Browse content similar to 19/10/2013. Check below for episodes and series from the same categories and more!
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Good morning. There's a mouth-watering | :00:00. | :00:09. | |
menu of world class cooking coming right up! This is Saturday Kitchen | :00:10. | :00:34. | |
Live! Welcome to the show. With me today are two chefs who cook food | :00:35. | :00:38. | |
from two very different parts of the world. First, one half of the BBC's | :00:39. | :00:42. | |
Spice Men and the man behind thousands of curry lovers favourite | :00:43. | :00:46. | |
restaurant, Cafe Spice Namaste. It's Cyrus Todiwala. Next to him is a | :00:47. | :00:51. | |
woman making her first visit to Saturday Kitchen. She's using her | :00:52. | :00:55. | |
Greek Cypriot roots as the inspiration for her unique style of | :00:56. | :00:58. | |
Mediterranean food. It's Maria Elia. Good morning to you both. Cyrus, | :00:59. | :01:07. | |
what are you cooking for us? A great breakfast from Bombay. Lamb mince | :01:08. | :01:12. | |
with scrambled eggs in it. Where does this come from in India? | :01:13. | :01:18. | |
Bombay. My home town. That is the breakfast we have. | :01:19. | :01:23. | |
That's the one. So, follow that, then? I am cooking slow cooked pork | :01:24. | :01:31. | |
belly with wilted greens. This is quite unusual with the feta? | :01:32. | :01:37. | |
It is a little bit of the twist with the Greek. | :01:38. | :01:42. | |
And vine leaves? No, you hate them! So two very different but delicious | :01:43. | :01:47. | |
dishes to look forward to. And we've got our line-up of fantastic foodie | :01:48. | :01:51. | |
films from the BBC archive too. There's Great British Menu, Simon | :01:52. | :01:54. | |
Hopkinson and of course, Rick Stein. Now, our special guest today started | :01:55. | :01:58. | |
his career right here on the BBC but then took off aboard the Starship | :01:59. | :02:01. | |
Enterprise as Chief O'Brien in Star Trek: The Next Generation. He's | :02:02. | :02:04. | |
appeared in many movies including Die Hard 2, Under Siege, the | :02:05. | :02:07. | |
Commitments and Con Air. Welcome to Saturday Kitchen, Colm Meaney. Great | :02:08. | :02:15. | |
to have you on the show. I could list the films but we have a list, | :02:16. | :02:24. | |
this is like a book! You have done so much? It is because I am so old. | :02:25. | :02:30. | |
I've been around a long time. But you started with Z Cars? Yes. It | :02:31. | :02:39. | |
was through the great playwright John McGrath. He had written the | :02:40. | :02:47. | |
original Z Cars story. Was his originally. He did it with Jack | :02:48. | :02:53. | |
Gold. When it came to the final episode, after 12 years, he decided | :02:54. | :02:59. | |
to yous all of the old films in the last episode of Z Cars. | :03:00. | :03:04. | |
Fast forward to what you are doing now. Tell bus that? Yes, it is One | :03:05. | :03:12. | |
Chance. We have the premiere on Thursday evening. It is with James | :03:13. | :03:18. | |
corden and Julie Walters. It is bufl. It was the first time I had | :03:19. | :03:24. | |
seen the film. It is a great story. It makes you laugh, cry. Usually you | :03:25. | :03:29. | |
see a film long before the premiere, I had not seen this one. I saw it on | :03:30. | :03:35. | |
Thursday night, I am buzzed about it. It is a great film. | :03:36. | :03:41. | |
We are talking about that later. Now, of course, at the end of | :03:42. | :03:44. | |
today's programme I'll cook either food heaven or food hell for Colm. | :03:45. | :03:48. | |
It'll either be something based on your favourite ingredient - food | :03:49. | :03:51. | |
heaven, or your nightmare ingredient - food hell. It's up to our chefs | :03:52. | :03:55. | |
and a few of our viewers to decide which one you get. So, what | :03:56. | :03:58. | |
ingredient would your idea of food heaven be? I love mushrooms. This | :03:59. | :04:05. | |
time of the year is the time to eat them. | :04:06. | :04:12. | |
I'm flad you said that and not the truffle, you know the BBC budget! So | :04:13. | :04:19. | |
that is the food heaven, what about the dreaded food hell? I am not a | :04:20. | :04:25. | |
fan of stojy puddings and pastry made with oil and butter. The | :04:26. | :04:30. | |
difference between France and Spain, in France they make them with | :04:31. | :04:34. | |
butter, in Spain they make it with lard! So it's either mushrooms or a | :04:35. | :04:41. | |
big stodgy pud for Colm. For his food heaven I'm going to combine his | :04:42. | :04:45. | |
love of mushrooms with another of his favourite things, pastry and | :04:46. | :04:48. | |
make him a wild mushroom quiche! I'll fill a homemade shortcrust | :04:49. | :04:51. | |
pastry case with a classic quiche filling with loads of added wild | :04:52. | :04:54. | |
mushrooms, cheese and a little thyme. It's baked and served with a | :04:55. | :04:58. | |
smoked salmon salad on the side. Or Colm could be having his food hell | :04:59. | :05:01. | |
and for this I got a great old-fashioned British dessert in | :05:02. | :05:04. | |
mind, a Sussex pond pudding! I'll make a suet pastry and fill it with | :05:05. | :05:08. | |
basically a whole pack of butter, a bag of sugar and a couple of lemons! | :05:09. | :05:15. | |
It's slowly steamed then served with a ball of vanilla ice cream. They | :05:16. | :05:18. | |
don't make puddings like that anymore! Well, you'll have to wait | :05:19. | :05:22. | |
until the end of the show to find out which one he gets. I think you | :05:23. | :05:32. | |
made that up. Who every heard of a Sussex pond pudding? ! Really? If | :05:33. | :05:38. | |
you'd like the chance to ask a question on the show then call: A | :05:39. | :05:43. | |
few of you will be able to put a question to us, live, a little later | :05:44. | :05:47. | |
on. And if I do get to speak to you I'll also be asking if you want Colm | :05:48. | :05:52. | |
to face either food heaven or food hell. So start thinking. Hungry? | :05:53. | :06:01. | |
Yes! How do you fancy an Indian-style breakfast? Sounds good | :06:02. | :06:07. | |
to me. Right, let's cook and cooking first | :06:08. | :06:10. | |
this morning is the powerhouse behind the restaurant Cafe Spice | :06:11. | :06:19. | |
Namastay. It's Cyrus Todiwala. What is the are name of this dish? It is | :06:20. | :06:25. | |
confused lamb mince! The confusion is with the eggs. It is confused. | :06:26. | :06:32. | |
Does it have to be lamb? It can be beef, pork, chicken, turkey! That | :06:33. | :06:41. | |
depends on where you visit in India, where you live? What the religion | :06:42. | :06:47. | |
is, anything else? Yes but our religion does not follow our food. | :06:48. | :06:52. | |
We can eat anything. We eat. We don't like greens in my community. | :06:53. | :06:59. | |
Anything green on a plate. It looks like it is goat! So we ghetto | :07:00. | :07:05. | |
fended! What else would you have? Where is this from in India? Bombay. | :07:06. | :07:13. | |
What else would you have on the men few. Thank this can't be just one of | :07:14. | :07:19. | |
the things? They love their offa will in bomb basement | :07:20. | :07:27. | |
Liver? Oh, liver, kidney spleen. Testicles, uders, the lot. Yum! | :07:28. | :07:35. | |
Great! Any way you like it, James. And everything with a fried egg on | :07:36. | :07:41. | |
top. Have you ever had a deep fried egg. | :07:42. | :07:45. | |
I like the idea of the fried egg but I don't know about the spleen? I | :07:46. | :07:52. | |
think it could be lovely. . It is lovely. | :07:53. | :08:01. | |
While you do that, so, what spices do you have in there? We have tum | :08:02. | :08:10. | |
Rick powder, chilli powder, cumin and coriander. I am adding the | :08:11. | :08:15. | |
water. We allow the powders to swell up and all of the flavours start to | :08:16. | :08:21. | |
fuse and when they hit the hot pan, it absorbs the flavours better. | :08:22. | :08:26. | |
Is this a classic way of doing this is or is this your way of doing it? | :08:27. | :08:31. | |
It is classic. Mum would not do it but I do it. | :08:32. | :08:36. | |
Many people watching us, don't mow how to add poweders into hot food, | :08:37. | :08:43. | |
so they burn it and get a bad taste. So adding the water, it allows the | :08:44. | :08:49. | |
spices to expand and get the flavour. I would normally add it | :08:50. | :08:53. | |
dry. So, there with -- we go. | :08:54. | :09:00. | |
That is why he has letters after his name? You were on an M BE, what is | :09:01. | :09:13. | |
it now, O OBE? DL What is that? Deputy Luton Airport lieutenant. I | :09:14. | :09:20. | |
am a representative of Her Majesty. So you work for Her Majesty. I | :09:21. | :09:26. | |
report to the Lord Lieutenant. Wow! He looks after London or the | :09:27. | :09:31. | |
regions, whatever. Fantastic. | :09:32. | :09:37. | |
It sounds sexy! So, I have chopped the tomatoes in here. You have a | :09:38. | :09:42. | |
mixture of two spices in here? Sorry, two herbs? . I have coriander | :09:43. | :09:47. | |
and fresh mint. We have seen you on TV as one half | :09:48. | :09:53. | |
of the Spice Men. That what travelling around. Your are a big | :09:54. | :09:58. | |
fan of food in the UK? I am a big supporter. | :09:59. | :10:02. | |
What was it like for you? It was amazing. It was brilliant. If I get | :10:03. | :10:07. | |
a chance to proem oat all of my lovely producers across the country, | :10:08. | :10:12. | |
I am a happy man. We did a little bit of that. So just to let the | :10:13. | :10:16. | |
public know how great our country really is, what we produce in | :10:17. | :10:21. | |
Britain. The next time, Yorkshire! So, you put the spice in there. | :10:22. | :10:28. | |
Often with curries you colour the onions a lot but not one? You don't | :10:29. | :10:36. | |
have to but you can. Indians want to create more bulk. So they brown more | :10:37. | :10:42. | |
onions, you get another portion out of it! But that is the key to a lot | :10:43. | :10:47. | |
of cooking. Having a go at Indian cooking. As well as the spices it is | :10:48. | :10:54. | |
the on yons? Very important. If you don't cook them Westminster, you | :10:55. | :11:01. | |
repeat them. If the poweders don't cook well, they will repeat on you. | :11:02. | :11:09. | |
They could give you grief after brdz -- afterwards -- Now we add a little | :11:10. | :11:21. | |
bit of water to the pan it prevents it from creating lumps. So we want | :11:22. | :11:27. | |
to break up the mince fine. So, green chilli in there as well? | :11:28. | :11:32. | |
Oh, yes. You have written a book on Bombay, | :11:33. | :11:37. | |
is that where we should be going fob Indian cooking? Oh, yes. You could | :11:38. | :11:44. | |
not learn Indian food in a thousand and years it is impossible, but | :11:45. | :11:51. | |
Bombay is the melting pot. Wherever you go, there are about 50-odd | :11:52. | :11:57. | |
different types of food? So many different toorps? . You never learn | :11:58. | :12:05. | |
India. People like me, I am a little ahead but it would take me 1,000 | :12:06. | :12:10. | |
years to scratch the surface, but come with me, James. We will have | :12:11. | :12:16. | |
the time of our lives. A Yorkshire man in India. Spleen on | :12:17. | :12:21. | |
toast. It is beautiful. | :12:22. | :12:27. | |
I prefer this, to be honest. With butter! This is proper. Look at | :12:28. | :12:32. | |
that. It should be spread on like cheese. | :12:33. | :12:36. | |
They offer you two butters in Bombay. Either pure or reeta butter, | :12:37. | :12:48. | |
it is margarine, only the wimps have that. | :12:49. | :12:51. | |
Our house is on the hill, so after you take a walk, you are well | :12:52. | :12:59. | |
digested. Now I add ketchup. Indians, when they eat an omelette, | :13:00. | :13:05. | |
if you don't give them ketchup with the omelette, they throw a fit. They | :13:06. | :13:11. | |
want ketchup. Ketchup on an omelette? They will | :13:12. | :13:17. | |
wait for the ketchup to come. They are very upset if you don't give | :13:18. | :13:22. | |
them the ketchup. Now, red onion? That is very | :13:23. | :13:29. | |
important. Red onion, mint, coriander and a little driz le lime. | :13:30. | :13:35. | |
That is the salad. In Britain, people are averse to having a bit of | :13:36. | :13:43. | |
raw onion. It does work with this. Asians love the raw onions. I think | :13:44. | :13:48. | |
that they are great. It disguises the flavour of the | :13:49. | :13:56. | |
spleen! It does! And now lots of lovely flavours here. | :13:57. | :14:00. | |
We are done, sir. A little bit of oil in here. Then | :14:01. | :14:05. | |
you are adding the eggs at the last minute? I am getting the eggs in. We | :14:06. | :14:12. | |
scramble them up nicely, we are almost done. | :14:13. | :14:16. | |
So, your book is on Bombay and the food from Bombay? My mum's cooking. | :14:17. | :14:25. | |
As well as everybody else's! You start eating food at home. That the | :14:26. | :14:29. | |
family gets used to. Eggs in? Yes, sir. | :14:30. | :14:40. | |
That that is kheema ghotala. Now this is combined together? It | :14:41. | :14:45. | |
depends on who you are. I like it soft. Many like it lumpy. | :14:46. | :14:54. | |
We like it soft over here. Soft over there? I like the bread | :14:55. | :15:00. | |
rolls, these are the way forward. That's it. Indians are big on bun. | :15:01. | :15:06. | |
Afternoon tea is a well-buttered bun, dumped in tea. | :15:07. | :15:14. | |
That is Indian style. Mine would abbacon sandwich. I like a proper | :15:15. | :15:19. | |
white bun. Absolutely and soft and floury. | :15:20. | :15:26. | |
We will not give it all to them. We keep some for ourselves. | :15:27. | :15:31. | |
Perfect. Perfect. What we have here is kheema | :15:32. | :15:40. | |
ghotala with Yorkshire buttered bun! That's what you have got! With that | :15:41. | :15:49. | |
amount of butter, you don't have to butter the top bit. Dive into this. | :15:50. | :15:57. | |
I don't know if you have had this for breakfast. The smell is amazing. | :15:58. | :16:04. | |
That is a lot of butter! What is the key, make a sandwich? Yes, make a | :16:05. | :16:09. | |
big bun. It is kheema ghotala. Have the bun that has crust on the to | :16:10. | :16:14. | |
top. Testimony is soft inside. Crack it and fill it with the mince and | :16:15. | :16:20. | |
slobber it. It is beautiful. We grew up on that. In school that was the | :16:21. | :16:25. | |
break time snack. You always have it hot? Yes. They | :16:26. | :16:30. | |
don't like anything cold. Hot and hot with chilli. | :16:31. | :16:35. | |
And done with lamb and beef? Yes but not so much pork there. | :16:36. | :16:40. | |
Really great. A great breakfast. And then the salad after? You put it on | :16:41. | :16:47. | |
the bun and eat it. That is great! Delicious. | :16:48. | :16:52. | |
We need to get some wine to go with this. We have sent Tim Atkins to | :16:53. | :16:59. | |
Sussex today. What has he showsen to go with | :17:00. | :17:07. | |
Cyrus' lamb? I am heading to the store from Sussex today! Cyrus, the | :17:08. | :17:20. | |
curried lamb has a wonderful choirment of flavours. I am after a | :17:21. | :17:27. | |
red wine with departmenth, fruit and concentration but not so much | :17:28. | :17:30. | |
tannin, so it does not clash with the spice and the heat of the garam | :17:31. | :17:36. | |
Marsala and the chilli. I thought of granache, but we could go with | :17:37. | :17:40. | |
something like that example from the south of France. The PayDoc region, | :17:41. | :17:49. | |
but I would like a little of a trade-up. So let's hear it for the | :17:50. | :17:55. | |
2011, Ogier Heritage Cotes du Rhone. This wine is known in Australia as a | :17:56. | :18:02. | |
GSN. That is a blend of three different grape varieties. | :18:03. | :18:08. | |
Full-body. Softly fruited. Spicy SirA and slightly earthy. -- Syrah. | :18:09. | :18:17. | |
Most of the red wines are made from the three red grapes. On the nose | :18:18. | :18:23. | |
this is ripe and perfumed. You can almost smell the sunshine in the | :18:24. | :18:30. | |
glass. Along with the hints of provenceal herbs and the pallet. It | :18:31. | :18:34. | |
has the sweetness and the softness to cope with the challenge of the | :18:35. | :18:40. | |
chilli but the structure and the power to work with the lamb. The | :18:41. | :18:47. | |
wild herbal notes work with the coriander, and the tannins are | :18:48. | :18:55. | |
softed by the butter and the eggs. Cyrus Todiwala, you rock! What do | :18:56. | :19:04. | |
you think to that? It is fantastic. It is. And ?7. 99. It is a steal! I | :19:05. | :19:10. | |
don't know about breakfast? If you are a parsee, you drink 24 hours a | :19:11. | :19:17. | |
day, you eat red meat 24 hours a day and you live until you are 125. | :19:18. | :19:24. | |
You said you have to slobber. So I have slobbered! Dripping butter all | :19:25. | :19:31. | |
over! Welcome to India, sir! Thank you very much. What do you reckon? | :19:32. | :19:35. | |
It is perfect and light with the eggs! Now, coming up, Maria has | :19:36. | :19:42. | |
something Greek to show us, tell us what is it is again? It is slow | :19:43. | :19:47. | |
cooked belly of pork. And if you would like to call us, | :19:48. | :19:55. | |
call this number: Now the final French postcard from Rick Stein. His | :19:56. | :20:02. | |
last stop is in a port town of Marseille. Have you been there? I | :20:03. | :20:05. | |
would love to. Now, that is an amazing place, and | :20:06. | :20:10. | |
this is a fantastic dish. It is bouillabaisse. Have a look. | :20:11. | :21:02. | |
Well, we made it to the Mediterranean at Port-Saint-Louis. | :21:03. | :21:09. | |
I'm not sure of the reason why we couldn't get to Marseille by barge. | :21:10. | :21:12. | |
It was something to do with special licences or insurance, | :21:13. | :21:13. | |
or maybe we just ran out of time and luck. | :21:14. | :21:15. | |
So I went to my final destination, the old port of Marseille, by car. | :21:16. | :21:16. | |
Having come so far by barge, it was a let-down. | :21:17. | :21:18. | |
But seeing the fish here is a cheerful sight | :21:19. | :21:19. | |
you don't have to get here at sun-up to get the best fish. | :21:20. | :21:22. | |
The little boats come in all morning. | :21:23. | :21:24. | |
I was to meet chef Guillaume Sourrieu, | :21:25. | :21:26. | |
who's a real master at making the dish | :21:27. | :21:28. | |
Marseille is most famous for - bouillabaisse. | :21:29. | :21:31. | |
My bouillabaisse is, er... made with good fish. | :21:32. | :21:34. | |
Back at the restaurant, he fries some leeks | :21:35. | :22:53. | |
in olive oil with a little salt and pepper. | :22:54. | :22:56. | |
Now fresh tomatoes. In Provence, they don't come any better. | :22:57. | :22:58. | |
that were swimming around the Chateau d'If a few hours ago | :22:59. | :23:03. | |
This would make a lovely still life! | :23:04. | :23:11. | |
Maybe that's where the expression "a pretty kettle of fish" came from. | :23:12. | :23:15. | |
I'd arranged to meet Simon Hopkinson at Vallon des Auffes, | :23:16. | :23:18. | |
Simon is, to my mind, the chef's chef. | :23:19. | :23:26. | |
Although cooking back at home goes through various fashions | :23:27. | :23:29. | |
and they don't get any better than him. | :23:30. | :23:32. | |
All that fish has been cooked so that the flesh falls off the bone. | :23:33. | :23:35. | |
He puts in some powered saffron and tomato puree | :23:36. | :23:38. | |
and a litre of good fish stock. | :23:39. | :23:41. | |
After all, it's a soup he's making,- and it's had no liquid up till now. | :23:42. | :23:45. | |
Then you ladle the whole lot, bit by bit, | :23:46. | :23:49. | |
into a machine that takes all the sweat out of making soup. | :23:50. | :23:53. | |
Until I came to Marseille, I didn't know these things existed! | :23:54. | :23:57. | |
We spend hours and hours doing our fish soup with sieves | :23:58. | :24:01. | |
The great thing about this series is that I pick up | :24:02. | :24:09. | |
'So, to phase two of the operation,- now that the soup's made. | :24:10. | :24:17. | |
'and another generous blat of tomato puree. | :24:18. | :24:23. | |
'And some good Provencal pastis, which smells just like fennel. | :24:24. | :24:26. | |
'He lets that flame for a second or two. | :24:27. | :24:29. | |
'Then some little shore crabs, that- add a certain shellfish sweetness. | :24:30. | :24:33. | |
'Next, a mixture of the soup and water, | :24:34. | :24:37. | |
'And now Simon and I are going learn something new. | :24:38. | :24:42. | |
'This is powder from roasted lobster shells. | :24:43. | :24:46. | |
'In all the years we've been cooking, that's a new one!' | :24:47. | :24:49. | |
It just smells... Intense lobster. That's a very good thing to know. | :24:50. | :24:55. | |
C'est un bon secret, ca. A good secret, that. | :24:56. | :24:58. | |
Because we're in Marseille with its strong Arab ties, | :24:59. | :25:01. | |
some ras al-hanout, a combination of spices including rose petals. | :25:02. | :25:05. | |
And as for the fish, conger eel, rascasse, or scorpion fish, | :25:06. | :25:09. | |
There's always five types of fish in a good bouillabaisse, | :25:10. | :25:15. | |
varying from restaurant to restaurant. | :25:16. | :25:18. | |
He's putting the thicker fish in that take longer to cook. | :25:19. | :25:21. | |
And then these, which will cook in seconds, | :25:22. | :25:23. | |
so they're all exactly... Is it "a point"? A point. | :25:24. | :25:27. | |
So they're all a point together. That means they're just perfect. | :25:28. | :25:32. | |
With a combined cooking experience of nearly 50 years between us, | :25:33. | :25:36. | |
'Here we are, sitting in a posh restaurant, | :25:37. | :25:52. | |
'eating a dish with extremely humble origins. | :25:53. | :25:54. | |
'The story goes that it was made by the local fishermen | :25:55. | :25:57. | |
'out of the fish they weren't likely to sell. | :25:58. | :26:00. | |
'They boiled their meagre catch in a cauldron on the beach | :26:01. | :26:02. | |
'with a few staples they happened to have - vegetables and olive oil. | :26:03. | :26:06. | |
'Now gourmets from all over the world come to Marseille | :26:07. | :26:10. | |
'And, no doubt, the restaurateurs do very nicely, thank you. | :26:11. | :26:16. | |
That was a lovely bouillabaisse and the restaurant was so nice. | :26:17. | :26:28. | |
But that bouillabaisse was simple and how I dreamt it should be. | :26:29. | :26:31. | |
Well, it's all over. Does that seem strange? | :26:32. | :26:33. | |
Well, it does, really, because for the last 54 days | :26:34. | :26:36. | |
I've been living and breathing and eating French food. | :26:37. | :26:38. | |
And how would I sum it up? Well, do you know what I would say? | :26:39. | :26:41. | |
You hear a lot of things back home about French food | :26:42. | :26:44. | |
isn't the same as it was - the cooking's gone off, | :26:45. | :26:46. | |
supermarkets and fast food outlets are changing everything. | :26:47. | :26:51. | |
French food and French cooking is alive and extremely well. | :26:52. | :27:23. | |
Thanks Rick, what a tough life he has! Simon will be popping up again | :27:24. | :27:29. | |
a little later to cook his rhubarb crumble. Now for this week's | :27:30. | :27:32. | |
masterclass I thought I'd show you how to perfect choux pastry, as I | :27:33. | :27:36. | |
know Colm is a fan of eclairs. But instead of eclairs I want to show | :27:37. | :27:40. | |
you how to use it to make one of the classic French patisseries, a | :27:41. | :27:42. | |
Gateaux St Honoray. Choux, but there is first a | :27:43. | :28:00. | |
combination of milk, water and butter. That is going in there. | :28:01. | :28:11. | |
So... That is Indian! Oh, you guys invented the butter? ! Yes, | :28:12. | :28:16. | |
everything comes from India. Now the key is the softened butter | :28:17. | :28:27. | |
and the sugar. The butter must be dissolved otherwise it unplanses the | :28:28. | :28:31. | |
recipe. So mix this together. Then throw in the flour. The flour is | :28:32. | :28:37. | |
crucial for this. I use strong flour rather than plain flour. Supermarket | :28:38. | :28:43. | |
own-brand flour is not as good when you make this. You have to invest in | :28:44. | :28:49. | |
good-quality flour and strong flour. When you mix this together, this is | :28:50. | :28:56. | |
probably why your mum's recipe was good as Irish flour is strong. It | :28:57. | :29:02. | |
mixes together. Keep mixing it. Most people at this point don't mix it | :29:03. | :29:05. | |
enough. Do you make the dough over the heat? | :29:06. | :29:10. | |
Yes, over the heat. You are taught to listen to it popping. | :29:11. | :29:14. | |
Can you hear that at home? It should start to pop, but the key is to keep | :29:15. | :29:20. | |
it on the heat. It keeps popping. It keeps popping. Keep cooking it. Cook | :29:21. | :29:26. | |
for a good two minutes over the high heat. Take it off too soon, it | :29:27. | :29:32. | |
becomes wet, the choux pastry, it does not rise. | :29:33. | :29:37. | |
So this is probably enough. Take it off the heat. Allow it to cool down, | :29:38. | :29:42. | |
then, whether it is cooled, turn your attention to the machine, then | :29:43. | :29:47. | |
throw in the eggs. So one egg at a time. This is when the mixture is | :29:48. | :29:52. | |
cold. I use a beater, rather than a whisk. Then throw in the | :29:53. | :29:58. | |
medium-sized eggs. Rather than all at once. It will go lumpy. Allow | :29:59. | :30:06. | |
that mixture to go cold otherwise you cook the eggs and the mixture | :30:07. | :30:13. | |
becomes too liquid. At home, your mum made this by hand? She had the | :30:14. | :30:17. | |
big bowl. It is hard work by hand. | :30:18. | :30:23. | |
But mix this together and it forms the choux pastry. Air comes from the | :30:24. | :30:32. | |
water and the milk that is in there. That then turns into steam, it | :30:33. | :30:37. | |
causes it to rice. What I have done, you can pipe this out. I will do | :30:38. | :30:43. | |
that. Then we can bake them and fill it with the cream. Then we turn it | :30:44. | :30:54. | |
into a Gateau St Honore! Talking about your career, your father asked | :30:55. | :31:00. | |
what is it you want to act pore? It is a little bit like the film. | :31:01. | :31:05. | |
Yes, like the storiline. Yes, I play a character, Paul's dad. | :31:06. | :31:15. | |
And James plays Paul Potts. It is very, it is a relationship that I | :31:16. | :31:19. | |
understand. It is similar to me growing up in a working-class | :31:20. | :31:24. | |
situation in Ireland, then deciding to be an actor. It is like, " You | :31:25. | :31:34. | |
want to be a what?" " What is that?" So, I am playing this steelworker. | :31:35. | :31:40. | |
The son comes along and says he wants to be an opera singer. | :31:41. | :31:47. | |
And the storiline, did it draw you to the script? When I read the | :31:48. | :31:54. | |
script I was surprised how well written it was and rounded all of | :31:55. | :32:03. | |
the characters were. With a true story... It can be based on it? That | :32:04. | :32:10. | |
is what they have done here. They have very much based it on the | :32:11. | :32:14. | |
story. It was funny, emotional. Reading it, as an actor when you | :32:15. | :32:20. | |
read the script you look at it like the first audience member, you read | :32:21. | :32:25. | |
it from that spiff. It was very, very funny. | :32:26. | :32:30. | |
And you have a great cast in there as well. Julie Walters and James | :32:31. | :32:36. | |
corden. And throughout your career you have worked with amazing actors. | :32:37. | :32:45. | |
Daniel Day Lewis, Nicholas Cage. Do you think, how did this happen? | :32:46. | :32:53. | |
Well, while doing the most regular job that I have had, seven years on | :32:54. | :32:59. | |
Star Trek, I used to have that sometimes in the morning. Driving | :33:00. | :33:04. | |
over on a lovely morning at 7.00am. The sun, with the blue sky. The sun | :33:05. | :33:09. | |
was up. It was nice. It hits you then, that this is a | :33:10. | :33:13. | |
decent kind of a lifestyle. And you have done so many different | :33:14. | :33:19. | |
things from television to theatre. Mainly films. What has been the | :33:20. | :33:26. | |
favourite? Often, looking back at your career, reading the history, | :33:27. | :33:30. | |
there are turning points. You spent a lot of time in L A but it was | :33:31. | :33:39. | |
around the time of The commitments, that brought you back to the Irish | :33:40. | :33:44. | |
roots? I had been in America for ten years. I did a film with Al-East | :33:45. | :33:53. | |
Anglian Parker. I did a film called Come See The Par dice. Alan said he | :33:54. | :34:00. | |
had a book he would try to do in Ireland. You say, yes but within six | :34:01. | :34:07. | |
months he had The Commitments ready to go. He brought me back from | :34:08. | :34:13. | |
America to do it. It reconnected me in Europe and Ireland. | :34:14. | :34:18. | |
Had you done singing before that? The only singing I do in that film | :34:19. | :34:30. | |
is with the soft fizzy bottle. In the credits, they have Fools Rush | :34:31. | :34:43. | |
In. It is ally ed by Elvis Presley, but I was literally singing over the | :34:44. | :34:49. | |
sauce bottle. I play the dad. I don't get to do much singing, but it | :34:50. | :34:54. | |
is funny, you say about the people that I worked with. The one person | :34:55. | :35:00. | |
that really impressed me was not an actor but a director. There was a | :35:01. | :35:06. | |
film called The Dead. It was John Houston. He was the one person I | :35:07. | :35:11. | |
remember who was very impressive to be around. A legendary man. | :35:12. | :35:20. | |
You have worked with so many, Daniel day lieuy, all manner of people. | :35:21. | :35:26. | |
What is your proudest moment in film? Proudest? Well, I suppose in | :35:27. | :35:42. | |
terms of as an actor, the three films that James mentioned, The | :35:43. | :35:54. | |
Commitments, The Van, to get to star in different films with different | :35:55. | :36:03. | |
sides to them. That is always great. And the film is out? It is out in | :36:04. | :36:08. | |
October later. You will laugh and cry. | :36:09. | :36:12. | |
And something that the Brits will love. | :36:13. | :36:16. | |
You are risen to a great height. Well, there you go. This is Saturday | :36:17. | :36:23. | |
Kitchen. It is not Bake Off! But here is a Gateau St Honore. I have | :36:24. | :36:28. | |
no idea how to eat it. Traditionally, this would abpuff | :36:29. | :36:35. | |
pastry base, but each one is dipped in caramel with a little bit of | :36:36. | :36:38. | |
cream to go with it. Wow! These remind me of the | :36:39. | :36:46. | |
religious choux pastry but it is round with this on top. | :36:47. | :36:52. | |
Well, that is the one, but don't eat the flowers! If there's a skill, | :36:53. | :36:59. | |
dish or technique you'd like me to demonstrate then drop us a line and | :37:00. | :37:03. | |
we'll try and cover it over the coming shows. All the contact | :37:04. | :37:05. | |
details are on the website: bbc.co.uk/saturdaykitchen. Right, | :37:06. | :37:10. | |
it's time for the Central heat of the Great British Menu. And there | :37:11. | :37:28. | |
could be the food heaven and food hell. Quiche or pastry. Old English | :37:29. | :37:40. | |
dessert, made with a pack of butter, flour and some lemon steamed. Some | :37:41. | :37:48. | |
of our viewers get to see what we decide but you have to wait for the | :37:49. | :37:52. | |
end. Right it is time for the Great | :37:53. | :37:56. | |
British Menu. Daniel Clifford takes on Richard | :37:57. | :37:59. | |
Bainbridge today and from the outset there's some very inventive cooking! | :38:00. | :38:00. | |
Let's see what happened. Returning champion Daniel Clifford | :38:01. | :38:35. | |
has headed the scoreboard all week, with creative, | :38:36. | :38:38. | |
highly complex cooking. Daniel's cooking his starter | :38:39. | :38:57. | |
and plans to impress the judges with inventive, accomplished | :38:58. | :38:58. | |
cookery and witty presentation. He has a lot to do, starting with | :38:59. | :39:03. | |
deep frying his batter scraps. Then the cod and parsley filling | :39:04. | :39:04. | |
for his potato cannelloni chips, which are also deep fried | :39:05. | :39:06. | |
to cook the fish. Next he adds the pea puree | :39:07. | :39:07. | |
to his plate and a pickled quail's egg | :39:08. | :39:08. | |
with ketchup sprinkle. His 'Trip To The Chippy' | :39:09. | :39:10. | |
comes served in a takeaway bag. This is fish that's made | :39:11. | :39:12. | |
to look like a chip. This thing that looks like salt, | :39:13. | :39:25. | |
is actually the vinegar. Dried up. This looks like the vinegar | :39:26. | :39:29. | |
and is actually the salt. This is the ketchup, we were told | :39:30. | :39:33. | |
that, that's very useful. The fish and chips are too salty | :39:34. | :39:40. | |
but I really like the peas. I quite like the potato roll, | :39:41. | :39:42. | |
I think, that's a good idea. I don't think it's got any | :39:43. | :39:45. | |
comedy about it, by the way. of everything we like about fish | :39:46. | :39:46. | |
and chips. He's turned them inside out and | :39:47. | :39:53. | |
upside down and re-invented them. It is fun, I would love to have | :39:54. | :39:57. | |
a sprinklable vinegar Try and say that quickly, | :39:58. | :40:00. | |
repeatedly. Sprinklable vinegar. | :40:01. | :40:04. | |
THEY LAUGH Challenger Richard's next | :40:05. | :40:07. | |
to face the judges and, like Daniel, he's turning | :40:08. | :40:14. | |
things on their head and hoping to hit the comedy brief | :40:15. | :40:16. | |
by serving a savoury banana split, combining usual ingredients, | :40:17. | :40:19. | |
using smoked duck, Richard begins by pan frying | :40:20. | :40:22. | |
his plantain. Next he plates up smoked duck | :40:23. | :40:30. | |
breast and what looks like a cherry but is in fact duck liver and pork,- | :40:31. | :40:32. | |
covered in a cherry glaze. Just trying to hold my nerve | :40:33. | :40:36. | |
is where I lost it last time. Finally, he pipes the duck liver | :40:37. | :40:40. | |
mousse to complete his banana split. I was looking forward to this. | :40:41. | :40:50. | |
It does bring a smile to my face. Those little cubes of breast. | :40:51. | :40:53. | |
What's this cherry? It's duck and cherry | :40:54. | :41:01. | |
with a bit of plantain to give it the banana split | :41:02. | :41:03. | |
reference. I think he really missed | :41:04. | :41:05. | |
a trick there. Actually, if that had been | :41:06. | :41:07. | |
bright red, it would have been | :41:08. | :41:09. | |
a brilliant red nose. Oh, it's liver, isn't it? | :41:10. | :41:15. | |
It's a parfait. I find it deeply unfunny. | :41:16. | :41:20. | |
That's what I meant. Full marks for the effort, | :41:21. | :41:23. | |
but it looks horrible and I didn't | :41:24. | :41:26. | |
really like the taste of it. Rarely, in the history | :41:27. | :41:28. | |
of human gastronomy has so much effort gone | :41:29. | :41:30. | |
to so little effect. Never in the field of human | :41:31. | :41:32. | |
cornflakes... with his 'Today's Catch' fish | :41:33. | :41:34. | |
course, a complex dish of turbot caught in playful | :41:35. | :41:49. | |
potato nets, presented with props and served | :41:50. | :41:52. | |
by waiters dressed as fishermen. Then he plates up his cauliflower | :41:53. | :42:10. | |
and caviar puree, turbot, his potato nets and forage | :42:11. | :42:12. | |
sea herbs and whitebait. It just reminded me of something | :42:13. | :42:14. | |
you might see in a hospital. So, what's the fish? | :42:15. | :42:30. | |
I think it's the turbot. It almost does taste like you're | :42:31. | :42:44. | |
licking the seabed in a good way. But could one criticise Daniel for | :42:45. | :42:49. | |
serving us up fish and chips twice? Do know, this potato is absolutely | :42:50. | :42:55. | |
delicious. Really delicious. Do you get turbot like that in | :42:56. | :43:01. | |
Kent? This is probably one of the best | :43:02. | :43:09. | |
fish I've ever had. I think the whole thing | :43:10. | :43:10. | |
is fantastic, in every way. It made me smile when it turned up | :43:11. | :43:12. | |
and then, to be surprised For his fish course, Richard's | :43:13. | :43:13. | |
hoping his fun title, 'Tongue In Cheek' and the witty | :43:14. | :43:24. | |
presentation of serving up He starts plating up with caviar | :43:25. | :43:27. | |
and lemon puree That piece of beetroot | :43:28. | :43:36. | |
has got a lot bigger, Chef. Next, Richard adds deep-fried | :43:37. | :43:40. | |
cod tongues, slices of cod tongue in cheek | :43:41. | :43:43. | |
ballotine It's harder than it looks. | :43:44. | :43:45. | |
I'm still shaking now. Yeah, me too. I think it's an elegant dish | :43:46. | :43:58. | |
and humorous. I love beetroot. T | :43:59. | :44:05. | |
I'm glad to see. I would guess that these | :44:06. | :44:08. | |
little white roulades So what tongues are they? | :44:09. | :44:10. | |
Probably cod because cod's tongues | :44:11. | :44:17. | |
and cod's cheeks are... Classic. I think they're wonderful | :44:18. | :44:20. | |
and they're parts of a fish which are almost, invariably | :44:21. | :44:24. | |
completely ignored. I think I'd give him extra marks, | :44:25. | :44:26. | |
frankly, for using that. Do think that the beetroot | :44:27. | :44:33. | |
is to strong? After making tomato stuffed red | :44:34. | :45:33. | |
peppers, he prepares a winter rhubarb crumble with Jersey cream. | :45:34. | :45:41. | |
Raison d'etre With Star Trek's Colm Meaney with us, it's more of a | :45:42. | :45:44. | |
culinary EGG-sploration, in today's Saturday Kitchen omelette challenge. | :45:45. | :45:47. | |
I wonder if Cyrus or Maria will be able to BOILED-ly go where they've | :45:48. | :45:51. | |
never been before, into the top 10. Or will Gennaro Contaldo be able to | :45:52. | :45:55. | |
KLINGON to that centre spot in our omelette pan. Raison d'etre seven | :45:56. | :46:06. | |
years, that has been the best one yet You can find out later. And will | :46:07. | :46:11. | |
Colm be facing food heaven, a wild mushroom quiche? Or his food hell - | :46:12. | :46:14. | |
an old fashioned Sussex Pond pudding? You'll have to wait until | :46:15. | :46:18. | |
the end of the show to find out which one he gets. Next up is a chef | :46:19. | :46:21. | |
making her debut on Saturday Kitchen and she's here to introduce us to | :46:22. | :46:25. | |
her wonderful world of Greek food, it's Maria Elia. So what are you | :46:26. | :46:38. | |
making for us today? ! We are cooking slow braised belly of pork. | :46:39. | :46:45. | |
No vine leaves? No, I know you don't like them. Now, pork belly became | :46:46. | :46:50. | |
fashionable about ten years ago. What part is it? It is the front. | :46:51. | :46:58. | |
It is the belly. I am taking the skin off. If we leave it on, it is | :46:59. | :47:02. | |
tough. Normally, the skin is crackling. This is like a bet of | :47:03. | :47:07. | |
fish, really. Lay it on the board, make a nick and just... Since when | :47:08. | :47:16. | |
did the Greeks worry about anything tough!tough! #1k4r57 That is why we | :47:17. | :47:21. | |
are slow-braising. Cow told me earlier that Greek and Indian food | :47:22. | :47:29. | |
is similar. Is it. They have more greens than we do. | :47:30. | :47:34. | |
Greeks love wild genes. They forage a lot for them. They love their | :47:35. | :47:39. | |
goat. Loads of goat. | :47:40. | :47:43. | |
Enough with the goat and the intestines! . So, this is a recipe | :47:44. | :47:50. | |
from the new book Smashing Plates. Tell me about this. Why do the | :47:51. | :47:55. | |
Greeks smash plates? For the weddings. It is like the Jewish, | :47:56. | :48:00. | |
they like to stamp on the glasses. It is the practise for the woman to | :48:01. | :48:06. | |
have for the future! Isn't it? ! The exactly! Just to keep everybody in | :48:07. | :48:14. | |
line! Any complaints from ladies out there, just direct them to Cyrus | :48:15. | :48:21. | |
Todiwala! Fix that! I am going to brown the pork belly for the colour! | :48:22. | :48:34. | |
This all came about because I am half Greek and, half Greek and half | :48:35. | :48:45. | |
English. Ate loads of food as a kid that was Greek. I was playing around | :48:46. | :48:50. | |
with the ingredients. And I was thinking that food is really | :48:51. | :48:54. | |
emotive. So, tell me about the Greek cooking? | :48:55. | :48:59. | |
The last time I had a Greek male it was not great. | :49:00. | :49:03. | |
Well, that is the thing. It has a bad reputation. I am on a mission to | :49:04. | :49:08. | |
change that. I would not call myself a Greek expert, but what I do know | :49:09. | :49:12. | |
is that the Greek ingredients are great. People don't give them the | :49:13. | :49:21. | |
respect they need to have. These rees piece are using Greek | :49:22. | :49:25. | |
ingredients but in my own way. It could have been down to the fact | :49:26. | :49:32. | |
I did not foe I was ordering certain things on the menu. | :49:33. | :49:37. | |
There was a lot of mint stuff that looked like it had been cooked 16 | :49:38. | :49:44. | |
hours in tin foil. When they deliver #d it, they were like that... I | :49:45. | :49:50. | |
thought, what is wrong with it? But then we had a fantastic dish with | :49:51. | :49:54. | |
fish, it was amazing. You see? ! With the dish I am | :49:55. | :50:01. | |
serving polenta. In the milk I have some garlic and | :50:02. | :50:06. | |
bay leaf. That give it is a little more flavour. I will add a little | :50:07. | :50:11. | |
bit of butter to the polenta and at the end, a bit I -- bit of feta | :50:12. | :50:20. | |
cheese. Polenta is not Greek, if you don't like polenta, you can add | :50:21. | :50:30. | |
black eyed peas and or macaroni, but I think that polenta is underrated. | :50:31. | :50:41. | |
Now, to the on ions, serious amount of wine. | :50:42. | :50:44. | |
Serious sclal We are making this quickly. Now that the pork is | :50:45. | :50:47. | |
browned. Is this a traditional dish? It is a | :50:48. | :50:52. | |
little, but they would not normally put in the broccoli. They love the | :50:53. | :50:58. | |
greens, the greens grow between the oil I have groves and I took that | :50:59. | :51:01. | |
element. The Greeks and the olive oil is | :51:02. | :51:05. | |
spectacular. It is one of the best olive oils in | :51:06. | :51:12. | |
the world, I think. That is not just because I am half Greek. Now I am | :51:13. | :51:18. | |
adding anchovies. That adds the salty element. | :51:19. | :51:22. | |
These are strong flavours in here. Normally you put this with lamb, not | :51:23. | :51:31. | |
pork, but there are anchovies, fennel, olives. There are big hearty | :51:32. | :51:35. | |
flavours. If you are going to eat, you may as | :51:36. | :51:41. | |
well get on with it. It is like you and your butter. So, put the lid on. | :51:42. | :51:49. | |
Put it in the oven for about an hour. Now here it is cooked down | :51:50. | :51:56. | |
lovely. Now we add the broccoli. You are putting the greens in after? We | :51:57. | :52:01. | |
change the colour to black, so that we don't see them! It dos look | :52:02. | :52:11. | |
really green. I have kale here but you can use | :52:12. | :52:18. | |
Chard, rocket, anything in season. What type of olives are here? These | :52:19. | :52:24. | |
are call Mattie green. Any olive. I am not too precious about what olive | :52:25. | :52:29. | |
you use. So maybe I can change your mind | :52:30. | :52:35. | |
about Greek cuisine when you try this. | :52:36. | :52:38. | |
Well, I think it is looking good so far. With the addition of pork belly | :52:39. | :52:44. | |
and the seven litres of white wine. A bit of oozow in there. And a | :52:45. | :52:50. | |
little chicken stock in with the wait wine. Now the wine is reduced, | :52:51. | :52:55. | |
add the chicken stock. OK. So then with the olives. I know | :52:56. | :53:01. | |
that this looks a bit like a salad. OK? It does at the moment, but we | :53:02. | :53:09. | |
put the lid on. After another half an hour, you let it wilt down. We | :53:10. | :53:15. | |
are not holding back on the washing up. | :53:16. | :53:17. | |
That is a lot of pots. Normally you make it in one pot. | :53:18. | :53:23. | |
That lady has only eight minutes to cook. Is the white wine, is that | :53:24. | :53:35. | |
retsina. I love Greek food but the retsina. There is a Greek restaurant | :53:36. | :53:41. | |
that I go to, they cut it with mint, but even they admit that retsi in a | :53:42. | :53:47. | |
is undrinkable. It sounds like the eye! Now Greek | :53:48. | :53:53. | |
wines have come a long way. So, the non-retsina is good? Yes. | :53:54. | :54:19. | |
After the beach, you have a retsina and after three drinks of that, the | :54:20. | :54:29. | |
food tastes great! Now, I am whisking this like mad, the | :54:30. | :54:35. | |
pollenta. Sglo -- no, what is next? Add the | :54:36. | :54:41. | |
salt and the feta. And lots of pepper. I love the | :54:42. | :54:46. | |
pepper. Here are all of the greens that are cooked down. To that, it is | :54:47. | :54:51. | |
not the best of colours. It has been cooked for half an hour, now add the | :54:52. | :54:58. | |
parsley and freshen it up up with the lemon. | :54:59. | :55:06. | |
See, Greeks put lemon on everything. Save the res for the suet pudding! | :55:07. | :55:15. | |
He love it is! I can't wait! It is a bit different to this! Right, cheese | :55:16. | :55:19. | |
on the top. Yep. | :55:20. | :55:24. | |
Then the pork. . So there is a little bit of sour, | :55:25. | :55:30. | |
salty from the olives and the capers and the anchovies. | :55:31. | :55:35. | |
I do want to like it but I choose the wrong dishes. It is difficult | :55:36. | :55:46. | |
when you don't know the cuisine. You chose something you don't know | :55:47. | :55:49. | |
about, it can be wrong. So, what is that again? That is slow | :55:50. | :55:56. | |
cooked belly of pork, with wilted greens and poll epta and feta | :55:57. | :55:59. | |
cheese. Now, we get to dive into this. | :56:00. | :56:06. | |
. Porks belly Four Seasons! Seriously hot. Straight from the | :56:07. | :56:09. | |
pan. Now, this has taken three hours. | :56:10. | :56:16. | |
Probably two-and-a-half hours. I know you saw three pots but it is | :56:17. | :56:20. | |
cooked in one. There is a bit of sharpness here. | :56:21. | :56:25. | |
With the capers and the lemon, you are taking it to a different level. | :56:26. | :56:30. | |
The anchovies add the salt. If you don't like the polenta, you can use | :56:31. | :56:41. | |
macaroni. With the polenta it is very good. | :56:42. | :56:43. | |
That is from somebody who hates greens! We need wine to go with | :56:44. | :56:51. | |
this. We have sent Tim Atkins to Bognor Regis. What has he chosen to | :56:52. | :56:57. | |
go with Maria''s marvellous pork belly? -- Maria's marvellous pork | :56:58. | :57:11. | |
belly? Maria, because of the green flavours in the dish and the lovely | :57:12. | :57:16. | |
white wine reduction, I am going for a white wine. I am after something | :57:17. | :57:21. | |
crisps and unoaked. You could choose this Portuguese | :57:22. | :57:31. | |
wine, the Vinho Verde, but I am heading south of the equator. To the | :57:32. | :57:36. | |
Atlantic coast. I have this Taste the Difference Casablanca Sauvignon | :57:37. | :57:41. | |
Blanc. Casablanca is a cool-climate region. | :57:42. | :57:47. | |
It specialises in Chardonnay and Sauvignon blank. | :57:48. | :57:54. | |
Hirally, a lot of Chilean Sauvignon was made from an inferior variety | :57:55. | :57:59. | |
but since the wine makers have started to plant the real McCoy, the | :58:00. | :58:06. | |
wine has gotten better and better. On the nose tlts there is | :58:07. | :58:12. | |
grapefruit, elderflower, gooseberry and a waft of sea breeze. On the | :58:13. | :58:19. | |
pallet... The herbal notes pick up on the broccoli, the fennel, the | :58:20. | :58:25. | |
leeks and the lovely green leaves. The acidity working well with the | :58:26. | :58:29. | |
capers and the lemon juice and the olives and while the wine has the | :58:30. | :58:36. | |
weight to work with the sturdy pork belly, Maria, this is the perfect | :58:37. | :58:42. | |
partner for your pork belly. What do you think to that. The guys | :58:43. | :58:50. | |
are diving in here? I think it is a great combination? I think it is | :58:51. | :58:57. | |
lovely. A light wine. A perfect blend. | :58:58. | :59:00. | |
And I am trying different food. That is nice. I like that one. Now, this | :59:01. | :59:09. | |
is half British. Right, let's get back to the Great | :59:10. | :59:12. | |
British Menu where it's time for Daniel and Richard to serve up their | :59:13. | :59:16. | |
main courses. Look out for an explosive dessert but can Daniel do | :59:17. | :59:19. | |
the double and get through again. Let's find out! | :59:20. | :59:43. | |
Richard's up first with his wittily named | :59:44. | :59:49. | |
Which Came First The Chicken Or The Egg? dish, | :59:50. | :59:50. | |
How much time have you spent on that dish? I don't know. | :59:51. | :00:28. | |
I have red balloons floating around- in my head after that. | :00:29. | :00:30. | |
I just question whether it's the last word in modern gastronomy. | :00:31. | :00:34. | |
Often in these competitions you see- food which is challenging, | :00:35. | :00:39. | |
but this, you just feel happy that you're eating it. | :00:40. | :00:43. | |
All I can say is when it came through the door, I laughed. | :00:44. | :00:55. | |
Daniel's cooking ox tongue and cheek for his main - | :00:56. | :01:02. | |
then plates up horseradish and potato puree and onion rings, | :01:03. | :01:14. | |
His reduced red wine and port sauce- is served in comedy jugs, | :01:15. | :01:22. | |
and, finally, it's his fun bull's head mushroom tart. | :01:23. | :01:26. | |
It is. It's a cheeky little number. | :01:27. | :01:46. | |
And I really like that. Look. My jug has udders. | :01:47. | :01:53. | |
Ooh, that is a beautiful piece of cheek! | :01:54. | :01:55. | |
It's clearly been braised long and slow. | :01:56. | :01:58. | |
This is what I would call a bit of chic cheek. | :01:59. | :02:01. | |
I think the cheek is very nice. Not the best cheek I've ever had. | :02:02. | :02:04. | |
I think the mash is nice. It's not the best mash I've had. | :02:05. | :02:07. | |
It's not funny. No. All he's done is add a jug. | :02:08. | :02:16. | |
All of us would be happy to eat this for Sunday lunch. | :02:17. | :02:18. | |
But not...as a Comic Relief banquet. | :02:19. | :02:21. | |
uses ingredients from Fair Trade companies supported by Comic Relief. | :02:22. | :02:32. | |
With several coffee elements and a chocolate and orange mousse, | :02:33. | :02:36. | |
if he's to make it through to finals week for the first time. | :02:37. | :02:41. | |
adds blood orange segments and orange liqueur. | :02:42. | :02:47. | |
Chocolate mousse is next and finally the creme fraiche sorbet - | :02:48. | :02:56. | |
which proved problematic yesterday - | :02:57. | :02:58. | |
all topped off with pulled pink sugar. | :02:59. | :03:01. | |
It tastes good. Why's it called Time To Reflect? | :03:02. | :03:23. | |
It's a weird little thing, isn't it? | :03:24. | :03:36. | |
There are an amazing variety of flavours and textures, but... | :03:37. | :03:38. | |
and some of them are absolutely delicious. | :03:39. | :03:44. | |
There is actually a serious attempt- here to link charity to gastronomy. | :03:45. | :04:19. | |
with a witty name, Going Out With A Bang, | :04:20. | :05:14. | |
I am going to hazard a guess I have to burst the balloon. It is the | :05:15. | :05:20. | |
inner child in my. It is over. | :05:21. | :05:24. | |
This is an essence coming from the dish and from the sky. It is | :05:25. | :05:33. | |
pineapple? It is fun. Alcoholic cocktail. It is a pina colada -- | :05:34. | :05:43. | |
pina colada! There is a lot of stuff on the plate. | :05:44. | :05:45. | |
I think that the context is fantastic. It is a deconstructed | :05:46. | :05:51. | |
cakement Deconstructed should be going the way of smearage, never to | :05:52. | :05:56. | |
be seen again. I am really enjoying it! I have one thing to say to you | :05:57. | :06:05. | |
Oliver... ! Cooking complete. All of the chefs now will have to wait | :06:06. | :06:11. | |
while the judges consider their final scores. | :06:12. | :06:15. | |
Good luck to you. Let's do this, shall we? Welcome, chefs. I have a | :06:16. | :06:27. | |
question for you, are you still friends? Yes, we have had a great | :06:28. | :06:33. | |
week. It is tough, but we are still smiling. | :06:34. | :06:36. | |
I'm sure you want to know who the winner is. Yes. | :06:37. | :06:40. | |
So, the chef going forward to the finals is... Daniel. Well done. | :06:41. | :06:51. | |
Sorry, boss. Well done. Well done Daniel. Next week it's the | :06:52. | :06:55. | |
turn of the chefs from Wales. Right, it's time to answer a few of your | :06:56. | :06:59. | |
foodie questions. Each caller will also help us decide what Colm will | :07:00. | :07:01. | |
be eating at the end of the show. So, the first caller is mar . What | :07:02. | :07:17. | |
is your question for us? I would like to know how to cook cleftiko! | :07:18. | :07:28. | |
Cyrus? ! I would suggest you take a lamb shank, rub it with cinnamon, | :07:29. | :07:34. | |
cumin. Bay leaf, red wine. Put it on a bed of onions. Cover it with | :07:35. | :07:40. | |
garlic. Put it in the oef and leave it for six hours. | :07:41. | :07:44. | |
Then we will be around for dinner. What dish would you like to see at | :07:45. | :07:49. | |
the end of the show? Food heaven, please. | :07:50. | :07:53. | |
And Ian from Tenby in Pembrokeshire? Is that right? That is right. | :07:54. | :08:00. | |
What would you like to ask us? I was wondering if Cyrus can tell me what | :08:01. | :08:07. | |
to do with a pound of okra? Fantastic stuff. Slice them across. | :08:08. | :08:13. | |
Toast them first and deep-fry them. Take them off once and fry them | :08:14. | :08:19. | |
again. Drain them well, sprinkle them with salt and chilli powder and | :08:20. | :08:24. | |
a touch of lime. Enjoy eating them. They are fantastic. They make a | :08:25. | :08:31. | |
lovely garnish and a good salad. So, just toss them first in | :08:32. | :08:36. | |
cornflour? Yes. What dish would you like to see, | :08:37. | :08:41. | |
food heaven or food hell? I think for me it is food heaven. | :08:42. | :08:47. | |
And we have Joe from the Dordogne in France, what question do you have | :08:48. | :08:52. | |
for us? We have had a fantastic crop of chestnuts. I would like to know | :08:53. | :09:03. | |
how to make marronglace. I have never made it myself, but I | :09:04. | :09:08. | |
think you peel the chestnuts, and then poach them with the armagnac. | :09:09. | :09:16. | |
Then you dry them. And the stock syrup has the coating that you get | :09:17. | :09:20. | |
with the chestnuts. I am sure it is that way. Maybe we could get other | :09:21. | :09:28. | |
ways of doing this, but gently poach them in the syrup, flavoured with | :09:29. | :09:35. | |
the armagnac, then take them out and leave them to cool. Best of luck | :09:36. | :09:40. | |
with them. What dish would you like to see, food heaven or food hell? It | :09:41. | :09:48. | |
must be food heaven! Wow! Right, Gennaro Contaldo is still in the | :09:49. | :09:53. | |
centre of our board. I am pretty sure that these lot will not be as | :09:54. | :09:58. | |
quick. Maria, who would you like to beat? To the top! To the top! Right, | :09:59. | :10:05. | |
the usual rules apply, a three-egg omelette cooked as fast as you can, | :10:06. | :10:12. | |
three, two, one, go! Does the quality of the omelette matter? | :10:13. | :10:18. | |
Well, a little... I see smoke. Cyrus is on fire here! Come on! Mine is a | :10:19. | :10:37. | |
mess! That is really nerve-wracking. You have been practising, woman! | :10:38. | :10:44. | |
That is good. She wanted to beat me. You came back strongly, Cyrus! He | :10:45. | :10:54. | |
was slow at the blocks! I think you were overconfident! I did did not | :10:55. | :11:02. | |
crack my egg! A little bit of a gooey touch to it! You have been | :11:03. | :11:10. | |
practising this! I have an electric hob, but in my head, I have. | :11:11. | :11:15. | |
Maria it is an omelette. You did it. You wanted to go in the centre of | :11:16. | :11:19. | |
the pan? Yes. You are. Not fully but on the outer | :11:20. | :11:27. | |
edge with 20.32 seconds. That puts you there... Where did you get that | :11:28. | :11:38. | |
hair-do from? That comes from Africa! Cyrus? Are you on the board? | :11:39. | :11:45. | |
I don't think so. You are not quicker. You are in the | :11:46. | :12:04. | |
bin. This is for you, Colm, ared? Star Trek soundtrack! So, will Colm | :12:05. | :12:14. | |
get his idea of food heaven? Or will it be food hell. Well before that, | :12:15. | :12:20. | |
Simon Hopkinson is going to make some rhubarb crumble but first he | :12:21. | :12:26. | |
has gone all Mediterranean on us. Enjoy this one. | :12:27. | :12:47. | |
Peppers. This dish has been with me for a very long time. | :12:48. | :12:49. | |
It is very simple. It relies on very good olive oil. | :12:50. | :12:51. | |
Everybody loves it. It is fantastically tasty. | :12:52. | :12:53. | |
Now, I'll leave the stalks on for this. | :12:54. | :12:59. | |
Cut through the, um, just under the stalk, | :13:00. | :13:07. | |
through the tough bit and remove the membranes and seeds. | :13:08. | :13:13. | |
It's worth making the effort to peel the tomatoes, | :13:14. | :13:47. | |
Now, the tomatoes, the peppers, the garlic. Now a little salt and the | :13:48. | :13:56. | |
tomatoes in. Squash them into the bottom. They will be squashed when | :13:57. | :14:00. | |
they are cooked. More pepper. | :14:01. | :14:08. | |
And a little crunch of salt on the top. And the lovely olive oil. | :14:09. | :14:20. | |
Let it go right inside. Gorgeous oil. Be generous. | :14:21. | :14:25. | |
It looks pretty good uncooked, in fact. | :14:26. | :14:30. | |
Everything in this recipe is affordable, but it is worth spending | :14:31. | :14:35. | |
more on good quality olive oil to achieve rich and rewarding juices. | :14:36. | :14:42. | |
My peppers have always loved their extra Virgin lotion! Don't they look | :14:43. | :14:51. | |
fabulous. I can get quite raptourous about the dish. To make it really | :14:52. | :14:57. | |
stand out, add a few anchovies. They work perfectly with the sweet | :14:58. | :15:02. | |
peppers and tomatoes. The warmth of the peppers will let them melt and | :15:03. | :15:09. | |
give their flavour to the pepper. If you like, finish off with aromatic | :15:10. | :15:15. | |
basil leaves. Feeling a little decorative! Hmm, which one? I often | :15:16. | :15:31. | |
forget to share while eating these, I tell you. | :15:32. | :15:40. | |
A great taste. Sweet, salty, oily. One of the truly great vegetable | :15:41. | :15:43. | |
dishes. These peppers make a lovely light | :15:44. | :15:51. | |
lunch. On a lazy Sunday, when I may have | :15:52. | :15:55. | |
friends coming for lunch, I love making a pudding I know will go down | :15:56. | :16:00. | |
a treat and is quick and easy to make. Thick Guernsey cream, | :16:01. | :16:10. | |
wonderful rhubarb, combined to make a crumble to be proud of. | :16:11. | :16:16. | |
These are the sort of dishes that my mother would use, Pyrex. Now, cut | :16:17. | :16:26. | |
the rub barb into short lengths. It is so easy to make a crumble. It is | :16:27. | :16:31. | |
possible to make it in the food processor but the texture made by | :16:32. | :16:38. | |
hand is far superior, always. Start by cutting the butter into chunks. | :16:39. | :16:51. | |
Plain flour and golden caster sugar. I am not much one for adding chopped | :16:52. | :16:58. | |
nuts, oats, my idea of perfect crumble, which does crumble and does | :16:59. | :17:04. | |
get crunchy is butter, flour, sugar and a pinch of salt. End of story. | :17:05. | :17:08. | |
What happens here when you are making the crumble is you can feel | :17:09. | :17:13. | |
when it is right with your fingers. You don't want the mixture too fine. | :17:14. | :17:20. | |
That is the death of the crumble. You want the little lumps of butter | :17:21. | :17:26. | |
in the mixture. For the lightest crumble mixture you have to get air | :17:27. | :17:31. | |
into it. Before adding the topping, sprinkle | :17:32. | :17:37. | |
sugar over the rhubarb, or it will be too sour. To make the ultimate | :17:38. | :17:42. | |
crumble, a few tips: A squeeze of lemon juice intensifies the rhubarb. | :17:43. | :17:49. | |
Also a few extra lumps of butter to make it sumptuous and rich. This | :17:50. | :17:55. | |
should be done in little, shall we call them heap lets? The last thing | :17:56. | :18:01. | |
you want to do is Pat it down. As the rhubarb is cooking underneath | :18:02. | :18:06. | |
and it bubbles up, the crumble topping sinks down. That is when you | :18:07. | :18:13. | |
get the lovely balance between the two. -- between the two. Extra | :18:14. | :18:20. | |
crunch. Bake it for 35 to 40 minutes until golden on top and bubbling | :18:21. | :18:26. | |
underneath. Now, to the lovely cream. | :18:27. | :18:32. | |
Golden top, gorgeous golden Guernsey cream. It is clever that cow from | :18:33. | :18:39. | |
Guernsey to produce something so utterly gorgeous. For the beauty of | :18:40. | :18:44. | |
the thing we are serving it in a beautiful glass bowl. It smells | :18:45. | :18:52. | |
wonderful, by the way! That is just perfect! It really is a very nice | :18:53. | :19:03. | |
crumble. Nice pink juices. My little helix has become soft sand dunes. | :19:04. | :19:15. | |
The same cream spoon to eat with. Don't waste any of that! This is a | :19:16. | :19:22. | |
very fine crumble. It's very British. And its very | :19:23. | :19:28. | |
delicious. So, a classic pudding for a Sunday lunch. | :19:29. | :19:35. | |
There is more from Simon on next week's show. It is that time of the | :19:36. | :19:40. | |
show to find out if Colm is facing food heaven or food hell. Food | :19:41. | :19:46. | |
heaven is the wonderful wild mushroom quiche with smoked salmon | :19:47. | :19:49. | |
salad. And food hell is a pile of ingredients to be turned into a | :19:50. | :19:53. | |
classic Sussex pond pudding. A steamed pudding. | :19:54. | :19:58. | |
Pudding... What do you think you are going to get? It was 3-0 to those at | :19:59. | :20:06. | |
home? It did not matter to these guys but they were kind to you. They | :20:07. | :20:12. | |
wanted the quiche. Fantastic. | :20:13. | :20:15. | |
That is great. So, if you can do the pastry for the | :20:16. | :20:22. | |
quiche, Maria. Put the butter and the fat in there and make the pastry | :20:23. | :20:27. | |
with this. Rub that together. If you can the filling please. There | :20:28. | :20:34. | |
are eggs, milk and cream with a little bit of thymme and salt and | :20:35. | :20:42. | |
pepper. I love you using the Thyme. Thyme is | :20:43. | :20:51. | |
a herb that I love. Do you cook at home? I do. I love to cook. | :20:52. | :21:00. | |
You must be one of the busiest actors, I have met? I do as much as | :21:01. | :21:05. | |
I can. Not this morning! What do you mean, sir. I have been acting all | :21:06. | :21:09. | |
morning, pretending that I love your food! Kerching! Good on you! That | :21:10. | :21:24. | |
got you, Mr Cyrus Todiwala with the letters after your name! The | :21:25. | :21:28. | |
versatility of the stuff you do. There is so much? As a character ar | :21:29. | :21:35. | |
that is what you want. I remember years ago, a great character actor I | :21:36. | :21:41. | |
worked with. Michael Goff. He is famous in this country and | :21:42. | :21:45. | |
elsewhere, but he was a character actor. He did an interview to say | :21:46. | :21:50. | |
you got to play the fun parts without the responsibility of being | :21:51. | :21:54. | |
the lead. So nothing was riding on you. You never felt the pressure. So | :21:55. | :22:00. | |
as a character actor you get lots of chances. | :22:01. | :22:03. | |
And what has been the part that suited you the most? I amen joying | :22:04. | :22:10. | |
what I am doing now. A series for A BC. It is about the building of the | :22:11. | :22:18. | |
US rail roads. I play an historical character, Thomas Durant. He is a | :22:19. | :22:27. | |
big blustery, over the top kind of Yankie you would not call him a | :22:28. | :22:33. | |
gangster but if he were not in business, he could be robbing people | :22:34. | :22:40. | |
some other way. Is this with an American accent? Yes, he is an old | :22:41. | :22:47. | |
Yankie who speaks rather like John Houston. That lovely Yankie, | :22:48. | :22:50. | |
well-spoken thing. You are able to play so many | :22:51. | :22:55. | |
different characters. I find fascinating talking to an actor, the | :22:56. | :23:00. | |
variety of stuff you do. But when you speak to them, theatre is the | :23:01. | :23:04. | |
thing that they talk about, but for you it has been mainly about the | :23:05. | :23:09. | |
film? I trained in the theatre. For the first ten or 12 years I did | :23:10. | :23:15. | |
nothing but theatre. I did not move into film and television until Los | :23:16. | :23:19. | |
Angeles. Even in New York. I moved in the early 80s. I was doing mostly | :23:20. | :23:24. | |
theatre there. What about the film for Star Trek, | :23:25. | :23:31. | |
the film call for it. Getting a gig like that? The odd thing about my | :23:32. | :23:36. | |
part. It developed. It was not a character that was | :23:37. | :23:41. | |
written and they went to find an actor for it. They liked me but did | :23:42. | :23:47. | |
not know how to use me. The O'Brien character then emerged. | :23:48. | :23:53. | |
He was a transporter. I remember the day in the script when he got a | :23:54. | :23:59. | |
name. Up to then it was a transporter chief. Then it became | :24:00. | :24:04. | |
transporter chief O'Brien. I thought, who is this character? I am | :24:05. | :24:09. | |
the transporter chief! So, they gave him a name. It went on from there. | :24:10. | :24:17. | |
There are three pilots in the stewow in I can't really fly. I will do the | :24:18. | :24:22. | |
repairs for you. Well, now there are three pilots, | :24:23. | :24:28. | |
Murray here has just passed his pilot's licence. He came in this | :24:29. | :24:33. | |
morning, I asked him what type of licence, he said remote control | :24:34. | :24:39. | |
helicopters. He is fully licensed to fly repoet control helicopters above | :24:40. | :24:44. | |
Selfridges buzzing around the head. It is useful around the film work. I | :24:45. | :24:50. | |
remember on Alan partridge. They were doing an airline shot the next | :24:51. | :24:54. | |
day. I thought that the chopper would be up. The chopper was that | :24:55. | :24:58. | |
size. Seriously... That is him. | :24:59. | :25:05. | |
He had a cam rar with it. Perfect. That is Murray! Now, we have the | :25:06. | :25:12. | |
little pastry case. Line it with cling film or tin foil | :25:13. | :25:17. | |
or baking parchment. Do you do the trick of putting beans | :25:18. | :25:25. | |
in there? Is use rice or flour is a good one. | :25:26. | :25:29. | |
Now pour this mixture. In normally do this herer the oven. I know that | :25:30. | :25:34. | |
Cyrus has a steady hand. Wow! Fresh thyme over the top. | :25:35. | :25:46. | |
That is how we used to do the ship breaking up. That was the special | :25:47. | :25:56. | |
effect. Warp 9. Oh, no! Coming through... Clear the way. | :25:57. | :26:14. | |
Nothing spilled! So we have the little smoked salmon. The watercress | :26:15. | :26:21. | |
and spring onions. I know that you like the hot smoked salmon. Now the | :26:22. | :26:26. | |
film again? It is opening next Friday, the 25th. It is a wonderful | :26:27. | :26:29. | |
film. An all-British cast? Yes, | :26:30. | :26:33. | |
absolutely. It a film that would hake you laugh | :26:34. | :26:41. | |
and cry, literally. I was so happy to see the actors in there. | :26:42. | :26:48. | |
I did not know he actually met Pavarotti? It is amazing. | :26:49. | :26:53. | |
The trials that he came up against. He still continues to do it? So many | :26:54. | :27:00. | |
obstacles. It is a film you come out of with a smile on your face. You | :27:01. | :27:05. | |
are uplifted. You come out feeling that life is good. | :27:06. | :27:08. | |
Wow! Look at that. Is that OK? That looks beautiful. | :27:09. | :27:21. | |
Now we have this quiche here. We have to serve it warm. Simon | :27:22. | :27:29. | |
Hopkinson did a quiche Lorraine in the week. That is emental cheese on | :27:30. | :27:39. | |
there. Don't give me anymore plates, we are | :27:40. | :27:46. | |
not in Greece! That is how it should be served. Those people that are | :27:47. | :27:53. | |
getting married. Rows of quiche Lorraine and volume vents! That is | :27:54. | :28:04. | |
how you want it! -- vol-vents! You get to dive into that. Tell us what | :28:05. | :28:09. | |
you think. After you. | :28:10. | :28:12. | |
No, you first. Now to go with this, we have a Paul | :28:13. | :28:19. | |
Mas Estate Marsanne. It is 2012, Majestic. It is priced at ?6. 99. | :28:20. | :28:32. | |
It is all at ?6. 99. It makes a nice big cheap Greek wedding! And saving | :28:33. | :28:39. | |
the washing up as you have smashed the plates. You will be loved by the | :28:40. | :28:49. | |
Greeks and the women today, Cyrus! Well, that's all from us today on | :28:50. | :28:53. | |
Saturday Kitchen Live. Thanks to Cyrus Todiwala, Maria Elia and Colm | :28:54. | :28:56. | |
Meaney. Cheers to Tim Atkin for the wine choices. All of today's recipes | :28:57. | :29:00. | |
are on the website. Go to: bbc.co.uk/saturdaykitchen. You can | :29:01. | :29:01. | |
enjoy more great | :29:02. | :29:02. |