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It's spring outside and we have a studio full of great guests | 0:00:02 | 0:00:04 | |
and food for you to make the most of this new season. | 0:00:04 | 0:00:06 | |
Welcome to Spring Kitchen. | 0:00:06 | 0:00:08 | |
Hello and welcome. | 0:00:29 | 0:00:31 | |
Now, we have a great line-up for you this afternoon. | 0:00:31 | 0:00:34 | |
We head into Padstow, in Cornwall, to join the great | 0:00:34 | 0:00:36 | |
Rick Stein for an Asian influenced crab salad with wasabi mayonnaise. | 0:00:36 | 0:00:40 | |
It's a dish that he's made just for us. | 0:00:40 | 0:00:42 | |
Plus, we take a peek into the BBC food archive | 0:00:42 | 0:00:45 | |
and join Raymond Blanc for a classic French dish, lamb Provencal. | 0:00:45 | 0:00:49 | |
Now, with me in the studio is one of the country's finest female chefs, | 0:00:49 | 0:00:53 | |
she trained under the great Gordon Ramsay | 0:00:53 | 0:00:55 | |
but now is very much her own boss - it's Angela Hartnett. | 0:00:55 | 0:00:59 | |
And also with us is a special Spring Kitchen guest to tell us | 0:00:59 | 0:01:02 | |
all things cheesy, cos there's a bit of a theme to my recipes today, | 0:01:02 | 0:01:06 | |
it's our very own cheese expert, Emma Dandy. Hello to the two of you. | 0:01:06 | 0:01:09 | |
-Hello. -Hi. | 0:01:09 | 0:01:11 | |
Hello, hello, hello. Is spring time a happy time for you, Ange? | 0:01:11 | 0:01:14 | |
I love it! It's green suddenly, nothing's brown any more, is it, | 0:01:14 | 0:01:17 | |
after the winter, so it's fabulous! | 0:01:17 | 0:01:19 | |
Lovely, light and fresh...is spring a good time for cheeses? | 0:01:19 | 0:01:22 | |
Cheeses are very seasonal, aren't they? | 0:01:22 | 0:01:24 | |
Absolutely, the cheeses change throughout the seasons. | 0:01:24 | 0:01:27 | |
In wine, you have one vintage a year, in cheese, | 0:01:27 | 0:01:29 | |
the cheese-makers are making every day of the year, | 0:01:29 | 0:01:31 | |
so you get real variation through the seasons. | 0:01:31 | 0:01:34 | |
OK, we'll touch on that a little bit later, | 0:01:34 | 0:01:35 | |
and now, our guest is a journalist and presenter, | 0:01:35 | 0:01:38 | |
not to mention a very nifty dancer, it's Chris Hollins. | 0:01:38 | 0:01:41 | |
-Hello, Chris, how are you? -APPLAUSE | 0:01:41 | 0:01:44 | |
Very, very well! | 0:01:44 | 0:01:45 | |
I got a round of applause, thank you very much for that. | 0:01:45 | 0:01:48 | |
-I think that's for the dancing. -Really? | 0:01:48 | 0:01:50 | |
-And you're a big food fan? -I...well, look at me! | 0:01:50 | 0:01:52 | |
Look at the chins, they're all there. | 0:01:52 | 0:01:55 | |
I live to eat, brought up in a family where you tried everything. | 0:01:55 | 0:01:59 | |
You couldn't say I don't like that, you had to try it. | 0:01:59 | 0:02:02 | |
We used to go on holiday and you had to try something, so I love food! | 0:02:02 | 0:02:06 | |
-Fantastic! -Counting down the hours to the first tasting. | 0:02:06 | 0:02:09 | |
Ange, tell us what you're going to be cooking for us. | 0:02:09 | 0:02:11 | |
Well, minutes hopefully, | 0:02:11 | 0:02:13 | |
a lovely fresh farfalle pasta with some spinach, gorgonzola cheese, | 0:02:13 | 0:02:17 | |
sprouting broccoli and a touch of garlic and walnuts on top. | 0:02:17 | 0:02:20 | |
-And lovely it is, too. -Thank you. | 0:02:20 | 0:02:22 | |
And later on, I'm going to be doing a recipe using Cheddar | 0:02:22 | 0:02:25 | |
and I'm going to be making a classic courgette and Cheddar tart | 0:02:25 | 0:02:28 | |
with a little Parmesan that goes through the pastry, too. | 0:02:28 | 0:02:30 | |
But, now, for my first recipe, I'm going to be | 0:02:30 | 0:02:33 | |
using my native cheese, which is actually double Gloucester. | 0:02:33 | 0:02:36 | |
Emma, you can tell us a little bit more about that in a second | 0:02:36 | 0:02:39 | |
and, Chris, you can come with me. | 0:02:39 | 0:02:40 | |
We're going to come over here | 0:02:40 | 0:02:42 | |
and we're going to do something with double Gloucester. | 0:02:42 | 0:02:44 | |
OK, Emma, tell us a little bit about double Gloucester cheese, | 0:02:44 | 0:02:48 | |
what milk it's made with, clearly it comes from Gloucester. | 0:02:48 | 0:02:51 | |
Absolutely, although not all double Gloucester does | 0:02:51 | 0:02:53 | |
come from Gloucester but the best stuff is made in that region, | 0:02:53 | 0:02:57 | |
erm, and they use milk from the Gloucester cow, | 0:02:57 | 0:03:00 | |
a special breed, quite a rare breed now. | 0:03:00 | 0:03:02 | |
But it produces perfect milk for cheese making. | 0:03:02 | 0:03:04 | |
Just the right protein content, really fantastic. | 0:03:04 | 0:03:08 | |
And the flavour of it is quite a mild flavour, isn't it? | 0:03:08 | 0:03:11 | |
Yeah, it's quite mild, slightly nutty, it's a really good cheese | 0:03:11 | 0:03:14 | |
for cooking because it works really well with lots of other ingredients. | 0:03:14 | 0:03:17 | |
So, it's very similar to a kind of a Cheddar-like cheese | 0:03:17 | 0:03:20 | |
but it's not too powerful, it's not too strong. | 0:03:20 | 0:03:22 | |
That's right. Much milder. | 0:03:22 | 0:03:23 | |
Can I ask you an obvious question? Why is it "double"? | 0:03:23 | 0:03:26 | |
"Double", it's to do with the milk that they use | 0:03:26 | 0:03:28 | |
when they're making the cheese. | 0:03:28 | 0:03:29 | |
So, they use morning milk from the cows milked in the morning, | 0:03:29 | 0:03:32 | |
then they use milk from the cows milked in the afternoon as well. | 0:03:32 | 0:03:35 | |
-That's where the double comes from. -Love it. | 0:03:35 | 0:03:37 | |
And you get single Gloucester as well? | 0:03:37 | 0:03:38 | |
Single Gloucester, again, and that's from one single milking of the cows. | 0:03:38 | 0:03:42 | |
That's a protected cheese, that has the protected name. | 0:03:42 | 0:03:44 | |
Yes, single Gloucester has a protected food name. | 0:03:44 | 0:03:47 | |
Why doesn't double? | 0:03:47 | 0:03:48 | |
Erm, I think, probably because there are just | 0:03:48 | 0:03:50 | |
so many people around the world producing double Gloucester... | 0:03:50 | 0:03:53 | |
-What, out of Gloucester!? -And so few people in Gloucester doing it. | 0:03:53 | 0:03:58 | |
I'm heartbroken, I've only learnt this today. I'm destroyed. | 0:03:58 | 0:04:01 | |
I think once there are enough people in Gloucester making | 0:04:01 | 0:04:04 | |
double Gloucester, then they will apply for a protected food name. | 0:04:04 | 0:04:07 | |
To be honest, my first experience of double Gloucester cheese, | 0:04:07 | 0:04:10 | |
or coming across Gloucester cheese, | 0:04:10 | 0:04:12 | |
coming from there myself is actually chasing it down a hill. | 0:04:12 | 0:04:16 | |
Which is something that happens at the end of May, | 0:04:16 | 0:04:18 | |
on the Mayday bank holiday. | 0:04:18 | 0:04:19 | |
There's a big hill in Gloucester called Cooper's Hill | 0:04:19 | 0:04:22 | |
and you have a couple of ciders just to get the confidence up... | 0:04:22 | 0:04:25 | |
LAUGHTER | 0:04:25 | 0:04:27 | |
..and you walk up to the top of the hill, which is | 0:04:27 | 0:04:29 | |
actually a very, very long way | 0:04:29 | 0:04:31 | |
and then once you get to the top of it, | 0:04:31 | 0:04:33 | |
some geezer throws a massive cheese of double Gloucester | 0:04:33 | 0:04:36 | |
down the hill and it goes racing down | 0:04:36 | 0:04:38 | |
and everyone chases it to the bottom of the | 0:04:38 | 0:04:40 | |
hill and the first one to the bottom of the hill gets to get the cheese. | 0:04:40 | 0:04:43 | |
The hill is so steep, actually, when I got there I actually bottled out. | 0:04:43 | 0:04:46 | |
LAUGHTER | 0:04:46 | 0:04:47 | |
Backed down the hill, a little bit | 0:04:47 | 0:04:49 | |
slowly and very carefully. | 0:04:49 | 0:04:51 | |
Just like a Ploughman's at speed. | 0:04:51 | 0:04:53 | |
Yeah, just a Ploughman's at speed. | 0:04:53 | 0:04:55 | |
OK, so listen, what I've got here, I've got some onions in a pan that's | 0:04:55 | 0:04:59 | |
just sweating down and into that I'm whisking up, these are duck eggs. | 0:04:59 | 0:05:04 | |
Now, I'm using duck eggs with a little bit of creme fraiche | 0:05:04 | 0:05:06 | |
and we're making kind of like a | 0:05:06 | 0:05:09 | |
Spanish tortilla...it's cheese and onion, basically, with a few | 0:05:09 | 0:05:13 | |
beautiful Jersey Royal potatoes that I'm going to add to the bowl. | 0:05:13 | 0:05:18 | |
Now, Chris, you started off as a football player, I understand. | 0:05:18 | 0:05:23 | |
Well, that is a very loose term. | 0:05:23 | 0:05:26 | |
LAUGHTER | 0:05:26 | 0:05:28 | |
My dad was a footballer, erm, and I think when I | 0:05:28 | 0:05:30 | |
-was growing up... -He played for England. | 0:05:30 | 0:05:33 | |
He played for England, Arsenal, two Arsenal fans over there, | 0:05:33 | 0:05:36 | |
Chelsea and Queen's Park Rangers. | 0:05:36 | 0:05:38 | |
Erm, and I think he wanted his son to do everything that he didn't do. | 0:05:38 | 0:05:43 | |
So, for example, he wanted me to go and get a good education, | 0:05:43 | 0:05:46 | |
he left school at 15, 16, to go and play football. | 0:05:46 | 0:05:50 | |
So, he encouraged me to go and play different sports, so I, throughout | 0:05:50 | 0:05:53 | |
my junior years, until I was probably 16, 17, 18, | 0:05:53 | 0:05:57 | |
I didn't really play football at school. | 0:05:57 | 0:06:00 | |
I played rugby, I played cricket, I was quite a good cricketer, | 0:06:00 | 0:06:03 | |
played for Kent and you know juniors and all that sort of thing. | 0:06:03 | 0:06:06 | |
But it was only when I was at university when suddenly boys | 0:06:06 | 0:06:09 | |
turned into men and I realised I wasn't getting any bigger... | 0:06:09 | 0:06:12 | |
LAUGHTER | 0:06:12 | 0:06:14 | |
And I used to come home covered in blood, from being beaten up | 0:06:14 | 0:06:18 | |
by rugby players. | 0:06:18 | 0:06:19 | |
I started playing football again | 0:06:19 | 0:06:21 | |
and then ended up at university at Swindon Town, | 0:06:21 | 0:06:24 | |
then played a bit for Charlton Athletic | 0:06:24 | 0:06:27 | |
but I was 23 when I started doing that | 0:06:27 | 0:06:30 | |
and I was playing with the likes of Lee Bowyer, remember him? | 0:06:30 | 0:06:33 | |
Shaun Newton...and they were only 16, 17. | 0:06:33 | 0:06:36 | |
-So, I played but, unfortunately, not to my dad's standard. -OK. | 0:06:36 | 0:06:41 | |
Otherwise I wouldn't be sitting here, | 0:06:41 | 0:06:42 | |
I'd be in my boat in the south of France. | 0:06:42 | 0:06:45 | |
LAUGHTER | 0:06:45 | 0:06:46 | |
But then, the interest from that sport led | 0:06:46 | 0:06:49 | |
you into the broadcasting world. | 0:06:49 | 0:06:51 | |
Yeah, if you can't play, you might as well talk about it | 0:06:51 | 0:06:54 | |
and so I wrote off to Sky Sports | 0:06:54 | 0:06:57 | |
and I ended up getting a job with them | 0:06:57 | 0:07:00 | |
as my introduction into television. | 0:07:00 | 0:07:02 | |
-Then went to Channel 5 telly and then ended up at GMTV. -Now Watchdog. | 0:07:02 | 0:07:07 | |
Now Watchdog. | 0:07:07 | 0:07:10 | |
Now, consumer affairs, Food Inspectors. | 0:07:10 | 0:07:12 | |
And Food Inspectors, where there's a new series coming up, is that right? | 0:07:12 | 0:07:15 | |
Yeah, it's the third series, Matt Allwright, | 0:07:15 | 0:07:17 | |
a mate of mine from Watchdog, we presented it together | 0:07:17 | 0:07:21 | |
and, you know, everybody at home likes the nitty-gritty of following | 0:07:21 | 0:07:24 | |
the environmental health people, | 0:07:24 | 0:07:26 | |
the food inspectors going around dodgy restaurants finding rats, | 0:07:26 | 0:07:30 | |
cockroaches and that sort of thing. | 0:07:30 | 0:07:31 | |
It covers the fours Cs. What do you mean by the four Cs. | 0:07:31 | 0:07:34 | |
Well, the four Cs, cleanliness, obviously, you clean your food. | 0:07:34 | 0:07:38 | |
Chilling, make sure it's chilled properly. | 0:07:38 | 0:07:41 | |
Make sure it is cooked properly and, of course, the other big C, | 0:07:41 | 0:07:45 | |
cross-contamination. | 0:07:45 | 0:07:47 | |
-And we see that quite a lot at home. -I think we have a little clip | 0:07:47 | 0:07:49 | |
coming up, we can have a look at that. | 0:07:49 | 0:07:51 | |
Cooking-wise, I'm going to stick this in the oven, | 0:07:51 | 0:07:54 | |
whilst we have a little look at the clip. | 0:07:54 | 0:07:57 | |
I've come into the kitchen, I feel like it's in two halves. | 0:07:57 | 0:08:00 | |
So, why the split? | 0:08:00 | 0:08:01 | |
We keep our raw meats separate from all the rest of our products there. | 0:08:01 | 0:08:05 | |
It just prevents any cross-contamination, it's a really | 0:08:05 | 0:08:07 | |
simple process, we have the space, why not do it. | 0:08:07 | 0:08:09 | |
C number three is cooking. | 0:08:09 | 0:08:11 | |
When do I know they're ready? | 0:08:11 | 0:08:13 | |
Well, a catering thermometer will be able to tell us | 0:08:13 | 0:08:16 | |
if these beauties have got up to the recommended minimum | 0:08:16 | 0:08:18 | |
temperature of 75 degrees. | 0:08:18 | 0:08:21 | |
And our final of the four Cs is an important one, chilling. | 0:08:21 | 0:08:25 | |
The staff here allow any hot food to cool down, | 0:08:25 | 0:08:28 | |
before it's placed in the fridge at a chilly five degrees. | 0:08:28 | 0:08:32 | |
That looks absolutely an incredibly interesting programme... | 0:08:32 | 0:08:35 | |
Well, that's really good. | 0:08:35 | 0:08:36 | |
He is the ultimate! Cos funnily enough, you know | 0:08:36 | 0:08:39 | |
how popular market gardens are now and you go in there | 0:08:39 | 0:08:41 | |
and everybody's preparing food | 0:08:41 | 0:08:43 | |
and they've all got hygiene ratings | 0:08:43 | 0:08:45 | |
and back in their restaurants they're fantastic. | 0:08:45 | 0:08:47 | |
Like, you guys, you know, they know exactly what they're doing | 0:08:47 | 0:08:50 | |
but suddenly they go on location | 0:08:50 | 0:08:52 | |
and they wear what we describe as magic gloves or they think | 0:08:52 | 0:08:55 | |
they are and they touch everything with their gloves, raw food, | 0:08:55 | 0:08:58 | |
lettuce, vegetables and stuff and it's cross-contamination. | 0:08:58 | 0:09:02 | |
We've done some secret filming of a market stall | 0:09:02 | 0:09:04 | |
and see the mistakes they make and it's quite extraordinary! | 0:09:04 | 0:09:07 | |
So, a lot of the things that we see there are very | 0:09:07 | 0:09:09 | |
important for the home cook to understand. | 0:09:09 | 0:09:11 | |
Yeah, cos we always talk about food poisoning, we think, | 0:09:11 | 0:09:14 | |
"Dodgy restaurants, bad takeaways..." | 0:09:14 | 0:09:16 | |
But the majority of cases where we get poisoned by bad cooking | 0:09:16 | 0:09:19 | |
is at home. | 0:09:19 | 0:09:21 | |
Our loved ones are killing us! | 0:09:21 | 0:09:22 | |
LAUGHTER | 0:09:22 | 0:09:24 | |
They don't cook chicken properly, they don't wash things properly | 0:09:24 | 0:09:27 | |
and so those are the sort of lessons we're making sure they take home. | 0:09:27 | 0:09:31 | |
-Let's hope this is cooked properly. -Have you washed your hands? | 0:09:31 | 0:09:34 | |
-Of course, of course. -The pressure's on now. -Yeah. -Trim your nails? | 0:09:34 | 0:09:38 | |
Hopefully we don't poison anybody. | 0:09:38 | 0:09:41 | |
We have the Jersey Royals, double Gloucester cheese, spring onions, | 0:09:41 | 0:09:45 | |
some chives, the duck eggs and then they've gone into the oven | 0:09:45 | 0:09:48 | |
and we've kind of baked it | 0:09:48 | 0:09:50 | |
and then here I just have some creme fraiche that I've just whisked up a | 0:09:50 | 0:09:54 | |
little bit with some chives through and a little bit of seasoning. | 0:09:54 | 0:09:57 | |
Guys, if you want to come on over, we can have a little taste of it. | 0:09:57 | 0:10:00 | |
And then on top of that, we're just going to put a few...these | 0:10:00 | 0:10:03 | |
are actually chive flowers but you can use garlic flowers. | 0:10:03 | 0:10:06 | |
It looks a little bit like thistles. | 0:10:06 | 0:10:08 | |
-Can I just try one on its own. -Yeah. | 0:10:08 | 0:10:11 | |
There you go and they just add a little bit of that oniony flavour. | 0:10:11 | 0:10:15 | |
We've got some forks, there we go, guys. | 0:10:15 | 0:10:18 | |
I'll bring you some knives, as well. | 0:10:18 | 0:10:21 | |
Start tasting, guys, get in there and eat. | 0:10:21 | 0:10:24 | |
You mean, I'm the guinea pig in case of food poisoning. | 0:10:24 | 0:10:26 | |
LAUGHTER | 0:10:26 | 0:10:27 | |
It's not fair, is it? | 0:10:27 | 0:10:29 | |
Let the chef with the cast-iron stomach go first, that's the way. | 0:10:29 | 0:10:32 | |
I bet we never get anything like that! | 0:10:32 | 0:10:34 | |
You two, you obviously do courses in your own kitchens | 0:10:34 | 0:10:38 | |
and you're very aware of cleanliness and discipline. | 0:10:38 | 0:10:40 | |
I mean, if any of your sous chefs came in with dirty hands | 0:10:40 | 0:10:43 | |
and started chopping away, you'd give them a right rollicking. | 0:10:43 | 0:10:46 | |
Absolutely, it's all about staff training. | 0:10:46 | 0:10:49 | |
-Let me know what you think about that. -It's delicious. | 0:10:49 | 0:10:51 | |
Staff training means you just blame on the staff, right? | 0:10:51 | 0:10:53 | |
-Very true. -Yeah. -Happy guys? -Very happy! | 0:10:53 | 0:10:56 | |
Now, in every show we're getting out | 0:10:56 | 0:10:58 | |
and about and visiting some of our favourite chefs on their home turf, | 0:10:58 | 0:11:01 | |
for their take on spring ingredients. | 0:11:01 | 0:11:04 | |
Today, we join Rick Stein at his cookery school in Padstow, | 0:11:04 | 0:11:07 | |
for an Asian-influenced crab salad with wasabi mayonnaise. | 0:11:07 | 0:11:10 | |
Spring is my favourite time to be in Cornwall. | 0:11:22 | 0:11:24 | |
We've had the long, dark rainy winter and suddenly blue skies, | 0:11:24 | 0:11:29 | |
the fields become green, the days are longer, the fishermen are out | 0:11:29 | 0:11:33 | |
and I've got a really special recipe to celebrate spring in Padstow. | 0:11:33 | 0:11:38 | |
So, my Spring Kitchen recipe has to be, for me, | 0:11:45 | 0:11:49 | |
with brown crab, our local crabs. | 0:11:49 | 0:11:51 | |
They're becoming quite plentiful now the storms of the winter have gone. | 0:11:51 | 0:11:55 | |
The fishermen are out and lots of lovely, heavy crabs coming in. | 0:11:55 | 0:12:00 | |
And I'm going to do it in a Japanese way. | 0:12:00 | 0:12:02 | |
I'm going to use a seaweed called wakame | 0:12:02 | 0:12:05 | |
and I'm going to make a little | 0:12:05 | 0:12:06 | |
mayonnaise with local rapeseed oil and wasabi, which is | 0:12:06 | 0:12:12 | |
that green horseradish that you get in sushi and sashimi. | 0:12:12 | 0:12:17 | |
So, first of all, I need to get the meat out of the crab. | 0:12:18 | 0:12:22 | |
Take the tail off like that and then break off the claws | 0:12:22 | 0:12:25 | |
in two. | 0:12:25 | 0:12:27 | |
Then break off the legs. | 0:12:27 | 0:12:29 | |
Just like insects, eight-legged creatures. | 0:12:29 | 0:12:33 | |
And now to break the body away from the back shell, | 0:12:33 | 0:12:36 | |
I just hit it with the palm of my hand, | 0:12:36 | 0:12:39 | |
like that and just pull them apart. | 0:12:39 | 0:12:42 | |
So, the next thing I do is just pull off the dead men's fingers or | 0:12:42 | 0:12:45 | |
dead man's fingers, which are actually the gills of the crab. | 0:12:45 | 0:12:49 | |
Get rid of those. Now, I start cracking the crab up. | 0:12:49 | 0:12:52 | |
I start with the easy bits first | 0:12:52 | 0:12:54 | |
and the bits I enjoy most are the claws. | 0:12:54 | 0:12:56 | |
They're the best, cos you get lots of lovely, chunky meat out of those. | 0:12:56 | 0:13:00 | |
Now, I'm not going to use these parts of the legs, | 0:13:00 | 0:13:03 | |
they're going to go into my soup because they're just too fiddly. | 0:13:03 | 0:13:06 | |
I'm just going to put my wakame "tea leaves", as I call them, | 0:13:06 | 0:13:10 | |
into some boiling water and just let them soak. | 0:13:10 | 0:13:13 | |
As you can see, that's really just expanded and it now looks like | 0:13:15 | 0:13:18 | |
what you might see when you're snorkelling out at low tide. | 0:13:18 | 0:13:22 | |
So, now, I'm just going to take the meat out of the claws, first of all. | 0:13:22 | 0:13:26 | |
This is the best bit, I think. | 0:13:26 | 0:13:28 | |
This is the chunkiest bit but you do have to take that, sort of, | 0:13:28 | 0:13:30 | |
central bit of cartilage out of there. | 0:13:30 | 0:13:34 | |
There it is and now here's how to do a leg. | 0:13:34 | 0:13:36 | |
What I do is just chop the end off like that | 0:13:36 | 0:13:40 | |
and then you do need one of these, they're very important, | 0:13:40 | 0:13:42 | |
if you're going to do any serious extraction of meat | 0:13:42 | 0:13:45 | |
from shellfish you do need a lobster or crab pick. | 0:13:45 | 0:13:49 | |
So, put that end of it in there and just pull the meat out. Here we go, | 0:13:49 | 0:13:54 | |
do the next. | 0:13:54 | 0:13:56 | |
I'll tell you what I really like, too, is cutting the shell up. | 0:13:56 | 0:13:58 | |
I just like going like that. | 0:13:58 | 0:14:00 | |
Maybe, people think I'm about to cut my fingers off, | 0:14:00 | 0:14:03 | |
which I'm quite capable of doing, I hasten to add. | 0:14:03 | 0:14:06 | |
So, that will be enough. So, I'm just going to make a salad with | 0:14:06 | 0:14:10 | |
this cucumber and with my wasabi. | 0:14:10 | 0:14:13 | |
There we go. | 0:14:13 | 0:14:15 | |
And then I'm going to cut it in half length ways | 0:14:15 | 0:14:17 | |
and then scoop out the seeds. | 0:14:17 | 0:14:19 | |
If I have all these rather wet seeds, it will just dilute the dressing | 0:14:19 | 0:14:23 | |
and you won't get that sort of subtle but very evident flavour. | 0:14:23 | 0:14:28 | |
Now slicing my cucumber into thin, little slices. | 0:14:28 | 0:14:32 | |
The dressing, I've got here some soy sauce, of course. | 0:14:36 | 0:14:41 | |
That is rice wine vinegar. | 0:14:41 | 0:14:43 | |
The Japanese favour that for sushi and sashimi, which is | 0:14:43 | 0:14:46 | |
the sliced raw fish. | 0:14:46 | 0:14:49 | |
Now, I've got these...dashi granules. | 0:14:49 | 0:14:53 | |
Dashi is actually made with bonito flakes, which is dried bonito | 0:14:53 | 0:14:57 | |
and a type of seaweed called kombu. | 0:14:57 | 0:15:01 | |
So, I've got some sugar, and that's all the dressing is - | 0:15:01 | 0:15:05 | |
very, very simple. | 0:15:05 | 0:15:07 | |
And that's all I do. | 0:15:07 | 0:15:09 | |
Just add a bit of cucumber, I'm only going to make one salad. | 0:15:09 | 0:15:12 | |
I'll put it all in there. | 0:15:12 | 0:15:14 | |
And then a nice lot of seaweed. | 0:15:14 | 0:15:17 | |
You know, don't be put off by dried seaweed | 0:15:17 | 0:15:21 | |
and these funny flavours. | 0:15:21 | 0:15:23 | |
It is a really, really interesting salad. | 0:15:23 | 0:15:27 | |
When people eat it, they say, "Oh, like that." And of course | 0:15:27 | 0:15:30 | |
the thing with crab is it is quite a delicate, but full flavour. | 0:15:30 | 0:15:36 | |
You don't want to sort of completely smother it. | 0:15:36 | 0:15:39 | |
So, that's where I came up with this idea of using Japanese flavours. | 0:15:39 | 0:15:43 | |
Just mix it up and taste it. | 0:15:43 | 0:15:45 | |
It's got a very lovely, smoky flavour. So, that's done. | 0:15:48 | 0:15:52 | |
There's my crab meat. | 0:15:52 | 0:15:54 | |
Now I'm going to make a wasabi mayonnaise. | 0:15:54 | 0:15:57 | |
Wasabi. Of course, Japanese horseradish, | 0:15:59 | 0:16:02 | |
we're just using wasabi powder. | 0:16:02 | 0:16:04 | |
But what I am using is | 0:16:04 | 0:16:06 | |
cold-pressed rapeseed oil. | 0:16:06 | 0:16:09 | |
And this is something made in Cornwall, actually. | 0:16:09 | 0:16:12 | |
It just has a wonderful flavour, | 0:16:12 | 0:16:14 | |
It just tastes slightly of mustard, | 0:16:14 | 0:16:16 | |
slightly of horseradish, | 0:16:16 | 0:16:18 | |
cos, of course, rapeseed | 0:16:18 | 0:16:20 | |
is a member of the cabbage family, | 0:16:20 | 0:16:22 | |
and indeed mustard. | 0:16:22 | 0:16:24 | |
So, I'm just going to use one egg yolk, | 0:16:24 | 0:16:27 | |
and I've got some more rice wine vinegar. | 0:16:27 | 0:16:29 | |
Just a little bit. | 0:16:29 | 0:16:31 | |
And some of my wasabi, | 0:16:31 | 0:16:33 | |
I'm going to make it quite strong, | 0:16:33 | 0:16:35 | |
so I'll put a couple of good teaspoons in there. | 0:16:35 | 0:16:39 | |
Like that. | 0:16:39 | 0:16:40 | |
Don't want to be sort of knocking your socks off with it, | 0:16:40 | 0:16:43 | |
but it doesn't want to be too delicate, either. | 0:16:43 | 0:16:45 | |
Just a little bit of salt, as well, | 0:16:45 | 0:16:47 | |
just whizz that up.. | 0:16:47 | 0:16:49 | |
Comme ca. | 0:16:49 | 0:16:51 | |
I might just put a little bit of the white in there. | 0:16:51 | 0:16:53 | |
You can get away with using the white, as well, | 0:16:53 | 0:16:55 | |
but I want it sort of quite rich. | 0:16:55 | 0:16:57 | |
I just noticed | 0:16:58 | 0:17:01 | |
it could do with a bit more volume | 0:17:01 | 0:17:02 | |
in there before I start. | 0:17:02 | 0:17:04 | |
So, there we go, just make sure when you're making mayonnaise, | 0:17:04 | 0:17:07 | |
everything is at room temperature, don't get stuff out of the fridge. | 0:17:07 | 0:17:10 | |
It is bound to split. | 0:17:10 | 0:17:12 | |
And I still split mayonnaise, | 0:17:12 | 0:17:14 | |
and, when I do it, I just think, "How long have I been doing this for?" | 0:17:14 | 0:17:17 | |
And I can still make a mayonnaise separate. | 0:17:17 | 0:17:21 | |
It might happen, you never know. | 0:17:21 | 0:17:23 | |
But you start just adding a small amount of the oil. | 0:17:23 | 0:17:26 | |
And then you can gradually add more as the emulsion builds up. | 0:17:28 | 0:17:33 | |
Now, just have a little look at that. | 0:17:35 | 0:17:38 | |
Make sure it's thick enough, | 0:17:38 | 0:17:40 | |
I do want it sort of holding its shape. | 0:17:40 | 0:17:42 | |
Yes, that's perfect. | 0:17:42 | 0:17:44 | |
See? And lovely colour, | 0:17:46 | 0:17:48 | |
that's the great thing about rapeseed oil, | 0:17:48 | 0:17:50 | |
it's got that lovely, deep yellow. | 0:17:50 | 0:17:53 | |
Right, it's time to bring this all together then. | 0:17:53 | 0:17:56 | |
I just like to add a few dashi granules on the top of my salad, | 0:18:03 | 0:18:07 | |
just for that little burst of flavour. | 0:18:07 | 0:18:10 | |
So, that is a crab salad, with wakame and cucumber | 0:18:10 | 0:18:14 | |
and a wasabi mayonnaise. | 0:18:14 | 0:18:16 | |
Spring on a plate, to me, I would say. | 0:18:16 | 0:18:20 | |
I'm just going to eat some. | 0:18:20 | 0:18:21 | |
There's nothing better than fresh crab meat. | 0:18:21 | 0:18:24 | |
To me, it's all about the crab. | 0:18:24 | 0:18:27 | |
Thank you very much, Rick, that looked absolutely amazing, | 0:18:30 | 0:18:32 | |
-didn't it? -Stunning. -Beautiful, simple, wonderful flavours. | 0:18:32 | 0:18:35 | |
Just a quick note, Rick has got mad knife skills, | 0:18:35 | 0:18:38 | |
so, if you're going to start hitting crabs with a knife, | 0:18:38 | 0:18:40 | |
make sure you use the back of it and crack 'em properly. | 0:18:40 | 0:18:42 | |
Mind your fingers. | 0:18:42 | 0:18:43 | |
It's time for somebody else to cook - it's Angela Hartnett. | 0:18:43 | 0:18:46 | |
-What are you going to be doing for us, girl? -So, we're going to make | 0:18:46 | 0:18:49 | |
some fresh pasta with flour, | 0:18:49 | 0:18:50 | |
00 pasta flour, whole eggs, then we're going to do a | 0:18:50 | 0:18:53 | |
beautiful Gorgonzola, spinach, broccoli and walnut sauce. | 0:18:53 | 0:18:58 | |
Finish with a bit of mint, flat leaf parsley and a touch of garlic. | 0:18:58 | 0:19:00 | |
-Very simple... -Very simple. -..but it's going to be beautiful. | 0:19:00 | 0:19:03 | |
So, I'm going to start making the pasta. | 0:19:03 | 0:19:05 | |
You're going to start making the pasta. So, in that is 00 flour? | 0:19:05 | 0:19:09 | |
00 pasta flour which means it's sort of being sieved twice. | 0:19:09 | 0:19:13 | |
So, you get it... You feel it, it's quite fine. | 0:19:13 | 0:19:16 | |
Add a little bit of salt and then two whole eggs. | 0:19:16 | 0:19:18 | |
So, you're not actually weighing this out? You're doing this | 0:19:18 | 0:19:20 | |
because you've got mad pasta skills and know exactly... | 0:19:20 | 0:19:23 | |
The expression in Italy is al occhio, you do it by the eye, | 0:19:23 | 0:19:26 | |
but when I used to make it with my grandmother, she would | 0:19:26 | 0:19:29 | |
literally do it, just tip it all onto a board and I go, | 0:19:29 | 0:19:32 | |
"Hold on," and then I'd put it off the board, | 0:19:32 | 0:19:35 | |
weigh it all, write it all down. | 0:19:35 | 0:19:37 | |
Other chefs could just use yolks? | 0:19:37 | 0:19:39 | |
Some people use yolks, some people even use a bit of saffron water, | 0:19:39 | 0:19:43 | |
just to get it quite yellow. And you can also add a little bit... | 0:19:43 | 0:19:47 | |
In fact, I'm going to add just a little bit of that water there. | 0:19:47 | 0:19:49 | |
Sometimes you need a little bit, rather than another whole egg. | 0:19:49 | 0:19:52 | |
I think the secret is to make sure | 0:19:52 | 0:19:54 | |
you've got some brilliant, free-range eggs. | 0:19:54 | 0:19:56 | |
You know, the Burford Browns, stuff like that. | 0:19:56 | 0:19:59 | |
-It gives it that colour and a bit of richness. -Lovely sort of yellow. | 0:19:59 | 0:20:02 | |
The ones we use in Lime Wood, Luke has this guy who literally | 0:20:02 | 0:20:05 | |
feeds all the chickens on marigolds, so it has the... | 0:20:05 | 0:20:08 | |
Not the gloves, the actual flowers. | 0:20:08 | 0:20:11 | |
-That is Luke's joke, I'll have to give him credit for that one. -OK, OK. | 0:20:11 | 0:20:14 | |
-So, Luke is actually the head chef down at the Lime Wood Hotel? -Yeah. | 0:20:14 | 0:20:17 | |
-Oh, tipping it everywhere... -I'll bring it together, girl. | 0:20:17 | 0:20:20 | |
You want me to knead this together? | 0:20:20 | 0:20:22 | |
Knead that all together into a lovely ball. | 0:20:22 | 0:20:24 | |
And then what we do is we let it rest for about 20 minutes, | 0:20:24 | 0:20:27 | |
-half an hour in a fridge. -Yeah. | 0:20:27 | 0:20:29 | |
-Once it's rested, we roll it out into long strips. -OK. | 0:20:29 | 0:20:34 | |
So, you were saying, Luke Holder, | 0:20:34 | 0:20:36 | |
who is the head chef down at the Lime Wood Hotel. | 0:20:36 | 0:20:39 | |
He's the head chef down at the Lime Wood Hotel. | 0:20:39 | 0:20:41 | |
Yeah, he's brilliant. He's a great guy. He's good fun. | 0:20:41 | 0:20:44 | |
And he does this brilliant... I think we've done a VT there, | 0:20:44 | 0:20:47 | |
where he does all his own home-made charcuterie. | 0:20:47 | 0:20:49 | |
We came and visited him and we saw Luke in his charcuterie shed. | 0:20:49 | 0:20:53 | |
-Shed, yes. -Shed full of salami. -And it's fantastic. | 0:20:53 | 0:20:56 | |
I've learnt loads of stuff, | 0:20:56 | 0:20:57 | |
cos that's the great thing about our job, isn't it? | 0:20:57 | 0:21:00 | |
You go and eat in each other's restaurants, and, you know, | 0:21:00 | 0:21:02 | |
you figure out how they do it. | 0:21:02 | 0:21:04 | |
And I've spent a day down with him butchering the whole pig down, | 0:21:04 | 0:21:07 | |
then he's seasoning all the little charcuterie up | 0:21:07 | 0:21:09 | |
and creating different flavours. | 0:21:09 | 0:21:10 | |
-Brilliant. -How's that? -OK, so that comes together. | 0:21:10 | 0:21:13 | |
I'm going to clingfilm it and put it in the fridge | 0:21:13 | 0:21:15 | |
-and rest it for how long? -Easily half an hour. | 0:21:15 | 0:21:17 | |
What you want to do is get the gluten resting, | 0:21:17 | 0:21:19 | |
and then it's much easier when you come to roll it out. | 0:21:19 | 0:21:22 | |
Then what we do is cut our little strips into rectangles. | 0:21:22 | 0:21:26 | |
So, that's been put through a pasta machine | 0:21:26 | 0:21:28 | |
you've rolled that through one of the pasta machines. | 0:21:28 | 0:21:30 | |
Yeah, pasta machine, probably on about the second to, sort of, | 0:21:30 | 0:21:34 | |
thinnest setting, | 0:21:34 | 0:21:35 | |
so it's got a bit of structure to it, you don't want it too thin. | 0:21:35 | 0:21:38 | |
It's not like a little ravioli. And then we basically take them | 0:21:38 | 0:21:41 | |
and, if you like, concertina them together. | 0:21:41 | 0:21:44 | |
And your love of Italian food, I mean, it's very well known, | 0:21:44 | 0:21:47 | |
but it comes from your grandma. | 0:21:47 | 0:21:49 | |
Yeah, I know, they were the sort of Italians, | 0:21:49 | 0:21:52 | |
come from this little village in Emilia-Romagna | 0:21:52 | 0:21:54 | |
and they emigrated to Wales. | 0:21:54 | 0:21:56 | |
And it was all after the First World War, post-Second, | 0:21:56 | 0:21:59 | |
some went to Scotland, some went to London, | 0:21:59 | 0:22:01 | |
and then you add our sort of set of family that all went to Wales | 0:22:01 | 0:22:05 | |
and it's that total immigration community where a sister goes, | 0:22:05 | 0:22:09 | |
brings her brother, he brings his wife, who brings her brother, | 0:22:09 | 0:22:12 | |
and then you have whole families out there. | 0:22:12 | 0:22:14 | |
-There's a big Italian community in Wales, isn't there? -Huge. | 0:22:14 | 0:22:19 | |
When we go home to sort of Italy in the summer, it's, you know, | 0:22:19 | 0:22:22 | |
very bonkers, cos you sort of hear all these beautiful Italian voices | 0:22:22 | 0:22:25 | |
and then you hear, "All right, Angela, how's your mother?" | 0:22:25 | 0:22:27 | |
You're like, "Oh! That's slightly spooky, that you're here with all these Welsh people!" | 0:22:27 | 0:22:31 | |
-So, these are called farfalle? -Farfalle, little bows. -Little bows. | 0:22:31 | 0:22:36 | |
-I think, in Italian, that translates as "butterflies". -It does indeed. | 0:22:36 | 0:22:40 | |
Oh, Tom, have you been going on Google again? | 0:22:40 | 0:22:43 | |
We've told you about that! Stop it! Come on, Tom. | 0:22:43 | 0:22:47 | |
It's been an incredible day so far, | 0:22:47 | 0:22:49 | |
learning Italian words and the meanings of it. | 0:22:49 | 0:22:52 | |
And the cheese that you're going to use for it is Gorgonzola. | 0:22:52 | 0:22:55 | |
Beautiful Gorgonzola which is... | 0:22:55 | 0:22:58 | |
Well, we have our cheese expert, why am I going to bleat on about it? | 0:22:58 | 0:23:00 | |
Tell us more. | 0:23:00 | 0:23:02 | |
Gorgonzola, it's a fantastic, creamy blue cheese | 0:23:02 | 0:23:05 | |
from the north-west of Italy, | 0:23:05 | 0:23:07 | |
so Piedmont and Lombardy regions. Wonderful for cooking, | 0:23:07 | 0:23:11 | |
because it's got that lovely, soft, melting texture | 0:23:11 | 0:23:14 | |
and then you get the lovely, spicy, salty tang | 0:23:14 | 0:23:17 | |
from the blue mould that runs through the cheese. | 0:23:17 | 0:23:19 | |
It's beautiful. | 0:23:19 | 0:23:21 | |
-So, the blue in blue cheese is essentially mould. -It's mould. | 0:23:21 | 0:23:25 | |
It's a bacterium. Cheese-making is controlled... You control bacteria. | 0:23:25 | 0:23:29 | |
-So, from a health point of view... -Absolutely. | 0:23:29 | 0:23:32 | |
-That was for me, wasn't it? -That was for you! | 0:23:32 | 0:23:34 | |
-You have to have... -Before you start worrying about... | 0:23:34 | 0:23:37 | |
You have to think of your good bacteria. | 0:23:37 | 0:23:39 | |
You can't make cheese without bacteria - | 0:23:39 | 0:23:42 | |
it's bacteria that separates the curds and whey and the milk. | 0:23:42 | 0:23:44 | |
So, it's absolutely essential as part of the process, | 0:23:44 | 0:23:47 | |
but, yes, you want the good bacteria in there, | 0:23:47 | 0:23:49 | |
not something that's going to make people ill. | 0:23:49 | 0:23:51 | |
So, that's very carefully controlled by the cheese-makers. | 0:23:51 | 0:23:54 | |
And how do you actually get the blue veins that go into the cheese? | 0:23:54 | 0:23:57 | |
So, to get the blue, the cheese-maker adds the mould spores | 0:23:57 | 0:24:02 | |
into the curds, while they are separating the curds and the whey, | 0:24:02 | 0:24:05 | |
but the blue doesn't start to grow | 0:24:05 | 0:24:07 | |
until it's exposed to air. So, what the cheese-maker will do | 0:24:07 | 0:24:10 | |
with Gorgonzola is mature that cheese for about three or four weeks | 0:24:10 | 0:24:13 | |
as a white cheese and it gets lovely and creamy. | 0:24:13 | 0:24:16 | |
And then they get steel rods | 0:24:16 | 0:24:17 | |
and they pierce the cheese all the way round with the steel rods, | 0:24:17 | 0:24:20 | |
that lets the air in, and, once you've got the air in, | 0:24:20 | 0:24:22 | |
the air reacts with the mould spores and the mould starts to grow. | 0:24:22 | 0:24:25 | |
So, up until that point, there's no blue inside the cheese, | 0:24:25 | 0:24:28 | |
and then the air goes in and the blue starts to grow. | 0:24:28 | 0:24:30 | |
So, similar in this country when you get a white stilton, | 0:24:30 | 0:24:33 | |
-it's just not been pierced. -Exactly. -OK. | 0:24:33 | 0:24:37 | |
And then the difference between Gorgonzola | 0:24:37 | 0:24:39 | |
and the other very famous Italian cheese, dolcelatte, | 0:24:39 | 0:24:43 | |
-what's the difference between the two? -The difference is... | 0:24:43 | 0:24:46 | |
-Actually, dolcelatte - that means "sweet milk" in Italian. -Oh, please! | 0:24:46 | 0:24:50 | |
Very good. | 0:24:50 | 0:24:52 | |
Shall we call you Gennaro or something?! | 0:24:52 | 0:24:54 | |
I love the Italian with a big Gloucester accent, "Dolcelatte". | 0:24:56 | 0:25:00 | |
THEY LAUGH | 0:25:00 | 0:25:02 | |
Sorry, sorry. What's the difference between the two? | 0:25:02 | 0:25:04 | |
I think we should do the rest of the show in Italian! | 0:25:04 | 0:25:08 | |
So, the Gorgonzola is a very artisan product. | 0:25:08 | 0:25:12 | |
It's made specifically in the region, | 0:25:12 | 0:25:15 | |
and it's a protected food name, | 0:25:15 | 0:25:17 | |
so it has to be made to very strict rules. | 0:25:17 | 0:25:19 | |
Every Gorgonzola is stamped with a number of the producer | 0:25:19 | 0:25:22 | |
who's made it, and it has a special letter on it, as well - | 0:25:22 | 0:25:25 | |
the G to show it as official Gorgonzola. | 0:25:25 | 0:25:28 | |
Whereas dolcelatte is more of a mass-produced product. | 0:25:28 | 0:25:32 | |
OK. So, then, Ange, talk us through what you've got going. | 0:25:32 | 0:25:35 | |
So, I've just added the sprouting broccoli that you cooked for us. | 0:25:35 | 0:25:41 | |
Broken down a bit of the Gorgonzola, | 0:25:41 | 0:25:42 | |
finish it with a touch of spinach and then we will add a bit of mint, | 0:25:42 | 0:25:46 | |
which I think is fantastic in dishes like this. | 0:25:46 | 0:25:48 | |
-Little bit of parsley. -Mint is so underused. | 0:25:48 | 0:25:50 | |
It is quite often associated just with lamb or sweet dishes. | 0:25:50 | 0:25:53 | |
Yeah. I think with pasta, and certainly in salad, | 0:25:53 | 0:25:56 | |
I think it's great. | 0:25:56 | 0:25:57 | |
If you feel, a little trick, if you feel it looks a little dry, | 0:25:57 | 0:26:00 | |
just always use a little bit of your cooking liquid. | 0:26:00 | 0:26:03 | |
-It has some of the starches from the pasta still in it. -Yeah, exactly. | 0:26:03 | 0:26:07 | |
And then give it a really good toss together, like so, | 0:26:07 | 0:26:10 | |
and then finally we're going to add our little, toasted nuts. | 0:26:10 | 0:26:13 | |
-OK, I'll get some knives and forks ready. -You can smell the cheese now. | 0:26:13 | 0:26:18 | |
Maybe spoons and forks. | 0:26:18 | 0:26:19 | |
Look at that, beautiful. | 0:26:20 | 0:26:22 | |
The Gorgonzola has actually melted down... | 0:26:22 | 0:26:25 | |
-Exactly, yeah. -..wilted into the pan. | 0:26:25 | 0:26:27 | |
Come on over, guys, come have a little taste of that. | 0:26:27 | 0:26:29 | |
I think cos it's quite strong, Gorgonzola, | 0:26:29 | 0:26:31 | |
you don't need to add Parmesan. | 0:26:31 | 0:26:32 | |
-If you really wanted to, you could. -Give it an extra cheesy kick. | 0:26:32 | 0:26:36 | |
Come on then, guys, get in there. Mint, parsley... | 0:26:36 | 0:26:38 | |
That mint smells amazing. | 0:26:38 | 0:26:40 | |
..purple sprouting broccoli and some beautiful Gorgonzola cheese. | 0:26:40 | 0:26:43 | |
Look at that, it looks delicious. | 0:26:43 | 0:26:44 | |
-And a few toasted walnuts on the top. -Little toasted walnuts. | 0:26:44 | 0:26:47 | |
Yeah, we all do pine nuts, | 0:26:47 | 0:26:48 | |
but I think it's nice to have a little change - | 0:26:48 | 0:26:50 | |
-little bit of walnuts, hazelnuts occasionally. -That's delicious. | 0:26:50 | 0:26:53 | |
Delicious. OK, whilst we eat this, | 0:26:53 | 0:26:56 | |
let's take a trip into the BBC Food back catalogue, | 0:26:56 | 0:26:59 | |
as we join the brilliant Raymond Blanc | 0:26:59 | 0:27:01 | |
for a classic lamb Provencal. | 0:27:01 | 0:27:02 | |
'For Raymond, good quality lamb bursting with flavour begins | 0:27:05 | 0:27:08 | |
'with good-quality farming. | 0:27:08 | 0:27:11 | |
'He's come to Hampshire to visit one of the country's | 0:27:11 | 0:27:13 | |
'only organic and biodynamic farms. | 0:27:13 | 0:27:16 | |
'It's run by Raymond's friend, | 0:27:16 | 0:27:18 | |
'ex-Formula One champion, Jody Scheckter.' | 0:27:18 | 0:27:20 | |
Thank you for the drive. But never again. | 0:27:26 | 0:27:28 | |
-Next time, I drive you. -You cook, I'll do the driving. | 0:27:28 | 0:27:32 | |
'Jody rears a flock of around 800 sheep, | 0:27:32 | 0:27:35 | |
'made up of three different breeds. | 0:27:35 | 0:27:37 | |
'They are looked after by shepherd Nigel, | 0:27:39 | 0:27:42 | |
'who knows just how to select the perfect animal.' | 0:27:42 | 0:27:45 | |
Feel them on the back, on the loin. | 0:27:45 | 0:27:48 | |
And then over the ribs. And then feel around the docks. | 0:27:48 | 0:27:51 | |
So, you check up here, on that side. | 0:27:51 | 0:27:53 | |
There's the top of the tail. | 0:27:53 | 0:27:54 | |
She likes it very much, she likes Frenchmen. You are ready, girl. | 0:27:54 | 0:27:58 | |
It's quite incredible, the vitality and the health of the animals. | 0:27:59 | 0:28:03 | |
Always about quality, right from the setting down on the grass, | 0:28:03 | 0:28:09 | |
selecting a breed, right up to the slaughter, right up to the plate. | 0:28:09 | 0:28:12 | |
Me, as a chef, believe me, I appreciate that - | 0:28:12 | 0:28:16 | |
when I have a piece of meat which is beautifully reared, and you know it. | 0:28:16 | 0:28:21 | |
It goes back to my little bistro, when I started in Oxford. | 0:28:25 | 0:28:29 | |
Red and white tablecloth and cheap prints of pies on the wall. | 0:28:29 | 0:28:32 | |
Oh, lovely. Thank you. Nice, sharp knife. My God, lovely. | 0:28:35 | 0:28:40 | |
'Most of this dish can be prepared in advance, | 0:28:40 | 0:28:43 | |
'making it perfect for entertaining. | 0:28:43 | 0:28:45 | |
'To begin, Raymond is French trimming the lamb by removing all the meat | 0:28:45 | 0:28:49 | |
'and fat from the ribs.' | 0:28:49 | 0:28:52 | |
So, we've got completely clean bones. | 0:28:52 | 0:28:54 | |
A bit of work, but quite fun, if you have nothing else to do. | 0:28:54 | 0:28:58 | |
'He then scores the meat, so the Provencal crust will stick to it, | 0:28:58 | 0:29:02 | |
'and ties up any loose ends.' | 0:29:02 | 0:29:04 | |
That's called a French trim. | 0:29:04 | 0:29:07 | |
It is really for a very special occasion. | 0:29:07 | 0:29:10 | |
And that's how your butcher should prepare it for you. | 0:29:10 | 0:29:12 | |
'For the first stage of cooking, | 0:29:12 | 0:29:14 | |
'Raymond brown's the seasoned meat in rapeseed oil.' | 0:29:14 | 0:29:17 | |
On the flesh side first. | 0:29:17 | 0:29:18 | |
'This caramelises the outside, creating a succulent, sweet flavour.' | 0:29:19 | 0:29:24 | |
I'm sure you remember | 0:29:24 | 0:29:26 | |
those meats which are overcooked, all grey and dry outside. | 0:29:26 | 0:29:30 | |
And the middle is red. We don't want that. | 0:29:30 | 0:29:33 | |
We want just pink right the way through. | 0:29:33 | 0:29:35 | |
That's why I'm applying gentle heat. | 0:29:35 | 0:29:37 | |
Voila. We are ready. | 0:29:43 | 0:29:45 | |
Got a beautiful colour here, so now, on the top... | 0:29:45 | 0:29:49 | |
'During second stage, the lamb is roasted at 190 degrees for 15 minutes | 0:29:49 | 0:29:54 | |
'to cook it perfectly before the Provencal crust is added. | 0:29:54 | 0:29:58 | |
'Raymond prepares this next.' | 0:29:58 | 0:30:01 | |
Tres bien. Now we've got our crumbs. | 0:30:01 | 0:30:03 | |
'To the breadcrumbs, he adds a selection of herbs, | 0:30:03 | 0:30:06 | |
'which must be completely dry before processing, | 0:30:06 | 0:30:09 | |
'so the mixture will stay loose and crumbly.' | 0:30:09 | 0:30:12 | |
-Ca va? -Ca va. -OK. | 0:30:13 | 0:30:18 | |
HE SPEAKS FRENCH | 0:30:18 | 0:30:21 | |
I've got two sisters. | 0:30:21 | 0:30:23 | |
Francoise is probably the worst cook at home. | 0:30:24 | 0:30:28 | |
C'est vrai! | 0:30:28 | 0:30:30 | |
She's a very bad cook, seriously bad cook, OK? | 0:30:30 | 0:30:32 | |
Just maybe, you can join me... | 0:30:32 | 0:30:35 | |
No probleme. | 0:30:35 | 0:30:37 | |
'Raymond adds garlic, seasoning, | 0:30:37 | 0:30:39 | |
'and just a dash of olive oil to keep the mixture's sandy texture.' | 0:30:39 | 0:30:43 | |
Tres bien. | 0:30:44 | 0:30:45 | |
You just want to make it moist, voila. Moist, like that. | 0:30:49 | 0:30:52 | |
That smell. | 0:30:52 | 0:30:54 | |
HE SPEAKS FRENCH | 0:30:54 | 0:30:56 | |
Oui. | 0:30:56 | 0:30:58 | |
But the smell, the smell is really amazing. | 0:31:02 | 0:31:07 | |
'Raymond generously coats the lamb in Dijon mustard.' | 0:31:07 | 0:31:11 | |
That will act as a glue. | 0:31:11 | 0:31:13 | |
And you press it. | 0:31:13 | 0:31:15 | |
And that will provide a beautiful crust. Voila. | 0:31:20 | 0:31:24 | |
The lamb is done in three steps - | 0:31:26 | 0:31:29 | |
searing, the first cooking, 15 minutes, | 0:31:29 | 0:31:33 | |
you brush your breadcrumbs, | 0:31:33 | 0:31:35 | |
then, when your guests arrive, just need 10 minutes' cooking. | 0:31:35 | 0:31:38 | |
And that can be prepared maybe half a day in advance. | 0:31:38 | 0:31:41 | |
'This last 10 minutes' cooking warms the meat through | 0:31:41 | 0:31:44 | |
'whilst keeping the herb crust's vibrant colour.' | 0:31:44 | 0:31:47 | |
To go with this dish, I'm going to do a very quick ratatouille. | 0:31:49 | 0:31:52 | |
Not just any ratatouille, a quick one. | 0:31:52 | 0:31:56 | |
That will take you exactly... | 0:31:56 | 0:31:58 | |
Well, it depends if you have an Adam in your kitchen | 0:31:58 | 0:32:00 | |
to do all the courgettes and everything. | 0:32:00 | 0:32:03 | |
'Raymond is cooking a quick French classic using a colourful range | 0:32:03 | 0:32:06 | |
'of garden vegetables with garlic, a pinch of herbs and a glug of oil.' | 0:32:06 | 0:32:12 | |
I'm going to do it quite fast, actually, | 0:32:12 | 0:32:14 | |
so I can keep the colours and textures. | 0:32:14 | 0:32:17 | |
'The simple, fresh flavours will perfectly complement | 0:32:17 | 0:32:20 | |
'this special lamb dish. | 0:32:20 | 0:32:22 | |
'After 20 minutes, the ratatouille is almost ready.' | 0:32:22 | 0:32:26 | |
Good? | 0:32:28 | 0:32:29 | |
Excellent. | 0:32:32 | 0:32:33 | |
'And the herb-coated lamb can come out of the oven.' | 0:32:33 | 0:32:36 | |
Very tender. | 0:32:55 | 0:32:56 | |
-She gives me eight! -Huit! | 0:33:09 | 0:33:11 | |
-Thank you very much. -Merci. | 0:33:15 | 0:33:17 | |
Thank you very much, Raymond. | 0:33:20 | 0:33:22 | |
I have to be honest, that looked like a 10-out-of-10 dish to me. | 0:33:22 | 0:33:24 | |
-I think only a French sibling could give you eight! -Indeed. | 0:33:24 | 0:33:27 | |
Throughout the series, we're showcasing some real, key seasonal | 0:33:27 | 0:33:30 | |
spring ingredients that are at their best at this time of year. | 0:33:30 | 0:33:33 | |
Today, we're going to do a recipe with courgettes | 0:33:33 | 0:33:35 | |
and Cheddar cheese and, Angela, she's going to give me a hand. | 0:33:35 | 0:33:38 | |
-Oui, Chef. -All right, first thing you've got to do, | 0:33:38 | 0:33:40 | |
we're going to make it a kind of courgette and Cheddar cheese quiche | 0:33:40 | 0:33:44 | |
or tart. So, I want you to make me the pastry. | 0:33:44 | 0:33:46 | |
The pastry is very simple - | 0:33:46 | 0:33:48 | |
flour, Parmesan cheese, some egg yolks, some butter | 0:33:48 | 0:33:51 | |
-and a bit of water. You get going with that. -I'll do that. | 0:33:51 | 0:33:53 | |
I'll get going with the filling, so it's kind of like a quiche. | 0:33:53 | 0:33:56 | |
-Just all in together, yeah, Tom? -All in together, | 0:33:56 | 0:33:58 | |
-into a food processor and off we go. -Easiest pastry ever. | 0:33:58 | 0:34:00 | |
Parmesan going in. | 0:34:00 | 0:34:02 | |
Now, Parmesan, we're putting that through the pastry, | 0:34:02 | 0:34:05 | |
so it gives the pastry an extra cheesy kick to it. | 0:34:05 | 0:34:09 | |
Parmesan's quite a dry cheese, cos it's aged, I suppose, is it? | 0:34:09 | 0:34:14 | |
That's right. Typically, you will be looking for Parmesan | 0:34:14 | 0:34:17 | |
that's two to three years old, | 0:34:17 | 0:34:18 | |
so it just gets that lovely dry, almost crystalline texture to it. | 0:34:18 | 0:34:22 | |
-And it comes from sheep's milk? -Cow's milk. -Cow's milk. | 0:34:22 | 0:34:25 | |
-Yes. -Parmesan is a cow's milk. OK. And then seasonality with cheeses? | 0:34:25 | 0:34:30 | |
That's something we touched on earlier. | 0:34:30 | 0:34:31 | |
Now, that changes, a lot of people don't realise, | 0:34:31 | 0:34:34 | |
because I suppose the grasses change throughout the year, | 0:34:34 | 0:34:36 | |
-that the milk changes, and then that changes the cheese. -Absolutely. | 0:34:36 | 0:34:40 | |
So, you've got, in the winter, a lot of the animals, | 0:34:40 | 0:34:42 | |
the cows will be in the barns, so they'll be on their winter feed | 0:34:42 | 0:34:45 | |
and in the summer they're out in the pasture. | 0:34:45 | 0:34:47 | |
Spring, they're out eating all the beautiful spring flowers | 0:34:47 | 0:34:50 | |
in the pasture, as well as the grass, | 0:34:50 | 0:34:52 | |
which just gives an extra dimension, | 0:34:52 | 0:34:54 | |
more complexity to the cheeses. | 0:34:54 | 0:34:56 | |
And, at this time of year, the goat's and the sheep's milk cheeses | 0:34:56 | 0:34:59 | |
are coming back into season | 0:34:59 | 0:35:00 | |
and there's some fabulous products there. | 0:35:00 | 0:35:02 | |
So, when we buy it, can we see it on the wax | 0:35:02 | 0:35:05 | |
to say this is a summer cheese or this is a winter cheese? | 0:35:05 | 0:35:09 | |
Yeah, if you go to a good cheesemonger, | 0:35:09 | 0:35:11 | |
they should be able to tell you absolutely when the cheese was made. | 0:35:11 | 0:35:15 | |
I did hear a story. Now, I'm not sure if it's true, | 0:35:15 | 0:35:18 | |
Ange might be able to tell me a little bit more, | 0:35:18 | 0:35:20 | |
because it's Italian-based, but you used to be able to secure mortgages | 0:35:20 | 0:35:24 | |
on if you had a large amount of Parmesan cheese, is that right? | 0:35:24 | 0:35:28 | |
-Totally true. -The value of it. -I mean, that makes absolute sense. | 0:35:28 | 0:35:31 | |
Because the Parmesan cheeses are absolutely huge, | 0:35:31 | 0:35:34 | |
they are 50 kilo cheeses, | 0:35:34 | 0:35:36 | |
and they take several years to mature to perfection, | 0:35:36 | 0:35:39 | |
so if you are a Parmesan producer, you've got a warehouse or a cave | 0:35:39 | 0:35:43 | |
full of cheeses maturing, and that's going to be worth a lot of money, | 0:35:43 | 0:35:47 | |
so, yeah, I guess you'd be able to get a mortgage on that. | 0:35:47 | 0:35:49 | |
-And it doesn't devalue, does it? -No. | 0:35:49 | 0:35:52 | |
I suppose then you could just... If you had that much cheese, | 0:35:52 | 0:35:54 | |
-you'd probably... -It's the only way I bought Murano. | 0:35:54 | 0:35:57 | |
Everyone else has a wine cellar, I've just got a cheese cellar. | 0:35:57 | 0:36:01 | |
In the fridge, Chef? | 0:36:01 | 0:36:03 | |
In the fridge with that. | 0:36:03 | 0:36:04 | |
OK, so that pastry goes in the fridge | 0:36:04 | 0:36:06 | |
-and it rests for about an hour. -Yeah. | 0:36:06 | 0:36:08 | |
And then we roll it and then we blind bake it | 0:36:08 | 0:36:11 | |
and then we egg wash it, so it's got a bit of a glaze on it. | 0:36:11 | 0:36:15 | |
That's going to be our base, like our tart base. | 0:36:15 | 0:36:19 | |
To go into it, we are just going to chop up these courgettes. | 0:36:19 | 0:36:23 | |
Fairly large chunks, but we're not actually going to cook them, | 0:36:23 | 0:36:26 | |
-they will cook in the filling. -Just lightly sort of sauteing them. | 0:36:26 | 0:36:31 | |
Actually, what I'm going to do is I'm going to salt them. | 0:36:31 | 0:36:35 | |
So, I will leave them for about 20 minutes | 0:36:35 | 0:36:37 | |
with a little bit of flaky sea salt on them. | 0:36:37 | 0:36:39 | |
What that does is it kind of draws the moisture from them | 0:36:39 | 0:36:42 | |
-and softens them. -Yeah. | 0:36:42 | 0:36:43 | |
Which allows you to then cook them | 0:36:43 | 0:36:45 | |
and you end up with something like that. | 0:36:45 | 0:36:47 | |
If you can see underneath there, | 0:36:47 | 0:36:48 | |
the amount of water that comes from the courgettes | 0:36:48 | 0:36:51 | |
where they've broken down. | 0:36:51 | 0:36:53 | |
And we're just going to add them to the sauteed onions | 0:36:53 | 0:36:56 | |
that we have going on here. | 0:36:56 | 0:36:57 | |
Just a light, not too strong, just a nice, soft kind of onion | 0:36:57 | 0:37:01 | |
-and in this... You're grating some Cheddar cheese. -Yeah, fantastic. | 0:37:01 | 0:37:04 | |
Cheddar cheese comes from... Is it protected? | 0:37:04 | 0:37:07 | |
The name Cheddar itself isn't protected, | 0:37:07 | 0:37:10 | |
so Cheddar can refer to any cheese producer anywhere in the world. | 0:37:10 | 0:37:13 | |
So, the traditional producers in the West Country | 0:37:13 | 0:37:16 | |
have got round that by... | 0:37:16 | 0:37:17 | |
They've got protection for the name West Country Farmhouse Cheddar. | 0:37:17 | 0:37:20 | |
So, if you see that, you know it's a traditional Cheddar, | 0:37:20 | 0:37:23 | |
made in the old-fashioned way in the south-west of England. | 0:37:23 | 0:37:26 | |
When you say the old-fashioned way, what do you mean by that? | 0:37:26 | 0:37:29 | |
Just the way they would have made it years ago? | 0:37:29 | 0:37:31 | |
Yeah, so they have to use unpasteurised cow's milk, | 0:37:31 | 0:37:34 | |
and, rather than making the cheese in a block, | 0:37:34 | 0:37:36 | |
as you would find from a factory cheese, | 0:37:36 | 0:37:39 | |
they are made in the cylindrical cheese moulds, | 0:37:39 | 0:37:41 | |
and then they wrap the cheeses with cheesecloth | 0:37:41 | 0:37:45 | |
and butter them for maturing. | 0:37:45 | 0:37:47 | |
And then they are matured in the cellars | 0:37:47 | 0:37:50 | |
for specific amounts of time. | 0:37:50 | 0:37:52 | |
So, Chris, you're a big fan of cooking and a big fan of food, | 0:37:52 | 0:37:55 | |
so Celebrity MasterChef, | 0:37:55 | 0:37:57 | |
that was something we were going to touch on, I think. | 0:37:57 | 0:37:59 | |
I did that, very briefly, one round. | 0:37:59 | 0:38:03 | |
I prepared a couple of very good dishes, I thought. | 0:38:03 | 0:38:08 | |
THEY LAUGH | 0:38:08 | 0:38:10 | |
You were wrong, Chris. | 0:38:10 | 0:38:11 | |
Obviously, some people don't have similar tastes to me. | 0:38:11 | 0:38:13 | |
And what were the dishes? | 0:38:13 | 0:38:15 | |
The mystery dish, a bit like... You know when you revise for exams, | 0:38:15 | 0:38:18 | |
you think, "I just hope that essay on the Russian Revolution comes up," | 0:38:18 | 0:38:22 | |
and I thought, "If only there's a white piece of fish, | 0:38:22 | 0:38:25 | |
"and I can have some fresh herbs, | 0:38:25 | 0:38:27 | |
"I'll make a piece of fish with herbs," and it came up! | 0:38:27 | 0:38:31 | |
And then I made prawn, pea and mint risotto, | 0:38:31 | 0:38:37 | |
and I made lamb cutlets with an anchovy, white wine sauce | 0:38:37 | 0:38:41 | |
as my main dishes... | 0:38:41 | 0:38:42 | |
-They all sound amazing. -But I really lost it. | 0:38:42 | 0:38:44 | |
Well, I thought so, too! | 0:38:44 | 0:38:46 | |
The only reason I lost out was, in the professional restaurant, | 0:38:46 | 0:38:49 | |
we were cooking duck | 0:38:49 | 0:38:51 | |
and I did a prepared duck, you know, | 0:38:51 | 0:38:54 | |
the chef shows you, with wild mushrooms and a red wine "jus" | 0:38:54 | 0:38:57 | |
-and I did all of that... -They sound like they were showing off. | 0:38:57 | 0:39:01 | |
I know, exactly! | 0:39:01 | 0:39:02 | |
I did it and it was all good and then when it came to, "Four ducks!" | 0:39:02 | 0:39:06 | |
"Yes, Chef!" and I produced them and they were all raw. | 0:39:06 | 0:39:09 | |
-Oh! -And I thought, "Well, I put it in the same oven," I don't know... | 0:39:09 | 0:39:13 | |
-And another contestant, who will remain nameless... -Yeah. | 0:39:13 | 0:39:16 | |
..he kept opening the oven to check his fish dish. | 0:39:16 | 0:39:20 | |
In the programme, it made me look an idiot. | 0:39:21 | 0:39:24 | |
Not difficult! | 0:39:24 | 0:39:25 | |
But you reckon with a bit more time, you'd have got through. | 0:39:25 | 0:39:29 | |
No, I was terrible. I was terrible. | 0:39:29 | 0:39:32 | |
You moved on to Strictly Come Dancing, as well. And a winner. | 0:39:32 | 0:39:36 | |
Yes, it was a very poor year. | 0:39:36 | 0:39:38 | |
TOM LAUGHS | 0:39:38 | 0:39:41 | |
I did Strictly Come Dancing, four and a half years ago. | 0:39:41 | 0:39:43 | |
Four chins ago, as well! | 0:39:43 | 0:39:45 | |
-So, you're not still dancing? -Not still dancing. | 0:39:45 | 0:39:48 | |
It's very difficult, I disappoint many grannies at weddings | 0:39:48 | 0:39:52 | |
and birthday parties. No, it was a great experience. Really enjoyed it. | 0:39:52 | 0:39:57 | |
I mean, dancing with beautiful women, | 0:39:57 | 0:39:59 | |
dancing in front of 12 million people, learning a new experience, | 0:39:59 | 0:40:03 | |
-what's there not to enjoy, really? -Yeah, really good fun. | 0:40:03 | 0:40:06 | |
And you went on tour with that, as well, didn't you? | 0:40:06 | 0:40:08 | |
Yeah! Yes, that was probably a bit of a mistake. | 0:40:08 | 0:40:12 | |
When I originally agreed to do it, | 0:40:12 | 0:40:14 | |
it was about four weeks into the actual show. | 0:40:14 | 0:40:18 | |
And I said to my girlfriend, now wife, | 0:40:18 | 0:40:21 | |
"Don't worry, I'll do the tour, | 0:40:21 | 0:40:22 | |
"cos I'm going out any minute now." | 0:40:22 | 0:40:24 | |
Of course, three and a half months later, | 0:40:24 | 0:40:28 | |
I was still in the competition and then we went straight on to the tour | 0:40:28 | 0:40:32 | |
and I couldn't get time off Breakfast. | 0:40:32 | 0:40:34 | |
So, I was, at some stage, | 0:40:34 | 0:40:35 | |
doing Breakfast in the morning, driving up to Nottingham, | 0:40:35 | 0:40:38 | |
doing the show, driving back overnight, | 0:40:38 | 0:40:40 | |
doing Breakfast, going back up. It was a nightmare. | 0:40:40 | 0:40:43 | |
-Sounds exhausting. -I say nightmare, you know, dancing in the evenings! | 0:40:43 | 0:40:46 | |
I couldn't give it everything I wanted! | 0:40:46 | 0:40:49 | |
OK, so the tart, we've got the courgettes, they've been salted, | 0:40:49 | 0:40:52 | |
sweated down, we've added a little bit of chilli to it, a little bit | 0:40:52 | 0:40:55 | |
of red chilli, just for a hint of spice to cut through the richness. | 0:40:55 | 0:40:59 | |
Some sweated-down onions, with grated Cheddar on top of it | 0:40:59 | 0:41:02 | |
and a custard mix made the double cream, egg yolks and a whole egg, | 0:41:02 | 0:41:06 | |
little bit of nutmeg and then some grated Parmesan on the top. | 0:41:06 | 0:41:09 | |
It's going to go into an oven, cook nice and slowly, | 0:41:09 | 0:41:12 | |
on a low, low temperature, until it just sets. About 20-25 minutes. | 0:41:12 | 0:41:17 | |
And then it comes back... | 0:41:17 | 0:41:18 | |
..after that, it looks like this - beautiful, golden, very tasty. | 0:41:20 | 0:41:23 | |
Oh, fantastic. | 0:41:23 | 0:41:25 | |
And then, Ange, if you could grate some of that on top. | 0:41:25 | 0:41:28 | |
I'm going to get some courgette flowers. | 0:41:28 | 0:41:31 | |
These have just been steamed. | 0:41:32 | 0:41:35 | |
A little dress with salt | 0:41:35 | 0:41:37 | |
and a little drizzle of English rapeseed oil, | 0:41:37 | 0:41:40 | |
beautiful flavour goes on the top of that. | 0:41:40 | 0:41:42 | |
Then Ange's going to blowtorch the Parmesan. | 0:41:42 | 0:41:46 | |
And what we're doing with the blowtorch... | 0:41:46 | 0:41:48 | |
The reason why we do this is everybody loves that cheese on toast | 0:41:48 | 0:41:51 | |
flavour, you know, when it's been under the grill just that | 0:41:51 | 0:41:53 | |
-little bit too long, and it gets... -Could you put it under the grill? | 0:41:53 | 0:41:56 | |
No... Well, you could put it under the grill, | 0:41:56 | 0:41:58 | |
but the problem you get is that you will burn the tops of the pastry. | 0:41:58 | 0:42:02 | |
You want a little bit of a blowtorch on the top | 0:42:02 | 0:42:05 | |
and you get this lovely, lovely flavour coming from the cheese. | 0:42:05 | 0:42:09 | |
You can smell that, that lovely, toasted flavour. We gently... | 0:42:09 | 0:42:12 | |
..take this off without dropping it. | 0:42:13 | 0:42:16 | |
If you guys want to come on over, | 0:42:16 | 0:42:19 | |
we shall have a little taste of this. | 0:42:19 | 0:42:22 | |
On top of that, | 0:42:22 | 0:42:24 | |
put a couple of these courgette flowers. I'll get a knife. | 0:42:24 | 0:42:27 | |
-Come on round. -Beauty. | 0:42:27 | 0:42:29 | |
And if I cut some of these, we'll do some portions | 0:42:29 | 0:42:33 | |
of a very posh cheese tart. | 0:42:33 | 0:42:36 | |
-There we go. -Do you like these courgette flowers? | 0:42:38 | 0:42:40 | |
-I've seen you use these before. -Absolutely love courgette flowers. | 0:42:40 | 0:42:43 | |
Brilliant this time of year, taste great, you can stuff them, | 0:42:43 | 0:42:46 | |
you could probably stuff them with that mix. | 0:42:46 | 0:42:49 | |
-The cheese is starting to melt. -Stunning. | 0:42:49 | 0:42:52 | |
Have a little taste of the tart, let me know what you think. | 0:42:52 | 0:42:54 | |
You looked suspicious there. | 0:42:54 | 0:42:56 | |
You can't just chomp the top of it, can you? | 0:42:56 | 0:42:58 | |
-Yeah. -Yeah, you can. Go for it. | 0:42:58 | 0:43:00 | |
-Very nice. -Very nice. | 0:43:01 | 0:43:03 | |
Very nice, and that's just the courgette flower, | 0:43:03 | 0:43:05 | |
-how about the tart? -Exactly. | 0:43:05 | 0:43:07 | |
Absolutely delicious. Really good. | 0:43:07 | 0:43:09 | |
-The pastry is lovely. It's got that cheesy... -Bit of Parmesan. | 0:43:11 | 0:43:14 | |
Is that because you made it? | 0:43:14 | 0:43:16 | |
THEY LAUGH | 0:43:16 | 0:43:17 | |
Yeah, it's lovely, because Ange made the pastry(!) | 0:43:17 | 0:43:21 | |
OK, that's all from all of us on Spring Kitchen. | 0:43:21 | 0:43:23 | |
A big thank you to Angela Hartnett, Emma Dandy | 0:43:23 | 0:43:25 | |
and Chris Hollins and of course the amazing Rick Stein. | 0:43:25 | 0:43:28 | |
All of today's recipes are available on the website, | 0:43:28 | 0:43:31 | |
please go to bbc.co.uk/springkitchen. | 0:43:31 | 0:43:35 | |
A big thank you for watching and we will see you next time. | 0:43:35 | 0:43:39 | |
Take care, bye-bye. | 0:43:39 | 0:43:40 |