Browse content similar to 03/06/2017. Check below for episodes and series from the same categories and more!
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That is disappointing. Well, you can change that. | :00:00. | :00:00. | |
So, put the eggs down. The clocks on the screens, please. I know we are | :00:00. | :00:09. | |
short of time but, come on, you ready? Three, two, one, go! | :00:10. | :00:30. | |
I love this. We get the best chefs in the country on this show, and | :00:31. | :00:37. | |
give them an omelette and look what happens! Oh, that is not an | :00:38. | :00:43. | |
omelette! Have you ever seen an omelette come out of this kitchen? | :00:44. | :00:50. | |
Never! Never! I did one once! Mine's not cooked. | :00:51. | :00:54. | |
Very nice. Right, OK. So once again in the heat | :00:55. | :01:03. | |
of the moment. We got carried away. So apologies for any potential bad | :01:04. | :01:09. | |
language we may have used. Shall I try this? Yes. Go on. You | :01:10. | :01:15. | |
can get paid danger money. After this morning I won't get paid | :01:16. | :01:23. | |
any money! Nice eggs. It tastes nice. | :01:24. | :01:30. | |
Shall I try this bit here? The cooked bit. Not the raw bit. | :01:31. | :01:36. | |
That's the melted cheese. Oops, it's delicious. | :01:37. | :01:45. | |
OK. Anna... OK, Anna, you're on the board. How do you think you did? | :01:46. | :01:51. | |
Very badly. Two minutes. No, one minute? No speed, no speed from the | :01:52. | :02:00. | |
gallery, so you're not on the board! Tony, did you beat your time? | :02:01. | :02:07. | |
Possibly... What are we thinking? 2... 6... 5... 2... You beat your | :02:08. | :02:15. | |
record! Anna, you're going in the bin. | :02:16. | :02:20. | |
Sorry. How long did it take? Not sure. | :02:21. | :02:32. | |
So will Sophie get her food heaven, hot chocolate pudding | :02:33. | :02:36. | |
with raspberries and raspberry ripple ice cream or food hell, | :02:37. | :02:38. | |
We'll find what you at home voted for after Nigella Lawson shows us | :02:39. | :02:43. | |
If only I had known about this black and viscous liquorice liqueur | :02:44. | :02:53. | |
when I concocted this liquorice pudding first off, I would | :02:54. | :02:55. | |
However, I am happy enough with these lozenges. | :02:56. | :02:58. | |
I need a teaspoon of these little babies to start | :02:59. | :03:01. | |
I've got some water here, and really you just have to be | :03:02. | :03:12. | |
patient enough to wait five minutes to let the liquorice dissolve. | :03:13. | :03:23. | |
Bit of a swirl will help it along, but to be honest, I don't mind if it | :03:24. | :03:27. | |
A few dark splodges in the pudding later are rather gorgeous. | :03:28. | :03:37. | |
Bitterness is part of the point of liquorice, | :03:38. | :03:39. | |
I'm having light muscovado in my pudding. | :03:40. | :03:49. | |
Adding cream to this turns the black into a deep buff-tone, | :03:50. | :04:01. | |
Frankly, I could drink this, but to turn it into pudding, | :04:02. | :04:11. | |
I need a cornflour mixture, I need to slake it, | :04:12. | :04:15. | |
which means a bit of cornflour, mixed to a smooth paste with milk. | :04:16. | :04:25. | |
Just a few seconds and it'll be thick. | :04:26. | :04:36. | |
What I normally do is cover these, and put them in the fridge to chill, | :04:37. | :04:46. | |
And there is something to be said for eating them straight away, | :04:47. | :05:00. | |
and what's more, although it does feel verging on the deviant, with | :05:01. | :05:03. | |
I don't mix it in, I just add with each spoonful. | :05:04. | :05:16. | |
When I can, I love, love, love coming to an Italian | :05:17. | :05:55. | |
deli, and right now, I'm here because I need some | :05:56. | :05:58. | |
fregola, which really, you don't find on the high street. | :05:59. | :06:00. | |
Now, what fregola is, is like a giant couscous. | :06:01. | :06:04. | |
It's often known as Sardinian couscous, but unlike ordinary | :06:05. | :06:06. | |
couscous, it's toasted when it's made, so it has a real roundness | :06:07. | :06:13. | |
and nuttiness of flavour, and what I need it for is my | :06:14. | :06:15. | |
Oh, the sound of a sizzle just makes me salivate. | :06:16. | :06:29. | |
I've got a shallot in with some olive oil. | :06:30. | :06:43. | |
This gorgeous terracotta coloured confetti. | :06:44. | :06:49. | |
Haven't quite finished the flavour base. | :06:50. | :06:54. | |
I feel I need an ungainly squirt of tomato puree. | :06:55. | :07:00. | |
I normally would NEVER add tomatoes to clams, | :07:01. | :07:05. | |
I like them "il bianco," as they say in Italy. | :07:06. | :07:07. | |
All-white, no tomatoes, but this is different. | :07:08. | :07:14. | |
It somehow keeps the lightness of tomatoless clams, | :07:15. | :07:16. | |
but brings a bit of brightness at the same time. | :07:17. | :07:21. | |
On top of all that flavour base, I'm adding a weakish chicken stock. | :07:22. | :07:36. | |
You could at this stage add wine, but I prefer vermouth. | :07:37. | :07:38. | |
It has a more mellow ring about it, you don't need to cook it for ages | :07:39. | :07:42. | |
If you've never come across fregola before, do not be afraid | :07:43. | :07:57. | |
The fregola won't take very long to cook, and in the meantime, | :07:58. | :08:01. | |
I always feel a link with our primeval past | :08:02. | :08:23. | |
It's a matter of moments, so I'm getting ready now. | :08:24. | :08:41. | |
I love it when the clams have opened, and the fregola is sort | :08:42. | :08:48. | |
of nestling inside the shells, on the cushions of clam. | :08:49. | :09:01. | |
This is so unlike anything you ever tasted, and yet | :09:02. | :09:08. | |
That is the magic of Italian cooking. | :09:09. | :09:26. | |
Right, time to find out whether Sophie | :09:27. | :09:41. | |
is getting her food heaven or food hell. | :09:42. | :09:45. | |
Food heaven could be hot chocolate pudding. | :09:46. | :09:51. | |
Russ Bray, raspberry sauce. Your parents did not want it. I know. And | :09:52. | :10:03. | |
this was fish pie. It does look beautiful. But it will be quite | :10:04. | :10:06. | |
creamy and that is not what you're into. Ready you think people at home | :10:07. | :10:12. | |
when? Gave my parents voted for food hell, I do not stand a chance. It is | :10:13. | :10:17. | |
not necessarily a reflection on you. Do not take it badly. Tony, where do | :10:18. | :10:25. | |
you think it has gone? I think it will be food hell. Anna? I am up for | :10:26. | :10:36. | |
the kill -- food hell as well. What about you at the end? I would choose | :10:37. | :10:43. | |
food heaven. The result is 55-45. 55% voted for hell. Again, a | :10:44. | :10:49. | |
reflection of the dish, not upon you as an actress. I blame my parents. | :10:50. | :10:58. | |
OK, fish pie. It is a nice fish pie. It did look beautiful. Thanks to be | :10:59. | :11:02. | |
one who took the time to Broad. Yes, thanks. I need some mash, could you | :11:03. | :11:16. | |
do that. I can read your mind. Shallots, but. Sweat them in some | :11:17. | :11:23. | |
Vermouth. In here we have got some milk, bay leaf, salt, pepper, onion, | :11:24. | :11:28. | |
just the flavour. We will chat in the fish. We will just took it very | :11:29. | :11:33. | |
gently. What is that? Monkfish, smoked haddock, some prawns, and | :11:34. | :11:41. | |
crayfish. They look like cartoons. These are in the rivers all over | :11:42. | :11:45. | |
Britain and they are a pest, so we need to be eating them. Sure. In | :11:46. | :11:52. | |
with the haddock. They are literally everywhere. These crayfish have been | :11:53. | :11:57. | |
brought in from the States and they have taken over, decimated the | :11:58. | :12:01. | |
rivers. They take over the native population of crayfish. The best | :12:02. | :12:05. | |
thing we can do is put them in a pie. Is there any fish that you | :12:06. | :12:13. | |
would not put in a fish pie? Or oily fish. No capers. There you go. I was | :12:14. | :12:19. | |
going to put some sardines in this and have their heads and tails | :12:20. | :12:24. | |
poking out, but to be honest, it started getting a bit busy so I took | :12:25. | :12:28. | |
them out. That is the beauty of rehearsals. Rather than going live. | :12:29. | :12:34. | |
Absolutely. Sophie, let's go back to your acting. When you look at an | :12:35. | :12:41. | |
acting role, like Peaky Blinders, how do you know you want to take it? | :12:42. | :12:45. | |
Is it trust and the writer? Yes, if you get a script and you keep | :12:46. | :12:50. | |
reading it, that is the first sign. If you put it down and make a cup of | :12:51. | :12:54. | |
tea, you probably have not connected to it. If you cannot get enough and | :12:55. | :12:59. | |
you want to know what happens next, you have some sort of relationship | :13:00. | :13:03. | |
with it and that is a good sign. Embarrassingly, I always start | :13:04. | :13:07. | |
speaking aloud in my living room. That is the signal. Are you always | :13:08. | :13:13. | |
an avid reader? Yes, I get carried away in the story. Is that | :13:14. | :13:17. | |
important? Yes, because you have to have an over vivid imagination to | :13:18. | :13:25. | |
believe that you are. I was reading that you love to sing and dance and | :13:26. | :13:29. | |
prance around as a child. Then you realise there was a job that | :13:30. | :13:33. | |
involved is. You could sure for a living. When I realised you could | :13:34. | :13:38. | |
get paid for that, I was sold. I never turned back. How much say do | :13:39. | :13:44. | |
you get in the character? We're going in the season four of Peaky | :13:45. | :13:48. | |
Blinders. How much say do you get? Steve Knightley writes it is really | :13:49. | :13:52. | |
collaborative. He wants to know what you think, but he has created this | :13:53. | :13:56. | |
whole world. He knows what he is doing. He knows where he wants the | :13:57. | :14:02. | |
character to go. He knows what he is happening to them even when they are | :14:03. | :14:07. | |
not on screen, I think. Doing something like Peaky Blinders is a | :14:08. | :14:12. | |
grave -- is a gift. It is brilliant, fun writing. This fellow has written | :14:13. | :14:18. | |
an awful lot. He was involved in Taboo. Yes. The trust is in the | :14:19. | :14:23. | |
writing. You would not look at a character and say, my character | :14:24. | :14:28. | |
would not be that? That old cliche. Sometimes you get quite protective | :14:29. | :14:33. | |
of your character. You come with an idea. Can I enter up to. Tony is | :14:34. | :14:39. | |
wandering around. What do you want? You did not get my message. It is | :14:40. | :14:46. | |
not there, the greater. It is usually there. Can we a greater? I | :14:47. | :14:55. | |
will do these eggs for you. Sometimes you turn up and you have | :14:56. | :14:59. | |
an idea. That is what is great, it is collaborative. Another actor has | :15:00. | :15:04. | |
an idea and it grows from there. Tony, we have got the shallots | :15:05. | :15:07. | |
sweated down and butter. Add the Vermouth. Yes. In with the flour, | :15:08. | :15:13. | |
and we will use the poaching liquor for the milk so it is a little bit | :15:14. | :15:19. | |
smoky, a little bit fishy, to going here. Let's have the save. You have | :15:20. | :15:25. | |
got the match going on, the Gruyere cheese. It is quite a wet mash. What | :15:26. | :15:31. | |
about the wine for this? Do not get it yet. Was it easy to match? Yes, | :15:32. | :15:38. | |
fish pie is a classic dish. You could go super traditional with the | :15:39. | :15:45. | |
Chardonnay. At I have gone with the different grape variety, I have gone | :15:46. | :15:49. | |
for a Chenin Blanc which has similar properties to Chardonnay. It takes | :15:50. | :15:54. | |
oak is quite well, oak barrels. It is not super aromatic. It has | :15:55. | :16:00. | |
similar qualities. You went to the effort of cooking all this? Yes. I | :16:01. | :16:06. | |
love cooking. Bless you. How is your cooking? It is amateur, but I love | :16:07. | :16:15. | |
it. I am an enthusiastic amateur. I obviously learned a lot since I | :16:16. | :16:19. | |
started doing the wine for Saturday Kitchen. We learn a lot about wine. | :16:20. | :16:26. | |
I am pleased to hear it. Normally I would see a recipe and skip over it | :16:27. | :16:30. | |
in a recipe book but with this I am forced to make it. Your boyfriend | :16:31. | :16:36. | |
must be thrilled? When do you cook, every Wednesday? It depends on how | :16:37. | :16:39. | |
did the chefs are getting the recipes in. OK. There is quite a | :16:40. | :16:46. | |
laugh in the corner from home economics. Let's get the sauce. Do | :16:47. | :16:52. | |
you want to get the wine? Have we got the mash? Beautiful. This is a | :16:53. | :16:59. | |
real bargain. It is the Tesco Finest Swartland. This is up and coming but | :17:00. | :17:07. | |
it is really established already, as a real Mac for loads of really cool | :17:08. | :17:13. | |
young gun winemakers. They are doing fantastic things in South Africa. | :17:14. | :17:18. | |
Chenin Blanc is South Africa's flagship white grade. They make it | :17:19. | :17:24. | |
beautifully. This is ?6 50. It is a bargain. Because it is fresh and | :17:25. | :17:28. | |
dried it will cut through the creamy flavours in the recipe. It was quite | :17:29. | :17:37. | |
an easy one? Yes, I could have gone with a richer version. But it is | :17:38. | :17:42. | |
summertime. I thought I would keep it bright and zany. It will still | :17:43. | :17:47. | |
have enough guts and depth to go with it. Right, I will put this in | :17:48. | :17:53. | |
the oven for about 25, 30 minutes. Just to glaze. Then, here we go, | :17:54. | :18:00. | |
over here. Have you changed your mind yet? I think it looks | :18:01. | :18:05. | |
beautiful, I take it back. You just would not eat it. I will have to. | :18:06. | :18:11. | |
Sadly, you're going to have to. That looks amazing. Gorgeous. This is | :18:12. | :18:18. | |
pretty hard. Do not burn your mouth. You have got lovely shoes on, so do | :18:19. | :18:23. | |
not get it on them. And white trousers. When do we see Jamestown? | :18:24. | :18:28. | |
And design at nine o'clock on Friday night on sky one. Cheers, thanks for | :18:29. | :18:44. | |
that. Tucked in, Sophie. Try your help dish. It will be really hot, | :18:45. | :18:49. | |
please do not burn your mouth. You're shooting,. Yes. As Europeans | :18:50. | :18:54. | |
wanted this so much, can we bring them on. Both of you. Come on, | :18:55. | :19:05. | |
traitors. It is really beautiful. Do not burn your mouth is. Very hot. | :19:06. | :19:12. | |
You were really game at digging in, Sophie. It is beautiful, I have to | :19:13. | :19:14. | |
say. Well, that's all from us today | :19:15. | :19:17. | |
on Saturday Kitchen live. Thanks to our fantastic | :19:18. | :19:19. | |
studio guests, Tony Singh, Anna Hansen, Jane Parkinson | :19:20. | :19:21. | |
and Sophie Rundle. All the recipes from the show | :19:22. | :19:23. | |
are on the website, And don't forget, Best | :19:24. | :19:25. | |
Bites with me, tomorrow | :19:26. | :19:31. |