Browse content similar to 06/01/2018. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Happy New Year, everyone! | 0:00:04 | 0:00:07 | |
Hope you're not too stuffed
after Christmas because | 0:00:07 | 0:00:09 | |
we've got a show full of delicious
treats, top chefs, and | 0:00:09 | 0:00:11 | |
a brilliant guest. | 0:00:11 | 0:00:13 | |
I'm Matt Tebbutt and this
is the first Saturday Kitchen | 0:00:13 | 0:00:16 | |
Live of 2018! | 0:00:16 | 0:00:26 | |
Welcome to the show! | 0:00:36 | 0:00:39 | |
Cooking with me today are not two
but three outstanding chefs - Liam | 0:00:39 | 0:00:43 | |
and Ryan Simpson-Trotman,
AND the brilliant Anna Haugh. | 0:00:43 | 0:00:45 | |
And in charge of wine it's
the always bubbly Olly Smith. | 0:00:45 | 0:00:48 | |
Good morning everyone! | 0:00:48 | 0:00:51 | |
Good morning! Liam Byrne and Ryan,
lovely to have you here. Our first | 0:00:51 | 0:01:00 | |
married cooking couple on the show!
Hopefully it will not cause too many | 0:01:00 | 0:01:06 | |
problems! And your restaurant is
sustainable - not the marriage! It's | 0:01:06 | 0:01:15 | |
in Oxfordshire, and it's
sustainable, and you have your own | 0:01:15 | 0:01:18 | |
plot of land, haven't you? Indeed.
We keep our own vegetable, and we | 0:01:18 | 0:01:24 | |
keep bees as well.
Nice. | 0:01:24 | 0:01:27 | |
And what can we expect from you
today? Duck and crumpets with | 0:01:27 | 0:01:29 | |
sherry, spicy goat's cheese and
shitake mushrooms. | 0:01:29 | 0:01:31 | |
Tell us more about the dish? It
looks beautiful. | 0:01:31 | 0:01:34 | |
It is duck hearts on crumpets with a
bit of cured cheese, a bit of cheese | 0:01:34 | 0:01:46 | |
and mushrooms.
It looks amazing. | 0:01:46 | 0:01:52 | |
And Anna. Hello.
You are doing something different as | 0:01:52 | 0:01:57 | |
well? It is something different for
me. | 0:01:57 | 0:02:02 | |
It is a vegan dish.
It is dark chocolate and tofu mousse | 0:02:02 | 0:02:06 | |
with honeycomb and star anise.
It is delicious. I was blown away by | 0:02:06 | 0:02:09 | |
it.
Good to know. | 0:02:09 | 0:02:13 | |
Yeah, I was just a little bit blown
away. Is it a new approach for you? | 0:02:13 | 0:02:18 | |
It was for a friend of mine that I
did it for. I thought it should be | 0:02:18 | 0:02:22 | |
shared.
Olly! Lovely to have you this | 0:02:22 | 0:02:27 | |
morning.
Good morning. | 0:02:27 | 0:02:29 | |
You have been filming in Belgium? I
have, staying in a monastery, | 0:02:29 | 0:02:38 | |
drinking beer. And the father was
very attentive. | 0:02:38 | 0:02:44 | |
Aen tentative monks! -- attentive
monks! | 0:02:44 | 0:02:57 | |
We've been nosing round the BBC
archives for classic foodie | 0:02:57 | 0:02:59 | |
moments from Rick Stein,
Keith Floyd, the Hairy | 0:02:59 | 0:03:01 | |
Bikers and Mary Berry. | 0:03:01 | 0:03:02 | |
Our special guest today
is a much-loved actor who's starred | 0:03:02 | 0:03:05 | |
in Harry Potter and Star Wars
as well as countless | 0:03:05 | 0:03:07 | |
comedies including Extras,
An Idiot Abroad, Life's Too Short | 0:03:07 | 0:03:09 | |
and Hitchhikers Guide to Galaxy. | 0:03:09 | 0:03:10 | |
and Hitchhikers Guide to the Galaxy. | 0:03:10 | 0:03:12 | |
We're delighted that
he's voyaged all the way | 0:03:12 | 0:03:14 | |
to the studio this morning,
it's the brilliant Warwick Davis! | 0:03:14 | 0:03:16 | |
Great to have you here.
Good to be here. | 0:03:16 | 0:03:18 | |
I could sit down and bang on about
Star Wars all day, by I will not. | 0:03:18 | 0:03:22 | |
You are here to talk about
'Eugenius'. A West End stage you are | 0:03:22 | 0:03:26 | |
producing? It is. A brand new
musical I'm producing. A different | 0:03:26 | 0:03:30 | |
role for me. Rather than being on
the stage. But enjoying it | 0:03:30 | 0:03:33 | |
immensely. Getting my head around
the figures and the creative side of | 0:03:33 | 0:03:38 | |
things.
Is it a difficult discipline to get | 0:03:38 | 0:03:41 | |
into? It is a bit. As a producer,
you have to make compromises as you | 0:03:41 | 0:03:46 | |
want to save money but for me I want
to spend money as I want it to be | 0:03:46 | 0:03:51 | |
the best it can be.
It is. It is like running a | 0:03:51 | 0:03:54 | |
restaurant. You want the best show,
the best plates, and then the | 0:03:54 | 0:04:00 | |
accountant comes in, or your other
half! You have to juggle both | 0:04:00 | 0:04:03 | |
things! Yes, to juggle both things
and get the best-looking show I can | 0:04:03 | 0:04:09 | |
but not to go overbudget.
And musicals, is it a thing of | 0:04:09 | 0:04:13 | |
yours? I love musicals. I grew up
watching them. Starlight Express was | 0:04:13 | 0:04:21 | |
a favourite. I would put on roller
skates and skate around the garage. | 0:04:21 | 0:04:27 | |
. Did you ware them with
leg-warmers? I didn't. Lining Leroy | 0:04:27 | 0:04:39 | |
from Fame.
I loved my skates. I think that my | 0:04:39 | 0:04:43 | |
parents gave them away! . So, your
food. Are you adventurous with your | 0:04:43 | 0:04:50 | |
food? I am becoming more adventurous
as I got older. I like British | 0:04:50 | 0:05:00 | |
comfort food, chickens, roast
dinners, stews, casseroles. That | 0:05:00 | 0:05:02 | |
sort of thing.
Is that your food heaven? It would | 0:05:02 | 0:05:07 | |
be in the stew area. I made a beef
stew the other day. There was steak | 0:05:07 | 0:05:12 | |
left over from Christmas. Not sure
if I should have used it... No! But | 0:05:12 | 0:05:18 | |
I put it in.s that is what stews are
about. It is leftovers, you make | 0:05:18 | 0:05:23 | |
something happen. I looked at the
recipe, it required tomato puree, | 0:05:23 | 0:05:28 | |
which I didn't have in the cupboard,
and Worcestershire sauce. So I put | 0:05:28 | 0:05:33 | |
in, the family don't know this but
they loved it, I put in ketchup | 0:05:33 | 0:05:39 | |
instead of the puree and tobasco
sauce instead of the Worcestershire | 0:05:39 | 0:05:45 | |
sauce.
Did they like it? They did. They | 0:05:45 | 0:05:48 | |
thought it was amazing.
OK. | 0:05:48 | 0:05:53 | |
Did you balance the amounts? Yes, I
just did a little bit. I had stolen | 0:05:53 | 0:06:02 | |
the tobasco sauce from a restaurant.
Do you want to elus where? I can't | 0:06:02 | 0:06:06 | |
remember! But I just used a little
bit. | 0:06:06 | 0:06:14 | |
I didn't steal the ketchup. I walk
out of restaurants rattling! You are | 0:06:14 | 0:06:21 | |
a star, nobody will stop you! What
about food hell? I don't mind going | 0:06:21 | 0:06:27 | |
to a fish and chip shop, and getting
a cod in batter but oily fish. Fish | 0:06:27 | 0:06:33 | |
pies at school were a nightmare. I
don't know what is in it? It could | 0:06:33 | 0:06:39 | |
be anything. You can chuck in the
heads, the legs. | 0:06:39 | 0:06:43 | |
All of those fish legs! You would
put it all in there and nobody would | 0:06:43 | 0:06:48 | |
know.
Like a dustbin. | 0:06:48 | 0:06:52 | |
And my school fish pies had a red
tinge. So something to do with that. | 0:06:52 | 0:06:58 | |
Smelly eggs, coriander.
I didn't get that memo, so there is | 0:06:58 | 0:07:03 | |
no coriander in it! | 0:07:03 | 0:07:04 | |
I didn't get that memo,
so there is no coriander in it! | 0:07:04 | 0:07:07 | |
So if the viewers give you heaven,
I'll make beef shin | 0:07:07 | 0:07:10 | |
and blue cheese cobbler. | 0:07:10 | 0:07:12 | |
OK.
Familiar with Kabulers? Are they | 0:07:12 | 0:07:17 | |
crumbly? Sort of.
. OK. | 0:07:17 | 0:07:22 | |
OK. | 0:07:22 | 0:07:23 | |
I'll sear beef shin then add butter,
pancetta, onions, celery and herbs, | 0:07:23 | 0:07:26 | |
then pour over some beer and cook
until the beef is soft. | 0:07:26 | 0:07:28 | |
I'll make some stilton
and thyme scones, layer | 0:07:28 | 0:07:30 | |
them on top of the stew,
cook a bit longer, then | 0:07:30 | 0:07:33 | |
finish with parsley. | 0:07:33 | 0:07:34 | |
Lovely.
Delicious! | 0:07:34 | 0:07:37 | |
Delicious! | 0:07:37 | 0:07:38 | |
But if Warwick gets hell I'll
make fish pie, with hard | 0:07:38 | 0:07:40 | |
boiled eggs! | 0:07:40 | 0:07:43 | |
What?! Why are you hiding eggs in
it! It is traditional! Seriously? | 0:07:43 | 0:07:50 | |
Yes. It's a form of protein. It is a
filler, I think. Look at that, it | 0:07:50 | 0:07:56 | |
looks delicious.
It looks delicious. | 0:07:56 | 0:08:01 | |
I will tell you what is in it... | 0:08:01 | 0:08:03 | |
I will tell you what is in it... | 0:08:03 | 0:08:05 | |
I'll make a roux then add anchovies,
poached haddock and salmon, | 0:08:05 | 0:08:07 | |
prawns and scallops | 0:08:07 | 0:08:09 | |
and put in a pie dish. | 0:08:09 | 0:08:10 | |
Then I'll scatter over chopped hard
boiled eggs, top with mash, | 0:08:10 | 0:08:13 | |
grate over some Edam cheese
and bake until golden. | 0:08:13 | 0:08:15 | |
And you are really down on Edam? I
don't like it, it is very bland. | 0:08:15 | 0:08:19 | |
It was the world's most famous
cheese at one time. I could bore you | 0:08:19 | 0:08:25 | |
senseless about Edam.
It sounds disgusting. Like a fishing | 0:08:25 | 0:08:30 | |
trawler crashed into a bag of
potatoes with a whole load of eggs! | 0:08:30 | 0:08:35 | |
Like the perfect marriage! | 0:08:35 | 0:08:37 | |
Like the perfect marriage! | 0:08:37 | 0:08:38 | |
But you'll have to wait | 0:08:38 | 0:08:39 | |
until the end of the show to find | 0:08:39 | 0:08:41 | |
out which one the viewers vote for! | 0:08:41 | 0:08:43 | |
So everyone, just go
to the Saturday Kitchen website | 0:08:43 | 0:08:45 | |
before 11 this morning and get
voting! | 0:08:45 | 0:08:47 | |
We also want your questions. | 0:08:47 | 0:08:48 | |
You can ask our experts
anything, just dial: | 0:08:48 | 0:08:50 | |
033 0123 1410. | 0:08:50 | 0:08:51 | |
Get dialling now! | 0:08:51 | 0:08:52 | |
As always you can also
comment on what's cooking | 0:08:52 | 0:08:54 | |
via social media. | 0:08:54 | 0:08:55 | |
Right, let's get cooking! | 0:08:55 | 0:08:56 | |
Liam and Ryan, what are we making? | 0:08:56 | 0:08:59 | |
Liam and Ryan, what are we making? | 0:08:59 | 0:09:02 | |
Come this way, boys. Nice to have
you here. | 0:09:02 | 0:09:05 | |
So this is the duck dish.
. Duck hearts. Duck different ways | 0:09:05 | 0:09:10 | |
with lovely duck here. We trim them
up. But before we start, the most | 0:09:10 | 0:09:14 | |
important thing is the crumpet. The
British favourite, crumpet. To make | 0:09:14 | 0:09:19 | |
the crumpet we have to take the
flour and add a little bit of water. | 0:09:19 | 0:09:26 | |
These are simple to make? Yes. Very
simple. A lot of people see it in | 0:09:26 | 0:09:31 | |
the shop and think it is difficult.
But it is easy. | 0:09:31 | 0:09:34 | |
I made some myself for the first
time a couple of weeks ago. It took | 0:09:34 | 0:09:39 | |
a couple of attempts. But it's a
slow cook thing. | 0:09:39 | 0:09:42 | |
It is. It takes six to eight minutes
to do properly. We mix the yeast, | 0:09:42 | 0:09:49 | |
sugar and flour. Let it rest for a
minute or so. Then we grab it and | 0:09:49 | 0:09:54 | |
sort of add a little bit of baking
bicarbonate of soda to it. | 0:09:54 | 0:09:59 | |
That gives you the nice bubbles.
Yes, it reactivates it. So you get | 0:09:59 | 0:10:05 | |
the bubbles coming through. Add a
little bit of water. | 0:10:05 | 0:10:08 | |
So tell us about Orwell's? Liam? We
have been there for eight years. It | 0:10:08 | 0:10:17 | |
is our baby. It is an old country
pub in the middle of the Oxfordshire | 0:10:17 | 0:10:24 | |
countryside. We have us and our
lovely beagles, Remy and Truffle. We | 0:10:24 | 0:10:33 | |
have a small holding for five years.
Keeping bees for four years. | 0:10:33 | 0:10:38 | |
Do you keep bees? Yes, we do.
Olly keeps bees. | 0:10:38 | 0:10:45 | |
I love the bees, have you named them
all? Just the one, Beyonce, the | 0:10:45 | 0:10:53 | |
Queen bee! That is great. We have
five hives. | 0:10:53 | 0:11:00 | |
That is quite a bit? Yes. But it's
great. We live off the produce. It | 0:11:00 | 0:11:06 | |
is quite nice.
I have looked at getting bees but | 0:11:06 | 0:11:12 | |
they are like pets, they need zoont
attention. | 0:11:12 | 0:11:16 | |
You have to, yes. You have to keep
an eye on the hive. Think like a | 0:11:16 | 0:11:22 | |
bee. To be a bee. They are very good
people and do good things in the | 0:11:22 | 0:11:27 | |
world.
They pollinate and make honey! I | 0:11:27 | 0:11:39 | |
like the idea of saying to the bee
when you take it to a flower and say | 0:11:39 | 0:11:47 | |
"do this! ."
When you say you are a bee-keeper, | 0:11:47 | 0:11:53 | |
the first thing people say is do you
ware all of the stuff? Yes, it is | 0:11:53 | 0:11:57 | |
marvellous! One of the most
important thing is to look after | 0:11:57 | 0:12:02 | |
them in the winter months as they
tend to have no forage. So look | 0:12:02 | 0:12:07 | |
after them, make sure that they have
food as they could die off. | 0:12:07 | 0:12:12 | |
On a serious note, they are dying
off? Yes, there is a declining of | 0:12:12 | 0:12:18 | |
them as the wild flowers and meadows
are going. So they are disappearing. | 0:12:18 | 0:12:25 | |
You use make money from them in the
restaurant? Yes. We make the honey, | 0:12:25 | 0:12:33 | |
we make about 120 pounds of honey.
Do you sell it? Yeah, we do. We work | 0:12:33 | 0:12:38 | |
with certain people and do certain
things. | 0:12:38 | 0:12:42 | |
Put it in cocktails! There is a
cracking gin cocktail you can do | 0:12:42 | 0:12:48 | |
with a little bit of honey in it.
Stunning. | 0:12:48 | 0:12:52 | |
So, crumb approximatelies. The
bubbles are coming up. It's over a | 0:12:52 | 0:12:56 | |
low heat. You can see the bubbles
coming up, so put it to one side. | 0:12:56 | 0:13:02 | |
At that takes about six to eight
minutes? Yes. So we warm this back | 0:13:02 | 0:13:07 | |
through, the one we turned.
You can make these in advance. You | 0:13:07 | 0:13:13 | |
can buy shop-bought. Or spend a fun
morning with the kids at the | 0:13:13 | 0:13:16 | |
weekend. It is great to keep.
. And a good way to finish them, we | 0:13:16 | 0:13:24 | |
like to add a little bit of butter
and yeast extract. You can get this | 0:13:24 | 0:13:29 | |
at the supermarket. It gives it the
awe mammy. | 0:13:29 | 0:13:41 | |
-- umami.
I add that to my crumpets all the | 0:13:41 | 0:13:45 | |
time! If you add just a touch. It
give as lovely richness to it. | 0:13:45 | 0:13:53 | |
So, Marcus Waring came on some time
ago, he made crumpets. They went | 0:13:53 | 0:13:56 | |
down a storm.
This dish is a homage to a friend of | 0:13:56 | 0:14:01 | |
us.
We would have duck hearts on toast. | 0:14:01 | 0:14:05 | |
It is comforting when eating that
food. So at the restaurant we have | 0:14:05 | 0:14:08 | |
tried to refine it.
It is very French, duck hearts. I | 0:14:08 | 0:14:17 | |
have had them in Toulouse, they are
big into their ducks. | 0:14:17 | 0:14:21 | |
The south of France is amazing for
that sort of thing, the Dordogne, | 0:14:21 | 0:14:28 | |
that sort of thing.
You trained in France? I did. | 0:14:28 | 0:14:34 | |
The chefs you worked for e they are
top flight three-star boys. | 0:14:34 | 0:14:38 | |
Intricate food. Do you take little
pieces from everyone? I think that | 0:14:38 | 0:14:42 | |
the way that food is going now, it
is more relaxed but there is still | 0:14:42 | 0:14:47 | |
refinement. You want to make it
refined. Something that you can't do | 0:14:47 | 0:14:51 | |
at home. But what we want to promote
today, is that you can get duck | 0:14:51 | 0:14:56 | |
hearts from the butchers, you can
make the crumpets easy. I want to | 0:14:56 | 0:15:01 | |
promote the vinegars that we are
using and the textures. So along | 0:15:01 | 0:15:07 | |
with the umami taste we have the
Shiitake mushrooms. There is stock, | 0:15:07 | 0:15:15 | |
mirin, and rice wine vinegar with
spices and tobasco. | 0:15:15 | 0:15:19 | |
There are lots of layers. It is
feeling French, then with the soy | 0:15:19 | 0:15:25 | |
sauce... We have gone to Japan.
It is all about the flavour. So | 0:15:25 | 0:15:30 | |
something like the mushrooms are
beautiful on their own. So if you | 0:15:30 | 0:15:38 | |
are doing vegan, we would just put
those on instead of the duck hearts. | 0:15:38 | 0:15:42 | |
And they have that delicious umami,
meaty flavour? Yes. So to finish the | 0:15:42 | 0:15:49 | |
dish, we take the lovely crumpet, we
have toasted, with the butter and | 0:15:49 | 0:15:54 | |
the Marmite.
You have a smidgeon of that? Yes, | 0:15:54 | 0:15:57 | |
just a small amount. | 0:15:57 | 0:15:59 | |
Yes, just a small amount. | 0:15:59 | 0:16:00 | |
Remember if you'd like
to ask us a question, | 0:16:00 | 0:16:02 | |
then give us a call now on: | 0:16:02 | 0:16:04 | |
033 0123 1410. | 0:16:04 | 0:16:05 | |
Calls are charged at your
standard network rate. | 0:16:05 | 0:16:11 | |
You are then we will add the lovely
duck hearts. You have to cook these | 0:16:11 | 0:16:14 | |
quick. | 0:16:14 | 0:16:14 | |
On the restaurant menu, we call this
duck and crumpets. Do people love | 0:16:20 | 0:16:25 | |
it, or are they put off by the
hearts? If you say to somebody, duck | 0:16:25 | 0:16:30 | |
and crumpets, they bopping, I'll
have that, I'm used to duck. I said | 0:16:30 | 0:16:36 | |
to Warwick earlier, would you have
duck and crumpets? And he said, | 0:16:36 | 0:16:42 | |
probably. At a push. You're not
telling the truth. We are! | 0:16:42 | 0:16:52 | |
Technically, it's still duck. If I
order that, I would say, can you | 0:16:52 | 0:16:57 | |
substitute the duck for some nice
jam? I could do a duck jam. We got | 0:16:57 | 0:17:11 | |
what here? That is home cure and
then dried out duck hearts. Duck | 0:17:11 | 0:17:18 | |
heart jerky. Add a little bit of
sherry vinegar to the pan to get | 0:17:18 | 0:17:23 | |
that Tang, and then we got some
lovely gravy, or Demi Glass -- | 0:17:23 | 0:17:35 | |
demi-glace. This is the point where
we go all chef like new. I will just | 0:17:35 | 0:17:46 | |
chop these shiitakes up. Did you try
the cure ducks? I tried it a lot in | 0:17:46 | 0:17:55 | |
rehearsal. It's delicious. This
cured duck is made down in Cornwall. | 0:17:55 | 0:17:59 | |
The smoked one is from Oxfordshire.
And the cheese is special?, it's | 0:17:59 | 0:18:08 | |
amazing. It's a cheese called Innes
burr, which is aged for a year and | 0:18:08 | 0:18:16 | |
gets this fudge texture. Chefs in
London are using it on desserts. It | 0:18:16 | 0:18:25 | |
smells quite musty, like my house.
It just gives another dimension to | 0:18:25 | 0:18:32 | |
this disc will -- to this dish. A
little bit of the cheese. You want | 0:18:32 | 0:18:43 | |
the ham sliced finely so it almost
melts in the heat? Yes, and to | 0:18:43 | 0:18:48 | |
finish, some lovely freshness from
the lettuce. Then a little bit of | 0:18:48 | 0:18:52 | |
texture. It's all about the texture.
Some lovely breadcrumbs. That is my | 0:18:52 | 0:18:58 | |
perfect dish - gutsy... Full of
flavour. Remind us what it's called. | 0:18:58 | 0:19:06 | |
Duck on crumpets. Simple as that.
Are you ready for your first dish? | 0:19:06 | 0:19:17 | |
It's very hearty. You have to try
some of the hearts. Tuck in. Don't | 0:19:17 | 0:19:24 | |
be shy. You're keen to have some!
Where would you get hold of duck | 0:19:24 | 0:19:33 | |
hearts? This is the thing, it's so
easy to get hold of. At the | 0:19:33 | 0:19:39 | |
butcher's. Support the local
butcher. And they will love you for | 0:19:39 | 0:19:43 | |
it. Some people throw them away. You
cook them really rare, dodgy? Yeah, | 0:19:43 | 0:19:51 | |
has to. Why have you ruined a
perfectly good dish with all of this | 0:19:51 | 0:20:01 | |
other malarkey? Simplicity is the
best. A lot of textures and flavours | 0:20:01 | 0:20:05 | |
going on. There was a lovely glass
of wine there. That will definitely | 0:20:05 | 0:20:10 | |
wash down one of them hearts. I'm
being very polite. What is the best | 0:20:10 | 0:20:23 | |
wine to go with crumpets? A lot of
people go for Peano Noir with duck, | 0:20:23 | 0:20:28 | |
but this has so much flavour, this
dish, so I have gone for Plan de | 0:20:28 | 0:20:32 | |
Dieu Cotes du Rhone Villages, 2016.
An amazing year. Hearty, winter | 0:20:32 | 0:20:39 | |
warming, glorious stuff. It is
really fruity. I saw wine menu that | 0:20:39 | 0:20:49 | |
describe a Wyness tasting of hints
of buttered toast. I had that | 0:20:49 | 0:20:55 | |
because I love toast. I drank half a
bottle trying to find buttered | 0:20:55 | 0:21:04 | |
toast, and there wasn't any there.
To be honest, one can pick up all | 0:21:04 | 0:21:09 | |
sorts of flavours. This one is about
concentrated intensity. It is a | 0:21:09 | 0:21:14 | |
brilliant blend of grapes, and it is
a great price for what is in the | 0:21:14 | 0:21:17 | |
bottle. Chairs! I will make you try
a heart in this break. -- cheers! | 0:21:17 | 0:21:35 | |
Don't forget if you want to ask us
a question this morning, just call: | 0:21:35 | 0:21:38 | |
033 0123 1410. | 0:21:38 | 0:21:39 | |
Lines close at 11am today. | 0:21:39 | 0:21:40 | |
You haven't got long
so get dialling! | 0:21:40 | 0:21:42 | |
Or you can tweet us a question
using the #saturdaykitchen. | 0:21:42 | 0:21:44 | |
And don't forget to vote
for Warwick's food heaven | 0:21:44 | 0:21:47 | |
or hell on our website. | 0:21:47 | 0:21:48 | |
Now it's time to join Rick Stein
on one of his Long Weekends. | 0:21:48 | 0:21:51 | |
This week he's having a fine
old time, waltzing round Vienna. | 0:21:51 | 0:21:54 | |
Take a look. | 0:21:54 | 0:21:59 | |
How to Tennessee Vienna. -- how to
see Vienna. If in another life I had | 0:22:07 | 0:22:38 | |
been born a mouse living in the
biggest and most expensive wedding | 0:22:38 | 0:22:44 | |
cake ever made, then I think I
should feel quite at home here. For | 0:22:44 | 0:22:51 | |
lovers of architecture, this is the
ultimate. To build palaces like | 0:22:51 | 0:22:59 | |
this, you need lots of cash, from
preferably a huge empire that would | 0:22:59 | 0:23:04 | |
stretch over quite a lot of Central
Europe. Yes, and that means surely | 0:23:04 | 0:23:09 | |
lots of taxes to pay for Doric
columns and heroic figures on | 0:23:09 | 0:23:13 | |
horseback. But I like the sausage
stands. I love bratwurst sausages, | 0:23:13 | 0:23:21 | |
and especially the mustard. I'm not
that overexcited to see the not so | 0:23:21 | 0:23:31 | |
blue Danube, but I couldn't help
wondering whether a trip from the | 0:23:31 | 0:23:35 | |
Black Forest, its sauce, to the
Black Sea, grubbing through ten | 0:23:35 | 0:23:40 | |
countries also, would be inspiring
in a culinary sense. Note in the | 0:23:40 | 0:23:44 | |
margin - might make a good barge
series. My Vienna has to pay homage | 0:23:44 | 0:23:52 | |
to that classic film Noir The Third
Man. The Ferris wheel at the | 0:23:52 | 0:23:57 | |
amusement park. Or the amazing
sewers that so much fascinated the | 0:23:57 | 0:24:04 | |
writer Graham Greene, my hero. | 0:24:04 | 0:24:15 | |
I love this little statue of Johann
Strauss. Actually, Vienna is quite | 0:24:18 | 0:24:23 | |
compact in the centre. You seem to
see this wherever you go in the | 0:24:23 | 0:24:28 | |
distance somewhere. It just stands
out. I don't know if it is any great | 0:24:28 | 0:24:33 | |
sort of artistic shakes, but it
means a lot to me, because if you | 0:24:33 | 0:24:36 | |
look at these nymphs around, it's
about the Danube, the currents and | 0:24:36 | 0:24:46 | |
these beautiful girls that sort of
swim like mermaids in the Danube. To | 0:24:46 | 0:24:51 | |
me, the blue Danube is like a full
restaurant. It's like full of joy, | 0:24:51 | 0:24:55 | |
full of movement and activity, and
that's why I like it so much. I've | 0:24:55 | 0:25:01 | |
always liked it. I used to play the
blue Danube in my discos and showed | 0:25:01 | 0:25:06 | |
pictures of scenes like this because
I loved it so much. I'm going to | 0:25:06 | 0:25:17 | |
have lunch. Vienna's most famous
dish, with Martina. She is a food | 0:25:17 | 0:25:28 | |
writer and a member of Austrian
nobility. Well, they no longer have | 0:25:28 | 0:25:32 | |
special privileges. These were done
away with after the First World War. | 0:25:32 | 0:25:37 | |
But once an aristocrat, always an
aristocrat. Now, this is a proper | 0:25:37 | 0:25:44 | |
lesson in how to make the best
schnitzel, through the know-how of | 0:25:44 | 0:25:51 | |
the executive chef here, Rupert.
First, he cuts each slice from a | 0:25:51 | 0:25:56 | |
loin of veal. They also love it made
from pork, but this is veal. Next, | 0:25:56 | 0:26:06 | |
Rupert's assistant gives it a bit of
a bashing, using sensibly thick | 0:26:06 | 0:26:10 | |
plastic. Now, they flattened
escalopes goes into the flour. Now, | 0:26:10 | 0:26:20 | |
the egg, making sure it is all
coated, and then oven dried | 0:26:20 | 0:26:24 | |
breadcrumbs. Now, this is so
important, hot, clarified butter. | 0:26:24 | 0:26:32 | |
I'm told by Rupert that the secret
of a good schnitzel is getting the | 0:26:32 | 0:26:37 | |
air between the meat and the crispy
egg and breadcrumb coating. Not too | 0:26:37 | 0:26:42 | |
much, though. This is how it should
be. That looks a nice meal. Golden, | 0:26:42 | 0:26:53 | |
slightly puffed up, and
irresistible. All they need is just | 0:26:53 | 0:26:57 | |
a sprinkling of lemon juice. Oh,
that's so good. It's lovely, isn't | 0:26:57 | 0:27:05 | |
it? I could be full of superlatives,
but it is just exactly how it should | 0:27:05 | 0:27:12 | |
be. We are kind of proud of our
schnitzel. Actually, we stole it. | 0:27:12 | 0:27:17 | |
It's not ours. Really? It came from
Italy, and the Emperor Franz Joseph | 0:27:17 | 0:27:27 | |
was very much into food, and he set
his foot Marshall to Italy to report | 0:27:27 | 0:27:34 | |
about the situation there and he
did, and he brought back the recipe | 0:27:34 | 0:27:38 | |
of this lovely piece of meat, and
that's how the schnitzel came to | 0:27:38 | 0:27:42 | |
Vienna. I love that. I love food and
history related, because I think | 0:27:42 | 0:27:49 | |
that food is so important in
history. Absolutely, it's our | 0:27:49 | 0:27:53 | |
culture. It is. As a chef, I love
dishes like this, because I think | 0:27:53 | 0:27:58 | |
there is as much skill in producing
something like this as well. Do you | 0:27:58 | 0:28:02 | |
like this sort of food, do you like
new, chef like dishes? I do, but in | 0:28:02 | 0:28:11 | |
between, I need a schnitzel. Clear
my mind, or my palate. Tuck in. I | 0:28:11 | 0:28:20 | |
also really like the salad. It's
good. | 0:28:20 | 0:28:24 | |
Congratulations Rick
on being awarded a CBE, | 0:28:29 | 0:28:31 | |
for services to the economy! | 0:28:31 | 0:28:35 | |
So inspired by Rick's travels
in Austria I've got a great dish | 0:28:35 | 0:28:42 | |
full of traditional flavours
using veal - pot roasted veal | 0:28:42 | 0:28:45 | |
with Austrian cabbage. | 0:28:45 | 0:28:51 | |
Very simple. We have the veal breast
here. I will see on it. And then I | 0:28:51 | 0:29:02 | |
will cover it in lard, which I'm
fond of at the moment. We will put | 0:29:02 | 0:29:06 | |
it in the oven, and it will get a
beautiful colour. Put a lid on, and | 0:29:06 | 0:29:10 | |
braise it for something going on
three hours, probably. Then I will | 0:29:10 | 0:29:13 | |
talk about the cabbage in a bit.
Warwick, you are now producing? I | 0:29:13 | 0:29:19 | |
am. I have that hat on at the
moment. And this is your first | 0:29:19 | 0:29:25 | |
musical? It is. I produced a play a
few years ago with my company, and I | 0:29:25 | 0:29:33 | |
enjoyed the experience. I was also
in the play, so trying to do the two | 0:29:33 | 0:29:38 | |
things was challenging. On this
occasion, I decided I would just | 0:29:38 | 0:29:42 | |
stick to the producing side of
things, because that keeps me busy. | 0:29:42 | 0:29:46 | |
Tell me about the show, Eugenius. It
is a brand-new original musical. All | 0:29:46 | 0:29:53 | |
original story and music. I was
introduced to it by Ben Adams and | 0:29:53 | 0:29:58 | |
Chris Wilkins, who wrote the show
and the music, a few years ago. And | 0:29:58 | 0:30:03 | |
I immediately fell in love with it,
because for me, it kind of... The | 0:30:03 | 0:30:08 | |
spirit of it really captures that
brilliant period in the 80s, the | 0:30:08 | 0:30:14 | |
period that I grew up in, the
popular culture, the music, the | 0:30:14 | 0:30:18 | |
sounds, the vibes of that brilliant
decade. If you went along and you | 0:30:18 | 0:30:24 | |
didn't know it was set in the 80s,
could you tell by the music and | 0:30:24 | 0:30:28 | |
address? Absolutely. Cultural
references? Loads of it. Two movies, | 0:30:28 | 0:30:34 | |
some of which I was in. I was
watching a David Whalley is thing | 0:30:34 | 0:30:40 | |
over Christmas, and he had a
reference to something from the 80s | 0:30:40 | 0:30:46 | |
will stop and I thought it was
genius. There are loads of | 0:30:46 | 0:30:50 | |
references like that in Eugenius,
but it's an original score as well. | 0:30:50 | 0:30:54 | |
It is not a jukebox musical. All
original songs, but they are | 0:30:54 | 0:30:58 | |
absolutely brilliant. What Ben Adams
has done with the music, he has used | 0:30:58 | 0:31:03 | |
instruments and sounds that we don't
use in music now, in this time, | 0:31:03 | 0:31:07 | |
because they were very much of the
80s. A bit of Howard Jones? Big | 0:31:07 | 0:31:12 | |
sounds. You can't do big drums like
that any more. In the theatre, it | 0:31:12 | 0:31:17 | |
just sounds brilliant. It's a
fantastic night out will stop we | 0:31:17 | 0:31:22 | |
perform the show as a concert
performance, we performed, at the | 0:31:22 | 0:31:27 | |
Palladium. I thought, let's try this
show out and see if the concept | 0:31:27 | 0:31:33 | |
works, and it is as good as I think
it is. And we sold out the Palladium | 0:31:33 | 0:31:38 | |
it was a huge success. Hence, we are
now at the other palace from the | 0:31:38 | 0:31:43 | |
22nd of January until the 3rd of
March. Are you excited? | 0:31:43 | 0:31:56 | |
I am very excited. What is exciting
to me is to know we are going to | 0:31:56 | 0:32:01 | |
entertain an audience. To give them
a great night out. I will sit with | 0:32:01 | 0:32:06 | |
the audience, watch the show, and
feel the energy and the excitement | 0:32:06 | 0:32:09 | |
from them.
I bet that is fascinating to go in | 0:32:09 | 0:32:13 | |
and watch people's faces? I have
done it with films I've been in. It | 0:32:13 | 0:32:19 | |
is terrifying, if the reactions
aren't there, that you think will | 0:32:19 | 0:32:22 | |
be, it is a bit disheartening.
Like cracking a joke! It happens to | 0:32:22 | 0:32:30 | |
you a lot, I guess?! Yeah! And off
of that, back to the food! In here | 0:32:30 | 0:32:36 | |
are red onions. A lot, finally
sliced. That with you cause the | 0:32:36 | 0:32:42 | |
liquids to come out.
You have braised, the veal? I have | 0:32:42 | 0:32:48 | |
but now I will pot roast it. That is
to get it a bit of colour. | 0:32:48 | 0:32:55 | |
Now I am sleutherring over... Why
lard? I like the flavour and also | 0:32:55 | 0:32:59 | |
you will pick up a really nice
colour. And organise antic lard is | 0:32:59 | 0:33:05 | |
very good for you -- slath eering.
I think as an amateur, we think | 0:33:05 | 0:33:13 | |
about the taste but you are going
for the look of the food. | 0:33:13 | 0:33:17 | |
You give it a nice colour, a nice
look? I guess so. As a chef it is | 0:33:17 | 0:33:23 | |
eating with your eyes as well. I
mean, this is, it is kind of a brown | 0:33:23 | 0:33:28 | |
dish! I have done more colourful
dishes. | 0:33:28 | 0:33:32 | |
In here, is the cabbage, with
pancetta, butter, garlic, caraway. | 0:33:32 | 0:33:39 | |
In with onions to sweat it down. And
over here is white cabbage which has | 0:33:39 | 0:33:44 | |
been blanched and refreshed to take
off the edge. That will go in with | 0:33:44 | 0:33:49 | |
champagne vinegar and that is pretty
much it, with parsley and white | 0:33:49 | 0:33:52 | |
tarragon.
That white cabbage, brings back | 0:33:52 | 0:33:56 | |
memories of schools.
In a good way? They would overcook | 0:33:56 | 0:34:01 | |
it. It was horrendous! We had to eat
everything off the plate. So like | 0:34:01 | 0:34:14 | |
the old prison break film, I would
take it in my pockets and scatter it | 0:34:14 | 0:34:19 | |
in the playground! What a mess! Tell
us how you got into acting. It is a | 0:34:19 | 0:34:26 | |
sweet story? I was 11 years old. My
grandmother heard they were looking | 0:34:26 | 0:34:35 | |
for short people to star in Star
Wars. That was it. I didn't realise | 0:34:35 | 0:34:39 | |
it would be so amazing, really.
You went to the studio, the part was | 0:34:39 | 0:34:44 | |
taken? There were no roles left.
They asked if I was a fan of Star | 0:34:44 | 0:34:52 | |
Wars. They asked if I wanted to be
an Ewow. I thought, what was that? | 0:34:52 | 0:35:01 | |
So I went to the make-up department
and took a look. | 0:35:01 | 0:35:05 | |
But you were not just the first Ewow
but the Ewok. | 0:35:05 | 0:35:12 | |
I only got that as Kenny Barker, he
was the main Ewok but on the day of | 0:35:12 | 0:35:22 | |
filming he got food poisoning. I was
only 11, I did not have a part in | 0:35:22 | 0:35:26 | |
that! So they asked me if I would
play the scene. I didn't know what | 0:35:26 | 0:35:31 | |
it meant, the scale of it. So I
thought, yeah. I put on the costume, | 0:35:31 | 0:35:39 | |
did the scene with Carrie Fischer.
And it was an iconic scene. She was | 0:35:39 | 0:35:50 | |
unconshuss having fallen off the
speeder bike. | 0:35:50 | 0:35:52 | |
Yeah.
And didn't he prod her with the | 0:35:52 | 0:35:56 | |
stick? That's right.
It came very naturally to me. | 0:35:56 | 0:36:01 | |
You were young? Just 11. I think it
was me just being curious about the | 0:36:01 | 0:36:08 | |
costume and stuff. But they liked
what they saw. | 0:36:08 | 0:36:11 | |
And you did have a special
relationship with Carrie Fisher. | 0:36:11 | 0:36:17 | |
And she is really looking after you?
There was a great picture showing | 0:36:17 | 0:36:21 | |
that.
She did. | 0:36:21 | 0:36:26 | |
And in the costume, you would be hot
and red in the face and she would be | 0:36:26 | 0:36:31 | |
there with chocolate milk and
cookies to revive me. But I tooked a | 0:36:31 | 0:36:37 | |
vantage. I played it up a little
more. Every time the head came off, | 0:36:37 | 0:36:43 | |
I was a little hotter than the last
time. | 0:36:43 | 0:36:46 | |
I could talk about Star Wars for
years and years but then you have | 0:36:46 | 0:36:49 | |
been in Harry Potter as well? Many
different characters as well? Yes, | 0:36:49 | 0:36:58 | |
as Professor Flitwick. And the
goblin, and the goblin bank teller | 0:36:58 | 0:37:04 | |
in the first film and various other
goblins and strange characters along | 0:37:04 | 0:37:07 | |
the way.
Is that the way? Do you, or short | 0:37:07 | 0:37:13 | |
actors, do you they get multiple
roles? Not normally, it is through | 0:37:13 | 0:37:19 | |
the skill of the make-up department.
Or me nagging the producers, do you | 0:37:19 | 0:37:23 | |
have anything else for me to do. But
fortunately, the make-up department | 0:37:23 | 0:37:29 | |
can make me look different enough to
allow me to appear in different | 0:37:29 | 0:37:35 | |
roles in the same film.
And it is amazing, all of the | 0:37:35 | 0:37:46 | |
slightly different nuances and all
of the make-up? If you are working | 0:37:46 | 0:37:51 | |
with such a great make-up team. They
design so that it does not limit | 0:37:51 | 0:37:57 | |
what I do, it enhances what I do.
So you don't feel restricted? It can | 0:37:57 | 0:38:03 | |
be uncomfortable. Very difficult.
Griphook, not only was that heavy | 0:38:03 | 0:38:10 | |
silicone make-up but there were 23
millimetres contact lenses and | 0:38:10 | 0:38:15 | |
dentures to see and talk and to give
a performance, it was more | 0:38:15 | 0:38:19 | |
challenging than it would be to act
without anything on, well, not naked | 0:38:19 | 0:38:24 | |
or anything! Sure! Right, this dish
is done! That was quick. | 0:38:24 | 0:38:31 | |
Thanks! Although I am still getting
shouted at for being over. | 0:38:31 | 0:38:38 | |
What are you drizzling over now
Olive oil. | 0:38:38 | 0:38:42 | |
You guys, you chefs love the olive
oil. | 0:38:42 | 0:38:45 | |
Is it for the look or the taste? It
is everything. It is split it is | 0:38:45 | 0:38:49 | |
yellow. It is nice! That is lovely.
So, we have the veal, the pancetta, | 0:38:49 | 0:38:56 | |
the garlic, the caraway to give it
flavour, onions and obviously the | 0:38:56 | 0:39:01 | |
blanched white cabbage and then
champagne vinegar. That is pretty | 0:39:01 | 0:39:04 | |
much it. It is sharp and fatty.
It smells and looks amazing. A nice | 0:39:04 | 0:39:11 | |
little Austrian red with that
You are never off! It is lovely. You | 0:39:11 | 0:39:17 | |
have cooked the cabbage very well.
Which will not be pocketing this and | 0:39:17 | 0:39:22 | |
scattering it outside of the studio
today. | 0:39:22 | 0:39:25 | |
I love that part! | 0:39:25 | 0:39:27 | |
I love that part! | 0:39:27 | 0:39:28 | |
So what will I be making for Warwick
at the end of the show? | 0:39:28 | 0:39:31 | |
Will it be his food heaven - beef
shin and blue cheese | 0:39:31 | 0:39:34 | |
cobbler? | 0:39:34 | 0:39:35 | |
I'll sear beef shin then add butter,
pancetta, onions, celery and herbs, | 0:39:35 | 0:39:38 | |
then pour over some beer and cook
until the beef is soft. | 0:39:38 | 0:39:41 | |
I'll make some stilton
and thyme scones, layer | 0:39:41 | 0:39:43 | |
them on top of the stew,
cook a bit longer, then | 0:39:43 | 0:39:45 | |
finish with parsley. | 0:39:45 | 0:39:46 | |
But if Warwick gets hell I'll
make fish pie, with hard | 0:39:46 | 0:39:49 | |
boiled eggs! | 0:39:49 | 0:39:50 | |
I'll make a roux then add anchovies,
poached haddock and salmon, | 0:39:50 | 0:39:53 | |
prawns and scallops | 0:39:53 | 0:39:54 | |
and put in a pie dish. | 0:39:54 | 0:39:55 | |
Then I'll scatter over chopped hard
boiled eggs, top with mash, | 0:39:55 | 0:39:58 | |
grate over some Edam cheese and bake
until golden. | 0:39:58 | 0:40:00 | |
Don't forget, what he
gets is down to you! | 0:40:00 | 0:40:02 | |
It could go either way so go
to the Saturday Kitchen website | 0:40:02 | 0:40:05 | |
and have your say now! | 0:40:05 | 0:40:06 | |
We'll find out the result
at the end of the show! | 0:40:06 | 0:40:12 | |
Well done. Very good.
Thank you very much! | 0:40:12 | 0:40:20 | |
Now let's join the incomparable
Keith Floyd, he's in Brittany | 0:40:20 | 0:40:23 | |
cooking up an impressive
lunch for friends. | 0:40:23 | 0:40:24 | |
cooking up an impressive
lunch for friends. | 0:40:24 | 0:40:29 | |
Oh, dear, oh, dear, he's done it
again. There is a cameraman in the | 0:40:29 | 0:40:33 | |
tree. All I am trying to do is a
cooking sequence, a little light | 0:40:33 | 0:40:40 | |
lunch for friends of mine. I know
you expect me to be in posh | 0:40:40 | 0:40:45 | |
restaurants and hotels but sometimes
it is nice to come to a house with a | 0:40:45 | 0:40:49 | |
family. The director chose this
house not because it has a wonderful | 0:40:49 | 0:40:53 | |
kitchen, it is not that good, really
but he loves the shape of the | 0:40:53 | 0:40:57 | |
building. So here I am, and if it is
not too much trouble for you, Clive, | 0:40:57 | 0:41:02 | |
come out of the Bill Clintoning
tree. Is that OK with you? Good! See | 0:41:02 | 0:41:07 | |
you in a moment. Good. Thank you
very much. I am cooking Sunday lunch | 0:41:07 | 0:41:11 | |
for Michelle and Henry. It is a
superb and classic British dish with | 0:41:11 | 0:41:20 | |
chicken roasted in cider. We are
wroting the chicken but served with | 0:41:20 | 0:41:27 | |
baked apples, stuffed with walnuts
and raisens. And will serve it with | 0:41:27 | 0:41:33 | |
a vegetable of fresh artichoke,
cleaned out with the heart and the | 0:41:33 | 0:41:37 | |
leaves and stuffed with a medley of
little peas, lettuce, carrots and | 0:41:37 | 0:41:46 | |
young baby turnips. That sort of
stuff. It looks like. This now you | 0:41:46 | 0:41:52 | |
know that the filming is very
expensive and the director is much | 0:41:52 | 0:41:58 | |
more interested in taking pictures
of the houses. But over here. There | 0:41:58 | 0:42:04 | |
are two free range farmer's chickens
roasting on a bed of chopped | 0:42:04 | 0:42:12 | |
shallots and carrots and at this
stage I add splendid Brittany cider. | 0:42:12 | 0:42:20 | |
This helps to make a sauce later
with cream and stock. So, if you | 0:42:20 | 0:42:27 | |
would like to turn around, you will
find Henry and Michelle busily | 0:42:27 | 0:42:42 | |
preparing the hors deuve.
What are you making Henry? We are | 0:42:42 | 0:42:49 | |
making a tuna fish salad. With
onions. | 0:42:49 | 0:43:00 | |
There is also cauliflower, cubing
come better and tomato. | 0:43:00 | 0:43:05 | |
Why are you cooking langoustine for
lunch snow It is the quickest meal | 0:43:05 | 0:43:10 | |
you can make and I am very lazy.
Usually, in Brittany, often we begin | 0:43:10 | 0:43:16 | |
by langoustine. They are fresh,
nice, they are easy to cook. The | 0:43:16 | 0:43:20 | |
only thing you must know is that you
must leave them to cook for not too | 0:43:20 | 0:43:25 | |
long.
How long? Well the water is boiling, | 0:43:25 | 0:43:31 | |
you put them in the water boiling
with salt. Sea salt? Yes, sea salt. | 0:43:31 | 0:43:38 | |
Then you wait until the first boil
and that is all. | 0:43:38 | 0:43:42 | |
Langoustine are very fresh and easy
to cook, so it makes a nice male | 0:43:42 | 0:43:47 | |
very easily.
Who does the shopping? The one who | 0:43:47 | 0:43:51 | |
has the time. Usually it is Henry!
They must be about ready now? Wait! | 0:43:51 | 0:44:06 | |
The pot is hot... There you are.
And it's ready! You just need a dish | 0:44:06 | 0:44:12 | |
now.
Henry has not got the plate ready! | 0:44:12 | 0:44:20 | |
Mother is going to be furious! | 0:44:20 | 0:44:31 | |
OK. Well, for me it is finished. The
mayonnaise on top of that. We do the | 0:44:31 | 0:44:41 | |
mayonnaise, and it takes five
minutes, two minutes, not more and | 0:44:41 | 0:44:44 | |
it is ready to eat. It is very nice
only if it is not cold. It is much, | 0:44:44 | 0:44:49 | |
much nicer when they are just
cooked. OK? We do the mayonnaise | 0:44:49 | 0:44:53 | |
now. | 0:44:53 | 0:45:08 | |
Is TRANSLATION: In France, we should
not speak with a mouse the will. I | 0:45:08 | 0:45:18 | |
should get on cooking, because these
wonderful people won't get to eat | 0:45:18 | 0:45:23 | |
unless I get on with my dish. We let
this sequence with the munching run | 0:45:23 | 0:45:30 | |
on a bit because I was so enjoying
lunch, I completely forgot the | 0:45:30 | 0:45:34 | |
camera and I felt completely at home
here. That is what the French are | 0:45:34 | 0:45:38 | |
all about - food is family and
sharing. This is a little bit I hope | 0:45:38 | 0:45:42 | |
you will enjoy enormously. Have a
look at that, it is my sweated | 0:45:42 | 0:45:46 | |
labour this morning. I have been
cooking while the director has been | 0:45:46 | 0:45:54 | |
up trees. I want to recap on how
this was cooked. It is a simple | 0:45:54 | 0:45:58 | |
roast chicken on a bed of chopped
show lots and onions, and carrots | 0:45:58 | 0:46:02 | |
roasted in butter. Then I poured
cider into it. A copper about an | 0:46:02 | 0:46:07 | |
hour, then I put some cord apples. I
strained off all the Likud -- I | 0:46:07 | 0:46:17 | |
cooked for about an hour. Even the
Brittany people have never even | 0:46:17 | 0:46:24 | |
heard of this dish, even though it
is a classic. Some fresh vegetables, | 0:46:24 | 0:46:31 | |
stewed with bacon, carrots, little
turnips, lettuce and stuff like that | 0:46:31 | 0:46:35 | |
in no water at all, just butter.
Then filled into the cleaned out | 0:46:35 | 0:46:40 | |
shells of artichoke. That is what
I've done. Bon appetit. I don't know | 0:46:40 | 0:46:49 | |
if it is good, but it smells good.
It is the usual doubting Thomas | 0:46:49 | 0:46:59 | |
routine! They had never heard of my
Brittany chicken and side dish. | 0:46:59 | 0:47:03 | |
Anyway, we finished with cheese and
tomato pomp. It was a harmonious | 0:47:03 | 0:47:07 | |
main long shot of fresh produce and
love. | 0:47:07 | 0:47:14 | |
There was a lot of brown food in the
70s and 80s, wasn't there! | 0:47:17 | 0:47:21 | |
Superb stuff from Floyd
there, as always! | 0:47:21 | 0:47:23 | |
Right, still to come... | 0:47:23 | 0:47:24 | |
Mary Berry makes a hearty
dish of glazed, stuffed | 0:47:24 | 0:47:26 | |
chicken thighs, with roasted
cauliflower and a lemon | 0:47:26 | 0:47:28 | |
and caper dressing -
the perfect party snack! | 0:47:28 | 0:47:30 | |
It's almost omelette challenge time! | 0:47:30 | 0:47:33 | |
Warwick, this week's puns
are inspired by your | 0:47:33 | 0:47:35 | |
illustrious career, but mainly
Star Wars - really?! | 0:47:35 | 0:47:37 | |
Chefs, you can add EXTRAS
to your omelettes, | 0:47:37 | 0:47:40 | |
But don't POTTER about,
because LIFE'S TOO | 0:47:40 | 0:47:41 | |
SHORT! | 0:47:41 | 0:47:45 | |
Will Ryan's omelette be a ROGUE ONE? | 0:47:45 | 0:47:46 | |
Or will Liam be a PHANTOM
MENACE and STRIKE | 0:47:46 | 0:47:49 | |
BACK with a winning time? | 0:47:49 | 0:47:51 | |
Good luck chefs, and
MAY THE FORKS BE WITH | 0:47:51 | 0:47:53 | |
YOU! | 0:47:53 | 0:47:59 | |
YOU! | 0:47:59 | 0:48:02 | |
That's why you watch. | 0:48:02 | 0:48:03 | |
Will Warwick get his food | 0:48:03 | 0:48:04 | |
heaven - beef and blue | 0:48:04 | 0:48:05 | |
cheese cobbler? | 0:48:05 | 0:48:06 | |
Or his food hell, fish pie
with hard-boiled eggs? | 0:48:06 | 0:48:09 | |
There's still a chance for you to
vote on the website and we'll find | 0:48:09 | 0:48:12 | |
out the results later on! | 0:48:12 | 0:48:13 | |
Right, on with the cooking. | 0:48:13 | 0:48:14 | |
Anna, what are we making? | 0:48:14 | 0:48:17 | |
Dark chocolate and tofu
mousse with honeycomb. | 0:48:17 | 0:48:18 | |
You melt the chocolate, and I will
get the honeycomb on. The honeycomb | 0:48:23 | 0:48:27 | |
is exactly the same as normal
honeycomb, except that it doesn't | 0:48:27 | 0:48:34 | |
have any honey. It's made with
golden syrup. It taste just as good, | 0:48:34 | 0:48:40 | |
just as delicious. Tell us about the
recipe. When I saw this at first, I | 0:48:40 | 0:48:43 | |
thought it was quite beautiful. When
a person has a special dietary | 0:48:43 | 0:48:50 | |
requirement in the restaurant, of
course, we take care of them. The | 0:48:50 | 0:48:54 | |
other day, I was inspired by a
friend who made this recipe. | 0:48:54 | 0:48:58 | |
Initially, I teased her, but as I
listened, and she's a really good | 0:48:58 | 0:49:01 | |
chef, I thought I would give it a
go. Her recipe was lovely and very | 0:49:01 | 0:49:06 | |
simple, just tofu and chocolate. I
thought maybe without few other bits | 0:49:06 | 0:49:12 | |
-- with a few other bits and pieces,
it could be good. Vanilla? Star | 0:49:12 | 0:49:21 | |
anise, and the secret ingredient is
treacle. I think there is a | 0:49:21 | 0:49:25 | |
liquorice flavour from treacle, so
get that up high, and I think star | 0:49:25 | 0:49:32 | |
anise will complement that. It is
the way food is going, isn't it? For | 0:49:32 | 0:49:39 | |
some people, it is. You can't open a
restaurant and think you can't cater | 0:49:39 | 0:49:44 | |
for people who are allergic to
things. People should be allowed to | 0:49:44 | 0:49:49 | |
eat what they want. I am going to
puree the toff who necks. If it is | 0:49:49 | 0:49:56 | |
too cold, it will make it go solid.
And this is silken? It is. I will | 0:49:56 | 0:50:03 | |
give it a rinse to get rid of the
water it sits in. Gives it a lovely, | 0:50:03 | 0:50:13 | |
rich, good replacement to cream or
egg whites. The end result, without | 0:50:13 | 0:50:18 | |
giving too much away, is beautiful.
It is silky, smooth. And rich. It | 0:50:18 | 0:50:24 | |
feels luxurious, like you eating
something special. The Caravelle is | 0:50:24 | 0:50:32 | |
nearly there. These are your own
apricots? I preserved them a couple | 0:50:32 | 0:50:39 | |
of months ago in some star anise,
sugar and a little passion fruit. | 0:50:39 | 0:50:44 | |
This is a thing of yours,
preserving? Yeah, I firmly believe | 0:50:44 | 0:50:51 | |
in it because we weigh so much wood.
I think some people at home might be | 0:50:51 | 0:50:54 | |
a bit intimidated about tackling
something or candying something, but | 0:50:54 | 0:51:00 | |
it is as easy as boiling up a bit of
sugar and putting fruit in. Put it | 0:51:00 | 0:51:05 | |
in a jar, and make sure you the jar
is sterilised. And then it is good | 0:51:05 | 0:51:10 | |
for months to come. Especially at
this time of the year, when things | 0:51:10 | 0:51:13 | |
are getting quite dull, to have the
summer fruits... There we go, same | 0:51:13 | 0:51:20 | |
wavelength, you and I. That is
exactly why I am doing that. If I | 0:51:20 | 0:51:24 | |
see another apple or pear, I think I
will lose my mind. You want to do | 0:51:24 | 0:51:30 | |
something interesting, and because
apricots are out of season, they are | 0:51:30 | 0:51:35 | |
not in the shops, and it's just a
lovely alternative. Is it something | 0:51:35 | 0:51:39 | |
you guys do with your sustainable...
? When we have a glut of something, | 0:51:39 | 0:51:45 | |
we preserve and pickle. We do act to
- one -- we do a 2-1 ratio. We get | 0:51:45 | 0:51:56 | |
loads of cucumbers. Liam seems to go
a bit crazy with them. That is the | 0:51:56 | 0:52:03 | |
danger of growing your own stuff,
you just get inundated with certain | 0:52:03 | 0:52:06 | |
things. How was that the danger? It
was a bad choice of words! Bring it | 0:52:06 | 0:52:17 | |
to 140 degrees. By I? -- by looking?
Well, when you're a chef... We are | 0:52:17 | 0:52:30 | |
ready to get onto the chocolate
mousse. This is a really fast | 0:52:30 | 0:52:36 | |
mousse, even though I am taking out
this fancy contraption. Sorry. It's | 0:52:36 | 0:52:44 | |
all right. You want to be able to
slowly add your toff who in. We're | 0:52:44 | 0:52:53 | |
juggling pans here. I've got to keep
you busy! Your toff who goes into | 0:52:53 | 0:52:58 | |
the bowl, and then we will slowly
add in the toff who and other | 0:52:58 | 0:53:10 | |
ingredients. -- the tofu. I went to
an amazing chef meeting called Food | 0:53:10 | 0:53:21 | |
On The Edge in Ireland, in Galway.
It is where a load of incredibly | 0:53:21 | 0:53:28 | |
talented people, chefs and front of
house, get together, and I don't | 0:53:28 | 0:53:31 | |
know why they asked me! You're an
amazing ship. Thank you. We get | 0:53:31 | 0:53:36 | |
together rant talk about things that
excite us about the industry and how | 0:53:36 | 0:53:41 | |
we can improve it, what can we do to
be better? I decided to talk about | 0:53:41 | 0:53:48 | |
mental health because I feel it is
not something we talk about all that | 0:53:48 | 0:53:51 | |
much, and like any industry, we have
issues about the way people are | 0:53:51 | 0:53:57 | |
behaving and how we can address
that. It doesn't have to be | 0:53:57 | 0:54:01 | |
complicated. I watched it last
night, and it was so passionate, and | 0:54:01 | 0:54:05 | |
so many things resonate, things you
take for granted within the industry | 0:54:05 | 0:54:08 | |
and you think it's normal. Step
outside it, it's not. You are | 0:54:08 | 0:54:13 | |
absolutely right. There are things
that need to be addressed. I think | 0:54:13 | 0:54:16 | |
they are probably changing. Things
are changing, but talking helps. | 0:54:16 | 0:54:22 | |
Encouraging people who are changing
it to keep doing those things. Just | 0:54:22 | 0:54:26 | |
slowly adding in this, nearly done
now. Add the rest of that in there. | 0:54:26 | 0:54:37 | |
People on Twitter are asking about
chocolate - is that vegan? There are | 0:54:37 | 0:54:43 | |
no milk solids, that's correct.
Nicely spotted, whoever spotted it. | 0:54:43 | 0:54:48 | |
The devil is in the detail. You have
been judging young Irish Chef of the | 0:54:48 | 0:54:54 | |
year? Which you won? Yes, years ago.
It's an amazing competition, where | 0:54:54 | 0:55:04 | |
it encourages young chefs to create
food, and the talent is just | 0:55:04 | 0:55:13 | |
incredible. This is done now, but
really, it would be so nice if you | 0:55:13 | 0:55:18 | |
could chill it for maybe 20-30
minutes. So we will stick it over | 0:55:18 | 0:55:28 | |
this ice bath? Yes. Chill it for how
long? About 30 minutes or so on the | 0:55:28 | 0:55:38 | |
ice and it would be fine. Look at
it, it looks delicious. Why not in | 0:55:38 | 0:55:45 | |
the refrigerator? You don't want it
to get too cold and set completely. | 0:55:45 | 0:55:48 | |
You want to be able to control it a
little bit. If you didn't have the | 0:55:48 | 0:55:53 | |
ice, you could easily put it in the
fridge, but you would just need to | 0:55:53 | 0:55:56 | |
go back and check it. | 0:55:56 | 0:55:58 | |
And if you'd like to try
Anna's recipe or any | 0:55:58 | 0:56:00 | |
of our studio dishes
then visit our website: | 0:56:00 | 0:56:02 | |
bbc.co.uk/saturdaykitchen. | 0:56:02 | 0:56:04 | |
That's quite satisfying. I will wash
my hands. Honestly, I would | 0:56:07 | 0:56:14 | |
challenge anybody to tell me that
this isn't tasty vegan honeycomb. A | 0:56:14 | 0:56:18 | |
little bit of arm and, which goes
well with the chocolate. -- arm and | 0:56:18 | 0:56:29 | |
-- almond. You can't tell the
difference. I think it is as good | 0:56:29 | 0:56:36 | |
as. We should have a taste off. A
little bit more honeycomb, and some | 0:56:36 | 0:56:44 | |
almonds. Watch that, they are quite
hot. Thank you for that, Matt! There | 0:56:44 | 0:56:57 | |
we have it, tofu and chocolate
mousse with vegan honeycomb. | 0:56:57 | 0:57:01 | |
Delicious. | 0:57:01 | 0:57:11 | |
OK. Now we're talking! Now you are
in business. Tap in. Everybody wants | 0:57:11 | 0:57:25 | |
a bit of this. Look at that, lovely
textures and colours. I'm eating it | 0:57:25 | 0:57:30 | |
with my eyes initially. I love the
way you have done that with this soy | 0:57:30 | 0:57:39 | |
sauce, that is amazing. The treacle
is the secret ingredient. Any of the | 0:57:39 | 0:57:44 | |
feeling you might get from tofu, the
treacle relaxes that and given it | 0:57:44 | 0:57:48 | |
more depth of flavour. Is this a
dessert wine? What I have is a Les | 0:57:48 | 0:57:58 | |
Jardiniers Muscat St Jean de
Minervois, total bargain from | 0:57:58 | 0:58:00 | |
Sainsbury is at £5. Sweet and like,
lovely with the dish. It is like | 0:58:00 | 0:58:05 | |
liquid orange blossom with a honey
tint. Great value for money. A hot | 0:58:05 | 0:58:12 | |
and cold combination as well. Really
good. Very good indeed. The wine? It | 0:58:12 | 0:58:21 | |
is almost like a liqueur. It is very
clever and very delicious. | 0:58:21 | 0:58:30 | |
Now let's catch up with Si
and Dave the Hairy Bikers, | 0:58:30 | 0:58:32 | |
discovering a feast of flavours
in the markets of Tel Aviv. | 0:58:32 | 0:58:35 | |
We've always said that the best way
to get to understand the culture of | 0:58:53 | 0:58:59 | |
our country is to have a nose around
its markets. That's right, and the | 0:58:59 | 0:59:04 | |
one we're headed to is stuffed full
of amazing food from all over the | 0:59:04 | 0:59:08 | |
world, but especially the Middle
East. Look at this. This market is | 0:59:08 | 0:59:14 | |
an absolute stunner. Absolutely
gorgeous. This is a dream come true. | 0:59:14 | 0:59:18 | |
I've always wanted to come to
Israel. It is such a melting pot of | 0:59:18 | 0:59:24 | |
food. You get ancient Jewish dishes
that you can't get anyone else -- | 0:59:24 | 0:59:28 | |
anywhere else. They use the most
brilliant Mediterranean ingredients. | 0:59:28 | 0:59:38 | |
Including chicken and eggs. Do you
know that the use of pitta bread as | 0:59:38 | 0:59:43 | |
a pocket for food was invented in
the Middle East, not in Barrow in | 0:59:43 | 0:59:48 | |
Furness, as I used to think! We're
not in Barrow in Furness now, mate, | 0:59:48 | 0:59:55 | |
that's for sure! Hello. What are you
making? Falafels? I love that. Where | 0:59:55 | 1:00:05 | |
are you from originally? Yemen. Get
in! What is this? It is traditional | 1:00:05 | 1:00:24 | |
food from Tripoli in Libya. This
looks good. Doesn't it? This is | 1:00:24 | 1:00:32 | |
clever. Wow! This is skill. It is
not just like for your breakfast. | 1:00:32 | 1:00:39 | |
It's brilliant. So much food we are
discovering for the first time. All | 1:00:39 | 1:00:43 | |
in one place. | 1:00:43 | 1:00:51 | |
What are you making? These are
veggie balls. | 1:00:51 | 1:00:56 | |
Where from? From Iraq.
We need some meat, Kingy! What is | 1:00:56 | 1:01:03 | |
it? It's a kebab from Bulgaria.
Bulgaria? This is looking good. | 1:01:03 | 1:01:10 | |
Hello, sir. What are you making
here? It is food from Venezuela. | 1:01:10 | 1:01:15 | |
Venezuela! I never thought we would
find this in Tel Aviv! Neither did | 1:01:15 | 1:01:20 | |
I. But it is a trulily eclectic mix
of international cuisine that we | 1:01:20 | 1:01:26 | |
have here.
The food here's so interesting, you | 1:01:26 | 1:01:35 | |
can't help but be inspired to
experiment. And the perfect dish for | 1:01:35 | 1:01:42 | |
flavour-freestyling is shakshuka.
The eggy breaky of Tel Aviv. | 1:01:42 | 1:01:47 | |
Israelis argue about the origin of
shakshuka. It is thought to have | 1:01:47 | 1:01:50 | |
come over with north African dues,
in the 1950s. | 1:01:50 | 1:01:59 | |
But these day, it is Israeli through
and through. | 1:01:59 | 1:02:04 | |
Chefs through everything at
shakshuka. We are giving you the | 1:02:04 | 1:02:08 | |
basics and then putting it into a
sauce of plethora of wonderful Tel | 1:02:08 | 1:02:14 | |
Avivness! Think of it like pizza
with eggs as the main ingredient. | 1:02:14 | 1:02:20 | |
Beyond that you can go wild. I'm
starting ours with sauteing onions | 1:02:20 | 1:02:28 | |
and peppers. After that, it is the
devil.00! Honestly, what is the | 1:02:28 | 1:02:36 | |
produce like here it is amazing.
It is a Mediterranean country! | 1:02:36 | 1:02:39 | |
Superb.
It is looking great. So colourful. | 1:02:39 | 1:02:48 | |
But the morning mash up needs a bit
of pep. | 1:02:48 | 1:02:55 | |
I reckon, caraway and cumin should
add the pep. | 1:02:55 | 1:02:58 | |
That's a bit of all right, Kingy.
Oh, meat. It is starting to smell | 1:02:58 | 1:03:03 | |
great.
But will smell more lovely with | 1:03:03 | 1:03:09 | |
tomato puree and bangers in the mix.
In the words of the late, great, | 1:03:09 | 1:03:17 | |
Freddie Mercury, "spare me my life
for your sausages! ." | 1:03:17 | 1:03:23 | |
What's the verdict? A little more
salt, definitely a little more sugar | 1:03:23 | 1:03:28 | |
and pepper.
And with a bunch of parsley, and | 1:03:28 | 1:03:34 | |
coriander.
. Look the that. | 1:03:34 | 1:03:38 | |
You can put anything into it.
That's the thing, anything goes. | 1:03:38 | 1:03:43 | |
Now the vegetables have simmered
down to a stew, we have to get ready | 1:03:43 | 1:03:47 | |
for the eggs.
We have to get Egypt of the little | 1:03:47 | 1:03:51 | |
blighters to nestle into the sauce!
Crack on, dude. See?! Egg number | 1:03:51 | 1:03:57 | |
one! Well number two... Oh, I've
bust one. Never mind. | 1:03:57 | 1:04:08 | |
Oh, no, you've got there, dude. You
got there. | 1:04:08 | 1:04:12 | |
Now what we are going to do is keep
the heat on the surface of the dish | 1:04:12 | 1:04:18 | |
and cook the eggs.
For me, feta plus runny yolks, plus | 1:04:18 | 1:04:24 | |
tomato sauce, equals a taste
sensation. | 1:04:24 | 1:04:29 | |
Yeah, I reckon the spicy, herby and
eggy dish is fit for a Persian | 1:04:29 | 1:04:33 | |
prince! | 1:04:33 | 1:04:36 | |
prince! | 1:04:36 | 1:04:37 | |
Thanks lads, that was a cracking
shakshuka they made there! | 1:04:37 | 1:04:39 | |
That is it! | 1:04:39 | 1:04:40 | |
The heaven and hell
vote is now closed. | 1:04:40 | 1:04:42 | |
Warwick's fate is sealed! | 1:04:42 | 1:04:43 | |
And we will reveal the results
at the end of the show. | 1:04:43 | 1:04:46 | |
Now let's take some
calls from our viewers. | 1:04:46 | 1:04:48 | |
First up it is Perry from France.
How exotic. What is your question? | 1:04:48 | 1:04:53 | |
The question is I want a different
recipe for pigeon or wood pigeon. | 1:04:53 | 1:04:58 | |
Pigeon? Who wants to go for that?
With the pigeon, breast off the | 1:04:58 | 1:05:05 | |
bone, fan fry it, let it rest,
served with pickled walnuts, fresh | 1:05:05 | 1:05:12 | |
walnuts, beetroot and job done.
Nice and simple. | 1:05:12 | 1:05:18 | |
Warwick we have tweets? I have one,
lamb sweetbreads, what is the best | 1:05:18 | 1:05:23 | |
way to prepare them. It is part of
the lamb! I love it! You would love | 1:05:23 | 1:05:30 | |
them! Anna? The lamb's sweetbreads,
they are small. Veal are big. It is | 1:05:30 | 1:05:37 | |
harder to get a people brain off. So
blanch them in a pan of boiling | 1:05:37 | 1:05:42 | |
water for 60 seconds and into iced
water. Peel it off. Then caramelise | 1:05:42 | 1:05:48 | |
them in pan with bur and balsamic or
put breadcrumbs on them and fry | 1:05:48 | 1:05:52 | |
them. You can do anything but
getting the membrane off them. That | 1:05:52 | 1:05:56 | |
is tricky. It goes well with a
balsamic vinegar dressing. | 1:05:56 | 1:06:01 | |
It sounds like a lot of effort! I
would not bother! And from Richard, | 1:06:01 | 1:06:11 | |
any half decent nonalcoholic red
wines. Not drinking for health | 1:06:11 | 1:06:16 | |
reasons.
There is a homemade recipe you can | 1:06:16 | 1:06:21 | |
do, black tea, warm it through,
adding pomegranate juice, add | 1:06:21 | 1:06:26 | |
cinnamon, let it coal and serve with
a plash of sparkling water. I have | 1:06:26 | 1:06:34 | |
yet to find a pre-made one.
Very nice. | 1:06:34 | 1:06:39 | |
Andrew, what is your question? I am
looking for a recipe that is | 1:06:39 | 1:06:45 | |
interesting or different with leeks.
Lots of people like leek and potato | 1:06:45 | 1:06:50 | |
soup. But I like to take the leek,
cut the root and top off. You have | 1:06:50 | 1:06:58 | |
the white centre bit. Blanch it,
drain it, in the pan with butter. | 1:06:58 | 1:07:02 | |
Get the butter roasting it. So
roasting the leek within the pan. | 1:07:02 | 1:07:06 | |
Then on the side add a blue cheese
dressing. Served with whole or | 1:07:06 | 1:07:11 | |
flaked almonds. A little salad and
rapeseed oil. It is absolutely | 1:07:11 | 1:07:15 | |
fantastic.
Very nice. | 1:07:15 | 1:07:18 | |
Thank you to everyone who called and
tweeted. | 1:07:18 | 1:07:22 | |
Thank you to everyone
who called and tweeted. | 1:07:22 | 1:07:24 | |
It's estimated that over 10 million
tonnes of edible food is wasted | 1:07:24 | 1:07:27 | |
every year in the UK. | 1:07:27 | 1:07:28 | |
For this week's foodie film we went
to Leeds to meet Adam Smith, founder | 1:07:28 | 1:07:32 | |
of The Real Junk Food Project,
to find out about some | 1:07:32 | 1:07:32 | |
of The Real Junk Food Project,
to find out about some | 1:07:32 | 1:07:35 | |
of the brilliant ways
in which they are re-distributing | 1:07:35 | 1:07:37 | |
unwanted food back
into the food chain. | 1:07:37 | 1:07:38 | |
Take a look at this.
The Real Junk Food Project is a | 1:07:38 | 1:07:44 | |
network of people that have come
together to try and stop food waste, | 1:07:44 | 1:07:50 | |
or food surplus, as we like to call
it. That is done in lots of | 1:07:50 | 1:07:53 | |
different ways. We have cafes,
outside catering, share houses, food | 1:07:53 | 1:08:00 | |
for school and free boxes as well.
Lots of food goes to landfill but if | 1:08:00 | 1:08:09 | |
it is still fit for consumption, we
take a look at that, and we like to | 1:08:09 | 1:08:18 | |
feed bellies, not bins to ensure
that every single person gets access | 1:08:18 | 1:08:23 | |
to food. This has come from
Morrisons. They are non-perishable | 1:08:23 | 1:08:28 | |
fruit and vegetable items. They give
us access to ensure it goes to | 1:08:28 | 1:08:32 | |
schools.
We are on the way to a partner | 1:08:32 | 1:08:35 | |
school. An incredible school. They
have been with us at The Real Junk | 1:08:35 | 1:08:42 | |
Food Project from the start. The
families and the communities have | 1:08:42 | 1:08:45 | |
access to food every week. Even when
the school is shot. -- shut. When | 1:08:45 | 1:08:55 | |
the staff are not here, the is it
school is still open, there are | 1:08:55 | 1:09:00 | |
volunteers and food is handed out.
We are the most deproofed primary | 1:09:00 | 1:09:08 | |
school in Leeds. We employ parents
to run the stall. The parents come | 1:09:08 | 1:09:13 | |
in, collect the produce, as little
as they like or as much as they | 1:09:13 | 1:09:17 | |
like. It can be oozed to help
fundraising. The parents and the | 1:09:17 | 1:09:23 | |
kids come into school to share
things. Here we love everything at | 1:09:23 | 1:09:30 | |
Parkinson's and The Real Junk Food
Project is lovely. | 1:09:30 | 1:09:33 | |
Why should we put food in the trash
when it can be used? All of the food | 1:09:33 | 1:09:39 | |
that doesn't go to schools, events,
catering or other charities and | 1:09:39 | 1:09:44 | |
organisations, this is effectively
our sure produce. Anything that is | 1:09:44 | 1:09:47 | |
not the best of quality buttedible
comes here. The general public come | 1:09:47 | 1:09:53 | |
in, sometimes six, seven days a
week. It is topped up by the amazing | 1:09:53 | 1:09:58 | |
volunteers and the customers pay
what they want in money, time or | 1:09:58 | 1:10:03 | |
skills.
When I started coming, I had been | 1:10:03 | 1:10:08 | |
diagnosed with a chronic illness.
Pie husband had to leave work. I | 1:10:08 | 1:10:12 | |
started to come here and it helped a
lot. | 1:10:12 | 1:10:16 | |
We should not be dependant on food
waste in order to supply people with | 1:10:16 | 1:10:20 | |
it. It highlights the scale of the
problem. If we were closing cafes | 1:10:20 | 1:10:28 | |
and the shared houses, for me it
would be a measure of our success. | 1:10:28 | 1:10:32 | |
That is fantastic. | 1:10:32 | 1:10:34 | |
That is fantastic. | 1:10:34 | 1:10:34 | |
Right! | 1:10:34 | 1:10:36 | |
It's omelette challenge time. | 1:10:36 | 1:10:37 | |
Anna, you're already
on our new board with a very | 1:10:37 | 1:10:39 | |
respectable 47.52 seconds,
so Liam and Ryan we thought it | 1:10:39 | 1:10:42 | |
would be fun for you to go up
against each other! | 1:10:42 | 1:10:44 | |
Whether it is good for their
marriage, I don't know. | 1:10:44 | 1:10:47 | |
This could cause problems! | 1:10:47 | 1:10:49 | |
This could cause problems! | 1:10:49 | 1:10:50 | |
Here's a recap of the rules. | 1:10:50 | 1:10:52 | |
The aim is to make fast, edible
three-egg omelettes that are good | 1:10:52 | 1:10:54 | |
enough to feed to our hungry crew. | 1:10:54 | 1:10:56 | |
CREW CHEERS | 1:10:56 | 1:10:57 | |
But if they're not they'll
go in the compost bin. | 1:10:57 | 1:11:00 | |
CREW BOOS | 1:11:00 | 1:11:01 | |
So will it be CREW or COMPOST? | 1:11:01 | 1:11:02 | |
Your time will STOP
when your omelettes hit the | 1:11:02 | 1:11:05 | |
plates. | 1:11:05 | 1:11:05 | |
Let's put the clocks on the screen. | 1:11:05 | 1:11:07 | |
Are you both ready? | 1:11:07 | 1:11:08 | |
We are! | 1:11:08 | 1:11:09 | |
We are! | 1:11:09 | 1:11:10 | |
3, 2, 1, go! | 1:11:10 | 1:11:11 | |
Stop showing off! | 1:11:11 | 1:11:16 | |
Stop showing off! Are you both
competitive at home? We are. | 1:11:16 | 1:11:22 | |
We are naturally competitive. There
is nothing wrong with that. | 1:11:22 | 1:11:25 | |
Have you been practicing? No.
Really? I think one of them has! Who | 1:11:25 | 1:11:31 | |
makes the best omelettes? I was
taught in France. | 1:11:31 | 1:11:37 | |
What does that mean? It doesn't mean
you can a make great omelettes! You | 1:11:37 | 1:11:43 | |
can shell an egg, though! Oops! Oh!
Very good, boys. | 1:11:43 | 1:11:52 | |
Right.
I'll use that. Let's go here first. | 1:11:52 | 1:11:58 | |
Remember that tenner! What is that
black? That is a little bit of... | 1:11:58 | 1:12:05 | |
You can't do it now! Oh, nice.
Quite salty. A lot of people say | 1:12:05 | 1:12:14 | |
that about Ryan's omelettes! The
salt is the flavour! So, bothedible, | 1:12:14 | 1:12:22 | |
both delicious, I have to say.
Liam, you have got... 46.926789 | 1:12:22 | 1:12:31 | |
Yes! Put me in the pan.
Blimey, you are in there, somewhere. | 1:12:31 | 1:12:46 | |
-- 46.92.
Ryan, you are 43.4. | 1:12:46 | 1:12:55 | |
Very good.
Right, let's stick him here. | 1:12:55 | 1:13:03 | |
Is that me? That's Rosie! This is
complicated! | 1:13:03 | 1:13:12 | |
This is complicated! | 1:13:12 | 1:13:13 | |
So will Warwick get his food
heaven, beef shin and | 1:13:13 | 1:13:16 | |
blue cheese cobbler? | 1:13:16 | 1:13:17 | |
Or his food hell, fish pie? | 1:13:17 | 1:13:18 | |
Or his food hell, fish pie? | 1:13:18 | 1:13:18 | |
We'll find out after Mary Berry has
showed us how to make glazed, | 1:13:18 | 1:13:22 | |
stuffed chicken thighs
with roast cauliflower. | 1:13:22 | 1:13:27 | |
Most people just do cauliflower
cheese but I'm going to do roasted | 1:13:27 | 1:13:31 | |
coulis flower. All I'm going to do
is take all the sprigs off and roast | 1:13:31 | 1:13:36 | |
them in a little olive oil.
Just pull off each of the heads. | 1:13:36 | 1:13:52 | |
They want to be sort of about that
size... If you want to split them, | 1:13:52 | 1:13:59 | |
just take a knife like that and then
pull them apart and they will hold | 1:13:59 | 1:14:03 | |
together like that.
To get the perfect roast, coat | 1:14:03 | 1:14:09 | |
evenly in a little olive oil.
Then I'm going to put a little | 1:14:09 | 1:14:20 | |
seasoning under the cauliflower.
Like that... A little bit of | 1:14:20 | 1:14:30 | |
seasoning on top... And it's nice to
use sea salt. You get a bit of | 1:14:30 | 1:14:35 | |
crunch. So nothing could have been
simpler than that. All it has to do | 1:14:35 | 1:14:40 | |
is to roast now. That wants to go in
a really hot oven. A fan oven, 2 | 1:14:40 | 1:14:46 | |
hundreds and it will take about 30
minutes. | 1:14:46 | 1:14:52 | |
While the oven works its magic, I
will show you the quickest dressing | 1:14:52 | 1:14:58 | |
imaginable. Lemon Joyce, olive oil,
seasoning and a few capers. I love | 1:14:58 | 1:15:06 | |
capers. They seem to go very well
with cauliflower. Then chopped | 1:15:06 | 1:15:10 | |
parsley and whisk that together.
-- lemon juice. | 1:15:10 | 1:15:15 | |
That's the dressing. It is really
very easy. | 1:15:15 | 1:15:19 | |
The cauliflower will be ready... | 1:15:19 | 1:15:23 | |
Coat the roasted cauliflower with
the dressing. That has got a lovely | 1:15:28 | 1:15:33 | |
shine to it now. And I'm just going
to tip that while it's piping hot. | 1:15:33 | 1:15:42 | |
Doesn't that look gorgeous?
Something totally different, very | 1:15:42 | 1:15:46 | |
quick to do, and oh so simple. This
is so good, I love it on its own. | 1:15:46 | 1:15:54 | |
But if you're making the family
supper, why not try it with these? | 1:15:54 | 1:16:00 | |
Which can be prepared ahead to make
life easy. First of all, the | 1:16:00 | 1:16:04 | |
stuffing. Take 350 grams of sausage
meat and liven it up with chopped | 1:16:04 | 1:16:16 | |
thyme, lemon zest and Parmesan. I
can see it is well mixed, because | 1:16:16 | 1:16:20 | |
the parsley is evenly throughout.
Simply cut it like a cake for | 1:16:20 | 1:16:25 | |
perfect portions. And I'm going to
roll each one into a sausage shape. | 1:16:25 | 1:16:33 | |
And think about it, it wants to be
the same length as the chicken | 1:16:33 | 1:16:37 | |
thigh. Just a little bit of
seasoning, then we put our little | 1:16:37 | 1:16:46 | |
sausage in the middle. That's it.
Roll those round like that. They | 1:16:46 | 1:16:57 | |
want to feel rustic, so don't worry
if the sausage meat peeks out that | 1:16:57 | 1:17:01 | |
the ends. Now we need to put bacon
round the outside. And make sure | 1:17:01 | 1:17:09 | |
that it's really well wrapped around
underneath. That's it, and that is | 1:17:09 | 1:17:15 | |
going to hold it together. My tip
for a beautiful glaze is to drizzle | 1:17:15 | 1:17:21 | |
some honey before they go into the
oven. I've set it at 200 degrees | 1:17:21 | 1:17:30 | |
fan, and it will take about 25-30
minutes. What could be easier or | 1:17:30 | 1:17:36 | |
quicker? I'm well pleased with that.
Gorgeous colour. Looking at all of | 1:17:36 | 1:17:51 | |
those, we always have beefburgers in
Barnes, and wouldn't that be | 1:17:51 | 1:17:58 | |
absolutely delicious in a bun? I
think I would enjoy that perhaps | 1:17:58 | 1:18:00 | |
with a bit of chutney underneath.
And look what a wonderful colour | 1:18:00 | 1:18:06 | |
that Bacon has become. It looks very
special. You can prepare to head, | 1:18:06 | 1:18:13 | |
and gosh, it's good to eat. | 1:18:13 | 1:18:19 | |
Thanks, Mary! | 1:18:24 | 1:18:25 | |
Right, time to find out
whether Warwick is getting his food | 1:18:25 | 1:18:28 | |
heaven or food hell. | 1:18:28 | 1:18:30 | |
All nice things that you like. Your
fish hell - fish pie and eggs. What | 1:18:34 | 1:18:39 | |
do you think you got? I'm hoping the
viewers have been kind and giving me | 1:18:39 | 1:18:45 | |
this delicious selection, but I have
a feeling... You got hell last time? | 1:18:45 | 1:18:51 | |
I did. People enjoy seeing me making
unpleasant faces. I can tell you | 1:18:51 | 1:18:56 | |
that 65% of the viewers went for...
Heaven! 65% an that's not bad, is | 1:18:56 | 1:19:07 | |
it? They are loving you out there.
That bodes well for ticket sales! | 1:19:07 | 1:19:12 | |
Indeed it does, yes! This is shin of
beef. That's what it looks like | 1:19:12 | 1:19:19 | |
originally, off the bone. I didn't
need to see that! A very tough piece | 1:19:19 | 1:19:24 | |
of meat, but after slow cooking, it
breaks down to a beautiful, tender | 1:19:24 | 1:19:29 | |
piece. We would just cut it down.
This is quite old school, made with | 1:19:29 | 1:19:35 | |
Belgian beer, Olly. Pure
coincidence! I was there this week, | 1:19:35 | 1:19:42 | |
staying with the monks brewing, and
some of those beers are tremendous. | 1:19:42 | 1:19:49 | |
I could have paired it with a dish,
but Matt told me it would be lazy. I | 1:19:49 | 1:19:55 | |
think it would be lovely with this
dish. Is this the same situation | 1:19:55 | 1:20:02 | |
where Warwick thought he would be
drinking buttered toast in the wine? | 1:20:02 | 1:20:08 | |
Yes. Warwick, you have had an
enormously varied career. Over the | 1:20:08 | 1:20:19 | |
years... That's not on my notes! My
mate wrote the scripts. Over the | 1:20:19 | 1:20:28 | |
years, how have things changed in
the industry, particularly with | 1:20:28 | 1:20:31 | |
reference to the catering? Is it
better? I started making American | 1:20:31 | 1:20:39 | |
films, so food is on offer all day
long for the cast and crew, and we | 1:20:39 | 1:20:44 | |
didn't have that in this country. In
the 80s in this country, it was tea | 1:20:44 | 1:20:49 | |
and a cheese roll at 11 o'clock, and
a doughnut. 1pm was lunchtime. Then | 1:20:49 | 1:20:55 | |
tea-time again, cup of tea and
something else at about four | 1:20:55 | 1:20:57 | |
o'clock. Now the idea of that
American service has come to this | 1:20:57 | 1:21:02 | |
country. Street kitchen that you can
go to in some of the studios. They | 1:21:02 | 1:21:08 | |
figure that an army marches on this
is -- on its stomach. Is it | 1:21:08 | 1:21:16 | |
healthier or is there just more
choice? There are healthy options, | 1:21:16 | 1:21:19 | |
but you can have sponge and custard
for dessert and fall asleep all | 1:21:19 | 1:21:24 | |
afternoon. Not great when you are on
camera! Let's talk about one of my | 1:21:24 | 1:21:34 | |
favourites, Life's Too Short. It is
proper Ricky Joe base, a little bit | 1:21:34 | 1:21:37 | |
cringing. It was based on a lot of
real-life experiences that I had | 1:21:37 | 1:21:45 | |
had, that me and the writer would
talk about than they would write the | 1:21:45 | 1:21:49 | |
scene. They added their brilliant
comic genius to it. But instances | 1:21:49 | 1:21:52 | |
such as, when I go shopping, unless
it is a supermarket, I can't always | 1:21:52 | 1:21:59 | |
reach everything. A lot of my life,
I have spent- half -- having stuff | 1:21:59 | 1:22:06 | |
from the lower shelves. Then I would
get a mop handle one knock things | 1:22:06 | 1:22:14 | |
off the high shelves. That's
actually true. Did you get told on? | 1:22:14 | 1:22:19 | |
I actually got the security guard
embroiled in all of that. Being | 1:22:19 | 1:22:26 | |
photographed as well. A woman
photographed me moving into my new | 1:22:26 | 1:22:33 | |
apartment, and I think it is because
she has recognised beer is a | 1:22:33 | 1:22:37 | |
well-known actor, but it's just
because I'm shorter and she thinks | 1:22:37 | 1:22:41 | |
it would be funny. It brings up a
very serious issue, with social | 1:22:41 | 1:22:46 | |
media and things, is that people
think they can take a photo of | 1:22:46 | 1:22:51 | |
anyone they like and post it. And
it's not acceptable. Other countries | 1:22:51 | 1:22:55 | |
have laws, and we doubt in this
country, but I think we should. I | 1:22:55 | 1:23:00 | |
don't mind people taking a picture
of me because they recognise me and | 1:23:00 | 1:23:03 | |
they want a selfie or whatever. But
some people find it very difficult, | 1:23:03 | 1:23:11 | |
especially when it goes on social
media etc. We need to get on top of | 1:23:11 | 1:23:14 | |
that sort of thing. Sometimes, we
are trying to raise awareness and | 1:23:14 | 1:23:21 | |
issues as well. It is a fantastic
point. Now everyone has a camera, it | 1:23:21 | 1:23:26 | |
is easy for people just snap. I
personally don't get it. It doesn't | 1:23:26 | 1:23:33 | |
happen to me. People don't want an
autograph, they want a selfie to | 1:23:33 | 1:23:43 | |
say, look what happened. People in a
car will drive alongside at 70 miles | 1:23:43 | 1:23:46 | |
an hour and take a picture. That
happened to me. In a really nice | 1:23:46 | 1:23:52 | |
car. Now that everyone is a
reporter, it is considered that the | 1:23:52 | 1:24:01 | |
vernacular is that you can take a
snap and you own it. I take your | 1:24:01 | 1:24:05 | |
points an there was a discussion to
be had. There is a line there that | 1:24:05 | 1:24:09 | |
shouldn't be crossed. There should
be permission, especially if you're | 1:24:09 | 1:24:13 | |
not someone in the public eye.
That's the key to it, I think. I'll | 1:24:13 | 1:24:23 | |
just recapture. I don't know if
anyone was looking at this. I seared | 1:24:23 | 1:24:29 | |
the beef, added the pancetta, in
with some onions and celery, a | 1:24:29 | 1:24:33 | |
little bit of brown sugar and red
wine vinegar, which will give a | 1:24:33 | 1:24:39 | |
sweet and sour element. I love the
way you describe it, it's almost | 1:24:39 | 1:24:46 | |
better than the product! This is the
Belgian beer, and that will give it | 1:24:46 | 1:24:58 | |
a real gutsy... You could chuck in
red wine, which is more standard, | 1:24:58 | 1:25:03 | |
but this beer is good. Have you got
a book out? Eat My Words: The Matt | 1:25:03 | 1:25:13 | |
Tebbit Story. Nobody needs to read
that. I will happily ghostwrite it | 1:25:13 | 1:25:22 | |
for you. That is ready, it goes in
the oven for about two hours, till | 1:25:22 | 1:25:30 | |
its tender. Will you prod it later?
The recipe's on the website! About | 1:25:30 | 1:25:38 | |
half an hour from the end, you bring
it out, and you see those scones in | 1:25:38 | 1:25:43 | |
front of you? These? Yes, we just
made them. A bit of flour, butter, | 1:25:43 | 1:25:52 | |
breadcrumb it together, add salt,
that of milk, add bit of thyme to | 1:25:52 | 1:25:59 | |
flavour, so it is a savoury scorn.
Goes on top, cooks for about 20 | 1:25:59 | 1:26:05 | |
minutes. It's like a dumpling idea.
You said you like those. Is it like | 1:26:05 | 1:26:11 | |
chicken and biscuits in America?
Yes. This is the sustenance, and | 1:26:11 | 1:26:19 | |
this is what bulks out the dish. It
also catches the juicy | 1:26:19 | 1:26:25 | |
deliciousness. Which would be the
name of my book! All of those onions | 1:26:25 | 1:26:33 | |
have melted down. And then just a
little bit of parsley on it to make | 1:26:33 | 1:26:37 | |
it look green and pretty and bless
brown. I would have this with a side | 1:26:37 | 1:26:41 | |
of peas. Shall I get you some
cutlery so you don't have to eat | 1:26:41 | 1:26:51 | |
with your hands? I'm eating with my
eyes already. Let's try this. What | 1:26:51 | 1:26:55 | |
are we drinking? With this kind of
this, the red wines or Portugal are | 1:26:55 | 1:27:01 | |
amazing. This is the Herdade De
Gambia. £7 99 Majestic. A blend of | 1:27:01 | 1:27:07 | |
Portuguese grape varieties. It is
one of those wines that, if you're a | 1:27:07 | 1:27:14 | |
fan of Spanish Rioja, this is like
that, camped up to 11th. -- turned | 1:27:14 | 1:27:20 | |
up to 11. How is it, cheap? Really
good. For everyone at home, it's | 1:27:20 | 1:27:33 | |
delicious. The little scorn things
are delicious. It's not too strong, | 1:27:33 | 1:27:40 | |
gorgeous, comforting, just a lovely
dish. Do you match wine with | 1:27:40 | 1:27:48 | |
everything, like cornflakes, for
example? IE match them up with | 1:27:48 | 1:27:54 | |
films. What would you do with Star
Wars? I would do something | 1:27:54 | 1:28:00 | |
effervescent and beautiful, so that
you can drink the stars. What about | 1:28:00 | 1:28:04 | |
a new musical opening at the other
palace? The best wine in the world. | 1:28:04 | 1:28:10 | |
Tag you very much. Remind us -
Eugenius, when is it on? ... We will | 1:28:10 | 1:28:23 | |
go for an English sparkling wine, a
home-grown production. If you invite | 1:28:23 | 1:28:33 | |
us, I will bring a massive bottle of
wine and share it. Among the whole | 1:28:33 | 1:28:37 | |
audience. I could maybe to two of
them. That's all from us today on | 1:28:37 | 1:28:45 | |
Saturday kitchen life. | 1:28:45 | 1:28:46 | |
Thanks to all our studio
guests Liam, Ryan, | 1:28:46 | 1:28:48 | |
Anna, Olly and Warwick. | 1:28:48 | 1:28:49 | |
All the recipes from the show
are on the website: | 1:28:49 | 1:28:52 | |
bbc.co.uk/saturdaykitchen. | 1:28:52 | 1:28:53 | |
Don't forget I've got
more Best Bites for you | 1:28:53 | 1:28:55 | |
tomorrow at 10am on BBC2. | 1:28:55 | 1:28:56 | |
Have a great weekend. | 1:28:56 | 1:28:57 | |
Bye! | 1:28:57 | 1:28:59 |