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'The royal family are steeped in tradition and throughout history | 0:00:02 | 0:00:04 | |
'the royal tables have showcased culinary excellence. | 0:00:04 | 0:00:07 | |
'In celebration of royal food...' | 0:00:07 | 0:00:09 | |
We know it's the Queen's recipe | 0:00:09 | 0:00:11 | |
because we've got it in our own hand. | 0:00:11 | 0:00:13 | |
'..from the present and the past...' | 0:00:13 | 0:00:15 | |
That is proper regal. | 0:00:15 | 0:00:17 | |
'..we recreate old family favourites.' | 0:00:17 | 0:00:20 | |
Now, the Queen Mother had this really wicked trick with these. | 0:00:20 | 0:00:24 | |
What a mess. | 0:00:24 | 0:00:25 | |
'We sample royal eating alfresco...' | 0:00:25 | 0:00:28 | |
-Oh, wow! -That is what you want. | 0:00:28 | 0:00:31 | |
'..and revisit the most extravagant times...' | 0:00:31 | 0:00:34 | |
Pheasant, stag, turkey, salmon, oysters | 0:00:34 | 0:00:37 | |
-and turbot dressed in a lobster champagne sauce. -Unbelievable. | 0:00:37 | 0:00:41 | |
This is Royal Recipes. | 0:00:41 | 0:00:43 | |
Hello. I'm Michael Buerk and welcome to Royal Recipes. | 0:00:46 | 0:00:50 | |
This is Audley End, | 0:00:50 | 0:00:52 | |
a magnificent stately home built in the style of a royal palace | 0:00:52 | 0:00:55 | |
and a former home of King Charles II. | 0:00:55 | 0:00:59 | |
In the splendour of the gardens, | 0:00:59 | 0:01:01 | |
halls and kitchen of this grandest of country houses, | 0:01:01 | 0:01:05 | |
we'll be recreating the food served at the highest royal tables. | 0:01:05 | 0:01:10 | |
And it all starts here with this gem - | 0:01:10 | 0:01:13 | |
a royal kitchen maid's cookbook. | 0:01:13 | 0:01:15 | |
The only surviving recipe book of its kind in the Royal Archive. | 0:01:15 | 0:01:20 | |
This is an exact copy of | 0:01:20 | 0:01:21 | |
the original which is kept at Windsor Castle. | 0:01:21 | 0:01:24 | |
Inside, the recipes of Mildred Nicholls | 0:01:24 | 0:01:27 | |
who worked at Buckingham Palace in the early 1900s. | 0:01:27 | 0:01:31 | |
And for the first time in over 100 years | 0:01:31 | 0:01:34 | |
we will be bringing these recipes back to life. | 0:01:34 | 0:01:37 | |
This time we're off to the races with the royal family. | 0:01:43 | 0:01:47 | |
The passion for racing dates back generations | 0:01:47 | 0:01:50 | |
and racing days at Epsom and Ascot are amongst | 0:01:50 | 0:01:52 | |
the Queen's favourite events, | 0:01:52 | 0:01:54 | |
and a time to entertain friends and family. | 0:01:54 | 0:01:56 | |
Today in the royal kitchens, | 0:01:58 | 0:02:00 | |
chef Anna Haugh prepares Mutton Pies a la Windsor, | 0:02:00 | 0:02:03 | |
from a 1930s Royal Ascot lunch. | 0:02:03 | 0:02:07 | |
Even if you don't have any winners on the racecourse, | 0:02:07 | 0:02:10 | |
you've got a winner on the plate. | 0:02:10 | 0:02:12 | |
Historian Dr Annie Gray reveals how Edward VII | 0:02:12 | 0:02:15 | |
liked to combine two of his great passions - racing and eating. | 0:02:15 | 0:02:20 | |
There was a whole rash of dishes named for racing. | 0:02:20 | 0:02:24 | |
A la Jockey Club. | 0:02:24 | 0:02:25 | |
A la Race Winner. | 0:02:25 | 0:02:27 | |
And former royal chef Darren McGrady | 0:02:27 | 0:02:30 | |
gets cooking for the royals at Epsom. | 0:02:30 | 0:02:32 | |
Looks gorgeous on the plate. | 0:02:32 | 0:02:34 | |
Perfect for the royal table and a day at the races. | 0:02:34 | 0:02:37 | |
In the historic kitchen of this grand stately home, | 0:02:40 | 0:02:43 | |
we're returned to the reign of the Queen's father, King George VI, | 0:02:43 | 0:02:47 | |
and a dish from his first Royal Ascot. | 0:02:47 | 0:02:51 | |
Hello. And here we are in the grand kitchen | 0:02:51 | 0:02:53 | |
with top London chef Anna Haugh. | 0:02:53 | 0:02:56 | |
The royals seem always to have loved racing. In fact, King Charles II | 0:02:56 | 0:03:00 | |
actually bought this wonderful house | 0:03:00 | 0:03:02 | |
because it's close to Newmarket races, | 0:03:02 | 0:03:05 | |
and he wanted the most impressive house close to | 0:03:05 | 0:03:07 | |
the racecourse for entertaining. | 0:03:07 | 0:03:09 | |
What do you think of racing? You're Irish, after all. | 0:03:09 | 0:03:13 | |
I am Irish. I'm very fond of racing. Of course I am. | 0:03:13 | 0:03:16 | |
-Perhaps not as much as the royals, though. -Perhaps not. | 0:03:16 | 0:03:19 | |
-So what are you cooking? -I'm going to make mutton pie. | 0:03:19 | 0:03:22 | |
That sounds a bit ordinary. | 0:03:22 | 0:03:23 | |
No, this is no ordinary mutton pie. | 0:03:23 | 0:03:25 | |
This is Mutton Pie a la Windsor. | 0:03:25 | 0:03:28 | |
-That's got a ring to it, hasn't it? -Yes. | 0:03:28 | 0:03:30 | |
And this one I think was actually served at Royal Ascot in 1937, | 0:03:30 | 0:03:36 | |
which is the first Royal Ascot that King George VI, the Queen's father, | 0:03:36 | 0:03:39 | |
went to as king. | 0:03:39 | 0:03:41 | |
So it sounds posh. | 0:03:41 | 0:03:43 | |
-Really posh. -The royals, when they went to the races, | 0:03:43 | 0:03:46 | |
probably still do when they go to the races, | 0:03:46 | 0:03:48 | |
they don't just have a snack, packet of crisps, and, you know, something like that. | 0:03:48 | 0:03:52 | |
-No. -They have the works. | 0:03:52 | 0:03:54 | |
And you'll see as I make this pie | 0:03:54 | 0:03:56 | |
that there is the works going on here. | 0:03:56 | 0:03:58 | |
-So it sounds posh. -OK. Let's get cracking. | 0:03:58 | 0:04:00 | |
So here I have some onions, slowly cooking in some butter. | 0:04:00 | 0:04:05 | |
And I'm going to add the chopped up mutton. | 0:04:05 | 0:04:07 | |
Now this is a perfect dish for leftovers. | 0:04:07 | 0:04:10 | |
So in goes the chopped mutton | 0:04:10 | 0:04:12 | |
and I'm going to add to that my lamb stock. | 0:04:12 | 0:04:16 | |
Now you need to reduce this down, | 0:04:16 | 0:04:19 | |
so you need to cook it for quite a while, maybe about an hour or so | 0:04:19 | 0:04:23 | |
until it looks like this... | 0:04:23 | 0:04:27 | |
Oh, gosh! That really does look rich. | 0:04:27 | 0:04:30 | |
I know. You just want to eat that with a spoon right now. | 0:04:30 | 0:04:33 | |
-Yeah, absolutely. -But you can't, Michael, you can't. | 0:04:33 | 0:04:35 | |
Don't be too sure. | 0:04:35 | 0:04:37 | |
This is our filling ready to go. | 0:04:37 | 0:04:39 | |
-Yep. -And here I have blind baked four tartlet shells. | 0:04:39 | 0:04:43 | |
So I've placed a sheet of grease-proof paper | 0:04:43 | 0:04:45 | |
on top of the pastry | 0:04:45 | 0:04:47 | |
and then, inside that, I've added raw rice. | 0:04:47 | 0:04:49 | |
This just holds down the grease-proof paper... | 0:04:49 | 0:04:52 | |
-Stopping it rising. -Exactly. And you can re-use it. | 0:04:52 | 0:04:55 | |
-That's sneaky, isn't it? -Yeah, it's quite clever. -Yeah. | 0:04:55 | 0:04:57 | |
So I'm going to fill these moulds now. | 0:04:57 | 0:05:00 | |
This mix looks perfect. | 0:05:00 | 0:05:02 | |
I think this dish is originally a Victorian dish, isn't it? | 0:05:02 | 0:05:05 | |
One of Queen Victoria's royal chefs, Francatelli, his name was... | 0:05:05 | 0:05:09 | |
-That's right. -..came up with it. | 0:05:09 | 0:05:11 | |
They're individual pies, so it's, you know, one pie per person. | 0:05:11 | 0:05:15 | |
And well filled, aren't they? And deeply filled. | 0:05:15 | 0:05:17 | |
That's it. OK, so once they're filled you just want to seal them. | 0:05:17 | 0:05:22 | |
So I'm going to make a kind of lamb jelly. | 0:05:22 | 0:05:25 | |
That's two sheets of gelatine | 0:05:25 | 0:05:27 | |
in with about 200ml of your lamb stock. | 0:05:27 | 0:05:30 | |
And once that's just dissolved in, which you can see... | 0:05:30 | 0:05:33 | |
-Oh, just goes like that. -Just like that. | 0:05:33 | 0:05:35 | |
When you say seal it, what do you mean by that? | 0:05:35 | 0:05:37 | |
It means that this gelatine will set on top of that delicious, | 0:05:37 | 0:05:41 | |
succulent mixture and it will set on top of it and hold it in together | 0:05:41 | 0:05:46 | |
because these pies are actually served cold. | 0:05:46 | 0:05:48 | |
And now, for our final stage, | 0:05:48 | 0:05:49 | |
we've puff pastry to go on top of this one. | 0:05:49 | 0:05:52 | |
-This is a la Windsor. -A la Windsor. | 0:05:52 | 0:05:54 | |
So you need three cutters for this. | 0:05:54 | 0:05:57 | |
I've already cut out four of the large ones, | 0:05:57 | 0:05:59 | |
so now I'm going to cut out four of the medium-sized cutter. | 0:05:59 | 0:06:03 | |
And straightaway after that | 0:06:04 | 0:06:06 | |
I'm going to cut out the centre of these | 0:06:06 | 0:06:09 | |
because right in the centre | 0:06:09 | 0:06:11 | |
is where we're going to pour our little jellied jewels. | 0:06:11 | 0:06:16 | |
Gosh! This is a lot of trouble, isn't it? | 0:06:16 | 0:06:18 | |
I know. All for the royals, all for the royals. | 0:06:18 | 0:06:20 | |
Now, so, little bit of egg wash. | 0:06:20 | 0:06:22 | |
-What's that for? -This kind of holds all of them together, | 0:06:22 | 0:06:25 | |
but also it gives it a lovely shine, so it's dual-purpose. | 0:06:25 | 0:06:28 | |
-Yep. Now you've put that one... Ah, right. -On top. | 0:06:28 | 0:06:31 | |
-Yep. -On top. | 0:06:31 | 0:06:33 | |
Try to get it as centred as... | 0:06:33 | 0:06:35 | |
-This is elaborate, isn't it? -It is. And what's so lovely is that | 0:06:35 | 0:06:38 | |
when it sits on top and we fill | 0:06:38 | 0:06:41 | |
the centre of this with the jellied jewel, | 0:06:41 | 0:06:44 | |
that's what I think really makes it quite unique. | 0:06:44 | 0:06:47 | |
OK. Just another little bit of egg wash. | 0:06:47 | 0:06:49 | |
-Yep. -So you bake this in the oven, 160 degrees, | 0:06:49 | 0:06:52 | |
25 minutes or so until its golden brown. | 0:06:52 | 0:06:55 | |
And essentially they should look like these... | 0:06:55 | 0:06:58 | |
-Oh, wow! -Aren't they pretty? -Yes, they certainly are. | 0:06:58 | 0:07:01 | |
And they're going to get much prettier now in a minute. | 0:07:01 | 0:07:03 | |
So you place them on top of your pie. | 0:07:03 | 0:07:06 | |
Yep, put the lid on. | 0:07:06 | 0:07:08 | |
And then, in a pan, I have a little bit of beef jelly. | 0:07:08 | 0:07:13 | |
What is beef jelly? | 0:07:13 | 0:07:15 | |
You cook down your beef stock, your beef bones and your vegetables, | 0:07:15 | 0:07:19 | |
and then, just at the end, we add one or two leaves of gelatine | 0:07:19 | 0:07:22 | |
so that it would set up. | 0:07:22 | 0:07:24 | |
So just pour that on top. | 0:07:24 | 0:07:26 | |
Yep. | 0:07:26 | 0:07:27 | |
It's so lovely. I get a lot of pleasure out of this. | 0:07:29 | 0:07:31 | |
-You like this bit, don't you? -Yes, I do. I really, really do. | 0:07:31 | 0:07:34 | |
It's a mutton pie. You and your jewels. | 0:07:34 | 0:07:36 | |
You need to set these in the fridge, probably for about an hour. | 0:07:36 | 0:07:39 | |
And when you take them out of the fridge they should look like this... | 0:07:39 | 0:07:42 | |
I say. | 0:07:42 | 0:07:44 | |
HE CHUCKLES | 0:07:44 | 0:07:46 | |
-Sweet, huh? -With the shiny jewels on the top. | 0:07:46 | 0:07:49 | |
METAL RATTLES That rattle is the cutlery. | 0:07:49 | 0:07:51 | |
I think these are so special and I'm hoping, fingers crossed, | 0:07:51 | 0:07:54 | |
-at the centre... -I thought it was going to shatter. | 0:07:54 | 0:07:58 | |
-I love that sound. -Ooh, yeah. | 0:07:58 | 0:08:01 | |
Now, nearly there. | 0:08:01 | 0:08:03 | |
-Look. Look at that. Look at that. -Oh-oh-oh-oh! | 0:08:03 | 0:08:06 | |
I didn't think it had set so beautifully. | 0:08:06 | 0:08:08 | |
-Right, after you. -OK. | 0:08:08 | 0:08:13 | |
Gosh, there's a lot of meat in here, isn't there? | 0:08:13 | 0:08:14 | |
Can I have...? | 0:08:14 | 0:08:16 | |
Oh! Oh, yes, the consistency's great. | 0:08:18 | 0:08:21 | |
I love the puff pastry on the top. | 0:08:21 | 0:08:23 | |
-So different, isn't it? -Yeah. | 0:08:23 | 0:08:25 | |
Oh! That's really good. | 0:08:28 | 0:08:30 | |
Well, I mean, even if you don't have any winners on the racecourse, | 0:08:30 | 0:08:34 | |
you've got a winner on the plate. | 0:08:34 | 0:08:36 | |
Mini mutton pies, just one of 11 courses served at | 0:08:39 | 0:08:43 | |
King George VI's first Ascot meeting. | 0:08:43 | 0:08:46 | |
Racing is of course the sport of kings, | 0:08:48 | 0:08:50 | |
and that tradition goes back centuries. | 0:08:50 | 0:08:53 | |
One English town lies at the heart of it all. | 0:08:53 | 0:08:55 | |
Newmarket in Suffolk is the home of British horse racing | 0:09:02 | 0:09:06 | |
and the Jockey Club has long-standing links | 0:09:06 | 0:09:09 | |
with the royal family. | 0:09:09 | 0:09:10 | |
One of its most colourful and enthusiastic royal visitors | 0:09:10 | 0:09:14 | |
was Edward VII, also known as Bertie. | 0:09:14 | 0:09:17 | |
Food historian Dr Annie Grey discovers what went on | 0:09:17 | 0:09:20 | |
when Bertie was in town. | 0:09:20 | 0:09:22 | |
Edward VII was a man known for grand passions - | 0:09:22 | 0:09:25 | |
women, food and horse racing. | 0:09:25 | 0:09:28 | |
Once a year he would hold an enormous Derby day banquet | 0:09:28 | 0:09:32 | |
to celebrate and bring together two of those loves, at least. | 0:09:32 | 0:09:36 | |
And it was held for members of an exclusive racing club - | 0:09:36 | 0:09:40 | |
the Jockey Club. | 0:09:40 | 0:09:42 | |
I've come here to Newmarket, the spiritual home of racing, | 0:09:42 | 0:09:46 | |
to find out more about how Edward VII combined his love of food | 0:09:46 | 0:09:50 | |
with his love of the turf. | 0:09:50 | 0:09:52 | |
The Jockey Club is where owners and breeders have been meeting for over | 0:09:53 | 0:09:56 | |
250 years and where the official governing body for horse racing in | 0:09:56 | 0:10:00 | |
Britain was set up. | 0:10:00 | 0:10:03 | |
Annie is meeting horse-racing historian Chris Garibaldi. | 0:10:03 | 0:10:06 | |
-So, Chris, tell me about this room. -Well, this is the coffee room, | 0:10:06 | 0:10:10 | |
and so, in a sense, this is the sort of centre of the club where it | 0:10:10 | 0:10:12 | |
originally started on this site in the 1750s. | 0:10:12 | 0:10:16 | |
The one thing you've got to remember is the Jockey Club is not a club for | 0:10:16 | 0:10:18 | |
jockeys. The word jockey was associated with people who ran | 0:10:18 | 0:10:22 | |
horses, the aristocratic owners. | 0:10:22 | 0:10:24 | |
And, of course, the aristocratic owners actually rode themselves, | 0:10:24 | 0:10:27 | |
certainly in the 16th and 17th centuries. | 0:10:27 | 0:10:29 | |
-It's quite a room, isn't it? -It is, and what's lovely, | 0:10:31 | 0:10:34 | |
you've got the survival of the booths which gives a real impression | 0:10:34 | 0:10:37 | |
of what it would have been like. | 0:10:37 | 0:10:38 | |
It's sort of people coming to exchange gossip, | 0:10:38 | 0:10:41 | |
to settle their wagers, | 0:10:41 | 0:10:42 | |
really an assembly space before people moved up to the racecourse. | 0:10:42 | 0:10:45 | |
Although the royal family hasn't stayed at the Jockey Club since | 0:10:45 | 0:10:48 | |
the days of George V, they're certainly very present here. | 0:10:48 | 0:10:51 | |
-These are fantastic. -There are royal portraits, | 0:10:51 | 0:10:53 | |
paintings and artefacts along every corridor. | 0:10:53 | 0:10:57 | |
What about the connection between Edward VII and the Jockey Club? | 0:10:57 | 0:11:00 | |
From about 1861 he trains his own racehorses in Newmarket. | 0:11:00 | 0:11:05 | |
And with the Prince of Wales, | 0:11:05 | 0:11:07 | |
a whole sort of new set come in to Newmarket. | 0:11:07 | 0:11:09 | |
And he stayed here, didn't he? | 0:11:10 | 0:11:12 | |
He had a set of apartments built, and a staircase built for him? | 0:11:12 | 0:11:15 | |
Yes, there was a separate entrance. | 0:11:15 | 0:11:17 | |
The main entrance for club members is from Newmarket High Street | 0:11:17 | 0:11:20 | |
but the king's entrance was from the other side of the site from | 0:11:20 | 0:11:23 | |
the avenue, to allow him to come and go pretty well as he pleased. | 0:11:23 | 0:11:27 | |
It was around this time that Edward VII brought back | 0:11:28 | 0:11:31 | |
the tradition of spectacular banquets | 0:11:31 | 0:11:33 | |
thrown the day after the Derby, | 0:11:33 | 0:11:35 | |
known as the Derby dinners. | 0:11:35 | 0:11:37 | |
The Derby dinner gave him an excuse to entertain on this kind of | 0:11:38 | 0:11:42 | |
palatial scale. His taste was for very elaborate 18-course... | 0:11:42 | 0:11:48 | |
dinners. Incredibly rich sauces. | 0:11:48 | 0:11:50 | |
Everything supplemented with truffles | 0:11:50 | 0:11:52 | |
and foie gras and | 0:11:52 | 0:11:54 | |
very much that sort of high-end Escoffier-inspired French cuisine. | 0:11:54 | 0:11:59 | |
And those things would have been reported in the newspapers? | 0:11:59 | 0:12:02 | |
-Absolutely. -So I'm assuming that this is really something that is | 0:12:02 | 0:12:04 | |
putting Bertie, Prince of Wales, on the map. | 0:12:04 | 0:12:07 | |
Bertie's rejuvenated Derby day dinners really did catch the spirit | 0:12:08 | 0:12:13 | |
of the age. There was a whole rash of dishes named for racing - | 0:12:13 | 0:12:18 | |
a la Jockey Club, a la race winner - | 0:12:18 | 0:12:21 | |
and you find in 19th-century cookbooks, time and time again, | 0:12:21 | 0:12:24 | |
illustrations of culinary kitsch, | 0:12:24 | 0:12:26 | |
something unidentifiable covered with lurid green colouring with | 0:12:26 | 0:12:31 | |
little jockey caps all the way round. | 0:12:31 | 0:12:33 | |
And there was a real vogue for tiny little copper horseshoe moulds. | 0:12:33 | 0:12:37 | |
What was in them might well be veal mousse or something in aspic. | 0:12:37 | 0:12:41 | |
It didn't really matter. In your own aspirational way, | 0:12:41 | 0:12:44 | |
you were embracing Bertie the Prince of Wales, and his own lavish | 0:12:44 | 0:12:49 | |
dinners but, there, on your own dining table. | 0:12:49 | 0:12:51 | |
As well as the Derby dinners, | 0:12:56 | 0:12:58 | |
Edward VII would enjoy some equally rich indulgent and long lunches | 0:12:58 | 0:13:03 | |
at Ascot. | 0:13:03 | 0:13:04 | |
Edward VII wasn't only famous for his Jockey Club dinners but for his | 0:13:06 | 0:13:10 | |
absolutely prodigious lunches | 0:13:10 | 0:13:13 | |
at Ascot races. 14 courses - for lunch! | 0:13:13 | 0:13:17 | |
14 courses! | 0:13:17 | 0:13:18 | |
That lunch must have raced into dinner. | 0:13:18 | 0:13:21 | |
When did they actually get to see the races? | 0:13:21 | 0:13:23 | |
I can imagine they didn't have any time for the races. | 0:13:23 | 0:13:25 | |
That was probably Edward's favourite day, lunch running into dinner. | 0:13:25 | 0:13:29 | |
Now, you're going to do a dish | 0:13:29 | 0:13:31 | |
-from Edward's luncheon party at Ascot races in 1908. -Yup. | 0:13:31 | 0:13:35 | |
From the famous royal chef, Gabriel Tschumi. | 0:13:35 | 0:13:38 | |
-That's right. -What is it? -Well, | 0:13:38 | 0:13:40 | |
this is one of the 14 courses that he would have served, | 0:13:40 | 0:13:43 | |
and it's crab mousse with sauce remoulade. | 0:13:43 | 0:13:45 | |
-Love crab. -So, I'm going to make the crab mousse first. | 0:13:45 | 0:13:48 | |
And for the crab mousse, I need to dissolve some gelatine in some fish stock. So, I'm just going to... | 0:13:48 | 0:13:52 | |
You always dissolve your gelatine in a little bit of cold water. | 0:13:52 | 0:13:57 | |
All you want to do is just dissolve that, you do not want to boil it. | 0:13:57 | 0:13:59 | |
If you boil it, you kill the gelatine. | 0:13:59 | 0:14:02 | |
-It stops working. -Right. | 0:14:02 | 0:14:03 | |
So, it doesn't take much heat, and then it's already just dissolved. | 0:14:03 | 0:14:07 | |
-It's disappeared already. -That's it, it's disappeared. | 0:14:07 | 0:14:09 | |
Now, you need that to be fully chilled down before you would actually use | 0:14:09 | 0:14:14 | |
it in your mousse. | 0:14:14 | 0:14:16 | |
So, the first thing that I'm going to add in | 0:14:16 | 0:14:18 | |
-is going to be the mayonnaise. -Mm-hmm. | 0:14:18 | 0:14:21 | |
So, in with the brown and white crab | 0:14:21 | 0:14:24 | |
I'm going to put a bit of paprika | 0:14:24 | 0:14:25 | |
and also now we're going to put in our chilled fish stock, | 0:14:25 | 0:14:28 | |
which has the gelatine. You can see it starting to set there. | 0:14:28 | 0:14:31 | |
Yes, it's thickening at this stage, isn't it? | 0:14:31 | 0:14:34 | |
Is this a kind of modern dish or is it a dish very much of its time? | 0:14:34 | 0:14:38 | |
There's lots of dishes that I would do now that were inspired by | 0:14:38 | 0:14:41 | |
recipes like this. | 0:14:41 | 0:14:42 | |
I think we like a slightly lighter type of cuisine. | 0:14:42 | 0:14:45 | |
-But you've mixed it all together. -I've mixed all that together | 0:14:45 | 0:14:47 | |
and then the last thing I'm going to do is actually fold through my cream. | 0:14:47 | 0:14:51 | |
-So, we're just going to add that in. -Oh, goodness. | 0:14:51 | 0:14:54 | |
So, we're just going to fold this in. | 0:14:54 | 0:14:56 | |
At this particular luncheon, there were 80 guests. | 0:14:56 | 0:14:58 | |
They must have been cooking all night! | 0:14:58 | 0:15:00 | |
Incredible. For 80 guests, 14 courses. | 0:15:00 | 0:15:04 | |
And everything was cooked in the royal kitchens, put into hampers, | 0:15:04 | 0:15:08 | |
taken to the racecourse. Now, what are you doing here? | 0:15:08 | 0:15:10 | |
So, I'm just going to fill these up to about maybe two-thirds full. | 0:15:10 | 0:15:15 | |
-So, I'm just going to smooth these down. -Mm-hmm. | 0:15:15 | 0:15:18 | |
And then I'm going to need you to pop them into the fridge for me. | 0:15:18 | 0:15:21 | |
They need to be refrigerated for an hour. | 0:15:21 | 0:15:24 | |
-Right, to set? -To set. | 0:15:24 | 0:15:25 | |
But when you go there, you'll find that I've already got some | 0:15:25 | 0:15:28 | |
-in there waiting for you. -Oh, there's a relief. | 0:15:28 | 0:15:30 | |
Thank you, chef. | 0:15:30 | 0:15:32 | |
-There you go, Anna. -Thanks for that, Michael. | 0:15:41 | 0:15:43 | |
-Just pop it down there, thanks. -Lovely and cold. | 0:15:43 | 0:15:46 | |
Now I'm going to make a sauce remoulade. | 0:15:46 | 0:15:48 | |
-What's remoulade? -So, remoulade is, essentially, fancy mayonnaise. | 0:15:48 | 0:15:53 | |
Is it a bit odd, mayonnaise, with this? | 0:15:53 | 0:15:56 | |
It's a bit old-school. | 0:15:56 | 0:15:57 | |
-So, you've got your mayonnaise here. -Yeah. | 0:15:57 | 0:16:00 | |
And I only need a small kind of... | 0:16:02 | 0:16:05 | |
about a teaspoon amount of mustard. | 0:16:05 | 0:16:07 | |
Just to give it a bit of bite? | 0:16:07 | 0:16:08 | |
Yeah, a bit of bite and lovely acidity as well that you get out of | 0:16:08 | 0:16:12 | |
Dijon mustard. Then I'm going to add the herbs, so, | 0:16:12 | 0:16:16 | |
your chives and your tarragon. | 0:16:16 | 0:16:18 | |
-I love tarragon. -Perfectly chopped by myself. | 0:16:18 | 0:16:21 | |
Actually, you did do it incredibly finely. | 0:16:21 | 0:16:23 | |
And a bit of lemon zest on top, | 0:16:23 | 0:16:26 | |
and it just brings it all to life. | 0:16:26 | 0:16:28 | |
-Yeah. -Give it a nice stir. | 0:16:28 | 0:16:29 | |
And you're just going to add a spoon of that into your dish. | 0:16:29 | 0:16:33 | |
And you're going to serve it on the side. | 0:16:33 | 0:16:34 | |
Or I'M going to serve it on the side. | 0:16:34 | 0:16:36 | |
I'm now just going to put the last stage of | 0:16:36 | 0:16:39 | |
the jelly on top of the crab. | 0:16:39 | 0:16:41 | |
-Right. Top it off. -Top it off. | 0:16:41 | 0:16:43 | |
So, these are lovely and chilled. | 0:16:44 | 0:16:48 | |
And I'll just pour this on. | 0:16:48 | 0:16:50 | |
-Yeah. -So, this is the fish stock with the gelatine that we used | 0:16:50 | 0:16:54 | |
earlier that also went inside the crab mousse. | 0:16:54 | 0:16:56 | |
And that's going to set pretty quickly, I would think. | 0:16:56 | 0:16:59 | |
But it turns out that, although this will set quickly, | 0:16:59 | 0:17:02 | |
I've already made one finished. | 0:17:02 | 0:17:03 | |
How useful! | 0:17:03 | 0:17:05 | |
-Oh, it does look neat, doesn't it? -So, here we are. | 0:17:05 | 0:17:08 | |
So, we're just going to add our sauce remoulade here, | 0:17:08 | 0:17:11 | |
and then our melba toasts. | 0:17:11 | 0:17:12 | |
Is this the time we taste? | 0:17:12 | 0:17:15 | |
This is the time that we taste. | 0:17:15 | 0:17:16 | |
I love crab. There you go. | 0:17:16 | 0:17:19 | |
-OK, thank you. -Righto, you first. | 0:17:19 | 0:17:21 | |
OK. I think I'll go for a bit of the crab and the Melba toast first. | 0:17:21 | 0:17:25 | |
I can hear the thundering of the racehorse hoofs but I'm more | 0:17:25 | 0:17:29 | |
interested in the crab. | 0:17:29 | 0:17:31 | |
There we go. | 0:17:31 | 0:17:34 | |
Mm, I love just smearing it. | 0:17:34 | 0:17:36 | |
But I'm not so sure about the mayonnaise. | 0:17:37 | 0:17:39 | |
-Let's try it with it. -You're right, I'm going to try that next. | 0:17:39 | 0:17:43 | |
Yeah, I think it's...doubly rich. | 0:17:43 | 0:17:45 | |
A bit rich. | 0:17:49 | 0:17:51 | |
I don't know, old-school but not old hat. | 0:17:51 | 0:17:53 | |
SHE CHUCKLES | 0:17:53 | 0:17:55 | |
Crab mousse, as enjoyed by Edward VII at Ascot in 1908. | 0:17:57 | 0:18:01 | |
Let's hope his horse came in as well. | 0:18:01 | 0:18:03 | |
Nowadays, it's traditional for the Queen to serve tea at Ascot. | 0:18:06 | 0:18:09 | |
The only lunches served in the Royal Enclosure are at Epsom for | 0:18:09 | 0:18:13 | |
the Derby. One royal chef who's prepared many racing lunches is | 0:18:13 | 0:18:17 | |
Darren McGrady. | 0:18:17 | 0:18:19 | |
As a Buckingham Palace chef, Darren would also work at Windsor Castle, | 0:18:22 | 0:18:25 | |
where all the Royal lunches were prepared for Derby day at Epsom. | 0:18:25 | 0:18:29 | |
The Queen always serves a cold buffet, and, in the 1980s, | 0:18:29 | 0:18:33 | |
Darren recalls preparing some favourite fish dishes. | 0:18:33 | 0:18:36 | |
I'm making a Gleneagles pate, which is layers of smoked salmon, | 0:18:37 | 0:18:42 | |
smoked trout, and smoked mackerel. | 0:18:42 | 0:18:44 | |
I'm going to start off with a loaf tin. | 0:18:44 | 0:18:47 | |
We line the loaf tin with plastic wrap. | 0:18:47 | 0:18:49 | |
And then I start taking the salmon | 0:18:49 | 0:18:51 | |
and we're actually going to line the outside of the mould | 0:18:51 | 0:18:53 | |
with that salmon. | 0:18:53 | 0:18:55 | |
Once the tin is lined, the next step is preparing the fresh trout, | 0:18:55 | 0:18:58 | |
which will make up the first layer of the pate. | 0:18:58 | 0:19:02 | |
So, we're going to start off with the trout, and then, in there, | 0:19:02 | 0:19:05 | |
we're going to put in some butter. See how easy this is? | 0:19:05 | 0:19:08 | |
We're also going to take some lemon and squeeze it straight in. | 0:19:08 | 0:19:11 | |
Add some salt and pepper... | 0:19:11 | 0:19:13 | |
..and then a little fresh dill in there. | 0:19:14 | 0:19:17 | |
They go into the blender. | 0:19:17 | 0:19:19 | |
We are going to take this, and put this into the bottom of my mould. | 0:19:22 | 0:19:28 | |
So, spend a little time just making that nice and flat so that when you | 0:19:28 | 0:19:32 | |
cut into it, you'll see those beautiful layers. | 0:19:32 | 0:19:35 | |
And the way to do that is to chill each layer as you go along. | 0:19:35 | 0:19:39 | |
So this will go into the fridge for a little while, | 0:19:39 | 0:19:42 | |
ready for the next layer. | 0:19:42 | 0:19:44 | |
As the trout pate cools in the fridge, | 0:19:44 | 0:19:46 | |
Darren prepares the next layer by repeating the process, | 0:19:46 | 0:19:49 | |
this time using mackerel. | 0:19:49 | 0:19:51 | |
He removes the skin and then blends the fish with butter, lemon, | 0:19:51 | 0:19:55 | |
salt and pepper. | 0:19:55 | 0:19:56 | |
This one's had about an hour in the refrigerator and that's firmed up. | 0:20:00 | 0:20:04 | |
And then we can take this gorgeous smoked mackerel | 0:20:04 | 0:20:08 | |
and make that our next layer. | 0:20:08 | 0:20:10 | |
We always do it in that order because we want to keep a layer of | 0:20:10 | 0:20:14 | |
pink, a layer of white, and a layer of pink. | 0:20:14 | 0:20:17 | |
The mackerel is a much denser fish, | 0:20:17 | 0:20:19 | |
so we don't need to go back to the refrigerator with this one. | 0:20:19 | 0:20:22 | |
We can go straight on to that next level of adding the smoked salmon. | 0:20:22 | 0:20:27 | |
And this is a straightforward salmon, again some more butter in | 0:20:27 | 0:20:31 | |
there, some black pepper, a little lemon juice, and, finally... | 0:20:31 | 0:20:35 | |
..this time, we're just going to put some chives in there as well. | 0:20:36 | 0:20:39 | |
And then this next layer can go over the top. | 0:20:46 | 0:20:49 | |
And this is our last layer. | 0:20:49 | 0:20:50 | |
And we can take our salmon and roll that over the top. | 0:20:52 | 0:20:56 | |
So, fold that over, press it down slightly, and then, | 0:20:56 | 0:20:59 | |
with the plastic wrap that we have here... | 0:20:59 | 0:21:01 | |
..that can now go into the refrigerator | 0:21:04 | 0:21:06 | |
to set up the complete dish. | 0:21:06 | 0:21:08 | |
Once the completed pate has set in the fridge, | 0:21:08 | 0:21:11 | |
it's ready to be sliced and served. | 0:21:11 | 0:21:14 | |
Now, if we were sending this to Epsom for the Derby | 0:21:14 | 0:21:17 | |
for the Queen's lunch, we'd leave it wrapped, we'd pack it in ice, | 0:21:17 | 0:21:22 | |
and it would go to the races just like this. | 0:21:22 | 0:21:24 | |
And, once we'd got there, then we'd finish it with all the garnish. | 0:21:24 | 0:21:27 | |
Slicing it onto a beautiful bed of lettuce. | 0:21:27 | 0:21:30 | |
But I'm going to finish this one as if we're sending it right into | 0:21:30 | 0:21:34 | |
the royal dining room. Trim off that first piece | 0:21:34 | 0:21:38 | |
and, already, it's looking gorgeous. | 0:21:38 | 0:21:39 | |
Gleneagles pate. Beautiful layers, smoked salmon, smoked trout, | 0:21:42 | 0:21:47 | |
smoked mackerel. | 0:21:47 | 0:21:49 | |
Perfect for the royal table, and a day at the races. | 0:21:49 | 0:21:51 | |
At those race meetings, Edward VII loved entertaining guests. | 0:21:54 | 0:21:58 | |
80 or more at a time would often have served Eton mess as a dessert. | 0:21:58 | 0:22:05 | |
And in the royal kitchens at that time was a kitchen maid called | 0:22:05 | 0:22:09 | |
Mildred Nicholls, and she kept the recipes in this book here, | 0:22:09 | 0:22:13 | |
and she actually has got a recipe for Eton mess. | 0:22:13 | 0:22:17 | |
But, Anna, you're going to do something with a bit of a twist. | 0:22:17 | 0:22:20 | |
This is strawberries - the classic Eton mess. | 0:22:20 | 0:22:22 | |
You're going to do something a little bit different. | 0:22:22 | 0:22:24 | |
Yeah. I think everybody is used to strawberry Eton mess, | 0:22:24 | 0:22:27 | |
which is delicious, but today we're going to do a tropical twist, | 0:22:27 | 0:22:29 | |
with a bit of papaya, some mango, and some passion fruit. | 0:22:29 | 0:22:33 | |
And it's super easy, | 0:22:33 | 0:22:34 | |
it's as easy as using strawberries, but maybe a little bit more special. | 0:22:34 | 0:22:38 | |
So, the first thing we're going to start with will be the meringue, | 0:22:38 | 0:22:41 | |
because that's what's going to take the longest. | 0:22:41 | 0:22:43 | |
And you just need to add, I think it's like half a teaspoon, | 0:22:43 | 0:22:47 | |
of salt to your egg whites. | 0:22:47 | 0:22:50 | |
And a tablespoon, or a teaspoon, maybe, of vinegar. | 0:22:50 | 0:22:53 | |
Salt and vinegar sounds a bit... | 0:22:53 | 0:22:56 | |
It's a pudding, isn't it? | 0:22:56 | 0:22:57 | |
Yes, but it actually strengthens the egg whites, | 0:22:57 | 0:22:59 | |
-so that you can get these lovely, soft, strong peaks. -Right. | 0:22:59 | 0:23:03 | |
So, we're going to whisk it up till its forming peaks before we add | 0:23:03 | 0:23:08 | |
the sugar, because it needs to have as much air as possible in it | 0:23:08 | 0:23:11 | |
to give it that lovely, crispy meringue feel. | 0:23:11 | 0:23:15 | |
So, I'm going to add this fairly slowly at a time, | 0:23:16 | 0:23:20 | |
-not all in one go. -Is it caster sugar? | 0:23:20 | 0:23:22 | |
It is caster sugar, yeah. | 0:23:22 | 0:23:24 | |
I love the way it's called Eton mess. | 0:23:24 | 0:23:26 | |
-There's lots of stories about it, aren't there? -There is, yeah. | 0:23:26 | 0:23:28 | |
There's that funny story where the headmistress, erm, | 0:23:28 | 0:23:31 | |
the cake was placed, or the dessert was placed, on her chair | 0:23:31 | 0:23:34 | |
and then she sat on it. | 0:23:34 | 0:23:35 | |
You could imagine the schoolgirls loved that, yeah. | 0:23:35 | 0:23:38 | |
Now, there's the last of our sugar gone in. | 0:23:38 | 0:23:41 | |
Ah, beautiful. But I think it has been quite traditional, hasn't it, | 0:23:41 | 0:23:43 | |
at the Eton-Harrow cricket matches? | 0:23:43 | 0:23:45 | |
You know, those two top public schools, when they have | 0:23:45 | 0:23:47 | |
an annual cricket match, I think Eton mess is traditional. | 0:23:47 | 0:23:50 | |
-Ooh, I say, it's really sticky. -Pretty much done. | 0:23:50 | 0:23:52 | |
OK, now we're going to... | 0:23:52 | 0:23:54 | |
..spoon this onto our tray. | 0:23:55 | 0:23:57 | |
It's essentially a summer dish, obviously, using summer fruit. | 0:23:58 | 0:24:02 | |
Well, I think it can be any time of year, really, | 0:24:02 | 0:24:04 | |
especially since we're doing tropical fruit. | 0:24:04 | 0:24:06 | |
But, yeah, I think you could have it in the summer, | 0:24:06 | 0:24:08 | |
if it strawberries and raspberries. | 0:24:08 | 0:24:11 | |
You could have a roasted apple one, as well, | 0:24:11 | 0:24:13 | |
which would be quite delicious. Maybe put a bit of cinnamon | 0:24:13 | 0:24:15 | |
in your cream, which would be quite nice. | 0:24:15 | 0:24:17 | |
So, we're going to do two kind of... | 0:24:17 | 0:24:19 | |
Whopping meringues. | 0:24:19 | 0:24:20 | |
Two large meringues, yeah, so then we can break them up afterwards. | 0:24:20 | 0:24:24 | |
Just going to smooth it out to give it a nice, kind of, round shape. | 0:24:24 | 0:24:27 | |
It's still a favourite of the royal family, isn't it? | 0:24:27 | 0:24:30 | |
Yes, so I hear, yeah. | 0:24:30 | 0:24:31 | |
But I think it's a favourite in everybody's household. | 0:24:31 | 0:24:33 | |
Did you have Eton mess? | 0:24:33 | 0:24:35 | |
Yes, of course, but we had them with blackberries. | 0:24:35 | 0:24:38 | |
So, into the oven at 100 degrees for about an hour and 20 minutes or so, | 0:24:38 | 0:24:42 | |
until it's lovely and crispy. | 0:24:42 | 0:24:43 | |
OK, ma'am. | 0:24:43 | 0:24:44 | |
So, now I'm going to chop my fruit to go inside the mix. | 0:24:45 | 0:24:49 | |
I already have some papaya chopped, | 0:24:49 | 0:24:52 | |
and I'm going to go through some mango now. | 0:24:52 | 0:24:54 | |
And then cut open the passion fruit. | 0:24:57 | 0:24:59 | |
So, there's a large stone inside your mango, | 0:24:59 | 0:25:01 | |
which you want to be careful to cut around. | 0:25:01 | 0:25:04 | |
-Are you finished yet? -I'm not. | 0:25:04 | 0:25:05 | |
Do you want to give me a hand, since I've got quite a bit to do? | 0:25:05 | 0:25:07 | |
Why don't you cut open some passion fruit for me? | 0:25:07 | 0:25:10 | |
OK. How do I slice this? | 0:25:10 | 0:25:11 | |
Oh, a masterclass in fruit cutting. Come on. | 0:25:11 | 0:25:14 | |
OK, OK. | 0:25:14 | 0:25:16 | |
Straight down the centre. | 0:25:16 | 0:25:17 | |
-OK. That was a bit tough, wasn't it? -There, you can do that. | 0:25:17 | 0:25:20 | |
-Oh, my God, look at that. Isn't that beautiful? -Mmm. | 0:25:20 | 0:25:22 | |
-Then scoop it out? -It's so beautiful. | 0:25:22 | 0:25:24 | |
Like, you can get a lovely floral, | 0:25:24 | 0:25:27 | |
beautiful, perfumed smell off it. It's not just about the acidity. | 0:25:27 | 0:25:30 | |
-But how do you do mango as well? -Watch and learn. | 0:25:30 | 0:25:32 | |
What do you want me to do with these? Scrape the middle out? | 0:25:32 | 0:25:34 | |
Scoop them out with a spoon. I'll give you a spoon here. | 0:25:34 | 0:25:36 | |
Just scoop them out and in with the papaya there. | 0:25:36 | 0:25:39 | |
OK, so you want roughly the same amount of papaya and mango, really, | 0:25:39 | 0:25:43 | |
-to go through this. -I think I did that brilliantly. | 0:25:43 | 0:25:45 | |
You did. Like a professional. | 0:25:45 | 0:25:47 | |
-Shall I do it again? -Yes, why not? | 0:25:47 | 0:25:49 | |
Maybe stick the tip of it in the centre. | 0:25:49 | 0:25:52 | |
All right. | 0:25:52 | 0:25:55 | |
So, I'm going to just add my mango. Now we want my papaya. | 0:25:55 | 0:25:58 | |
Actually, that works much better, doesn't it? | 0:25:58 | 0:26:01 | |
-There we go. -Now, in there. | 0:26:03 | 0:26:04 | |
In we go. | 0:26:04 | 0:26:06 | |
So, I'm just going to start to break up the meringues. | 0:26:08 | 0:26:11 | |
You need them to be nice and crispy when they come out of the oven. | 0:26:11 | 0:26:13 | |
I don't know if you can hear that. That's quite nice. | 0:26:13 | 0:26:15 | |
-You were tapping it and it rattled. -Yeah. | 0:26:15 | 0:26:17 | |
So, we're just going to break it now into the bowl. | 0:26:17 | 0:26:20 | |
-How big are the pieces? -Quite large. | 0:26:20 | 0:26:21 | |
You want to feel that texture of the crispiness of your meringue. | 0:26:21 | 0:26:25 | |
And then we're going to fold through | 0:26:25 | 0:26:27 | |
with a couple of spoons of your cream. | 0:26:27 | 0:26:29 | |
Just go behind you there. | 0:26:29 | 0:26:32 | |
Looks like frogspawn, this stuff, doesn't it? | 0:26:32 | 0:26:34 | |
It does, actually! | 0:26:34 | 0:26:35 | |
-But it smells... -Amazing, isn't it? | 0:26:35 | 0:26:36 | |
..absolutely divine. | 0:26:36 | 0:26:38 | |
-So floral. -Really, really nice. -It's really, really beautiful. | 0:26:38 | 0:26:41 | |
OK, so just gently fold your meringue through the cream. | 0:26:41 | 0:26:43 | |
You don't want to break it up any more. | 0:26:43 | 0:26:44 | |
-You don't want to really shatter it, do you? -No, no. | 0:26:44 | 0:26:46 | |
And then we're just going to put a spoon of each | 0:26:46 | 0:26:49 | |
in whatever serving dish you're going to be using. | 0:26:49 | 0:26:52 | |
Mm-hm. | 0:26:52 | 0:26:53 | |
Oh, I can just feel the anticipation of wanting to eat this, | 0:26:54 | 0:26:57 | |
because I can hear the kind of gentle crisp of the meringue | 0:26:57 | 0:26:59 | |
being mixed with the cream. | 0:26:59 | 0:27:01 | |
-It feels lovely. -It's the ultimate temptation. | 0:27:01 | 0:27:03 | |
Yeah, and it reminds me of being a kid, and this was the part | 0:27:03 | 0:27:05 | |
that you were always allowed help with, nothing else. | 0:27:05 | 0:27:08 | |
And scraping round the bowl and all that kind of stuff. | 0:27:08 | 0:27:10 | |
Now look at this. The colour of this is so beautiful. | 0:27:10 | 0:27:13 | |
-That's brilliant. -The beautiful orange and yellows. | 0:27:13 | 0:27:16 | |
-A little... -And you're just putting it on the top? -Just on the top. | 0:27:16 | 0:27:21 | |
Now, of course, you could mix it through... | 0:27:21 | 0:27:23 | |
Is that because you haven't time? Would you mix it through? | 0:27:23 | 0:27:25 | |
You could mix it through if you want, but I think that by putting | 0:27:25 | 0:27:28 | |
it just on top, you get this glorious colour and, straightaway, | 0:27:28 | 0:27:31 | |
you get this lovely perfume smell off it. | 0:27:31 | 0:27:33 | |
And I suppose if the trick for the dish is to have the contrast | 0:27:33 | 0:27:36 | |
between the textures and the tastes, | 0:27:36 | 0:27:38 | |
-then having them different would be different. -Yeah. -OK. | 0:27:38 | 0:27:41 | |
-You might need a spoon. -I think I might. | 0:27:41 | 0:27:43 | |
-You get stuck in first. -No, come on, ladies first. | 0:27:43 | 0:27:45 | |
-You don't have to tell me twice! -No, no, quite. | 0:27:45 | 0:27:48 | |
-Oh, you can just hear the crunch of the meringue... -You can. | 0:27:48 | 0:27:51 | |
..and that's what I love so much. | 0:27:51 | 0:27:52 | |
You can make a real mess with it. Oh, mess! | 0:27:53 | 0:27:55 | |
Oh! | 0:27:55 | 0:27:57 | |
Mm! | 0:27:57 | 0:27:58 | |
-It's so delicious. -Mm! | 0:27:58 | 0:28:00 | |
You could just imagine King Edward VII at Ascot, can't you? | 0:28:00 | 0:28:04 | |
-Mm. -Celebrating his winners with Eton mess and champagne. | 0:28:04 | 0:28:08 | |
Oh, you're like a poet. | 0:28:08 | 0:28:10 | |
Perfect end to this programme. | 0:28:10 | 0:28:12 | |
See you next time. | 0:28:12 | 0:28:13 |