Some of the best bits from Saturday Kitchen. With recipes from Bryn Williams, Theo Randall, John Rotheram and Vivek Singh, and John Barrowman faces his food heaven or food hell.
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Good morning. Over the next 90 minutes we're going to serve up
a seriously mouthwatering menu of fantastic food.
So, sit back, relax and get ready to enjoy another helping of
brilliant Best Bites.
Welcome to the show.
I hope you're hungry because we've got world-class chefs serving up
top class food and there's a healthy portion of guests waiting to be fed.
Coming up on today's show -
James Martin serves herb crusted plaice with Jersey Royal and
spring green broth for Jon Culshaw.
Theo Randall cooks up his Italian twist on meat and two veg.
He wraps pork chops in olive oil and rosemary before pan frying
and serving with a creamy leek and potato al forno.
Jon Rotheram is here with a fresh take on river trout.
The trout is cured and the skin is blow torched and plated up
with Jersey Royal crisps, ricotta and preserved lemon.
At the omelette challenge hobs today are Nick Nairn and Richard Bertinet.
And as both have already proved themselves to be speedy,
it should be a close one.
Then it's over to Vivek Singh,
who's here with an Indian-Chinese fusion dish.
He coats chicken thighs in a cornflour and spicy
soy sauce mixture before deep frying and serving with
a green and red pepper stir-fry.
And finally, John Barrowman faces his food heaven or his food hell.
Did he get his food heaven - toffee baked Alaska with toffee sauce?
Or his food hell - watermelon sorbet with rose water gulab jamun
and marinated watermelon wedges?
You can find out what he got at the end of the show.
But first it's over to Bryn Williams who, in this dish,
is using vanilla but he's not making ice cream, he's cooking shellfish.
Bryn Williams, welcome to the show again. What are we cooking, mate?
I see we've got scallops here.
Hand dived scallops, the best you can get really, with cucumber,
crab, lime and vanilla dressing.
Vanilla is quite unusual, but it does really work.
-It works really well with certain fish - sea bass, scallops...
Yeah, crab, otherwise it's too strong.
We're going to use a nice bit of vanilla and lime.
-And I'm going to make a mayonnaise with that.
-You're going to.
Mayonnaise? Two egg yolks...
-And we're going to use half oil.
-Half rapeseed, half olive oil.
Otherwise it's too strong and overpowers all that crab.
We want to keep the sweetness in the crab.
-I shall get on with that.
-I'm going to open these hand dived scallops.
For me, these are my favourite ingredients ever.
-These would be your food heaven?
-This would be my food heaven.
-If we still get a mayonnaise(!)
-Yeah, don't worry.
Carry on, nobody's noticed.
Thing is, it's so important we, as chefs, use hand dived scallops
because they are much better, they're much firmer,
and when they're hand dived, they're picked the right size.
They don't pick any small ones. They leave the small ones there.
If they've been trawled, they get the small scallops up.
And, also, when they go round with the nets,
they flap open and get full of sand and stuff like that.
Look at how clean they are, beautiful.
Just easy to prepare.
We're going to take the roe off,
we're not going to use the roe this morning.
You can use them,
you don't have to get rid of them, but we're not going to use them.
The thing that amazes me about hand dived scallops, I was watching
some guy catching them on the west coast of Scotland, near Bute.
I couldn't believe how close they are from the sea shore.
He was literally...
He went out and I thought he'd go out like the Man from Atlantis, wandering out.
He just stuck his head in the water about seven feet out
-and picked up these scallops.
Literally the end of this bench and he was picking scallops up.
I waited until he was gone, went back and got myself...!
But the scallops, touch of water and then you're going to dry them out.
Dry them out. So important... Don't leave them in the water too long
because you don't want them to absorb all that water.
The thing about scallops, you must buy the fresh ones.
If you buy them in their shells, you know they're fresh
because if they're dead, the shells will be open.
-We'll let them to dry off.
I'm just going to make a quick dressing to go with the crab.
First, we're going to peel some cucumber.
I'm just going to leave the scallops there to dry.
The mayonnaise, I'm just going to add this oil slowly to start with.
You can quicken up as it starts to get thicker.
But the thing about mayonnaise,
you don't keep adding oil to make it thicker.
Once it's thick, the more oil you add, it just goes into a solid lump.
Add a touch of water to bring it back.
-Or even lemon juice if you want to get that kind of...
I'm just going to keep two cucumbers there.
-That's what we're going to dress the crab itself in.
And using the rest of the cucumber just for texture reasons more
than anything else, so we're not having all the same textures the same time.
You're going to marinade it as well?
I'm going to marinade it in the dressing,
but it's a very, very quick dressing of the lime and the vanilla.
Apart from Odette's,
are you going to be opening another place this year?
-You guys never stop.
-Well, we're busy, busy, busy.
Hopefully, towards the end of the year, we should have a second place.
-I don't know where yet.
-But you're looking?
Here we go. Is this on the menu at the moment? This kind of food?
This is just going on the menu next week because it's a nice,
light summer dish. Very different to Marcus's hotpot.
I think this is food you like to eat in the summer.
Once I can get this vanilla out.
This will be on the menu in about a week's time.
There you go. This rapeseed oil is amazing stuff.
You can get it in the UK now. It's very rich in Omega 3, good for us.
It also makes mayonnaise beautiful and really yellow.
It's amazing stuff.
-There you go. So, vanilla.
-Vanilla. If I can get it out.
People should look for the Madagascan vanilla.
Yeah. It's really plump. And you get a lot of seeds out of it as well.
Especially with this dish,
you want to try and keep as many seeds as you can into the dish.
Now, vanilla and fish is common, isn't it? It's used quite a bit?
-In certain fish. I wouldn't say it's common.
-You use it, don't you, as well?
-I use it with sea bass.
I like it in dressings, pretty much like what you're doing.
It's a beautiful background flavour that's unusual.
It's quite intriguing.
There we've got...
A squeeze of lime and half a vanilla pod.
The secret with this dish,
we need to keep on tasting it because we're going to add salt
and pepper to it and a bit of sugar if the lime's a bit too strong.
-It's the sweetness and the sourness with it.
You have to taste it as you go along.
In service when we have it on, chefs are tasting this 20 times a night
because every time you make it, it's always different.
It's always important to keep tasting it as we go along.
We're going to do a quick marinade with this cucumber.
In with the dressing.
You can see the colour of that lovely mayonnaise there.
And I'm going to leave that to just sit in there now.
How long would you leave that there for?
Ten minutes tops, otherwise it'll start breaking down all the cucumber
and we want to keep it with a nice bit of texture to it.
I'm going to pan-fry the scallops itself. Nice hot pan.
I'm not going to season the scallops now, I'm going to season them later.
I think if you season them now,
you start to take all the sweetness out of the scallop.
It's always good to finish them off after
with some really, really good organic sea salt.
-You've got the crab mix.
-I'm coming, chef. I'm being quick as I can.
Here we go.
-A little bit of chives.
Now, you're a fan of seafood, ever done seafood with vanilla?
Or tried it with vanilla?
Never. No, I don't cook seafood.
Just eat it?
-Occasionally, if I'm in the right place where I can trust it.
It's got to be absolutely fresh,
that's the secret with crab and stuff like this.
-Look how yellow that is. That's enough.
Just a little bit of that to bind it together.
A little bit of lime juice just to bring out the flavour in it.
That's the lime in there.
We're going to roll it up in the cucumber itself.
Just grate these off.
There you go, I'll bring your plate over.
These scallops, they're cooked very, very quickly.
Very, very quickly indeed.
I think, you know, two minutes, three minutes tops.
Once you've got a nice bit of colour on them.
I think another minute and they'll be fine.
Just going to roll the crab...
-..in the cucumber.
-Make a nice little starter
just on its own, this.
-This could be on itself.
But that bit of luxury by having the scallop as well, I think.
Me, I can't resist a bit of scallop.
So, in with a bit of butter just to finish them off.
-Touch of butter there. OK.
-Just get a clean spoon.
-You'll start to build it all up.
-You can do as much as you want of these.
-I put three on the plate.
-You can do them into ribbons as well.
You can grate it. You can even grate it as well if you really wanted to.
On with the scallops.
I'm just going to finish this dish off
with a little bit of basil cress.
Lightness in the summer.
Just wash it in a bit of water, take out the basil,
just season with a bit of salt, on with the basil and finish off
-with literally... With the lime.
-A chefy drizzle.
I think it keeps the flavours going through the whole dish.
Looks great, smells delicious.
So, Bryn, remind us what this is again.
Pan-fried scallops with vanilla and white crab meat and cucumber.
Simple as that.
Well, this is the first time you've probably tried fish and vanilla.
-There you go, dive in. Tell us what you think.
-Tell us what you think of that.
You're not going to make me burn the roof of my mouth again?
No, not again. Sorry about that. It was a bit hot, that scallop.
Maybe hot, but not as hot as the chicken.
The vanilla, like you say, just adds that little background flavour to it.
It just brings something different to the plate.
I think people always think vanilla's a sweet and I think
it's something to give the customer it in a scallop dish.
-A lot of people don't use cucumber, do they?
They don't use it like that for pickles and stuff like that.
Cucumber with shellfish is fantastic.
-You get the texture, the crispness, the cucumber. Fantastic.
-It's very unusual.
Thanks, Bryn. A real light, refreshing recipe
that's perfect for a warm spring day.
Coming up, James cooks a herb crusted plaice with Jersey Royals
and spring green broth for Jon Culshaw.
But first, it's over to Rick Stein who's visiting
an historic smokery in Lowestoft.
'Now, there's nothing to me like tasting a shrimp
'straight out of the boiler at sea.
'That's how they should be tasted.
'And you really can't call yourself an expert until you've done it.
'The great thing about these shrimps is that they're all destined
'for the English market.
'Maybe because they're too small and too insignificant for anybody else.
'They're missing out on a rare treat.'
I was just thinking about a dish that could use the shell
as well as the meat of the shrimp
because there's so much flavour in the shell.
And risotto is the obvious choice because you can use this shell for
making a really good shellfish stock or fume as we call it in the trade.
So, put a little bit of butter in this hot pan
and just throw in some onions.
Let them soften in the butter a little bit.
And then all these shells.
There must be about two pounds of shrimp there.
Into this pan go those shells, like that.
And just turn those around, just let them fry a little bit.
I'm going to add a few blades of mace
because this is a British risotto and that's a very significant taste
in a lot of things like potted shrimps and things like that.
It will come through in the final dish.
Just stir that in.
And now some good quality fish stock.
About a couple of pints.
There we go.
Now, you can use chicken stock if you like.
It's quite hard to get fresh fish stock even now,
it seems a real shame.
Obviously, people aren't getting the message.
If you want to cook nice fish dishes, you want nice fish stock.
You know, you don't have to make these things on your own.
Right, there we go. Just leave that to simmer now for about 20 minutes.
We're just going to pour it through this conical strainer.
Get rid of the shells.
There we go.
Just tap it down a little bit or tamp it down it bit with this ladle
just to force the last of the juices into the stock.
That's great. And now, to make the risotto.
I like a nice shallow pan for making risotto
so I can see easily what's going in.
With this one, I'm going to start off
with a generous amount of butter.
And about three chopped shallots
and about three cloves of garlic.
So, just quickly stir that round until the butter's melted.
And now in goes the rice, risotto rice, Arborio rice in this case.
In that goes.
And just coat the rice with the butter.
And that's an important point in making risotto.
Then I'm going to add some white wine.
I've chosen a fairly sort of neutral tasting Italian white wine.
Personally, I love the back taste of wine in risotto.
That slightly, slightly tart taste which just sets off
the other flavours beautifully.
And now to add the stock.
You add it in about three or four stages,
letting it all get absorbed in one stage before you go to the next.
And that'll take an increasingly long time.
So the first one, it all goes down fairly quickly.
While I'm letting that become absorbed,
I'm going to add the other serious ingredient to this risotto,
which is samphire.
I'm just going to blanch that very quickly in some boiling water.
All I want is about two minutes because I want it to have
that sort of salty crunch which is what's so perfect about samphire.
That's just about enough for the samphire
so I'll just pass that off through a sieve.
And that's then ready to be stirred into the final risotto.
It's quite interesting about how recipes get thought out.
One afternoon, there I was out on the mud flats gathering samphire,
that night, out in the Wash trawling for shrimps.
And I think the best sort of recipes come from that,
not from reading books or copying other chefs,
it's out doing something yourself like that.
I always find that if I'm doing something like shrimping
or gathering samphire, the whole naturalness of it just gets me
very inspired to think of something up.
This risotto is the result.
It is actually extremely good.
So, that's another lot of stock there
and the rice is really beginning to thicken up nicely and get creamy.
And it's looking great, I might just have a little bit of a taste now.
Yeah. Oh, that's ever so good.
We're just about there.
I'll just put a bit of seasoning in,
not too much salt because there's a lot of salt in that samphire.
Little bit of pepper, always like pepper. There we go.
And now the samphire.
Just pour that in. Now, that's just got about the right consistency.
A risotto doesn't want to be too wet,
but it doesn't want to be too dry, either.
And finally, last of all, the shrimps.
I say last of all because they only want to be heated through,
we don't want them cooked any more because they'll go all hard.
So, now we'll just dish that up.
Don't think that looks too bad.
That's about a portion, a starter portion,
don't want to give too much.
Let's take a few of those grains out of there.
A couple of shrimps on top.
And that's about it.
It's a bit of a story on a plate or, I suppose,
it's a bit like a painting in a way.
It's a bit of a memory for me.
Once upon a time, the herring fishery extended
from the north of Scotland way down to Great Yarmouth,
Lowestoft and beyond.
Sadly, all that's declined now, leaving ports like Lowestoft
a shadow of their former self.
Donny Cole, a local fish merchant, remembers how it used to be.
For every man that went to sea on the drifters,
there were seven men ashore backing him up.
The people who built the boats, the beasters that made the nets,
the people connected to the industry, the box makers, everybody.
And that there is how it used to be.
But if that dock is the one you saw today, right,
there is not one boat in it.
Not one boat in that dock.
I mean it is, for me, heartbreaking.
There was 200 smokehouses in Lowestoft.
The air was thick with the smell of herrings and kippers.
Everyone ate kippers.
It was an era, just a complete era, which unfortunately has disappeared.
Well, I say unfortunately disappeared
because the whole thing's changed.
But for me, being in the fishing industry, I think it's a disaster.
Donny and his brother Michael own one of the last smokeries
in East Anglia.
Colin Burgess, who does the smoking,
wonders whether anybody will take over from him.
Not even the herrings are local any more.
They come from Norway or Iceland.
There's not many people who do it, who carry on doing it
and it's just nice to be a part of something that is going to die out.
No young person want to do it.
I'm probably one of the youngest fish curers and smokers
there is left and nobody wants to do it after me.
There's no good doing it for five minutes and thinking after
five minutes, after six months, you know it or you think you can do it.
Because that's an impossibility.
You learn something new every day, you know.
It's extraordinary to me that a product which is so good,
which is so skilfully made, should be in danger of dying out.
Why is it we turn our back on the really good things in life
in favour of what?
Hygienic little fillets, stainless steel, vacuum packing,
artificial colouring, no bugs?
I don't know.
It would be great if somebody started a campaign
for real smoked fish.
That, to me, is a great delicacy.
An undyed kipper hanging on tenterhooks with a good fat content
that all herrings have at this time of year.
It needs to be about 15%.
This is very interesting to me. This is a bloater.
It's like a kipper smoked in the same sort of time and brined first,
but it's smoked with its guts in.
Cold smoked again so it's part raw.
Called a bloater not because it sort of bloats up and gets all off,
but because it's slightly puffed up
with the guts still in it and a little bit gamey.
The Victorians used to make a great bloater paste with it.
This is even more interesting.
That's called a golden.
That's been salted for two days and smoked for about five to six days.
And that one's for the export trade.
A lot more salt content,
perhaps a bit salty for today's taste, but a lovely colour.
But this is the most interesting thing,
if I can find it hanging up here in the rafters.
That is a red herring.
Now, that again is salted for about two or three days.
But then it's smoked for about five to six weeks.
So you could actually eat this for weeks and weeks
without refrigerating it. And that was for the African trade.
Well, the slave trade, in fact,
cos it's something they could eat on the ships, but it's got into
the African culture now and that's where all the red herrings go.
Rick, try one of these. These are Buckling.
-Ah, hot smoked, aren't they?
-They're hot smoked in a smokehouse.
-Cor, that's good! What do you think of them?
They're gorgeous, aren't they?
I mean, that is just wonderful.
The thing people think about herrings,
of them being a bit sort of, I don't know,
overpowering or something, but this is lovely and soft and creamy.
And the fat content, it's a bit like eating smoked eel, actually.
It's got that same luxury taste to me. It's just absolutely fantastic.
-Lovely texture to it.
Lowestoft will probably never see a busy market for herrings again.
But, instead, there's huge landings of plaice, the most popular
flatfish in Europe, and a fish, incidentally, at its best in spring.
Well, just look at these plaice.
I mean, they're a beautiful looking fish,
with those lovely fluorescent orange and red spots on them.
And I think people tend to undervalue it.
You hear people in restaurants saying,
"Oh, I think I'll have the lemon sole," because plaice is sort of...
You're making a statement of being a bit more upper crust, if you go
for lemon sole, rather than plaice cos you see plaice everywhere.
But, actually, it's just as good.
And I've got this dish, which I'm just really excited about
because I just think it does real justice to the plaice.
I've just got about quarter to half and inch of vegetable oil in
this frying pan, which I'm getting really, really hot,
and I'm just going to add some chopped onion.
Now, this is for a dish of plaice with like
a sprinkling of sort of savoury things and when I thought
about this, I thought of deep-fried goujons of plaice in
a light batter and I'm going to use a tempura batter,
with just dry ingredients, with lots of flavour.
So that onion's beginning to brown up very nicely.
Now I'm just going to add some garlic as well.
Finely chopped garlic. And some red chilli as well.
Some very finely chopped deseeded red chilli.
Just frying that off together till it's sort of dry fried.
It's a bit like the sort of coating of those peanuts you get
in bars, you know? But much nicer than that.
OK, that's done. Now I'll just bring that over here.
And pass it through that colander there.
OK, now, I'll just pour my colander full of fried bits and pieces
on to this little kitchen paper, just to drain off all that fat.
And now empty that into this bowl.
Now, I'm adding some sliced spring onions and some Szechuan pepper.
It's got a very odd taste, Szechuan pepper.
It's a bit like cloves at the dentist.
It slightly numbs the mouth. It's very satisfying because of it.
Now, just a few flakes of sea salt as well.
So that's my sort of coating material for the goujons, all ready.
And now to cut up the plaice.
Now, I've filleted them, skinned the plaice already,
and I'm going to cut it into goujons or gudgeons - it just comes from
that English-French word, meaning those little fish,
like sort of minnows and sticklebacks, freshwater fish.
And about the size of your thumb. So, there we are.
And now, we're going to make that tempura batter
and drop the gudgeons in it.
So, here, I've got some cornflour and flour and some salt,
which I'm just going to sift through this sieve into a bowl.
Now, I'm just adding some soda water here and that's all
I'm putting in here. Just cornflour, flour, salt and soda water
and it's ice cold, the soda water.
Don't ask me what happens with using soda water, but it works a treat.
So just before I drop those goujons in, just given them
a little bit of a season, just with salt, and into the batter.
Now, the whole point of this batter, as I said,
it's got to be made at the last minute,
it's got to be cold and the reasons for both those things,
the last minute and the temperature, is you don't want to develop
the gluten in the flour because that makes the batter sort of
elastic and what you're looking for is crispness.
That's the whole point of tempura batter.
So, I put about four or five pieces in at a time.
They only take about a minute each.
And straight out of that onto some paper,
just to drain the excess oil off.
Just look at those. Look how thin the batter is.
That's what I really like about tempura is you can actually
see the food through the batter.
So there we go. There's the whole batch fried.
And now just to make up the dish.
Just plonk all these goujons on to this wonderful big plate.
Sprinkle this lovely savoury crunchy garlic, onion,
Szechuan pepper, spring onion, etc, mixture all over.
Just turn it in a little bit, so it's everywhere.
Just a few drops of lime juice over the top.
You don't want to overdo it.
And a final sprinkling of chopped coriander and that's it.
You know, none of the fish I've been using in this programme is
terribly expensive. And if you get a chance, do try the Cromer crabs.
They're easy to get in supermarkets now.
Now, the fresh shrimps, sadly, they don't travel too well.
So you've got to make a seafood pilgrimage to the east coast.
And if you get the opportunity, you've got to try these
Lowestoft kippers, even if it's to keep Colin going in his smokehouse.
I have to say,
that dish looked delicious and there are lots of great ways to
cook plaice and I'm going to show you another one right now.
It's very different to Rick's and it goes with
a simple sort of spring green broth. Very, very easy.
So we start off with our plaice here.
Now, the fish supplier has given us two bottom parts of the plaice,
which is not that bad. Obviously, the darker skin is the top,
but plaice actually start out as round fish and then up until
two months old, then they turn and the eyes move round.
-I didn't know that.
-There we go.
That's just going to get filleted, pan-fried,
and the broth for this is pancetta,
we've got some Jersey Royal potatoes,
so really in season now, a little bit of flageolet beans,
these are out of a tin, some spring greens, chicken stock,
butter, shallot, garlic.
All of that just gets put in a pan and we're going to serve that
with some pan-fried plaice, so very, very simple.
-Now, talking about yourself...
It was radio, wasn't it, it's been right throughout your career,
but that was one of the things that started it all off for you,
Yeah, that's right. I remember doing a Sunday show on hospital radio.
I had some friends who worked at the station and I sort of
gradually joined in and, yeah, it was a fascinating thing,
walking round the wards,
taking requests from people and going into this little sort
of grey tin shed, which was the studio, and doing the show,
all connected to the main hospital,
through a sort of...almost like a washing line,
that carried the signal that carried the hospital radio.
But it was one of those friends and work colleagues that told you
to sort of do it professionally, impressions.
Yes, a few years after that, I worked at Viking Radio in Hull and
I'd always had this habit of reading the weather in another voice.
-AS BOB GELDOF:
-I always would read the weather as Bob Geldof.
For some reason, I don't know why I did it.
And Anne Marie who worked on reception, bless her,
at the end of one show, she said, "Pack in being a DJ, do those
"voices, do that instead," and I just thought, "Ah, maybe I will."
At the time, it wasn't as huge, it led on to massive things, but at
that time, it wasn't as big as what was just around the corner for you.
-That's right, Spitting Image.
It was that sort of moment where I thought - maybe I'll make
some tapes together and I'd stay late at the studio after the
programme and chop voices together.
Lots of voices from that time, Terry Christian from The Word.
-AS CHRIS EUBANK:
-And Christopher Livingstone Eubank.
Edit them all together and I sent them off to Spitting Image
and then one day, a vacancy arose.
I can't remember who had moved on from the show.
It might have been Steve Coogan. But there was a space anyway.
So, yes, I got a chance to join on Spitting Image.
I mean, that was it. It just became a huge, massive, massive success.
Well, Spitting Image was one...
I'm sure it's one of those programmes,
a bit like Doctor Who did, after a long break, it comes back.
-Do you think it will come back?
Because there was something so immediate about it and the
grotesqueness of the caricatures.
They were such a commentary on the characters themselves.
Just the extremes of the caricature.
And I think most people quite liked being on there,
even if the take off was a bit cruel.
Spitting Image was always very ruthless in the scripts.
It was kind of if you were on there, it meant that you'd kind of made it?
-Although, there were some who didn't like it.
Some of the politicians. If it portrayed them a little bit
weak or in somebody's pocket, didn't like that.
For the most part, to be on Spitting Image was pretty cool.
-Your repertoire now, what is it? 300-odd, must be.
-I don't know.
Sometimes, if you count, I suppose if your voice moves
in one direction, it can move all over the place.
How do you start with impressions, then? What do you start with?
Body language, facial expressions?
How do you begin to start off with it?
I suppose the first thing is you just look at
a character that you're drawn to, for some reason,
there's something interesting about them or something quirky about them.
And you just have a look.
I think first of all, you just have an open mind, just watch them,
and just see what your subconscious takes in.
I remember watching Simon Cowell a few years ago, thinking,
right, what is it about you? And then you start to see
the shapes, you start to see the outline.
-AS SIMON COWELL:
-You start to see the movement,
there's a lot of this sort of body language going on.
A lot of that sort of stopping the traffic hand gesture.
Head to one side.
Bewildered look, OK, I'm going to put you through, three yeses.
And you just put together all the recognisable things that
people don't realise they've spotted about a character.
It is a talent.
It is very, very clever cos like I said at the top of the show,
-you set me up, Frank Bruno - it was brilliant.
But your new thing at the moment, it's nothing to do with that.
-Comedy as well. This is a fantastic story.
-Oh, of course. Yes.
Tell us about that, the Morecambe and Wise.
Morecambe and Wise, the Garage Tapes, yeah.
Basically, in the early years of their career,
Ernie Wise was a great archivist,
and he'd always record anything that they were doing,
just on a reel to reel tape,
so it might have been early theatre productions and shows that
they worked on in the '50s, the late '50s, or it might have been
rehearsal, or it might have been some radio shows,
it might have been a script meeting.
-This is everything, behind the scenes.
-Yeah, behind the scenes.
Real rare moments, which, until now,
-were never known had even been captured.
And Doreen Wise, Ernie's widow,
had all of them in a very robust 1960s suitcase,
this bright red plastic suitcase, very much the '60s look,
and it was full of all of these recordings on reel to reel
tape or 78 acetates, records.
And there it was, all there.
I think she just tidied it away one day, just put it in the garage.
So it could have gone to the car boot.
Yeah, it could have ended up in a skip, this amazing archive.
But of course, it didn't. That didn't happen.
And to look through it all,
-two big suitcases of all of this archive material.
Sometimes, Ernie would leave a tape running of
he and Doreen watching one of their early TV shows.
And in the background, you can hear them sort of laughing at
certain moments or recanting certain anecdotes.
And you can hear them just chuckling in the background,
eating their tea and things like that.
But it is fascinating.
-When you listen to the 1950s style of their act.
It wasn't yet the act that we went on to know and love,
-but the beginnings of it were there.
-It was very raw.
It was raw, it was experimental,
but the camaraderie between them was there, the chemistry was there,
that knock-about, two buddies, song and dance act was there.
Do you think it's important to have that?
Because a lot of the comedy duos have had that,
-one straight guy, one sort of comedy sort of thing.
I think because they knew each other so well and they knew what
-each other's strengths were.
Eric was really helped to be as funny
as he was because Ernie was doing such a brilliant job of setting
him up and everything like that. And the same, vice versa.
From Eric to Ernie.
And to see the initial formation of that, it's fascinating.
It's very special.
Well, we'll look forward to it and that's Radio 4.
-Radio 4, that's right.
-Fantastic. I'll just run through what I've done cos I've more or less done
-everything for you. This is the plaice.
-It all happened so quickly.
-Yeah, it's all done.
-None of this - here's one we made earlier.
-No, it's all done, it's all done.
This is the cabbage and everything else that all gets put in.
We've got the stock in there, the butter and everything else.
Cabbage goes in at the last minute.
-It's like a simple little broth, really.
And all we do with that is we switch off our fish.
I think a broth was soup.
Well, it can be, yeah, a thickened sort of soup,
but you'll see there's quite a bit of liquid in here
that I'm going to put on, but it's something really simple.
The idea is you keep the flavour of the cabbage,
right at the last minute. We've got Jersey Royal potatoes in there.
Very simple. Take this juice - remember, this is chicken stock.
So it's not fish stock.
Pop on there as well.
Pancetta's gone in there, the flageolet beans, touch of garlic.
And then, grab my fish. Chervil's gone in there, last minute.
Then we grab our plaice, which has just been cooked.
-I can't believe you've done that so quickly.
And then a drizzle of olive oil.
-There you have it.
-I promise to share it this time.
-I was just hogging it before.
-But it is very, very simple, nice and easy.
Now, when you're given something like this,
-it's hard to know where to start.
-Start in the middle and work
-your way out.
-You can do what you like, OK.
And an answer in the style of Michael McIntyre, please.
Michael McIntyre, OK.
-Ah, Michael McIntyre.
-Well, the fish is very wonderful. And beautifully cooked
and very soft and flaky. And the cabbage, I've not come round to the cabbage yet,
but cabbage, what is going on there?!
Well, James certainly left a good impression on Jon Culshaw with that dish!
Now, today, we're taking a look back at some of the most delicious
dishes from the Saturday Kitchen store cupboard and there's still loads more to come.
Up next, it's Theo Randall with a super simple dish that
-doesn't hold back on flavour.
-And on the menu today,
you've got a pork chop and you want to get that on as soon as possible.
I do. I want to get that on very quickly.
So, we're going to get the pork chop on first, get that in the oven.
-So what are you going to do with it then?
this pork chop. I've marinated it with some rosemary and lemon,
which I'll show you in a second. I'll get them in first.
The thing about these pork chops is this is the top end, it's
the sort of top end of the loin, where you get a bit of the flank.
And that's where you get this lovely flavour because you've got
all that fat, and if you just use the eye of the meat, you don't
get the fat and the pork fat is obviously where all the flavour is.
Now, you're colouring this first of all.
I'm going to colour on one side, turn it over,
then pop it in the oven.
-Cos we're going to cook these in real time.
They don't take long.
So I'm just going to trim off the skin of the pork,
leave as much fat on as possible.
I know it looks kind of very fatty, it's unhealthy,
but the thing about it is fat is where all the flavour is.
It's very important to keep that on.
-I've been saying it for ten years.
-I know you have, yeah.
The trouble is I've been eating it at the same rate and all.
So, with it, we're going to serve a potato and leek
al forno sort of bake, which is basically boiled leeks,
-mixed with some nice waxy Charlotte potatoes.
And then we're going to make a sort of cream and anchovy with
garlic, like sort of kind of sauce,
and then we're going to mix the leeks and the potatoes
-together and bake it in the oven with breadcrumbs.
Let's put the pork in first,
-so that's going to go in a nice hot oven.
-That's the left-hand side one.
Yeah, don't worry, I've got it right.
-Very good, James.
-About 400 degrees.
So just to marinate these, we just want to get these,
-put the pork on to a tray.
-What you're on about is keeping this on.
-This part of the fat on it.
And that's where there's so much flavour.
So put some salt on there, some pepper, and then squeeze some lemon.
Where's that knife?
Anchovies are also very good with lamb, aren't they?
-Yeah, anchovies are lovely.
-Beef as well.
-An underused seasoning.
I love using anchovy. It's really good with pasta sauces as well.
OK, so a little bit of chopped rosemary.
Lemon and olive oil, so just leave those to marinate for about an hour.
-So a simple marinade then.
-A very simple marinade,
but it takes on such a nice flavour of the rosemary.
I think rosemary and pork is such a great combination.
So leave those to marinate.
-Do you want me to take that as well? OK.
-I'll just wash my hands.
-In the fridge for an hour, no more.
-In the fridge for an hour, yeah.
Just so it takes on that lemon juice.
-Then we've got some... We're going to make a salsa verde.
Do you mind making me a salsa verde with some parsley, rocket,
mint, and basil? And capers and some mustard.
-I can do that.
-And some olive oil.
-Yeah, I can do that.
And then I'm going to make this anchovy sort of cream stuff,
so we're going to put a little bit of oil in the pan
with some garlic, just sort of soften the garlic.
And then we're going to add the anchovies,
-these are salted anchovies which have been kept in olive oil.
And I'm just going to literally just throw those straight in with
the garlic. Don't brown the garlic, whatever you do. Just get some...
You've been busy because you've just written a new book.
-It's out now.
And this is one of the recipes from it.
-All right, OK. So, double cream.
So there's garlic, oil, anchovies, double cream, and then just
bring that to the simmer and then we've got some potatoes here.
Now, I've used Charlotte potatoes.
The thing about potatoes is if you use anything fluffy,
like a Maris Piper, it won't work, it'll just break up,
so you need something quite sort of waxy,
like a Charlotte potato or a Ratte, something like that.
Ratte, they're the French ones,
but they grow them in the UK now as well.
Yeah, and they're really good because they're incredibly firm,
so even when you boil them all the way through,
they still remain very firm.
The look kind of like a Jerusalem artichoke, when you look at them.
-Yeah, they look similar to a Jerusalem artichoke. They're more pointed, aren't they?
-Are they easy to get hold of, the Ratte potato?
they're producing them in the UK, I definitely know that. Yeah.
So we're just going to sort of boil that all together, add a bit
of black pepper, so you've got that sort of real lovely sort of
depth of flavour from the anchovy and the garlic.
-Now, a lot of people don't like anchovies.
Well, this is a great way to try anchovies cos they just taste
-It kind of dissolves all in the cream.
It dissolves in the cream,
so you don't actually get that sort of fishy taste.
OK, so take the leeks out,
so literally just boil them for about three minutes in
boiling salted water and then we're going to mix it all together
and pop it in a dish with some breadcrumbs on top to get
this lovely sort of crispy top, so I'll pop that in here.
Life's going to be busy for you this year cos you've got
-a new restaurant, your second restaurant.
-Not really local to Mayfair.
-Not very local actually, no.
It's in Bangkok,
which is quite a long way away.
So one of my chefs is going to go out there and live there,
-and run the restaurant.
-Does he know it yet?
I haven't told him yet.
I was going to actually tell him after the show!
You just told him it was in Balham, didn't you?
Yeah. It's quite similar, it's B...
Anyway, so it's really exciting, and it's going to be a great place.
That's going to be opening in August.
-And then doing Taste of London in June. Ben's going to be there.
-I'll be there.
-Yeah, so it's all busy, busy times at the moment.
-Which is great.
So, just sort of bring that to the simmer,
just so everything starts to come together.
And then pop it into a nice earthenware dish. And then...
Smell that. It just smells so good.
So I take it because the potatoes are cooked and the leeks are cooked,
you don't need long in the oven at this stage?
No, not very long at all. You just want to brown it.
But make it quite wet so it stays really juicy,
because the potatoes will absorb some of the moisture, so you get a
nice creamy kind of sauce, because you want that to go with the pork.
All right, OK. So, when you go over to Bangkok,
presumably it's going to be Italian influence, then, as well?
Yeah, it's going to be Italian,
it's going to be quite sort of sharing menu sort of style.
Very simple, easy food. It's going to have a fabulous big bar,
and it's got this outside terrace as well,
so it's going to be a really great place.
OK, so, the pork is cooked. That's cooked in real time.
It cooks incredibly quickly. I think people overcook pork.
If you let it rest, the residual heat will let it carry on cooking.
You'll get lovely juice in there. OK, so...
Now, Ben mentioned northern Italy.
Where does your style come from? Where does that come from?
Uh... Well, the thing is all over, really.
I love the food of northern Italy,
but I also love the food of southern Italy,
so I kind of get a bit from everywhere.
And, you know, I wouldn't say I specialise in any particular region,
I just love Italy.
I love going there and getting inspired by recipes and ingredients.
Well, I'm going to see it in a couple of weeks. Very quickly.
-Really? What are you doing?
-I'm doing this Mille Miglia thing.
-Oh, of course, yeah, wow.
-I'll be going north to south and back again.
-And what are you driving?
-A Jaguar D-Type.
Cor! Who's let you have one of them?
-And they're going to let you loose on that?
Well, they have, yes, yes, they have. Yeah, it's very, very special.
That is a very special car.
-We won't see much of Italy, it's just... Zoom!
-With your goggles on!
-So, the potato and leek, anchovy,
they've all gone nice and crispy on the outside.
And gooey in the middle. We pop that... Whoops.
-Do you want a bigger spoon for that?
-I think I need a bigger spoon, yeah.
-And, then, just pop that with all those... That's better.
Now, they're quite thin, those chops,
-so they will cook in real time.
-They cook very quickly.
You're better having a thinner chop and leave all that fat on,
and cook it in the oven, than doing a great big thick one,
cos the big thick ones are going to slightly dry out.
So, that's our potato and leek al forno.
And then we get our beautiful-looking salsa verde.
And then, get our nice...
Which one shall we have? That one looks nice and juicy.
A nice pork chop.
A little bit of that juice. There are some nice juices in there.
That's going to go on top.
And then finish off with a delicious-looking salsa verde.
And that's got the mint, the capers, the mustard, rocket,
basil, parsley... I think that's it, yeah.
That's it. And that is it.
That is my lovely roasted marinated pork chop with rosemary and lemon
with a potato, leek, and anchovy al forno.
I'd eat that. Definitely.
It's pretty good, that, isn't it? It just tastes so good, this.
Right, dive into that one.
-But this is the key that you are on about.
-Have this bit.
-That's where there is so much flavour,
there's fat and... Look at it, it's cooked through,
that's literally cooked in the oven at 400 degrees
for about five, six minutes.
-A really hot pan to start with.
-A really hot pan, that's it.
-Anchovies work perfectly in that.
-It's quite hot.
It's actually quite subtle, it's more of a seasoning,
-but they're delicious.
-That is so tasty.
That looked great, didn't it? Creamy potatoes - what's not to like?
Now, look, we always like to show you a Rick Stein clip
on this show, which we did earlier, so now it's time for
a Keith Floyd clip with Rick Stein in it,
because you can never have too much Stein.
So, off I go again,
this time to Padstow in North Cornwall,
and I'm happily anticipating a lunch of bass
with one of the most agreeable cooks I've met in a very long time.
It's coming in really well now.
Every day, the line fishermen are catching them.
So they're coming in in small quantities,
which means they're sold quickly and they're nice and fresh.
'After a lesson in selecting bass,
'we bought some fresh line-caught fish,
'even though they cost a little more,
'and, stopping only briefly for a pint and a packet of crisps,
'we got down to the serious business of cooking bass with a vengeance.'
There. One of the most important things about Floyd On Fish
is the drinking that goes with it,
because no good cooking comes without good drinking.
And today, as usual, we've conned our way into one of
the best kitchens in the West Country -
in fact, probably one of the best kitchens in England -
certainly according to the RAC, The Sunday Times, Egon Ronay, et al.
because Rick Stein's restaurant here in Padstow was voted
one of the best - in fact THE best seafood restaurant in the country -
so what better place could we come to to cook my favourite fish,
which is a bass. Now, for me, this is the king of fish.
You can grill it, you can steam it.
You can cook it in fennel, flaming with Armagnac.
You can cook it in a bouille, that classic Mediterranean dish.
You can roast it, Nick tells me, too.
So that's what we're going to do with this one,
and he's going to show us how to do it.
Rick, you'd better come into the body of the cook.
If I may say, on behalf of us,
I'm sorry we've ripped you off in this way.
-Welcome to your kitchen.
-The wine is very nice.
-It jolly well is, isn't it?
Tell me... Tell me all.
Right, well, what I'm going to do is roast or bake...
I call it roasting on the menu, cos it sounds unusual to roast a fish.
Does that freak the customers?
Well, I think it gets some raised eyebrows, because it seems odd,
but we do roast it.
We put it in a hot oven and baste it, as you would a roasted joint.
I'm going to stuff it with just some ordinary root vegetables.
Can I just bring the cameraman down to see these root vegetables?
Would you like to explain what we've got here?
Yes, well, starting from here, we've got celeriac, which is
like celery but comes in a root form. Carrots, fennel, onion, leeks.
And here we have sorrel, which we're going to finish the sauce off with.
A nice tart flavour, the sorrel has,
which really brings out the flavour of the bass.
OK. So you've all got that at home, those are the ingredients.
In fact, you could use any root vegetable you fancied.
-This is Nick's own very special recipe.
-Rick, dear boy.
Oh, I'm terribly sorry. Once you've seen one cook, you've seen them all.
Never mind. I'll call you Charles for the rest of the programme.
-Look, this is a television programme, film is very expensive,
get on with the cooking.
OK. What I'm going to do is just gently sweat
-these root vegetables off in a bit of butter.
Because the cooking is so quick in the oven, the hot oven
and the bass, they wouldn't have time to cook as a stuffing,
so I just take a few of these vegetables,
cos we're only going to cook one fish.
Which, incidentally, is jolly expensive fish, isn't it?
It is at the moment. It's about £3, £3.50 a pound.
Excuse this rotten old pepper grinder,
but it doesn't half churn out some chunky...
-Salt. Just a bit of salt, yeah.
-And then, on a low heat...
-Do you want to come back over here?
Sorry to interfere with this, but the cameramen do insist
on getting photographs of what we're doing
for the benefit of our viewers, Charles.
OK, well, they've got to cook away for four or five minutes now.
Stay with us. I'm not going to give you a fixed grinning smile,
I'm going to have a glass of wine and talk to Rick
-about the rest of the process.
Sorry, I was thinking, while that's cooking,
I was thinking about these herbs, because on a recent holiday...
-You want the herbs explained, or the weeds?
-Take out the weeds.
I'm terribly sorry, Charles. Rick.
But when I was on a recent holiday in Cornwall,
all I could see the farmers growing was fields and fields of tyres.
I mean, here you are, deep in darkest Cornwall.
How do you get herbs? Why do you use them?
30 seconds, starting from now,
on the importance of fresh herbs in the kitchen.
Well, for my style of cookery, which is simple, I'm not involved
in elaborate cooking at all, herbs are the most important part.
They've got to be fresh herbs, so I have to grow them myself,
cos as you probably know, Keith,
trying to buy herbs in a greengrocers in England is a joke.
The last load of herbs I bought from a greengrocers,
which I managed to get sent in from France,
was a small packet of fresh dill which cost me £6.50. OK?
The tarragon I bought was seven quid.
I mean, there's a lot of incentive to grow your own herbs.
It's more expensive than certain other substances, isn't it?
-Also known as herbs.
-But in your new cookery book, your first cookery book...
..you'll devote a chapter to growing herbs?
The thing is, you can't buy them, so you've got to grow them.
Not just things like this, but if I just reach into my basket here,
here's something I've just grown for the first time this year.
It's called Good King Henry, OK?
And all who sail in him!
You can use it as a vegetable or a herb.
It tastes a bit like watercress, a bit like it.
It is a bit watercress-y. Superb with fish, I should think.
Just blanch it, and serve it with fish on it. Absolutely wonderful.
-It's brilliant, isn't it?
-You try and buy that in a shop...
Just throw the seeds anywhere. There's no problem growing that.
I reckon that, very finely chopped in vinaigrette
over oysters and things, or raw seafood, would be superb.
A true professional at work, there.
Absolutely perfect, yeah.
Right, how's the pot getting on?
It seems to be...
Yeah, they're just nicely...sweated down.
Cameraman, could you come over, please?
Soft, but still a bit crunchy, really.
That's the state we want the vegetables to be in.
And slightly caramelised.
It doesn't matter that they've slightly burnt,
cos that's the aroma I want when we send the dish out to the restaurant.
Right. So, we go on to the next phase,
-which is going to be stuffing the fish, isn't it?
It is indeed, it is indeed.
Right, what I've done is actually gutted this fish, very skilfully,
-or not, if you like.
-Leaving a bit of...
So the stuffing is going to stay inside.
I'm going to show you that. He hasn't hacked this to death.
He's used very sharp knives to cut a small incision, clean it out.
Incidentally, he's already scraped the scales off previously,
and cut off the dangerous spine of the bass.
Very sharp, and slightly poisonous too.
So Rick is now going to stuff his vegetables
-into the centre of the bass.
-I'm just going to get a spoon.
Right. I'll just amuse the crowds while you get your act together, OK?
Don't worry about me, just enjoy yourselves.
We can afford it, we've got the place for free.
Typical, isn't it? The BBC are such rip-off merchants.
It doesn't actually need a lot, but it doesn't half improve...
I'm just going to... Are you going to bake it on here, perchance?
Yes. Just brush it with some butter. There's a pot behind you.
-Then we want salt and pepper.
I'm just going to put a few of these root vegetables underneath the fish.
And what will happen when they're roasting is they'll actually burn,
which you might think is very bad practise,
but it doesn't half make the flavour... It's actually a smell.
When you take it out into the restaurant,
you've got this tremendous smell of root veg.
What is interesting is, in these days of nouvelle cuisine,
the photograph on a plate at £20 a head, you're actually serving
a whole fish with the head on, the way I like to see food served.
But, is there a...?
Is nouvelle cuisine here to stay, does it affect your customers,
are they frightened of seeing a fish?
Well, you get the odd one that wants the head taken off it.
It comes in about 50 seconds after it's gone out,
"Don't like the head," which is... What's wrong with a fish head?
The Chinese have fish head soups, for God's sake,
so there's nothing wrong with them,
but then, some people are very squeamish about such things.
But on the whole,
I find that the customers prefer to get the whole fish.
And, of course, it cooks much better on the bone anyway.
And you get the flavour all the way through from the bone,
-from the head, as you say.
I was cooking a hare earlier on in the year,
and someone said, "I hope it won't look like a hare."
I said, "Damn right it's going to look like a hare,
"that's what we're trying to do!" Come down to this. This is a fish.
It's going to cost you a lot of money, mind, obviously,
cos it's been taking Rick AND I to cook it. But that's a real fish,
and we want to see real food on the plate,
real fresh herbs he's grown, stuff like that.
-I'm waffling. Get it into the oven.
-Top of the oven.
-Top of the oven.
-What sort of heat?
-Absolutely flat out, Keith, to tell you the truth,
because you've got no worries about it toughening up,
you're not going to toughen a fish up,
so the more heat that you can hit it with
-and the quicker you cook it, the better.
You'll find it comes out very, very juicy. No problem.
I'm now going to make Rick Stein's fabulous sorrel sauce,
to go with his bass, but I'm afraid I've made a few modifications.
What he's already done, in this pan, is chop some shallots, added some
dry white wine, and fish stock, and reduced it to that consistency.
At home, it may be out of the question to make a fish stock.
You can take my word for it - you could eliminate the fish stock
and just use the white wine.
Then, now scrupulously following his recipe,
fresh sorrel in whole leaves and fresh sorrel chopped, goes into the
chopped shallots and the reduction of white wine and fish stock, OK?
Into that, we pour about half a pound of melted butter.
Now, this is unsalted butter.
If you're using the salted variety, melt it first,
and then skim off the salt from the top,
otherwise you're going to spoil the delicate flavour
of this beautiful sauce.
So, there we are.
That's the sorrel and the melted butter, the white wine reduction,
little bit of white wine vinegar as well, if you like, fish stock,
which I've said is dispensable.
If you want to go to the trouble, do so. Anyway,
all of that now just cooks away on the gas for a few moments.
Our two other ingredients - our two eggs.
I never say anything like, "Separate two eggs,"
because I've seen people take one and put it that side,
and one and put it that side, which is highly daft.
And a liquidiser.
If - going back to my little merry jape about separating eggs -
if you were doing these the old-fashioned way,
by making an egg liaison sauce with a hand whisk,
then you wouldn't use the whites.
But using the magi-magi-magi-mix thing, you can use the whites
because it whizzes up so beautifully.
OK, this is absolutely terrific.
Rick's actually had to go off and do some real cooking
for people who actually pay money for this, you see,
and I've been left all on my own.
Whizz the thing up.
OK, this is the moment of truth, my friends.
Maximise the power.
To think of all the marvellous ways they're using processors nowadays,
it makes a fellow proud to be a cook! Ha-ha!
There we are - the perfect Rick Stein sauce.
Look at that. Isn't that beautiful?
Tastes very good, too. I hope he'll like it.
Runny, almost the consistency of custard,
made of egg yolks, butter, and fresh herbs.
Perfect for the bass, which should now be ready.
If you'll excuse me, I'll go and get him.
Wow, that's looking good.
Right, let's get that on the plate.
-Pick up that garnish.
-It smells wonderful.
No garnish at all. It doesn't need it, does it? It's so beautiful.
-No, just a few vegetables.
-OK, look, that's magnificent.
Let's see if we can get a table,
-and we can talk and drink and eat to our heart's content.
I'll take this. Grab the sauce. Taste that sauce, actually.
Was it all right?
That's very nice. Very nice.
-This is quite incredible, isn't it?
-This has to be the best table in the world...
-Look at this.
..in the best climate in the world with the best fish in the world.
-Which is the bass, isn't it?
-What a fabulous fish the bass is.
-What a fabulous-LOOKING fish.
They always stand out on a fishmonger's slab, the bass.
Beautiful, silvery, firm-looking fish.
Why are we so anti-fish in this place?
I know not in your restaurant, because you're just fish,
but the British as a whole reject this.
As far as I'm concerned, I've got the breaking strain of
a hot Mars Bar when it comes to fresh bass.
-It's a brilliant fish.
-It is. It's absolutely wonderful.
I can't understand why the English are so anti-fish.
I think you've got to get the setting right.
-What could be better than a setting like this?
-Not a lot!
Certainly, when they come to the restaurant,
they're a lot keener on fish, because we're by the sea, and
I think they feel it right to eat fish in that sort of setting.
Whether they would back at home again, I don't know.
I must say that this is absolutely delightful. It's really grand.
It's really going down well.
You're not smiling today just because
this is the most brilliant bass you've cooked in a long time,
not just because it's such a nice day. You remain cheerful and happy
despite the hard hours and the dreadful work.
-Why are you so fond of fish?
Well, it's a marvellous food to work with.
That's what all chefs say, isn't it?
It's the most dull thing you've ever heard!
I'm talking to you as a man, not as a chef.
Chefs are two a penny, you know?
-Cooks are different.
I just really like the look of a fresh fish come into the restaurant.
It just really excites me. And you get such good fish here.
You just want to get on and do something really good with it.
A piece of meat is a piece of meat - finished.
But a fish straight out of the sea, you just feel,
"Wow, I'd really like to make that something special."
I'll drink to that.
-So, what a magnificent day.
And all the customers standing on the quay,
we can't say goodbye to them fast enough.
Thank you very much for joining us for our lunch.
I hope you'll join us on the next Floyd On Fish programme,
because believe me, my gastronauts, this is the way to eat fish.
How young was Rick in that?
That was actually his first-ever TV appearance.
Where is he today?
Now, as ever on Best Bites, we're looking back at
some of the most memorable dishes from the Saturday Kitchen archives.
Still to come on today's show -
Nick Nairn and Richard Bertinet go head-to-head
in the omelette challenge, and both are looking to move up the board.
Vivek Singh is here with a dish that is true Asian fusion -
he deep fries chicken thighs coated in cornflour and spicy soy sauce
mixture, and serves with a green and red pepper stir-fry.
And John Barrowman faces his food heaven or food hell.
Did he get his food heaven,
toffee baked Alaska with toffee sauce, or his food hell, watermelon
sorbet with rose water gulab jamun
and marinated watermelon wedges?
You can find out what he got at the end of the show.
Next up, it's Jon Rotheram,
who seems to be really worried that his trousers might fall down.
-Great to have you on the show.
-Great to be back.
Look at you like that, I feel I should be walking over to you
with a cane, like this. That is a serious outfit, that.
-Well, yeah, they keep the trousers up.
-That's a serious outfit.
So, what are you going to make for us, then?
Today, like I said, a lightly cured sea trout.
Rainbow trout, sorry.
All we're going to do,
first of all, is just mix the salt and sugar together.
If I could get you to start making the Jersey Royal crisps.
Jersey Royal crisps.
Slice them on the mandolin - that would be amazing.
-We're going to deep fry these Jersey Royals?
-Deep fry them.
Again, we just slice them from raw, just run them under the tap
and then deep-fry them on a low temperature -
about 150 works just good.
So into this cure is a bit of salt and sugar.
Now, it's equal quantities - an easy way to remember.
So we put equal quantities of salt and sugar in there,
a little lemon zest as well.
It just goes through there.
And then we're going to add some spices as well.
We're going to add a bit of star anise,
some fennel seeds and coriander seeds.
So is this equal quantities of each, then, this cure?
Is that what you're using, salt and sugar?
Salt and sugar, yeah. Equal quantities.
And we're only going to put it in... Cos it's quite a small fish,
we're only going to put it in the cure for probably...
I reckon about eight hours would be just about right for this one.
But, again, if you get bigger fish, just cure it a little bit longer.
All you want to do is just cover it completely with the cure.
-So, the same, as well, with making gravlax.
It's the same sort of thing with gravlax.
But, again, they're beautiful this time of year.
I think they're really lovely and fresh,
and it's perfect for this spring.
So we just cover that like so.
Just pop that in the fridge and just leave it for eight hours.
Now, tell us about Fifteen, then. Still going strong?
Cos you've got the one in London.
Well, all over the place at the moment.
Yeah, there's one in London, there's one in Cornwall as well.
Still going very, very strong, both of them.
Yeah, the restaurant's extremely busy this time of year,
which is great for us.
And you two implemented new changes on the new menu, then?
Yeah, what we do, we've both got the same love for food,
so we both have the same theories around it.
So, we write the menu everyday, which is nice.
Sometimes, if we like something, it stays on the menu.
We're kind of pretty much dictated by the seasons.
So if we get some lovely asparagus in, we'll use that on the menu.
We kind of write the menus backwards.
We see the produce first of all
and then think about what's going to go on the menu,
which is a great way of doing it.
Now, you can see what happens to the fish, as well, once you cure it.
Yeah, it's lovely.
It's firmed up really nicely, so that's exactly where we want it.
And what I'm going to do as well...
A lot of people just throw the skin away.
What I want to do is blowtorch the skin
and get a nice little crispy skin going on.
I'll give you a bit of that.
Otherwise we're going to need a new chopping board.
Otherwise I set light to the kitchen.
All I'm going to do...
Again, if you haven't got a blowtorch at home,
just use a really, really, really hot pan and just scorch the skin.
A nonstick pan's brilliant for this.
We do this at my place, really, with the mackerel,
you can cook like this as well.
And scallops, you can cook all the way through with a blowtorch.
I think it's a lovely, lovely method to use, actually.
So why are you doing that with that one, then? Just for the skin?
Just for the skin, because like I said, people throw it away,
and you get a really nice, crispy skin, and I like that.
And it helps really cut through the meatiness of the trout.
-The skin is the best bit.
-It is the best bit. It really is.
-Now, with this, what I'm going to do...
That's why you like the crackling, you see.
I'm going to do some preserved lemons,
so, again, this is another little thing you could do
a couple of weeks in advance.
What we do is we put some water, some vinegar and sugar,
bring it up to the heat and take it off.
So are these like the Moroccan preserved lemons?
Is that the kind of stuff you're trying to achieve?
Really, cos I love this...
There are little pockets of flavour going on,
and I use a lot of salt lemons in the restaurant,
but, you know, when you're at home, and you haven't got much time,
it's great to just slice these up and just pop them in.
-So all we do is...
-Do you want me to slice that for you?
Yeah, that'd be lovely if you could.
Just slice them very thin and just pop them in in that sugar
and leave it in your fridge, leave it for a couple of weeks,
So have you got any salt in there, as well, or just sugar?
You can pop a bit of salt in there - there's no harm in that at all.
So, with this, I'm going to make this using some ricotta.
And, again, it brings that creaminess to the dish,
cos it's kind of a nice spring salad.
So what we want to do is...
The ricotta is sometimes a little bit thick for me,
so I want it to spread nicely on the plate.
How long would you cook these for, then?
Those, I just bring it up to heat, take it off and just let it sit.
-So you've got ricotta in there.
-We've got ricotta in there,
a little touch of milk just to loosen it up, and just spread it.
Add a pinch of salt to it, as well.
And that goes lovely there.
Now, with this, we've got some raw peas.
Again, when they're just podded, they're beautiful -
they're not too starchy.
So we've just podded those,
and we're just going to dress it with some lemon juice and olive oil.
Really, really simple.
-What is this you've brought with us? What's this?
-This is mustard leaves.
Now, again, beautiful, really peppery.
So we've got this creaminess,
we need that little pepperness going through.
We've got some mustard leaves, and we've got some wild fennel as well,
-which is great this time of year.
We've got this lovely little forager who comes and picks the wild fennel.
See, I read the brief, you see, Michelle.
You don't like fennel,
so these two have stuck fennel on both of their dishes.
But do real people use fennel, or just TV chefs?
-That's what I want to know.
-It's just these boys.
They just say to us, what do we want to use?
"Fennel." Straight away.
So that goes in the middle of the plate, there.
Now, you just put a little bit of milk to soften that up a bit.
Softened it up a bit.
Again, it depends on what the ricotta is like,
but I think a little touch of milk softens its up.
What would you use if you didn't use fennel?
What would you supplement it with?
-Radishes would be nice.
-Put some radishes in there.
But I like that aniseedy flavour as well -
I think it works so well with this fish.
-So what have you put in there?
In there, a bit of lemon oil. some more wild fennel, and again...
So lemon oil, but you've just put lemon juice and olive oil in that.
-Lemon juice and olive oil.
-So that's like a dressing.
So what we do is just toss that together.
Place the sea trout. That's nicely torched.
Just going to cut that in half.
-It's going to eat like gravlax, then?
And, again, you can just...
And it isn't expensive, this rainbow trout, as well,
-cos a lot of it's farmed, of course, nowadays.
Again, all I want to do is just put the peas on top.
That gives it a lovely freshness
and makes it more of a salad as well.
And some of the leaves.
Just place it on there.
So, these mustard leaves - where do people get those from?
Cos I haven't seen those, really, in the supermarkets.
Yeah, they're not around in the supermarkets. They should be.
There's some mustard frills in the supermarkets.
But I get this from some veg suppliers
that we use in the restaurant,
and if you can't, you can substitute it with a bit of watercress
or anything like that.
And the crisps, again, lovely Jersey Royals, but it just
gives it that crispy element to the dish, which I quite like.
Sounds pretty good to me.
Would you serve that as a starter or a main in your restaurant?
I would serve that as a starter,
or, with a bunch of friends, just plonk it on the plate.
-Bunch of friends?
To eat that, as well? LAUGHTER
-Would be just for me. Anyway...
Tell us the name of this dish.
So, there we've got some lovely rainbow trout with some peas,
-And some lemons!
-Preserved lemons as well!
There we go.
And you mentioned you could leave those for weeks, really,
but how long would you cook them before...?
Literally just bring them up to heat, take them off and sit them.
As soon as they go nice and soft, they're ready to go.
-Easy as that.
-Easy as that.
Easy as that.
And you get to dive into this one, first of all.
Like that. Dive in.
Now, you mentioned sea trout quite a few times over there -
slightly different in price, of course!
-Slightly different in price!
-Slightly different in price!
But rainbow trout, like you said, really inexpensive.
Rainbow trout is great this time of year.
Really inexpensive, and a lot of supermarkets do it.
Yeah, I think the best way to do that is get the fishmonger
to actually take the bones out for you.
Yeah, take the little pin bones out. Dive in.
But it can be quite fiddly, though.
Yeah, it can be quite fiddly, but, again, get the fishmonger to do it
for you, and there are lovely little fillets ready to go.
It looks amazing.
-And the crispy skin with the blowtorch there.
-Great texture, isn't it?
-And luxury crisps.
The earthiness of that trout with those fresh peas, the lemon,
the ricotta, that's my kind of dish.
Now, time for the omelette challenge,
and this week, it's France versus Scotland,
as Richard Bertinet takes on Nick Nairn.
It's the omelette challenge, of course.
Nick on the board with 17.12 seconds.
Richard a little bit way back,
but I think they can both do pretty better than this,
cos he's pretty quick.
Are you ready?
Let's put the clocks on the screens, please.
Are you ready? Three, two, one, go.
Oh, no! It all had to go wrong.
Special liquid filling for you, James!
You see? I big you up at the top of the show...
I know, mate , I know.
"The culinary teachers", you know?
-That was quite violent.
It's quite vile. I don't know about violent!
I'm 100% with you, mate.
-And this one...
-We try hard.
There's not a lot of these that I could actually eat, really.
-Omelette baveuse. Come on.
It's still clucking, is that. Yeah.
There's lots of other words you could describe it as well.
You're not going on.
-Doesn't matter about it.
Rule number one of the omelette challenge - cook an omelette.
Something both of them failed to do there.
Now, up next is Vivek Singh with an Indian dish
that's full of Cantonese influence.
And watch out for some great tips on using stock cubes.
Great to have you on the show.
Now, mentioning your new food,
but this is sort of a mixture for you, really.
This is possibly India's second favourite national dish,
-the chilli chicken.
Yeah, it started off in the Hakka community, the Chinese community,
that have really preserved their way of life in Calcutta,
and what have you.
But this is one of those few dishes that has actually broken out
and become mainstream,
and now you found them sold in street carts all over the country.
Chilli chicken, everybody knows.
Well, chilli chicken, but it's not to be confused with chilli crab?
-Because I had...
-No, it's quite different.
It's different, chilli crab, in Singapore
to what it is in Hong Kong, so it's different all around.
It's very different.
So for the chilli chicken, I'm using thighs,
but you could use breast if you preferred that.
It's very versatile. This dish is quite simple and quick to do.
And I love it because it's a street thing,
and I'm able to put it on as snacks with my drinks
in Anise, our cocktail bar,
and it works really well.
It's really popular, very quick and easy to do.
and very versatile.
As I said, you could use it as a starter,
you could serve it with some rice and noodles.
Now, the cocktail bar that you've got,
that sits underneath The Cinnamon Club?
-No, this is the one in Cinnamon Kitchen.
-Oh, a new one?!
Cinnamon Kitchen started off with Anise as its sort of supporting bar,
and we've now given it its own identity.
It's got its own entrance and what have you.
And in the City...
You've been there -
your old gym used to be under this restaurant, wasn't it?
-My old gym?
-Yeah. In the City.
-It wasn't me!
You're confusing that with somebody else! Who's that?!
I know a Jim. I know a Jim, but that's about it.
No, Cinnamon Kitchen has a wonderful terrace,
and in the summer, it really comes into its own.
So this is one of those dishes we do.
It's a lot of street food and what have you.
Well, I'm getting the chicken on.
This is the marinade that you're doing anyway, now, so...
If you fry off the chicken for me.
As I said, it's a Cantonese influence.
so, you see, a lot of double frying.
A quick fry first, just to give it a nice crust,
and then it is stir-fried with all the other ingredients.
So I've got some chopped garlic that's gone in here.
A little bit of light soya and dark soya.
-So this is the Asian influence, then?
-This is the Chinese bit.
And we'll put some cumin and coriander into it.
Cumin and red chilli powder.
A little bit of salt.
And here - this is the interesting bit -
I like adding a bit of chicken stock, chicken cubes, into it,
just to enhance the umami flavour.
-Is this a salt bit?
-Yeah. So you've got a...
And we add a significant amount of cornflour into it
because that's what's going to give it the crust when it's fried.
So we're frying the chicken for what?
Three, four minutes? Something like that?
Four, maximum five, depending on how it's been cut.
I take it the cornflour gets it nice and crisp, then?
Really nice and crisp, and that's the whole idea.
So we've got this, and this could go into the fridge,
you could leave it and marinade it for 30 minutes, or whatever.
Right, I've got two batches of onion here. Diced onion.
And you want the red pepper just cutting up.
-Yeah, dice it, Chinese cut.
I'll do some garlic for the stir-fry.
What about a stock cube - have you ever used that in food before?
Yeah, I use OXO powder, I do.
-There are other powders available.
-Obviously, yeah, sorry.
-We use some sort of stock powder.
There's a variety on the supermarket shelves.
And there's lots of other supermarkets, too.
If you dust chicken...
If you get a roast chicken and you dust it with -
like Vivek is doing -
over the top with a bit of oil and roast it, the skin is amazing.
And the same with beef as well. We use it with beef.
If you dust your meat before you cook it, before you fry it,
it gives a fantastic flavour.
-Over the top.
-Yeah, it just sort of brings it out.
-It just bolsters the flavours a little bit.
Now for the...
..for the stir-fry, dried pulled chillies.
Are you using the thighs because there's more fat in the thighs?
It's firmer meat, it's got a better texture.
I much prefer it to a breast, really, to be honest with you.
-In we go.
-Somehow Laura finds that amusing - I don't know.
That's the thing with the stir-fries -
you add the chilli first.
-You're using dried chilli for this?
-Dried whole chilies.
If you like them hot, you leave the seeds in.
If you don't like them hot, take the seeds out.
But you're saying you could actually burn it as well?
You could actually burn it.
And then you don't get the heat, you don't get the kick.
All you get is the smokiness of the chillies.
-And you can see it has turned brown.
-In goes the garlic.
-In goes the garlic.
The onions are diced up there.
I've added a bit of cumin into this and that is the, you know,
sort of, Indian influence.
Well, this is the Indian influence,
because lots of onions. I didn't realise how much.
To get into Indian cooking really well...
-The amount of onions you guys use.
A small kitchen, 40 kilos of onions a day.
I mean, that's what you start off your life with, don't you?
But, again, I think it's the balance of the spices,
it's the cooking itself.
-So that's the chicken.
-And with this Indian...
-Yep, it looks good to me.
-It looks all right.
-Happy with that?
-Just, sort of, separate the pieces slightly,
if they are not.
All right, now, the other spices that we've got in here -
so what are you adding in here, then?
-Some ground red chilli...
-..and some cumin.
And a touch...
If you could just turn that into a slurry, the cornflour.
-All right, OK.
-It wasn't by design but I did, sort of, figure out
at some stage earlier - this is a fantastic dish for vegans.
You know, or veg... No dairy, no milk.
It's just the pieces of chicken that might put people off!
-Substitute it with mushroom or something.
And it's a great alternative.
Something interesting, something different.
-Right, so you put the peppers in there.
And I've got some wild garlic just because it's so in season right now.
This is the one thing, you know, we like doing.
We like taking traditional Indian cooking techniques
and traditional Indian spices and then combine them with the very
best local seasonal produce that you can find.
-Of course, wild garlic is available. If you can find it...
..don't tell anybody, that's the key to it.
Yes, that's with mushrooms as well. If you find them, don't tell anyone.
Certainly don't tell any chefs,
otherwise they go over there and grab it all. But wild garlic...
Have you tried wild garlic before? Or seen it, firstly.
You don't want to be trying this sort of stuff until you cook with it.
-But that's what wild garlic looks like.
-Oh, my God!
And they produce these... If you break open the leaves...
-If you break it open...
-Yeah. You're able to smell it.
They produce these fantastic flowers, these white flowers,
-which are fantastic as well.
-So they grow, sort of, springtime.
Which I believe you're going to be using as well later.
Yeah, I'm using the flowers and the actual wild garlic itself.
-Right, what's next?
-I'm adding a touch of sugar into this.
-It's quite a quick...
It's a small cheat but it's quite a good way of bringing out
the savouriness. You always add a bit of sugar.
-This is... The Chinese do this brilliantly.
What spices have you put in there?
I've just put some ground cumin and some ground red chilli powder,
and that's the only spice that's gone in.
Right, and you've got some of this...
So the garlic again right at the last minute, that's the key to it.
-It smells amazing.
-M-mm, it does.
-It smells great.
-Our mouths are watering over here.
Particularly that fusion between the two.
-Yeah, and now with the wild garlic, a three-way fusion, isn't it?
But, you know, what better way to enjoy this
than to be in the sunshine on the terrace?
Have you seen it outside?
It was sunny when we arrived this morning, it's pouring down now.
Have you seen the terrace? It's really covered...!
You can enjoy it in the best... The best weather.
Right, so at the last minute we throw in...
I'll get you a spoon to serve it on.
There you go. That oil, by the way, is about 360.
-Not too hot is the key to that oil...
..otherwise you're going to colour it too much,
-particularly with that soya, I take it?
And, also, you've got a bit of sugar in it so it caramelizes
quite quickly and quite nicely.
You just, sort of, mix all that up.
It looks like that Asian thing
-already straight away in the pan.
And that - another last minute Indian touch to it.
-Well, we're ready when you are.
You know, with something like this, the trick is not to plate too much.
It's quite a simple and nice thing to share, which is possibly
why it works so well as nibbles and with drinks
and things like that. So just pile it up.
Yeah, pile it up! Yeah, that's what we're saying over here, pile it up!
-Yeah, pile it up.
-I know how it flew in the rehearsals.
-This is just a great way of...
-So you've already tried it?!
Yeah, well, this is my second helping.
Yeah, we've all been to the gym since then.
Is that the one underneath your restaurant?!
I can't believe you said that! Yes, it is.
So tell us the name of this, then.
Right, an indoor Chinese stir-fried chilli chicken.
Yeah. I'm not touching any of it, but there you go.
It looks great. It does look fantastic.
I know it tastes so good as well but...
SHE GASPS You get to dive into that one.
-It's great, isn't it?
-And it smells beautiful.
The key to it, like I said, not too hot, not too hot with that oil.
-So you make sure the chicken's cooked all the way through it.
-Cooked and crunchy at the same time.
That, sort of... The marinade that you did with that,
-particularly with the cornflour, makes it nice and crisp.
-And that's what it is.
It takes all the flavours in, all soya sauce and the vinegar...
-And the darkness comes from the soya, really.
-That's the key to it.
-But nice and simple.
And that mixture of, sort of, Indian spices in there at the last minute.
Yeah, the best of both worlds, isn't it?
That chicken looked fantastic.
And a great alternative would be to serve it on skewers as party food.
Now, when John Barrowman came to the studio to face his food heaven
or food hell, he was hoping to be matched with meringue, but he
was worried it could be watermelon. Let's find out.
Right, it's time to find out whether you've sent John to his food heaven
or food hell. John, just to remind you -
-your version of food heaven would be meringue.
-We'll do a baked Alaska.
-A great, great dish.
Alternatively, it could be the dreaded watermelon.
Look at this! I mean, it's fabulous.
-Get in the kitchen and cut the melon!
-It's lovely. Look at that.
-I love a watermelon. Can I've a slice?
The only thing that intrigues me about that recipe is the vodka.
Exactly. Well, 92% water in a watermelon.
-I love it. The flavours...
But, you see, it just smells bland.
But it could be with Indian...
Great Indian, little doughnuts called gulab jamun,
which I learnt how to make last week.
How do you think the viewers have done?
Well, if they want to see me, you know, really cringe,
they're going to do the watermelon.
But, you know, if... I don't know, you tell me.
-It is one of the highest percentage votes so far.
72% of the people want to see...
Not that he's happy, or anything!
Right. You can get rid of that.
-I think you can safely say he's happy.
We need to get on and do this because I can't believe
-I've got to do all this in about six minutes.
-I won't talk.
So, meringue. We're going to make... Get the sugar, pop it straight
in the oven, right-hand side. There are three ways of making meringue -
-hot, cold and Italian. We're going to do a hot meringue.
-Middle or top?
-Right, we've got a sauce for here. There you go.
-Middle or top rack?
It doesn't matter. That can go straight into there.
What we're going to do... Grab a cloth.
..we're going to make our toffee sauce. This is full-on, full fat.
We've got double cream, dark brown sugar, soft sugar,
-butter, golden syrup and black treacle.
-Can I go?
-Throw the whole lot in.
-Oh, it sounds delicious.
We're going to whip up our egg whites here,
but this egg white one we're actually going to make
with hazelnuts as well, which I love, this baked Alaska.
So what I'm going to do is just quickly mix this up.
I'll just orchestrate this like that.
You're dancing in the background. Fantastic.
-If you can get some ice cream out of the freezer.
Now, it was actually invented in about the 18th century.
It's a fantastic, fantastic dish this.
It was invented in New York City in honour of...
-To sort of celebrate...
-Coming into the state of the Union.
We're going to whisk this all up.
But it wasn't popularised until a restaurant in Monaco took
it over and the Hotel de Paris. And they took it over.
And it's a fantastic dish this.
We used to eat a lot of it in the '60s,
-and I don't know why people don't now.
-Put them all in...
Doesn't it take...? Well, we're doing it in six minutes.
But doesn't it generally take a little longer to do?
It does, generally.
It can be baked in the oven normally,
but this is so quick and simple.
But, fundamentally... Well, this is not normally with it, toffee sauce.
-But because it's got toffee...
-I love toffee.
And all that kind of stuff.
What we're going to do is take the sponge...
Shouldn't a baked Alaska be really a hard shell on the outside?
It can be, but that's all to do with the way you make the meringue.
You've got three ways of making it, as I said -
hot, cold and Italian.
Italian is the sugar and water is boiled up to 121 degrees
and is poured onto the egg white.
-Cold is just add the sugar to the egg whites cold.
-Is that it?
And hot is what we're doing now. We heat up the sugar in the oven...
-Until the sugar's nice and hot... Get rid of that.
And then we throw this in.
Now, keep the machine going.
It's not made the traditional way where you stop the machine.
If you listen to it,
the machine will actually drop down a gear
as the meringue starts to get thicker. You'll hear it in a sec.
Because we're heating the sugar, it actually cooks
the meringue as well.
-You're really smart.
-Now, when you hear it drop down a gear...
-..stop the machine, that's your meringue done.
-This is nearly there.
You guys make...
The thing I love about watching, you know, shows where chefs and things
and people cook, you make it look so easy.
And we were just saying over there, Alex and Nigel and I that...
-Touch the bowl. It's warm, isn't it?
That how quickly you do it and it's...
You know, at home we're all like...
-You know, getting everything right, but it's done so quickly.
That's why they're the professionals and we're not.
The way you can test this is just test it... There you go.
-It's definitely ready!
-I'm going to get you after the show!
Yeah, I know you will.
You've got me during the show, so don't worry about that.
Don't ask another question. Come on, we haven't got time.
If you can fill the piping bag half with meringue, that would be great.
What we're going to do is a mixture of toffee... Obviously vanilla.
Before you do that... Just put a little bit of those in.
-Just a few of hazelnuts.
-Just a few.
Now, what we're going to do is layer this all up
with our ice cream. Now, when I was at college and I used to make this,
this would be made...
Which would be like a...
Almost like a copper tin and you'd set the ice cream in it
and then you'd just dip it in water, which would get it out and it
would actually be the perfect shape for a baked Alaska.
However, I'm going to attempt to make ours...
-This is an organic base.
-This is kind of like organic, yeah.
-Making it organic.
-But rather than have it too much toffee...
Very organic. Done with those.
-Have you got me the rest...?
-Can I stir this?
-There you go.
Right, now, what we do now is take this bit.
Now, this doesn't look the most appetising thing,
but, trust me, you need to do it this way.
Lift this up,
and then throw the meringue over the top.
-It looks amazing.
-But, what you need now....
-..is a palette knife.
-Thank you, viewers...
-Into hot water.
And you go round the edge like that.
Now, the reason why you dip it in hot water
is it stops the meringue from sticking
to your palette knife too much.
But you go all the way round just until your ice cream
is nicely courted. Don't worry about the bottom like that, it's fine.
Absolutely fine. You can bring some more round
and just cover it all over.
Now, don't worry about this stage because what you can do
is just spike it up to make it look a bit more appetising.
And then, because we've got a piping bag, plain nozzle - we can go round.
Just fill in the gaps. Now, normally, what you would do...
-I'm going to cry!
-Normally, what you'd do is pop this
obviously on an ovenproof plate and then pop this in the oven.
But, because we've got the invention of a blowtorch now,
we can do it this way.
You just put a piping bag like...
-Like that. You need to be good with a piping bag, otherwise
it looks like something that a dog's left behind in the park.
But, literally, just round this.
If I was single, I'd take you home!
Now, look. Look at this.
-It just goes round there.
-That smell is...
Oh, that's glorious!
There you go. And if you want a birthday cake, set fire to the top.
And that's that. And then, of course, we've got our toffee sauce.
Now, this is just divine.
I've got a ladle there. There we go.
I could just drink that.
And we've got the toffee sauce.
You can just pour round the edge.
Now, what I would do if I had a bit more time is take toffee sauce
-and chocolate sauce and drizzle it.
-You've done this before.
-Just a few times.
-That's ours now, thanks!
-Grab your knife and fork.
-There you go.
-I don't whether to give you that or one of these -
something like that!
Tell us what you think.
Go on, dig in.
That way of making the meringue should be much softer
than you're used to when you make it with...
-I can't believe he's eating that much.
Oh, my God! That's so good!
You like that? Right, we'll get some wine out the fridge.
I think he's happy. Bring over the glasses, guys.
-Taste that sauce.
-It's amazing. It's amazing.
Grab into that, guys.
Now, it's Italian wine for the end.
-Now, I love this one.
-At last, some Italian wine!
There you go. Dive in and tell us what you think.
It goes particularly well with that.
-That smells lovely.
Now, I don't know if you picked it up from the clip, but John was
really, really excited about that but he hid it quite well.
Now, I'm afraid, that's all we've got time for on today's show.
I hope you've enjoyed taking a look back at some of the delicious
recipes, all hand-picked from the Saturday Kitchen archives.
Have a great week and we'll see you soon.
Matt Tebbutt takes a look back at some of his favourite recipes and best moments from Saturday Kitchen. Including recipes from Bryn Williams, Theo Randall, John Rotheram and Vivek Singh, and John Barrowman faces his food heaven or food hell.