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ALARM RINGS | 0:00:05 | 0:00:06 | |
This is the McGuinness Unit in Manchester, | 0:00:06 | 0:00:08 | |
one of the largest teenage mental health units in the UK. | 0:00:08 | 0:00:12 | |
GIRL SCREAMS | 0:00:12 | 0:00:14 | |
It's the place of last resort for teenagers with eating disorders | 0:00:14 | 0:00:17 | |
or psychosis, who self-harm, or have OCD - | 0:00:17 | 0:00:22 | |
an in-patient facility that takes in the suicidal and disturbed | 0:00:22 | 0:00:28 | |
to try and turn their lives around. | 0:00:28 | 0:00:32 | |
For a year, we were given unparalleled access | 0:00:36 | 0:00:38 | |
to film the patients... | 0:00:38 | 0:00:39 | |
-NO! -Just calm down. | 0:00:39 | 0:00:42 | |
..and the staff... | 0:00:42 | 0:00:44 | |
In the last five minutes, I've had a cup of water thrown over my head. | 0:00:44 | 0:00:47 | |
..in the good times... | 0:00:47 | 0:00:49 | |
SHE BELCHES | 0:00:49 | 0:00:50 | |
LAUGHTER | 0:00:50 | 0:00:51 | |
..and the bad. | 0:00:51 | 0:00:53 | |
This is the reality for some of the half a million young people | 0:00:58 | 0:01:02 | |
in Britain who have to deal with mental illness. | 0:01:02 | 0:01:04 | |
THEY SCREAM | 0:01:04 | 0:01:06 | |
3,500 young people pass through units like this each year. | 0:01:06 | 0:01:09 | |
This is the chance for some of them to tell us what it's really like | 0:01:12 | 0:01:15 | |
on the inside and how others see them on the outside. | 0:01:15 | 0:01:20 | |
Me brain's a bit...! | 0:01:20 | 0:01:22 | |
14-year-old Crystal has just arrived on the ward. | 0:01:46 | 0:01:48 | |
Making a mess on the floor. | 0:01:48 | 0:01:51 | |
-I'm not making a mess! -You all look messy! | 0:01:51 | 0:01:54 | |
She sees people and animals that no-one else can. | 0:01:56 | 0:02:00 | |
They have been with her for six years. | 0:02:00 | 0:02:03 | |
Most of them are her friends. | 0:02:03 | 0:02:06 | |
They're the people. I'm not a very good drawer. | 0:02:06 | 0:02:10 | |
That's 75, that's the dog and then that's 200 and that's the cat. | 0:02:12 | 0:02:18 | |
That's the land where they live. | 0:02:18 | 0:02:22 | |
And then there's Seven, and she's the little girl I see. | 0:02:22 | 0:02:27 | |
But some of them are sinister and they frighten Crystal. | 0:02:27 | 0:02:32 | |
That's one of the rats called Autumn and its teeth are really long. | 0:02:32 | 0:02:38 | |
Recently the scary characters have been appearing more often | 0:02:52 | 0:02:56 | |
and have made her feel suicidal, which is why she's been admitted. | 0:02:56 | 0:02:59 | |
These characters tell Crystal to do things | 0:03:02 | 0:03:06 | |
and she believes she has to obey. | 0:03:06 | 0:03:09 | |
It's dinner time on the ward and the patients are in the canteen. | 0:03:11 | 0:03:15 | |
But Crystal is not eating. | 0:03:16 | 0:03:18 | |
She appears preoccupied, glancing back at the floor, | 0:03:18 | 0:03:22 | |
looking at something the other patients cannot see. | 0:03:22 | 0:03:26 | |
'I was hungry. | 0:03:28 | 0:03:30 | |
'If I eat, then the rat will get mad and he can bite and scratch | 0:03:30 | 0:03:35 | |
'and hurt me | 0:03:35 | 0:03:39 | |
'and then he can get the other rats.' | 0:03:39 | 0:03:41 | |
Scary. I don't like it. | 0:03:41 | 0:03:45 | |
A patient like Crystal, who has hallucinations, | 0:03:45 | 0:03:48 | |
raises particular challenges for the staff in the unit. | 0:03:48 | 0:03:52 | |
They need to explore the causes and there are many possible reasons. | 0:03:52 | 0:03:57 | |
On admission, the first thing we did was carry out a blood test, | 0:03:58 | 0:04:04 | |
making sure that her liver, kidney, | 0:04:04 | 0:04:07 | |
the thyroid glands that they're all functioning well. | 0:04:07 | 0:04:12 | |
Because if there are difficulties with these areas, | 0:04:12 | 0:04:15 | |
you might end up having problems with seeing things | 0:04:15 | 0:04:19 | |
that are actually not there and the result of this... | 0:04:19 | 0:04:23 | |
they came out as all being normal. | 0:04:23 | 0:04:26 | |
Since nothing showed up in her blood test, | 0:04:26 | 0:04:29 | |
it's clear that Crystal's problems are psychological. | 0:04:29 | 0:04:33 | |
-Oh! -Charlotte the art therapist | 0:04:33 | 0:04:37 | |
has been using drawing to find out more about Crystal's imaginary world | 0:04:37 | 0:04:41 | |
and what might have caused it. | 0:04:41 | 0:04:43 | |
These are kind of the good guys, aren't they? | 0:04:43 | 0:04:46 | |
-Yeah, they're the good ones. -Yeah. | 0:04:46 | 0:04:48 | |
We sometimes think about what happens in your world | 0:04:48 | 0:04:50 | |
and what happens in this world. | 0:04:50 | 0:04:52 | |
-We get confused sometimes, don't we, as well, Crystal? -Yeah. | 0:04:52 | 0:04:56 | |
-This is Seven? Yeah? -Yeah, but it doesn't look like Seven. | 0:04:56 | 0:05:00 | |
What was it that didn't look like Seven? | 0:05:00 | 0:05:02 | |
She looks older. | 0:05:02 | 0:05:04 | |
Because you wanted her to look about four, didn't you? | 0:05:04 | 0:05:06 | |
-Yeah, because she is four. -Yeah. | 0:05:06 | 0:05:09 | |
Crystal was also four when something significant happened to her. | 0:05:09 | 0:05:13 | |
She was adopted. | 0:05:13 | 0:05:15 | |
We started to think about some of the bad things | 0:05:15 | 0:05:17 | |
that came in as well, do you remember? | 0:05:17 | 0:05:19 | |
Like the man, he's just really scary. | 0:05:19 | 0:05:21 | |
His eyes are just big, black circles, so he doesn't have eyes. | 0:05:21 | 0:05:25 | |
He's just scary and he looks like my real dad as well, | 0:05:25 | 0:05:30 | |
and that's a bit weird. | 0:05:30 | 0:05:32 | |
Crystal is 14 | 0:05:33 | 0:05:36 | |
and the hearing of voices started around the age of eight. | 0:05:36 | 0:05:41 | |
Every week, the senior staff meet to discuss each patent in detail. | 0:05:41 | 0:05:45 | |
This is someone who had a very, very traumatic upbringing. | 0:05:45 | 0:05:50 | |
She was being neglected. | 0:05:50 | 0:05:53 | |
There was physical abuse going on and Social Services had to step in. | 0:05:53 | 0:05:59 | |
Crystal and her younger brother, | 0:05:59 | 0:06:01 | |
they were both adopted since about the age of three. | 0:06:01 | 0:06:04 | |
She's gone through a lot. | 0:06:04 | 0:06:07 | |
In Crystal's assessment, | 0:06:07 | 0:06:09 | |
the team need to understand her past to know how to help her. | 0:06:09 | 0:06:14 | |
It's very, very early stages. | 0:06:14 | 0:06:16 | |
We've thought a little bit about these bad characters | 0:06:16 | 0:06:19 | |
and the rats and how they relate to angry feelings | 0:06:19 | 0:06:24 | |
and jealous feelings sometimes as well | 0:06:24 | 0:06:27 | |
and getting between relationships. | 0:06:27 | 0:06:30 | |
During her first week, Crystal's characters are with her | 0:06:36 | 0:06:39 | |
from first thing in the morning to last thing at night. | 0:06:39 | 0:06:44 | |
Seven's there. | 0:06:44 | 0:06:46 | |
She's there. She's hugging Barlum. | 0:06:52 | 0:06:56 | |
Barlum's her toy, it's a sheep and it's called Barlum | 0:07:00 | 0:07:06 | |
and she holds it everywhere. | 0:07:06 | 0:07:09 | |
She always wants me to read her a story. | 0:07:09 | 0:07:12 | |
She says she wants a princess story. | 0:07:14 | 0:07:17 | |
She said Barlum's a princess. | 0:07:18 | 0:07:23 | |
The ones I can see, they sometimes have a line around them, | 0:07:35 | 0:07:40 | |
like a white line that glows. | 0:07:40 | 0:07:45 | |
They're always saying that they'll be there for me all the time. | 0:07:45 | 0:07:49 | |
So, that's why I called them 24/7, 24 hours and Seven. | 0:07:49 | 0:07:55 | |
I don't want the good things I see to go away | 0:07:55 | 0:07:58 | |
because they're like my best friends and I wouldn't want them to go away. | 0:07:58 | 0:08:04 | |
17-year-old Beth has been on the McGuinness Unit for three months, | 0:08:29 | 0:08:32 | |
suffering from depression and an eating disorder. | 0:08:32 | 0:08:35 | |
Why don't you want to do this? | 0:08:35 | 0:08:36 | |
Because there's nothing wrong. | 0:08:36 | 0:08:38 | |
-There's nothing wrong? -People... | 0:08:38 | 0:08:40 | |
-What did you have for your dinner? -Nothing! | 0:08:40 | 0:08:42 | |
-What did you have for breakfast? -Nothing! | 0:08:42 | 0:08:46 | |
She was admitted voluntarily, | 0:08:46 | 0:08:48 | |
but wouldn't eat for days at a time and rebelled against staff. | 0:08:48 | 0:08:52 | |
All the fat on my hips, like all the fat on my arms there. | 0:08:52 | 0:08:56 | |
I like to see the bone. | 0:08:56 | 0:08:59 | |
Still reporting that she wants to die | 0:08:59 | 0:09:01 | |
and saying it will be easier that way, then no-one has to worry. | 0:09:01 | 0:09:04 | |
Her refusal to eat enough forced staff to consider drastic action. | 0:09:04 | 0:09:08 | |
They keep warning me with section, but it won't happen. | 0:09:08 | 0:09:11 | |
They're just trying to scare me. | 0:09:11 | 0:09:14 | |
But three months after being admitted, Beth was sectioned | 0:09:14 | 0:09:17 | |
under the Mental Health Act and she has lost the ability to say no. | 0:09:17 | 0:09:21 | |
Now they can physically pick me up and restrain me | 0:09:21 | 0:09:25 | |
and put me on the scales. | 0:09:25 | 0:09:27 | |
They can do whatever they want and whatever they can. | 0:09:27 | 0:09:30 | |
Apparently, it's in my best interests and because I'm too ill, | 0:09:30 | 0:09:34 | |
I can't see what's right for me or something like that. | 0:09:34 | 0:09:39 | |
Which sucks. | 0:09:39 | 0:09:41 | |
Beth now has the choice - | 0:09:46 | 0:09:47 | |
to comply with the doctor's orders or continue to rebel. | 0:09:47 | 0:09:51 | |
The way things are going with Beth, | 0:09:51 | 0:09:54 | |
I'm thinking that this girl is going to be with us for quite a while. | 0:09:54 | 0:09:58 | |
Vegetarian... It's only half a portion, isn't it? | 0:10:01 | 0:10:04 | |
-Very, very few chips. -No, no. | 0:10:05 | 0:10:08 | |
Take a bit few more off... Just that... | 0:10:10 | 0:10:13 | |
Yeah, that's fine. | 0:10:13 | 0:10:15 | |
Just a tiny bit of peas. | 0:10:15 | 0:10:18 | |
Beth's on a treatment called the Rainbow Programme, | 0:10:18 | 0:10:21 | |
which means she has to consume a set amount of calories every day. | 0:10:21 | 0:10:24 | |
Breakfast, lunch and dinner | 0:10:24 | 0:10:26 | |
are eaten under the watchful eye of a member of staff. | 0:10:26 | 0:10:29 | |
I just...I can't... | 0:10:29 | 0:10:32 | |
SHE SOBS | 0:10:32 | 0:10:34 | |
Come on. | 0:10:34 | 0:10:35 | |
You don't feel like...? | 0:10:38 | 0:10:40 | |
A few mouthfuls of peas is not a lot, | 0:11:06 | 0:11:08 | |
but it's an improvement on recent weeks. | 0:11:08 | 0:11:11 | |
They don't see it as progress, they just want me to eat everything | 0:11:11 | 0:11:15 | |
and that's when it will be progress, | 0:11:15 | 0:11:16 | |
but as soon as you start eating everything, they'll just up it | 0:11:16 | 0:11:19 | |
and they'll give you more. | 0:11:19 | 0:11:21 | |
You've got a choice of strawberry, vanilla or jam. | 0:11:35 | 0:11:38 | |
-They're strawberry, they're vanilla and these are jam. -Strawberry. | 0:11:38 | 0:11:43 | |
Lucy, do you want a cake? | 0:11:45 | 0:11:48 | |
Oh...strawberry, vanilla and jam. | 0:11:48 | 0:11:51 | |
It feels a bit hard, you sure it's not a rock cake? | 0:11:51 | 0:11:55 | |
No, it's all right. | 0:11:55 | 0:11:56 | |
THEY LAUGH | 0:12:06 | 0:12:09 | |
Why do you keep laughing about what you've hidden in these cakes? | 0:12:09 | 0:12:12 | |
Onions, mayonnaise... | 0:12:12 | 0:12:15 | |
-Garlic... -..toothpaste.. -..tomato puree. | 0:12:15 | 0:12:19 | |
While much of the McGuinness Unit has a relaxed atmosphere | 0:12:26 | 0:12:29 | |
with patients socialising together, | 0:12:29 | 0:12:32 | |
it also has an acute wing | 0:12:32 | 0:12:33 | |
for its most disturbed or disruptive patients. | 0:12:33 | 0:12:36 | |
Here, young people are observed by staff 24 hours a day. | 0:12:36 | 0:12:40 | |
As kind of streetwise as these kids are, | 0:12:40 | 0:12:43 | |
they are kids, you know, | 0:12:43 | 0:12:44 | |
the average age is about 13 or 14 | 0:12:44 | 0:12:47 | |
and they've been left in, essentially, a strange environment | 0:12:47 | 0:12:51 | |
with lots of strange people in a strange situation | 0:12:51 | 0:12:55 | |
and the vast majority have no inkling | 0:12:55 | 0:12:58 | |
as to how quickly they'll be able to go home, | 0:12:58 | 0:13:01 | |
whether they'll be able to go home or whether they'll move on | 0:13:01 | 0:13:04 | |
to another area of the service or what have you. | 0:13:04 | 0:13:06 | |
So it is, it's quite a difficult...a difficult time. | 0:13:06 | 0:13:09 | |
16-year-old Gill is one of the acute wing's longest-standing patients. | 0:13:14 | 0:13:18 | |
She suffers from depression | 0:13:22 | 0:13:24 | |
and her moods can change radically at a moment's notice. | 0:13:24 | 0:13:27 | |
In the six months she's been here, | 0:13:32 | 0:13:35 | |
she's been restrained countless times... | 0:13:35 | 0:13:37 | |
SHE SCREAMS | 0:13:38 | 0:13:40 | |
Gill! | 0:13:40 | 0:13:41 | |
ALARM BLARES | 0:13:41 | 0:13:43 | |
..and even managed to escape from the unit. | 0:13:43 | 0:13:45 | |
She's been found having taken another overdose. | 0:13:45 | 0:13:51 | |
Watch your fingers, OK? | 0:13:51 | 0:13:53 | |
She spends a lot of her time kept down the acute corridor | 0:13:53 | 0:13:56 | |
or ECA, as it's known. | 0:13:56 | 0:13:58 | |
Right, you need to move. Move, move. | 0:13:58 | 0:14:01 | |
Today, she's locked down there again. | 0:14:06 | 0:14:08 | |
I cut myself last night, | 0:14:10 | 0:14:12 | |
cos I was really struggling and I've not cut for ages. | 0:14:12 | 0:14:15 | |
My mood just got so low | 0:14:15 | 0:14:16 | |
and I was just really upset and I don't know why. | 0:14:16 | 0:14:19 | |
I think I first did it when I was 12 years old. | 0:14:19 | 0:14:22 | |
My mum was ill with cancer... I'm not blaming my mum, | 0:14:22 | 0:14:26 | |
but I think everything just got on top of me, | 0:14:26 | 0:14:29 | |
cos I was busy with school work, | 0:14:29 | 0:14:31 | |
looking after my mum and my little brothers, | 0:14:31 | 0:14:34 | |
just doing quite a lot for my age | 0:14:34 | 0:14:37 | |
and I just couldn't cope with it. | 0:14:37 | 0:14:39 | |
And then, one day, I don't know why, | 0:14:39 | 0:14:41 | |
I just thought it my head, "I'll cut myself." | 0:14:41 | 0:14:44 | |
Many of the patients on the unit have complicated home lives. | 0:14:44 | 0:14:48 | |
Gill has not seen or spoken to her mother for six months. | 0:14:48 | 0:14:53 | |
Having no contact causes Gill huge pain and distress. | 0:14:53 | 0:14:56 | |
She has been rejected, I think, throughout her life. | 0:14:59 | 0:15:02 | |
Her last admission here, I think, | 0:15:02 | 0:15:03 | |
she had one visit from one family member. | 0:15:03 | 0:15:06 | |
She was asking members of staff | 0:15:06 | 0:15:08 | |
if they would think about fostering her, | 0:15:08 | 0:15:10 | |
or...you know, I mean, she even asked me at one point | 0:15:10 | 0:15:13 | |
and she promised me faithfully that if I would agree to... | 0:15:13 | 0:15:17 | |
to give her that option and give her a chance, | 0:15:17 | 0:15:21 | |
that she would promise faithfully she would never self-harm again, | 0:15:21 | 0:15:24 | |
cos all that she wanted was a family. | 0:15:24 | 0:15:26 | |
Somebody who could care for her and give her that normal life. | 0:15:26 | 0:15:28 | |
Rebuilding her relationship with her mum is key to Gill's recovery. | 0:15:30 | 0:15:34 | |
Despite their differences, both want to try again. | 0:15:36 | 0:15:39 | |
It began with a phone call between the two | 0:15:40 | 0:15:44 | |
and then her mum came to see her on the ward. | 0:15:44 | 0:15:46 | |
Hello, Mum! Are you all right? | 0:15:46 | 0:15:48 | |
Now, a few weeks later, | 0:15:48 | 0:15:50 | |
the relationship is beginning to blossom. | 0:15:50 | 0:15:53 | |
Today, her mother is paying another visit to the hospital. | 0:15:53 | 0:15:56 | |
Whereabouts are you? | 0:15:56 | 0:15:57 | |
OK, five minutes. All right, then. | 0:15:59 | 0:16:01 | |
All right, brilliant, bye! | 0:16:01 | 0:16:04 | |
Love you! Love you! Love you more! | 0:16:04 | 0:16:07 | |
Bye! | 0:16:07 | 0:16:09 | |
SHE CHUCKLES | 0:16:09 | 0:16:10 | |
Bye! | 0:16:10 | 0:16:11 | |
Family often are the key relationships through childhood | 0:16:14 | 0:16:19 | |
that help influence | 0:16:19 | 0:16:21 | |
how you understand relationships, | 0:16:21 | 0:16:23 | |
how you feel about yourself, | 0:16:23 | 0:16:25 | |
how you interact with others, | 0:16:25 | 0:16:26 | |
how you interact with the social world. | 0:16:26 | 0:16:29 | |
So our relationships with family, | 0:16:29 | 0:16:30 | |
right from the moment we're born, and arguably before that, | 0:16:30 | 0:16:34 | |
are absolutely fundamental. | 0:16:34 | 0:16:35 | |
Helping young people understand how they relate within their family | 0:16:35 | 0:16:41 | |
can often give us the best chance of positive outcomes. | 0:16:41 | 0:16:45 | |
Oh, you remembered the games... | 0:16:45 | 0:16:47 | |
Yes, that one is crackers. | 0:16:47 | 0:16:50 | |
I can't get to grips with that one. | 0:16:50 | 0:16:52 | |
So you can have fun enjoying yourself and... | 0:16:52 | 0:16:54 | |
Thank you. | 0:16:54 | 0:16:56 | |
There you go. How's that, babe? | 0:16:59 | 0:17:02 | |
You remember when me and the kids went to Blackpool | 0:17:02 | 0:17:04 | |
-and you wasn't with us? -Yeah. | 0:17:04 | 0:17:06 | |
That's for you. | 0:17:11 | 0:17:12 | |
Wow! | 0:17:16 | 0:17:17 | |
Afterwards, Gill and her mum go for a walk though the hospital grounds. | 0:17:19 | 0:17:22 | |
It's so nice to be out. | 0:17:22 | 0:17:26 | |
-Oh! It's good that you're out with me as well. -Yeah. | 0:17:26 | 0:17:28 | |
Next week, I've got 25 minutes and we can go up to the barrier. | 0:17:28 | 0:17:32 | |
Because Gill has a history of absconding, | 0:17:33 | 0:17:36 | |
the pair are not allowed to be alone. | 0:17:36 | 0:17:39 | |
What time is it? Can you check what time it is? | 0:17:39 | 0:17:41 | |
-You've got four minutes. -Four minutes, come on! | 0:17:44 | 0:17:47 | |
If staff feel Gill and her mum are getting on well | 0:17:51 | 0:17:54 | |
and Gill continues to improve on the unit, | 0:17:54 | 0:17:56 | |
they may agree to some home leave in the next few weeks. | 0:17:56 | 0:17:59 | |
'If she can keep her temper,' | 0:18:03 | 0:18:05 | |
then, she can outdo most of her problems, | 0:18:05 | 0:18:07 | |
so...do you know what I mean? | 0:18:07 | 0:18:09 | |
She's great, she's such a placid kid, | 0:18:09 | 0:18:12 | |
but things have got on top of her | 0:18:12 | 0:18:14 | |
and when she kicks off, she kicks off. | 0:18:14 | 0:18:17 | |
BELL RINGS | 0:18:17 | 0:18:19 | |
Just having my mum there helped a lot. | 0:18:19 | 0:18:22 | |
Cos I didn't want to run off in front of my mum, | 0:18:22 | 0:18:24 | |
cos my mum would get upset worrying about me. | 0:18:24 | 0:18:27 | |
I need my mum now more than ever, really. | 0:18:27 | 0:18:30 | |
Because of all this, being stuck in hospital. | 0:18:30 | 0:18:33 | |
So I need her now. | 0:18:33 | 0:18:36 | |
And she's there for me. | 0:18:36 | 0:18:37 | |
Gill has become good friends with the unit's newest patient, | 0:19:11 | 0:19:15 | |
14-year-old Crystal, who has been having hallucinations. | 0:19:15 | 0:19:18 | |
SHE LAUGHS | 0:19:20 | 0:19:21 | |
I'm really bad at burping. | 0:19:23 | 0:19:25 | |
I want to be able to burp, like, really loud. | 0:19:25 | 0:19:28 | |
You know, those big, fat loud ones? | 0:19:28 | 0:19:30 | |
I've got one coming, I can feel it. | 0:19:30 | 0:19:32 | |
Come on, give the bottle to me, please... | 0:19:32 | 0:19:35 | |
Gill, give the bottle to me, please. | 0:19:35 | 0:19:37 | |
Thank you very muchly. | 0:19:39 | 0:19:40 | |
Ah, I've got pains, it's the rush of caffeine through my body. | 0:19:40 | 0:19:44 | |
I need to burp... | 0:19:44 | 0:19:47 | |
Can someone tell me how Gillian got a full bottle of Coke? | 0:19:47 | 0:19:50 | |
Who let you in? | 0:19:52 | 0:19:53 | |
SHE BELCHES | 0:19:53 | 0:19:54 | |
THEY LAUGH | 0:19:54 | 0:19:56 | |
Who let you in, Crystal? | 0:19:56 | 0:19:58 | |
I don't know, I snuck it in. | 0:19:58 | 0:20:01 | |
SHE BELCHES | 0:20:01 | 0:20:02 | |
Gill is making great efforts to get reacquainted with her family, | 0:20:10 | 0:20:13 | |
it's something Crystal would love to do. | 0:20:13 | 0:20:16 | |
She never really knew her birth parents, | 0:20:16 | 0:20:19 | |
but that doesn't stop them preying on her mind. | 0:20:19 | 0:20:22 | |
I get jealous of them a lot. | 0:20:22 | 0:20:24 | |
There's my little sister | 0:20:24 | 0:20:27 | |
and my older brother live with my real mum and dad | 0:20:27 | 0:20:32 | |
and I'm kind of jealous cos I don't | 0:20:32 | 0:20:36 | |
and I think I'd like to. | 0:20:36 | 0:20:39 | |
It's kind of expected. | 0:20:39 | 0:20:40 | |
It would be a bit weird if you weren't jealous, though. | 0:20:40 | 0:20:43 | |
Because if they're your really mum and dad and they're living with them, | 0:20:43 | 0:20:47 | |
you're bound to be jealous. | 0:20:47 | 0:20:49 | |
We wrote to her a few years ago and then she replied | 0:20:49 | 0:20:54 | |
and I was really happy about that. | 0:20:54 | 0:20:56 | |
And then we wrote to her again and she didn't reply, so... | 0:20:56 | 0:21:01 | |
And I got my hopes up. | 0:21:01 | 0:21:03 | |
She had symptoms of depression | 0:21:09 | 0:21:12 | |
and when I was little, some social worker people came to my house | 0:21:12 | 0:21:20 | |
and, like, she shouted at me in front of them | 0:21:20 | 0:21:25 | |
and then, when I was little, I had a bruise on my leg from her | 0:21:25 | 0:21:29 | |
and that looked like a bite mark and she said I fell | 0:21:29 | 0:21:32 | |
and I had a few bruises and stuff on me. | 0:21:32 | 0:21:36 | |
It was like she didn't want me | 0:21:36 | 0:21:39 | |
and a lot of times, I feel like I am not wanted | 0:21:39 | 0:21:43 | |
and, like, I feel really bad about myself a lot. | 0:21:43 | 0:21:46 | |
But Crystal has a loving adoptive family | 0:21:52 | 0:21:55 | |
who have visited her every day. | 0:21:55 | 0:21:57 | |
Today, she's being picked up for her first night at home in five weeks. | 0:21:57 | 0:22:01 | |
Hello, darling. | 0:22:01 | 0:22:03 | |
Hello, Bill. | 0:22:03 | 0:22:05 | |
Right, are we ready? | 0:22:05 | 0:22:07 | |
-Slippers. -Slippers. | 0:22:07 | 0:22:09 | |
-This is great, this, isn't it? -I don't want my slippers. -OK. | 0:22:09 | 0:22:14 | |
Right, let's shut the door. Do you want your door locked, darling? | 0:22:14 | 0:22:18 | |
-I don't mind. -OK. | 0:22:18 | 0:22:19 | |
-I'll lock it up afterwards. -Thank you very much. | 0:22:19 | 0:22:22 | |
Bill and Helen adopted Crystal and her brother Dillon 11 years ago... | 0:22:25 | 0:22:29 | |
Sit! | 0:22:29 | 0:22:31 | |
..and they're excited to be taking her home again. | 0:22:31 | 0:22:35 | |
Sit. He's not trained. | 0:22:35 | 0:22:38 | |
I haven't planned anything, | 0:22:38 | 0:22:40 | |
so I'll let Crystal decide what she wants to do and... | 0:22:40 | 0:22:43 | |
On the way home, Crystal sees one of her characters. | 0:22:50 | 0:22:54 | |
-75's there. -75's there? | 0:22:54 | 0:22:58 | |
Yeah, he's chasing the car, cos he's super fast. | 0:22:58 | 0:23:00 | |
At home, she sees another vision in the front garden. | 0:23:04 | 0:23:08 | |
-75's there. -OK. | 0:23:09 | 0:23:10 | |
-He's asleep! -Right. | 0:23:12 | 0:23:15 | |
SHE LAUGHS | 0:23:15 | 0:23:18 | |
OK. | 0:23:18 | 0:23:19 | |
A baby puppy! | 0:23:26 | 0:23:28 | |
-A what? -A baby puppy. | 0:23:28 | 0:23:30 | |
-Oh, really? Where? -There! -Right. | 0:23:30 | 0:23:32 | |
It's called Ten! | 0:23:33 | 0:23:35 | |
Ten? I've not heard of Ten before! | 0:23:35 | 0:23:37 | |
He's white and...but he's called Ten. | 0:23:39 | 0:23:44 | |
Right. OK, well, do you want to go in and see your own dog in a minute? | 0:23:44 | 0:23:48 | |
Yeah, 75 wants to take Ten to Cranelli. | 0:23:52 | 0:23:55 | |
OK, shall we go back inside, darling? | 0:23:55 | 0:23:57 | |
-Yeah! -OK. | 0:23:59 | 0:24:01 | |
Initially, it disturbed me. | 0:24:04 | 0:24:06 | |
Initially, you want to say, "There's nothing there, don't be so silly." | 0:24:06 | 0:24:11 | |
It's irrational, but there's no point telling her it's irrational, | 0:24:11 | 0:24:15 | |
there's no point telling her to make them to go away, | 0:24:15 | 0:24:18 | |
because they won't go away, | 0:24:18 | 0:24:20 | |
it's as simple as that. | 0:24:20 | 0:24:22 | |
Bill and Helen find it surreal talking to their daughter | 0:24:22 | 0:24:25 | |
about the people and the animals that she sees. | 0:24:25 | 0:24:28 | |
But they need to deal with it in a very matter-of-fact way. | 0:24:28 | 0:24:31 | |
Mum, there's a new puppy. | 0:24:31 | 0:24:34 | |
Yeah, called number Ten. | 0:24:34 | 0:24:36 | |
Cos you've not had any new characters for a while? | 0:24:36 | 0:24:39 | |
-I've had 27. -27? | 0:24:39 | 0:24:42 | |
-Yeah, the bird? -Hey? | 0:24:42 | 0:24:45 | |
The bird, the black bird. | 0:24:45 | 0:24:48 | |
And is 27 nice or nasty? | 0:24:48 | 0:24:51 | |
-Nasty... -Oh, dear. | 0:24:51 | 0:24:53 | |
It's a big, scary, black bird and it lives in the forest. | 0:24:53 | 0:24:56 | |
I don't think we needed any more nasty ones. | 0:24:56 | 0:24:59 | |
Her adoptive parents have no idea | 0:25:00 | 0:25:02 | |
what has brought on their daughter's hallucinations, | 0:25:02 | 0:25:05 | |
whether the condition has a name or even if it can be treated. | 0:25:05 | 0:25:08 | |
It would be nice to be able to label it as something, you know, | 0:25:08 | 0:25:12 | |
some kind of condition. | 0:25:12 | 0:25:14 | |
But we haven't got a label for it yet. | 0:25:14 | 0:25:17 | |
But I know that this is something quite deep-seated | 0:25:17 | 0:25:20 | |
and it's not going to go away in a hurry. | 0:25:20 | 0:25:23 | |
CRYSTAL SINGS ALONG TO SONG | 0:25:27 | 0:25:29 | |
# But you can't hold on to water | 0:25:29 | 0:25:32 | |
# It fills you up but never stays | 0:25:32 | 0:25:34 | |
# It's only good to wash away today | 0:25:34 | 0:25:38 | |
# And you're loving me Like water... # | 0:25:38 | 0:25:44 | |
The past few weeks have been relatively calm | 0:25:44 | 0:25:46 | |
on the McGuinness Unit, even harmonious. | 0:25:46 | 0:25:49 | |
-Shall we sing our song to her? -Yeah. | 0:25:49 | 0:25:52 | |
# I love you, you love me We're a mental family | 0:25:52 | 0:25:56 | |
# In a mental home at Prestwich and it's called the McGuinness Unit. # | 0:25:56 | 0:26:01 | |
We made that up. | 0:26:01 | 0:26:03 | |
Right, it's really good, apart from the end bit. | 0:26:03 | 0:26:05 | |
You need like a bit of action. | 0:26:05 | 0:26:07 | |
It's good wording, though. | 0:26:07 | 0:26:09 | |
-M...Mc, like... -M-C-G... | 0:26:09 | 0:26:12 | |
It's like... | 0:26:14 | 0:26:15 | |
It's five o'clock - dinner time on the ward. | 0:26:24 | 0:26:28 | |
Since she was put on a section, Beth has started to comply a bit more, | 0:26:28 | 0:26:31 | |
she's beginning to eat at meal times. | 0:26:31 | 0:26:35 | |
They think one of the reasons why I've got an eating disorder | 0:26:35 | 0:26:38 | |
in the first place was cos I try to control things in my life | 0:26:38 | 0:26:41 | |
and now they're taking the control of food away from me... | 0:26:41 | 0:26:45 | |
..I, you know...I don't like it. | 0:26:46 | 0:26:51 | |
Beth may be eating more, but it's making her feel guilty. | 0:26:52 | 0:26:56 | |
So she's developed a way of punishing herself. | 0:26:56 | 0:26:59 | |
I cut when I've eaten as a punishment. | 0:27:01 | 0:27:04 | |
That's when the voice is more in control. | 0:27:04 | 0:27:08 | |
It makes me feel better because it's like... | 0:27:08 | 0:27:11 | |
..it's all just coming out in the blood, | 0:27:13 | 0:27:15 | |
all the thoughts are just coming out in the blood | 0:27:15 | 0:27:17 | |
that comes out of your body. | 0:27:17 | 0:27:19 | |
One day, I walked into the room and she was cutting herself | 0:27:21 | 0:27:24 | |
and I took it off her to stop her cutting herself. | 0:27:24 | 0:27:27 | |
I'm such a good friend. | 0:27:27 | 0:27:29 | |
I did thank her the day after, I hated her that day. | 0:27:29 | 0:27:32 | |
But they day after, I did thank her. | 0:27:32 | 0:27:35 | |
Around one in 12 young people deliberately self-harm, | 0:27:35 | 0:27:39 | |
around 25,000 are admitted to hospital every year | 0:27:39 | 0:27:42 | |
due to the severity of their injuries. | 0:27:42 | 0:27:44 | |
It's a continuous problem for staff on the McGuinness Unit. | 0:27:46 | 0:27:50 | |
As soon as they confiscate something the patients could self-harm with, | 0:27:50 | 0:27:53 | |
the young people find new ways of hiding them. | 0:27:53 | 0:27:56 | |
The most sort of common things are sharpener blades, | 0:27:56 | 0:28:00 | |
razor blades... | 0:28:00 | 0:28:02 | |
Make sure nothing's been concealed anywhere. | 0:28:04 | 0:28:08 | |
The young people sort of think | 0:28:08 | 0:28:10 | |
that we're not that clued up, | 0:28:10 | 0:28:11 | |
so, you know, you'll come to do | 0:28:11 | 0:28:14 | |
a search of a poster | 0:28:14 | 0:28:16 | |
and you'll get a piece of Blu-Tack and have a look through | 0:28:16 | 0:28:19 | |
and you'll find like a blade stuck inside it. | 0:28:19 | 0:28:23 | |
So I think now they're not actually allowed Blu-Tack in the bedrooms. | 0:28:23 | 0:28:27 | |
We encourage them to use sort of sticky tape. | 0:28:27 | 0:28:30 | |
When I'm in the outside world, | 0:28:36 | 0:28:38 | |
I do anything to hide my scars. | 0:28:38 | 0:28:40 | |
Like, I wouldn't even get changed in front of everyone. | 0:28:40 | 0:28:44 | |
When we was getting changed for practical at college | 0:28:44 | 0:28:47 | |
in case anyone saw it... | 0:28:47 | 0:28:49 | |
That helps it fade. | 0:28:50 | 0:28:53 | |
I had that bandage today and that's all there is to it today. | 0:28:53 | 0:28:56 | |
It's fine now. | 0:28:58 | 0:28:59 | |
'It feels more normal in here.' | 0:28:59 | 0:29:01 | |
Like, literally everyone has done it. | 0:29:01 | 0:29:05 | |
They don't judge you. | 0:29:05 | 0:29:06 | |
People on the outside, they judge you on the way you look. | 0:29:06 | 0:29:11 | |
Like, if they saw me, | 0:29:11 | 0:29:13 | |
sitting here like this, they'd probably say, | 0:29:13 | 0:29:15 | |
"You're too fat to have an eating disorder," | 0:29:15 | 0:29:18 | |
like cos I am, I'm...I'm fat. I'm... | 0:29:18 | 0:29:20 | |
I'm just fat. | 0:29:23 | 0:29:25 | |
I just don't think that'll ever change. | 0:29:28 | 0:29:30 | |
And now I've got to go and eat dinner. | 0:29:32 | 0:29:34 | |
Here, she says she hates herself | 0:29:36 | 0:29:39 | |
and she definitely believes that she will end her life, | 0:29:39 | 0:29:43 | |
that that will be the only way out. | 0:29:43 | 0:29:45 | |
And nobody actually understands her. | 0:29:45 | 0:29:48 | |
Nobody. | 0:29:48 | 0:29:50 | |
The senior team are meeting to discuss new fears for Beth's safety. | 0:29:50 | 0:29:55 | |
She's written a letter to staff that has made alarm bells ring. | 0:29:55 | 0:29:58 | |
And...and she says, | 0:29:58 | 0:30:00 | |
"I really do need to die. | 0:30:00 | 0:30:02 | |
"I just really don't know how to do it in this place. | 0:30:02 | 0:30:06 | |
"Overdosing," she says, "didn't work. | 0:30:06 | 0:30:08 | |
"Using ligature didn't work. | 0:30:08 | 0:30:11 | |
"Using sharp objects has not worked." | 0:30:11 | 0:30:15 | |
You know, she says all these terrible things about herself, | 0:30:15 | 0:30:20 | |
but if you observe her, you don't get that sense | 0:30:20 | 0:30:25 | |
that she's going through a lot of this, you don't get it at all. | 0:30:25 | 0:30:30 | |
But once we discharge her, | 0:30:30 | 0:30:32 | |
then she will do something terrible whilst out in the community. | 0:30:32 | 0:30:37 | |
It's a very sad letter. Very, very sad. | 0:30:39 | 0:30:42 | |
We'll sit down with her, try to review her antidepressants | 0:30:43 | 0:30:48 | |
and the sleeping tablets with a view to increasing it. | 0:30:48 | 0:30:53 | |
Just like Beth has a price to pay for eating her meal, | 0:30:57 | 0:31:00 | |
so does the ward's youngest patient, 14-year-old Crystal. | 0:31:00 | 0:31:04 | |
Some of her imaginary characters, the rats, | 0:31:13 | 0:31:15 | |
are not happy when she eats dinner. | 0:31:15 | 0:31:17 | |
The rats, you see, told me not to eat and I've been eating, | 0:31:24 | 0:31:28 | |
so they'll come and be mean and they'll hurt me a lot. | 0:31:28 | 0:31:33 | |
Those are the recent ones | 0:31:34 | 0:31:37 | |
and the rats were trying to get me to scratch, | 0:31:37 | 0:31:40 | |
so I scratched through a vein, | 0:31:40 | 0:31:43 | |
but it didn't really work | 0:31:43 | 0:31:46 | |
and then, on my other arm, I did most of that yesterday. | 0:31:46 | 0:31:51 | |
And then, I did that a few days ago. | 0:31:51 | 0:31:53 | |
But Crystal doesn't just want to harm herself. | 0:31:55 | 0:31:58 | |
She's told staff at the unit that her imaginary characters, the rats, | 0:31:58 | 0:32:03 | |
want her to kill her adoptive father, Bill. | 0:32:03 | 0:32:07 | |
I don't know how it came about, | 0:32:07 | 0:32:09 | |
but she...she said she felt like killing me sometimes. | 0:32:09 | 0:32:13 | |
She felt like killing me. | 0:32:13 | 0:32:15 | |
My fears are it's schizophrenia. | 0:32:15 | 0:32:18 | |
-I don't think at the moment she would do something. -No. | 0:32:18 | 0:32:21 | |
But, sometimes, I don't know if it's a look on her face | 0:32:21 | 0:32:24 | |
that makes me feel, "No, you're not being silly here, | 0:32:24 | 0:32:27 | |
"this is actually quite sinister." | 0:32:27 | 0:32:30 | |
And then it'll pass and it's almost like that person's gone again | 0:32:30 | 0:32:34 | |
and she's...Crystal's back. | 0:32:34 | 0:32:36 | |
My dad gets scared of them sometimes. | 0:32:39 | 0:32:42 | |
They make me feel like I want to kill him and stuff, even if I don't. | 0:32:42 | 0:32:49 | |
But, like, they make me feel like I do. | 0:32:49 | 0:32:51 | |
She's very settled on the ward at the minute, | 0:32:55 | 0:32:57 | |
she spends time in communal areas with others. | 0:32:57 | 0:32:59 | |
The unit's senior staff are concerned | 0:32:59 | 0:33:01 | |
about Crystal's change in behaviour. | 0:33:01 | 0:33:03 | |
Perceptual, er...disturbances. | 0:33:03 | 0:33:07 | |
Art therapist Charlotte reports back on something | 0:33:07 | 0:33:10 | |
that came out of their sessions. | 0:33:10 | 0:33:12 | |
Her hamster died at the weekend. | 0:33:12 | 0:33:14 | |
Crystal actually got the clay | 0:33:14 | 0:33:16 | |
and was stamping it and saying, "That's like my dead hamster," | 0:33:16 | 0:33:19 | |
and she laughed about it and was saying | 0:33:19 | 0:33:22 | |
that it was funny when people...when her hamster died, really, | 0:33:22 | 0:33:26 | |
and talking about ideas of people being harmed | 0:33:26 | 0:33:30 | |
and it's all right for people to be harmed | 0:33:30 | 0:33:32 | |
and we tried to explore that a little bit | 0:33:32 | 0:33:34 | |
in terms of, perhaps, her own experiences, | 0:33:34 | 0:33:36 | |
thinking that she's been hurt and that it's OK for others to be hurt. | 0:33:36 | 0:33:41 | |
But her reaction to it was quite incongruent, really. | 0:33:41 | 0:33:44 | |
I just wanted to mention that. But, otherwise, work sort of is ongoing. | 0:33:44 | 0:33:49 | |
It's not just the art therapist Charlotte | 0:33:50 | 0:33:52 | |
who is trying to work with Crystal on her aggression, | 0:33:52 | 0:33:55 | |
the occupational therapists Vicky and Matt | 0:33:55 | 0:33:57 | |
talk to her about wanting to kill her adoptive dad. | 0:33:57 | 0:34:01 | |
I said I don't like my dad because I don't get along with my dad. | 0:34:01 | 0:34:05 | |
And I think...I think there's some concerns about... | 0:34:06 | 0:34:10 | |
-I said I want to kill him. -Yeah. | 0:34:10 | 0:34:13 | |
I want to love my dad and get along with him, | 0:34:13 | 0:34:17 | |
but, like, my voices won't let me. | 0:34:17 | 0:34:19 | |
So is a lot of it driven by the voices, do you think? | 0:34:21 | 0:34:25 | |
-Yeah. -Yeah? | 0:34:25 | 0:34:26 | |
It's about how we can support you to keep you safe, | 0:34:26 | 0:34:29 | |
but also to keep your dad safe as well. | 0:34:29 | 0:34:32 | |
Crystal is on another weekend visit home. | 0:34:39 | 0:34:42 | |
I've got two guinea pigs. | 0:34:43 | 0:34:44 | |
But I don't like them. | 0:34:46 | 0:34:48 | |
That one's the oldest. | 0:34:49 | 0:34:52 | |
Cos, like, we had that one and another one | 0:34:52 | 0:34:56 | |
and then the other one died and then we got another one | 0:34:56 | 0:34:59 | |
and that one died and then we got her and she's...alive. | 0:34:59 | 0:35:03 | |
Crystal's latest changes in behaviour | 0:35:14 | 0:35:16 | |
are causing tensions with her mother, Helen. | 0:35:16 | 0:35:18 | |
Give it to me now. | 0:35:18 | 0:35:20 | |
Give what to you? | 0:35:20 | 0:35:21 | |
The hair clip that you've pulled the plastic off and it's now sharp. | 0:35:21 | 0:35:25 | |
-It never had plastic on it. -Give it to me. | 0:35:25 | 0:35:28 | |
-Give what to you? -The hair clip. -I've not got anything. | 0:35:28 | 0:35:30 | |
-It's in your hand, Crystal, give it to me, please. -I've not got hands. | 0:35:30 | 0:35:33 | |
No... | 0:35:35 | 0:35:37 | |
-Crystal, open your hand. -No. -Look at this, look. | 0:35:37 | 0:35:41 | |
You did that months ago | 0:35:41 | 0:35:42 | |
and you've still got marks. | 0:35:42 | 0:35:44 | |
Thank you. | 0:35:44 | 0:35:45 | |
Without an answer, it's very difficult to get help and support. | 0:35:49 | 0:35:54 | |
With an answer, that's the only reason, really. With an answer, | 0:35:54 | 0:35:57 | |
with something that you can put a name to, | 0:35:57 | 0:36:00 | |
comes the support and the extra help. | 0:36:00 | 0:36:03 | |
-Why are you doing that, Crystal? -I don't know. | 0:36:03 | 0:36:05 | |
And we've gone through the gamut now of not eating, | 0:36:05 | 0:36:09 | |
well, you can see the evidence of the self-harm. | 0:36:09 | 0:36:13 | |
So it's quite scary at the moment. | 0:36:13 | 0:36:16 | |
I don't sleep very well at night. | 0:36:17 | 0:36:19 | |
Winter is drawing in. | 0:36:28 | 0:36:30 | |
Inside the McGuinness Unit, | 0:36:35 | 0:36:37 | |
15 young people are spending weeks or even months of their lives | 0:36:37 | 0:36:41 | |
trying to find a way to deal with their illnesses. | 0:36:41 | 0:36:44 | |
My week's been shit, I've not got discharged, | 0:36:55 | 0:36:58 | |
my leave has been cancelled and I'm very sad. | 0:36:58 | 0:37:04 | |
You can tell this place is mental | 0:37:06 | 0:37:07 | |
when there's people lying on the floor. | 0:37:07 | 0:37:10 | |
You got me a pressie? | 0:37:11 | 0:37:13 | |
My mum's amazing, she brings me in loads of stuff. | 0:37:13 | 0:37:17 | |
-Oh, yeah. -Yeah? | 0:37:20 | 0:37:21 | |
Gill is continuing to make good progress. | 0:37:21 | 0:37:24 | |
She has had more visits from her mum and they are getting on well. | 0:37:24 | 0:37:28 | |
Thank you. | 0:37:28 | 0:37:29 | |
Oh! Thank you! I needed one of these. | 0:37:29 | 0:37:32 | |
And now I want you to gently bring your attention to your breathing... | 0:37:34 | 0:37:37 | |
..and the sensations in your body. | 0:37:39 | 0:37:41 | |
She's also no longer being restrained, | 0:37:41 | 0:37:43 | |
thanks, in part, to what's called mindfulness therapy. | 0:37:43 | 0:37:47 | |
Just notice what's taking your mind away. | 0:37:47 | 0:37:50 | |
Let it be... | 0:37:50 | 0:37:51 | |
..and gently bring your attention back to the breath. | 0:37:52 | 0:37:56 | |
I had a very insightful day the other day, | 0:38:00 | 0:38:03 | |
I just realised that I just need to concentrate on myself | 0:38:03 | 0:38:06 | |
and getting myself better and getting myself out of here. | 0:38:06 | 0:38:09 | |
I think seeing my mum more helps. | 0:38:09 | 0:38:12 | |
I'm never, ever going back to 24 hours on the ECA. | 0:38:12 | 0:38:16 | |
I'm determined not to go back to that. | 0:38:16 | 0:38:18 | |
I just need to keep on the right track. | 0:38:18 | 0:38:21 | |
The review team have given Gill a leave plan, | 0:38:23 | 0:38:25 | |
which allows her increasing amounts of time in the hospital grounds | 0:38:25 | 0:38:28 | |
as long as everything goes well. | 0:38:28 | 0:38:30 | |
It started yesterday, when I had five minutes out and again today | 0:38:33 | 0:38:38 | |
and then tomorrow I've got another five minutes, | 0:38:38 | 0:38:40 | |
but then, on Thursday, it goes up to ten minutes. | 0:38:40 | 0:38:44 | |
Then next week, on Monday and Tuesday, I get 20 minutes. | 0:38:44 | 0:38:48 | |
Then, Wednesday and Thursday, I get 25. | 0:38:48 | 0:38:51 | |
Friday and Saturday, I get 30 minutes | 0:38:51 | 0:38:53 | |
and then, hopefully, I'll be able to go home for Christmas. | 0:38:53 | 0:38:57 | |
PIANO PLAYING | 0:38:58 | 0:39:00 | |
# Rocking around the Christmas tree | 0:39:03 | 0:39:06 | |
# At the Christmas party hop... # | 0:39:06 | 0:39:09 | |
At this time of year, the staff go to great lengths | 0:39:09 | 0:39:11 | |
to make the ward feel festive for the inpatients. | 0:39:11 | 0:39:13 | |
In the week before Christmas, | 0:39:17 | 0:39:19 | |
there are a number of events organised on the unit. | 0:39:19 | 0:39:23 | |
# All is calm | 0:39:23 | 0:39:26 | |
# All is bright... # | 0:39:26 | 0:39:29 | |
In the art class, there is an award ceremony for the patients. | 0:39:29 | 0:39:33 | |
One of the prizes is for the best writing in an English class. | 0:39:33 | 0:39:37 | |
The person who did win it, overall, is here | 0:39:37 | 0:39:39 | |
and that was Gillian, well done! | 0:39:39 | 0:39:41 | |
I got a pen! | 0:39:45 | 0:39:46 | |
That's rather funky, that | 0:39:48 | 0:39:50 | |
and then chocolate, you can tell that's chocolate. Feel it! | 0:39:50 | 0:39:53 | |
While Gill is enjoying herself at the Christmas concert, | 0:39:56 | 0:40:00 | |
the review team is deciding | 0:40:00 | 0:40:01 | |
whether she'll be allowed home on Christmas day. | 0:40:01 | 0:40:03 | |
Risk to self - there was a self-harm incident over the weekend | 0:40:03 | 0:40:08 | |
where she got a needle from the clinic room and self-harmed. | 0:40:08 | 0:40:11 | |
Because the last review was a bit more positive, | 0:40:11 | 0:40:14 | |
including from college as well, isn't it? | 0:40:14 | 0:40:16 | |
So this is a week period almost where we had... | 0:40:16 | 0:40:19 | |
It's deteriorated rapidly... | 0:40:19 | 0:40:21 | |
Yeah, and it's triggered by Christmas coming up | 0:40:21 | 0:40:24 | |
and of feeling that... | 0:40:24 | 0:40:25 | |
I think she probably knows we're not going to give her leave. | 0:40:25 | 0:40:29 | |
-I don't care! -I do. | 0:40:38 | 0:40:40 | |
The risk has been deemed too high | 0:40:43 | 0:40:46 | |
for Gill to leave the unit on Christmas Day. | 0:40:46 | 0:40:48 | |
ALL: Bye! | 0:41:01 | 0:41:04 | |
But it's not bad news for everyone. | 0:41:04 | 0:41:06 | |
Crystal has been allowed home leave | 0:41:06 | 0:41:08 | |
for the whole of the Christmas period | 0:41:08 | 0:41:10 | |
and she's heading off this afternoon. | 0:41:10 | 0:41:12 | |
No-one wants to spend Christmas Day on a psychiatric ward. | 0:41:21 | 0:41:25 | |
But eight young people are waking up to this one on the McGuinness Unit, | 0:41:25 | 0:41:28 | |
away from their families, and that includes Beth. | 0:41:28 | 0:41:31 | |
It's stupid! | 0:41:33 | 0:41:34 | |
It don't really feel like it's Christmas, because, at Christmas, | 0:41:39 | 0:41:43 | |
you're supposed to be at home | 0:41:43 | 0:41:45 | |
and stay in bed all day, like, with your pyjamas on | 0:41:45 | 0:41:47 | |
and spend it with your family. | 0:41:47 | 0:41:49 | |
Run downstairs in the morning and just, like, jump on your parents. | 0:41:49 | 0:41:53 | |
You feel more lonely because | 0:41:53 | 0:41:55 | |
you know other people have gone to see their families | 0:41:55 | 0:41:58 | |
and enjoy Christmas as it is, not just sitting here, waiting. | 0:41:58 | 0:42:03 | |
Oh, this is wicked! Merry Christmas! | 0:42:03 | 0:42:06 | |
THEY LAUGH | 0:42:09 | 0:42:11 | |
This time last year, I was running away from home. | 0:42:23 | 0:42:27 | |
But this time, it's like, yay! | 0:42:27 | 0:42:29 | |
I've got my family back, we're all talking again and it's brilliant. | 0:42:29 | 0:42:32 | |
-I love you. -I love you too. | 0:42:34 | 0:42:36 | |
Just after Christmas, a friend of Gill's sadly dies. | 0:42:45 | 0:42:49 | |
It has a profound effect on her, but the tragedy inspires Gill | 0:42:49 | 0:42:53 | |
to stop self-harming and look to the future. | 0:42:53 | 0:42:56 | |
Yeah, I've got this bobble and when I feel like doing it, | 0:42:56 | 0:43:00 | |
-I'll just do that... -Ping it. | 0:43:00 | 0:43:02 | |
Ping it and it reminds me of her | 0:43:02 | 0:43:05 | |
-and not to do it for her. -Yeah. | 0:43:05 | 0:43:07 | |
-I need to live the life that she's not got any more. -Yeah. | 0:43:07 | 0:43:11 | |
-It was very distressing, wasn't it? -Yeah. | 0:43:13 | 0:43:15 | |
So, for me, you're in a very good place at the moment. | 0:43:15 | 0:43:18 | |
Do you kind of feel that you're now probably engaging more and...? | 0:43:18 | 0:43:22 | |
Yeah, yeah, I am trying a lot more. | 0:43:22 | 0:43:24 | |
For the patients on the McGuinness Unit, | 0:43:30 | 0:43:32 | |
it's the beginning of a new year. | 0:43:32 | 0:43:34 | |
Kim, is there a chicken tikka on there? | 0:43:36 | 0:43:39 | |
I'll put both out and then you can decide. | 0:43:39 | 0:43:42 | |
Beth is continuing to comply with the eating plan, | 0:43:43 | 0:43:48 | |
although she may still hide the odd piece of food at meal times. | 0:43:48 | 0:43:52 | |
They don't know, but I break it up, | 0:43:56 | 0:44:00 | |
put it in my hand and then put it in my pocket when they don't look | 0:44:00 | 0:44:03 | |
and I'll hide it underneath more food. | 0:44:03 | 0:44:07 | |
Because that way, they're getting what they want | 0:44:07 | 0:44:09 | |
and I'm getting what I want, so everyone's happy. | 0:44:09 | 0:44:11 | |
We have to speed up a bit. | 0:44:13 | 0:44:14 | |
-Zip. -Boing. | 0:44:14 | 0:44:17 | |
-Zip. -Zig...boing. | 0:44:17 | 0:44:19 | |
-Zip. -Boing. | 0:44:19 | 0:44:20 | |
-Zip. -Boing. | 0:44:20 | 0:44:22 | |
Zip. Boing. | 0:44:22 | 0:44:24 | |
Zip. | 0:44:24 | 0:44:25 | |
-Zip. -Boing. | 0:44:25 | 0:44:28 | |
-Zip. -Zip. -Zip. -Zip. | 0:44:28 | 0:44:31 | |
Ever since she arrived at the McGuinness Unit eight weeks ago, | 0:44:31 | 0:44:34 | |
Crystal's doctors have been trying to establish | 0:44:34 | 0:44:37 | |
whether her visions are caused by psychosis. | 0:44:37 | 0:44:40 | |
-Zip. -Zip. -Boing. | 0:44:40 | 0:44:43 | |
-Boing. -Zip. | 0:44:43 | 0:44:44 | |
Boing. I'm wondering when this game finishes... | 0:44:44 | 0:44:47 | |
THEY LAUGH | 0:44:47 | 0:44:49 | |
That assessment is complete | 0:45:05 | 0:45:08 | |
and her adoptive parents, Bill and Helen, | 0:45:08 | 0:45:10 | |
will shortly find out the reality of Crystal's condition. | 0:45:10 | 0:45:13 | |
As long as she could come home and live a reasonably normal life - | 0:45:15 | 0:45:20 | |
the worst-case scenario is that she can't manage | 0:45:20 | 0:45:24 | |
and that she would either be institutionalised | 0:45:24 | 0:45:28 | |
or she wouldn't manage life on the outside at all | 0:45:28 | 0:45:33 | |
and the worst of the worst would happen. | 0:45:33 | 0:45:35 | |
They have been called to a meeting with Dr Acho, | 0:45:37 | 0:45:41 | |
Crystal's psychiatrist. | 0:45:41 | 0:45:42 | |
Since her early life, you know, | 0:45:44 | 0:45:46 | |
she's experienced this neglect, physical abuse. | 0:45:46 | 0:45:50 | |
She's always been feeling worthless and unwanted. | 0:45:50 | 0:45:55 | |
She has then developed some protective strategies | 0:45:55 | 0:45:58 | |
to help her and stop her from feeling lonely and unloved. | 0:45:58 | 0:46:03 | |
In terms of child development, | 0:46:03 | 0:46:06 | |
it's something that we all went through. | 0:46:06 | 0:46:09 | |
At a point in our life, we live in fantasy world. | 0:46:09 | 0:46:13 | |
Usually, between the ages of three and five, | 0:46:13 | 0:46:17 | |
but for some children, it becomes bigger and bigger | 0:46:17 | 0:46:22 | |
and they tend to lose that sense of reality. | 0:46:22 | 0:46:26 | |
Are we looking at her following any medication? | 0:46:26 | 0:46:30 | |
She is not psychotic, | 0:46:30 | 0:46:33 | |
-this is her way of coping... -Yeah. | 0:46:33 | 0:46:37 | |
..and that she could, with time, be able to destroy those characters, | 0:46:37 | 0:46:42 | |
because it's something that she has created | 0:46:42 | 0:46:45 | |
and it's something which she can work towards getting rid of. | 0:46:45 | 0:46:50 | |
-OK, thank you very much, doctor. -Cheers. -Thank you. | 0:46:50 | 0:46:53 | |
Thanks for coming. | 0:46:53 | 0:46:55 | |
Huge relief, there's nothing worse | 0:46:58 | 0:47:00 | |
than knowing a little bit about something, | 0:47:00 | 0:47:03 | |
cos you tend to build it up in your own mind. | 0:47:03 | 0:47:05 | |
So all we want is for her to come home and be able to manage happily | 0:47:05 | 0:47:11 | |
and go back to school and be happy at school. | 0:47:11 | 0:47:13 | |
-Maybe I'm expecting too much there. -Yeah. | 0:47:13 | 0:47:16 | |
-Hi! -Hello, darling! Are you OK? | 0:47:16 | 0:47:19 | |
Look, Look! | 0:47:19 | 0:47:21 | |
Kirsty did that before she left and I found it in... | 0:47:21 | 0:47:24 | |
-Oh, that's nice! -I found it in maths. | 0:47:24 | 0:47:26 | |
"To Crystal. Love, Kirsty." | 0:47:26 | 0:47:28 | |
-Oh! -That's really nice, that. | 0:47:28 | 0:47:30 | |
Ugh! | 0:47:36 | 0:47:37 | |
THEY LAUGH | 0:47:37 | 0:47:39 | |
I won't actually do it, you know. | 0:47:39 | 0:47:41 | |
# Nah-nah-nah-nah-nah-nah! # | 0:47:41 | 0:47:42 | |
THEY LAUGH | 0:47:42 | 0:47:45 | |
-Hiya! -You all right? | 0:48:14 | 0:48:16 | |
-Yeah, are you? -Yeah. | 0:48:16 | 0:48:18 | |
When a friend visits Beth later in January, | 0:48:18 | 0:48:20 | |
she has made a big improvement in terms of her eating plan. | 0:48:20 | 0:48:24 | |
It was my CPA yesterday | 0:48:24 | 0:48:26 | |
and they said they're going to keep reviewing my section every week, | 0:48:26 | 0:48:30 | |
so maybe in the next few weeks, I'll be taken off that. | 0:48:30 | 0:48:33 | |
That's good, then. | 0:48:33 | 0:48:35 | |
Yeah, and my meal plan's been increased again. | 0:48:35 | 0:48:38 | |
And I've moved from... I'll show you. | 0:48:38 | 0:48:40 | |
I've moved from the anorexia nervosa band to the underweight band. | 0:48:49 | 0:48:54 | |
Where did you start off? | 0:48:54 | 0:48:56 | |
In the green band - anorexia nervosa, | 0:48:56 | 0:48:59 | |
now I'm just the underweight! | 0:48:59 | 0:49:01 | |
So what's after that? | 0:49:01 | 0:49:03 | |
Fat! | 0:49:05 | 0:49:06 | |
THEY LAUGH | 0:49:06 | 0:49:07 | |
It's not fat after that, though, is it? | 0:49:07 | 0:49:10 | |
-It is! -No, it isn't! -Yes. | 0:49:10 | 0:49:12 | |
-Well, I'm happy you're getting better, anyway! -Oh, Gabby! | 0:49:12 | 0:49:15 | |
-Oh, I've missed you, I actually have. -I've missed you too. | 0:49:19 | 0:49:22 | |
-Everyone at college misses you as well. -Do they? -Yeah. | 0:49:22 | 0:49:25 | |
Beth believes she has made so much progress in the last few weeks, | 0:49:29 | 0:49:32 | |
she should be allowed to go home, | 0:49:32 | 0:49:34 | |
but she cannot leave while she is still sectioned. | 0:49:34 | 0:49:37 | |
So she's taking the matter to a tribunal. | 0:49:37 | 0:49:39 | |
You can also get discharged there as well, | 0:49:39 | 0:49:42 | |
so that's what I'm hoping will happen. | 0:49:42 | 0:49:45 | |
I really want to go home, | 0:49:45 | 0:49:47 | |
so I'm packing now. | 0:49:47 | 0:49:49 | |
The law allows patients to appeal against sections | 0:49:52 | 0:49:55 | |
if they feel they have a case. | 0:49:55 | 0:49:57 | |
I don't really want to kill myself any more. | 0:50:00 | 0:50:03 | |
There's things everywhere that you can actually self-harm with. | 0:50:03 | 0:50:06 | |
Like, you can self-harm with this. | 0:50:06 | 0:50:08 | |
I'm not really that desperate to do it any more. | 0:50:10 | 0:50:13 | |
Beth cannot leave of her own free will, | 0:50:20 | 0:50:23 | |
but Crystal is being discharged today. | 0:50:23 | 0:50:27 | |
Now, I feel that I can talk to my mum and dad more and... | 0:50:27 | 0:50:31 | |
I can tell them when I've been having a bad day. | 0:50:31 | 0:50:34 | |
And I can, like, trust them to not get mad. | 0:50:34 | 0:50:38 | |
I used to never tell them anything. | 0:50:38 | 0:50:41 | |
The doctors are confident she does not have a psychotic illness, | 0:50:44 | 0:50:48 | |
which means she is not a threat to herself or others | 0:50:48 | 0:50:50 | |
and can go home. | 0:50:50 | 0:50:52 | |
-You're just excited to go home, I hope. -No! | 0:50:52 | 0:50:55 | |
-Pardon? -No! -No? Yeah. | 0:50:55 | 0:50:57 | |
She and her parents understand what's going on inside her head | 0:51:01 | 0:51:04 | |
and now know how to manage it. | 0:51:04 | 0:51:07 | |
I'm actually going to have a future. | 0:51:07 | 0:51:09 | |
Like, I do think more of the future now, like, | 0:51:11 | 0:51:15 | |
when I first came in here, I just thought that was it | 0:51:15 | 0:51:18 | |
and I was never going to get better and I'd be in here forever | 0:51:18 | 0:51:22 | |
and I just wanted to die. | 0:51:22 | 0:51:24 | |
I think it's a case of coming to terms | 0:51:24 | 0:51:28 | |
and learning to live with stuff - it doesn't go away. | 0:51:28 | 0:51:32 | |
It's just about coping. | 0:51:33 | 0:51:35 | |
When you can't cope, you tell people. | 0:51:35 | 0:51:37 | |
-Bye, Crystal! -Bye! | 0:51:43 | 0:51:46 | |
Bye! | 0:51:46 | 0:51:47 | |
Gill has made a remarkable breakthrough. | 0:51:58 | 0:52:00 | |
She's finally been moved off the acute corridor | 0:52:00 | 0:52:03 | |
and now has a room on the general ward with all the other patients. | 0:52:03 | 0:52:06 | |
Mind the mess. I'm a bit untidy. | 0:52:06 | 0:52:10 | |
One minute. | 0:52:10 | 0:52:13 | |
Dirty clothes, dirty clothes, | 0:52:13 | 0:52:15 | |
clean clothes in the dirty wash basket. | 0:52:15 | 0:52:18 | |
Yeah, and just a heap of junk on there. | 0:52:20 | 0:52:23 | |
SHE CHUCKLES | 0:52:23 | 0:52:26 | |
For the past six weeks, | 0:52:26 | 0:52:27 | |
Gill has been slowly building up her leave away from the ward. | 0:52:27 | 0:52:30 | |
-What's in it? Hydrogen peroxide? -Uh-huh. | 0:52:30 | 0:52:33 | |
It may have started only as five minutes in the hospital grounds... | 0:52:34 | 0:52:38 | |
What do you think? Let me see. | 0:52:38 | 0:52:39 | |
..but now Gill is preparing to go out into the community | 0:52:39 | 0:52:42 | |
for the first time in six months. | 0:52:42 | 0:52:44 | |
On a trip with Vicky and Matt, | 0:52:48 | 0:52:50 | |
she is trying to show she is well enough to be taken off her section, | 0:52:50 | 0:52:53 | |
and eventually be discharged from the unit. | 0:52:53 | 0:52:55 | |
It's really good, cos I get time off the unit | 0:52:57 | 0:52:59 | |
and I can, like, just be out with normal people. | 0:52:59 | 0:53:02 | |
Cos, like, when you're out, | 0:53:04 | 0:53:06 | |
people don't know that you're in, like, a unit or anything. | 0:53:06 | 0:53:09 | |
So, like, it's a bit strange sometimes, cos it's like, | 0:53:09 | 0:53:13 | |
"Oh, my gosh, I have to go back there, don't I?" | 0:53:13 | 0:53:16 | |
This trip is meant to be fun and relaxed, | 0:53:16 | 0:53:19 | |
but Vicky and Matt are watching Gill closely to see how she behaves. | 0:53:19 | 0:53:23 | |
Chicken, bacon and mozzarella. | 0:53:23 | 0:53:25 | |
Treatment at the McGuinness Unit | 0:53:25 | 0:53:27 | |
is less about finding a cure for the patient | 0:53:27 | 0:53:30 | |
and more about helping them to find ways of coping in the outside world. | 0:53:30 | 0:53:34 | |
Any typical adolescent will become distressed at times | 0:53:34 | 0:53:37 | |
and our task is not to make the perfect adolescent, | 0:53:37 | 0:53:40 | |
it's actually to support young people to build resilience, | 0:53:40 | 0:53:44 | |
to build confidence, that when they become distressed, actually, | 0:53:44 | 0:53:47 | |
they're able to manage it more effectively. | 0:53:47 | 0:53:50 | |
They're able to feel confident in themselves | 0:53:50 | 0:53:52 | |
and they can go on and live their life with its ups and downs, | 0:53:52 | 0:53:56 | |
without some of the negative consequences of...of that distress. | 0:53:56 | 0:54:01 | |
First, I'd prefer it to be in white...hmm... | 0:54:01 | 0:54:04 | |
SHE LAUGHS | 0:54:06 | 0:54:08 | |
Today, Beth's future is going to be decided. | 0:54:11 | 0:54:14 | |
She has appealed against her section | 0:54:14 | 0:54:17 | |
and this afternoon a tribunal will decide | 0:54:17 | 0:54:19 | |
if she's well enough to be taken off it. | 0:54:19 | 0:54:21 | |
I could ultimately be discharged, | 0:54:21 | 0:54:23 | |
but I'd need to be taken off my section today. | 0:54:23 | 0:54:26 | |
It's basically just a court and you've got three independent people | 0:54:26 | 0:54:31 | |
and they all basically assess you | 0:54:31 | 0:54:34 | |
and tell you whether you're well enough to go home or whatever, | 0:54:34 | 0:54:37 | |
but...I think I'm well enough to go home now. | 0:54:37 | 0:54:41 | |
Good luck! | 0:54:41 | 0:54:42 | |
If the decision goes her way, | 0:54:45 | 0:54:47 | |
she could be going home after the meeting. | 0:54:47 | 0:54:50 | |
Are you coming through? | 0:54:52 | 0:54:53 | |
The tribunal lasts two and a half hours. | 0:55:04 | 0:55:07 | |
It's not good news for Beth - | 0:55:15 | 0:55:17 | |
she must remain on her section and in the hospital. | 0:55:17 | 0:55:20 | |
On the same afternoon, | 0:55:23 | 0:55:24 | |
feelings could not be more different for Gill, | 0:55:24 | 0:55:27 | |
who has reason to celebrate. | 0:55:27 | 0:55:29 | |
I'm coming off my section tomorrow! | 0:55:29 | 0:55:31 | |
-You what? -I'm coming off my section tomorrow! | 0:55:31 | 0:55:34 | |
BOTH: Yeah! | 0:55:34 | 0:55:36 | |
The first call she makes is to her mum. | 0:55:36 | 0:55:39 | |
I'm getting taken off it tomorrow. | 0:55:39 | 0:55:41 | |
I'm so happy! | 0:55:46 | 0:55:48 | |
One afternoon, | 0:55:49 | 0:55:51 | |
two completely different decisions. | 0:55:51 | 0:55:53 | |
Dismay for one patient and joy for another. | 0:55:57 | 0:56:00 | |
I'm getting taken off my section! | 0:56:00 | 0:56:03 | |
Crystal returned to school and is doing well. | 0:56:09 | 0:56:12 | |
For Beth, her struggle goes on. | 0:56:12 | 0:56:14 | |
Tomorrow's ages away, | 0:56:14 | 0:56:16 | |
when you've been stuck in here almost six fucking months! | 0:56:16 | 0:56:19 | |
-No! -Just calm down. | 0:56:20 | 0:56:23 | |
But she's not the only one with anger issues. | 0:56:23 | 0:56:25 | |
Just do it. You should kill yourself. | 0:56:25 | 0:56:28 | |
HE GRUNTS | 0:56:29 | 0:56:30 | |
Oh! Fucking hell! | 0:56:31 | 0:56:33 | |
I hate it. | 0:56:33 | 0:56:35 | |
Really hate it. | 0:56:36 | 0:56:38 | |
What a tit! | 0:56:38 | 0:56:39 | |
Subtitles by Red Bee Media Ltd | 0:57:05 | 0:57:08 |