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I have an exuberant passion for a particular foodstuff | 0:00:10 | 0:00:14 | |
that some people find utterly revolting. | 0:00:14 | 0:00:16 | |
But that's how it is. | 0:00:16 | 0:00:18 | |
What gives some people pain, | 0:00:18 | 0:00:20 | |
can give the rest of us exquisite pleasure. | 0:00:20 | 0:00:22 | |
And I have everything to feed my late night need in this black box. | 0:00:22 | 0:00:28 | |
There is a reason why this box is black, that's because | 0:00:38 | 0:00:41 | |
it contains liquorice, and no-one does liquorice like the Italians. | 0:00:41 | 0:00:46 | |
Oh, these are so charming. They are liquorice pebbles. | 0:00:48 | 0:00:54 | |
Even liquorice-phobes couldn't resist these, surely. | 0:00:54 | 0:00:57 | |
When I'm in the mood for something a little more darkly decadent, | 0:01:00 | 0:01:04 | |
I go for these chocolates with an oozing liquorice centre. | 0:01:04 | 0:01:08 | |
Now, when I was teenage, it was considered the height of cool | 0:01:10 | 0:01:16 | |
to be chewing on a natural liquorice root, as really, why wouldn't it be? | 0:01:16 | 0:01:21 | |
Mmm, very nice, actually. What else have I got in here? | 0:01:21 | 0:01:24 | |
If only I had known about this black and viscous liquorice liqueur | 0:01:26 | 0:01:30 | |
when I concocted this liquorice pudding first off, | 0:01:30 | 0:01:34 | |
I would have spiked it with it. | 0:01:34 | 0:01:37 | |
However, I am happy enough with these lozenges. | 0:01:37 | 0:01:41 | |
I need a teaspoon of these little babies | 0:01:45 | 0:01:49 | |
to start off my liquorice pudding. | 0:01:49 | 0:01:50 | |
I've got some water here, and really you just have to be patient | 0:01:50 | 0:01:55 | |
enough to wait five minutes to let the liquorice dissolve. | 0:01:55 | 0:01:59 | |
Bit of a swirl will help it along, but to be honest, | 0:02:05 | 0:02:08 | |
I don't mind if it doesn't all dissolve. | 0:02:08 | 0:02:10 | |
A few dark splodges in the pudding later are rather gorgeous. | 0:02:10 | 0:02:15 | |
Bitterness is part of the point of liquorice, | 0:02:19 | 0:02:23 | |
but I still need a bit of sugar. | 0:02:23 | 0:02:25 | |
I'm having light muscovado in my pudding. | 0:02:25 | 0:02:29 | |
That is as black as tar. | 0:02:34 | 0:02:38 | |
Adding cream to this turns the black into a deep buff-tone, | 0:02:41 | 0:02:45 | |
like a manila envelope. | 0:02:45 | 0:02:47 | |
Frankly, I could drink this, but to turn it into pudding, | 0:02:50 | 0:02:54 | |
I need a cornflour mixture, I need to slake it, | 0:02:54 | 0:02:57 | |
which means a bit of cornflour, mixed to a smooth paste with milk. | 0:02:57 | 0:03:02 | |
This is hot, so I'll whisk this in. | 0:03:14 | 0:03:19 | |
Just a few seconds and it'll be thick. | 0:03:25 | 0:03:28 | |
That's it, it's ready. So excited. | 0:03:33 | 0:03:38 | |
What I normally do is cover these, | 0:03:41 | 0:03:45 | |
and put them in the fridge to chill, about four hours or overnight. | 0:03:45 | 0:03:50 | |
But you don't have to! | 0:03:50 | 0:03:53 | |
And there is something to be said for eating them straight away, | 0:03:53 | 0:03:58 | |
and what's more, although it does feel verging on the deviant, | 0:03:58 | 0:04:03 | |
with a little sea salt sprinkled over. | 0:04:05 | 0:04:08 | |
I don't mix it in, I just add with each spoonful. | 0:04:08 | 0:04:12 | |
It's out of this world. | 0:04:15 | 0:04:17 | |
Mmm, dark and divine. | 0:04:25 | 0:04:28 | |
# Lonely | 0:04:28 | 0:04:32 | |
# Lonely. # | 0:04:33 | 0:04:38 | |
When I can, I love, love, love coming to an Italian deli, | 0:04:49 | 0:04:54 | |
and right now, I'm here because I need some fregola, | 0:04:54 | 0:04:59 | |
which really, you don't find on the high street. | 0:04:59 | 0:05:01 | |
Now, what fregola is, is like a giant couscous. | 0:05:01 | 0:05:05 | |
It's often known as Sardinian couscous, | 0:05:05 | 0:05:07 | |
but unlike ordinary couscous, it's toasted when it's made, | 0:05:07 | 0:05:11 | |
so it has a real roundness and nuttiness of flavour, | 0:05:11 | 0:05:14 | |
and what I need it for is my Sardinian couscous and clams. | 0:05:14 | 0:05:18 | |
Oh, the sound of a sizzle just makes me salivate. | 0:05:23 | 0:05:28 | |
I've got a shallot in with some olive oil. | 0:05:28 | 0:05:30 | |
The wonderful thing about these shallots is | 0:05:32 | 0:05:34 | |
that they soften so quickly, | 0:05:34 | 0:05:36 | |
so I'm already in position to mince in some garlic. | 0:05:36 | 0:05:40 | |
A lot of garlic here, two cloves, | 0:05:40 | 0:05:42 | |
but this is from Sardinia, and they do like their tastes robust. | 0:05:42 | 0:05:47 | |
Bit of fire as well. Some chilli flakes. | 0:05:55 | 0:05:58 | |
This gorgeous terracotta coloured confetti. | 0:05:58 | 0:06:02 | |
Haven't quite finished the flavour base. | 0:06:06 | 0:06:09 | |
I feel I need an ungainly squirt of tomato puree. | 0:06:09 | 0:06:13 | |
I normally would NEVER add tomatoes to clams, | 0:06:13 | 0:06:19 | |
I like them "il bianco," as they say in Italy. | 0:06:19 | 0:06:22 | |
All-white, no tomatoes, but this is different. | 0:06:22 | 0:06:26 | |
It somehow keeps the lightness of tomatoless clams, | 0:06:26 | 0:06:29 | |
but brings a bit of brightness at the same time. | 0:06:29 | 0:06:32 | |
On top of all that flavour base, I'm adding a weakish chicken stock. | 0:06:35 | 0:06:40 | |
You could at this stage add wine, but I prefer vermouth. | 0:06:48 | 0:06:50 | |
It has a more mellow ring about it, | 0:06:50 | 0:06:53 | |
you don't need to cook it for ages like you would red wine. | 0:06:53 | 0:06:58 | |
In goes the fregola. | 0:06:59 | 0:07:02 | |
If you've never come across fregola before, | 0:07:06 | 0:07:09 | |
do not be afraid or even slightly panicked. | 0:07:09 | 0:07:12 | |
It's really like giant couscous, that's all it is. | 0:07:12 | 0:07:15 | |
The fregola won't take very long to cook, | 0:07:19 | 0:07:23 | |
and in the meantime, I will chop some parsley. | 0:07:23 | 0:07:27 | |
Now, the fregola is cooked, I can feel that. | 0:07:39 | 0:07:42 | |
It's cooked, but still a bit resistant, | 0:07:43 | 0:07:45 | |
which is how it should be, | 0:07:45 | 0:07:47 | |
but I have something to add, | 0:07:47 | 0:07:49 | |
that is the sea liquor that will eschew from these clams. | 0:07:49 | 0:07:54 | |
They've been soaking in cold water, and all you need to know is | 0:07:54 | 0:07:58 | |
that any clams that don't open should be chucked away. | 0:07:58 | 0:08:01 | |
I always feel a link with our primeval past | 0:08:10 | 0:08:15 | |
when I cook with seafood. | 0:08:15 | 0:08:16 | |
What a welcoming clatter! | 0:08:20 | 0:08:22 | |
These just need to steam. | 0:08:27 | 0:08:29 | |
Like this. | 0:08:30 | 0:08:33 | |
It's a matter of moments, so I'm getting ready now. Yum! | 0:08:36 | 0:08:41 | |
I love it when the clams have opened, and the fregola | 0:08:47 | 0:08:52 | |
is sort of nestling inside the shells, on the cushions of clam. | 0:08:52 | 0:08:56 | |
Beautiful, and the smell, I am transported to the Italian seaside. | 0:08:56 | 0:09:01 | |
I need a bowl. | 0:09:12 | 0:09:15 | |
I need a ladle, and I need to eat. | 0:09:15 | 0:09:18 | |
It's an odd thing. | 0:09:27 | 0:09:29 | |
This is so unlike anything you ever tasted, | 0:09:29 | 0:09:33 | |
and yet reassuring at the same time. | 0:09:33 | 0:09:36 | |
That is the magic of Italian cooking. | 0:09:36 | 0:09:40 | |
Mmm! | 0:09:52 | 0:09:55 | |
ITALIAN CHATTER | 0:10:23 | 0:10:27 | |
-Prego? -Un caffe per favore. -Bel. | 0:10:37 | 0:10:42 | |
I learned from living in Italy that you really don't need a whole | 0:10:42 | 0:10:46 | |
raft of ingredients to create a beautiful supper. | 0:10:46 | 0:10:50 | |
For example, when I cook lamb, | 0:10:50 | 0:10:52 | |
I just marinate it in balsamic vinegar | 0:10:52 | 0:10:55 | |
and some olive oil and salt, | 0:10:55 | 0:10:57 | |
and then once it's garlanded with bay leaves, it's so ravishing. | 0:10:57 | 0:11:01 | |
And likewise, I do a recipe with some baby aubergines, | 0:11:01 | 0:11:06 | |
and I scatter red onions on top, | 0:11:06 | 0:11:08 | |
but I macerate the red onions, so they're almost luminescent. | 0:11:08 | 0:11:12 | |
My pudding is much newer, | 0:11:14 | 0:11:16 | |
although in fact it comes from a relatively old source. | 0:11:16 | 0:11:20 | |
It's an ice cream cake that is studded with meringue | 0:11:20 | 0:11:24 | |
and grated chocolate. | 0:11:24 | 0:11:26 | |
And it's incredibly high impact, though low effort. | 0:11:26 | 0:11:29 | |
And I discovered it in a book written by a highfalutin | 0:11:29 | 0:11:32 | |
Italian man of letters. | 0:11:32 | 0:11:34 | |
I may have found the recipe in a venerable volume, | 0:11:36 | 0:11:38 | |
but it's now one of the most straightforward | 0:11:38 | 0:11:40 | |
and simplest dishes in my repertoire. | 0:11:40 | 0:11:44 | |
There aren't many puddings you can rustle up | 0:11:51 | 0:11:53 | |
early in the morning before a day's work, but this is one of them. | 0:11:53 | 0:12:00 | |
There are only four ingredients needed, | 0:12:00 | 0:12:03 | |
the first one being cream, obviously. | 0:12:03 | 0:12:06 | |
I want to whisk this so the cream is thick, | 0:12:06 | 0:12:08 | |
but still soft, which is what I want. | 0:12:08 | 0:12:11 | |
And now I'm ready for ingredient number "due." | 0:12:11 | 0:12:14 | |
A splosh of rum. | 0:12:14 | 0:12:17 | |
My philosopher actually specified a rather rare liqueur | 0:12:19 | 0:12:23 | |
that I can't get any more, but rum, to me, | 0:12:23 | 0:12:26 | |
always tastes so authentically Italian in puddings. | 0:12:26 | 0:12:30 | |
OK, so that's the whisking part over and done with. | 0:12:30 | 0:12:34 | |
My third ingredient is chocolate, it's a good start. | 0:12:36 | 0:12:40 | |
I find it easier to cut the chocolate rather than grate it. | 0:12:43 | 0:12:47 | |
It makes a big difference if your chocolate is cold, | 0:12:50 | 0:12:53 | |
cos otherwise it tends to melt as you chop it. | 0:12:53 | 0:12:55 | |
So, in with the chocolate shards. | 0:12:58 | 0:13:01 | |
A lovely sound. | 0:13:01 | 0:13:04 | |
And now, quick fold. | 0:13:07 | 0:13:10 | |
My last ingredient, some meringues, a bit of brute force needed. | 0:13:15 | 0:13:21 | |
These just get crushed in, a sugary and heavy snowfall. | 0:13:21 | 0:13:28 | |
And the thing about meringues is that they will not freeze, | 0:13:28 | 0:13:32 | |
so you create this crisp texture within the ice cream cake. | 0:13:32 | 0:13:38 | |
And now it's just a question of folding these in. | 0:13:38 | 0:13:43 | |
Mmm. | 0:13:43 | 0:13:44 | |
Like a morning walk on freshly fallen snow. | 0:13:46 | 0:13:49 | |
Now, yes it needs a day in the freezer, | 0:13:54 | 0:13:57 | |
but basically this is now made. | 0:13:57 | 0:13:59 | |
The hardest thing for me is the tearing of the cling, | 0:13:59 | 0:14:02 | |
but I have learnt, I have been taught, always tear the cling | 0:14:02 | 0:14:07 | |
from a standing up position, don't put it flat onto the surface. | 0:14:07 | 0:14:12 | |
Look at that. | 0:14:12 | 0:14:13 | |
Got to line a loaf tin generously. | 0:14:15 | 0:14:18 | |
This makes unmoulding so easy, | 0:14:20 | 0:14:21 | |
you just pull it out using the overhang. | 0:14:21 | 0:14:25 | |
In this goes. | 0:14:29 | 0:14:30 | |
Stamp it down. | 0:14:39 | 0:14:42 | |
So, after a day, give or take, in the freezer, this will be set | 0:14:45 | 0:14:49 | |
and ready to serve. And with it, I'm going to melt some chocolate, | 0:14:49 | 0:14:54 | |
some cream, another spot of rum, and that's a chocolate sauce done. | 0:14:54 | 0:14:57 | |
There's nothing fancy about it, there's nothing difficult, | 0:14:57 | 0:15:01 | |
but as Steve Jobs said, "Simplicity is the ultimate sophistication." | 0:15:01 | 0:15:06 | |
'Ciao, bella.' | 0:15:07 | 0:15:09 | |
This has to be the easiest, speediest way of cooking a roast. | 0:15:21 | 0:15:27 | |
What I need, what you need, | 0:15:29 | 0:15:32 | |
is a boned and butterflied leg of lamb. | 0:15:32 | 0:15:35 | |
It may not look much like a butterfly, but that's the idea. | 0:15:35 | 0:15:39 | |
And, if you're not getting your lamb from a butcher, don't worry, | 0:15:39 | 0:15:42 | |
because any butcher counter at a supermarket can do this for you. | 0:15:42 | 0:15:46 | |
I'm giving it what I think of as a fast track marinating treatment. | 0:15:47 | 0:15:52 | |
In the traditional manner, much as my mother always used to, | 0:15:53 | 0:15:56 | |
I'm going to cut slices of garlic, and tuck them into the meat. | 0:15:56 | 0:16:01 | |
I like finding ridges and crevices to poke the garlic into. | 0:16:06 | 0:16:11 | |
And now a bit of olive oil. | 0:16:13 | 0:16:14 | |
And a key ingredient, and not a very familiar one with me, | 0:16:22 | 0:16:27 | |
balsamic vinegar. | 0:16:27 | 0:16:29 | |
I've often been undecided about this, | 0:16:29 | 0:16:30 | |
but it is perfect with the lamb. | 0:16:30 | 0:16:33 | |
There's something about the rich sweetness, | 0:16:33 | 0:16:37 | |
and the sharpness at the same time that reminds me of redcurrant, | 0:16:37 | 0:16:42 | |
which of course we love with lamb, so it's same destination, | 0:16:42 | 0:16:47 | |
but the Italian route. Always picturesque. | 0:16:47 | 0:16:50 | |
Bay leaves next. | 0:16:54 | 0:16:56 | |
Now, I'm going to snip some in a rather slipshod fashion now, | 0:16:56 | 0:17:01 | |
and when I serve, I'm going to keep some back | 0:17:01 | 0:17:03 | |
to have whole, because although you don't need | 0:17:03 | 0:17:06 | |
any extra bay leaves later, they look so beautiful. | 0:17:06 | 0:17:09 | |
I'm going to leave the meat to get to room temperature. | 0:17:14 | 0:17:17 | |
It goes into the oven, and that's a hot, hot oven, | 0:17:17 | 0:17:20 | |
for about 30 minutes, and then 15 minutes rest | 0:17:20 | 0:17:24 | |
under some foil, and it will be lusciously pink and ready to eat. | 0:17:24 | 0:17:28 | |
But, for now, I have those darkly gleaming aubergines beckoning me. | 0:17:30 | 0:17:35 | |
Lamb goes with aubergines however they are cooked, | 0:17:39 | 0:17:42 | |
and I am rather excited about this way, | 0:17:42 | 0:17:45 | |
because I have done a bit of tinkering | 0:17:45 | 0:17:48 | |
with an Italian favourite, which is simply red onions and aubergine. | 0:17:48 | 0:17:54 | |
A bit of oregano. | 0:17:54 | 0:17:55 | |
So that's oil and oregano there, and I have gone the cute route. | 0:17:55 | 0:18:00 | |
I don't always like that, but look, these baby aubergine. | 0:18:00 | 0:18:04 | |
I want them cut lengthways. | 0:18:07 | 0:18:11 | |
Just put cut side down on the tray. | 0:18:12 | 0:18:16 | |
You may notice that I'm trying to keep the stalks on. | 0:18:23 | 0:18:28 | |
You can't actually eat the stalks, | 0:18:28 | 0:18:30 | |
it is purely for aesthetic considerations. | 0:18:30 | 0:18:33 | |
And last one... | 0:18:39 | 0:18:41 | |
Now, I'm just going to smoosh them about here. | 0:18:47 | 0:18:50 | |
I mean, they've already soaked up the oil. | 0:18:50 | 0:18:53 | |
Aubergines will drink however much oil you give them, | 0:18:53 | 0:18:56 | |
so, sometimes you just have to be quite stern about rations. | 0:18:56 | 0:19:00 | |
And then turn these round, so they're cut side up, | 0:19:00 | 0:19:06 | |
and then they'll get all soft and golden | 0:19:06 | 0:19:10 | |
when they get their quick blitz in the hot oven. | 0:19:10 | 0:19:12 | |
I did promise red onion with the aubergines, | 0:19:15 | 0:19:18 | |
and a red onion I have. Look how beautiful. | 0:19:18 | 0:19:21 | |
The idea is to cut the onion into fine half moons. | 0:19:26 | 0:19:31 | |
It's not really cooking, | 0:19:35 | 0:19:36 | |
I'm not cooking this onion, it's a treatment. | 0:19:36 | 0:19:39 | |
And it's a treatment I devised really for myself, because, | 0:19:39 | 0:19:43 | |
although I love the taste of onion, | 0:19:43 | 0:19:45 | |
I find that acrid afterburn a bit tough. | 0:19:45 | 0:19:48 | |
And my method, shortly to be unveiled, | 0:19:48 | 0:19:52 | |
takes away any of that burn. | 0:19:52 | 0:19:54 | |
And here goes. | 0:20:00 | 0:20:01 | |
The red onion goes into a bowl. | 0:20:03 | 0:20:06 | |
Going to add a little "sale," | 0:20:08 | 0:20:11 | |
and quite a bit of red wine vinegar. | 0:20:13 | 0:20:15 | |
All the acrid taste disappears, | 0:20:19 | 0:20:22 | |
and something spectacular happens all round. | 0:20:23 | 0:20:27 | |
I want to make sure that as many of these onion | 0:20:29 | 0:20:33 | |
pieces are saturated in the vinegar as possible, | 0:20:33 | 0:20:37 | |
then I can leave them to steep while the aubergines are cooking. | 0:20:37 | 0:20:41 | |
Right, I think I can get all this to the oven. | 0:20:43 | 0:20:46 | |
Supper. | 0:20:48 | 0:20:50 | |
Me in Venice, when I was writing a piece for the New York Times. | 0:21:13 | 0:21:17 | |
-Oh, very nice. -This is incredible, I think I was somewhere in Tuscany, | 0:21:17 | 0:21:24 | |
and that was linguine with courgette flowers. | 0:21:24 | 0:21:27 | |
Very pretty wine shop, although these aren't my absolute best. | 0:21:27 | 0:21:31 | |
Now, that's just what I wanted to see. | 0:21:38 | 0:21:41 | |
Mmm! | 0:21:42 | 0:21:44 | |
This needs to sit for a while, then I can slice it, and we can eat. | 0:21:47 | 0:21:52 | |
Look at these, in all their bronzed glory. | 0:22:00 | 0:22:03 | |
I did speak about the way steeping onions in vinegar makes them | 0:22:03 | 0:22:09 | |
lose any acid, acrid taste. | 0:22:09 | 0:22:11 | |
But look at this transformation. | 0:22:11 | 0:22:14 | |
We're adding to the vinegary onions some garlic, | 0:22:16 | 0:22:20 | |
some olive oil, extra virgin olive oil. | 0:22:24 | 0:22:27 | |
Look at these beautiful pink onions suspended in that golden dressing. | 0:22:34 | 0:22:38 | |
They make my soul sing. They would if I had one! | 0:22:39 | 0:22:44 | |
And now... | 0:22:44 | 0:22:46 | |
..gentle transfer. | 0:22:47 | 0:22:49 | |
I need them warm still, because I want the onion, the oil, | 0:22:51 | 0:22:57 | |
and the garlic to permeate that smoky charred flesh. | 0:22:57 | 0:23:02 | |
And now comes the transformation. Don't think I need my whisk. | 0:23:07 | 0:23:13 | |
It's jewel-like. So gorgeous. | 0:23:17 | 0:23:20 | |
I know it's Italian food, but it's a bit of a Bollywood moment. | 0:23:24 | 0:23:27 | |
I've got some fresh oregano for beauty and fragrance. | 0:23:31 | 0:23:37 | |
And now the lamb. | 0:23:41 | 0:23:43 | |
I have got all this fantastic juice to pour over the lamb | 0:23:46 | 0:23:50 | |
once I have carved it. | 0:23:50 | 0:23:51 | |
Although I say carve, I mean slice. | 0:23:52 | 0:23:56 | |
Right. | 0:24:03 | 0:24:05 | |
Easy peasy. Perfectly pink. | 0:24:06 | 0:24:10 | |
So, it'll be piled up on its platter, | 0:24:17 | 0:24:21 | |
drizzled with those wonderful bay and balsamic juices, | 0:24:21 | 0:24:25 | |
then I think I might give it a little final crown of bay leaves. | 0:24:25 | 0:24:30 | |
And I can feed the hungry hordes. | 0:24:51 | 0:24:53 | |
Oh, lovely! | 0:24:57 | 0:24:59 | |
-Have you had this before, Tom? -I have indeed. | 0:24:59 | 0:25:03 | |
I'm going to ask you to swap plates. | 0:25:03 | 0:25:06 | |
LAUGHTER | 0:25:14 | 0:25:15 | |
CHATTER | 0:25:15 | 0:25:19 | |
Well, as much as they've eaten, | 0:25:33 | 0:25:35 | |
I think they'll find space for a little bit more. | 0:25:35 | 0:25:38 | |
I'm about to unveil my meringue gelato cake. | 0:25:38 | 0:25:40 | |
The great thing about wrapping it in cling is that you can just | 0:25:43 | 0:25:48 | |
pull it out in one go, without any worry. | 0:25:48 | 0:25:51 | |
Just a very light brick at this stage. | 0:25:54 | 0:25:57 | |
I'm just going to cut it into iced slices. | 0:26:03 | 0:26:07 | |
I love the knobbly texture, that's all those crumbled meringues, | 0:26:10 | 0:26:15 | |
and the grated chocolate. | 0:26:15 | 0:26:17 | |
And although it looks rich, it's in fact incredibly light. | 0:26:18 | 0:26:22 | |
And although I'm going to put | 0:26:25 | 0:26:27 | |
some raspberries on the table, I do want to dot some | 0:26:27 | 0:26:29 | |
here and there. | 0:26:29 | 0:26:31 | |
Yes, they do look beautiful, but they also provide | 0:26:32 | 0:26:37 | |
just the right tang against the sweetness of the ice cream. | 0:26:37 | 0:26:42 | |
And now I'm going to Jackson Pollock some chocolate sauce over. Mmm! | 0:26:46 | 0:26:51 | |
This makes me feel absurdly happy. | 0:27:07 | 0:27:09 | |
Let's hope it has the same effect on them. | 0:27:09 | 0:27:11 | |
# I don't believe in fretting And grieving... # | 0:27:13 | 0:27:16 | |
Will you hand me a plate? | 0:27:16 | 0:27:19 | |
Don't worry, there's some raspberries there. | 0:27:20 | 0:27:25 | |
I know! | 0:27:26 | 0:27:28 | |
# Some find it pleasant Dining on pheasant | 0:27:28 | 0:27:33 | |
# Those things Roll off of my knife | 0:27:33 | 0:27:36 | |
# Just serve me tomatoes And mashed potatoes | 0:27:36 | 0:27:41 | |
# Give me the simple life. # | 0:27:41 | 0:27:44 | |
# Tu vuo fa l'Americano | 0:27:48 | 0:27:51 | |
# Mericano! Mericano... # | 0:27:51 | 0:27:53 | |
Real chilli fried and zingy. | 0:27:53 | 0:27:57 | |
So, just roll them, roll them, roll them. | 0:27:58 | 0:28:01 | |
I have managed to wrap a meatball in pasta. | 0:28:03 | 0:28:08 | |
# Tu giochi al basebal | 0:28:08 | 0:28:10 | |
# Ma e solde pe Camel chi te li da? | 0:28:10 | 0:28:13 | |
# La borsetta di mamma | 0:28:13 | 0:28:15 | |
# Tu vuo fa l'Americano | 0:28:15 | 0:28:18 | |
# Mericano Mericano | 0:28:18 | 0:28:21 | |
# Ma si nato in Italy | 0:28:21 | 0:28:23 | |
# Siente a me, Nun ce sta niente | 0:28:23 | 0:28:26 | |
# Afa OK, Napolita | 0:28:27 | 0:28:28 | |
# Tu vuo fa l'American Tu vuo fa l'American | 0:28:28 | 0:28:31 | |
# Comme te po' capi Che te vo bene... # | 0:28:34 | 0:28:37 | |
Cut. | 0:28:37 | 0:28:39 | |
You could add wine at this stage, but I prefer vermouth, | 0:28:41 | 0:28:44 | |
not least because... | 0:28:44 | 0:28:45 | |
Sorry! | 0:28:45 | 0:28:47 | |
This is not my day! OK. It really is. So sorry. Oh, my God! | 0:28:49 | 0:28:55 | |
It's just... Calm. OK. | 0:28:55 | 0:28:59 | |
Subtitles by Red Bee Media Ltd | 0:28:59 | 0:29:01 |