chefs only have 30 minutes to plan their three course menu. | 0:02:41 | 0:02:47 | |
Their ingredients are selected from the finest produce from France, | 0:02:47 | 0:02:51 | |
including pollock and mussels from Brittany, | 0:02:51 | 0:02:55 | |
Bresse chicken, | 0:02:55 | 0:02:57 | |
and a wide selection of fruit and vegetables. | 0:02:57 | 0:03:00 | |
Do we want to go fish starter and... | 0:03:03 | 0:03:05 | |
Fish starter and chicken as the main course. | 0:03:05 | 0:03:08 | |
If you poach it and then lift the skin, that'll be nice, I think. | 0:03:08 | 0:03:10 | |
We could make like a mussel beurre blanc or something? | 0:03:10 | 0:03:14 | |
The ingredients look fantastic, we are the only ones who can | 0:03:14 | 0:03:16 | |
go wrong now. If we don't use them properly, then it's all on us. | 0:03:16 | 0:03:19 | |
It's not the ingredients' fault, it's our fault. | 0:03:19 | 0:03:22 | |
So, the main course - we're going to go chicken. | 0:03:22 | 0:03:24 | |
Poach these to keep it moist, then take them off the carcass. | 0:03:24 | 0:03:27 | |
OK, yeah. If you want to do a little pithivier with the leg meat... | 0:03:27 | 0:03:30 | |
Yeah. | 0:03:30 | 0:03:32 | |
For me, personally, this is probably the biggest thing I've ever done in | 0:03:32 | 0:03:35 | |
my career so far. I am nervous, | 0:03:35 | 0:03:37 | |
but I'm not going to let those nerves get to me and ruin my day. | 0:03:37 | 0:03:41 | |
I think we've got enough time, so we can do a fondant. | 0:03:41 | 0:03:44 | |
-As long as you guys have recipes for it? -Yeah, cos I'm... | 0:03:44 | 0:03:46 | |
I've got a recipe - 125, 125, 150, 3 eggs, and 35g of flour. | 0:03:46 | 0:03:50 | |
-Do you want to do pastry now? -That's off his head, | 0:03:50 | 0:03:52 | |
-so you're happy taking control of that? -I am. | 0:03:52 | 0:03:55 | |
I really like the way our chefs are talking at the moment. | 0:03:58 | 0:04:01 | |
They're all having a say and input | 0:04:01 | 0:04:04 | |
on how the menu should come together. | 0:04:04 | 0:04:06 | |
Frosted hazelnut sauce? | 0:04:06 | 0:04:08 | |
This is the first time you're going to have a service where you're | 0:04:08 | 0:04:10 | |
working together in a professional kitchen, | 0:04:10 | 0:04:13 | |
and with some very serious guests upstairs as well. | 0:04:13 | 0:04:15 | |
The one thing we do have to be very aware of here, chefs, | 0:04:15 | 0:04:17 | |
is being absolutely on the button for our timings. | 0:04:17 | 0:04:20 | |
They now have just two hours' prep time | 0:04:24 | 0:04:26 | |
before their first course is served. | 0:04:26 | 0:04:29 | |
The brigade is made up of Elly, a junior sous chef. | 0:04:29 | 0:04:33 | |
Gary, a college lecturer. | 0:04:33 | 0:04:35 | |
And sous chefs James and Brenton. | 0:04:35 | 0:04:39 | |
And Max, head chef of a gastropub. | 0:04:39 | 0:04:42 | |
I don't think there's any sort of big egos in the group. | 0:04:42 | 0:04:45 | |
We've separated the kitchen up | 0:04:45 | 0:04:47 | |
so we've got two on starter, two on mains, one on dessert. | 0:04:47 | 0:04:51 | |
But, no, I think it's a good kitchen to be working in today. | 0:04:51 | 0:04:54 | |
Take your time with that. | 0:04:56 | 0:04:58 | |
The first job for Max is to carefully fillet and portion | 0:04:58 | 0:05:02 | |
the pollock for the starter. | 0:05:02 | 0:05:04 | |
-You all right? -Yeah, fine. | 0:05:04 | 0:05:06 | |
If you make it taut this way, if you bend it, | 0:05:09 | 0:05:13 | |
what it does is it firms this up, OK? | 0:05:13 | 0:05:15 | |
That's a great tip, thank you very much. | 0:05:18 | 0:05:20 | |
-You learned something. -I did learn something. | 0:05:20 | 0:05:22 | |
James is also on the first course. | 0:05:24 | 0:05:27 | |
He makes a start prepping the garnish | 0:05:27 | 0:05:30 | |
of broad beans and tomato concasse. | 0:05:30 | 0:05:33 | |
It's nice to be working as a team for once, instead of just | 0:05:33 | 0:05:35 | |
going solo, so it's going to be nice to see what comes together. | 0:05:35 | 0:05:38 | |
-How are you doing, James? -Yeah, very well, thank you, Chef. | 0:05:41 | 0:05:44 | |
Quite happy with this so far? | 0:05:44 | 0:05:45 | |
Yeah, I'm taking my time, I'm making sure everything's done right. | 0:05:45 | 0:05:48 | |
Obviously I'm not taking too much time to do it as well. | 0:05:48 | 0:05:50 | |
No, you can't take too much time, you're the first course up! | 0:05:50 | 0:05:53 | |
We are, we can't be late, either. | 0:05:53 | 0:05:55 | |
The menu seems very straightforward. | 0:05:58 | 0:06:00 | |
They're taking the pollock, which you poach and crispy up some skin, | 0:06:00 | 0:06:03 | |
they're going to make a beurre blanc, | 0:06:03 | 0:06:05 | |
possibly some sea veg to go with that. It's a nice-sounding menu. | 0:06:05 | 0:06:09 | |
-That's a good sized portion. -Yeah, don't go any bigger. | 0:06:09 | 0:06:12 | |
-Don't want to go much bigger than that. -No, cos you've got your | 0:06:12 | 0:06:14 | |
-beurre blanc and then your mussels. -Exactly. Cool. | 0:06:14 | 0:06:17 | |
On the main course with Brenton is Elly, | 0:06:21 | 0:06:24 | |
who's prepping three different cauliflower garnishes. | 0:06:24 | 0:06:27 | |
-Right, Elly, where are you up to? -I've got pickled cauliflower done, | 0:06:28 | 0:06:32 | |
I'm going to caramelise these at the end, I've made my puree, | 0:06:32 | 0:06:34 | |
and then I'm going to jump on and help Brenton. | 0:06:34 | 0:06:36 | |
How do you feel about your involvement on the menu? | 0:06:36 | 0:06:39 | |
-Do you feel you've had enough input? -Yeah, I think so, | 0:06:39 | 0:06:41 | |
everyone's had a certain input on all of the dishes. | 0:06:41 | 0:06:44 | |
I've got a funny feeling you're going to be controlling these | 0:06:44 | 0:06:46 | |
four chefs around you in about an hour from now, is that about right? | 0:06:46 | 0:06:49 | |
-Yeah, probably! -Probably, thought as much! OK. | 0:06:49 | 0:06:52 | |
Happy with that? | 0:06:53 | 0:06:56 | |
-Yeah. -I'm liking the way they're talking at the moment. | 0:06:56 | 0:06:59 | |
Elly's really getting vocal in there, which I think is great. | 0:06:59 | 0:07:03 | |
-You all right, Brenton? -Yeah, so far so good. | 0:07:03 | 0:07:06 | |
The main course is the chicken from Bresse, | 0:07:06 | 0:07:08 | |
which they are going to poach and then roast, | 0:07:08 | 0:07:10 | |
and they're also using the leg meat to make a pithivier, | 0:07:10 | 0:07:13 | |
which is like a little pie. | 0:07:13 | 0:07:15 | |
For me, this sounds like a great main course. | 0:07:15 | 0:07:17 | |
Brenton is butchering the Bresse chickens, | 0:07:18 | 0:07:21 | |
a world-renowned breed | 0:07:21 | 0:07:24 | |
famous for its rich flavour and reared only in eastern France. | 0:07:24 | 0:07:28 | |
I've worked in France before and I've seen some of the stunning food | 0:07:28 | 0:07:30 | |
they have in their average restaurant. | 0:07:30 | 0:07:32 | |
We're going to have some pressure to cook up something to impress them. | 0:07:32 | 0:07:36 | |
For the chicken, the poached chicken... | 0:07:36 | 0:07:38 | |
We're going to just do water on the stove, mirepoix, thyme, carrots. | 0:07:38 | 0:07:43 | |
To keep the chicken as moist as possible, Brenton and Elly | 0:07:43 | 0:07:46 | |
are poaching the breasts on the crown | 0:07:46 | 0:07:49 | |
in a classic French mirepoix vegetable stock. | 0:07:49 | 0:07:52 | |
We know Elly can cook the chicken very well, | 0:07:52 | 0:07:54 | |
we've seen her do it this way a few times now in the kitchen, | 0:07:54 | 0:07:57 | |
so it's in good hands. | 0:07:57 | 0:07:58 | |
The bones and trimmings are being sauteed to add flavour | 0:08:02 | 0:08:05 | |
to the chicken jus, | 0:08:05 | 0:08:07 | |
and the leg meat used to create the filling for the pithivier, | 0:08:07 | 0:08:11 | |
a traditional French pie. | 0:08:11 | 0:08:13 | |
Right, Brenton, where are we at? | 0:08:15 | 0:08:16 | |
At the moment, I'm just starting to make the mix for the pithivier, | 0:08:16 | 0:08:19 | |
the little chicken leg pie, | 0:08:19 | 0:08:21 | |
so in that I'm going to sweat down some onions, a bit of garlic, | 0:08:21 | 0:08:24 | |
-mushrooms. -Are you excited about the challenge, | 0:08:24 | 0:08:27 | |
and working with Elly as a team? | 0:08:27 | 0:08:28 | |
I'm working with Elly, she's a great chef. I'm quite excited about | 0:08:28 | 0:08:32 | |
the challenge but, obviously, now I'm getting a bit nervous, | 0:08:32 | 0:08:35 | |
time's flying by very quickly, | 0:08:35 | 0:08:37 | |
trying to find our way around a new kitchen, yeah, | 0:08:37 | 0:08:40 | |
there's a lot going on, it's quite nerve-racking. | 0:08:40 | 0:08:42 | |
For me, this sounds a great main course. | 0:08:45 | 0:08:47 | |
I love the pithivier part of it, I hope it doesn't dry out, | 0:08:47 | 0:08:50 | |
I hope the filling doesn't dry out. | 0:08:50 | 0:08:52 | |
I've had a taste of the mix, it's delicious so far. | 0:08:52 | 0:08:55 | |
Over in the pastry section, | 0:08:59 | 0:09:00 | |
Gary has a strawberry ripple ice cream well underway. | 0:09:00 | 0:09:04 | |
And he's made a praline to add an extra nutty flavour | 0:09:06 | 0:09:10 | |
to his chocolate fondant mix. | 0:09:10 | 0:09:12 | |
How confident do you feel about cooking a fondant? | 0:09:13 | 0:09:16 | |
The recipe I definitely know. What I don't know is the oven, | 0:09:16 | 0:09:20 | |
timings and size, so it's really going to come down to practise. | 0:09:20 | 0:09:24 | |
Gary's next big task is his chocolate fondant mix. | 0:09:26 | 0:09:31 | |
Equal quantities of butter and chocolate | 0:09:31 | 0:09:33 | |
are blended with whisked eggs and sugar before finally adding flour | 0:09:33 | 0:09:38 | |
and the ground-up hazelnut praline. | 0:09:38 | 0:09:41 | |
Gary, tell me, where are we at? | 0:09:41 | 0:09:43 | |
We've got our fondant mix ready, | 0:09:43 | 0:09:44 | |
just going to leave that at room temperature. | 0:09:44 | 0:09:47 | |
We've got the base done for my chocolate tuiles. | 0:09:47 | 0:09:51 | |
I'm just starting the nut crumble, the granola. | 0:09:51 | 0:09:54 | |
-There was some fruit you were going to use? -Yeah, we've got, again, | 0:09:54 | 0:09:57 | |
these amazing strawberries, so I've made a little kind of reduced puree | 0:09:57 | 0:10:00 | |
-and that's going to be for our ice cream. -I'm really impressed | 0:10:00 | 0:10:03 | |
with how controlled you are, you've got so much work done already. | 0:10:03 | 0:10:06 | |
-Thank you. -I think the team did well by putting you in here! | 0:10:06 | 0:10:09 | |
THEY LAUGH | 0:10:09 | 0:10:11 | |
-No pressure there! -No pressure! -Good luck. -Thank you. | 0:10:11 | 0:10:15 | |
The dessert, for me, is in great hands. Gary has got beautiful, | 0:10:18 | 0:10:21 | |
little textures of chocolate here and there, there's nut, | 0:10:21 | 0:10:23 | |
he's taken the strawberries and he's got ice cream. | 0:10:23 | 0:10:26 | |
He's got a lot of work. I dropped in on him, he seems so in control, | 0:10:26 | 0:10:29 | |
he knows exactly where he's at. | 0:10:29 | 0:10:31 | |
I wouldn't be surprised if we see him coming | 0:10:31 | 0:10:33 | |
and giving these guys a hand later on. | 0:10:33 | 0:10:35 | |
But so far, I like the way our team is working in this kitchen. | 0:10:35 | 0:10:39 | |
I think there's a great atmosphere at the moment and there's definitely | 0:10:39 | 0:10:42 | |
a level of unity with these five chefs. | 0:10:42 | 0:10:44 | |
They've come together very, very well. | 0:10:44 | 0:10:47 | |
Chefs, one hour has gone, | 0:10:48 | 0:10:51 | |
you have one hour left before your first course is due. | 0:10:51 | 0:10:55 | |
Oui, Chef. | 0:10:55 | 0:10:56 | |
Built in 1840, | 0:11:00 | 0:11:02 | |
and initially the home of the 10th Duke of Marlborough, | 0:11:02 | 0:11:06 | |
the Ambassador's residence | 0:11:06 | 0:11:08 | |
was bought by the French government in 1946. | 0:11:08 | 0:11:12 | |
I'm representing my government in many fields - | 0:11:12 | 0:11:16 | |
security, defence, economy, culture, gastronomy as well. | 0:11:16 | 0:11:20 | |
French cuisine is obviously one of the best, | 0:11:22 | 0:11:25 | |
and it is recognised as so. | 0:11:25 | 0:11:27 | |
It's part, really, of our DNA, | 0:11:27 | 0:11:30 | |
and our culture. I think there's a lot of pressure on the chefs, | 0:11:30 | 0:11:35 | |
and today is very important, but I hope it will be a great success. | 0:11:35 | 0:11:40 | |
Can I make a suggestion? You're 50 minutes away from your first course, | 0:11:42 | 0:11:45 | |
I think it may be a good idea to just have a quick conversation | 0:11:45 | 0:11:48 | |
-of where everybody is right now. -Shall we go through to Gary quickly? | 0:11:48 | 0:11:51 | |
-Don't you think? -So, starter-wise, what are we looking at? | 0:11:51 | 0:11:54 | |
Starters, the pollock is portioned. | 0:11:54 | 0:11:57 | |
-You're poaching it? In the water bath? -If I'm honest with you, | 0:11:57 | 0:11:59 | |
I've not done that before, so I'm not going to start playing around... | 0:11:59 | 0:12:02 | |
-As long as it comes out nice. -You happy poaching it in the liquor? | 0:12:02 | 0:12:05 | |
-Yeah, it's just old school. -Sauce, you need to finish, like, now, | 0:12:05 | 0:12:08 | |
and then florets I'm going to start cooking roughly about 20 past. | 0:12:08 | 0:12:13 | |
-Right, pastry. -Sweet, Gary? -Fondant mix is done, | 0:12:13 | 0:12:16 | |
I've got chocolate tuile which I'm going to blitz | 0:12:16 | 0:12:18 | |
and then dust over these | 0:12:18 | 0:12:20 | |
-and get little, really thin wafers. -Yeah. -Yeah. | 0:12:20 | 0:12:22 | |
-Erm... -But I think it's going to come together really well | 0:12:22 | 0:12:25 | |
-because those strawberries are stunning. -Sweet. | 0:12:25 | 0:12:27 | |
-Awesome. -Let's crack on. | 0:12:27 | 0:12:31 | |
In preparation for service, | 0:12:35 | 0:12:37 | |
James is blanching three different varieties of sea vegetables | 0:12:37 | 0:12:40 | |
to accompany the pollock. | 0:12:40 | 0:12:42 | |
That's the only stuff that concerns me, | 0:12:42 | 0:12:44 | |
I'm thinking about leaving that off. It's like eating plastic. | 0:12:44 | 0:12:46 | |
Get rid of it. Take it off, we'll just do the nori and the samphire. | 0:12:46 | 0:12:50 | |
Cos that's actually quite tasty, and once that's seasoned up... | 0:12:50 | 0:12:53 | |
-What are you doing with the mussels? -We're going to steam them open | 0:12:57 | 0:13:00 | |
and then use the liquor to go through the beurre blanc at the end. | 0:13:00 | 0:13:04 | |
Beurre blanc is a classic French butter sauce. | 0:13:06 | 0:13:09 | |
It's got a reduction of shallots and herbs | 0:13:09 | 0:13:12 | |
with a hint of white wine vinegar or a little bit of lemon juice. | 0:13:12 | 0:13:16 | |
So when we've got the sauce, get the fish stock into it, | 0:13:17 | 0:13:20 | |
just intensify that, blitz it up, strain that in a minute, | 0:13:20 | 0:13:23 | |
put it in there, start getting the butter into it. | 0:13:23 | 0:13:26 | |
We're just getting the final pieces together, | 0:13:26 | 0:13:28 | |
just getting it all ready so it's all ready to plate. | 0:13:28 | 0:13:31 | |
I'm personally just finishing the sauce, | 0:13:31 | 0:13:33 | |
Max is just doing the last few bits of garnish, | 0:13:33 | 0:13:36 | |
then all it's going to be then is just getting everything cooked, | 0:13:36 | 0:13:40 | |
seasoned, tasted, | 0:13:40 | 0:13:42 | |
dressed and on the plate, ready to rock and roll. | 0:13:42 | 0:13:45 | |
We're discussing everything as we go along, | 0:13:46 | 0:13:48 | |
we're all sort of talking stuff through. | 0:13:48 | 0:13:50 | |
Someone's not happy, we'll talk it out. | 0:13:50 | 0:13:52 | |
I don't know about you, but I would run a bit more butter through that, | 0:13:54 | 0:13:57 | |
just literally on here. | 0:13:57 | 0:14:00 | |
Because it is just a bit sharp, I think. | 0:14:00 | 0:14:03 | |
It just seems a little bit tart, that's all. | 0:14:05 | 0:14:08 | |
Let me taste that? | 0:14:08 | 0:14:10 | |
That's just a bit sharp for me. | 0:14:10 | 0:14:12 | |
It's a bit vinegary, isn't it? | 0:14:12 | 0:14:14 | |
-It's a bit tart. -You need a touch of sugar in that. | 0:14:14 | 0:14:16 | |
Have we got some? | 0:14:16 | 0:14:18 | |
Yeah, I'll get you some. | 0:14:18 | 0:14:20 | |
-Sugar in a beurre blanc? -Yeah. | 0:14:21 | 0:14:24 | |
-Sugar in a beurre blanc? -Yes. -Really? -Yes. I've been taught that, | 0:14:24 | 0:14:28 | |
just to give it a little extra sweetness, | 0:14:28 | 0:14:30 | |
then it will all come together nicely. | 0:14:30 | 0:14:32 | |
Could I have the parsley over the fish, please? | 0:14:32 | 0:14:35 | |
Personally, for me, it's still sharp, | 0:14:35 | 0:14:37 | |
but, at the end of the day, it's not all about me. | 0:14:37 | 0:14:40 | |
Back on the main course, the chicken breasts are poached... | 0:14:43 | 0:14:48 | |
-Yeah, that's all right. -Yeah. | 0:14:49 | 0:14:52 | |
..so Elly and Brenton have both turned their attention | 0:14:52 | 0:14:55 | |
to the chicken pithivier. | 0:14:55 | 0:14:58 | |
Pithivier is a French pastry | 0:14:58 | 0:15:00 | |
that's defined by its shape and its markings. | 0:15:00 | 0:15:03 | |
I would like that to have had detail in the scoring, | 0:15:03 | 0:15:06 | |
I would love that to be shiny and stand out. | 0:15:06 | 0:15:08 | |
You want it to almost be like the jewel in the crown of the dish. | 0:15:08 | 0:15:11 | |
Brenton is making the filling. | 0:15:13 | 0:15:15 | |
The mixture of chicken thigh meat, | 0:15:15 | 0:15:17 | |
pancetta and mushroom is wrapped in chard leaf and placed in a mould | 0:15:17 | 0:15:22 | |
to create the perfect dome. | 0:15:22 | 0:15:24 | |
On the other side of the kitchen, | 0:15:27 | 0:15:29 | |
Elly is rolling the puff pastry for the pithivier, | 0:15:29 | 0:15:32 | |
traditionally decorated with ornate scoring. | 0:15:32 | 0:15:36 | |
We're going old school, so we're not using | 0:15:36 | 0:15:38 | |
all the modern, fashion cooking, | 0:15:38 | 0:15:41 | |
like water baths, etc, it's like old, classic cooking, | 0:15:41 | 0:15:45 | |
and it's showing how good a chef you are, really, I think. | 0:15:45 | 0:15:48 | |
The base of the pie must be perfectly sealed, | 0:15:51 | 0:15:54 | |
but the steam inside must also be allowed to escape to stop the pie | 0:15:54 | 0:15:58 | |
from bursting open when baked. | 0:15:58 | 0:16:00 | |
You put the disc on the top, and you put a little hole in it, | 0:16:00 | 0:16:03 | |
and that creates the steam. | 0:16:03 | 0:16:05 | |
And then it won't break apart, cos it might split open. | 0:16:05 | 0:16:08 | |
I've never had that problem, but, I mean... | 0:16:08 | 0:16:11 | |
All right, we'll do it your way. | 0:16:11 | 0:16:13 | |
-Not like that. -No, no, it's fine. | 0:16:13 | 0:16:15 | |
I don't mind. | 0:16:15 | 0:16:17 | |
We're thinking of more of the decoration, | 0:16:17 | 0:16:20 | |
so we don't want to destroy the decoration, | 0:16:20 | 0:16:22 | |
so we're going to go with no disc. | 0:16:22 | 0:16:24 | |
Different experiences in the past lead to different methods | 0:16:24 | 0:16:27 | |
of cookery, basically. I think it's going to be really tasty and really, | 0:16:27 | 0:16:30 | |
really flavoursome. | 0:16:30 | 0:16:32 | |
As long as we cook it all properly just as we're serving it, | 0:16:32 | 0:16:35 | |
it will come out nice. | 0:16:35 | 0:16:36 | |
Chicken's good, pithivier's OK? | 0:16:38 | 0:16:39 | |
Yeah, we just need to pan-roast the chicken, cook the florets, | 0:16:39 | 0:16:42 | |
caramelise them up, | 0:16:42 | 0:16:44 | |
and pithiviers we need to put in place in the oven and sauces made. | 0:16:44 | 0:16:48 | |
Have the pithiviers been egg-washed? | 0:16:48 | 0:16:50 | |
-Yes. -Do you have any spare? | 0:16:50 | 0:16:52 | |
-No. -No? | 0:16:52 | 0:16:54 | |
So you can't put a tester in now? | 0:16:54 | 0:16:55 | |
-No. -OK. -No, it'll be good. | 0:16:55 | 0:16:58 | |
I have faith. | 0:16:58 | 0:16:59 | |
Meanwhile, Gary is adding to the garnish of his dish by making some | 0:17:03 | 0:17:08 | |
chocolate caramel discs. | 0:17:08 | 0:17:10 | |
I've probably not done pastry in a restaurant for about 25 years, | 0:17:10 | 0:17:14 | |
so to be standing here | 0:17:14 | 0:17:18 | |
in this particular moment in time and on the pastry is, erm, fun. | 0:17:18 | 0:17:22 | |
Pastry's not feeding people, | 0:17:22 | 0:17:23 | |
pastry's about that little element of luxury and surprise, | 0:17:23 | 0:17:26 | |
and that's what I enjoy about it. | 0:17:26 | 0:17:29 | |
With time to spare, | 0:17:31 | 0:17:33 | |
Gary has decided to test the cooking time of his fondant. | 0:17:33 | 0:17:38 | |
If they're baked for too long, | 0:17:40 | 0:17:43 | |
they won't have the all-important oozing chocolate centre. | 0:17:43 | 0:17:47 | |
So it's a six minute fondant, not an eight. | 0:17:51 | 0:17:55 | |
I'm sure the French ambassador has had some of the best chefs | 0:17:55 | 0:17:58 | |
in the world cook her a chocolate fondant. | 0:17:58 | 0:18:01 | |
I just want to make it memorable. | 0:18:01 | 0:18:03 | |
With service fast approaching, the guests arrive. | 0:18:10 | 0:18:15 | |
They include Maxime Holder, head of global French bakery Paul. | 0:18:15 | 0:18:21 | |
Florence Gomez from the French chamber of commerce. | 0:18:21 | 0:18:25 | |
Journalist Mark Roche. | 0:18:25 | 0:18:29 | |
Gilles Quillot, | 0:18:29 | 0:18:31 | |
the Ambassador's chef de cuisine. | 0:18:31 | 0:18:34 | |
And TV and radio journalist Benedicte Paviot. | 0:18:34 | 0:18:38 | |
They say the chemistry between politicians can really change | 0:18:38 | 0:18:41 | |
in negotiation. I'm sure food has its part to play in good relations. | 0:18:41 | 0:18:48 | |
I think it's very important when you have international conferences, | 0:18:48 | 0:18:51 | |
if the buffets are good and dinners are good, | 0:18:51 | 0:18:54 | |
people are in a better mood to negotiate. | 0:18:54 | 0:18:57 | |
INDISTINCT CHATTER | 0:18:57 | 0:19:00 | |
Just want to let you go, you've got half an hour for your first course, | 0:19:00 | 0:19:02 | |
OK? Guests are here, they're having their champagne. | 0:19:02 | 0:19:05 | |
-7:30 - first course out. -Yes, Marcus. -Oui, Chef. | 0:19:05 | 0:19:09 | |
For Max and James, timing the poaching of their fish is critical. | 0:19:13 | 0:19:18 | |
How long before we start plating? | 0:19:23 | 0:19:25 | |
About two minutes. | 0:19:25 | 0:19:27 | |
We will start by poached pollock loin, mussels, samphire, | 0:19:34 | 0:19:39 | |
seaweed and mussels beurre blanc. | 0:19:39 | 0:19:42 | |
Everything smells of Brittany and I love the idea. | 0:19:42 | 0:19:46 | |
Max, should that fish be boiling? | 0:19:47 | 0:19:48 | |
-No, I'll just turn it down. -Turn it off. | 0:19:48 | 0:19:51 | |
I think it's going to be interesting to see the way the pollock | 0:19:54 | 0:19:57 | |
is poached because this is not that easy. | 0:19:57 | 0:20:00 | |
I think we're about done. | 0:20:01 | 0:20:03 | |
I don't know about you, but I'm getting a little bit peckish. | 0:20:04 | 0:20:08 | |
OK, guys, you've got five minutes left. | 0:20:08 | 0:20:10 | |
-Oui, Chef. -Dish leaves the kitchen in five, OK? -Oui, Chef. | 0:20:10 | 0:20:14 | |
Round the outside, yeah? | 0:20:16 | 0:20:18 | |
Yeah. | 0:20:18 | 0:20:19 | |
Beautiful, guys. Very, very nice. | 0:20:19 | 0:20:23 | |
There's nothing going in those shells? | 0:20:27 | 0:20:29 | |
No, they are just decoration, Chef. | 0:20:29 | 0:20:31 | |
-Off, on? -We've got time, put some mussels in. | 0:20:31 | 0:20:34 | |
Grab a spoon, put some mussels on. | 0:20:34 | 0:20:36 | |
-Every plate consistent. -Yeah, yeah, that's what I'm just looking at. | 0:20:43 | 0:20:46 | |
-Right, guys. You happy? -Yes, yes, Chef. -We're good. | 0:20:46 | 0:20:49 | |
-We've got thyme and garlic and everything? -Yeah. | 0:20:52 | 0:20:54 | |
-Well done, mate. -Well done, mate. That'll do. -That was a challenge. | 0:21:03 | 0:21:08 | |
Right, then. | 0:21:08 | 0:21:10 | |
The starter is poached pollock topped with crispy skin, | 0:21:11 | 0:21:16 | |
a mussel beurre blanc, broad beans, | 0:21:16 | 0:21:19 | |
tomato concasse and sea vegetables. | 0:21:19 | 0:21:23 | |
Looked exactly how I thought it was going to look. | 0:21:23 | 0:21:26 | |
And taste-wise, I think it's great. | 0:21:26 | 0:21:28 | |
-I think we got what we set out to do, so... -Yeah. -Yeah. | 0:21:28 | 0:21:31 | |
Let's hope the guests are happy. | 0:21:31 | 0:21:33 | |
-Fingers crossed. -That's the main thing, isn't it? | 0:21:33 | 0:21:36 | |
The colours, they are very nice. | 0:21:36 | 0:21:38 | |
I think it is quite attractive and the smell is really delicious, | 0:21:38 | 0:21:42 | |
-so I think we should try it. -Smells nice. | 0:21:42 | 0:21:44 | |
The fish is a bit dry, but I think | 0:21:51 | 0:21:54 | |
the sauce or the beurre blanc is very tasty and I like it | 0:21:54 | 0:21:58 | |
with the seaweed and samphire. | 0:21:58 | 0:22:01 | |
What I really like is the texture of the skin of the fish that's on top. | 0:22:01 | 0:22:06 | |
The flavour of the mussel beurre blanc is great, | 0:22:06 | 0:22:09 | |
but I'm a bit surprised cos the texture of the fish, it's a bit dry. | 0:22:09 | 0:22:15 | |
I would like to have tasted a little bit more mussel flavour | 0:22:17 | 0:22:20 | |
-going through this sauce. -The beurre blanc has got the sharpness | 0:22:20 | 0:22:23 | |
from the lemon juice coming through it and the sea vegetables | 0:22:23 | 0:22:27 | |
with the seaweed brings that saltiness to it. It's a good dish. | 0:22:27 | 0:22:32 | |
Nice colour on them. | 0:22:32 | 0:22:35 | |
Next in the spotlight | 0:22:35 | 0:22:37 | |
are Elly and Brenton with the chicken main course. | 0:22:37 | 0:22:41 | |
You are 20 minutes away. Yes, Chef. | 0:22:41 | 0:22:43 | |
-Have we got everything under control? -Oui. | 0:22:43 | 0:22:46 | |
The pithiviers take 15 minutes to cook. | 0:22:48 | 0:22:52 | |
Without any testers and no spares, | 0:22:52 | 0:22:55 | |
it is essential that they all are cooked perfectly. | 0:22:55 | 0:22:58 | |
That's it. Butter, garlic. | 0:22:58 | 0:23:00 | |
-Thyme is here. -Yeah. | 0:23:00 | 0:23:02 | |
Take them off now. | 0:23:05 | 0:23:07 | |
It's very interesting to have chicken pithivier | 0:23:07 | 0:23:10 | |
because it's actually technically really hard because it wants to have | 0:23:10 | 0:23:15 | |
the puff pastry perfectly cooked and also the chicken not overcooked. | 0:23:15 | 0:23:19 | |
Where are we at with the pithiviers? | 0:23:21 | 0:23:23 | |
Out in 30 seconds. | 0:23:23 | 0:23:25 | |
It's a big challenge, | 0:23:25 | 0:23:27 | |
lots of pressure because it's going to be a very French dish | 0:23:27 | 0:23:31 | |
with French people around the table. | 0:23:31 | 0:23:33 | |
The fact that they are in the Residence de France - | 0:23:33 | 0:23:36 | |
absolutely no pressure whatsoever! | 0:23:36 | 0:23:39 | |
-Is that it now? -That's it now. -Let's do this. | 0:23:39 | 0:23:42 | |
Oh, dear. | 0:23:42 | 0:23:44 | |
Pastry is nice and crisp, though. | 0:23:46 | 0:23:48 | |
They have split a little bit on the bottom, on the sides. | 0:23:51 | 0:23:54 | |
Once the pressure has subsided they will... | 0:23:54 | 0:23:57 | |
flatten out a little bit, but it is not ideal. | 0:23:57 | 0:23:59 | |
-Chicken on the side, yeah. -Pithivier in the corner. | 0:24:05 | 0:24:08 | |
-We're getting there, guys? -Yes, Chef. Yes. | 0:24:09 | 0:24:12 | |
-Happy? Yes, Chef. Send them? -Service, please. -Service. | 0:24:17 | 0:24:21 | |
The flavours are there, I believe. | 0:24:34 | 0:24:35 | |
The puree...that's what we wanted to do, | 0:24:35 | 0:24:37 | |
and the chard, giving that little crunch at the end. | 0:24:37 | 0:24:40 | |
But inside the pithivier, | 0:24:40 | 0:24:42 | |
-the flavour, that's what we wanted, so... Overall happy. -All right. | 0:24:42 | 0:24:46 | |
For the main course, | 0:24:51 | 0:24:53 | |
they have served poached and roasted breast of chicken, | 0:24:53 | 0:24:56 | |
braised chard stems, a chicken, pancetta and mushroom pithivier, | 0:24:56 | 0:25:02 | |
roasted and pickled cauliflower, | 0:25:02 | 0:25:05 | |
cauliflower puree and a chicken jus. | 0:25:05 | 0:25:09 | |
It's superbly well presented. | 0:25:12 | 0:25:15 | |
-It's like a painting. -Yes. | 0:25:15 | 0:25:17 | |
I really like the chicken. | 0:25:25 | 0:25:26 | |
I think the way it's cooked, it's really, really good as well. | 0:25:26 | 0:25:31 | |
The pithivier was great. | 0:25:31 | 0:25:32 | |
It's one of the best pithiviers I've ever had. The flavour inside | 0:25:32 | 0:25:37 | |
was really great and it was linked with the rest of the dish. | 0:25:37 | 0:25:40 | |
It was like a little bombshell of taste. | 0:25:40 | 0:25:44 | |
It was quite surprising, wasn't it? | 0:25:44 | 0:25:47 | |
And I ate it too quickly, it was so good. | 0:25:47 | 0:25:49 | |
-Well, you enjoyed it. -I enjoyed it tremendously. | 0:25:49 | 0:25:52 | |
You've got a lovely sauce. | 0:25:59 | 0:26:01 | |
The pithivier is nice and moist, the chard is beautifully cooked. | 0:26:01 | 0:26:04 | |
It's a crowd pleaser. | 0:26:04 | 0:26:05 | |
You put this up, people will be happy to eat it. | 0:26:05 | 0:26:08 | |
Do you want the strawberries on a J Cloth? | 0:26:08 | 0:26:11 | |
Service is almost at an end, | 0:26:11 | 0:26:13 | |
but for Gary there is one notoriously challenging task | 0:26:13 | 0:26:16 | |
to overcome. | 0:26:16 | 0:26:18 | |
He must now cook seven chocolate fondants to perfection. | 0:26:18 | 0:26:22 | |
I think in two minutes, the first tray of fondant is going in. | 0:26:23 | 0:26:26 | |
When it hits three minutes, | 0:26:26 | 0:26:28 | |
we'll put the second tray in, backup, just to make sure. | 0:26:28 | 0:26:31 | |
There's going to be a spare on each tray so if the first one comes out | 0:26:31 | 0:26:34 | |
and it collapses, I'll just pop them back in. | 0:26:34 | 0:26:37 | |
You've got ten minutes before service, Gary. | 0:26:40 | 0:26:42 | |
-Are you going to be OK? -Yep, perfect. | 0:26:42 | 0:26:45 | |
This is the most complicated fondant cooking I've ever witnessed. | 0:26:45 | 0:26:50 | |
While the fondants are cooking, the team start assembling | 0:26:50 | 0:26:53 | |
the rest of the dish, | 0:26:53 | 0:26:55 | |
as once the hot fondant and the cold ice cream are plated, | 0:26:55 | 0:26:58 | |
the dessert will need to be served immediately. | 0:26:58 | 0:27:01 | |
The bit I'm looking forward to is the chocolate fondant. | 0:27:01 | 0:27:05 | |
They need to rest a little bit longer. | 0:27:09 | 0:27:12 | |
30 seconds. | 0:27:12 | 0:27:13 | |
Sorry, guys, I think they're going to need another minute. | 0:27:19 | 0:27:22 | |
Not ready. | 0:27:22 | 0:27:24 | |
-How long have we got, Gary? -One minute. -They're now waiting. | 0:27:29 | 0:27:32 | |
So you've got no spare ones, have you, right now on this tray? | 0:27:52 | 0:27:55 | |
-No. -So if one breaks... | 0:27:55 | 0:27:57 | |
Gentle, come on. | 0:28:01 | 0:28:03 | |
I think I'm going to need that second lot. | 0:28:03 | 0:28:06 | |
-OK? -You all right? | 0:28:22 | 0:28:23 | |
Well done. Group hug. | 0:28:25 | 0:28:27 | |
-Are you all right, Gary? -Yeah, I'm good. | 0:28:37 | 0:28:39 | |
Just glad I done the extra. Definitely needed it. | 0:28:39 | 0:28:43 | |
The dessert is a praline chocolate fondant | 0:28:45 | 0:28:49 | |
served with almond granola, | 0:28:49 | 0:28:52 | |
strawberry ripple ice cream, | 0:28:52 | 0:28:55 | |
compressed strawberries | 0:28:55 | 0:28:57 | |
and chocolate caramel wafers. | 0:28:57 | 0:29:00 | |
I love the design on the plate. | 0:29:00 | 0:29:02 | |
It's very simple, very sober, very elegant. | 0:29:02 | 0:29:05 | |
-C'est magnifique. -I just couldn't wait just to see if it is nice | 0:29:05 | 0:29:09 | |
and liquid inside. | 0:29:09 | 0:29:11 | |
Oh, that is perfect. | 0:29:14 | 0:29:16 | |
This is exactly how we like it. | 0:29:16 | 0:29:18 | |
That's a real fondant. | 0:29:18 | 0:29:20 | |
-That's perfect. -It's perfect. | 0:29:26 | 0:29:27 | |
The pastry chef has been really clever cos nothing is overwhelming, | 0:29:27 | 0:29:31 | |
everything is going together and we have the taste of strawberry, | 0:29:31 | 0:29:35 | |
the taste of the chocolate and it's perfect. | 0:29:35 | 0:29:37 | |
This, to me, is delicious. | 0:29:37 | 0:29:39 | |
The ice cream actually enhances the flavour of the chocolate fondant | 0:29:39 | 0:29:44 | |
and the strawberries as well and it works so well together. | 0:29:44 | 0:29:48 | |
I loved it. | 0:29:48 | 0:29:50 | |
It's perfectly cooked | 0:29:50 | 0:29:52 | |
and so it's one of the best I've eaten. | 0:29:52 | 0:29:55 | |
I love the ice cream. I think the ripple is really nice. | 0:29:56 | 0:29:59 | |
It's got a lovely fruity flavour. | 0:29:59 | 0:30:00 | |
The strawberries are carried through on the plate and the fondant is | 0:30:00 | 0:30:03 | |
really good. It's lovely and soft in the centre. | 0:30:03 | 0:30:05 | |
Massive risk trying to take this dish on but they've done it very, | 0:30:05 | 0:30:08 | |
-very well. -For me, it was really the star dish of the day. | 0:30:08 | 0:30:12 | |
I think Gary has done a great job. Great to see the guys come around | 0:30:12 | 0:30:15 | |
and support him when he really needed it. They've done well. | 0:30:15 | 0:30:18 | |
So, thank you very much. | 0:30:28 | 0:30:30 | |
It was a delicious meal and it was a crescendo | 0:30:30 | 0:30:33 | |
because we loved the desert. | 0:30:33 | 0:30:35 | |
You were very brave because offering such a traditional dish | 0:30:36 | 0:30:41 | |
to French guests is not that easy and you did it great | 0:30:41 | 0:30:44 | |
because the flavour was perfect. | 0:30:44 | 0:30:47 | |
Congratulations and all the best for the future. | 0:30:47 | 0:30:52 | |
Thank you. | 0:30:56 | 0:30:57 | |
Hey, Gazza! | 0:31:02 | 0:31:05 | |
Well done, guys. Tough. | 0:31:05 | 0:31:07 | |
-They loved it. -It was a tough one. -Well done. Group hug. | 0:31:07 | 0:31:12 | |
Gazza in the middle. | 0:31:13 | 0:31:15 | |
The challenge today was to see our chefs work together as a team | 0:31:15 | 0:31:19 | |
and they showed that they can do that. | 0:31:19 | 0:31:22 | |
This was never going to be easy. | 0:31:22 | 0:31:24 | |
Our chefs have done us proud. | 0:31:25 | 0:31:26 | |
It was fun but stressful, very stressful. | 0:31:30 | 0:31:35 | |
It's not every day you get to cook for the French ambassador, so, yeah, | 0:31:37 | 0:31:40 | |
it was good fun, enjoyed it. | 0:31:40 | 0:31:42 | |
It's been a really good team today, really good team. | 0:31:42 | 0:31:45 | |
Back to normality now. | 0:31:45 | 0:31:47 | |
There is one of us going to be going and I don't want it to be me, so, | 0:31:47 | 0:31:50 | |
I've just got to cook better than these guys now. | 0:31:50 | 0:31:52 | |
I can't wait to get back in and cook, to be honest. | 0:32:03 | 0:32:06 | |
It's almost sadistic to say but I actually really enjoy cooking | 0:32:06 | 0:32:09 | |
in the MasterChef kitchen | 0:32:09 | 0:32:10 | |
and I think that would be the worst thing about not going through | 0:32:10 | 0:32:14 | |
is the fact that I wouldn't get to cook in there again. | 0:32:14 | 0:32:16 | |
It means a lot if I can stay in the competition. | 0:32:16 | 0:32:19 | |
We have worked so hard to be where we are today. | 0:32:19 | 0:32:21 | |
It's exciting and I love showing the judges what I can do. | 0:32:21 | 0:32:24 | |
You've got to give everything and not hold anything back to proceed. | 0:32:26 | 0:32:29 | |
You get one chance. | 0:32:29 | 0:32:31 | |
I came here with the mind-set | 0:32:32 | 0:32:34 | |
that I wanted to get through to the semifinals, at least. | 0:32:34 | 0:32:36 | |
Now I want to go even further. | 0:32:36 | 0:32:38 | |
Chefs, you are now cooking for a place in the semifinal. | 0:32:52 | 0:32:55 | |
This needs to be something very, very special. | 0:32:56 | 0:32:59 | |
You're going to have 90 minutes for your showstopper dish. | 0:32:59 | 0:33:04 | |
At the end of this, one of you will be leaving the competition. | 0:33:05 | 0:33:09 | |
Off you go. | 0:33:10 | 0:33:11 | |
Brenton is a very creative chef. | 0:33:20 | 0:33:23 | |
His food has been different, it's exciting, | 0:33:23 | 0:33:26 | |
huge attention to detail. I'm really, really looking forward | 0:33:26 | 0:33:30 | |
to seeing what he's going to cook for us today. | 0:33:30 | 0:33:32 | |
I'm going in with a dessert today and... | 0:33:34 | 0:33:36 | |
..it could make me or break me, really. | 0:33:37 | 0:33:39 | |
If I could pull that off and have all my timings correct, | 0:33:39 | 0:33:42 | |
it should be a fantastic dish. | 0:33:42 | 0:33:44 | |
Brenton, what are you doing? | 0:33:46 | 0:33:48 | |
I'm doing a take on bombe Alaska. It's my take. In the centre, | 0:33:48 | 0:33:51 | |
it's going to be cherries with a cherry kind of sauce | 0:33:51 | 0:33:54 | |
surrounded by a chocolate mousse | 0:33:54 | 0:33:56 | |
and then surrounded by an Italian meringue, blow torched. | 0:33:56 | 0:33:59 | |
As you cut into it, | 0:33:59 | 0:34:01 | |
it's just going to ooze everywhere all over the plate supplying a sauce | 0:34:01 | 0:34:03 | |
to go with the financier that I'm serving it with as well. | 0:34:03 | 0:34:06 | |
Why this dish for your showstopper? | 0:34:06 | 0:34:08 | |
If it goes according to plan, | 0:34:08 | 0:34:10 | |
it's going to be a bit of a wow factor in front of you guys. | 0:34:10 | 0:34:12 | |
Hopefully you're going to be looking at it | 0:34:12 | 0:34:14 | |
going, "I want to dive into that," | 0:34:14 | 0:34:16 | |
so if I get that across to you, I think that's going to stop the show. | 0:34:16 | 0:34:19 | |
-That's what we want. -We'll see. | 0:34:21 | 0:34:23 | |
A lot of different techniques going on here. | 0:34:26 | 0:34:28 | |
Huge amount of work that Brenton has given himself. | 0:34:28 | 0:34:31 | |
He's got to temper chocolate to make the dome, | 0:34:32 | 0:34:34 | |
he's got to make a chocolate mousse, | 0:34:34 | 0:34:36 | |
he's got an Italian meringue to make, | 0:34:36 | 0:34:38 | |
he's got financier cakes to make as well. | 0:34:38 | 0:34:41 | |
He's really going for it today. | 0:34:42 | 0:34:44 | |
This chef wants to be in the semifinal | 0:34:44 | 0:34:46 | |
and good on him for pushing the boat out. | 0:34:46 | 0:34:49 | |
James is a really determined chef. | 0:34:58 | 0:35:01 | |
When the pressure is on, you will see him fighting. | 0:35:01 | 0:35:05 | |
This means everything to James. | 0:35:05 | 0:35:07 | |
He came close to being knocked out of the competition. | 0:35:07 | 0:35:10 | |
He means business and he's throwing everything at it. | 0:35:10 | 0:35:13 | |
Tell us about your dish today. | 0:35:16 | 0:35:17 | |
My dish today is venison. | 0:35:17 | 0:35:19 | |
I'm doing it with blackberry and beetroot. | 0:35:19 | 0:35:21 | |
That's the main elements but everything on the dish is purple, | 0:35:21 | 0:35:24 | |
so I've named the dish. | 0:35:24 | 0:35:26 | |
-What is the name of the dish? -Frustration. | 0:35:26 | 0:35:28 | |
MONICA CHUCKLES | 0:35:28 | 0:35:29 | |
Purple is the colour of frustration. | 0:35:29 | 0:35:32 | |
As a young chef, I was quite frustrated so this is me getting | 0:35:32 | 0:35:35 | |
that frustration out on the plate now. | 0:35:35 | 0:35:37 | |
I've seen you cook when you've been determined | 0:35:37 | 0:35:40 | |
and been put under pressure when it really counts | 0:35:40 | 0:35:42 | |
and you've come out on top. | 0:35:42 | 0:35:44 | |
That's what you need to do today with this dish. | 0:35:44 | 0:35:46 | |
-Yes, Chef. Thank you. -Good luck. -Thank you very much. | 0:35:46 | 0:35:49 | |
-Good luck. -Thank you very much. | 0:35:49 | 0:35:51 | |
James has labelled his showstopper dish Frustration. | 0:35:53 | 0:35:57 | |
But if we look at what James is doing, the garnish here makes sense. | 0:35:57 | 0:36:00 | |
He's got potatoes, beetroot, blackberries, | 0:36:00 | 0:36:03 | |
things that go very well with a loin of venison. | 0:36:03 | 0:36:06 | |
Visually, it's going to look very odd. | 0:36:09 | 0:36:11 | |
A purple plate of food is not an appetising colour and I'm just | 0:36:11 | 0:36:14 | |
questioning the reason behind the whole thing. | 0:36:14 | 0:36:17 | |
Just sounds a little bit silly to me. | 0:36:17 | 0:36:19 | |
Can he make it work? Can this plate come together? | 0:36:21 | 0:36:23 | |
I think it's going to be a real slog in the kitchen today, | 0:36:26 | 0:36:28 | |
it's going to be a real fight. | 0:36:28 | 0:36:30 | |
Getting through to that next stage, | 0:36:30 | 0:36:33 | |
it's not going to be pretty and it's not going to be easy. | 0:36:33 | 0:36:36 | |
I'm getting myself ready for that, I really am. | 0:36:36 | 0:36:38 | |
Chefs, 45 minutes have gone. | 0:36:40 | 0:36:42 | |
You have 45 minutes left. | 0:36:42 | 0:36:44 | |
Max has given us some really solid cooking, | 0:36:52 | 0:36:54 | |
some great-tasting plates of food. | 0:36:54 | 0:36:56 | |
Max is growing through the competition. | 0:36:58 | 0:37:00 | |
Cooking great food and working very hard on his presentation. | 0:37:00 | 0:37:03 | |
I came in as a pub chef, | 0:37:10 | 0:37:11 | |
but to actually accomplish what I've accomplished | 0:37:11 | 0:37:14 | |
and get this far, I'm amazed at myself. | 0:37:14 | 0:37:17 | |
I'm doing a neck of lamb two ways, | 0:37:19 | 0:37:21 | |
so I'm making a little shepherd's pie. | 0:37:21 | 0:37:24 | |
-Shepherd's pie? -Yeah. | 0:37:24 | 0:37:27 | |
And then with the other piece of neck, | 0:37:27 | 0:37:29 | |
I'm going to do a very sort of quick sear, confit garlic puree, | 0:37:29 | 0:37:33 | |
confit shallot. You've got baby onions in a little bit of butter, | 0:37:33 | 0:37:37 | |
you've got silver skinned onions which I'm going to char, | 0:37:37 | 0:37:39 | |
we've got baby leeks which I'm going to blanch and then char... | 0:37:39 | 0:37:43 | |
and I think that's it. | 0:37:43 | 0:37:46 | |
-Do you know this dish? -Yes. | 0:37:46 | 0:37:49 | |
-You do? -Yes, there's a lot going on, all right, | 0:37:49 | 0:37:51 | |
but if you're going to sit back for a semifinal place, | 0:37:51 | 0:37:54 | |
then you might as well go home. It's all guns blazing today. | 0:37:54 | 0:37:56 | |
-You crack on. Thanks, Max. -Thank you very much. | 0:37:56 | 0:37:59 | |
This is the type of cuisine that Max cooks every day. | 0:38:02 | 0:38:04 | |
Very earthy, wintry dish. | 0:38:06 | 0:38:08 | |
It's almost the type of food that gives you a hug. | 0:38:08 | 0:38:10 | |
I liked the sound of Max's dish. | 0:38:13 | 0:38:15 | |
It's something you'd order and you know you're going to enjoy it. | 0:38:15 | 0:38:18 | |
What I like to see here is whether he's going to elevate this dish | 0:38:18 | 0:38:21 | |
and make it look absolutely stunning. | 0:38:21 | 0:38:24 | |
I'm really impressed with Gary's development in the competition. | 0:38:33 | 0:38:36 | |
Gary is an all-rounder in the kitchen. | 0:38:36 | 0:38:39 | |
He can cover any section. | 0:38:39 | 0:38:40 | |
That makes him a very strong chef. | 0:38:40 | 0:38:43 | |
He's one to watch. | 0:38:44 | 0:38:45 | |
-How are you, Gary? -Good, thanks. | 0:38:51 | 0:38:53 | |
Enjoying being back in our kitchen? | 0:38:53 | 0:38:55 | |
Yeah. Feels like home now. | 0:38:55 | 0:38:56 | |
Feels like home. What's your showstopper dish? | 0:38:56 | 0:38:59 | |
Home-made black pudding with scallops. | 0:38:59 | 0:39:02 | |
In the Western Isles, they make an oatmeal potato scone which is cooked | 0:39:02 | 0:39:05 | |
on a skillet, so it would cook on an open fire. | 0:39:05 | 0:39:08 | |
I'm doing it a wee bit different. | 0:39:08 | 0:39:10 | |
I'm going to bake it in between a couple of shells so you've kind of | 0:39:10 | 0:39:15 | |
got a little edible shell, almost, to eat with the dish. | 0:39:15 | 0:39:18 | |
-You've been busy. -It's been a busy 45 minutes, yeah. | 0:39:18 | 0:39:22 | |
I'm sort of watching you really grow in confidence | 0:39:22 | 0:39:25 | |
and really enjoying this competition. | 0:39:25 | 0:39:27 | |
It's been a great thing to see. | 0:39:27 | 0:39:29 | |
You know, my main objective was not to get put out in the first round. | 0:39:29 | 0:39:33 | |
Going back to college, getting out in the first round would be tough | 0:39:34 | 0:39:36 | |
-but I'm just absolutely loving it. -Keep it up. -Thank you. | 0:39:36 | 0:39:39 | |
Thank you, Gary. | 0:39:39 | 0:39:40 | |
Gary is trying quite a lot of new techniques. | 0:39:44 | 0:39:46 | |
Making fresh black pudding, apple spheres. | 0:39:46 | 0:39:50 | |
He's made a little scone mix, a biscuit, | 0:39:50 | 0:39:52 | |
to give us the look of a scallop shell. | 0:39:52 | 0:39:54 | |
There's also going to be a black pudding mayonnaise | 0:39:55 | 0:39:58 | |
on the plate, as well. | 0:39:58 | 0:39:59 | |
I am really curious about Gary's dish. | 0:40:00 | 0:40:03 | |
It's just how it's all going to come together. | 0:40:03 | 0:40:06 | |
My dish might sound fairly simplistic | 0:40:08 | 0:40:11 | |
and it's a classic combination of | 0:40:11 | 0:40:14 | |
black pudding and the scallops, but the technical elements of this dish | 0:40:14 | 0:40:18 | |
are terrifying. | 0:40:18 | 0:40:19 | |
Chefs, 30 minutes left. | 0:40:24 | 0:40:25 | |
We have had some great food from Elly throughout the competition. | 0:40:31 | 0:40:35 | |
She is going from strength to strength. | 0:40:35 | 0:40:37 | |
Elly is definitely in this competition to win it. | 0:40:38 | 0:40:41 | |
This is one determined chef. | 0:40:41 | 0:40:43 | |
I'm doing Iberico pork two ways. | 0:40:47 | 0:40:49 | |
I've got the braised cheek in there. | 0:40:49 | 0:40:52 | |
I've got a roasted rack loin in the oven. | 0:40:52 | 0:40:55 | |
How are you finding the pressure in here? | 0:40:55 | 0:40:57 | |
Yeah, I'm quite nervous today, actually. | 0:40:57 | 0:40:59 | |
You seem nervous. You don't look the usual Elly that I've seen. | 0:40:59 | 0:41:02 | |
You know, Elly, you need to believe in yourself. | 0:41:02 | 0:41:04 | |
-Do you think you could go further? -I would love to go further. | 0:41:04 | 0:41:07 | |
I would love to get into the next round, | 0:41:07 | 0:41:09 | |
but there's a lot of good guys | 0:41:09 | 0:41:10 | |
in this kitchen and were all wanting the same achievement. | 0:41:10 | 0:41:14 | |
If you cook to the standard that you've been doing lately, | 0:41:14 | 0:41:16 | |
-you won't be going home. Good luck. -Thanks very much. -Good luck, Elly. | 0:41:16 | 0:41:21 | |
Elly's cooking us two different types of pork. | 0:41:26 | 0:41:28 | |
The pork cheek is being braised down in the pressure cooker. | 0:41:28 | 0:41:31 | |
The loin she's left on the bone | 0:41:31 | 0:41:32 | |
and she's roasting it gently in the oven. | 0:41:32 | 0:41:34 | |
She's got a smoked potato puree | 0:41:34 | 0:41:36 | |
that she's put inside little potato crisps | 0:41:36 | 0:41:39 | |
that she's made into spaghetti and deep fat fried. | 0:41:39 | 0:41:42 | |
I love the sound of this dish. I can't wait to try it. | 0:41:42 | 0:41:45 | |
I think Elly really is pushing herself. | 0:41:47 | 0:41:49 | |
I think she wants to get through so much to the semifinal | 0:41:49 | 0:41:52 | |
and the pressure is on her. | 0:41:52 | 0:41:54 | |
This is a really strong dish for me and if I can do what I want to do | 0:41:59 | 0:42:03 | |
with it, I think the judges will be amazed. | 0:42:03 | 0:42:06 | |
I am doing quite a few technical things | 0:42:06 | 0:42:08 | |
so it could either make or break me. | 0:42:08 | 0:42:10 | |
Seven minutes left, chefs. | 0:42:13 | 0:42:15 | |
Start thinking about plating up soon. | 0:42:15 | 0:42:17 | |
The pressure is immense. | 0:42:25 | 0:42:26 | |
The chefs have all got their heads down. They are focused. | 0:42:26 | 0:42:31 | |
They know this is serious. | 0:42:31 | 0:42:32 | |
I love what they are doing in the kitchen today | 0:42:32 | 0:42:35 | |
and I love the energy in here. It's fantastic. | 0:42:35 | 0:42:37 | |
Final touches. | 0:42:51 | 0:42:53 | |
Cutting it fine, Elly. | 0:42:54 | 0:42:55 | |
That's it, time's up. Stop cooking. | 0:43:03 | 0:43:05 | |
Mamma mia, look at that. You all right? | 0:43:09 | 0:43:13 | |
-Uh-huh. -How'd it go? | 0:43:13 | 0:43:15 | |
Beautiful. | 0:43:15 | 0:43:16 | |
Elly, bring your plate up. | 0:43:16 | 0:43:18 | |
For her showstopper, Elly has served Iberico pork two ways, | 0:43:27 | 0:43:33 | |
roasted rack and cheek braised in five-spice, | 0:43:33 | 0:43:37 | |
potato cannelloni crisp filled with smoked butter mash, hispi cabbage, | 0:43:37 | 0:43:44 | |
charred button onions, roasted carrot, | 0:43:44 | 0:43:47 | |
carrot puree, all finished with a five-spice sauce. | 0:43:47 | 0:43:52 | |
Elly, a very clean, crisp presentation as always from you. | 0:43:54 | 0:43:59 | |
A little small on the portion side, I may add. | 0:43:59 | 0:44:01 | |
I'm just glad Gregg's not here. | 0:44:03 | 0:44:04 | |
THEY LAUGH | 0:44:04 | 0:44:05 | |
The pork cutlet, it's just there. | 0:44:12 | 0:44:15 | |
I quite like it this pink so you're quite lucky, OK? | 0:44:15 | 0:44:18 | |
The cannelloni with the smoked potato mash is a delight to eat. | 0:44:20 | 0:44:24 | |
The crunch and then the softness of the puree. | 0:44:24 | 0:44:26 | |
It's a great plate of food from you, Elly. | 0:44:26 | 0:44:29 | |
Love the smokiness, | 0:44:29 | 0:44:30 | |
love the braised cheek and I really do like that pork chop. | 0:44:30 | 0:44:34 | |
It's great and a big sauce to go with it. | 0:44:34 | 0:44:37 | |
One thing that is quite clear to see here | 0:44:37 | 0:44:39 | |
is that you cooked it sat like that in the pan. | 0:44:39 | 0:44:42 | |
The bottom of the meat is a little bit on the dry side. | 0:44:42 | 0:44:45 | |
A few little details and that's what Monica and I are going to do. | 0:44:45 | 0:44:48 | |
We're picking out the final details now | 0:44:48 | 0:44:50 | |
-because this is the sharp end of the competition. -Yep. | 0:44:50 | 0:44:53 | |
Thank you. | 0:44:53 | 0:44:54 | |
The pork could've done with an extra five minutes, but I'm happy overall. | 0:44:58 | 0:45:03 | |
Thank you, that was hard. | 0:45:03 | 0:45:05 | |
Gary has made his own black pudding and served it with king scallops, | 0:45:11 | 0:45:16 | |
shell-shaped potato scones, fennel, | 0:45:16 | 0:45:20 | |
apple and chilli salad and apple caviar. | 0:45:20 | 0:45:24 | |
For me, I think the scallops have been cooked wonderfully. | 0:45:37 | 0:45:40 | |
They are sweet, they're still moist, | 0:45:40 | 0:45:42 | |
they've got a lovely colour on the outside. | 0:45:42 | 0:45:44 | |
The black pudding is delicious. | 0:45:44 | 0:45:46 | |
It doesn't look great, | 0:45:46 | 0:45:47 | |
the way it's been served on the plate but I love the flavours that | 0:45:47 | 0:45:51 | |
you've got in there. The potato and oat crisps, I really like those. | 0:45:51 | 0:45:55 | |
I don't think they look great, but they do taste amazing. | 0:45:55 | 0:46:01 | |
But then I find odd having a hot scallop with a cold salad. | 0:46:01 | 0:46:05 | |
I like the dish. I do. | 0:46:05 | 0:46:07 | |
I am so pleased you are doing | 0:46:07 | 0:46:08 | |
something different and you're pushing yourself. | 0:46:08 | 0:46:12 | |
I love the idea of picking up that little scone biscuit | 0:46:12 | 0:46:15 | |
and eating it like a cracker. | 0:46:15 | 0:46:17 | |
It's a very nice, light, refreshing dish. | 0:46:17 | 0:46:19 | |
You've got to work on your presentation, though, Gary, OK? | 0:46:19 | 0:46:22 | |
Putting half your food on half the plate does not work. | 0:46:22 | 0:46:25 | |
Thank you. | 0:46:26 | 0:46:27 | |
The presentation, I think I'm always going to struggle with. | 0:46:33 | 0:46:36 | |
At this stage in the competition, | 0:46:36 | 0:46:38 | |
you're not getting much chance to practise so you're really plating it | 0:46:38 | 0:46:40 | |
for the first time, so... | 0:46:40 | 0:46:42 | |
But I was happy overall with the positive feedback. | 0:46:42 | 0:46:45 | |
Max has made a shepherd's pie using lamb neck, | 0:46:49 | 0:46:52 | |
along with seared lamb neck, | 0:46:52 | 0:46:55 | |
baby onions, confit shallots, | 0:46:55 | 0:46:58 | |
confit garlic puree and charred leeks | 0:46:58 | 0:47:02 | |
finished with a minty lamb jus. | 0:47:02 | 0:47:05 | |
I love the ideas of using the different types of onions | 0:47:14 | 0:47:17 | |
and the garlic and puree and a shepherd's pie | 0:47:17 | 0:47:20 | |
on the side with your neck end of lamb. | 0:47:20 | 0:47:23 | |
Unfortunately for you, your neck end of lamb is not very tender at all. | 0:47:23 | 0:47:26 | |
Even the shepherd's pie meat is a little bit on the coarse side. | 0:47:27 | 0:47:31 | |
I love all the little onions. I love onions. I love spring onions, | 0:47:31 | 0:47:35 | |
all types of onions and they work really well on this dish. | 0:47:35 | 0:47:39 | |
-OK, thank you. -It's a shame the lamb cookery is not good here. | 0:47:39 | 0:47:44 | |
It should be the star on the plate. | 0:47:44 | 0:47:46 | |
In saying that is, you have started to refine your touch on the plate. | 0:47:46 | 0:47:50 | |
You are starting to get how your food should look. | 0:47:50 | 0:47:53 | |
I thought it went OK. | 0:47:56 | 0:47:58 | |
A bit disappointed with the meat cookery, but I think the two judges | 0:47:58 | 0:48:01 | |
can see that I am getting better, | 0:48:01 | 0:48:03 | |
I'm taking on the comments and improving so all in all, | 0:48:03 | 0:48:05 | |
I was quite happy. | 0:48:05 | 0:48:07 | |
James has cooked Frustration, | 0:48:10 | 0:48:15 | |
which is roasted loin of venison with blackberries, | 0:48:15 | 0:48:20 | |
purple potato croquettes, | 0:48:20 | 0:48:22 | |
salt-baked baby beetroots, | 0:48:22 | 0:48:25 | |
beetroot puree, | 0:48:25 | 0:48:27 | |
pickled purple carrots and a port and juniper jus. | 0:48:27 | 0:48:32 | |
What do you think of the colour, Monica? | 0:48:36 | 0:48:38 | |
-It's not all purple. -True. True, true, true. | 0:48:38 | 0:48:42 | |
We have a white plate. | 0:48:42 | 0:48:43 | |
I think this dish is just wrong. | 0:48:55 | 0:48:57 | |
The pickling of the carrots. | 0:48:59 | 0:49:01 | |
It's too big, it's too bold. | 0:49:01 | 0:49:03 | |
It's too thick, as well. | 0:49:03 | 0:49:05 | |
The croquette looks nice. | 0:49:05 | 0:49:06 | |
It's overshadowed by the acid on the plate. | 0:49:06 | 0:49:09 | |
There's a lovely flavour of beetroot coming through, though, | 0:49:09 | 0:49:12 | |
which is really nice. The roasted beetroot, the beetroot puree, | 0:49:12 | 0:49:15 | |
the sauce is nice. | 0:49:15 | 0:49:16 | |
It could have a little bit more juniper in there, though. | 0:49:16 | 0:49:19 | |
I just don't think it's you at your best, James. | 0:49:19 | 0:49:22 | |
For me, I like the cooking of the venison. | 0:49:22 | 0:49:24 | |
It's how I would have it. Lovely and pink as it is. | 0:49:24 | 0:49:27 | |
It is a big portion though, James. | 0:49:27 | 0:49:29 | |
The beetroot goes very well with the venison. | 0:49:30 | 0:49:33 | |
The pickling of the carrot is fine. | 0:49:33 | 0:49:35 | |
-There's just too much of it, OK? -Yeah. | 0:49:35 | 0:49:38 | |
I don't think it is your best or your strongest plate of food, | 0:49:38 | 0:49:41 | |
but there are things here that I've enjoyed. | 0:49:41 | 0:49:43 | |
Thank you. | 0:49:45 | 0:49:46 | |
Monica seemed OK, but Marcus was a proper tear down, proper tear down. | 0:49:52 | 0:49:57 | |
It's probably just jeopardised me... | 0:50:08 | 0:50:09 | |
..being here, so... | 0:50:11 | 0:50:12 | |
I don't know. I really don't know but it's not good, is it? | 0:50:13 | 0:50:16 | |
Finally, it's Brenton with his take on a bombe Alaska. | 0:50:24 | 0:50:29 | |
Italian meringue covering a chocolate dome | 0:50:29 | 0:50:32 | |
filled with chocolate mousse and cherry sauce, | 0:50:32 | 0:50:35 | |
along with a financier cake topped with cherry jelly, | 0:50:35 | 0:50:40 | |
poached cherries and caramelised almonds. | 0:50:40 | 0:50:43 | |
When you're going through the chocolate bombe, | 0:50:57 | 0:50:59 | |
you're getting amazing flavour of a lovely, light meringue | 0:50:59 | 0:51:03 | |
with almond essence and you get the richness of the chocolate | 0:51:03 | 0:51:06 | |
and the beautiful fruitiness | 0:51:06 | 0:51:08 | |
of the cherries coming through just underneath. | 0:51:08 | 0:51:11 | |
That beautiful, natural flavour. | 0:51:11 | 0:51:13 | |
Great flavours, lovely textures, | 0:51:13 | 0:51:15 | |
the chocolate dome just needed to be a little bit harder. | 0:51:15 | 0:51:18 | |
But, having said that, I like the dish a lot, Brenton. | 0:51:18 | 0:51:21 | |
I love the fact that you really drove yourself really hard. | 0:51:21 | 0:51:24 | |
-Very good, well done. -Thank you very much, Marcus. | 0:51:24 | 0:51:27 | |
-Well done. -Brenton, I do like your dessert. | 0:51:27 | 0:51:29 | |
You know, chocolate and cherries is a marriage made in heaven. | 0:51:29 | 0:51:32 | |
You've shown a lot of skill, really pushed yourself. | 0:51:32 | 0:51:34 | |
There is so much that is on this plate from the mousse | 0:51:34 | 0:51:37 | |
to setting the jelly inside, | 0:51:37 | 0:51:39 | |
you made the domes, the Italian meringue, | 0:51:39 | 0:51:42 | |
the financier. You know, there's just so much work | 0:51:42 | 0:51:44 | |
and a lot of effort to put this dessert together. | 0:51:44 | 0:51:46 | |
Thank you. | 0:51:46 | 0:51:48 | |
I'm happy with the amount of work that I've put in. | 0:51:51 | 0:51:53 | |
For a showstopper dish, | 0:51:53 | 0:51:55 | |
I think it did have a bit of a wow factor to it. | 0:51:55 | 0:51:58 | |
Neither of them said "wow", but I think they enjoyed it. | 0:51:58 | 0:52:02 | |
A really great day in the kitchen, chefs. | 0:52:03 | 0:52:06 | |
Great cook off, great attention to detail. | 0:52:06 | 0:52:09 | |
I know you all want to be in that semifinal round. | 0:52:09 | 0:52:13 | |
Unfortunately we can only take four of you through. | 0:52:13 | 0:52:16 | |
Marcus and I have got a lot to talk about. | 0:52:16 | 0:52:18 | |
Take a break, we'll see you back here in a while. | 0:52:18 | 0:52:21 | |
Another good day in the kitchen. | 0:52:34 | 0:52:36 | |
Five very, very different plates of food from five very different chefs. | 0:52:36 | 0:52:40 | |
They had a real battle in there today. | 0:52:40 | 0:52:42 | |
It was fantastic to see. The energy was extraordinary. | 0:52:42 | 0:52:46 | |
You could really feel it. | 0:52:46 | 0:52:47 | |
This means so much to our chefs | 0:52:47 | 0:52:49 | |
and they came in here and gave it their all. | 0:52:49 | 0:52:52 | |
For me, of our five chefs, | 0:52:53 | 0:52:55 | |
there is one chef that stood above the rest and that was Elly. | 0:52:55 | 0:52:58 | |
Stunning looking plate and it tasted delicious. | 0:52:58 | 0:53:01 | |
Very happy with Elly today. | 0:53:01 | 0:53:03 | |
The pork cheek was delicious, beautifully presented, lovely sauce. | 0:53:03 | 0:53:07 | |
She did a great job today. | 0:53:07 | 0:53:08 | |
It's so hard work, but so exciting at the same time. | 0:53:09 | 0:53:13 | |
It's a great experience. | 0:53:13 | 0:53:15 | |
Brenton really impressed me today. | 0:53:15 | 0:53:16 | |
I'm really loving the way this chef is developing | 0:53:16 | 0:53:19 | |
and what he's turning into. It's great to see. | 0:53:19 | 0:53:22 | |
The dome was delicious. | 0:53:22 | 0:53:24 | |
The financier cake was buttery, | 0:53:24 | 0:53:26 | |
loved the touch with the jelly on top | 0:53:26 | 0:53:28 | |
and then the almond and the caramel | 0:53:28 | 0:53:30 | |
just brought a wonderful texture to the plate. | 0:53:30 | 0:53:33 | |
This was very risky for Brenton today to take a dish like this | 0:53:33 | 0:53:36 | |
with so much detail and skill, but he pulled it off. | 0:53:36 | 0:53:40 | |
I've said from the very beginning | 0:53:40 | 0:53:41 | |
I want to be through to the semifinals. It's within reach. | 0:53:41 | 0:53:44 | |
I'm so close to getting there. | 0:53:44 | 0:53:45 | |
Gary, as a chef in the competition, | 0:53:45 | 0:53:49 | |
I have come to thoroughly enjoy watching him work. | 0:53:49 | 0:53:51 | |
The dish didn't quite come together | 0:53:51 | 0:53:54 | |
as a whole for me, but there was a lot | 0:53:54 | 0:53:55 | |
that I thoroughly enjoyed on this plate. | 0:53:55 | 0:53:57 | |
I thought the black pudding tasted absolutely delicious. | 0:53:57 | 0:54:01 | |
The scallops were beautifully cooked, | 0:54:01 | 0:54:03 | |
the apples brought a freshness to this dish. | 0:54:03 | 0:54:06 | |
I would like to be in Gary's class if was a young student. | 0:54:06 | 0:54:09 | |
I'm having the time of my life. | 0:54:09 | 0:54:11 | |
It's a terrifying environment, but I absolutely love being in there. | 0:54:11 | 0:54:14 | |
I love being under that pressure. | 0:54:14 | 0:54:16 | |
We've got to now decide between Max and James. | 0:54:16 | 0:54:19 | |
Max has really honed in on his presentation of his dishes. | 0:54:21 | 0:54:24 | |
I liked the look of his dish. | 0:54:24 | 0:54:26 | |
I thought his garnish was very well thought out. | 0:54:26 | 0:54:28 | |
His little shepherd's pie, | 0:54:28 | 0:54:30 | |
it just needed another ten or 15 minutes | 0:54:30 | 0:54:32 | |
of slow braising with the lamb. | 0:54:32 | 0:54:34 | |
The neck end itself on the plate, it was just too tough. | 0:54:34 | 0:54:38 | |
The meat cookery let Max down today. | 0:54:38 | 0:54:40 | |
That lamb neck that wasn't cooked properly | 0:54:40 | 0:54:43 | |
ruined the presentation for him | 0:54:43 | 0:54:45 | |
because it was a key piece of this dish. | 0:54:45 | 0:54:48 | |
James's Frustration dish. | 0:54:48 | 0:54:50 | |
The venison, I liked the way it was cooked. | 0:54:50 | 0:54:53 | |
The berries worked well. | 0:54:53 | 0:54:54 | |
I liked the pickled purple carrots, | 0:54:54 | 0:54:56 | |
but I just thought it was too much of it on the plate. | 0:54:56 | 0:55:00 | |
You're right, Monica. The venison was well cooked. | 0:55:00 | 0:55:03 | |
I just couldn't see it through all the purple. | 0:55:03 | 0:55:05 | |
I know there's more to come from James | 0:55:06 | 0:55:09 | |
if he could just get rid of this inner frustration | 0:55:09 | 0:55:11 | |
and let himself go with some passion, | 0:55:11 | 0:55:13 | |
who knows what this chef can do. | 0:55:13 | 0:55:14 | |
Which one of these chefs deserves that place in the semifinal? | 0:55:15 | 0:55:19 | |
I'm desperate to stay in. | 0:55:19 | 0:55:21 | |
The whole competition has been a dream. | 0:55:21 | 0:55:24 | |
If I get through, well, I hope I do because it's a really good dream | 0:55:24 | 0:55:27 | |
and I want to stay in it if possible. | 0:55:27 | 0:55:29 | |
I do feel like I'm halfway out the door, if I'm honest... | 0:55:31 | 0:55:34 | |
..but I've got to the final ten of MasterChef | 0:55:35 | 0:55:37 | |
and not a lot of people have really got the chance to say that, | 0:55:37 | 0:55:40 | |
so if I go home today, I go home proud. | 0:55:40 | 0:55:43 | |
Today, you could really feel the tension in the kitchen | 0:55:54 | 0:55:58 | |
and the fight for that place in the semifinal. | 0:55:58 | 0:56:01 | |
You've made our job today very, very difficult. | 0:56:01 | 0:56:04 | |
It was so obvious to see now how much this competition | 0:56:05 | 0:56:08 | |
means to all of you. | 0:56:08 | 0:56:10 | |
Unfortunately, one of you has got to leave us today. | 0:56:10 | 0:56:13 | |
The chef that is leaving us is... | 0:56:15 | 0:56:17 | |
..Max. | 0:56:26 | 0:56:27 | |
-Thanks, Max. -Thank you, Max. | 0:56:28 | 0:56:30 | |
I'm gutted to be leaving, but I've just had such a great time | 0:56:39 | 0:56:43 | |
and been fortunate enough to get this far. I'm very proud of myself. | 0:56:43 | 0:56:46 | |
Congratulations, guys, you are semifinalists. | 0:56:49 | 0:56:52 | |
I thought I was going home after today. | 0:56:57 | 0:56:59 | |
HE EXHALES | 0:56:59 | 0:57:01 | |
I'm truly over the moon right now. I'm feeling fantastic. | 0:57:03 | 0:57:07 | |
I'm so proud of myself for doing it. | 0:57:07 | 0:57:09 | |
I'm speechless. | 0:57:09 | 0:57:11 | |
It is such an exciting and hard competition to do | 0:57:11 | 0:57:15 | |
and for me to be in the semifinals is amazing. | 0:57:15 | 0:57:18 | |
The last eight, we've got to start | 0:57:18 | 0:57:21 | |
seriously thinking about the possibility | 0:57:21 | 0:57:23 | |
of winning MasterChef which is nuts, but, again, | 0:57:23 | 0:57:27 | |
we've got a long way to go | 0:57:27 | 0:57:29 | |
before we get to that so a lot of cooking still to do. | 0:57:29 | 0:57:31 | |
Next week, it's the semifinals. | 0:57:39 | 0:57:44 | |
The remaining eight chefs cook off against one another for the chance | 0:57:45 | 0:57:50 | |
to work with some of the most inspirational chefs in the country. | 0:57:50 | 0:57:54 | |
It looks a stunning plate of food. | 0:57:56 | 0:57:59 | |
That's probably one of the best sauces | 0:57:59 | 0:58:01 | |
I've tasted in this competition. | 0:58:01 | 0:58:03 | |
I'm welling up here! You big hairy chefs, what's the matter with you? | 0:58:03 | 0:58:06 |