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Raymond Blanc arrived in Britain in 1972 as a 22-year-old, | 0:00:02 | 0:00:05 | |
unemployed, French waiter with only a shaky grasp of English. | 0:00:05 | 0:00:09 | |
Ten years later, he was a chef with two Michelin stars | 0:00:10 | 0:00:13 | |
which he still holds today. | 0:00:13 | 0:00:16 | |
Good texture. Lovely, lovely. | 0:00:16 | 0:00:18 | |
While he has been successful in his adopted home, | 0:00:18 | 0:00:21 | |
he has never forgotten his first love. | 0:00:21 | 0:00:24 | |
Food, food, glorious food, my God. | 0:00:24 | 0:00:27 | |
-The food and wine of France. -Beautiful. | 0:00:27 | 0:00:30 | |
Now, Raymond is back to his favourite French regions | 0:00:30 | 0:00:33 | |
so that he can reconnect with the wonderful food | 0:00:33 | 0:00:36 | |
and people that have inspired him. | 0:00:36 | 0:00:38 | |
Ah, voila. | 0:00:38 | 0:00:40 | |
Oooh, oh, la, la. | 0:00:40 | 0:00:43 | |
The flavour is intense. | 0:00:43 | 0:00:44 | |
It just... Melting. | 0:00:44 | 0:00:47 | |
In each region, he will take over a restaurant for one night only. | 0:00:47 | 0:00:51 | |
Ooh, la, la. | 0:00:51 | 0:00:53 | |
And cook a feast inspired by his journey. | 0:00:53 | 0:00:55 | |
He will be serving a menu that features his version | 0:00:55 | 0:00:59 | |
of famous local dishes. | 0:00:59 | 0:01:01 | |
Helping the master in his homeland will be two lucky, young chefs | 0:01:01 | 0:01:06 | |
from his restaurant in Oxfordshire. | 0:01:06 | 0:01:08 | |
-Kush and Katie-Beth. -Oh, la, la. Oh, la, la. | 0:01:08 | 0:01:10 | |
Despite 30 years at the top in the UK, | 0:01:12 | 0:01:16 | |
this will be the first time Raymond has had a chance | 0:01:16 | 0:01:18 | |
to be chef in France. | 0:01:18 | 0:01:20 | |
I've never cooked in France and I'm slightly, slightly anxious. | 0:01:20 | 0:01:25 | |
Ooh, la, la, stop it. Stop, stop, stop, don't grow up. | 0:01:25 | 0:01:28 | |
Ah. | 0:01:28 | 0:01:29 | |
It's a daunting, nerve-wracking and exciting task | 0:01:29 | 0:01:33 | |
but one perfectly suited to Raymond Blanc. | 0:01:33 | 0:01:36 | |
The Very Hungry Frenchman. | 0:01:36 | 0:01:37 | |
Every great chef has a rich bank of memories | 0:01:49 | 0:01:52 | |
that shape their love of food. | 0:01:52 | 0:01:53 | |
And for Raymond Blanc, it's here in the high, green pastures | 0:01:53 | 0:01:56 | |
of the county of his birth, | 0:01:56 | 0:01:58 | |
a little-known region of France called Franche-Comte. | 0:01:58 | 0:02:01 | |
Oh, OK, I get a bit emotional because it is my county and lesser known | 0:02:03 | 0:02:08 | |
to many people which is, in a way, a shame | 0:02:08 | 0:02:10 | |
because it begs to be discovered. | 0:02:10 | 0:02:13 | |
Tucked away on the Swiss border in the easternmost part of the country, | 0:02:14 | 0:02:18 | |
the food and cooking of Franche-Comte are the foundations | 0:02:18 | 0:02:22 | |
of Raymond's lifelong pursuit of culinary excellence. | 0:02:22 | 0:02:25 | |
It's going to be hearty food, I know exactly, | 0:02:25 | 0:02:28 | |
all is going to be local | 0:02:28 | 0:02:30 | |
and just going to be a very simple, inexpensive meal | 0:02:30 | 0:02:33 | |
with the best produce I can possibly think of. | 0:02:33 | 0:02:37 | |
The feed of this region is mountain food, grown in the summer | 0:02:37 | 0:02:41 | |
and eaten all winter. | 0:02:41 | 0:02:43 | |
It's food for hearty appetites. | 0:02:43 | 0:02:45 | |
That is lovely. | 0:02:46 | 0:02:47 | |
In the past, surviving long, cold winters | 0:02:47 | 0:02:50 | |
meant smoky, preserved meats, bottled summer fruits | 0:02:50 | 0:02:53 | |
and wheels of strong, hard cheese. | 0:02:53 | 0:02:55 | |
Food, food, glorious food, my God. This is glorious food. Um. | 0:02:55 | 0:03:00 | |
Raymond loves coming home and for him, home is food. | 0:03:00 | 0:03:05 | |
Its ingredients are created by the earth, the weather, | 0:03:05 | 0:03:09 | |
the history, the people and their craft. | 0:03:09 | 0:03:12 | |
Five words in English, one word in French, terroir. | 0:03:12 | 0:03:14 | |
Each region has got its own character, its own definitions. | 0:03:14 | 0:03:18 | |
Always there's a connection with everything here. | 0:03:18 | 0:03:21 | |
That beautiful Jura wine fitting so well with that magnificent Comte. | 0:03:21 | 0:03:25 | |
Then that morille goes so well with that wine. | 0:03:25 | 0:03:28 | |
That's the perfect union. | 0:03:28 | 0:03:30 | |
Then you have that beautiful smoked ham, | 0:03:30 | 0:03:32 | |
smoked with the wood of that forest. | 0:03:32 | 0:03:34 | |
Cows providing the milk for that beautiful fondue. | 0:03:34 | 0:03:37 | |
The terroir is one memory, it's, it's, it's, phwww | 0:03:37 | 0:03:41 | |
it's, it's, I don't know, it's... | 0:03:41 | 0:03:43 | |
The terroir is my memory of taste, my memory of my friends. | 0:03:43 | 0:03:47 | |
Of when we went to fetch those mushrooms together. | 0:03:47 | 0:03:51 | |
The fun. That hunger we had in our belly coming back home | 0:03:51 | 0:03:54 | |
because we hunted those mushrooms all day long. | 0:03:54 | 0:03:58 | |
True food is all about that. | 0:03:58 | 0:04:01 | |
Raymond grew up in Saone, a small, country village near Besancon. | 0:04:04 | 0:04:08 | |
Here, the surrounding countryside was a larder, | 0:04:11 | 0:04:14 | |
a place to play and forage with friends. | 0:04:14 | 0:04:16 | |
His childhood home sits atop the village | 0:04:16 | 0:04:19 | |
where his parents still live today. | 0:04:19 | 0:04:22 | |
Raymond's mother can always be found in the kitchen. | 0:04:22 | 0:04:24 | |
And it's she Raymond credits with inspiring his love of food. | 0:04:24 | 0:04:27 | |
Oh, mon brave! | 0:04:27 | 0:04:29 | |
Ah. | 0:04:32 | 0:04:34 | |
Maman Blanc is nearly 90 years old. | 0:04:34 | 0:04:36 | |
She and Raymond's father built this house | 0:04:36 | 0:04:38 | |
with the help of their neighbours. | 0:04:38 | 0:04:39 | |
Home, it's about the familiar. | 0:04:39 | 0:04:41 | |
OK, but a degree of expectation of very good food that's simple | 0:04:41 | 0:04:45 | |
and delicious and it's turned out, here, in this house, | 0:04:45 | 0:04:48 | |
it was turned out every time we sat down. | 0:04:48 | 0:04:52 | |
Although we were not very rich, at all, we ate like kings. | 0:04:52 | 0:04:55 | |
Raymond believes Maman Blanc | 0:04:55 | 0:04:57 | |
to be one of the most gifted cooks he knows. | 0:04:57 | 0:05:00 | |
The family home was always filled | 0:05:00 | 0:05:01 | |
with the enticing aromas of home cooking. | 0:05:01 | 0:05:04 | |
Il n'y a pas de remede pour les rides. | 0:05:04 | 0:05:06 | |
She says, not too close, please. | 0:05:06 | 0:05:08 | |
She doesn't like to show her wrinkles, OK. | 0:05:08 | 0:05:12 | |
She looks like a little apple, an old apple, all crumpled | 0:05:12 | 0:05:16 | |
and beautiful and cuddly as well. | 0:05:16 | 0:05:19 | |
When he was growing up, the garden provided | 0:05:22 | 0:05:24 | |
much of what the family ate and it's still the same today. | 0:05:24 | 0:05:28 | |
The garden is much smaller than it used to be | 0:05:30 | 0:05:32 | |
but my mum does look after it all by herself, | 0:05:32 | 0:05:35 | |
OK, so I think it's quite amazing. | 0:05:35 | 0:05:37 | |
CHURCH BELL RINGS | 0:05:37 | 0:05:40 | |
That's quite interesting, see, | 0:05:40 | 0:05:41 | |
that used to be the church we used to go to, | 0:05:41 | 0:05:44 | |
of course, I was an altar boy but not a very good one. | 0:05:44 | 0:05:47 | |
Because I used to eat the Communion bread | 0:05:47 | 0:05:50 | |
and there was none for the guests. | 0:05:50 | 0:05:52 | |
So to speak. | 0:05:52 | 0:05:54 | |
-Ooh, la, la. La reine des glaces. -La reine des glaces. | 0:05:54 | 0:05:57 | |
Maman Blanc still grows Raymond's favourite lettuce. | 0:05:57 | 0:06:01 | |
Tasting great quality food as a child | 0:06:01 | 0:06:04 | |
helped set Raymond's high culinary standards. | 0:06:04 | 0:06:06 | |
It's one of these little flavours and textures. | 0:06:06 | 0:06:08 | |
It's all linked with my childhood, | 0:06:08 | 0:06:10 | |
it's all linked to a particular taste. | 0:06:10 | 0:06:12 | |
If you taste that salad, | 0:06:12 | 0:06:13 | |
it's the best summer salad you can possibly get. | 0:06:13 | 0:06:15 | |
So, she gave me some pretty good stuff. | 0:06:15 | 0:06:18 | |
That is typical, that is exactly what she shouldn't be doing | 0:06:24 | 0:06:27 | |
but she still goes on to do it all the time. | 0:06:27 | 0:06:29 | |
Jumping like a little girl, she thinks she's on a mountain. | 0:06:29 | 0:06:34 | |
Maman, tu vas arreter de monter sur la dessus. Voila, merci. | 0:06:34 | 0:06:37 | |
Maman Blanc is, reluctantly, letting Raymond cook. | 0:06:37 | 0:06:40 | |
And he's making a family favourite, a sausage and potato salad. | 0:06:40 | 0:06:44 | |
It's a very traditional salade Franc-Comtoise. | 0:06:44 | 0:06:47 | |
With potatoes, with white wine | 0:06:47 | 0:06:49 | |
and also this wonderful sausage de Morteau | 0:06:49 | 0:06:51 | |
and a bit of salad, very simple. | 0:06:51 | 0:06:53 | |
I think this sausage is the best sausage in the whole world. | 0:06:53 | 0:06:56 | |
Yet, nobody knows it in England, it's unbelievable. | 0:06:56 | 0:06:59 | |
That smell is so right, the colour, | 0:06:59 | 0:07:02 | |
the smell, the whole house smells of Morteau sausage. | 0:07:02 | 0:07:05 | |
And that goes directly here. Beautiful. | 0:07:05 | 0:07:08 | |
Maman Blanc is determined to help. | 0:07:10 | 0:07:12 | |
She's chopping some shallots for the salad dressing, | 0:07:12 | 0:07:16 | |
using a curved knife that once belonged to Raymond's grandmother. | 0:07:16 | 0:07:20 | |
My mum is good, very, very good | 0:07:20 | 0:07:22 | |
but my grandmother was a mind-blowing feat of creativity | 0:07:22 | 0:07:27 | |
and she grew everything and there was this amazing verger | 0:07:27 | 0:07:32 | |
where all the food would be grown. | 0:07:32 | 0:07:33 | |
Ah, Maman Blanc in action. C'est parfait, Maman. Tres bien. | 0:07:33 | 0:07:37 | |
To complement the warm potatoes and rich sausage, | 0:07:37 | 0:07:41 | |
Raymond is making a vinegar and white wine dressing. | 0:07:41 | 0:07:44 | |
It's infused over a gentle heat with herbs and the shallots. | 0:07:44 | 0:07:48 | |
And I'm going to pour that in here, very hot. | 0:07:48 | 0:07:51 | |
They're going to soak that beautiful dressing. | 0:07:51 | 0:07:55 | |
Look, this beautiful saucisse de Morteau. | 0:07:55 | 0:07:58 | |
The warm dressing is soaked up by the potatoes | 0:07:59 | 0:08:02 | |
before being topped with the smoky sausage. | 0:08:02 | 0:08:04 | |
That's a home dish that you would do in any family and that's homely, | 0:08:04 | 0:08:08 | |
it's simple and it's delicious. | 0:08:08 | 0:08:10 | |
-Alors, voila, Sylvette. -Bonjour. | 0:08:14 | 0:08:17 | |
-Bonjour, bonjour, Sylvette. -Bonjour, Raymond. -Ca va, Raymond. | 0:08:17 | 0:08:22 | |
As well as friends and family, | 0:08:22 | 0:08:23 | |
Raymond has invited his two assistant chefs, | 0:08:23 | 0:08:26 | |
Katie-Beth and Kush, | 0:08:26 | 0:08:28 | |
who will be helping him create his homecoming feast. | 0:08:28 | 0:08:30 | |
Oh, les belles fleurs, oh, les belles fleurs. | 0:08:30 | 0:08:33 | |
At room temperature, | 0:08:33 | 0:08:34 | |
all the flavours of the salad have combined beautifully. | 0:08:34 | 0:08:37 | |
Allez, enfants. Comme a la maison. | 0:08:37 | 0:08:40 | |
-Une goutte. -Ah, Maman. Voila, c'est parfait, ca. -Oui. | 0:08:42 | 0:08:47 | |
The gathering of friends | 0:08:53 | 0:08:54 | |
and family bring older brother Gerard to the table. | 0:08:54 | 0:08:57 | |
-Ca va? -Oui. | 0:08:57 | 0:08:59 | |
Time for Raymond to discuss his plans | 0:08:59 | 0:09:02 | |
for his first ever Franc-Comtois menu. | 0:09:02 | 0:09:04 | |
Most importantly, a dish that always reminds him of this house. | 0:09:04 | 0:09:09 | |
I will cook rabbit. It's a dish in our region which is important. | 0:09:09 | 0:09:13 | |
It was a dish of the poor. Every family would own their own rabbits, | 0:09:13 | 0:09:16 | |
not as pets. | 0:09:16 | 0:09:17 | |
Actually, I'm going to prepare it here. | 0:09:18 | 0:09:21 | |
I'm going to kill the rabbit here. | 0:09:21 | 0:09:24 | |
When Raymond was young, the family always kept rabbits | 0:09:25 | 0:09:28 | |
but there were no Thumpers or Cottontails here. | 0:09:28 | 0:09:31 | |
These rabbits were not pets, they were for the pot. | 0:09:31 | 0:09:33 | |
Raymond and his brothers would often kill | 0:09:35 | 0:09:38 | |
and skin a rabbit for his mother to cook. | 0:09:38 | 0:09:40 | |
His father taught his older brother Gerard | 0:09:40 | 0:09:42 | |
and Gerard would help the young Raymond. | 0:09:42 | 0:09:45 | |
And it's the same today. | 0:09:45 | 0:09:47 | |
Gerard is an experienced hunter | 0:09:47 | 0:09:49 | |
while Raymond usually leaves this to his butcher. | 0:09:49 | 0:09:52 | |
Oui, oui. So do I. I find it very difficult, I must say. | 0:09:54 | 0:09:59 | |
Encore deux minutes. | 0:10:04 | 0:10:06 | |
You've got to be precise to ensure that the animal doesn't suffer. | 0:10:07 | 0:10:10 | |
And actually do it humanely. | 0:10:10 | 0:10:12 | |
And also, it translates in good taste, of course. | 0:10:12 | 0:10:15 | |
An animal which has been stressed while it's being killed, | 0:10:15 | 0:10:18 | |
believe me, it's not very nice at all. | 0:10:18 | 0:10:20 | |
Raymond has always believed in staying close | 0:10:20 | 0:10:23 | |
to the source of his food. | 0:10:23 | 0:10:25 | |
Food is not separated from my life. It's all part of it. | 0:10:25 | 0:10:28 | |
And it's got its own cycle, its own seasonality, OK, around it as well. | 0:10:28 | 0:10:32 | |
And I think that it's very much the basics | 0:10:32 | 0:10:36 | |
of my whole philosophy. | 0:10:36 | 0:10:38 | |
Voila. | 0:10:38 | 0:10:40 | |
Franche-Comte is one of France's most rural regions. | 0:10:48 | 0:10:52 | |
Pretty villages dot the landscape, | 0:10:52 | 0:10:53 | |
many with their own, traditional restaurants. | 0:10:53 | 0:10:56 | |
Raymond has persuaded a friend, Arnauld Berthet, | 0:10:57 | 0:11:01 | |
to let him stage the feast at his bistro | 0:11:01 | 0:11:04 | |
in the village of Port-Lesney. | 0:11:04 | 0:11:06 | |
-Bienvenue, Raymond. -Merci, merci beaucoup. -Welcome home. | 0:11:06 | 0:11:10 | |
The Bistrot Port-Lesney is typical of the region. | 0:11:10 | 0:11:13 | |
Red-checked tablecloths, bentwood chairs | 0:11:13 | 0:11:16 | |
and a long history of serving a demanding, local clientele. | 0:11:16 | 0:11:20 | |
Raymond may be at the top of his profession in the UK | 0:11:23 | 0:11:27 | |
but this dinner is about more than the food he will serve. | 0:11:27 | 0:11:30 | |
It will be a homage to the cooking of his region | 0:11:30 | 0:11:34 | |
and a celebration of the people that matter most. Friends and family. | 0:11:34 | 0:11:38 | |
It's the first time for French guests in my own region. | 0:11:38 | 0:11:42 | |
So, I better make sure that we give them the best and more. | 0:11:42 | 0:11:46 | |
The restaurant is situated on the banks of the River Loue | 0:11:46 | 0:11:49 | |
in an area known as the Jura. | 0:11:49 | 0:11:51 | |
It's a great location for sourcing local ingredients. | 0:11:51 | 0:11:56 | |
He is using some specialities, some good products from the area. | 0:11:56 | 0:11:59 | |
So, obviously, we're very curious about it | 0:11:59 | 0:12:01 | |
and we have no idea what he's going to cook. | 0:12:01 | 0:12:03 | |
So, no, we're quite impatient, actually. | 0:12:03 | 0:12:05 | |
It's a five-star kitchen. It's a seven-star kitchen. | 0:12:05 | 0:12:09 | |
It's going to be a real pleasure. | 0:12:09 | 0:12:11 | |
I'm bringing with me some real gastronomes | 0:12:11 | 0:12:14 | |
and they will be very curious about it. | 0:12:14 | 0:12:16 | |
So, I'm sure it's going to be a nice evening. | 0:12:16 | 0:12:18 | |
It's fantastic. There's proper light, proper extraction. | 0:12:18 | 0:12:22 | |
You can do pastry, you know. | 0:12:22 | 0:12:25 | |
It's fantastic. It's straight, it's not like that. | 0:12:25 | 0:12:28 | |
If life had taken a different turn, | 0:12:29 | 0:12:31 | |
this could have been where Raymond Blanc made his name, | 0:12:31 | 0:12:34 | |
a local French bistro rather than an Oxfordshire manor house. | 0:12:34 | 0:12:38 | |
The menu for the feast will include Raymond's interpretation | 0:12:39 | 0:12:42 | |
of the great recipes of Franche-Comte. | 0:12:42 | 0:12:44 | |
The first dish he and his team want to try | 0:12:44 | 0:12:47 | |
is braised rabbit with mustard. | 0:12:47 | 0:12:49 | |
Rabbit may have seen a culinary renaissance recently in the UK | 0:12:51 | 0:12:55 | |
but, here in France, | 0:12:55 | 0:12:57 | |
it's always been as popular as Raymond's musical references. | 0:12:57 | 0:13:02 | |
You would look very good, Kush. | 0:13:02 | 0:13:04 | |
-You look brilliant with that. -What is it? | 0:13:04 | 0:13:06 | |
-A wonderful singer, Lady, Lady... -Gaga. -Lady Gaga. | 0:13:06 | 0:13:12 | |
Shall we compete with her? | 0:13:12 | 0:13:14 | |
This will be a dish that everyone at the feast will recognise. | 0:13:14 | 0:13:19 | |
The challenge is to make it the best it can be. | 0:13:19 | 0:13:22 | |
The meat is slowly browning beautifully. | 0:13:22 | 0:13:25 | |
The juices are leaking out | 0:13:25 | 0:13:26 | |
and are settling down to a wonderful caramel at the base of it. | 0:13:26 | 0:13:31 | |
And there is no drying, just slow cooking, OK, perfect. | 0:13:31 | 0:13:35 | |
In France, a slow braise like this will always include some local wine. | 0:13:35 | 0:13:41 | |
-A quick boil, two seconds to remove the alcohol. -Oui. | 0:13:41 | 0:13:44 | |
This Vin Jaune is unique to this area of Franche-Comte. | 0:13:44 | 0:13:47 | |
Of all the wines of the world I know, | 0:13:47 | 0:13:50 | |
-there's only two I can recognise when I cook them. -Oui. | 0:13:50 | 0:13:54 | |
-It's a Vin Jaune. -Oui. | 0:13:55 | 0:13:56 | |
-And the second? -The Gewurztraminer we use at work, chef. -That's right. | 0:13:57 | 0:14:01 | |
Another layer of flavour, fresh thyme and sage. | 0:14:01 | 0:14:04 | |
I know you'll be very tempted, Kush, to turn it around. | 0:14:04 | 0:14:07 | |
You would like to, I know. It... Don't. | 0:14:07 | 0:14:10 | |
-Many people would have stirred it to death. -Oui. | 0:14:10 | 0:14:13 | |
OK, so, before you start, you've got a dead rabbit. OK. | 0:14:13 | 0:14:18 | |
Twice dead. Twice dead. | 0:14:18 | 0:14:19 | |
For acidity and depth, some vinegar. | 0:14:19 | 0:14:22 | |
Beautiful. | 0:14:22 | 0:14:24 | |
More essential flavours come in the form of onions, garlic | 0:14:24 | 0:14:28 | |
and mushrooms. | 0:14:28 | 0:14:29 | |
Some water lengthens the sauce. | 0:14:31 | 0:14:33 | |
-Now, Kush, oh, la, la. A bit of cold water. -Precision is everything. | 0:14:34 | 0:14:39 | |
That's how you mess up, that is exactly... Quickly. | 0:14:39 | 0:14:42 | |
You must never, never boil. | 0:14:43 | 0:14:45 | |
-OK, it's my fault, completely my fault. I... -It's a new stove. | 0:14:45 | 0:14:50 | |
It's a new stove, OK. | 0:14:50 | 0:14:52 | |
A quick taste and it's off to a low oven. | 0:14:52 | 0:14:55 | |
The jus. | 0:14:59 | 0:15:01 | |
I can smell the Vin Jaune. Oh, yes, we can smell it. | 0:15:02 | 0:15:06 | |
Voila. Beautiful. | 0:15:09 | 0:15:11 | |
Raymond is sure his guests will love that local favourite, | 0:15:11 | 0:15:15 | |
cooked in his own special way. | 0:15:15 | 0:15:18 | |
It's vintage Raymond, a bit like his lovely old car. | 0:15:18 | 0:15:21 | |
Don't laugh at my Deux Chevaux, she's a classic, OK, look at that. | 0:15:21 | 0:15:25 | |
And she's seen a lot. Can I show you? | 0:15:25 | 0:15:28 | |
And I wish she'd seen much more with me. Fantastic. | 0:15:28 | 0:15:31 | |
Raymond left Franche-Comte in a car like this 40 years ago. | 0:15:36 | 0:15:39 | |
It took him four days to drive to Oxford. | 0:15:39 | 0:15:42 | |
At the time, he was still living here in Besancon. | 0:15:42 | 0:15:46 | |
Like most French towns, food and eating is knitted into its soul. | 0:15:48 | 0:15:52 | |
And for Raymond, a country boy, moving here on his own at 19, | 0:15:52 | 0:15:56 | |
he felt like he'd really arrived. | 0:15:56 | 0:15:57 | |
He was feeling quite rich | 0:15:57 | 0:16:00 | |
when one day he found himself here at the Poker d'As. | 0:16:00 | 0:16:04 | |
I was passing by this restaurant and suddenly I smelt something heavenly | 0:16:04 | 0:16:08 | |
and those smells were absolutely unbelievable, | 0:16:08 | 0:16:11 | |
different from my mother's cuisine, more structured. | 0:16:11 | 0:16:14 | |
And rich and, oh, it was beautiful. | 0:16:14 | 0:16:17 | |
So, I couldn't help it, I entered the restaurant. | 0:16:17 | 0:16:19 | |
The maitre d' look at me, you know, "Good morning, young man, | 0:16:19 | 0:16:24 | |
"what do you want?" | 0:16:24 | 0:16:25 | |
And I said, "Well, what are you cooking today? | 0:16:25 | 0:16:28 | |
"I smell something heavenly." | 0:16:28 | 0:16:29 | |
"Ah, today the menu du jour is rognons de veau | 0:16:29 | 0:16:32 | |
"with Hermitage red wine." | 0:16:32 | 0:16:34 | |
Wow. You know, I say, "OK, I will sit down." | 0:16:36 | 0:16:40 | |
He looked at me, "That's going to be expensive, young man, you know." | 0:16:40 | 0:16:43 | |
I said, "Oh, no problem, no problem." I feel very sort of, no problem, | 0:16:43 | 0:16:48 | |
playing the part of a very wealthy bon vivant, you know. | 0:16:48 | 0:16:52 | |
And I said, "How much is it?" | 0:16:52 | 0:16:54 | |
And he tell the price and I was like, oh, my God, | 0:16:54 | 0:16:56 | |
I'm going to spend all that money here. | 0:16:56 | 0:16:58 | |
But I say, "OK, let's treat myself." | 0:16:58 | 0:17:01 | |
It was my first gastronomic experience in this little place | 0:17:01 | 0:17:05 | |
and, I must say, it was one of the happiest moments of my life. | 0:17:05 | 0:17:07 | |
Oh, I was in heaven. | 0:17:07 | 0:17:09 | |
Rognons de veau, look, rognons de veau. | 0:17:10 | 0:17:13 | |
It's with white wine, not my rognons de veau. | 0:17:13 | 0:17:16 | |
So, I won't go here at lunchtime. | 0:17:16 | 0:17:18 | |
No, we're not lost at all. | 0:17:28 | 0:17:29 | |
I get it a little bit wrong, I always get it wrong. | 0:17:29 | 0:17:32 | |
I've got no sense of direction. | 0:17:32 | 0:17:33 | |
-In a forest, yes, in a city, no way. So, it's... -Over there. -OK. | 0:17:33 | 0:17:39 | |
It may well have been Raymond's destiny to be a chef | 0:17:44 | 0:17:47 | |
and, as a customer, he has never minded spending money on good food. | 0:17:47 | 0:17:52 | |
As the purse is emptied, the heart is filled. | 0:17:52 | 0:17:56 | |
Victor Hugo wrote that. He's from Besancon too. | 0:17:56 | 0:18:00 | |
Here, in this his very place, that's when I really met my destiny. | 0:18:00 | 0:18:03 | |
I was a young man of 19 and a half, it was very late at night, | 0:18:03 | 0:18:06 | |
I decided to walk here in Place Granvelle. | 0:18:06 | 0:18:10 | |
Beside my friend Victor Hugo. | 0:18:10 | 0:18:11 | |
This square was home to the Palais de la Biere, | 0:18:11 | 0:18:15 | |
the restaurant that gave Raymond his first job. | 0:18:15 | 0:18:18 | |
And this legendary chef patron started right at the bottom. | 0:18:18 | 0:18:21 | |
I ended up working here but I was not given the job as a head chef. | 0:18:22 | 0:18:26 | |
I was given the job as a cleaner and, my God, I came in here | 0:18:26 | 0:18:30 | |
and I cleaned that place. | 0:18:30 | 0:18:32 | |
It was beautiful, it was shiny. | 0:18:32 | 0:18:35 | |
The toilets were sparkling, never toilets had been so clean. | 0:18:35 | 0:18:40 | |
Then I was given my first jacket and I started to be a waiter. | 0:18:40 | 0:18:46 | |
For me, that was very important, formative years. | 0:18:46 | 0:18:49 | |
That's where I learnt discipline, I learnt teamwork and, really, | 0:18:49 | 0:18:52 | |
I learnt the meaning of a great restaurant. | 0:18:52 | 0:18:55 | |
While Raymond was working his way up, he lived on this street. | 0:18:55 | 0:19:00 | |
Now home to his favourite restaurant in Besancon, Le Vin et l'Assiette. | 0:19:00 | 0:19:04 | |
It's a restaurant above a wine shop, both of which are owned | 0:19:04 | 0:19:08 | |
by his old friend and wine expert Bernard Leroy. | 0:19:08 | 0:19:13 | |
Absolutely famished. | 0:19:16 | 0:19:18 | |
-Tu as vraiment faim? You're hungry? -Thank you very much. | 0:19:18 | 0:19:21 | |
While he's here, Raymond wants to start thinking about the wines | 0:19:21 | 0:19:24 | |
for his menu. | 0:19:24 | 0:19:26 | |
You've got to help me because you know every single small producer. | 0:19:26 | 0:19:29 | |
-Juste pour... -Pour commencer. -For starting. -For starters. -For start. | 0:19:29 | 0:19:34 | |
Bernard's first suggestion is a Trousseau. | 0:19:36 | 0:19:38 | |
It's a very fruity wine to start. | 0:19:38 | 0:19:40 | |
Sante. To our beautiful country. | 0:19:42 | 0:19:45 | |
-The Trousseau grape is indigenous to the region. -It goes very well. | 0:19:45 | 0:19:49 | |
It's lovely. | 0:19:49 | 0:19:51 | |
-Sante. Quel plaisir. -Bon appetit, Raymond. | 0:19:51 | 0:19:55 | |
The Trousseau complements the fried pike | 0:20:02 | 0:20:05 | |
but what about Raymond's rabbit? | 0:20:05 | 0:20:08 | |
Next, some Vin Jaune. | 0:20:08 | 0:20:10 | |
It is usually served at the end of a meal | 0:20:10 | 0:20:13 | |
but, Raymond thinks, could be drunk with the rabbit. | 0:20:13 | 0:20:16 | |
-Don't speak. Don't speak, don't talk. -The best way is to try. | 0:20:16 | 0:20:19 | |
Taste, taste, taste. | 0:20:19 | 0:20:21 | |
-Raymond has a theory about vin jaune's sherry-like quality. -Ah? | 0:20:22 | 0:20:26 | |
-Maybe. -The history of Franche-Comte. | 0:20:26 | 0:20:30 | |
-Franche-Comte was owned by Austria. -Yes. -Then by Spain. | 0:20:30 | 0:20:35 | |
In Spain, they do a lot of sherry, which is a very similar technique | 0:20:35 | 0:20:41 | |
so have the Spanish copied the French or the French copied the Spanish? | 0:20:41 | 0:20:45 | |
No, no, no. | 0:20:45 | 0:20:47 | |
This is a really, a really original wine from Franche-Comte. | 0:20:47 | 0:20:52 | |
This is very French wine. It's not a pale copy of Spanish wine. | 0:20:52 | 0:21:00 | |
Bernard has an idea to help Raymond decide. | 0:21:00 | 0:21:03 | |
The best choice for you, | 0:21:03 | 0:21:05 | |
for me, for the rabbit is to meet a really nice winemaker. | 0:21:05 | 0:21:10 | |
-That would be absolutely lovely. -We can make it. | 0:21:10 | 0:21:14 | |
Although, that trip will have to wait until tomorrow. | 0:21:14 | 0:21:17 | |
-Aglouglouglou. -No, no, no. | 0:21:17 | 0:21:20 | |
BOTH: # Il est des notres | 0:21:20 | 0:21:23 | |
# Il a bu sa biere comme les autres | 0:21:23 | 0:21:26 | |
# C'est un ivrogne. # | 0:21:26 | 0:21:30 | |
A new day and Raymond's favourite day trip. | 0:21:43 | 0:21:46 | |
Franche-Comte has a small but very special wine-growing area. | 0:21:46 | 0:21:50 | |
It's in the beautiful Jura countryside, | 0:21:50 | 0:21:53 | |
close to the restaurant where Raymond will put on his menu. | 0:21:53 | 0:21:57 | |
Bernard has brought Raymond to meet one of his favourite winemakers... | 0:21:58 | 0:22:03 | |
whose cellar is in the village of Montigny-les-Arsures. | 0:22:05 | 0:22:08 | |
-Monsieur Gahier, enchante. -Enchante. -Pleased to meet you. | 0:22:08 | 0:22:11 | |
Jura is about terroir. The foods, the vegetables, the game. | 0:22:11 | 0:22:17 | |
The saucisse de Morteau, the charcuterie | 0:22:17 | 0:22:19 | |
but also, of course, its wonderful wines. | 0:22:19 | 0:22:21 | |
But the king of the Jura wine, of course, is a Vin Jaune. | 0:22:21 | 0:22:25 | |
Monsieur Gahier makes some of the very best Vin Jaune | 0:22:25 | 0:22:28 | |
and other wines in the Jura. | 0:22:28 | 0:22:29 | |
What makes Vin Jaune so special is that, unlike normal wine, | 0:22:31 | 0:22:35 | |
air is let into the barrel | 0:22:35 | 0:22:36 | |
which allows a thin layer of yeast to form. | 0:22:36 | 0:22:39 | |
That veil of yeast spends six years slowly passing through the wine | 0:22:51 | 0:22:55 | |
and only then can Vin Jaune be drunk. | 0:22:55 | 0:22:59 | |
Two things happen. | 0:22:59 | 0:23:00 | |
The wine evaporates, the liquid evaporates | 0:23:00 | 0:23:03 | |
and equally on the top, | 0:23:03 | 0:23:05 | |
you have some yeast forming that we call the veil. | 0:23:05 | 0:23:07 | |
The very finest veil made of bacteria, | 0:23:07 | 0:23:10 | |
sitting at the top of the wine. | 0:23:10 | 0:23:12 | |
Giving wonderful, little flavour, | 0:23:14 | 0:23:16 | |
slightly oxidised which is very typical of that wine. | 0:23:16 | 0:23:20 | |
You can see it right at the top. It's being formed. | 0:23:20 | 0:23:23 | |
It's only a three-year-old wine at the moment. | 0:23:23 | 0:23:26 | |
So, it's just being formed. | 0:23:26 | 0:23:27 | |
This wine can grow up to 200 or 300 years of age. | 0:23:27 | 0:23:31 | |
And you can put me anywhere in the world, across the world, | 0:23:31 | 0:23:36 | |
you know, in a dark room, in an inhospitable place. | 0:23:36 | 0:23:41 | |
And you put in front of me a Chateau Chalon, | 0:23:41 | 0:23:43 | |
I will know it is Chateau Chalon. | 0:23:43 | 0:23:45 | |
I will know it's a Vin Jaune. I know it's my Jura. | 0:23:45 | 0:23:47 | |
There's only one thing left to do. | 0:23:52 | 0:23:54 | |
Have a taste. | 0:23:55 | 0:23:56 | |
Oh, look at that colour. Look at that colour. Liquid gold. | 0:23:56 | 0:24:00 | |
Vin Jaune's rich taste has a peculiar affinity | 0:24:00 | 0:24:03 | |
with one of Raymond's great food loves, | 0:24:03 | 0:24:07 | |
the most famous cheese of the region, Comte. | 0:24:07 | 0:24:10 | |
To me, one of the most heavenly matches on Earth | 0:24:10 | 0:24:13 | |
is Comte and Savagnin Vin Jaune. | 0:24:13 | 0:24:17 | |
Anyone, a boy, a five-year-old, would enjoy it too. | 0:24:17 | 0:24:21 | |
You don't need to be Raymond Blanc or Bernard, you know. | 0:24:21 | 0:24:23 | |
It is so incredible what you get when you eat those two. | 0:24:23 | 0:24:28 | |
This amazing complexity of flavours, merging together. | 0:24:28 | 0:24:31 | |
OK, well, maybe not a five-year-old boy | 0:24:31 | 0:24:34 | |
but this combination of Comte and Vin Jaune, | 0:24:34 | 0:24:37 | |
to Raymond, it is nothing short of a miracle. | 0:24:37 | 0:24:41 | |
-Thank you. -Sante. | 0:24:41 | 0:24:43 | |
It's just a pity that Raymond is driving. | 0:24:43 | 0:24:45 | |
Voila. | 0:24:45 | 0:24:47 | |
Soon, Raymond will cook his first meal as a chef | 0:24:55 | 0:24:59 | |
in his home region, Franche-Comte. | 0:24:59 | 0:25:01 | |
And it's unthinkable that his menu won't include Comte cheese. | 0:25:01 | 0:25:06 | |
We'll have a look. | 0:25:06 | 0:25:07 | |
So, he's using it to make a cloud of cheese souffle | 0:25:08 | 0:25:11 | |
inside a crisp pastry case. | 0:25:11 | 0:25:13 | |
This is Raymond's Comte Cheese Tart. | 0:25:13 | 0:25:16 | |
The perfect finish requires well-rested pastry. | 0:25:19 | 0:25:23 | |
Ah! I'm doing very well, for f... Beep, beep, beep, beep. | 0:25:23 | 0:25:27 | |
Clingfilm saves the day. | 0:25:27 | 0:25:29 | |
With raw pastry, you just lift it, right in the middle, here. | 0:25:29 | 0:25:33 | |
Push it in, push it in, push it in. | 0:25:33 | 0:25:36 | |
Voila. Voila. | 0:25:37 | 0:25:40 | |
Once cooked to a light, golden brown, the case is left to cool. | 0:25:40 | 0:25:44 | |
The filling is next. For that, Raymond is going on a pilgrimage. | 0:25:44 | 0:25:49 | |
COWBELLS CLANK | 0:25:54 | 0:25:57 | |
Raymond is going back to the mountains | 0:25:57 | 0:25:59 | |
where he spent his holidays as a boy, 20 miles from home. | 0:25:59 | 0:26:02 | |
Montbeliarde cows are everywhere in the high pasture. | 0:26:04 | 0:26:06 | |
They are renowned for their rich, high-fat milk. | 0:26:06 | 0:26:10 | |
The milk that is used to make Comte. | 0:26:10 | 0:26:12 | |
These cows must have a three-star Michelin meal every day. | 0:26:15 | 0:26:19 | |
Would you look at that? | 0:26:19 | 0:26:21 | |
You cannot get better than that. | 0:26:21 | 0:26:22 | |
So many varieties, so many nutrients, so many flavours. | 0:26:22 | 0:26:25 | |
You're bound to have fabulous cheese. | 0:26:25 | 0:26:28 | |
These mountains form the French border | 0:26:28 | 0:26:29 | |
and are dotted with the forts built to defend the country | 0:26:29 | 0:26:33 | |
from Prussia in the 19th century. | 0:26:33 | 0:26:34 | |
Now, Fort Lucotte in Saint Antoine is a different kind of bastion. | 0:26:34 | 0:26:39 | |
Raymond is evangelical about what's inside. | 0:26:40 | 0:26:43 | |
So he's bought his commis Katie-Beth to see for herself. | 0:26:43 | 0:26:46 | |
Look at this. Look, there's millions. Actually, there's 100,000. | 0:27:04 | 0:27:10 | |
100,000 cheese, Comte, here. | 0:27:10 | 0:27:13 | |
OK, it's a cathedral of cheese. | 0:27:15 | 0:27:16 | |
Like fine wine, cheese benefits from care and attention. | 0:27:23 | 0:27:27 | |
This fort has the perfect temperature | 0:27:27 | 0:27:30 | |
and humidity to make Comte cheese one of the world's great cheeses. | 0:27:30 | 0:27:34 | |
I really, I really feel it, Katie, | 0:27:34 | 0:27:36 | |
I'm right in the heart of my Franche-Comte. I smell it. | 0:27:36 | 0:27:39 | |
Through my heart, through my brain, | 0:27:39 | 0:27:42 | |
through all my senses I smell my Franche-Comte. | 0:27:42 | 0:27:45 | |
It's incredible. | 0:27:45 | 0:27:46 | |
Machines turn, brush and salt every wheel, every week. | 0:27:55 | 0:28:00 | |
But there are some things a machine will never be able to do. | 0:28:03 | 0:28:06 | |
And one of them is understanding | 0:28:07 | 0:28:09 | |
when a cheese has reached perfection. | 0:28:09 | 0:28:13 | |
Monsieur Querry is a master affineur. | 0:28:13 | 0:28:15 | |
He inspects over 300 cheeses every day. | 0:28:15 | 0:28:18 | |
The affineur's craft employs all five senses. | 0:28:20 | 0:28:24 | |
Sight, touch, smell, taste and hearing. | 0:28:24 | 0:28:28 | |
And he rather enjoys talking about cheese too. | 0:28:28 | 0:28:32 | |
-It's not a hammer. OK. -Ca s'appelle une sonde. -It's a sonde. | 0:28:56 | 0:29:02 | |
In which, of course, you can screw some cheese from here | 0:29:02 | 0:29:05 | |
-and you can also tap it. -Oui. | 0:29:05 | 0:29:06 | |
-On ne tape pas un fromage. -Non. -On le sonne. | 0:29:06 | 0:29:11 | |
You don't tap cheese, you ring it. | 0:29:11 | 0:29:15 | |
So, by ringing it, he understands the texture | 0:29:17 | 0:29:20 | |
if it's tight or not, if it's moist or not. | 0:29:20 | 0:29:23 | |
For me, that cheese would eat very well today but it still feels, | 0:29:26 | 0:29:30 | |
feel the raw milk, the lactic quality. | 0:29:30 | 0:29:33 | |
Each cheese is branded with a number so the affineur knows | 0:29:33 | 0:29:36 | |
which village and which cows are responsible for which cheese. | 0:29:36 | 0:29:40 | |
But do they really taste different? | 0:29:40 | 0:29:42 | |
-So, we're going to try these different cheese. -Oui. | 0:29:42 | 0:29:46 | |
-That come from different villages, same day. -Les odeurs de fermenter. | 0:29:46 | 0:29:50 | |
Oh, c'est incroyable. It's different. | 0:29:50 | 0:29:54 | |
It's two different worlds, two different cheese almost. | 0:29:54 | 0:29:56 | |
Raymond has waited longer than can be expected of any Frenchman. | 0:29:59 | 0:30:03 | |
A little bread, a little wine - time to eat. | 0:30:03 | 0:30:06 | |
The Comte is at the very heart of our gastronomies. | 0:30:06 | 0:30:09 | |
There's no doubt about that, now. | 0:30:09 | 0:30:11 | |
I very much look forward to serve it cooked, to serve it whole. | 0:30:11 | 0:30:18 | |
But we certainly serve it with joy | 0:30:18 | 0:30:20 | |
and to celebrate that wonderful, fantastic taste. | 0:30:20 | 0:30:25 | |
Ma Franche-Comte, regarde. | 0:30:25 | 0:30:27 | |
Back at the bistro, it's time to finish | 0:30:40 | 0:30:42 | |
the tart's delectably light cheese souffle filling. | 0:30:42 | 0:30:46 | |
I'm going to cook it very slowly. I don't want to cook it fast. | 0:30:48 | 0:30:51 | |
And I want to cook it perfectly to a blond roux | 0:30:51 | 0:30:55 | |
which is going, in turn, to give that amazing, nutty flavour. | 0:30:55 | 0:30:58 | |
A bechamel sauce is the base of most savoury souffles. | 0:31:01 | 0:31:05 | |
Voila. | 0:31:05 | 0:31:07 | |
So, now, your bechamel is cooked. Now, we'll cool it down a tiny bit. | 0:31:09 | 0:31:12 | |
-Want to enrich it with mustard. -Oui, chef. | 0:31:12 | 0:31:16 | |
Allez, hop. Now, the yolk. | 0:31:18 | 0:31:21 | |
OK. | 0:31:22 | 0:31:23 | |
That's your souffle base, we are ready. | 0:31:23 | 0:31:26 | |
In goes the grated Comte. | 0:31:26 | 0:31:29 | |
It gets very smooth. | 0:31:29 | 0:31:31 | |
Voila. | 0:31:31 | 0:31:33 | |
And for lift, egg whites. | 0:31:33 | 0:31:35 | |
That's perfect. Perfect. That's great. Just a little like that. | 0:31:37 | 0:31:41 | |
Tres bien. And then, now... | 0:31:41 | 0:31:43 | |
Voila, tres bien. | 0:31:45 | 0:31:46 | |
-Then, after, fold. -Oui, chef. -You break it then you fold. | 0:31:46 | 0:31:51 | |
At this stage, the souffle needs careful handling. | 0:31:51 | 0:31:55 | |
Folding gently, maximising the air bubbles needed. | 0:31:55 | 0:31:59 | |
Voila. | 0:32:00 | 0:32:02 | |
-Give me some cheese for the top. -Yes, chef. | 0:32:02 | 0:32:06 | |
Just like that. | 0:32:06 | 0:32:07 | |
-Voila. Let's go. -Oui, back into the oven? -Into the oven, yes. | 0:32:08 | 0:32:13 | |
A medium oven gives rise, colour and a wonderful texture. | 0:32:13 | 0:32:16 | |
Voila. Ah! Comme c'est joli. | 0:32:18 | 0:32:21 | |
Tres bien. So, now, let's serve it. | 0:32:26 | 0:32:28 | |
Oh, makes all the difference. | 0:32:33 | 0:32:35 | |
Merci. Beautiful. | 0:32:37 | 0:32:38 | |
Parfait. | 0:32:39 | 0:32:41 | |
That's a very smart tart, Raymond. | 0:32:42 | 0:32:45 | |
But this one won't keep. | 0:32:49 | 0:32:50 | |
Mmm. | 0:32:53 | 0:32:55 | |
That's fantastic. | 0:32:55 | 0:32:56 | |
If Comte cheese has a rival for the affections of the locals, | 0:32:58 | 0:33:02 | |
then it's the Morteau sausage. | 0:33:02 | 0:33:04 | |
Although almost unknown in the UK, it's something Raymond adores. | 0:33:06 | 0:33:10 | |
Being a proud local, he always replenishes his stocks | 0:33:10 | 0:33:14 | |
to share with friends and family at home in Oxford. | 0:33:14 | 0:33:18 | |
Key to their unique taste is long smoking in tuyes, or chimneys, | 0:33:20 | 0:33:24 | |
that are a common feature on farmhouses in the region. | 0:33:24 | 0:33:28 | |
The most famous locally is the tuye of Papy Gaby. | 0:33:30 | 0:33:34 | |
Jean-Francois Nicolet is the owner and as well as sausage, | 0:33:34 | 0:33:38 | |
he smokes whole joints of ham and beef. | 0:33:38 | 0:33:41 | |
C'est incroyable. | 0:33:41 | 0:33:43 | |
C'est formidable. C'est merveilleux. | 0:33:43 | 0:33:45 | |
Oh, tous ces saucissons. | 0:33:45 | 0:33:47 | |
Oh, these delicious dinners, imagine, hanging up there. | 0:33:47 | 0:33:51 | |
That is a cathedral of sausages. | 0:33:51 | 0:33:53 | |
And the smell, that smell is incredible. | 0:33:53 | 0:33:55 | |
It's so powerful, this beautiful rounded smoke. | 0:33:55 | 0:33:59 | |
I feel like, already, a great, big saucisse de Morteau. | 0:34:00 | 0:34:03 | |
Absolutely all smoked up. | 0:34:03 | 0:34:04 | |
I hope they're very well hung. They're not going to fall on my head. | 0:34:04 | 0:34:08 | |
-No problem. -Ca va? Sure? -You're not sure. | 0:34:08 | 0:34:11 | |
They're huge, they're massive. Ooh, la, la. | 0:34:11 | 0:34:13 | |
This tuye is over 60 years old and the largest in Franche-Comte. | 0:34:15 | 0:34:21 | |
As a technique, smoking isn't just about flavour, | 0:34:25 | 0:34:28 | |
it's about survival. | 0:34:28 | 0:34:31 | |
A beautiful piece of artisanry, lovely craft. | 0:34:31 | 0:34:33 | |
What lovely smoke. | 0:34:33 | 0:34:35 | |
Smoking helps preserve the meat | 0:34:35 | 0:34:38 | |
so it can be kept through the long, cold winters. | 0:34:38 | 0:34:40 | |
These people couldn't get out of these valleys for three months. | 0:34:40 | 0:34:45 | |
So, that provided that food. That was their own sustenance. | 0:34:45 | 0:34:50 | |
Not bad, mind you, I wouldn't mind. | 0:34:50 | 0:34:52 | |
Good home-made bread, OK, Comte cheese, | 0:34:52 | 0:34:54 | |
a couple of bottles of Jura wine, | 0:34:54 | 0:34:56 | |
I think I could live with that for three months. | 0:34:56 | 0:34:59 | |
Time to get those sausages. | 0:35:03 | 0:35:05 | |
When I go back, OK, at home, I give the sausage de Morteau to my sons. | 0:35:07 | 0:35:12 | |
And the passengers beside me they go, "Oh, lovely." | 0:35:12 | 0:35:16 | |
Not like cheese, with cheese, people go... | 0:35:16 | 0:35:19 | |
Voila. | 0:35:21 | 0:35:22 | |
Voila. | 0:35:23 | 0:35:25 | |
Parfait. | 0:35:25 | 0:35:27 | |
The hunter and the gatherer. | 0:35:27 | 0:35:29 | |
Tres bien. | 0:35:29 | 0:35:30 | |
And before he goes, one vital job. | 0:35:34 | 0:35:36 | |
-Oui, oui, oui, OK. -Tres bien. | 0:35:41 | 0:35:43 | |
Voila. | 0:35:43 | 0:35:45 | |
Not quite as flammable as it looks. | 0:35:52 | 0:35:54 | |
Voila. | 0:35:59 | 0:36:01 | |
-I think we are. On est des maitres. -Des maitres de feu. | 0:36:05 | 0:36:08 | |
Des maitres de feu. We are controlling fire and smoke. | 0:36:08 | 0:36:13 | |
Of course, Raymond can't leave without trying the food. | 0:36:18 | 0:36:23 | |
A good quality pork. Bien sur, c'est saucisson. | 0:36:23 | 0:36:27 | |
Smoked, smoked. C'est delicieux. | 0:36:27 | 0:36:31 | |
You don't eat your own food? Vous ne mangez pas votre propre..? | 0:36:37 | 0:36:40 | |
For Raymond, Morteau sausage is just one taste | 0:36:47 | 0:36:49 | |
that stirs memories of a happy childhood. | 0:36:49 | 0:36:52 | |
The food and recipes that he learnt at home | 0:36:52 | 0:36:54 | |
have been handed down through generations. | 0:36:54 | 0:36:58 | |
Raymond's grandmother was the housekeeper at a manor house. | 0:37:01 | 0:37:05 | |
His grandfather was the gardener. | 0:37:05 | 0:37:08 | |
As a small boy, Raymond used to visit them | 0:37:11 | 0:37:13 | |
at what he called Le Chateau. | 0:37:13 | 0:37:16 | |
Everything would grow here because of the microclimate. | 0:37:21 | 0:37:24 | |
Everything would grow, vine would grow, peaches, apricots. | 0:37:24 | 0:37:27 | |
Figs would grow. And an immaculately looked after garden. | 0:37:27 | 0:37:32 | |
My grandfather was this great gardener | 0:37:32 | 0:37:35 | |
and I learnt all about seasonality at a very early age. | 0:37:35 | 0:37:38 | |
About four or five. | 0:37:38 | 0:37:40 | |
Bonjour, chef. | 0:37:44 | 0:37:45 | |
The house is now known by Monsieur and Madame Grappin | 0:37:45 | 0:37:49 | |
and they've invited Raymond to come | 0:37:49 | 0:37:50 | |
and have a look around his old playground. | 0:37:50 | 0:37:52 | |
It was a complete cycle from earth, from seeds into the earth, | 0:37:52 | 0:37:59 | |
then growing that life force, OK, that cycle, | 0:37:59 | 0:38:02 | |
that seasonality which was worshipped into our house. | 0:38:02 | 0:38:07 | |
And that gorgeous food and those figs, that deliciousness. | 0:38:07 | 0:38:10 | |
And those smells in this house, it was unbelievable. | 0:38:10 | 0:38:13 | |
From what was grown in the garden to what was cooked in the kitchen, | 0:38:13 | 0:38:17 | |
this place has been an inspiration to Raymond. | 0:38:17 | 0:38:20 | |
The cellar where summer fruit was turned into liqueur | 0:38:20 | 0:38:24 | |
holds a particular memory. | 0:38:24 | 0:38:26 | |
When I was a kid, I came down these stairs, that smell completely hit me. | 0:38:27 | 0:38:33 | |
That smell of raw alcohol which was fermenting. | 0:38:33 | 0:38:37 | |
And the vapours, I just, in two seconds, | 0:38:38 | 0:38:41 | |
I got all that incredible looks, that incredible experience. | 0:38:41 | 0:38:47 | |
Then, I got very drunk. | 0:38:47 | 0:38:49 | |
And I stumbled upstairs and there, who was there, my grandma. | 0:38:49 | 0:38:53 | |
And she gave me the biggest spanking of my life. | 0:38:53 | 0:38:58 | |
"How could you care at four years of age to get drunk?" | 0:38:58 | 0:39:01 | |
I never drunk a thing, of course, I'd just smelled, that's all. | 0:39:01 | 0:39:04 | |
Fortunately, | 0:39:04 | 0:39:06 | |
the memory hasn't dulled his love for his grandmother's cooking. | 0:39:06 | 0:39:10 | |
She was a creative genius and a natural cook. | 0:39:12 | 0:39:15 | |
A cook, you know, who just saw a produce | 0:39:15 | 0:39:18 | |
and was so quickly able to make it sing, make it taste heavenly. | 0:39:18 | 0:39:25 | |
Raymond used to stay overnight with his grandparents in a building | 0:39:25 | 0:39:29 | |
across the courtyard, now overgrown. | 0:39:29 | 0:39:31 | |
My room was here. That's my room. | 0:39:31 | 0:39:34 | |
I love this house. | 0:39:39 | 0:39:40 | |
It holds so many wonderful, incredible, precious memories, | 0:39:40 | 0:39:45 | |
OK, of my dear grandparents. | 0:39:45 | 0:39:47 | |
And it was lovely. | 0:39:47 | 0:39:48 | |
Seasonality is core to Raymond's cooking. | 0:39:55 | 0:39:59 | |
So, he's decided to start the feast with the freshest vegetables | 0:39:59 | 0:40:03 | |
and a dish dedicated to his mother, Salade Maman Blanc. | 0:40:03 | 0:40:06 | |
Although simple, the quality of the ingredients is vital. | 0:40:15 | 0:40:19 | |
One of the best market gardeners in the region | 0:40:19 | 0:40:22 | |
is just a few miles from the bistro in the village of Cleron. | 0:40:22 | 0:40:26 | |
Laurent and Julie Pierrat used to work in Switzerland | 0:40:26 | 0:40:29 | |
but they've returned to Franche-Comte | 0:40:29 | 0:40:32 | |
to set up on their own. | 0:40:32 | 0:40:34 | |
-Bonjour, Monsieur Laurent. -Hello. Hi. | 0:40:37 | 0:40:40 | |
It's really lovely. | 0:40:42 | 0:40:44 | |
We came here, Laurent, because we've been told | 0:40:44 | 0:40:47 | |
that, in your place, you grow the most beautiful sweet chard. | 0:40:47 | 0:40:51 | |
Le plus beau cardon. | 0:40:52 | 0:40:53 | |
-This one... -On va les ausculter. | 0:40:54 | 0:40:56 | |
-Ils sont jolis. Une belle. Quelle variete? -C'est la... | 0:40:56 | 0:41:02 | |
-..la regione d'Ampuis, quoi. -Hmm. -Oui. | 0:41:04 | 0:41:06 | |
Raymond is also looking for chard to serve with his cheese tart. | 0:41:07 | 0:41:11 | |
-I am preparing a tarte au fromage souffle. -OK. | 0:41:13 | 0:41:17 | |
OK, and I would like to have a little blette on the side. | 0:41:17 | 0:41:21 | |
So, those are fantastic. | 0:41:21 | 0:41:22 | |
This beautiful chard is going to have pride of place | 0:41:23 | 0:41:27 | |
on the plate next to Raymond's Comte cheese tart at the feast. | 0:41:27 | 0:41:31 | |
-Vous les cusinez aussi? You cook them? -Oui, oui. -Is that your wife? | 0:41:33 | 0:41:38 | |
-No. -No, you cook. You grow your food and you cook it. | 0:41:38 | 0:41:42 | |
-My wife is good at the dessert. -Yeah. | 0:41:42 | 0:41:46 | |
And I prefer cooking salty dishes. | 0:41:46 | 0:41:51 | |
Every Frenchman I've asked, you know, "Do you cook?" | 0:41:51 | 0:41:56 | |
-"No, no, my wife cooks." -OK. | 0:41:56 | 0:41:58 | |
So, you grow and you cook, well done. Bravo. | 0:41:58 | 0:42:00 | |
Thank you. | 0:42:00 | 0:42:02 | |
Chard is a member of the beetroot family, bitter when raw. | 0:42:02 | 0:42:06 | |
When cooked, it is sweet and delicate. | 0:42:06 | 0:42:08 | |
Get a bit of raw beetroot. It's all organic, OK. | 0:42:08 | 0:42:11 | |
Here we are lucky because Laurent has grown three varieties of beetroot. | 0:42:14 | 0:42:18 | |
The albino is the white one. | 0:42:18 | 0:42:19 | |
-Chioggia. I think we have it as well. -Candy. | 0:42:19 | 0:42:23 | |
-Candy beetroot. -Candy beetroot, yes. Have you got some yellow ones? | 0:42:23 | 0:42:26 | |
-Oui. -The Italian variety. | 0:42:26 | 0:42:30 | |
Hmm. Forget about yellow, pas de jaune. | 0:42:30 | 0:42:34 | |
So, we'll have a good mix of everything. Ca c'est vraiment mieux. | 0:42:34 | 0:42:39 | |
Your garden and this beautiful area, and these fantastic mountains | 0:42:39 | 0:42:44 | |
surrounded with wonderful mountains, it's really lovely. | 0:42:44 | 0:42:47 | |
A rewarding afternoon in the garden can only end one way. | 0:42:49 | 0:42:53 | |
Eating food fresh from the earth. | 0:42:53 | 0:42:56 | |
This is the life Raymond left behind for England. | 0:42:58 | 0:43:01 | |
The food of his home, saucisson, cheese | 0:43:01 | 0:43:04 | |
and intense vegetable purees. | 0:43:04 | 0:43:06 | |
-You have tasted this? -Never before. -Oh, you must taste that, beautiful. | 0:43:06 | 0:43:12 | |
-You can't come to Franche-Comte without tasting that. -Exactly. | 0:43:12 | 0:43:16 | |
Pontarlier-Anis, the taste of a warm, summer evening | 0:43:16 | 0:43:19 | |
in Franche-Comte. | 0:43:19 | 0:43:20 | |
Merci bien, parfait. | 0:43:22 | 0:43:23 | |
I think this baby must be a very happy baby. | 0:43:27 | 0:43:30 | |
Cos in all these little pots here, they're all little beetroots. | 0:43:30 | 0:43:36 | |
Yellow, white, purple, from just in that little plot, here. | 0:43:36 | 0:43:42 | |
And that little baby's fed on it. Imagine. | 0:43:42 | 0:43:44 | |
From that deep terroir, for that real flavour. | 0:43:46 | 0:43:48 | |
So, they learn very early what terroir means. As early as that. | 0:43:48 | 0:43:53 | |
Well, I would say that the French, they know how to live, | 0:43:56 | 0:43:59 | |
there's no doubt about that. | 0:43:59 | 0:44:00 | |
I just visited an organic garden, here, that's it. | 0:44:00 | 0:44:04 | |
And with saucisson and that the beautiful Pontarlier aperitif. | 0:44:04 | 0:44:08 | |
With organic carrots, courgette, potirons, Gruyere. | 0:44:08 | 0:44:13 | |
The lot. It's fantastic. It's wonderful. | 0:44:13 | 0:44:16 | |
Quiet. No noise. Mountains around, clear air. Life cannot be better. | 0:44:17 | 0:44:22 | |
I think I'm staying here. I think I'm going to stay here. | 0:44:22 | 0:44:25 | |
At the Bistrot Porte-Lesney, | 0:44:42 | 0:44:44 | |
Katie-Beth and Kush are preparing for the feast. | 0:44:44 | 0:44:47 | |
The menu is settled except for one course, the dessert. | 0:44:47 | 0:44:51 | |
The dessert is the evening's finale | 0:44:52 | 0:44:55 | |
and Raymond wants to leave his guests with something to remember. | 0:44:55 | 0:44:58 | |
Cherries are in season, so he's come home to Maman Blanc - | 0:44:59 | 0:45:04 | |
she has one Griottine tree still fruiting. | 0:45:04 | 0:45:07 | |
This tree is specially created for... | 0:45:07 | 0:45:10 | |
IN FRENCH: | 0:45:12 | 0:45:13 | |
Les tartes, les clafoutis. Oui? | 0:45:16 | 0:45:18 | |
Tres bien, Maman! | 0:45:18 | 0:45:20 | |
Yeah. Like she said, my mum, OK, that's for clafoutis, | 0:45:20 | 0:45:24 | |
OK, but it's quite sharp. | 0:45:24 | 0:45:25 | |
So it's a bit of an acquired taste, but mostly it's for... | 0:45:25 | 0:45:29 | |
Griottes are for liqueur. | 0:45:29 | 0:45:31 | |
Cherries cook in a... | 0:45:31 | 0:45:35 | |
OK, so actually... | 0:45:35 | 0:45:37 | |
I'm going to show you... | 0:45:38 | 0:45:40 | |
-Elle... She's right, again, Mummy's absolutely right. -Voila. | 0:45:41 | 0:45:45 | |
We pickle them now, ready for Christmas, | 0:45:45 | 0:45:48 | |
and they'll be perfectly ready when the syrup - the kirsch syrup goes right through, | 0:45:48 | 0:45:52 | |
OK, the fruit, and macerates them for about six months. | 0:45:52 | 0:45:58 | |
-They will soak up... -Jusqu'a Noel, voila. | 0:45:58 | 0:46:01 | |
You can also dip it into a fondant and then chocolat. | 0:46:01 | 0:46:05 | |
And you let the fondant for at least a week, | 0:46:05 | 0:46:09 | |
melt down, the kirsch fondant, that is absolutely stunning. | 0:46:09 | 0:46:13 | |
There's going to be a lovely cherry dessert on the menu, definitely, but not those. | 0:46:14 | 0:46:20 | |
Those are going to be for the alcohol - for my two sons, Olivier and Sebastien. | 0:46:20 | 0:46:27 | |
The childhood memories of cherries means they will be the key ingredient in his dessert. | 0:46:27 | 0:46:31 | |
The dessert Raymond has chosen will show off the fruit to its best - | 0:46:31 | 0:46:36 | |
a cherry jubilee. | 0:46:36 | 0:46:37 | |
It starts with a sabayon - a foam made with egg yolk and sugar | 0:46:41 | 0:46:45 | |
and a little sweet white wine. | 0:46:45 | 0:46:46 | |
Very simple dessert wine - don't use expensive dessert wine. | 0:46:46 | 0:46:50 | |
I'm bringing air into it. | 0:46:53 | 0:46:54 | |
The sabayon is so versatile, Raymond will be serving it two ways - | 0:46:54 | 0:46:59 | |
frozen and gratinated. | 0:46:59 | 0:47:01 | |
For richness, cream, and to enhance the cherry flavour, kirsch. | 0:47:01 | 0:47:05 | |
Just as much as a tin of beans, kirsch should be in your cupboard. | 0:47:05 | 0:47:08 | |
For sharpness, lemon juice and another layer of flavour - cayenne pepper. | 0:47:08 | 0:47:13 | |
Tiny bit, not very much. | 0:47:13 | 0:47:15 | |
Voila. Enfin, whoa, stop. | 0:47:15 | 0:47:17 | |
It's not a tandoori we're doing here, OK? | 0:47:18 | 0:47:20 | |
Freezing the sabayon turns it into a light parfait - | 0:47:20 | 0:47:25 | |
a contrast to the warm cherries. | 0:47:25 | 0:47:27 | |
Even with the best cherries, Raymond likes to use a simple technique | 0:47:27 | 0:47:32 | |
to maximise their flavour - | 0:47:32 | 0:47:35 | |
maceration in a little sugar and kirsch. | 0:47:35 | 0:47:36 | |
I don't want a compote - I want the cherry to burst in your mouth | 0:47:36 | 0:47:41 | |
with all the juices, with all of the flavour, OK? | 0:47:41 | 0:47:45 | |
First, a circle of the frozen sabayon. | 0:47:45 | 0:47:48 | |
Then the luscious cherries... | 0:47:48 | 0:47:50 | |
The creamy sabayon, gently gratinated. | 0:47:50 | 0:47:54 | |
It will brown beautifully. | 0:47:57 | 0:48:01 | |
And for added texture, croutons and sugary almonds. | 0:48:01 | 0:48:07 | |
-Is lovely. -Thank you. | 0:48:07 | 0:48:09 | |
Menu complete. Now what was it? | 0:48:21 | 0:48:23 | |
Er... | 0:48:23 | 0:48:25 | |
I'm cooking it... I'm cooking it, I still don't know what I'm writing! | 0:48:28 | 0:48:33 | |
It's difficult for me! OK, er...! | 0:48:33 | 0:48:35 | |
Eh, bien, er... Oui. | 0:48:39 | 0:48:40 | |
"Tarte au fromage soufflee." | 0:48:42 | 0:48:44 | |
Oh, not "fromage", sorry! They will hang me high and dry. | 0:48:44 | 0:48:48 | |
Here we're talking about Comte. | 0:48:48 | 0:48:51 | |
Bon ap... Appetit, deux "p" in French, or one p? | 0:48:54 | 0:48:58 | |
LAUGHTER | 0:48:58 | 0:49:01 | |
I always get confused! In England, two. France, one. | 0:49:01 | 0:49:05 | |
That's terrible! Ooh, la la! | 0:49:09 | 0:49:10 | |
The bistro Port-Lesney in the heart of Franche-Comte | 0:49:19 | 0:49:23 | |
is being prepared for one of the most significant nights in Raymond's professional life. | 0:49:23 | 0:49:29 | |
Nearly 40 years ago, he left Franche-Comte as a waiter, | 0:49:29 | 0:49:33 | |
to travel to Oxfordshire, where he found his passion | 0:49:33 | 0:49:37 | |
and developed the skills he is now bringing home. | 0:49:37 | 0:49:40 | |
Morilles, I'm going to do that now. | 0:49:40 | 0:49:43 | |
In the years since, he has gained two Michelin stars, | 0:49:43 | 0:49:46 | |
trained a generation of chefs and entertained royalty. | 0:49:46 | 0:49:50 | |
We are going got start again with my counting. | 0:49:50 | 0:49:52 | |
One, two, three, four, five, six, seven, eight... | 0:49:52 | 0:49:55 | |
The cherries. We need to cook the cherries now, before they oxidise. | 0:50:01 | 0:50:04 | |
Tres bien. | 0:50:04 | 0:50:06 | |
Tres bien. Ca, on va le mettre sur la meme assiette. | 0:50:08 | 0:50:11 | |
-OK, right after the tarte au fromage, we'll start cooking the rabbit. -Oui, chef. | 0:50:11 | 0:50:15 | |
But tonight he cooks for the most important people in his life. | 0:50:18 | 0:50:23 | |
I'm cooking for a big family tonight and most of it is MY family! | 0:50:23 | 0:50:26 | |
It'd better be good or else I'll be in trouble with my first employer, | 0:50:26 | 0:50:30 | |
my first teacher, I've got my first boss, you know. | 0:50:30 | 0:50:33 | |
And lots of friends I know, voila. | 0:50:35 | 0:50:37 | |
-And your mother! -And my mum, OK, so voila. | 0:50:37 | 0:50:39 | |
And would you believe it, they've turned up early. | 0:50:39 | 0:50:43 | |
Oh, Maman! | 0:50:50 | 0:50:53 | |
You are very kind here, arriving half an hour in advance. | 0:50:53 | 0:50:56 | |
In England, people arrive half an hour late. | 0:50:56 | 0:50:59 | |
Even Raymond's elderly father has managed to make the journey. | 0:50:59 | 0:51:04 | |
C'est une belle soiree. OK? | 0:51:04 | 0:51:06 | |
But it's not just family and friends that Raymond wants to impress. | 0:51:09 | 0:51:14 | |
The local gastronomes have turned up in force - | 0:51:14 | 0:51:17 | |
the bistro's managers, Arnaud and Vanessa, know they're not easily impressed. | 0:51:17 | 0:51:21 | |
Yes, those people are very regular clients from the bistro | 0:51:21 | 0:51:26 | |
and from the chateau, so they know their food, actually. | 0:51:26 | 0:51:31 | |
-We're just putting the pressure on, are we? -Yeah, a little bit. -Yeah! | 0:51:31 | 0:51:34 | |
We are ready now to serve in five minutes, | 0:51:37 | 0:51:40 | |
we can send effectively the crudites. | 0:51:40 | 0:51:42 | |
To start the feast, some delicate canapes, and a Comte cheese fondue. | 0:51:43 | 0:51:47 | |
It's a little on the thin side. Easily rectified, though. | 0:51:50 | 0:51:54 | |
-More cheese, please, some more cheese - quickly. -Oui, chef. | 0:51:55 | 0:51:58 | |
-Thank you, mon petit. -Oui, chef. | 0:51:58 | 0:52:00 | |
Where is the Vin Jaune? | 0:52:00 | 0:52:02 | |
Voila. | 0:52:02 | 0:52:03 | |
Ah! Oh... | 0:52:05 | 0:52:07 | |
Parfait. | 0:52:07 | 0:52:08 | |
That makes all the difference, that's my beautiful Franche-Comte, lovely. | 0:52:08 | 0:52:14 | |
Voila. | 0:52:14 | 0:52:15 | |
S'il vous plait, service, monsieur! | 0:52:15 | 0:52:17 | |
The first course is ready to be served. | 0:52:27 | 0:52:29 | |
Salade Maman Blanc, | 0:52:29 | 0:52:32 | |
with the fresh vegetables from market garden owner Laurent. | 0:52:32 | 0:52:35 | |
A tribute to his mother's kitchen. | 0:52:35 | 0:52:37 | |
CONVERSATION DROWNS HIS DESCRIPTION OF THE DISH | 0:52:37 | 0:52:40 | |
The signs are good - not only has Maman Blanc cleaned her plate, | 0:52:48 | 0:52:53 | |
Laurent looks happy too. | 0:52:53 | 0:52:54 | |
-Donc, ca va. Combien de...? -Cinq. -Cinq, tres bien. -Quatre, huit... | 0:53:04 | 0:53:09 | |
What time is it? | 0:53:09 | 0:53:10 | |
-Half seven, chef. -Half past seven, perfect. Beautiful. Lovely. | 0:53:10 | 0:53:16 | |
Perfect, guys. | 0:53:16 | 0:53:17 | |
Next, the souffle tart, made with that local essential, Comte cheese. | 0:53:17 | 0:53:24 | |
Beautiful. | 0:53:24 | 0:53:25 | |
The top... Non, non, non. Voila. | 0:53:26 | 0:53:29 | |
Will it live up to the exacting standards of the local foodies? | 0:53:31 | 0:53:35 | |
Having a great time, great food, great company. | 0:53:37 | 0:53:41 | |
The flan, fantastic. | 0:53:41 | 0:53:43 | |
Now, the rabbit with mustard, made with Vin Jaune, | 0:54:10 | 0:54:13 | |
rather than the traditional red wine. | 0:54:13 | 0:54:16 | |
Will this variation surprise and delight? | 0:54:16 | 0:54:19 | |
-Fast, let's go fast, guys. Got 35 guests. -Chef. -Oui. | 0:54:20 | 0:54:24 | |
We'll be in a mess, otherwise. | 0:54:24 | 0:54:25 | |
What will the verdict be from his fellow Franc-Comtois? | 0:54:25 | 0:54:30 | |
I cook it at home, I cook it in red wine, | 0:54:30 | 0:54:35 | |
so I do it quite regularly, but it's different on this one. | 0:54:35 | 0:54:37 | |
I would like to have the recipe! | 0:54:37 | 0:54:40 | |
Raymond's rabbit is a success. | 0:54:56 | 0:54:58 | |
Voila - what time is it? | 0:55:04 | 0:55:07 | |
Nine. Perfect. | 0:55:07 | 0:55:08 | |
OK, tres bien, les enfants. Well done. | 0:55:08 | 0:55:11 | |
Raymond has time to join the party for a moment. | 0:55:11 | 0:55:14 | |
-Raymond is confident of a fantastic finish. -Bit of kirsch, please. | 0:55:31 | 0:55:35 | |
The final course is the cherry jubilee. | 0:55:35 | 0:55:37 | |
Bon... Stop. | 0:55:38 | 0:55:40 | |
OK. Sabayon. | 0:55:44 | 0:55:47 | |
Tres bien. | 0:55:47 | 0:55:48 | |
Can we go on the rest, please? Katie? | 0:55:51 | 0:55:53 | |
Perfect. | 0:56:01 | 0:56:03 | |
Voila. | 0:56:05 | 0:56:07 | |
C'est fait. C'est tout! Simple, is it! | 0:56:07 | 0:56:10 | |
APPLAUSE | 0:56:10 | 0:56:11 | |
As a homecoming, this has been challenging, but fulfilling. | 0:56:11 | 0:56:15 | |
The feast is the glorious finale to Raymond's visit | 0:56:15 | 0:56:18 | |
and smiling faces of friends and family, the ultimate reward. | 0:56:18 | 0:56:22 | |
Tonight, what I loved most is cooking for the first time | 0:56:23 | 0:56:26 | |
back into my own county. | 0:56:26 | 0:56:28 | |
I have discovered a little bit more my country, | 0:56:28 | 0:56:31 | |
I rediscovered its values, | 0:56:31 | 0:56:34 | |
its ethics, its people. I feel I've showed my best. | 0:56:34 | 0:56:38 | |
I think you have here the very heart of France, | 0:56:38 | 0:56:44 | |
in so much it's about celebrations, about food, about a table. | 0:56:44 | 0:56:50 | |
It's about bringing the friends around the table - it's fantastic. | 0:56:50 | 0:56:53 | |
Life can be like that. It can be as charming as that. | 0:56:53 | 0:56:58 | |
As fantastic as that. And the food tonight was the means, | 0:56:58 | 0:57:02 | |
the medium to bring all these wonderful people around | 0:57:02 | 0:57:05 | |
and celebrate life. And that's enough. | 0:57:05 | 0:57:08 | |
That's fantastic. | 0:57:08 | 0:57:10 | |
C'est tout. | 0:57:10 | 0:57:12 | |
Next time, Raymond continues his journey in Burgundy. | 0:57:15 | 0:57:19 | |
When I think of Burgundy, I think of wines. | 0:57:19 | 0:57:21 | |
Merci. | 0:57:21 | 0:57:24 | |
Boeuf bourgignon. | 0:57:24 | 0:57:25 | |
I'm a very 'appy Frenchman. | 0:57:25 | 0:57:26 | |
I thought I knew all the French cheeses, but my God, I only knew that much. | 0:57:26 | 0:57:31 | |
Don't compete with me, rooster - be careful, OK?! | 0:57:31 | 0:57:33 | |
You have a chef beside you! | 0:57:33 | 0:57:36 | |
Subtitles by Red Bee Media Ltd | 0:57:56 | 0:58:00 | |
E-mail [email protected] | 0:58:00 | 0:58:03 |