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It's the final week of Professional MasterChef. | 0:00:04 | 0:00:08 | |
Of the 48 chefs that started the competition, | 0:00:11 | 0:00:15 | |
only the four most exceptional remain. | 0:00:15 | 0:00:19 | |
I can't believe I made it to finals week. | 0:00:21 | 0:00:23 | |
I did wake up this morning and I thought maybe I dreamt it all. | 0:00:23 | 0:00:26 | |
I'm glad I'm still standing and maybe I'll win it. | 0:00:26 | 0:00:30 | |
There's four chefs left and it's going to get harder, | 0:00:31 | 0:00:34 | |
but, you know, I'm here for a reason. It's all hard work, | 0:00:34 | 0:00:38 | |
but hard work pays off. | 0:00:38 | 0:00:40 | |
Over the next three nights... | 0:00:42 | 0:00:43 | |
..the finalists will face the scrutiny | 0:00:45 | 0:00:47 | |
of some of the world's best chefs... | 0:00:47 | 0:00:51 | |
It's got zing, it's got clarity. | 0:00:51 | 0:00:53 | |
It's one of the best dishes we've ever had on MasterChef. | 0:00:53 | 0:00:55 | |
..and experience working | 0:00:55 | 0:00:57 | |
in one of the most groundbreaking restaurants in the world... | 0:00:57 | 0:01:02 | |
We will go to the forest, we will go to the field, | 0:01:02 | 0:01:05 | |
we will go to the sea, | 0:01:05 | 0:01:08 | |
and we can really feast on the natural bounty of our surroundings. | 0:01:08 | 0:01:11 | |
..before one of them is crowned | 0:01:14 | 0:01:16 | |
Professional MasterChef champion, 2016. | 0:01:16 | 0:01:20 | |
The fire in my belly | 0:01:20 | 0:01:22 | |
wants to get to the last three. | 0:01:22 | 0:01:25 | |
I've got to be better than them. | 0:01:25 | 0:01:27 | |
And hopefully, you'll see me lifting that trophy. | 0:01:29 | 0:01:31 | |
It's probably the first time, hand on heart, | 0:01:31 | 0:01:33 | |
that I've thought I have actually got a chance of winning MasterChef. | 0:01:33 | 0:01:37 | |
It's going to be a lot of pressure and it's who can handle that. | 0:01:38 | 0:01:42 | |
The MasterChef Professionals chefs' table | 0:01:57 | 0:02:00 | |
is one of the most prestigious events | 0:02:00 | 0:02:03 | |
in the British culinary calendar. | 0:02:03 | 0:02:05 | |
For the finalists, it's a unique opportunity | 0:02:08 | 0:02:10 | |
to showcase their talent to their professional heroes. | 0:02:10 | 0:02:14 | |
'There's no hiding place.' | 0:02:17 | 0:02:19 | |
These guys know their food better than anyone else in the country. | 0:02:19 | 0:02:23 | |
Getting by isn't enough today. It has to be exceptional. | 0:02:23 | 0:02:27 | |
I woke up at five this morning, sweating, in a bit of a panic. | 0:02:28 | 0:02:32 | |
I've just got to hope that the cooking shines through | 0:02:32 | 0:02:35 | |
and they like it cos, if not, I'm down the barrel of a gun. | 0:02:35 | 0:02:38 | |
The 28 guests are the heavyweights of modern gastronomy in Britain... | 0:02:44 | 0:02:50 | |
..and have held an incredible 34 Michelin stars between them. | 0:02:53 | 0:02:58 | |
Five hours from now, this dining room will be full | 0:02:59 | 0:03:03 | |
and service for the chefs' table will begin. | 0:03:03 | 0:03:08 | |
Biggest challenge so far in my career. | 0:03:18 | 0:03:21 | |
They're going to eat your food | 0:03:21 | 0:03:22 | |
and they're going to be talking about you | 0:03:22 | 0:03:25 | |
and what you've done today. I am quite nervous. | 0:03:25 | 0:03:27 | |
I feel a bit sick, but I need to think beyond that. | 0:03:27 | 0:03:31 | |
If I let the judges down, it's going to leave a bitter taste in my mouth. | 0:03:34 | 0:03:38 | |
There's going to be a lot of pressure | 0:03:38 | 0:03:41 | |
but I'm not going to let it get to me. | 0:03:41 | 0:03:43 | |
I hope. | 0:03:45 | 0:03:46 | |
Service will begin at six o'clock. | 0:03:50 | 0:03:53 | |
This is the first time they've cooked beyond five plates of food | 0:03:54 | 0:03:58 | |
and tonight, they're going to be cooking 30, so it's a big challenge. | 0:03:58 | 0:04:02 | |
We're nervous. Let's get some work done. | 0:04:02 | 0:04:06 | |
Gary will be up first with the starter. | 0:04:07 | 0:04:10 | |
This is it. Yeah, we're on it. | 0:04:10 | 0:04:13 | |
I'm happy now, so let's hope that continues. | 0:04:13 | 0:04:16 | |
-Gary, here we are, cooking for chefs' table. -Yeah. | 0:04:20 | 0:04:22 | |
-How are you doing? -Yeah, brilliant. Really happy to be here. | 0:04:22 | 0:04:26 | |
-What is the dish? -So, we're doing salt-baked beetroot | 0:04:26 | 0:04:29 | |
we're going to beetroot chutney. | 0:04:29 | 0:04:31 | |
We're doing some pickled candy striped beetroot. | 0:04:31 | 0:04:33 | |
With the goat's cheese, | 0:04:33 | 0:04:35 | |
we're going to wrap in toasted hazelnuts and a gingerbread crumb. | 0:04:35 | 0:04:38 | |
-OK. -It's also coming with some good Scottish oatcakes. | 0:04:38 | 0:04:41 | |
Beetroot and goat's cheese - pretty basic ingredients. | 0:04:41 | 0:04:44 | |
They are, they are. | 0:04:44 | 0:04:46 | |
You're really going to have to make this special, Gary, | 0:04:46 | 0:04:49 | |
-for it to stand out. -I think the combinations work. | 0:04:49 | 0:04:52 | |
I think it's how they work and getting that balance right | 0:04:52 | 0:04:55 | |
and offering little surprises on the plate as well, | 0:04:55 | 0:04:57 | |
-and, hopefully, worthy of such a meal tonight. -Good luck, Gary. | 0:04:57 | 0:05:00 | |
-You've got a lot of work to do. -Thank you. | 0:05:00 | 0:05:03 | |
Gary's really going to have to work incredibly hard | 0:05:07 | 0:05:10 | |
to make this dish stand out. | 0:05:10 | 0:05:12 | |
Something that we know Gary does | 0:05:12 | 0:05:14 | |
is to bring a lot of different techniques and skills | 0:05:14 | 0:05:17 | |
into his cooking and this plate is no different. | 0:05:17 | 0:05:20 | |
Gary is making a beetroot chutney, he's making a gel, | 0:05:21 | 0:05:24 | |
he's going to have some pickled beetroot as well. | 0:05:24 | 0:05:27 | |
In total, he has about 12 different recipes. | 0:05:27 | 0:05:31 | |
A lot of different flavours, spices he's using. | 0:05:33 | 0:05:35 | |
I hope they all work out for him. | 0:05:35 | 0:05:37 | |
Gary's first job is to prepare over 80 beetroot. | 0:05:39 | 0:05:43 | |
There'll be no denying, when we go into the room, | 0:05:45 | 0:05:48 | |
who done the beetroot. | 0:05:48 | 0:05:50 | |
To make the chutney, the beetroot must be perfectly diced | 0:05:51 | 0:05:54 | |
before it can be cooked down with apples, | 0:05:54 | 0:05:57 | |
coriander seeds and cinnamon sticks. | 0:05:57 | 0:05:59 | |
Every time you put a knife through something, | 0:06:00 | 0:06:02 | |
you're thinking, "Who's getting it?" | 0:06:02 | 0:06:04 | |
If one of them's the wrong shape, they will spot it. | 0:06:04 | 0:06:07 | |
So, that doesn't pass. | 0:06:08 | 0:06:10 | |
It's really important that I really focus | 0:06:11 | 0:06:13 | |
on making sure it's the best it can be. | 0:06:13 | 0:06:15 | |
I'm looking forward to it. | 0:06:20 | 0:06:22 | |
I've picked a dish that is one of my favourites. | 0:06:22 | 0:06:25 | |
Elly is in charge of the fish course. | 0:06:27 | 0:06:30 | |
She will have to prepare two whole brill, | 0:06:31 | 0:06:34 | |
40 scallops and over five kilos of mussels and clams. | 0:06:34 | 0:06:40 | |
I'm going to do what I need to do today | 0:06:44 | 0:06:47 | |
and serve some beautiful food, | 0:06:47 | 0:06:49 | |
so I've just got to crack on and try and get as much done | 0:06:49 | 0:06:53 | |
in a certain period of time and then I'll be laughing. | 0:06:53 | 0:06:56 | |
-What's the dish, Elly? -So, today, I'm doing ravioli of brill, | 0:07:02 | 0:07:06 | |
but I'm using scallop mousse to just gently bind that together. | 0:07:06 | 0:07:10 | |
I'm going to do half a roasted scallop as well | 0:07:10 | 0:07:12 | |
on top of the ravioli. | 0:07:12 | 0:07:13 | |
I've got caramelised fennel puree, I've got clams and mussels. | 0:07:13 | 0:07:17 | |
I'm making a beurre blanc with the mussel and the clam juice. | 0:07:17 | 0:07:20 | |
I've got pickled cucumber at the top and that's about it. Sea vegetables. | 0:07:20 | 0:07:26 | |
-Wow! -Sea vegetables as well? -Yeah. | 0:07:26 | 0:07:28 | |
-That's a lot of work you've got there. -Yes. | 0:07:28 | 0:07:30 | |
-Are you going to be all right within the timeframe? -Hopefully. | 0:07:30 | 0:07:33 | |
I like that you're pushing yourself. | 0:07:33 | 0:07:35 | |
I think at certain points, will you be asking Marcus for a hand? | 0:07:35 | 0:07:39 | |
THEY LAUGH | 0:07:39 | 0:07:40 | |
No, I hope not, but... Yeah, I'll be fine. | 0:07:40 | 0:07:44 | |
I've got confidence, so I'm just going to, hopefully, you know, | 0:07:44 | 0:07:48 | |
work fast and clean and try and get the job done. | 0:07:48 | 0:07:51 | |
How are you feeling with the guest list that we have of the chefs? | 0:07:51 | 0:07:53 | |
To be honest, I haven't thought about the chefs all together, | 0:07:53 | 0:07:57 | |
because that would make me more nervous. | 0:07:57 | 0:07:59 | |
I thought as I'm doing my food and it's for customers, | 0:07:59 | 0:08:02 | |
no matter if it's Michelin-starred chefs or your mum and dad. | 0:08:02 | 0:08:06 | |
So, I'm just going to do my best and serve the food that I love to eat | 0:08:06 | 0:08:09 | |
and, hopefully, they enjoy it as much as I have. | 0:08:09 | 0:08:12 | |
It's really interesting. This is the most relaxed I've seen you. | 0:08:12 | 0:08:15 | |
I don't feel relaxed, Marcus. | 0:08:15 | 0:08:17 | |
Well, you look smiley and happy and ready to go, | 0:08:17 | 0:08:19 | |
cos you're just focussing on 30 customers | 0:08:19 | 0:08:21 | |
-and I think that's a very clever thing to do. -Yeah. | 0:08:21 | 0:08:24 | |
Elly is a little machine, | 0:08:28 | 0:08:30 | |
going at 100mph at the moment, in the kitchen. | 0:08:30 | 0:08:33 | |
The pasta making is very essential. | 0:08:35 | 0:08:37 | |
The thickness needs to be beautiful and thin. | 0:08:37 | 0:08:40 | |
I'm also hoping Elly is going to make a few extras | 0:08:40 | 0:08:43 | |
in case some of these raviolis explode, | 0:08:43 | 0:08:45 | |
so she can choose the best one that's going to go on this dish. | 0:08:45 | 0:08:48 | |
The brill and scallop filling that goes inside the ravioli | 0:08:50 | 0:08:52 | |
has got to be made way in advance so it can become nice and firm. | 0:08:52 | 0:08:55 | |
I really like the fact that she's kept the brill in texture | 0:08:55 | 0:09:00 | |
to fold through her mousse. | 0:09:00 | 0:09:02 | |
Ravioli. Wow, what a skill to be able to A, get made right, | 0:09:02 | 0:09:06 | |
and B, get served on time. | 0:09:06 | 0:09:08 | |
I've done the thickness to what I normally do. | 0:09:10 | 0:09:13 | |
I don't want it to be too fine, | 0:09:13 | 0:09:15 | |
otherwise it will break once I make the raviolis and I build them. | 0:09:15 | 0:09:21 | |
-You're running out of table. -Yeah. | 0:09:23 | 0:09:25 | |
-Looks good. -I think that's thin enough for me, I think. -Yeah. | 0:09:26 | 0:09:30 | |
Having not done a restaurant service, apart from Gravetye Manor, | 0:09:36 | 0:09:39 | |
in about four years, makes me the weaker link in the chain. | 0:09:39 | 0:09:42 | |
I'm going to have to be on my A game, pushing, pushing through. | 0:09:42 | 0:09:47 | |
So, it's going to be hard. | 0:09:47 | 0:09:48 | |
Matt is creating a beef main course. | 0:09:49 | 0:09:53 | |
If there was ever a dish a chef would choose off a menu, | 0:09:53 | 0:09:56 | |
this would be it. | 0:09:56 | 0:09:58 | |
Beef cheeks, pomme puree, girolle mushrooms, | 0:09:58 | 0:10:01 | |
deep red wine sauce, bourguignon style. | 0:10:01 | 0:10:04 | |
This dish is a chefs' dish made in heaven. | 0:10:04 | 0:10:07 | |
Matt has got to get the cooking of these beef cheeks just right. | 0:10:08 | 0:10:11 | |
It's such a tough piece of meat. | 0:10:11 | 0:10:13 | |
He needs to get them braising gently at a very even temperature. | 0:10:13 | 0:10:17 | |
The beef cheek has just got to fall apart. | 0:10:17 | 0:10:19 | |
You don't want to be cutting through the sinew of this meat. | 0:10:19 | 0:10:23 | |
Even something as simple as a mashed potato | 0:10:24 | 0:10:27 | |
could ruin this dish for Matt. | 0:10:27 | 0:10:29 | |
It's all about great preparation and fabulous execution. | 0:10:30 | 0:10:33 | |
How are you feeling, Matt? | 0:10:37 | 0:10:39 | |
I'm extremely nervous today, very nervous. | 0:10:39 | 0:10:42 | |
Do you feel that you can get rid of those nerves | 0:10:42 | 0:10:44 | |
and stay focussed and get concentrating? | 0:10:44 | 0:10:46 | |
-Yeah. -Just think of it as 30 people. | 0:10:46 | 0:10:48 | |
Absolutely. It's 30 people, it's 30 VIP chefs. | 0:10:48 | 0:10:51 | |
I have to say, I'm absolutely 100% sure | 0:10:51 | 0:10:53 | |
your beard's gone grey overnight. | 0:10:53 | 0:10:55 | |
It's got a lot greyer than when I first met you. | 0:10:55 | 0:10:57 | |
I tell you what, Chef, it has. My wife said that. | 0:10:57 | 0:10:59 | |
-It's almost the same colour as Marcus's. -It's distinguished. | 0:10:59 | 0:11:03 | |
-You'll be like me when you've finished. -Yeah! | 0:11:03 | 0:11:05 | |
I'm trying to enjoy myself but every time I sort of settle down, | 0:11:09 | 0:11:12 | |
I think, "Oh, my God, who are you cooking for?" | 0:11:12 | 0:11:14 | |
So, I know that I need to...just chill a little bit. | 0:11:14 | 0:11:18 | |
-I just can't chill. -Just try. Hum. Hum a tune. | 0:11:27 | 0:11:30 | |
-I'm not kidding. Hum something in your head. -Really? | 0:11:30 | 0:11:33 | |
Yeah, just hum something in your head. | 0:11:33 | 0:11:35 | |
My hands won't stop shaking. I don't know what's wrong with me. | 0:11:35 | 0:11:38 | |
I know exactly what's wrong with me. | 0:11:38 | 0:11:40 | |
Here we are, back to doing what I like. | 0:11:47 | 0:11:51 | |
Bit of dessert, yeah. Exciting. | 0:11:51 | 0:11:53 | |
Arnaud has designed a dessert | 0:11:55 | 0:11:57 | |
inspired by breakfast in the South of France. | 0:11:57 | 0:12:01 | |
Tell us about your dish. | 0:12:07 | 0:12:09 | |
So, the dish is a take on vanilla creme brulee. | 0:12:09 | 0:12:12 | |
I'm going to be cooking some apricots in syrup. | 0:12:12 | 0:12:14 | |
I'm making a sugar tuile with coffee and pumpkin. | 0:12:14 | 0:12:17 | |
I'm going to make a sauce from the trimmings of the apricot with basil. | 0:12:17 | 0:12:21 | |
And I'm going to be cooking some of the croissants in brown butter | 0:12:21 | 0:12:25 | |
and then I'm going to put that mix into my custard, liquidise it, | 0:12:25 | 0:12:28 | |
which is going to give me a puree in a canister with some gas, | 0:12:28 | 0:12:32 | |
and put some air into it. | 0:12:32 | 0:12:34 | |
What I'm trying to get to is a mousse to go on the plate, | 0:12:34 | 0:12:37 | |
-just before it goes. -What's happening with these then? | 0:12:37 | 0:12:40 | |
So, I'm going to be baking the cremes brulees, | 0:12:40 | 0:12:42 | |
-so it's free-standing. -Right. -I'm going to blowtorch them. -OK, nice. | 0:12:42 | 0:12:46 | |
If I don't get it perfect, it's just going to be a puddle on the plate. | 0:12:46 | 0:12:49 | |
It's going to be embarrassing. | 0:12:49 | 0:12:51 | |
-I don't want to be up there looking like an idiot. -That's pressure. Wow! | 0:12:51 | 0:12:55 | |
I really hope you can get this done right, the way you want it, | 0:12:55 | 0:12:58 | |
because it sounds fantastic. | 0:12:58 | 0:13:00 | |
Yeah, I hope it will be. | 0:13:00 | 0:13:02 | |
I think the making of a creme brulee | 0:13:04 | 0:13:06 | |
that's not served in the dish that it's cooked in | 0:13:06 | 0:13:08 | |
is a very brave and skilful thing to do and get right. | 0:13:08 | 0:13:12 | |
And I really admire that about Arnaud. | 0:13:12 | 0:13:14 | |
The issue here, he's got to make sure | 0:13:14 | 0:13:16 | |
these rings have all been lined properly, | 0:13:16 | 0:13:18 | |
sealed before that mix goes in. | 0:13:18 | 0:13:20 | |
And it's got to be cooked enough | 0:13:20 | 0:13:22 | |
that it's not going to melt and run on the plate. | 0:13:22 | 0:13:25 | |
Love the idea of putting the croissants back into butter | 0:13:27 | 0:13:30 | |
and foaming them, | 0:13:30 | 0:13:31 | |
infusing that flavour into his custard for his foam. | 0:13:31 | 0:13:34 | |
And there's a hint of coffee going in this dish as well. | 0:13:35 | 0:13:38 | |
A coffee tuile is going to give this dish | 0:13:38 | 0:13:40 | |
a beautiful texture and also a fabulous flavour. | 0:13:40 | 0:13:43 | |
Some fantastic combinations here. I hope they all work together. | 0:13:45 | 0:13:48 | |
The creme brulee is not cooked in time, then it's a disaster. | 0:13:51 | 0:13:55 | |
I might as well go home. | 0:13:55 | 0:13:57 | |
No need to panic just yet, | 0:13:59 | 0:14:01 | |
but the panic will come shortly if that doesn't work. | 0:14:01 | 0:14:04 | |
The cremes brulees are baked at a low heat, | 0:14:08 | 0:14:10 | |
then cooled in the chiller. | 0:14:10 | 0:14:13 | |
It'll take over one and a half hours | 0:14:13 | 0:14:15 | |
before Arnaud will know if they have set. | 0:14:15 | 0:14:18 | |
HE SIGHS | 0:14:21 | 0:14:23 | |
Two hours of cooking time has gone. | 0:14:26 | 0:14:28 | |
Gary's beetroot chutney is cooking down... | 0:14:30 | 0:14:33 | |
..and the salt-baked beetroot are in the oven. | 0:14:34 | 0:14:37 | |
Now he can focus on making the gingerbread for the crumb. | 0:14:38 | 0:14:42 | |
Once it's baked, I then have to dry it out | 0:14:42 | 0:14:45 | |
as a really sort of dry ginger breadcrumb, | 0:14:45 | 0:14:48 | |
which will then be mixed with mostly hazelnuts | 0:14:48 | 0:14:51 | |
and then wrapped round the cheese. | 0:14:51 | 0:14:52 | |
Next, he makes a start on the technical oatcake tuile. | 0:14:57 | 0:15:01 | |
We're trying to get it really as thin as we can get it, | 0:15:03 | 0:15:06 | |
with it still being structurally sound. | 0:15:06 | 0:15:10 | |
He must carefully place the oatcake mixture around the moulds | 0:15:11 | 0:15:15 | |
before baking them, so they can form into free-standing rings. | 0:15:15 | 0:15:20 | |
-These are looking good. -Thank you. | 0:15:24 | 0:15:26 | |
How are you serving it on the plate? | 0:15:26 | 0:15:28 | |
Is it flat? Is it going to be like this? | 0:15:28 | 0:15:30 | |
It's going to be sitting up with elements of the cheese within it. | 0:15:30 | 0:15:35 | |
GARY LAUGHS | 0:15:35 | 0:15:37 | |
OK... | 0:15:37 | 0:15:39 | |
Um, are you not worried about them breaking? | 0:15:39 | 0:15:43 | |
I am worried, | 0:15:43 | 0:15:45 | |
but I'm going to make loads in case we have to swap out a plate. | 0:15:45 | 0:15:49 | |
Oh, my goodness, Gary, that's very brave. | 0:15:49 | 0:15:51 | |
-I can't wait to see how they turn out. -Thank you. -Ooh. | 0:15:51 | 0:15:54 | |
So the tester's broke. | 0:16:03 | 0:16:05 | |
With his first tuile unsuccessful... | 0:16:08 | 0:16:11 | |
..Gary checks his second attempt. | 0:16:13 | 0:16:16 | |
It's, er, it's broke again. | 0:16:24 | 0:16:27 | |
Um...I think I've been a wee bit hasty moving it | 0:16:27 | 0:16:31 | |
until it's properly cooled. | 0:16:31 | 0:16:33 | |
Twice now his tester has broken. | 0:16:35 | 0:16:38 | |
If he gets it right, it will look quite stunning. | 0:16:38 | 0:16:40 | |
If not, it's just not going to work. | 0:16:40 | 0:16:43 | |
Chefs, listen up. You have just two and a half hours remaining | 0:16:46 | 0:16:50 | |
-before your first course goes, Gary. -Yes, Chef. | 0:16:50 | 0:16:52 | |
-Are we going to be ready? -Yes, we are. | 0:16:52 | 0:16:55 | |
On the fish course, | 0:17:02 | 0:17:04 | |
Elly is making the scallop mousse and brill filling for her ravioli. | 0:17:04 | 0:17:09 | |
Elly needs to check the seasoning. | 0:17:11 | 0:17:13 | |
I'll be really looking to make sure that she does a little tester, | 0:17:13 | 0:17:17 | |
get that seasoning spot-on, because when the ravioli's made, | 0:17:17 | 0:17:21 | |
you can't change it. It is what it is. | 0:17:21 | 0:17:23 | |
-It needs more salt. -Yeah. -Loads more. -Loads more. | 0:17:35 | 0:17:39 | |
I'm actually really happy | 0:17:45 | 0:17:47 | |
with the consistency of the brill and the scallops. It's really nice. | 0:17:47 | 0:17:51 | |
With her filling seasoned correctly, | 0:17:53 | 0:17:55 | |
Elly can now start to carefully assemble over 30 identical ravioli. | 0:17:55 | 0:18:01 | |
This is the biggest job. | 0:18:03 | 0:18:04 | |
I need to make sure that I seal them properly, | 0:18:04 | 0:18:06 | |
making sure that there's no air holes so none of them spill out. | 0:18:06 | 0:18:11 | |
But I've got 38, so if a couple do break, | 0:18:11 | 0:18:15 | |
then I've got some just in case. | 0:18:15 | 0:18:17 | |
Matt's beef cheeks have been braising for over two hours. | 0:18:22 | 0:18:27 | |
The beef's looking good. They've started to take on | 0:18:28 | 0:18:30 | |
all that colour and flavour now, so I'm happy about that. | 0:18:30 | 0:18:33 | |
He can now make a start on preparing the baked bone marrow accompaniment. | 0:18:33 | 0:18:38 | |
Matt's taking out the bone marrow. | 0:18:38 | 0:18:40 | |
He's going to mix it with shallots and herbs | 0:18:40 | 0:18:42 | |
and he's going to put it back into the bone. | 0:18:42 | 0:18:44 | |
Really, really like this. | 0:18:46 | 0:18:47 | |
To ensure the presentation is faultless, | 0:18:48 | 0:18:51 | |
Matt must clean 30 bones | 0:18:51 | 0:18:53 | |
before the marrow mix can be placed back inside. | 0:18:53 | 0:18:56 | |
I'm finding it quite hard, to be honest, but once it's done, | 0:18:59 | 0:19:02 | |
it's worth all this pain. | 0:19:02 | 0:19:05 | |
-How are you doing? -Yeah, good. I'm still a bit nervous | 0:19:07 | 0:19:10 | |
but beef's nearly there, potatoes are cooked. | 0:19:10 | 0:19:12 | |
I've got to get them out and through the tammy, | 0:19:12 | 0:19:14 | |
get them seasoned up into bags for service. | 0:19:14 | 0:19:16 | |
I want to get these bone marrows in as soon as possible, | 0:19:16 | 0:19:18 | |
get them set up, cos once they're set up in the fridge, | 0:19:18 | 0:19:22 | |
then it's a big tick off my list | 0:19:22 | 0:19:24 | |
-cos a lot of the mise en place goes into that. -OK. | 0:19:24 | 0:19:26 | |
On dessert, Arnaud's all-important vanilla cremes brulees are baked. | 0:19:30 | 0:19:36 | |
The cremes brulees are all cooked. They're in the fridge cooling now. | 0:19:40 | 0:19:44 | |
-Set? -Set-TING. Set-TING. -"Ting", not set. | 0:19:44 | 0:19:48 | |
It all remains to see, within the next half hour, how well they set | 0:19:48 | 0:19:52 | |
and how easily they're going to come out of those rings. | 0:19:52 | 0:19:54 | |
Should be fine. Only when they're cooled, but they're looking good. | 0:19:56 | 0:20:01 | |
Next, Arnaud moves onto the two apricot elements for his dessert - | 0:20:02 | 0:20:07 | |
a puree made from basil and apricots... | 0:20:07 | 0:20:11 | |
I don't want it to taste of basil, | 0:20:11 | 0:20:13 | |
I just want a sort of really fresh flavour. | 0:20:13 | 0:20:16 | |
..and apricots that have been roasted | 0:20:18 | 0:20:20 | |
in molasses sugar then pan-fried. | 0:20:20 | 0:20:22 | |
I've got to caramelise all them now, so that's quite a lot of work. | 0:20:24 | 0:20:28 | |
Yeah, happy cos they are looking sexy. | 0:20:29 | 0:20:31 | |
There's less than one hour until Gary's starter goes out. | 0:20:41 | 0:20:45 | |
The rings aren't... They're OK. They've got one split. | 0:20:45 | 0:20:49 | |
As long as they don't break twice, we're fine. | 0:20:49 | 0:20:52 | |
The gingerbread cake for the crumb | 0:20:55 | 0:20:57 | |
around the goat's cheese is cooked... | 0:20:57 | 0:20:59 | |
Lovely. Yeah, exactly to plan...for once. | 0:20:59 | 0:21:04 | |
..and is now blended with hazelnuts and finished off with chives. | 0:21:07 | 0:21:13 | |
I'm OK. | 0:21:20 | 0:21:21 | |
I've got a wee sauce to make - well, just to finish a sauce - | 0:21:21 | 0:21:26 | |
and then we're going to start plating. | 0:21:26 | 0:21:28 | |
Back on fish, Elly is in the process of cooking her ravioli. | 0:21:32 | 0:21:37 | |
They will first be blanched for one minute | 0:21:37 | 0:21:40 | |
before being steamed just before service. | 0:21:40 | 0:21:43 | |
If she hasn't sealed them airtight, they could split. | 0:21:46 | 0:21:50 | |
They've come out very, very nice. More than what I expected. | 0:21:56 | 0:22:00 | |
They look really nice, actually. Phew! | 0:22:03 | 0:22:05 | |
I've still got a lot to do and just got to keep, keep going. | 0:22:07 | 0:22:12 | |
-Elly, are you all right? -I feel happy. | 0:22:14 | 0:22:16 | |
My raviolis have come out absolutely gorgeous | 0:22:16 | 0:22:19 | |
-and that's what I wanted. -You're doing a lot of running around. | 0:22:19 | 0:22:23 | |
Yeah, it's just a mixture. | 0:22:23 | 0:22:25 | |
The last half an hour, clean bench and start again, ready for service. | 0:22:25 | 0:22:29 | |
Other than that, I feel like I am onto a winner. | 0:22:29 | 0:22:33 | |
Matt's potato puree is well under way. | 0:22:40 | 0:22:44 | |
The mashed potato - the texture has got to be so smooth, not grainy. | 0:22:46 | 0:22:50 | |
If he overworks it with the butter or cream or milk, it will split. | 0:22:50 | 0:22:54 | |
-Is this the second time you've passed it? -No. -The first? -Yeah. | 0:22:57 | 0:23:00 | |
-It's gone really gelatinous, hasn't it? -Yeah. | 0:23:00 | 0:23:02 | |
-Is it all like that? -Yeah. -You can see the starch starting to pull. | 0:23:02 | 0:23:07 | |
That shouldn't happen, so add the liquid in gently, | 0:23:07 | 0:23:10 | |
make sure it absorbs. If you add it too quick, it's going to split. | 0:23:10 | 0:23:13 | |
-Yeah. -Especially with the butter. -OK. -OK. -Thank you. | 0:23:13 | 0:23:15 | |
I'm up against it a little bit. I've got to get my garnish done still. | 0:23:17 | 0:23:20 | |
I've just got to push on. | 0:23:20 | 0:23:21 | |
For Arnaud, it's time to check | 0:23:31 | 0:23:34 | |
on whether his vanilla cremes brulees have set. | 0:23:34 | 0:23:37 | |
Et voila! Whoo-hoo! | 0:23:48 | 0:23:51 | |
I thought it would work, but such is life. | 0:23:51 | 0:23:53 | |
If it didn't work, then it would be disaster but, you know, | 0:23:53 | 0:23:56 | |
it's a good day, yeah. | 0:23:56 | 0:23:58 | |
Outside, tonight's prestigious guests are arriving. | 0:24:05 | 0:24:09 | |
These greats are at the top of their profession, | 0:24:11 | 0:24:13 | |
achieving the accolades and recognition | 0:24:13 | 0:24:17 | |
that the finalists dream to one day emulate. | 0:24:17 | 0:24:21 | |
I'd be nervous if I was cooking for these people. | 0:24:30 | 0:24:33 | |
It is a real opportunity for those guys. | 0:24:33 | 0:24:34 | |
I bet they're feeling it but, hopefully, they do well. | 0:24:34 | 0:24:38 | |
We expect a very high standard. | 0:24:45 | 0:24:48 | |
We want to see their flair, imagination and skill tonight, | 0:24:48 | 0:24:51 | |
because these are finalists, so we should be seeing them at their best. | 0:24:51 | 0:24:54 | |
We're going to be a tough crowd. They're going to be critical | 0:24:57 | 0:25:00 | |
but they're going to be critiques you need to listen to | 0:25:00 | 0:25:02 | |
cos they're very experienced chefs we have here. | 0:25:02 | 0:25:04 | |
What you're looking for are the people that have got the passion, | 0:25:11 | 0:25:14 | |
the determination, the drive. The chefs coming out of this | 0:25:14 | 0:25:17 | |
are going to be the big names of tomorrow. | 0:25:17 | 0:25:19 | |
Also attending are previous Professional MasterChef winners | 0:25:20 | 0:25:25 | |
and finalists, who have gone on to achieve great success. | 0:25:25 | 0:25:29 | |
Still don't feel like I'm amazing enough to be here | 0:25:29 | 0:25:32 | |
but, you know, if I was back there now, | 0:25:32 | 0:25:35 | |
it's still probably the worst dining experience of my life! | 0:25:35 | 0:25:38 | |
They will be terrified and nervous | 0:25:42 | 0:25:45 | |
but incredibly excited that they're about to meet, | 0:25:45 | 0:25:47 | |
you know, a bunch of their heroes. | 0:25:47 | 0:25:50 | |
There's a lot of people I've respected for a long, long time | 0:25:53 | 0:25:56 | |
and I know how stressful it is to be cooking for them, | 0:25:56 | 0:26:00 | |
so much happier to be on this side of the fence. | 0:26:00 | 0:26:02 | |
Your chefs have started to arrive. | 0:26:09 | 0:26:11 | |
You have 40 minutes until your first course needs to be served. | 0:26:11 | 0:26:16 | |
-Are we going to be OK for the first course? -Yes, Chef. | 0:26:16 | 0:26:19 | |
With all eyes on Gary's beetroot and goat's cheese starter... | 0:26:21 | 0:26:25 | |
..his last job is to create two different beetroot gels. | 0:26:26 | 0:26:31 | |
One is to form beetroot balls, | 0:26:32 | 0:26:34 | |
using a process called reverse spherification... | 0:26:34 | 0:26:37 | |
..and the second, to create an intricate pattern | 0:26:39 | 0:26:42 | |
by injecting beetroot gel through a caviar box | 0:26:42 | 0:26:46 | |
normally used for making caviar pearls. | 0:26:46 | 0:26:49 | |
You have to get it to the exact correct consistency | 0:26:50 | 0:26:54 | |
or else it doesn't work and we don't have time for it not to work, | 0:26:54 | 0:26:59 | |
shall we say, so pressure's definitely on. | 0:26:59 | 0:27:01 | |
-It's still too thin. -You need a steady hand. -Yeah. | 0:27:03 | 0:27:06 | |
It's still running a wee bit, isn't it? | 0:27:20 | 0:27:22 | |
You've got about 30 minutes. We've got to get this right. | 0:27:24 | 0:27:26 | |
This, hopefully, should be the last test. | 0:27:26 | 0:27:28 | |
I think, by the time you go on it, it should be all right. | 0:27:35 | 0:27:38 | |
Service is now under way... | 0:27:52 | 0:27:54 | |
..and Gary has ten minutes to plate all 30 starters. | 0:27:56 | 0:28:00 | |
He begins with the intricate 96 dots of beetroot gel. | 0:28:01 | 0:28:05 | |
Yes! Yes! | 0:28:09 | 0:28:10 | |
Hooray! | 0:28:13 | 0:28:15 | |
-Wow! -Looks amazing! | 0:28:20 | 0:28:22 | |
Gary, do you know how stressful you're making me? | 0:28:25 | 0:28:27 | |
How stressful I'm making myself! | 0:28:27 | 0:28:30 | |
Gary, do you think you need some help from some of the others? | 0:28:30 | 0:28:33 | |
Yeah, if I could. Guys, is anybody free for two minutes? | 0:28:33 | 0:28:36 | |
-MATT: -Yeah, I got you, got you. | 0:28:36 | 0:28:37 | |
Gary, Gary, Gary! | 0:28:48 | 0:28:49 | |
Hazelnut and ginger crumble, goat's cheese | 0:28:53 | 0:28:55 | |
and then it's oak-baked pickled beetroot with chutney and oatcakes, | 0:28:55 | 0:29:00 | |
so that's quite a mouthful, so let's hope they can execute it | 0:29:00 | 0:29:04 | |
with balance and flair and, of course, great flavours. | 0:29:04 | 0:29:07 | |
Sounds good, good combinations. | 0:29:09 | 0:29:11 | |
It looks good on the menu, but let's see the execution. | 0:29:11 | 0:29:14 | |
I'm looking forward to it very much. | 0:29:14 | 0:29:16 | |
-Service, please. -No pressure. | 0:29:21 | 0:29:24 | |
That's it. Last one, Gary. All done. | 0:29:40 | 0:29:42 | |
MONICA LAUGHS | 0:29:45 | 0:29:47 | |
You only do this once, don't you? | 0:29:49 | 0:29:51 | |
-I don't think you would ever do it twice. -Wow! -You nutter! | 0:29:51 | 0:29:54 | |
-You are a mad Scotsman! -Yeah, yeah, that's evident now. | 0:29:54 | 0:29:58 | |
Terrifying and exciting and enjoyable at the same time, | 0:30:07 | 0:30:10 | |
but I'm happy to have got it out and I hope the guests enjoy it. | 0:30:10 | 0:30:14 | |
Gary has served a starter of goat's cheese, | 0:30:22 | 0:30:24 | |
wrapped in a gingerbread and hazelnut crumb | 0:30:24 | 0:30:28 | |
with beetroot five ways - | 0:30:28 | 0:30:31 | |
salt-baked, | 0:30:31 | 0:30:34 | |
a chutney, | 0:30:34 | 0:30:35 | |
pickled candy striped beetroot, | 0:30:35 | 0:30:38 | |
beetroot spherification | 0:30:38 | 0:30:41 | |
and dotted beetroot gels, | 0:30:41 | 0:30:43 | |
served with an oatcake tuile. | 0:30:43 | 0:30:47 | |
It's cool! A lot of dots! | 0:30:48 | 0:30:51 | |
And this tuile is very interesting, | 0:30:51 | 0:30:53 | |
so I'm excited to try it. | 0:30:53 | 0:30:55 | |
Beautiful dish. It's the precision in the... | 0:30:57 | 0:31:01 | |
You see the dots | 0:31:01 | 0:31:03 | |
and it looks really, really beautiful. | 0:31:03 | 0:31:05 | |
I'm missing the beetroot, | 0:31:10 | 0:31:12 | |
I'm missing the salad, I'm missing the acidity, | 0:31:12 | 0:31:14 | |
and it's quite a big portion of cheese. | 0:31:14 | 0:31:16 | |
So, it looks good but, at the end of the day, bit disappointing. | 0:31:16 | 0:31:20 | |
The goat's cheese is rather too large. | 0:31:21 | 0:31:24 | |
The biscuit - there is a bit of texture going on there | 0:31:24 | 0:31:27 | |
with the biscuit which, obviously, is a plus, | 0:31:27 | 0:31:30 | |
but the whole dish is underseasoned, to be honest. | 0:31:30 | 0:31:32 | |
It was nice but I would have liked to have seen more beetroot | 0:31:32 | 0:31:35 | |
and I think that kind of let the dish down a bit. | 0:31:35 | 0:31:38 | |
I think the oatcake was a very clever twist on it, | 0:31:38 | 0:31:41 | |
giving some height to the dish. I wasn't expecting that. | 0:31:41 | 0:31:44 | |
Some nice techniques on there. | 0:31:46 | 0:31:47 | |
The oatcake gave nice texture to the dish. | 0:31:47 | 0:31:50 | |
A bit more beetroot on the plate, | 0:31:50 | 0:31:52 | |
I think you've got that good product that's ready to go. | 0:31:52 | 0:31:55 | |
They're all great ingredients, | 0:31:55 | 0:31:57 | |
but it didn't really blend together as a complete dish. | 0:31:57 | 0:32:00 | |
And that's so important. You've got to be able to taste everything. | 0:32:00 | 0:32:03 | |
If you're putting on a menu you're salt-baking stuff, | 0:32:03 | 0:32:05 | |
you've got to taste that it's been salt-baked. | 0:32:05 | 0:32:07 | |
Not the type of presentation I was expecting from Gary. | 0:32:08 | 0:32:11 | |
30 plates he made and they all looked great. He's done well. | 0:32:11 | 0:32:15 | |
What's here is tasty. There's just the slight balance is off. | 0:32:19 | 0:32:23 | |
There's more cheese to actual garnish, which is a shame, | 0:32:23 | 0:32:25 | |
because what is on the plate is very good. | 0:32:25 | 0:32:28 | |
I like the idea, though, and I love his ambition. | 0:32:28 | 0:32:32 | |
APPLAUSE | 0:32:35 | 0:32:39 | |
The dish looked absolutely perfect, | 0:32:46 | 0:32:48 | |
really, like, a picture on a plate. | 0:32:48 | 0:32:51 | |
But, for me, I felt it needed more garnish, | 0:32:51 | 0:32:54 | |
-less goat's cheese and it needed some acidity. -Yeah. | 0:32:54 | 0:32:57 | |
-But, apart from that, it was lovely. -Thank you. | 0:32:57 | 0:33:00 | |
Congratulations, Gary, for getting this far. | 0:33:00 | 0:33:03 | |
Ten out of ten for presentation. | 0:33:03 | 0:33:05 | |
I think, from working with you, | 0:33:05 | 0:33:08 | |
I've seen that this is something you've really tried to improve upon. | 0:33:08 | 0:33:11 | |
-Yeah. -A lovely dish. Lots of empty plates, so well done. | 0:33:11 | 0:33:17 | |
It's just amazing to be here. I'm a lecturer at college, | 0:33:17 | 0:33:22 | |
so you guys are totally inspirational | 0:33:22 | 0:33:25 | |
to thousands of kids that I see every year, | 0:33:25 | 0:33:28 | |
so it's just such a pleasure to be here, it really is. | 0:33:28 | 0:33:31 | |
Some of my heroes are here, Mr Mosimann, | 0:33:31 | 0:33:33 | |
so amazing, absolutely amazing. | 0:33:33 | 0:33:37 | |
-APPLAUSE -Thank you. | 0:33:37 | 0:33:40 | |
I did get some negative feedback but, all in all, | 0:33:54 | 0:33:56 | |
I thought it was a successful plate. | 0:33:56 | 0:33:59 | |
Absolutely incredible to see these people looking at what you've done. | 0:34:00 | 0:34:04 | |
I don't know if I'll recover, actually. | 0:34:04 | 0:34:07 | |
Mad, absolutely mad. | 0:34:08 | 0:34:10 | |
All attention is now on Elly. | 0:34:15 | 0:34:18 | |
Her last job is to finish steaming her brill and scallop ravioli. | 0:34:20 | 0:34:24 | |
But she's unsure exactly how long they will take to cook through. | 0:34:27 | 0:34:31 | |
Oh, it needs longer. | 0:34:35 | 0:34:36 | |
It's raw. | 0:34:39 | 0:34:41 | |
It needs...six minutes. | 0:34:43 | 0:34:47 | |
-So, when you're ready, hon. -Yes, Chef. -Are we going to start going? | 0:34:58 | 0:35:01 | |
Yes, Chef. Matt, how are you looking, my friend? | 0:35:01 | 0:35:03 | |
I put myself right in it if I come over. Do you desperately need me? | 0:35:03 | 0:35:06 | |
-No, don't worry. -I'm here. Right, what do you need? | 0:35:06 | 0:35:09 | |
-Right, Arnaud. -Yeah. | 0:35:09 | 0:35:11 | |
Can you, in between these four pans, | 0:35:11 | 0:35:13 | |
-distribute these mussels and that? -Sure. | 0:35:13 | 0:35:15 | |
So, the ravioli of brill. Sounds exciting and tasty. | 0:35:19 | 0:35:22 | |
There's a lot of interesting components | 0:35:22 | 0:35:24 | |
that could potentially go incredibly well | 0:35:24 | 0:35:27 | |
or maybe a little wrong. | 0:35:27 | 0:35:29 | |
It sounds really elegant. Fennel and cucumber. | 0:35:30 | 0:35:33 | |
I love all those combinations, so quite classic. | 0:35:33 | 0:35:35 | |
-We've got four minutes on raviolis, yeah. -Four minutes? -Yeah. -OK. | 0:35:37 | 0:35:41 | |
So, Gary, back up there. I want you... | 0:35:43 | 0:35:45 | |
-Can you put them under the salamander for me? -Yeah. -Oh! | 0:35:45 | 0:35:48 | |
TIMER BEEPS | 0:35:52 | 0:35:54 | |
A lot can go wrong, making a traditional ravioli, | 0:35:56 | 0:35:59 | |
making the pasta cooked, the filling nice and succulent inside, | 0:35:59 | 0:36:03 | |
so let's wait and see. | 0:36:03 | 0:36:05 | |
Come on, Elly, we really need to get moving. | 0:36:09 | 0:36:12 | |
-Do you want to get the caviar for me, Arnaud? -Caviar, yeah. | 0:36:19 | 0:36:22 | |
-Are you good? -Yes, Chef. | 0:36:24 | 0:36:26 | |
-Do you want to push them forward, darling? -Yes, please. | 0:36:26 | 0:36:29 | |
Service, please! | 0:36:30 | 0:36:32 | |
-So, raviolis out, Gary. -OK. | 0:36:35 | 0:36:37 | |
-Elly? -Yes, Chef. -They look fantastic. -Thank you. | 0:36:38 | 0:36:40 | |
-Keep it going. -Yeah. | 0:36:40 | 0:36:43 | |
I'll finish them if you start the next lot, please. | 0:36:43 | 0:36:45 | |
-Going well, Elly. How do you feel? -Well, I'm very hot. | 0:36:48 | 0:36:51 | |
-Yeah, but it's a good hot. -Yes. | 0:36:51 | 0:36:53 | |
Lovely job. | 0:36:55 | 0:36:56 | |
-Last table. -Yes, Chef. -Can you see the finish line now? -Yeah. Whoo-hoo! | 0:37:00 | 0:37:04 | |
These look so good, Elly. Well done. | 0:37:15 | 0:37:18 | |
Thank you. Last table. | 0:37:21 | 0:37:23 | |
-Wow. -Thanks, mate. -Beautiful, beautiful. Matt. -Nice one, darling. | 0:37:24 | 0:37:28 | |
-Well done, you. -Good job. -Well done. -Well done. | 0:37:28 | 0:37:31 | |
-Do I get that drink now? -No. | 0:37:32 | 0:37:35 | |
-You've got two more courses to go yet. -Yes, Chef. | 0:37:35 | 0:37:37 | |
That was the hardest thing I've ever done in my life | 0:37:45 | 0:37:47 | |
but I think everything was spot-on, it was how I wanted it to be, | 0:37:47 | 0:37:52 | |
so it was a lot of pressure, but I've done it. | 0:37:52 | 0:37:55 | |
Elly has made a scallop mousse and brill-filled ravioli, | 0:37:59 | 0:38:04 | |
served with mussels, clams, | 0:38:04 | 0:38:07 | |
pan-fried scallop, | 0:38:07 | 0:38:09 | |
roasted fennel puree, | 0:38:09 | 0:38:11 | |
pickled cucumber, caviar, | 0:38:11 | 0:38:14 | |
sea vegetables and a mussel beurre blanc. | 0:38:14 | 0:38:18 | |
Perfectly formed ravioli, nicely roasted scallops. | 0:38:21 | 0:38:24 | |
It looks like a flower, as far as I'm concerned, | 0:38:26 | 0:38:28 | |
so that's a good sign. | 0:38:28 | 0:38:30 | |
I actually liked it. I never thought I would when I looked at it. | 0:38:36 | 0:38:39 | |
To cook your piece of fish like this, in the middle of the pasta, | 0:38:39 | 0:38:42 | |
without having the control, is good timing and I thought it was nice. | 0:38:42 | 0:38:45 | |
To do that many raviolis in one massive hit is super hard | 0:38:45 | 0:38:49 | |
and I thoroughly enjoyed the dish and hats off to the chef. | 0:38:49 | 0:38:53 | |
I wouldn't mind to have a little more sauce and little bit thicker, | 0:38:53 | 0:38:56 | |
because it was so delicious, when you're breaking the ravioli, | 0:38:56 | 0:38:59 | |
you want to dip, but I think it was very well done. | 0:38:59 | 0:39:03 | |
I really enjoyed that. I thought the fish inside was lovely and soft. | 0:39:03 | 0:39:07 | |
I really liked the fennel puree. Fennel and mussels, I thought, | 0:39:07 | 0:39:09 | |
was a brilliant combination and it tasted great. | 0:39:09 | 0:39:12 | |
Nice acidity, well cooked fish. | 0:39:14 | 0:39:16 | |
It was quite classical, but there's nothing wrong with that. | 0:39:16 | 0:39:19 | |
It was absolutely fantastic. | 0:39:19 | 0:39:21 | |
I thought it was a delicious dish, considered plate of food. | 0:39:23 | 0:39:26 | |
Not showy, but all the better for it. It was a delight to eat. | 0:39:26 | 0:39:31 | |
The cucumber is immaculate. | 0:39:31 | 0:39:33 | |
It's got a bit of bite, it's got zing, it's got clarity, it's got... | 0:39:33 | 0:39:36 | |
It's one of the best dishes we've ever had at MasterChef, I think. | 0:39:36 | 0:39:39 | |
It's clean, it's beautiful and it's...it's a pleasure to eat. | 0:39:39 | 0:39:44 | |
This dish not only looks wonderful, it tastes amazing. | 0:39:49 | 0:39:52 | |
It's so easy, I think, to overcomplicate a dish. | 0:39:52 | 0:39:56 | |
I think Elly has been true to herself, | 0:39:56 | 0:39:59 | |
gave us great cooking and amazing flavours. | 0:39:59 | 0:40:02 | |
I didn't even see one ravioli split at all. | 0:40:02 | 0:40:05 | |
Her technique, her skill, her organisation was a credit to her. | 0:40:06 | 0:40:12 | |
I thought she nailed that today. | 0:40:12 | 0:40:14 | |
APPLAUSE | 0:40:18 | 0:40:21 | |
Hi, Elly. For me, all the flavours went well together, | 0:40:30 | 0:40:32 | |
some real good display of technical skill. | 0:40:32 | 0:40:34 | |
I wouldn't want to cook for 30 people of this standard | 0:40:34 | 0:40:38 | |
but you did it very, very well. | 0:40:38 | 0:40:40 | |
It was a really good display of confident cooking. | 0:40:40 | 0:40:43 | |
-Well done. -Thank you. | 0:40:43 | 0:40:44 | |
I felt there was a lot of love in this dish. | 0:40:44 | 0:40:47 | |
I could feel like you cooked with your own identity here | 0:40:47 | 0:40:50 | |
and I could taste your feeling through this dish | 0:40:50 | 0:40:52 | |
and I think that's very rare | 0:40:52 | 0:40:54 | |
and for that, you should be very proud of you, | 0:40:54 | 0:40:56 | |
so very, very, very well done. | 0:40:56 | 0:40:59 | |
Thank you very much. I appreciate all your comments. | 0:40:59 | 0:41:02 | |
You know, it was a lot of pressure but I did it | 0:41:02 | 0:41:06 | |
and I was running around a little bit | 0:41:06 | 0:41:08 | |
but, at the end, I delivered a dish, for me, | 0:41:08 | 0:41:11 | |
that's all about my personality and I put that on the plate. | 0:41:11 | 0:41:14 | |
-Thank you. -APPLAUSE | 0:41:14 | 0:41:17 | |
Walking in there and facing all those Michelin-starred chefs, | 0:41:29 | 0:41:32 | |
it's scary. But, do you know what? | 0:41:32 | 0:41:34 | |
I'm amazed with what I've done today. | 0:41:34 | 0:41:36 | |
It was really nice for them to smile at me | 0:41:38 | 0:41:40 | |
and put their thumbs up to say that they loved it. | 0:41:40 | 0:41:43 | |
I think I've done Monica and Marcus proud. | 0:41:43 | 0:41:45 | |
Next is Matt's beef main course. | 0:41:51 | 0:41:55 | |
Right, what have we got left to do? | 0:41:55 | 0:41:57 | |
Finish these girolles off, plate everything up, good to go. | 0:41:57 | 0:42:00 | |
You've got about 15 minutes left and you're still prepping girolles? | 0:42:00 | 0:42:03 | |
-Yes, Chef. -You're cutting it fine, Chef. -I am. | 0:42:03 | 0:42:06 | |
Before Matt can begin plating, | 0:42:08 | 0:42:10 | |
he must juggle a multitude of pans to finish off all his garnishes. | 0:42:10 | 0:42:15 | |
I'm not sure I'm feeling superconfident. | 0:42:15 | 0:42:17 | |
They've got big expectations. I believe in the dish. | 0:42:17 | 0:42:21 | |
I just... I hope I can execute it. | 0:42:22 | 0:42:24 | |
Matt needs to fry off his baby shallots with pancetta and girolles, | 0:42:25 | 0:42:30 | |
saute and honey-glaze his heritage carrots and grill the bone marrow. | 0:42:30 | 0:42:37 | |
-Are we going to be all right? -Four minutes. -Four minutes? -Yeah. | 0:42:37 | 0:42:41 | |
-Matt, we really need to start seeing some food on plates. -Plating now. | 0:42:44 | 0:42:47 | |
Cheeks is a beautiful cut of meat. | 0:42:51 | 0:42:53 | |
It needs to be cooked properly because, if not, | 0:42:53 | 0:42:55 | |
it's a piece of rubber. Bourguignon, nice sauce. | 0:42:55 | 0:42:58 | |
Hopefully, a good garnish with it. | 0:42:58 | 0:43:01 | |
There is nothing dangerous with that dish, | 0:43:01 | 0:43:03 | |
but every element are very important to be done properly. | 0:43:03 | 0:43:06 | |
-Are you happy with the beef cheek? -I am happy with the beef cheek, Chef. | 0:43:08 | 0:43:11 | |
Bone marrow, it's a big favourite with all the chefs. | 0:43:13 | 0:43:16 | |
We love that stuff and we love to suck the bone marrow, shall we say. | 0:43:16 | 0:43:20 | |
If they get the cooking right, it could be a good one. | 0:43:20 | 0:43:24 | |
-Looking good. Are you happy? -I am happy, Chef. | 0:43:24 | 0:43:26 | |
I'll be happier when my fingers stop burning. | 0:43:26 | 0:43:28 | |
-Can I go, Matt? -Yes, please. Go, go, go. | 0:43:33 | 0:43:35 | |
-Very, very nice, Matt. Looks good. -Thank you, Chef. -Keep it going. | 0:43:43 | 0:43:47 | |
-Come on, guys, you can go a bit faster, yeah? -ELLY: -Yes, Chef. | 0:43:53 | 0:43:56 | |
-Give the plates a tickle for me, Elly, please. -Yeah, we know. | 0:43:59 | 0:44:01 | |
-Are you going to send? -Yes. -Service. | 0:44:15 | 0:44:17 | |
-Well done. -Pressure. | 0:44:22 | 0:44:25 | |
-Good, isn't it? -Do you know what? It is. | 0:44:25 | 0:44:28 | |
Nothing like that. That's what I miss, | 0:44:29 | 0:44:32 | |
that's what I miss - being right up against it right to the last minute. | 0:44:32 | 0:44:35 | |
-Do it again? -Maybe I will. | 0:44:35 | 0:44:37 | |
That was, um, hard but exhilarating. I got a proper buzz back for it. | 0:44:40 | 0:44:46 | |
Hands are raw, blistered, cut, but worth it. Totally worth it. | 0:44:46 | 0:44:51 | |
I was really happy with it. We'll see. Hopefully, it's all worked. | 0:44:52 | 0:44:55 | |
Matt's dish is beef cheek bourguignon | 0:45:02 | 0:45:06 | |
with pan-fried bone marrow, | 0:45:06 | 0:45:08 | |
shallots and cornichons, | 0:45:08 | 0:45:10 | |
topped with panko breadcrumbs, | 0:45:10 | 0:45:13 | |
served with pomme puree, | 0:45:13 | 0:45:17 | |
lardons, heritage carrots | 0:45:17 | 0:45:19 | |
and girolle mushrooms, topped with grated horseradish. | 0:45:19 | 0:45:24 | |
I think, visually, beautiful looking dish. | 0:45:26 | 0:45:29 | |
It smells great. It looks delicious. Can't wait to get stuck in. | 0:45:29 | 0:45:32 | |
Really warming, homely dish, lovely flavours, everything cooked well. | 0:45:39 | 0:45:45 | |
A really superb plate of food. | 0:45:45 | 0:45:47 | |
I thought the beef was cooked absolutely to perfection. | 0:45:47 | 0:45:51 | |
Cooking beef cheeks in that much time | 0:45:51 | 0:45:53 | |
is a bit of a daunting job. | 0:45:53 | 0:45:55 | |
I think he's done a very good job that way. | 0:45:55 | 0:45:57 | |
Loved it. | 0:45:57 | 0:45:59 | |
I like the little touches, like the grated horseradish over the top, | 0:45:59 | 0:46:03 | |
the cornichons in the bone marrow. Delicious flavours. | 0:46:03 | 0:46:07 | |
Simplicity isn't simple to do and that was... | 0:46:07 | 0:46:12 | |
I thought that was brilliant. Ox cheek braised nicely. | 0:46:12 | 0:46:16 | |
It still had texture. Well-made sauce. Mashed potato was brilliant. | 0:46:16 | 0:46:21 | |
That was right up my street. That was a banging dish. | 0:46:21 | 0:46:24 | |
This chef has demonstrated a really good understanding | 0:46:24 | 0:46:26 | |
with the element of the sauce here. Beautifully done. | 0:46:26 | 0:46:30 | |
I've spent time in Burgundy | 0:46:30 | 0:46:32 | |
and this is a really fantastic tribute to that. | 0:46:32 | 0:46:35 | |
Who doesn't love braised meat and mashed potato? | 0:46:35 | 0:46:38 | |
I could live on that until I die. It was absolutely stunning! | 0:46:38 | 0:46:41 | |
-From an eating point of view, this dish makes chefs happy. -Yeah. | 0:46:41 | 0:46:44 | |
Let's be honest. That's what this person's done, cleverly. | 0:46:44 | 0:46:47 | |
-What DOES make chefs happy? -I tell you what makes chefs happy - | 0:46:47 | 0:46:49 | |
great food, great company, so you'd better go! | 0:46:49 | 0:46:53 | |
GREGG LAUGHS | 0:46:53 | 0:46:56 | |
Here's a chef that really was nervous, | 0:46:57 | 0:47:00 | |
but the drive was quite extraordinary | 0:47:00 | 0:47:03 | |
and look at the dish. It looks fantastic! | 0:47:03 | 0:47:06 | |
This is a winter, autumn sort of dish. | 0:47:11 | 0:47:14 | |
You want to eat this and you feel warm. He's done a great job. | 0:47:14 | 0:47:17 | |
He should be very pleased with what he's accomplished here today. | 0:47:17 | 0:47:20 | |
I think this is the best dish that Matt's cooked in this competition | 0:47:20 | 0:47:24 | |
and what a time to do it, in front of our chefs. | 0:47:24 | 0:47:28 | |
Well done, Matt. | 0:47:28 | 0:47:30 | |
APPLAUSE AND CHEERING | 0:47:33 | 0:47:37 | |
Matt, I think you showcased there that simplicity isn't simple | 0:47:43 | 0:47:48 | |
-and I thought that dish was absolutely brilliant. -Wow. | 0:47:48 | 0:47:51 | |
-It was awesome! -Thank you very much. | 0:47:51 | 0:47:53 | |
The bone marrow, for me, was the highlight of the show. | 0:47:54 | 0:47:58 | |
I think it was very unctuous. | 0:47:58 | 0:48:00 | |
A really accomplished dish, so a massive well done to you. | 0:48:00 | 0:48:04 | |
The reality is you absolutely nailed it. It was beautifully cooked. | 0:48:04 | 0:48:07 | |
But the single most important thing | 0:48:09 | 0:48:11 | |
was that it gave bundles of pleasure to eat | 0:48:11 | 0:48:13 | |
and, surely, that's what it's all about. | 0:48:13 | 0:48:15 | |
I haven't actually done a service, apart from with George, | 0:48:16 | 0:48:19 | |
for about four years, so I've got holiday hands. | 0:48:19 | 0:48:22 | |
I'm all burnt up and blistered. But it was such a good buzz. | 0:48:22 | 0:48:25 | |
I'd just like to thank you all for eating my food | 0:48:25 | 0:48:28 | |
and making this experience really pleasurable for me, | 0:48:28 | 0:48:30 | |
so thank you, thank you all very, very much. | 0:48:30 | 0:48:32 | |
APPLAUSE | 0:48:32 | 0:48:36 | |
Oh! | 0:48:44 | 0:48:46 | |
That was incredible! Like, I was on the verge of getting emotional. | 0:48:51 | 0:48:56 | |
That was just so good. I didn't think it would be. | 0:48:56 | 0:48:59 | |
I don't think anything can top that. | 0:48:59 | 0:49:01 | |
It's time for the final course. | 0:49:06 | 0:49:08 | |
And Arnaud has the delicate job | 0:49:10 | 0:49:12 | |
of removing all 30 free-standing cremes brulees from their moulds. | 0:49:12 | 0:49:18 | |
ARNAUD GASPS | 0:49:19 | 0:49:21 | |
How come some of them are soft? | 0:49:21 | 0:49:23 | |
Just feel a bit sick right now, to be honest. | 0:49:25 | 0:49:27 | |
-ELLY: -Have you got any spare? -No, I just had 31 rings. | 0:49:27 | 0:49:31 | |
-Can you put them in the chiller? -Yeah. | 0:49:31 | 0:49:34 | |
So, where the brulees have been cooking in the oven, | 0:49:37 | 0:49:40 | |
pretty much all of them are set but three of them are softer. | 0:49:40 | 0:49:43 | |
So, I'm going to be leaving them in there until we send them. | 0:49:43 | 0:49:46 | |
I'm not taking any chances. | 0:49:46 | 0:49:49 | |
Oh. | 0:49:49 | 0:49:50 | |
-Arnaud, it's all on you now on dessert. -Yes. | 0:49:50 | 0:49:53 | |
The dessert - really good combinations. | 0:49:56 | 0:49:58 | |
Out of all of the dishes, it sounds really interesting, | 0:49:58 | 0:50:01 | |
a bit more adventurous. | 0:50:01 | 0:50:03 | |
The creme brulee, I presume, will probably be free-standing. | 0:50:07 | 0:50:10 | |
So, that needs to be cooked perfectly and chilled in time. | 0:50:11 | 0:50:14 | |
-I'll put this on? -Yeah, go for it. | 0:50:22 | 0:50:24 | |
The croissant emulsion sounds particularly interesting. | 0:50:25 | 0:50:28 | |
Not sure what that's going to come out like, | 0:50:28 | 0:50:31 | |
but it will be interesting to see. | 0:50:31 | 0:50:33 | |
-Get the tuiles in there. -Tuiles? | 0:50:33 | 0:50:35 | |
-Where are the tuiles? -The other side. | 0:50:35 | 0:50:37 | |
Service, please! | 0:50:41 | 0:50:43 | |
Arnaud, let's keep this flowing. | 0:50:46 | 0:50:47 | |
Argh! | 0:50:57 | 0:50:58 | |
-MATT: -Is that everything, Arnaud? -Yeah, that's it. | 0:51:07 | 0:51:09 | |
-Thank you, guys. Oh! -All right? -Oh! | 0:51:12 | 0:51:15 | |
-That was hard. -GARY: -Well done, my friend. | 0:51:15 | 0:51:18 | |
Thank you. Thank you, guys. | 0:51:18 | 0:51:21 | |
That was tough. | 0:51:26 | 0:51:28 | |
I gave it everything today but it's not good enough though. | 0:51:28 | 0:51:32 | |
Those cremes brulees, you know... | 0:51:32 | 0:51:34 | |
Not terribly happy. | 0:51:38 | 0:51:40 | |
Arnaud has served vanilla creme brulee, | 0:51:48 | 0:51:51 | |
with caramelised apricots, | 0:51:51 | 0:51:55 | |
apricot and basil puree, | 0:51:55 | 0:51:57 | |
a croissant emulsion | 0:51:57 | 0:51:59 | |
and a coffee and pumpkin tuile. | 0:51:59 | 0:52:02 | |
It's all in the taste, I suppose. My brulee's a bit soft. It's run a bit. | 0:52:04 | 0:52:09 | |
Um, but, yeah, we'll see what it's like. | 0:52:09 | 0:52:12 | |
They've done a free-standing creme brulee, | 0:52:17 | 0:52:20 | |
which can be very difficult to do. | 0:52:20 | 0:52:22 | |
They've made it free-standing, but there's so much vanilla. | 0:52:22 | 0:52:25 | |
It's just too much of a good thing. | 0:52:25 | 0:52:26 | |
I found the creme brulee itself, it was quite heavy. | 0:52:26 | 0:52:30 | |
I think if it was set a bit more, it would have been cleaner. | 0:52:30 | 0:52:33 | |
The tuile, I found, was a bit sticky. | 0:52:33 | 0:52:35 | |
It kind of stuck in my teeth, | 0:52:35 | 0:52:37 | |
which is not really what you want with a sugar tuile. | 0:52:37 | 0:52:39 | |
I loved the croissant emulsion. I thought that was unusual. | 0:52:39 | 0:52:43 | |
Everything together, I'm not sure. | 0:52:43 | 0:52:44 | |
I love the taste of vanilla. It's absolutely wonderful | 0:52:44 | 0:52:47 | |
and I can get a buttery croissant from it as well. | 0:52:47 | 0:52:49 | |
It's the apricot that's bothering me. It's very, very sharp indeed. | 0:52:49 | 0:52:53 | |
Doesn't quite work. | 0:52:53 | 0:52:55 | |
The apricot itself has been burnt with a blowtorch. | 0:52:56 | 0:52:59 | |
You don't get that fresh element of apricot. | 0:52:59 | 0:53:03 | |
On the whole, it's refreshing. | 0:53:03 | 0:53:04 | |
It's a nice way to finish a very splendid meal. | 0:53:04 | 0:53:08 | |
Creme brulee, taken out of the ring, was always going to be an issue | 0:53:10 | 0:53:14 | |
and, unfortunately, some have set, some haven't and it's a shame. | 0:53:14 | 0:53:19 | |
He took a risk. It's what we want. | 0:53:19 | 0:53:21 | |
It almost paid off, it was just a little bit of attention to detail. | 0:53:21 | 0:53:25 | |
There are areas within this dish... | 0:53:30 | 0:53:32 | |
And he knows, he's going to be a bit disappointed. | 0:53:32 | 0:53:34 | |
He knows his dish is not perfect. | 0:53:34 | 0:53:36 | |
But I love his ideas, I love the thinking behind this dessert. | 0:53:37 | 0:53:41 | |
Ah, I just... I feel for Arnaud. | 0:53:41 | 0:53:44 | |
APPLAUSE | 0:53:47 | 0:53:50 | |
I think some of your cremes brulees didn't quite hold their shape | 0:53:53 | 0:53:57 | |
as they were coming out of the kitchen. | 0:53:57 | 0:53:59 | |
However, that didn't detract from the flavour | 0:53:59 | 0:54:01 | |
-and it was a very enjoyable dish, so thank you. -Thank you very much. | 0:54:01 | 0:54:05 | |
For me, it's about temperature and texture with desserts | 0:54:05 | 0:54:08 | |
and I found the croissant emulsion | 0:54:08 | 0:54:10 | |
was very similar to the creme brulee texture. | 0:54:10 | 0:54:13 | |
Yes, I agree. Um, some of the brulees got a bit soft. | 0:54:13 | 0:54:17 | |
They could have been better, I'm sure, | 0:54:17 | 0:54:19 | |
but I'm not as talented as you all are, | 0:54:19 | 0:54:22 | |
but I gave it my best shot, so thank you very much. | 0:54:22 | 0:54:25 | |
APPLAUSE | 0:54:26 | 0:54:29 | |
Oh... | 0:54:37 | 0:54:39 | |
I feel a bit deflated after the feedbacks | 0:54:41 | 0:54:44 | |
because you want great feedbacks. | 0:54:44 | 0:54:46 | |
You can always be better, but if I was better, | 0:54:46 | 0:54:50 | |
I'd be sitting with them. I'm not quite there yet. | 0:54:50 | 0:54:53 | |
APPLAUSE | 0:54:58 | 0:55:00 | |
The heat was on, the pressure was on, | 0:55:00 | 0:55:02 | |
but I think our four chefs did themselves proud. | 0:55:02 | 0:55:05 | |
They've worked their socks off. Good job all round. | 0:55:05 | 0:55:09 | |
Thank you for cooking for us tonight. | 0:55:12 | 0:55:15 | |
I can imagine the stress you put yourselves through. | 0:55:15 | 0:55:17 | |
It's a hard challenge to cook for these guys in this room. | 0:55:17 | 0:55:20 | |
You've cooked from the heart, we've seen some amazing dishes | 0:55:20 | 0:55:24 | |
and I wish you well for the future in the competition. | 0:55:24 | 0:55:27 | |
APPLAUSE | 0:55:27 | 0:55:30 | |
It's quite surreal to believe that I've cooked for all that talent. | 0:55:42 | 0:55:46 | |
And the feedback that I got, | 0:55:46 | 0:55:48 | |
it's something I'll take to the grave with me. It was incredible. | 0:55:48 | 0:55:51 | |
It's given me my passion for cooking back. I'm so happy. It's brilliant. | 0:55:51 | 0:55:55 | |
I think today was one of my best rounds. | 0:55:56 | 0:55:58 | |
This competition has been a crazy rollercoaster | 0:55:58 | 0:56:01 | |
and I'm going to push and push and push to get into this final three. | 0:56:01 | 0:56:05 | |
Such a privilege to cook for some of my heroes. | 0:56:08 | 0:56:10 | |
To see these people looking at what you've done. | 0:56:12 | 0:56:15 | |
Just unreal, really was unreal. | 0:56:15 | 0:56:17 | |
It's been a really, really hard day. | 0:56:18 | 0:56:20 | |
I guess in the next round, you know, | 0:56:21 | 0:56:23 | |
I'm going to have to cook really good. | 0:56:23 | 0:56:26 | |
It's going to have to be spot-on, cos I want to make it to the final. | 0:56:26 | 0:56:30 | |
It's the chance now to be in the final three | 0:56:35 | 0:56:39 | |
and I can't wait to see them back in the MasterChef kitchen. | 0:56:39 | 0:56:43 | |
These chefs have done an amazing job. | 0:56:44 | 0:56:47 | |
It is going to be really heart-breaking | 0:56:47 | 0:56:49 | |
to separate these four chefs | 0:56:49 | 0:56:51 | |
because we are going to have to lose one of them in the next round. | 0:56:51 | 0:56:54 | |
Tomorrow night, Matt, Elly, Gary and Arnaud | 0:57:02 | 0:57:08 | |
will fight for the chance to cook | 0:57:08 | 0:57:10 | |
in one of the world's most innovative restaurants. | 0:57:10 | 0:57:14 | |
The three Michelin stars we got for something we've done. | 0:57:16 | 0:57:19 | |
I don't care about what we've done. | 0:57:19 | 0:57:21 | |
It's what we do today - that's what matters. | 0:57:21 | 0:57:24 | |
-That's lovely! -The flavour is something else. | 0:57:24 | 0:57:27 | |
It's...amazing! | 0:57:27 | 0:57:29 | |
Only three can make it through. | 0:57:30 | 0:57:33 |