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With mind-boggling medical mishaps... | 0:00:05 | 0:00:07 | |
and the quirkiest of casualties... | 0:00:07 | 0:00:10 | |
Boyfriend dropped a turnip on my foot. | 0:00:10 | 0:00:13 | |
..this is Bizarre ER. | 0:00:13 | 0:00:17 | |
And for the first time, we've camped out in not one but two British hospitals, | 0:00:17 | 0:00:23 | |
Northampton General and Bradford Royal Infirmary... | 0:00:23 | 0:00:27 | |
Hello. | 0:00:27 | 0:00:29 | |
..to bring you the curious cases that are all in a day's work for the stoic staff... | 0:00:29 | 0:00:34 | |
Can you see your pound coin there? | 0:00:34 | 0:00:36 | |
..but which have to be seen to be believed. | 0:00:36 | 0:00:39 | |
Plus, we've scoured the planet for the people who, | 0:00:39 | 0:00:43 | |
thanks to amazing medics, have survived the most extraordinary accidents | 0:00:43 | 0:00:47 | |
and emergencies known to man. | 0:00:47 | 0:00:49 | |
Nobody believes they're going to get the Black Death. | 0:00:49 | 0:00:55 | |
So scrub up, sit back and enjoy the sometimes silly, often odd, but never dull world of Bizarre ER. | 0:00:55 | 0:01:03 | |
-All I can say is thank heavens for the NHS. -Thank you. | 0:01:03 | 0:01:08 | |
# Bringin' out the best in you. # | 0:01:11 | 0:01:17 | |
Coming up - a Bradford granny's Tasered by her own toaster... | 0:01:20 | 0:01:25 | |
I think what saved me was the fact that I had leather shoes on with rubber soles. | 0:01:25 | 0:01:31 | |
..Bonfire Night ends early for the boy who ate his own sparkler. | 0:01:31 | 0:01:35 | |
Chewed it and swallowed it. | 0:01:35 | 0:01:37 | |
..and the curious tale of how an artist survived | 0:01:37 | 0:01:40 | |
being skewered by a two-metre metal rod, when she impaled herself on her own sculpture. | 0:01:40 | 0:01:46 | |
When I went to introduce myself to Sophia, I said, "Hi, I'm Jules, I'm a... Whoa!" | 0:01:46 | 0:01:51 | |
But first we're heading to Northampton General, which sees its fair share of sporting injuries. | 0:01:55 | 0:02:00 | |
-But when it comes to freaky football foul-ups, our next case is in the Premier League. -It's hurting. | 0:02:00 | 0:02:07 | |
Dean Taylor's arrived in A & E with his right ankle at a right angle, | 0:02:07 | 0:02:11 | |
after an awkward tackle just five minutes into a Sunday League cup match. | 0:02:11 | 0:02:16 | |
-I told the ambulance, "Just pop it back in and I'll carry on." -HE LAUGHS | 0:02:16 | 0:02:20 | |
Luckily for Dean, the medics can ease his suffering, but with a very peculiar kind of pain relief. | 0:02:20 | 0:02:27 | |
It's the medicine that will make you feel sleepy. | 0:02:27 | 0:02:30 | |
As well as morphine, Dean's being given midazolam, | 0:02:30 | 0:02:32 | |
which doesn't stop him feeling pain but helps him forget it. | 0:02:32 | 0:02:36 | |
It sedates him to the point that he can't remember stuff, | 0:02:36 | 0:02:40 | |
but he's still going to have a response to the pain | 0:02:40 | 0:02:42 | |
of what we're doing, but he's just not going to remember it. | 0:02:42 | 0:02:45 | |
Dean's broken his tibia and fibula bones, | 0:02:45 | 0:02:49 | |
but as well as bones, the break will affect nerves and blood vessels. | 0:02:49 | 0:02:52 | |
If medics don't crank the ankle back into place quickly, Dean could lose his foot. | 0:02:52 | 0:02:58 | |
Here we go. | 0:02:58 | 0:03:01 | |
DEAN YELLS Well done. | 0:03:01 | 0:03:03 | |
Well done, that's it. It's all done! | 0:03:03 | 0:03:05 | |
-You did really well. -Well done, Dean, the worst bit's over now. | 0:03:05 | 0:03:09 | |
You sure? | 0:03:09 | 0:03:11 | |
-I'm sure. -Just putting a plaster on, then you'll be really comfortable. | 0:03:11 | 0:03:15 | |
Dean's best foot is once again forward, but bizarrely, | 0:03:15 | 0:03:18 | |
-due to the drugs, he has no memory of the manoeuvre. -Have I been to sleep already? | 0:03:18 | 0:03:23 | |
You have. It's all been done. | 0:03:23 | 0:03:25 | |
All done. | 0:03:25 | 0:03:27 | |
-OK, I'll come and talk to you later. -OK. | 0:03:29 | 0:03:32 | |
-Have I really been to sleep? -Yes, they done it before we got here. | 0:03:32 | 0:03:36 | |
Straightened your ankle up. | 0:03:36 | 0:03:38 | |
Well, I didn't know that. | 0:03:40 | 0:03:42 | |
He might have a memory like a goldfish right now, | 0:03:42 | 0:03:45 | |
but Dean still recognises mum Belinda by her soothing bedside manner(!) | 0:03:45 | 0:03:49 | |
One way of getting out of work, isn't it, son? | 0:03:49 | 0:03:53 | |
Having straightened Dean out, Dr Pearce now needs to see | 0:03:54 | 0:03:58 | |
exactly what damage has been done to the tibia and fibula. | 0:03:58 | 0:04:01 | |
His ankle is broken in two places across here and up here as well, | 0:04:01 | 0:04:05 | |
and this is his tibia bone and the bone is broken across here. | 0:04:05 | 0:04:09 | |
To fix these bones, it ought to have a plate on this bone and a screw on this bone | 0:04:09 | 0:04:13 | |
to stop his ankle from moving whilst it heals. | 0:04:13 | 0:04:16 | |
So our Sunday League star needs surgery, but he'll have to wait for | 0:04:16 | 0:04:21 | |
-the swelling to subside before his ankle goes under the knife. -Bye. | 0:04:21 | 0:04:26 | |
The family call full-time on today, and Dean gets some well-earned rest. | 0:04:26 | 0:04:30 | |
The next day, the nasty fracture is still too swollen for surgery. | 0:04:32 | 0:04:36 | |
Whenever anything breaks, it swells up. | 0:04:36 | 0:04:40 | |
Your skin becomes like an over-ripe tomato. | 0:04:40 | 0:04:42 | |
It's all right if you don't touch it, | 0:04:42 | 0:04:44 | |
but if you do, it'll split open and then you can't sew it back again. | 0:04:44 | 0:04:47 | |
With play delayed yet again, Dean settles in for another night on the ward. | 0:04:47 | 0:04:52 | |
HE SIGHS | 0:04:52 | 0:04:53 | |
A full five days into extra time, the leg still isn't match-fit. | 0:04:53 | 0:04:59 | |
Dean's initial cast has also become uncomfortable, | 0:04:59 | 0:05:02 | |
so he's been wheeled off to be put into some new team colours. | 0:05:02 | 0:05:05 | |
I desperately need a shower, and the nurses said they'll only give me one | 0:05:05 | 0:05:09 | |
if I change the colour to pink, so that's what I'm going to do. | 0:05:09 | 0:05:12 | |
Excuse my fingers. | 0:05:13 | 0:05:15 | |
They could have gone in worse places! | 0:05:15 | 0:05:18 | |
After a few days on the ward, there's clearly nothing wrong with Dean's funny bone. | 0:05:18 | 0:05:22 | |
PFFFRRRRT! | 0:05:22 | 0:05:25 | |
Oh, Dean, that is definitely a red-card offence! | 0:05:25 | 0:05:28 | |
While Dean's so far been doing a good job of keepie-uppie with his spirits, | 0:05:30 | 0:05:34 | |
the long wait for surgery is starting to dampen his mood. | 0:05:34 | 0:05:38 | |
I'm very bored. Very bored. | 0:05:38 | 0:05:41 | |
It's not just the boredom crippling Dean. | 0:05:41 | 0:05:43 | |
The longer surgery's delayed, the greater the chance of complications, | 0:05:43 | 0:05:47 | |
and Dean's worried what this injury means for his footballing future. | 0:05:47 | 0:05:50 | |
He lives for his football, and for him not to actually play football... | 0:05:50 | 0:05:56 | |
well, he might as well give up. | 0:05:56 | 0:05:57 | |
Join us later in the show, when we'll find out if Dean makes it to surgery | 0:05:57 | 0:06:01 | |
and discover if staff can ensure he'll once again be able to play for his beloved Kislingbury FC. | 0:06:01 | 0:06:09 | |
Next, we're heading to Bradford Royal Infirmary, where it's Bonfire Night. | 0:06:14 | 0:06:18 | |
But the Wilson family have had to cut short their celebrations, after little Jacob | 0:06:18 | 0:06:23 | |
turned his nose up at the usual treats and chose to chow down on a sparkler. | 0:06:23 | 0:06:28 | |
Chewed it and swallowed it. | 0:06:28 | 0:06:31 | |
It wasn't lit, thankfully. | 0:06:31 | 0:06:33 | |
We'd not managed to light them with the wind, | 0:06:33 | 0:06:35 | |
so he was keeping hold of it so we could light it later. | 0:06:35 | 0:06:40 | |
-Mummy! -But then he decided to eat it instead. | 0:06:40 | 0:06:43 | |
Although he's all smiles now, Jacob's bizarre bite to eat | 0:06:43 | 0:06:46 | |
could cause serious complications, so he's rushed in to see Dr Bell. | 0:06:46 | 0:06:52 | |
-What time was that roughly, do you know? -I think it was about... | 0:06:52 | 0:06:55 | |
just about eight. | 0:06:55 | 0:06:56 | |
Eight o'clock. | 0:06:56 | 0:06:58 | |
And how's he been since then? | 0:06:58 | 0:06:59 | |
He seems absolutely fine. | 0:06:59 | 0:07:01 | |
He has said a couple of times that his tummy's hurting him. | 0:07:01 | 0:07:05 | |
After picking over Jacob's potentially-lethal leftovers, | 0:07:05 | 0:07:09 | |
Dr Bell needs to check that there are no abnormalities to his internal organs. | 0:07:09 | 0:07:13 | |
The poor wee firecracker is clearly uncomfortable, and his tummy ache | 0:07:13 | 0:07:17 | |
could be a symptom of something much more serious. | 0:07:17 | 0:07:20 | |
So Jacob's sent up to the children's ward, where he'll be put under the care of Dr Singh Hunjan. | 0:07:20 | 0:07:25 | |
One of the things we worry about with fireworks, | 0:07:25 | 0:07:28 | |
or any kind of ingestion of fireworks, | 0:07:28 | 0:07:30 | |
is there's a chemical called barium nitrate that's in them, | 0:07:30 | 0:07:33 | |
and in very severe cases, it can affect your breathing | 0:07:33 | 0:07:36 | |
and paralyse your muscles, and one other thing we worry about | 0:07:36 | 0:07:40 | |
is it can bring your potassium level very low, | 0:07:40 | 0:07:43 | |
and that can cause problems with the heart. | 0:07:43 | 0:07:45 | |
It could take hours for problems to flare up, so while tonnes of | 0:07:45 | 0:07:49 | |
the toxic barium nitrate safely go up in smoke outside, Jacob's kept in hospital overnight for observation. | 0:07:49 | 0:07:56 | |
He's in safe hands, but Mum and Dad will have a nervous night ahead. | 0:07:56 | 0:08:00 | |
The following morning, much to Mum's relief, Jacob's sparkler snack seems to be a bit of a damp squib. | 0:08:04 | 0:08:10 | |
I think they came in every couple of hours, so they kept a good eye on him all night. | 0:08:10 | 0:08:14 | |
Dr Singh Hunjan pops in for a final check-up. | 0:08:14 | 0:08:18 | |
Can I have a little feel of your tummy, and then do you want to go home? What do you reckon? | 0:08:18 | 0:08:23 | |
Can you tell me what you had for your breakfast today? | 0:08:23 | 0:08:26 | |
-Toast. -Toast. Now shall I see if I can find this toast in here somewhere? | 0:08:26 | 0:08:30 | |
Let me have a little feel. Ah, there might be a little bit of jam. | 0:08:30 | 0:08:34 | |
-Feel the sparkler. -Shall I have a listen? I want to be able to hear that sparkler going off! | 0:08:34 | 0:08:40 | |
Oh, no, I think it's gone. I don't think it's there. | 0:08:40 | 0:08:43 | |
That's really good, isn't it? | 0:08:43 | 0:08:45 | |
-He's fine. I think we should get you off. Is that OK? -That sounds like a good plan. | 0:08:45 | 0:08:48 | |
-Right. We'll leave you guys to it. -Thanks very much. | 0:08:48 | 0:08:51 | |
None the worse for his ordeal, Jacob heads home, where mum will be making sure | 0:08:51 | 0:08:55 | |
that the only snap, crackle and pop he'll be munching on from now on will be at the breakfast table. | 0:08:55 | 0:09:00 | |
Our next patient tonight has come to A & E after a quirky kitchen calamity. | 0:09:05 | 0:09:10 | |
Gloria Declare's arrived stunned, but lucky to be alive, after she was electrocuted by her own toaster. | 0:09:10 | 0:09:16 | |
I was very lucky. I think what was saved me | 0:09:16 | 0:09:19 | |
was the fact that I have leather shoes on with rubber soles. | 0:09:19 | 0:09:24 | |
Gloria had just got home from bingo and was feeling a little peckish. | 0:09:24 | 0:09:28 | |
All the threes, pancakes for tea. | 0:09:28 | 0:09:30 | |
She decided to pop some pancakes into the toaster, | 0:09:30 | 0:09:33 | |
but events took a shocking turn when Gloria pressed the lever. | 0:09:33 | 0:09:36 | |
A blue flash sparked and, faster than she could shout, "House," | 0:09:36 | 0:09:40 | |
she was thrown across the kitchen. | 0:09:40 | 0:09:42 | |
Dazed but not fazed by the snack attack, Gloria had another go, with an unsurprisingly similar outcome. | 0:09:42 | 0:09:48 | |
# Can I be electric too? # | 0:09:48 | 0:09:52 | |
Staff's main concern is for Gloria's heart, which has been set racing | 0:09:52 | 0:09:57 | |
by the treacherous toaster. | 0:09:57 | 0:09:59 | |
If someone's had an adequately enough shock, | 0:09:59 | 0:10:01 | |
then potentially, it can knock your heart | 0:10:01 | 0:10:04 | |
into a what we call a ventricular fibrillation, | 0:10:04 | 0:10:07 | |
which is like a load of worms in a bag, that, like, your heart's literally doing this. | 0:10:07 | 0:10:11 | |
Death can occur if it's not dealt with quick enough. | 0:10:11 | 0:10:14 | |
-As if Gloria hadn't had enough of bread-related run-ins, Dr Baker pops up... -Hello. | 0:10:14 | 0:10:21 | |
..and gets right to the heart of the matter. | 0:10:21 | 0:10:23 | |
We've given you a good check over, and your heart tracing and ECG | 0:10:23 | 0:10:27 | |
-that we did is normal, and so I think we can give you a clear bill of health, really, from this. -Right. | 0:10:27 | 0:10:32 | |
But before he can discharge her, Dr Baker wants to check that Gloria hasn't fried her fingers. | 0:10:32 | 0:10:37 | |
-Got any burns on there at all? -No. | 0:10:37 | 0:10:39 | |
-Or toasted her tootsies. -Fine. | 0:10:39 | 0:10:43 | |
When electricity passes through the body, it can cause burns at the entry and exit points. | 0:10:43 | 0:10:48 | |
-I think we can let you go home. -With the all-clear, | 0:10:48 | 0:10:51 | |
-Gloria can head home, but will those pancakes still be waiting for her? -Oh, I've eaten them. | 0:10:51 | 0:10:57 | |
I had the sense to eat them. | 0:10:57 | 0:11:00 | |
-And dinner tonight? -Nothing toasted, that's for sure! | 0:11:00 | 0:11:04 | |
No doubt she'll be heading home for a nice cup of cocoa to toast her good health. | 0:11:04 | 0:11:09 | |
Time now to enter the Bizarre ER confessional. | 0:11:14 | 0:11:18 | |
We've invited medics from across the land to share the funniest | 0:11:18 | 0:11:23 | |
and freakiest things they've seen in A & E. | 0:11:23 | 0:11:26 | |
These stories might sound far-fetched, but they're all 100% true. | 0:11:26 | 0:11:31 | |
A gentleman attended who apparently had some delicate baubles on his Christmas tree, which had fallen off, | 0:11:41 | 0:11:47 | |
and he didn't want these delicate baubles to get broken, so he thought it would be a good idea | 0:11:47 | 0:11:53 | |
to put them on the mattress on his bed next to him, for safekeeping of course, as we all would. | 0:11:53 | 0:11:59 | |
Unfortunately, during the middle of the night he happened to roll over onto said baubles, | 0:11:59 | 0:12:04 | |
which unfortunately somehow ended up lodged in his rectum. | 0:12:04 | 0:12:08 | |
So we had him X-rayed and it was very festive, lots of baubles | 0:12:08 | 0:12:11 | |
lodged in the rectum, which obviously had to be removed. | 0:12:11 | 0:12:15 | |
It can happen to you even when you're off duty. | 0:12:23 | 0:12:26 | |
I was down a local pub watching a jazz band. | 0:12:26 | 0:12:28 | |
They got a fella out of the audience, a sprightly 70-year-old, to join the band. | 0:12:28 | 0:12:33 | |
He starts singing that fateful song, "I've Got A Whole Lot Of Living To Do." | 0:12:33 | 0:12:37 | |
He does the first verse brilliantly, he starts the second verse, he drops dead. | 0:12:37 | 0:12:42 | |
His head hits my table as he falls. | 0:12:42 | 0:12:45 | |
Couldn't find a better fella to fall dead in front of. | 0:12:45 | 0:12:48 | |
Got up, gave him cardiopulmonary resuscitation, ambulance arrives, couple of shocks, heart started. | 0:12:48 | 0:12:53 | |
He's had his coronary artery bypass grafting, his defibrillator's in, and believe it or not, he's back singing. | 0:12:53 | 0:12:59 | |
We're back at Northampton General, where, along with | 0:13:07 | 0:13:10 | |
the smell of disinfectant, there's romance in the air. | 0:13:10 | 0:13:13 | |
But the course of true love has not run smoothly for poor Oriel Jackson. | 0:13:13 | 0:13:18 | |
She's arrived at A & E after a romantic encounter | 0:13:18 | 0:13:21 | |
ended not with a candlelit supper, but with a diced digit. | 0:13:21 | 0:13:25 | |
Started gushing out with big droplets of blood and went everywhere, | 0:13:26 | 0:13:29 | |
all over the cream carpets. | 0:13:29 | 0:13:31 | |
Oriel was at college, minding her own business, chomping chips, when she noticed she was being watched. | 0:13:32 | 0:13:38 | |
What's your problem, then? | 0:13:38 | 0:13:40 | |
Smitten by the sight of Oriel eating chips, | 0:13:40 | 0:13:42 | |
the love-struck stranger approached | 0:13:42 | 0:13:44 | |
and asked her what her favourite flowers were. | 0:13:44 | 0:13:47 | |
-What's your favourite flowers? -Lilies. | 0:13:47 | 0:13:49 | |
Just moments later, the mysterious stranger was back with a bunch of lilies. | 0:13:49 | 0:13:54 | |
Thanks, see ya later. | 0:13:54 | 0:13:55 | |
Overwhelmed by the romantic gesture, Oriel headed home to arrange her bouquet. | 0:13:55 | 0:13:59 | |
Once there, she ended up taking a kitchen knife to her finger as well as the flowers. | 0:13:59 | 0:14:04 | |
Never one to overreact, Oriel screamed. | 0:14:04 | 0:14:07 | |
Ahhh, I'm dying! | 0:14:07 | 0:14:09 | |
Prompting her brother, who'd not quite grasped | 0:14:09 | 0:14:11 | |
that this wasn't a real life-or-death emergency, to call for an ambulance. | 0:14:11 | 0:14:15 | |
I'm dying! I'm dying! | 0:14:15 | 0:14:19 | |
I sat there screaming "I'm dying" for about 20 minutes, half an hour maybe. | 0:14:20 | 0:14:24 | |
If I do die, my hair's curly and my nails are done, so I should be all right. | 0:14:24 | 0:14:31 | |
On hand to ensure that Oriel won't be dying in the cause of love is Nurse Maria Katlin... | 0:14:31 | 0:14:36 | |
Let's have a look at your hand. | 0:14:36 | 0:14:38 | |
..who gets a good look at Oriel's impressive talons. | 0:14:38 | 0:14:41 | |
They're beautiful nails. | 0:14:41 | 0:14:42 | |
-Thank you. -Are they yours? | 0:14:42 | 0:14:45 | |
-No. -Oh, all right, then. | 0:14:45 | 0:14:46 | |
..before inspecting the gash. | 0:14:46 | 0:14:49 | |
Luckily, Oriel hasn't sliced to the bone, so she won't need surgery to fix the finger. | 0:14:49 | 0:14:54 | |
-But there's still the risk of infection getting into the wound or the bloodstream. -It's really sore. | 0:14:54 | 0:14:59 | |
-So Nurse Maria first cleans out the cut with saline solution. -All right? | 0:14:59 | 0:15:03 | |
-It shouldn't sting. -Before binding the wound using a Steri-strip. | 0:15:03 | 0:15:08 | |
With no stitches, there's less chance of scarring and Oriel won't need to come back to A & E. | 0:15:08 | 0:15:13 | |
I'm just going to press gently. | 0:15:13 | 0:15:15 | |
Relieved to learn that her love wound isn't fatal, Oriel's mind moves onto more pressing matters. | 0:15:15 | 0:15:20 | |
-Can I get my nails done tomorrow? -Is that what you're worried about? -Yeah. | 0:15:20 | 0:15:24 | |
Just want to get my nails done. | 0:15:24 | 0:15:26 | |
Yes, you can get your nails done. | 0:15:26 | 0:15:28 | |
Unsurprisingly, she took the bouquet blunder as a sign that her mystery admirer wasn't Mr Right. | 0:15:28 | 0:15:33 | |
-Thank you. -You're very welcome. | 0:15:33 | 0:15:35 | |
So while Oriel survived her trip to A & E, the fledgling romance was dead on arrival. | 0:15:35 | 0:15:41 | |
Let's hope it hasn't put Oriel off love for life. | 0:15:41 | 0:15:43 | |
Love is the most dangerous game to play. | 0:15:43 | 0:15:46 | |
Don't play with it. It's not funny. | 0:15:46 | 0:15:50 | |
Bizarre accidents aren't confined to Northampton. | 0:15:53 | 0:15:56 | |
Across the UK, casualty departments are crammed with weird wounds and unusual ailments. | 0:15:56 | 0:16:03 | |
Medics in Gloucestershire were confronted with a decidedly odd emergency | 0:16:03 | 0:16:08 | |
when they went to the rescue of a woman who turned trauma into a fine art | 0:16:08 | 0:16:12 | |
when she was skewered on her own sculpture. | 0:16:12 | 0:16:15 | |
Squeamish viewers be warned - | 0:16:15 | 0:16:16 | |
this story contains some gory images from the start. | 0:16:16 | 0:16:20 | |
Most creators will suffer for their art, but none so much as Sophia Hughes, | 0:16:23 | 0:16:28 | |
who fell and impaled herself on one of her very own creations. | 0:16:28 | 0:16:32 | |
Sophia has been making art for 30 years. | 0:16:35 | 0:16:38 | |
She first started in pottery, but now makes large sculptures using steel, wood and glass. | 0:16:38 | 0:16:44 | |
I'm just used to looking at things, and I want to express it. | 0:16:44 | 0:16:48 | |
This day in her home studio started just like any other. | 0:16:48 | 0:16:52 | |
I'd got the radio on. | 0:16:52 | 0:16:53 | |
-RADIO: -'Welcome to Kent and to Sandringham, which was a medieval court.' | 0:16:53 | 0:16:57 | |
It had just got onto Any Questions? | 0:16:57 | 0:17:00 | |
I was up the ladder, which I'd been up hundreds of times before. | 0:17:00 | 0:17:04 | |
But this day would end like no other before. | 0:17:04 | 0:17:07 | |
At the foot of the ladder was a new sculpture called The Song of Experience. | 0:17:07 | 0:17:11 | |
It was big, heavy and featured eight razor-sharp steel rods. | 0:17:11 | 0:17:16 | |
'Marvellous...' | 0:17:16 | 0:17:18 | |
I felt the ladder slide a bit from under me... | 0:17:18 | 0:17:21 | |
...and then I tried to work out why my arm was stuck in the air. | 0:17:25 | 0:17:29 | |
A knife-like steel rod plunged into her, skewering her from armpit to hand. | 0:17:29 | 0:17:34 | |
The rod exited by her knuckles, extending an astonishing two feet | 0:17:34 | 0:17:38 | |
past the end of her arm, leaving her like Wolverine. | 0:17:38 | 0:17:41 | |
That's when I started taking deep breaths. | 0:17:41 | 0:17:45 | |
This was very, very serious. | 0:17:45 | 0:17:48 | |
Strangely, three days earlier, while meditating, Sophia had had an odd premonition. | 0:17:48 | 0:17:54 | |
I became aware that something absolutely life-changing was coming. | 0:17:54 | 0:17:57 | |
I was very scared. | 0:17:57 | 0:17:59 | |
The huge metal rod impaled in her arm was very much a reality. | 0:17:59 | 0:18:03 | |
It was also still attached to the massive sculpture. | 0:18:03 | 0:18:07 | |
She lay helpless, trapped. | 0:18:07 | 0:18:08 | |
Sophia contemplated sliding her arm off the pole. | 0:18:11 | 0:18:14 | |
The pain would have had me pass out before I'd got even | 0:18:14 | 0:18:17 | |
a quarter of the way there, so I knew that wasn't possible. | 0:18:17 | 0:18:20 | |
Shouting for help would have been a precious waste of energy. | 0:18:20 | 0:18:23 | |
-Sophia had only one choice. -I've got to cut it. | 0:18:23 | 0:18:27 | |
But what with? | 0:18:27 | 0:18:29 | |
With pain searing through her arm, she reached for a file. | 0:18:29 | 0:18:35 | |
I realised I was getting nowhere. | 0:18:35 | 0:18:38 | |
Not giving up, Sophia was able to use a spirit level | 0:18:38 | 0:18:41 | |
to try and reach her bolt cutters, but even they proved futile. | 0:18:41 | 0:18:45 | |
-I couldn't do it. -Things were getting desperate. | 0:18:45 | 0:18:49 | |
Her mind would have to be stronger than steel. | 0:18:49 | 0:18:52 | |
In the distance, a very small-looking saw lay on the ground. | 0:18:52 | 0:18:56 | |
Sophia's last hope. | 0:18:56 | 0:18:58 | |
Gritting her teeth, she began to cut... | 0:18:58 | 0:19:00 | |
'I think it's about time we had another prime minister.' | 0:19:00 | 0:19:04 | |
..each movement of the blade excruciating. | 0:19:04 | 0:19:07 | |
'This needs change... | 0:19:07 | 0:19:09 | |
'fundamental change.' | 0:19:09 | 0:19:10 | |
There were very, very fine metal shards, like a dusting | 0:19:10 | 0:19:14 | |
of metal powder, and so I knew I was getting somewhere. | 0:19:14 | 0:19:17 | |
'The tragedy is...' | 0:19:17 | 0:19:20 | |
A desperate Sophia tried to break the rod. | 0:19:20 | 0:19:23 | |
It did absolutely nothing, and that was awful. | 0:19:23 | 0:19:27 | |
'Freelance contractor.' | 0:19:27 | 0:19:30 | |
It had been an agonising 50 minutes since the fall. | 0:19:30 | 0:19:35 | |
Finally, she managed to cut through the rod. | 0:19:35 | 0:19:38 | |
it was such a quiet moment. | 0:19:40 | 0:19:42 | |
I just suddenly discovered I was free. | 0:19:42 | 0:19:46 | |
And then I realised that they'd moved on to Any Answers? | 0:19:46 | 0:19:49 | |
'Time now on Radio 4 for Any Answers? Your chance to phone...' | 0:19:49 | 0:19:53 | |
-Sophia began the small but painful journey to the phone. -Out came this whisper. | 0:19:53 | 0:19:57 | |
Ambulance! | 0:19:57 | 0:19:59 | |
Suddenly, I was really seriously in danger of passing out. | 0:20:00 | 0:20:04 | |
A rapid-response vehicle arrived in minutes. | 0:20:07 | 0:20:10 | |
I went to introduce myself to Sophia. | 0:20:10 | 0:20:12 | |
I said "Hi, I'm Jules, I'm a... Whoa!" | 0:20:12 | 0:20:14 | |
It's amazing, it had actually missed a lot of the arteries and major blood vessels. | 0:20:14 | 0:20:20 | |
Potentially could have lost quite a lot of blood and gone into shock. | 0:20:20 | 0:20:25 | |
It can be very damaging. You can die from it. | 0:20:25 | 0:20:27 | |
Now the difficult task was how to get Sophia to hospital. | 0:20:27 | 0:20:31 | |
We decided to go in on blue lights, but very, very carefully and very, very steadily. | 0:20:31 | 0:20:36 | |
We walked into hospital with her arm up like this. | 0:20:36 | 0:20:38 | |
Everybody was looking where she was pointing! | 0:20:38 | 0:20:41 | |
In hospital, Sophia had some very unusual visitors. | 0:20:43 | 0:20:48 | |
Five firefighters and myself around near the bed. | 0:20:48 | 0:20:52 | |
-And they'd come to cut the other end off, the end that stuck out. -The hacksaw was the tool of choice. | 0:20:52 | 0:20:59 | |
Poor guy cutting was being teased, especially when the saw got stuck. | 0:20:59 | 0:21:04 | |
At one stage, she gave us some helpful hints. | 0:21:06 | 0:21:08 | |
With the sharp edges gone, thanks to the fire department, it was safe for doctors | 0:21:08 | 0:21:14 | |
to figure out just how to get the metal rod out of Sophia's arm. | 0:21:14 | 0:21:17 | |
We were wondering a little whether it might be able to slide out | 0:21:17 | 0:21:21 | |
the way it had come in, | 0:21:21 | 0:21:22 | |
but it was readily apparent it wasn't going to do that. | 0:21:22 | 0:21:25 | |
The solution was simple, but squeamish viewers be warned... | 0:21:25 | 0:21:29 | |
it wasn't pretty. | 0:21:29 | 0:21:31 | |
Doctors opened the limb, slicing down the entire length of the arm. | 0:21:31 | 0:21:35 | |
We cut from the entry point, all the way down. | 0:21:35 | 0:21:38 | |
Just basically followed the rod. | 0:21:38 | 0:21:40 | |
The main thing we were concerned about was infection. | 0:21:40 | 0:21:43 | |
It was not just a rod, but it had been wrapped with copper wire that had been purposely corroded by her. | 0:21:43 | 0:21:50 | |
After the rod was removed, the wound was left open for two-and-a-half days | 0:21:50 | 0:21:54 | |
so doctors could be sure there was no infection. | 0:21:54 | 0:21:58 | |
It took 66 stitches to put Sophia's arm back together. | 0:21:58 | 0:22:01 | |
Amazingly, the rod had missed all her tendons, and Sophia still has full use of her arm and hand. | 0:22:01 | 0:22:08 | |
Five inches to the left, and I'd have impaled the whole of myself and I'd have died. | 0:22:10 | 0:22:16 | |
I feel as though this is the beginning of rethinking the way I live | 0:22:16 | 0:22:20 | |
and I'm enjoying it. It's great. | 0:22:20 | 0:22:22 | |
The art world may seem refined, but easels can be evil, | 0:22:27 | 0:22:32 | |
and even chisels can land you in the shizzle. | 0:22:32 | 0:22:35 | |
Poisonous palettes are one of the main problems, and Danish specialists | 0:22:35 | 0:22:39 | |
have identified a neurological condition brought on by long-term exposure to paint solvents... | 0:22:39 | 0:22:45 | |
It's thought that, down the ages, lead and other toxins in paint | 0:22:49 | 0:22:53 | |
are behind the famed artistic temperament, | 0:22:53 | 0:22:55 | |
-causing depression... -What's your problem? | 0:22:55 | 0:22:58 | |
..irritability and odd behaviour in the likes of Van Gogh and Michelangelo. | 0:22:58 | 0:23:02 | |
I'll have your ear off next time! | 0:23:02 | 0:23:04 | |
Even if paint doesn't pain you, | 0:23:04 | 0:23:05 | |
there are plenty of other bizarre ways to make suffering a fine art. | 0:23:05 | 0:23:10 | |
British artist Mark McGowan cut short his attempt to remain | 0:23:10 | 0:23:13 | |
buried up to his neck on Margate beach for 48 hours | 0:23:13 | 0:23:16 | |
after seagulls started to dive-bomb at his head. | 0:23:16 | 0:23:20 | |
And Belgrade-born performance artist Marina Abramovic nearly went down in flames | 0:23:21 | 0:23:26 | |
after leaping into the centre of a giant burning wooden star | 0:23:26 | 0:23:30 | |
from which fire had sucked all the oxygen. | 0:23:30 | 0:23:32 | |
Collectors should note the value of her work didn't increase overnight, | 0:23:32 | 0:23:36 | |
as the stunt fortunately proved far from fatal. | 0:23:36 | 0:23:39 | |
Gallery-goers, as well as artists, risk life and limb, | 0:23:39 | 0:23:42 | |
such as the British tourists who, | 0:23:42 | 0:23:44 | |
while taking in the culture at a French chateau in Moulidars, | 0:23:44 | 0:23:49 | |
was savaged by a swarm of bees. | 0:23:49 | 0:23:51 | |
Or the casualties of Carsten Holler's Test Site. | 0:23:51 | 0:23:54 | |
This infamous installation of steel slides at Tate Modern | 0:23:54 | 0:23:57 | |
left three people with injured fingers | 0:23:57 | 0:24:00 | |
and one with a broken wrist. | 0:24:00 | 0:24:03 | |
Art. It's an ugly business. | 0:24:03 | 0:24:06 | |
Earlier in the show, we met Dean Taylor, who arrived at Northampton General A & E with a wonky ankle, | 0:24:08 | 0:24:15 | |
after spectacularly bending it like Beckham. | 0:24:15 | 0:24:18 | |
HE YELLS | 0:24:18 | 0:24:20 | |
Dean's faced an agonising wait | 0:24:20 | 0:24:22 | |
for the swelling to subside so that surgeons could fix his fractures. | 0:24:22 | 0:24:26 | |
Incredibly, it's now been ten days, and Dean still hasn't had surgery. | 0:24:26 | 0:24:31 | |
He's hoping today will be his lucky day. | 0:24:31 | 0:24:34 | |
OK, so the swelling's gone down enough that we can do the operation. | 0:24:34 | 0:24:37 | |
-You shall go to the ball. You can go home. -Yeah, that's fine. -Good! | 0:24:37 | 0:24:41 | |
Be glad to get this out the way, won't you? | 0:24:41 | 0:24:44 | |
With Dean under general anaesthetic, Mr Stock and his team are ready for kick-off. | 0:24:44 | 0:24:49 | |
OK. | 0:24:49 | 0:24:51 | |
Squeamish viewers who don't want to know the results of tonight's match should look away now. | 0:24:51 | 0:24:56 | |
MUSIC: Theme from Match Of The Day | 0:24:56 | 0:24:59 | |
Mr Stock begins by opening up the leg, revealing Dean's broken bones. | 0:24:59 | 0:25:03 | |
Hopefully it should fit together a bit like a jigsaw puzzle. | 0:25:03 | 0:25:06 | |
Dean's breaks are so serious, a series of screws and plates | 0:25:06 | 0:25:10 | |
are needed to help his ankle knit back together. | 0:25:10 | 0:25:14 | |
So this is just sterile carpentry really, with respect to Dean. | 0:25:14 | 0:25:18 | |
This is a screw going in, grips the far side, and as it engages, | 0:25:18 | 0:25:24 | |
it pulls them together. So I should be able to take this off and it'll hold it. | 0:25:24 | 0:25:29 | |
More screws are brought on to stabilise the tibia, | 0:25:29 | 0:25:32 | |
and a plate is then added to the fibula to beef up the defence. | 0:25:32 | 0:25:38 | |
As well as bones, Dean's also damaged a ligament, | 0:25:38 | 0:25:42 | |
and to compensate for that he'll need a different bit of kit. | 0:25:42 | 0:25:45 | |
You need the bones to heal together to move properly. | 0:25:45 | 0:25:48 | |
At the moment, they're damaged, so they're moving too much, | 0:25:48 | 0:25:51 | |
so we use this thing called a tightrope, which is a strong, wire-like structure. | 0:25:51 | 0:25:56 | |
The tightrope wire is threaded through the two bones. | 0:25:56 | 0:25:58 | |
Toggles at each end anchor it firmly in place once it's tied off by the surgeon. | 0:25:58 | 0:26:03 | |
And there you are. Beforehand, when I pulled, it moved up in here. | 0:26:03 | 0:26:09 | |
It's not moving now. | 0:26:09 | 0:26:11 | |
It's bizarre. | 0:26:11 | 0:26:12 | |
With the final whistle not far off, Mr Stock moves into the closing stages of Dean's op. | 0:26:15 | 0:26:21 | |
So all we've got to do now is to close over the skin, and you can see it's relatively tight now. | 0:26:21 | 0:26:26 | |
If we'd tried if when it was very swollen in the early days, | 0:26:26 | 0:26:29 | |
-we wouldn't have got it back together again. -And with the would sewn up, it's full-time. | 0:26:29 | 0:26:36 | |
We'll check his wounds tomorrow. All being well, | 0:26:36 | 0:26:38 | |
put him into a full plaster and he'll be home in a few days' time. | 0:26:38 | 0:26:42 | |
He's a young, fit man, so he'll be all right on crutches. | 0:26:42 | 0:26:45 | |
Back up on the ward, Mum's ready and waiting for some post-match analysis. | 0:26:45 | 0:26:50 | |
Just come to see Dean. Very groggy, very grumpy, I'd say. | 0:26:50 | 0:26:53 | |
I think he really wants a good night's sleep, so hopefully today's morphine will do the job for him. | 0:26:53 | 0:26:59 | |
As Dean gets back in the game, there's just one thing on his mind...tonight's Man United match. | 0:26:59 | 0:27:05 | |
If I'm not awake at 7.45 tonight I will not be happy. | 0:27:05 | 0:27:09 | |
SHE LAUGHS | 0:27:09 | 0:27:12 | |
For us, as a family, it's such a relief. | 0:27:12 | 0:27:15 | |
Hopefully, by the end of the year, he'll be back playing football. | 0:27:15 | 0:27:20 | |
It'll be around six months before Dean's back on the road to Sunday League glory. | 0:27:20 | 0:27:25 | |
For now, his family are just glad that he's coming home. | 0:27:25 | 0:27:28 | |
# It's coming home, it's coming... # | 0:27:28 | 0:27:31 | |
As Dean's story comes to a close, so does this series. | 0:27:34 | 0:27:38 | |
Dean's the last in a long line of casualties | 0:27:38 | 0:27:41 | |
who've been patched up and put back together by the staff at our two hospitals. | 0:27:41 | 0:27:45 | |
So while we're away, remember - however bizarre your blunder, | 0:27:45 | 0:27:50 | |
-whatever the time of day... -Whoa, OK. | 0:27:50 | 0:27:53 | |
..the doctors and nurses of Britain will be there to make it all better. | 0:27:53 | 0:27:57 | |
Thanks very much, everybody. See you later! | 0:27:57 | 0:28:00 | |
Subtitles by Red Bee Media Ltd | 0:28:04 | 0:28:07 | |
E-mail [email protected] | 0:28:07 | 0:28:10 |