Browse content similar to The 60s. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Meet the Ashby Hawkins family. -Oh...Daisy! | 0:00:02 | 0:00:04 | |
For one summer, they're giving up the trappings of their modern lives | 0:00:04 | 0:00:07 | |
and travelling back in time | 0:00:07 | 0:00:10 | |
to live through 50 years of British weekends. | 0:00:10 | 0:00:12 | |
Steph, Rob, Daisy and Seth | 0:00:14 | 0:00:17 | |
will experience a radical transformation | 0:00:17 | 0:00:20 | |
in how we spend our leisure time. | 0:00:20 | 0:00:22 | |
I'm free! | 0:00:22 | 0:00:24 | |
-From the formal... -I feel like I'm going to a wedding. | 0:00:24 | 0:00:26 | |
..to the frivolous. | 0:00:26 | 0:00:28 | |
Going on holiday! | 0:00:28 | 0:00:29 | |
From do-it-yourself... | 0:00:29 | 0:00:31 | |
to doing almost nothing. | 0:00:31 | 0:00:33 | |
You've turned into Wham! | 0:00:33 | 0:00:36 | |
Starting in 1950... | 0:00:36 | 0:00:37 | |
-Oh, my... -..their own home will be their time machine... | 0:00:37 | 0:00:41 | |
Ooh! | 0:00:41 | 0:00:42 | |
-1961! -..fast-forwarding them through a new year each day... | 0:00:42 | 0:00:47 | |
What on earth are you doing? | 0:00:47 | 0:00:49 | |
We're making a massive dartboard. | 0:00:49 | 0:00:51 | |
It's beige. | 0:00:52 | 0:00:53 | |
Oh, there's a telly up there in the corner, as well, look. | 0:00:53 | 0:00:56 | |
..as they discover how a social... | 0:00:56 | 0:00:58 | |
-..technological... -What's that? | 0:01:00 | 0:01:02 | |
..and spending revolution... | 0:01:02 | 0:01:04 | |
ALL: Oh, my God! | 0:01:04 | 0:01:07 | |
..has transformed our free time for ever. | 0:01:07 | 0:01:09 | |
-Are you ready? -Yes! | 0:01:09 | 0:01:11 | |
Last time, they lived through the frugal '50s, | 0:01:11 | 0:01:13 | |
when their spare time was dominated by work, not play... | 0:01:13 | 0:01:16 | |
Oh, my God, it's revolting! | 0:01:17 | 0:01:20 | |
SHE COUGHS | 0:01:20 | 0:01:21 | |
-HORN BEEPS -There she goes! | 0:01:21 | 0:01:23 | |
Will the 1960s offer up more fun for the family? | 0:01:23 | 0:01:27 | |
Gin and gambling. | 0:01:27 | 0:01:28 | |
-I messed up the fold... -No, you didn't. | 0:01:28 | 0:01:30 | |
-Look, the corners aren't going into the right place. -That's fine. | 0:01:30 | 0:01:33 | |
It's 1960 and the family's functional '50s house... | 0:01:46 | 0:01:49 | |
# When you move in right up close to me... # | 0:01:49 | 0:01:51 | |
..has been replaced with a more modern, colourful design, | 0:01:51 | 0:01:54 | |
reflecting the confidence of the new decade. | 0:01:54 | 0:01:57 | |
# That's when I get the shakes all over me. # | 0:01:57 | 0:02:01 | |
I'm here to see what the changes to their home | 0:02:01 | 0:02:04 | |
could mean for the Ashby Hawkins' leisure time. | 0:02:04 | 0:02:07 | |
Look at this. | 0:02:09 | 0:02:10 | |
This house is not about make do and mend, | 0:02:10 | 0:02:14 | |
this is about showing off. | 0:02:14 | 0:02:16 | |
It's all about creating an immaculate, much more modern living space, | 0:02:16 | 0:02:19 | |
ornamented, lots of knick-knacks everywhere, | 0:02:19 | 0:02:21 | |
a bit more fancy, for a family that has now got a lot of leisure time | 0:02:21 | 0:02:24 | |
and wants to hang out in its groovy new space. | 0:02:24 | 0:02:27 | |
'60s Britain was looking to the future. | 0:02:29 | 0:02:32 | |
New high-speed motorways connected the country. | 0:02:32 | 0:02:35 | |
Modernist tower blocks climbed into the sky. | 0:02:35 | 0:02:38 | |
With full employment and higher wages, | 0:02:40 | 0:02:42 | |
most families were better off than ever before. | 0:02:42 | 0:02:45 | |
And the proof was all over our homes. | 0:02:45 | 0:02:48 | |
It's much more colourful and much brighter, | 0:02:49 | 0:02:51 | |
much more thoughtful furniture and this is truly the electrical age. | 0:02:51 | 0:02:54 | |
We've come from a point ten years ago, | 0:02:54 | 0:02:56 | |
when all we had was a mangle and a larder. | 0:02:56 | 0:02:58 | |
Now there's a hostess trolley for keeping the supper warm, | 0:02:58 | 0:03:01 | |
there is this extraordinary thing that we've given them | 0:03:01 | 0:03:04 | |
which blows hot air or just normal air - basically completely useless. | 0:03:04 | 0:03:07 | |
There's an electric vacuum cleaner which is very exciting | 0:03:07 | 0:03:10 | |
and, really, most exciting of all for Steph, there is an electric floor polisher, | 0:03:10 | 0:03:14 | |
because what you really need is a shiny, shiny floor. | 0:03:14 | 0:03:17 | |
It's very '60s. I'm sure she'll be delighted. | 0:03:17 | 0:03:20 | |
Throughout this experiment, everything the Ashby Hawkins do | 0:03:21 | 0:03:24 | |
will be guided by the Family Expenditure Survey. | 0:03:24 | 0:03:27 | |
Over 10,000 families a year took part in this government study, | 0:03:28 | 0:03:31 | |
recording their spending on everything | 0:03:31 | 0:03:34 | |
from an ice cream to a new sofa. | 0:03:34 | 0:03:35 | |
The survey gives us the best clue into how real British families were spending their leisure time. | 0:03:36 | 0:03:41 | |
So, already I can see that around half the family's income | 0:03:42 | 0:03:45 | |
is still going on the essentials, | 0:03:45 | 0:03:46 | |
on rent, on bills, on food, but there is more cash around. | 0:03:46 | 0:03:50 | |
There are luxuries here. | 0:03:50 | 0:03:52 | |
There's a family in Belfast who have got a television on HP, | 0:03:52 | 0:03:55 | |
so they're using money to express themselves | 0:03:55 | 0:03:57 | |
and to have a bit of fun, | 0:03:57 | 0:03:59 | |
but they are not rolling in it. | 0:03:59 | 0:04:01 | |
This survey reveals a new group of consumers emerging. | 0:04:01 | 0:04:04 | |
Anyone 15 or over who was filling in this survey, | 0:04:04 | 0:04:06 | |
so we've got a good picture of teenage life. | 0:04:06 | 0:04:08 | |
There's a 19-year-old here who's a cinema projectionist in the Lake District, | 0:04:08 | 0:04:12 | |
which sounds lovely, | 0:04:12 | 0:04:13 | |
and he's spending his money on beer, obviously - being a teenager, | 0:04:13 | 0:04:16 | |
but also on dancing, haircuts, batteries for his transistor radio. | 0:04:16 | 0:04:20 | |
So this is clearly the age of the teenager. | 0:04:20 | 0:04:22 | |
I think the Ashby Hawkins are going to be noticeably better off in the 1960s. | 0:04:22 | 0:04:26 | |
This is the start of the you-are-what-you-buy mentality, | 0:04:26 | 0:04:29 | |
which governs how we live today. | 0:04:29 | 0:04:30 | |
MUSIC: Apache by The Shadows | 0:04:30 | 0:04:32 | |
I hope that the '60s is going to be freer, lots of stuff going on. | 0:04:36 | 0:04:40 | |
I'm really hoping that Steph and I | 0:04:40 | 0:04:42 | |
and kids spend a lot more time together. | 0:04:42 | 0:04:45 | |
'I want to have actual leisure time, | 0:04:45 | 0:04:49 | |
'rather than stuck in the kitchen and cleaning.' | 0:04:49 | 0:04:51 | |
It's time for the family to see their remodelled '60s home. | 0:04:54 | 0:04:57 | |
-Ooh! -That's fabulous! | 0:05:03 | 0:05:07 | |
-I'm loving the wallpaper. -It's fabulous! | 0:05:07 | 0:05:10 | |
-It's zingy! It's all... -Oh, the wallpaper's brilliant, isn't it? | 0:05:10 | 0:05:13 | |
It just feels groovy. | 0:05:13 | 0:05:15 | |
Where's the TV? | 0:05:15 | 0:05:17 | |
STEPH LAUGHS | 0:05:17 | 0:05:18 | |
Get rid of that and get a TV. | 0:05:18 | 0:05:21 | |
-My piano! -Sell that and get a TV. -Sell that! Burn it! -Yeah. Please. | 0:05:21 | 0:05:26 | |
The '50s house was very brown and very shabby and this feels like | 0:05:26 | 0:05:29 | |
it's fresher and newer and more modern. | 0:05:29 | 0:05:32 | |
-Deep breath, deep breath! -Oh, my goodness! Ooh! -That's cool. -Ooh! | 0:05:32 | 0:05:38 | |
Actually, it's not that bad. | 0:05:39 | 0:05:42 | |
Everything's plugged in. Everything's wired. | 0:05:43 | 0:05:46 | |
-And a Hoover! -Hoover! -Not just a Hoover. | 0:05:46 | 0:05:50 | |
There's a floor polisher! My domestic cup runneth over! | 0:05:50 | 0:05:54 | |
-Ooh! Yes, we have a fridge! -Got a fridge! -An electric kettle. | 0:05:55 | 0:06:01 | |
-Old-school kettle. -Electric! It feels so much bigger. | 0:06:01 | 0:06:05 | |
It almost feels twice the size. | 0:06:05 | 0:06:07 | |
-A-ha! You look fabulous! -Thank you, Charles. | 0:06:11 | 0:06:14 | |
-How are you enjoying your '60s house? -It's groovy. | 0:06:14 | 0:06:17 | |
-That's good because you've got more leisure time. -Yay! | 0:06:17 | 0:06:20 | |
Here's your manual for the '60s - a very groovy manual. | 0:06:20 | 0:06:23 | |
Thank you very much. | 0:06:23 | 0:06:24 | |
Life is changing at a different pace for different members of the family. | 0:06:24 | 0:06:29 | |
So, Rob, you've still got your job. | 0:06:29 | 0:06:30 | |
The essentials are getting a little bit cheaper, though, so you're finding, at the end of the month, | 0:06:30 | 0:06:35 | |
you've got a bit more money spare for things that are a bit fun. | 0:06:35 | 0:06:37 | |
Steph, no fantastically good news for you. | 0:06:37 | 0:06:40 | |
It's more housework, more domestic drudgery. | 0:06:40 | 0:06:43 | |
Seth, you'll be free to run around and get into trouble outdoors | 0:06:43 | 0:06:47 | |
and have a lot of fun, but you will be expected to pick up | 0:06:47 | 0:06:49 | |
certain skills from your father to prepare you for becoming a man. | 0:06:49 | 0:06:53 | |
-And Daisy, obviously, the '60s is the decade of the teenager. -Yay! | 0:06:53 | 0:06:56 | |
And according to the Family Expenditure Survey, | 0:06:56 | 0:06:58 | |
teenagers did have some spare money, so who knows? | 0:06:58 | 0:07:01 | |
You might be in a position to have some fun, | 0:07:01 | 0:07:03 | |
-spend some money on yourself. -Oh, yay, fun! -Yeah. | 0:07:03 | 0:07:05 | |
So you have a bit of spare money so, in fact, | 0:07:05 | 0:07:07 | |
you will be able to rent the really must-have item of the 1960s, | 0:07:07 | 0:07:12 | |
which I've arranged to have delivered for you. | 0:07:12 | 0:07:14 | |
GASPS | 0:07:14 | 0:07:16 | |
Oh, yeah! | 0:07:16 | 0:07:18 | |
-That's huge! We've got a TV now! -Amazing. | 0:07:18 | 0:07:22 | |
So, we love it, it's going to stay. Where's it going to go? | 0:07:22 | 0:07:25 | |
Get rid of the piano. | 0:07:25 | 0:07:26 | |
-Bye-bye, piano! -Get rid of the piano?! | 0:07:26 | 0:07:30 | |
Did you hear your daughter? What do you think? | 0:07:30 | 0:07:32 | |
Although, yes, it's old-fashioned and it's not groovy, I think | 0:07:32 | 0:07:35 | |
-there's room for both. -Modernise! Come on, Mum! Move with the times! | 0:07:35 | 0:07:39 | |
You're dragging me into the 1960s. | 0:07:39 | 0:07:41 | |
But also, that is the only '50s thing in this room. | 0:07:41 | 0:07:44 | |
SHE PLAYS PIANO | 0:07:44 | 0:07:46 | |
In the '50s, the piano was the main source of family entertainment | 0:07:46 | 0:07:50 | |
and one of Steph's few escapes from domestic drudgery. | 0:07:50 | 0:07:53 | |
But by 1960, the television had taken over British living rooms. | 0:07:56 | 0:08:00 | |
Mass production had pushed down prices | 0:08:00 | 0:08:02 | |
and 70% of households had one. | 0:08:02 | 0:08:04 | |
We owned more tellies than the rest of Europe put together. | 0:08:04 | 0:08:07 | |
And with brands like Perdio Portarama and Dynatron, | 0:08:07 | 0:08:11 | |
you could even buy British. | 0:08:11 | 0:08:12 | |
There were 20 home-grown brands compared to just one today. | 0:08:12 | 0:08:16 | |
Yeah, we should get rid of the piano. Piano's got to go. | 0:08:16 | 0:08:18 | |
It's probably a good choice. That is, you know... | 0:08:18 | 0:08:20 | |
Getting rid of the piano - that's what people did. | 0:08:20 | 0:08:23 | |
In 1960, Britain was in the midst of a massive programme | 0:08:27 | 0:08:31 | |
of modernisation that would change the face of the country for ever. | 0:08:31 | 0:08:35 | |
Old houses were being demolished in their thousands | 0:08:37 | 0:08:39 | |
to make way for shiny new ones. | 0:08:39 | 0:08:42 | |
-ARCHIVE: -Down with the old. Up with the new. | 0:08:42 | 0:08:44 | |
The idea that heritage should be treasured was deeply out of fashion. | 0:08:46 | 0:08:50 | |
EXPLOSION | 0:08:50 | 0:08:51 | |
'This quest for the modern continued inside the home. | 0:08:53 | 0:08:56 | |
'Thousands of people threw out their pianos to make room for | 0:08:56 | 0:08:58 | |
'newer forms of entertainment.' | 0:08:58 | 0:09:01 | |
God! | 0:09:01 | 0:09:03 | |
And once on the scrapheap, | 0:09:03 | 0:09:05 | |
'60s Britain came up with a shocking new way of getting rid of them. | 0:09:05 | 0:09:10 | |
-ARCHIVE: -Now let's get back and see how that piano recycle's going. | 0:09:10 | 0:09:13 | |
When do these students break up for the holidays? | 0:09:13 | 0:09:15 | |
Presumably, when they've finished this piano-breaking race! | 0:09:15 | 0:09:18 | |
Smashing, isn't it? | 0:09:18 | 0:09:19 | |
-It is not going anywhere. -It's staying here. | 0:09:21 | 0:09:25 | |
-We're going to smash it up! You must be up for that? -No. | 0:09:25 | 0:09:28 | |
Are you going to... | 0:09:28 | 0:09:29 | |
I think that's a wicked thing to do to a beautiful instrument. | 0:09:29 | 0:09:32 | |
-It's what they did! -I know, but I don't think it's right! | 0:09:32 | 0:09:36 | |
We tried to find some 1960s-style safety goggles, | 0:09:36 | 0:09:39 | |
but they didn't care in those days. You don't want to get a splinter of old technology in your eye. | 0:09:39 | 0:09:43 | |
-I'm going to take my glasses off. -Here we go. -Don't say that! | 0:09:43 | 0:09:45 | |
I don't trust Dad with that big... | 0:09:45 | 0:09:48 | |
Oh! Oh! | 0:09:48 | 0:09:50 | |
You don't like that piano, do you? | 0:09:52 | 0:09:54 | |
Seen as relics of the past, these old instruments were smashed up | 0:09:55 | 0:09:59 | |
for fun at events across the country. | 0:09:59 | 0:10:02 | |
I was never musical. | 0:10:02 | 0:10:03 | |
SHE PLAYS PIANO | 0:10:09 | 0:10:11 | |
'It's my piano in the 1950s, and now it's the '60s, | 0:10:11 | 0:10:16 | |
'and they want to move on.' | 0:10:16 | 0:10:17 | |
So I've got to get with the times, really. | 0:10:17 | 0:10:19 | |
I'm feeling really old! Makes me feel really old cos I'm, like... | 0:10:19 | 0:10:22 | |
I don't know. I'm not with the kids, am I? | 0:10:22 | 0:10:25 | |
I want us to keep the old things | 0:10:25 | 0:10:26 | |
and they want to keep the new things and... God, some tension there! | 0:10:26 | 0:10:30 | |
-Do it! -Go on, Mum! -This feels wrong. This feels all kinds of wrong. | 0:10:30 | 0:10:34 | |
Oh, that's a good one. | 0:10:35 | 0:10:38 | |
Oh, that's just wrong. That's bang out of order, that is! | 0:10:38 | 0:10:40 | |
My work here is done. | 0:10:40 | 0:10:42 | |
MUSIC: Wild One by Bobby Rydell | 0:10:42 | 0:10:45 | |
# Oh, wild one | 0:10:45 | 0:10:47 | |
# I'm-a going to tame you down... # | 0:10:47 | 0:10:51 | |
'Guilty about smashing up the piano.' | 0:10:51 | 0:10:53 | |
I think, no, I am smashing up the old to bring in the new. | 0:10:53 | 0:10:57 | |
# Come on, wild one | 0:10:57 | 0:11:00 | |
# Be wild about me. # | 0:11:00 | 0:11:03 | |
That was just simply the most awesome fun. | 0:11:09 | 0:11:11 | |
I will see you later in the decade. | 0:11:11 | 0:11:12 | |
Carry on smashing and then watch a bit of TV. | 0:11:12 | 0:11:15 | |
-Yay! -See you, Charles. Bye. | 0:11:15 | 0:11:17 | |
Having put the past behind them, | 0:11:26 | 0:11:28 | |
the Ashby Hawkins can now spend their free time enjoying | 0:11:28 | 0:11:30 | |
'60s entertainment beamed into their own living room. | 0:11:30 | 0:11:33 | |
-Tea and cake. Tea and cake. -Oh, yay! | 0:11:37 | 0:11:39 | |
Shift yourselves off the table. | 0:11:39 | 0:11:41 | |
And do not eat the teacakes in one mouthful. | 0:11:43 | 0:11:48 | |
I was just reading about what's on the telly tonight. | 0:11:48 | 0:11:51 | |
-Ooh, what is on the telly tonight? -Er... -Because we've got a telly now. | 0:11:51 | 0:11:54 | |
-Well, it is Wednesday. Blue Peter. -Wow! | 0:11:54 | 0:11:58 | |
The children's television has finished. | 0:11:58 | 0:12:00 | |
-That started at five and finished at six. David Attenborough. -Really? | 0:12:00 | 0:12:04 | |
-Yes. -Wow. -That's how old David Attenborough is! | 0:12:04 | 0:12:07 | |
-You've given up my piano playing for this? -Yup. -Yeah. | 0:12:07 | 0:12:12 | |
-Yeah, it still beats your piano. -And it was worth it. | 0:12:12 | 0:12:14 | |
Yeah, totally worth it. | 0:12:14 | 0:12:15 | |
In 1960, British audiences only had two channels to choose from, | 0:12:18 | 0:12:22 | |
BBC and ITV, compared to around 60 channels today. | 0:12:22 | 0:12:26 | |
And before On Demand, you could only watch what was on at the time. | 0:12:27 | 0:12:31 | |
These days, we're finding ourselves with much more leisure time | 0:12:31 | 0:12:33 | |
on our hands. What to do with it all? | 0:12:33 | 0:12:35 | |
Well, there are lots and lots of things we can do. | 0:12:35 | 0:12:37 | |
One thing is the increasingly popular sport of shark fishing. | 0:12:37 | 0:12:41 | |
Television would come to dominate British leisure time over | 0:12:41 | 0:12:43 | |
the decades ahead, with the average viewer now | 0:12:43 | 0:12:46 | |
tuning in for 28 hours each week. | 0:12:46 | 0:12:48 | |
# Timing | 0:12:48 | 0:12:49 | |
# A tock, a tock, a tock, a tock | 0:12:49 | 0:12:51 | |
# A timing is the thing... # | 0:12:51 | 0:12:53 | |
Seth, sit back! | 0:12:53 | 0:12:56 | |
His hat's on fire. | 0:12:56 | 0:12:58 | |
'Candid Camera! | 0:12:58 | 0:13:00 | |
'Secretly recording you in unexpected situations, | 0:13:00 | 0:13:02 | |
'presented by television's comedy host, Bob Monkhouse!' | 0:13:02 | 0:13:06 | |
APPLAUSE | 0:13:06 | 0:13:08 | |
Speaker sound was a bit... | 0:13:08 | 0:13:10 | |
Welcome to Candid Camera, ladies and gentlemen, | 0:13:12 | 0:13:14 | |
the show that puts you in the picture. | 0:13:14 | 0:13:16 | |
-There's a pitch, isn't there? -Ssh! -Sorry. | 0:13:16 | 0:13:19 | |
Cos we're out to prove that there's | 0:13:19 | 0:13:21 | |
no public like the British public for laughing at itself. | 0:13:21 | 0:13:24 | |
Turn it over? | 0:13:24 | 0:13:25 | |
Shut up! You're complaining about the sound. | 0:13:25 | 0:13:27 | |
The reason why you can't hear it is cos you're talking! | 0:13:27 | 0:13:31 | |
-What should we do? -I came in with the shoe... | 0:13:34 | 0:13:36 | |
I don't know what's going on, really. | 0:13:36 | 0:13:38 | |
They're taking one of her shoes away | 0:13:38 | 0:13:40 | |
-and she thinks perhaps someone's walked out with it. -This is like... | 0:13:40 | 0:13:43 | |
-Oh, it's like an old version of pranking. -Yes. Yes. -Oh, OK. | 0:13:43 | 0:13:48 | |
APPLAUSE | 0:13:48 | 0:13:49 | |
HE LAUGHS | 0:13:49 | 0:13:50 | |
That's just sewn-together junk! | 0:13:52 | 0:13:56 | |
You always have to start somewhere and I think that's a pretty good start. | 0:13:56 | 0:14:00 | |
-It's a start, but it's a pretty bad one! -I think it's really well done. -It's a really bad one! | 0:14:00 | 0:14:03 | |
But it still beats your piano playing, by miles. | 0:14:03 | 0:14:08 | |
-WHISPERS: -Thank you, darling. -You're welcome. | 0:14:08 | 0:14:10 | |
To watch a Bob Monkhouse Candid Camera episode was a real treat. | 0:14:14 | 0:14:18 | |
There's no remote. | 0:14:18 | 0:14:19 | |
Even though there are only two channels, | 0:14:19 | 0:14:21 | |
you still have to get up and change the channel. | 0:14:21 | 0:14:23 | |
The TV kind of just shuts everyone up, | 0:14:23 | 0:14:25 | |
and sometimes, that's what you need, rather than | 0:14:25 | 0:14:27 | |
constant conversation, like it was in the '50s. | 0:14:27 | 0:14:30 | |
It's 1961! Yay! | 0:14:32 | 0:14:36 | |
Seth, you'll be delighted to know that, as it's 1961, we have... | 0:14:36 | 0:14:40 | |
..sliced bread! | 0:14:42 | 0:14:43 | |
I have Weetabix. | 0:14:43 | 0:14:45 | |
MUSIC: Rubber Ball by Bobby Vee | 0:14:45 | 0:14:46 | |
# Rubber ball I come bouncing back to you | 0:14:46 | 0:14:49 | |
# Rubber ball I come bouncing back... # | 0:14:49 | 0:14:51 | |
-In the 21st century, Rob usually makes the breakfast. -Ooh! | 0:14:51 | 0:14:55 | |
But in this era, all the household chores fall to Steph. | 0:14:55 | 0:14:59 | |
# Bouncy, bouncy, bouncy, bouncy | 0:14:59 | 0:15:01 | |
# Just a rubber ball... # | 0:15:01 | 0:15:03 | |
Seriously, if I had to do this every day of my life, | 0:15:03 | 0:15:06 | |
-I would be on Valium, like most of the '60s housewives. -What's Valium? | 0:15:06 | 0:15:09 | |
Valium is a tranquiliser that takes you to a happy place. | 0:15:09 | 0:15:11 | |
And millions and millions of '60s... | 0:15:11 | 0:15:13 | |
particularly '60s housewives got addicted to it. | 0:15:13 | 0:15:16 | |
# Bouncy, bouncy, bouncy, bouncy... # | 0:15:16 | 0:15:19 | |
Ten years earlier, | 0:15:19 | 0:15:20 | |
the average housewife spent 75 hours every week doing housework. | 0:15:20 | 0:15:23 | |
By the '60s, thanks to a host of new electrical gadgets, | 0:15:26 | 0:15:29 | |
this had finally fallen to a mere 44 hours. | 0:15:29 | 0:15:32 | |
And what better use of all that free time than | 0:15:34 | 0:15:37 | |
a bit of self-improvement, '60s-style? | 0:15:37 | 0:15:40 | |
-ARCHIVE: -A girl can't be too careful. | 0:15:40 | 0:15:42 | |
She must try to be exactly right everywhere. | 0:15:42 | 0:15:44 | |
As the French say - they said a lot of things - | 0:15:44 | 0:15:46 | |
it's necessary to suffer in order to be beautiful. | 0:15:46 | 0:15:49 | |
In fact, it may be torture, but it'll be worth it in the end. | 0:15:49 | 0:15:52 | |
Putting false eyelashes on. | 0:15:54 | 0:15:56 | |
I have never, ever done that in my life before. I haven't got a clue. | 0:15:56 | 0:16:00 | |
-Seth? -Yeah? -Come here a sec. | 0:16:00 | 0:16:03 | |
As women spent more of their spare time | 0:16:03 | 0:16:05 | |
and money on their appearance, between 1959 and 1966, | 0:16:05 | 0:16:09 | |
the value of Britain's beauty market nearly doubled. | 0:16:09 | 0:16:13 | |
Hold it still. | 0:16:13 | 0:16:14 | |
-That's not right, is it? -Actually... -There's glue everywhere! -It's OK. | 0:16:22 | 0:16:27 | |
It looks like it's sort of crawled onto your eye! | 0:16:27 | 0:16:30 | |
The Financial Expenditure Survey reflects this growing trend, | 0:16:30 | 0:16:34 | |
like this housewife from Norwich, | 0:16:34 | 0:16:35 | |
who spends five shillings on a tin of creme puff make-up. | 0:16:35 | 0:16:39 | |
I know what I look like. I look like a drag queen! Marvellous! | 0:16:40 | 0:16:44 | |
As well as looking good, | 0:16:48 | 0:16:50 | |
'60s women were also expected to be the perfect wife and mother. | 0:16:50 | 0:16:54 | |
# Men say they know just what would go | 0:16:54 | 0:16:56 | |
# To make up an ideal woman | 0:16:56 | 0:16:58 | |
# They talk about hair The clothes that you wear | 0:16:58 | 0:17:01 | |
# As part of the ideal woman | 0:17:01 | 0:17:04 | |
# I've got to find a man | 0:17:04 | 0:17:06 | |
# Who loves me as I am. # | 0:17:06 | 0:17:13 | |
Women and Home. | 0:17:20 | 0:17:22 | |
"Tips to keep your kitchen sparkling." | 0:17:23 | 0:17:26 | |
Lovely, just what I need. | 0:17:26 | 0:17:27 | |
The top-selling women's magazines were full of other useful advice. | 0:17:27 | 0:17:30 | |
"Don't forget to look attractive | 0:17:33 | 0:17:36 | |
"and bright as possible for him. | 0:17:36 | 0:17:38 | |
"No rollers in your hair. | 0:17:38 | 0:17:40 | |
"Be interested in his day, | 0:17:40 | 0:17:42 | |
"but don't be hurt if he doesn't ask about yours. | 0:17:42 | 0:17:45 | |
"If there is something wrong, | 0:17:45 | 0:17:47 | |
"look inside YOURSELF for the cause | 0:17:47 | 0:17:49 | |
"before you decide if it's your partner who's wrong." | 0:17:49 | 0:17:52 | |
This is about glamour whilst being subservient. | 0:17:52 | 0:17:55 | |
There's a whole new layer of expectation here. | 0:17:55 | 0:17:58 | |
VACUUM WHIRS | 0:17:58 | 0:18:00 | |
I think that if it were me living in the '60s in this situation, | 0:18:01 | 0:18:06 | |
I might have actually resented the people around me a lot. | 0:18:06 | 0:18:09 | |
Lift your feet up! Lift your feet up! | 0:18:09 | 0:18:11 | |
Sorry. | 0:18:11 | 0:18:12 | |
Put bluntly, what's in it for me? | 0:18:12 | 0:18:15 | |
I just don't really think there's much in this life for me, really. | 0:18:15 | 0:18:18 | |
But I've sent the Ashby Hawkins something from the '60s | 0:18:20 | 0:18:22 | |
to put a smile on all their faces. | 0:18:22 | 0:18:24 | |
HE CHUCKLES | 0:18:26 | 0:18:27 | |
Oh, my God! | 0:18:27 | 0:18:28 | |
That is fabulous. | 0:18:31 | 0:18:33 | |
This is like my very first car. | 0:18:33 | 0:18:35 | |
By 1961, 30% of households owned their own vehicle, | 0:18:35 | 0:18:39 | |
opening up a world of possibilities for family days out. | 0:18:39 | 0:18:42 | |
That's the best thing ever! | 0:18:42 | 0:18:43 | |
# Hit the Road, Jack | 0:18:45 | 0:18:47 | |
# And don't you come back no more, no more, no more, no more... # | 0:18:47 | 0:18:51 | |
The Ashby Hawkins are now the proud owners of a Mini, | 0:18:51 | 0:18:54 | |
the '60s icon that would become the most successful British car of all time. | 0:18:54 | 0:18:58 | |
# Don't you come back no more... # | 0:18:58 | 0:19:00 | |
During this decade, Britain was the fourth biggest car producer in the world. | 0:19:00 | 0:19:04 | |
Today we're 11th, just behind Russia. | 0:19:04 | 0:19:06 | |
The Family Expenditure Survey reflects the rise in car ownership during the '60s | 0:19:08 | 0:19:12 | |
like this family of five from Chorley, | 0:19:12 | 0:19:15 | |
putting a down payment of £9 and ten shillings | 0:19:15 | 0:19:17 | |
on the loan for their new car. | 0:19:17 | 0:19:19 | |
You look like you've just won it in a quiz. "Well done, madam. Off you go!" | 0:19:20 | 0:19:24 | |
But it's not Steph who'll be in the driving seat. | 0:19:24 | 0:19:27 | |
Only one in ten women... HORN BEEPS | 0:19:27 | 0:19:29 | |
..had their licence in 1961. | 0:19:29 | 0:19:30 | |
It's beautiful. | 0:19:30 | 0:19:32 | |
Look at that, look! | 0:19:32 | 0:19:34 | |
SHE CHEERS | 0:19:34 | 0:19:36 | |
I love it. | 0:19:36 | 0:19:37 | |
"Dear Rob, this is a manual for your newest purchase..." | 0:19:37 | 0:19:39 | |
My newest purchase, thank you very much. | 0:19:39 | 0:19:42 | |
"..your first family car, a Morris Mini. | 0:19:42 | 0:19:44 | |
-"The car would have originally cost you £497." -Wow! | 0:19:44 | 0:19:47 | |
"That's over ten grand in today's money. | 0:19:47 | 0:19:50 | |
"Today you'll have to perform some basic maintenance..." | 0:19:50 | 0:19:52 | |
Oh, no! I've got to perform basic maintenance checks! | 0:19:52 | 0:19:55 | |
"Good luck." | 0:19:55 | 0:19:56 | |
This is as easy as putting on a pair of false eyelashes, trust me. | 0:19:56 | 0:19:59 | |
-You reckon? -Yeah.. | 0:19:59 | 0:20:01 | |
-TELEVISION: -'These days, garage costs are so high, | 0:20:01 | 0:20:04 | |
'you just have to do the work yourself.' | 0:20:04 | 0:20:06 | |
On Saturday mornings across the country, | 0:20:08 | 0:20:10 | |
men could be found tinkering beneath car bonnets. | 0:20:10 | 0:20:14 | |
Unlike today, when you need a computer to fix your car engine, | 0:20:14 | 0:20:17 | |
in the 1960s, if you didn't mind getting your hands dirty, | 0:20:17 | 0:20:20 | |
car maintenance was something almost any man could do. | 0:20:20 | 0:20:22 | |
Check oil level and top up if necessary. | 0:20:24 | 0:20:27 | |
So, where do you think the engine is? | 0:20:27 | 0:20:29 | |
Bonnet. | 0:20:29 | 0:20:30 | |
There we go, that's it. | 0:20:30 | 0:20:32 | |
An important part of being a '60s dad was teaching your son practical skills. | 0:20:32 | 0:20:36 | |
It's called a dipstick. | 0:20:36 | 0:20:38 | |
-What? -A dipstick. | 0:20:38 | 0:20:40 | |
It's like a stick that you pull out. | 0:20:40 | 0:20:42 | |
So today, Seth is Rob's apprentice. | 0:20:42 | 0:20:44 | |
What about that thing there? | 0:20:46 | 0:20:48 | |
-Dad, that thing there. -Yeah, yeah. | 0:20:48 | 0:20:51 | |
It's exactly like it. Oh, it's that, by the way. I was just testing. | 0:20:51 | 0:20:54 | |
-"Check coolant in radiator." -Coolant. | 0:20:54 | 0:20:57 | |
That's the radiator, | 0:20:57 | 0:20:58 | |
we need to see the water going into the radiator, which is this thing. | 0:20:58 | 0:21:01 | |
"Check coolant in radiator." | 0:21:01 | 0:21:03 | |
When you say that, I know what the radiator is! | 0:21:03 | 0:21:05 | |
-Are you ready? -Yes, turn it. | 0:21:05 | 0:21:07 | |
Yes, that's good. | 0:21:07 | 0:21:09 | |
That'll do. | 0:21:10 | 0:21:12 | |
Check that one off your list. | 0:21:12 | 0:21:14 | |
HORN BEEPS, ROB LAUGHS | 0:21:14 | 0:21:16 | |
We've got a car, which is pretty cool. | 0:21:20 | 0:21:23 | |
I really like it. | 0:21:23 | 0:21:25 | |
You maintain your own car. | 0:21:25 | 0:21:27 | |
There are experiences and bonding to get out it. | 0:21:27 | 0:21:30 | |
You can bond with people if you do it yourself. | 0:21:30 | 0:21:33 | |
It's 1962 and the Ashby Hawkins are making them most of their new motor | 0:21:45 | 0:21:49 | |
and taking a trip to the seaside. | 0:21:49 | 0:21:51 | |
And Rob's mother, Jennifer, has come along for the ride. | 0:21:52 | 0:21:55 | |
Are we ready? | 0:21:55 | 0:21:57 | |
# We're all going on a summer holiday | 0:21:57 | 0:21:59 | |
# No more working for a week or two | 0:21:59 | 0:22:02 | |
# Fun and laughter... # | 0:22:02 | 0:22:04 | |
By 1962, the average worker was enjoying four bank holidays | 0:22:04 | 0:22:07 | |
and two weeks' paid annual leave, | 0:22:07 | 0:22:09 | |
fuelling a boom in the British holiday industry... | 0:22:09 | 0:22:12 | |
Oh, this is smashing. | 0:22:12 | 0:22:14 | |
# We're going where the sun shines brightly... # | 0:22:14 | 0:22:17 | |
..and more than half of all holiday-makers travelled by car. | 0:22:17 | 0:22:19 | |
# We've seen it in the movies... # | 0:22:21 | 0:22:24 | |
But the increase in road traffic created a new problem for '60s families - | 0:22:24 | 0:22:28 | |
the bank holiday traffic jam. | 0:22:28 | 0:22:30 | |
By the middle of the decade, | 0:22:31 | 0:22:33 | |
seven-mile tailbacks weren't uncommon. | 0:22:33 | 0:22:35 | |
In 1966, the AA recorded 1,500 cars leaving London before 5am | 0:22:36 | 0:22:41 | |
in an attempt to avoid the jams. | 0:22:41 | 0:22:43 | |
# ..For me and you. # | 0:22:43 | 0:22:46 | |
To get a taste of a '60s seaside resort, | 0:22:46 | 0:22:48 | |
the Ashby Hawkins have come to an amusement park from the era. | 0:22:48 | 0:22:51 | |
There's a helter-skelter! | 0:22:52 | 0:22:54 | |
Great. It's a beautiful day, we're in Margate, | 0:22:54 | 0:22:56 | |
what's not to like? | 0:22:56 | 0:22:58 | |
It's going to be nice. | 0:22:58 | 0:22:59 | |
-Urgh! -Lovely. | 0:22:59 | 0:23:01 | |
Don't do that in public. It's disgusting! | 0:23:01 | 0:23:04 | |
Pedal faster, mum! Pedal faster! | 0:23:04 | 0:23:06 | |
-There we go. -This is so much fun. | 0:23:08 | 0:23:11 | |
It's so cool. | 0:23:11 | 0:23:13 | |
That's brilliant. | 0:23:13 | 0:23:14 | |
Rob's even brought his new Super 8 camera along | 0:23:14 | 0:23:17 | |
to capture the day. | 0:23:17 | 0:23:18 | |
The Family Expenditure Survey reflects increased spending | 0:23:18 | 0:23:21 | |
on days out and holidays, | 0:23:21 | 0:23:23 | |
like this family of three from Birmingham, | 0:23:23 | 0:23:25 | |
who in 1961 splashed out three shillings on the funfair | 0:23:25 | 0:23:28 | |
and thruppence on ice creams. | 0:23:28 | 0:23:30 | |
It's nice to see everyone out of the kitchen and out of the shed | 0:23:31 | 0:23:34 | |
and actually communicating and having a conversation. | 0:23:34 | 0:23:37 | |
It's really, really enjoyable. | 0:23:37 | 0:23:38 | |
For once, I'm not miserable about doing something | 0:23:38 | 0:23:41 | |
with my mum and my dad and my whole family. | 0:23:41 | 0:23:44 | |
I'm out and the sun's shining | 0:23:44 | 0:23:46 | |
-and I'm with my family... -# Sunshine! # | 0:23:46 | 0:23:48 | |
-..and it's great. -Yeah. | 0:23:48 | 0:23:50 | |
-It's good. It's good. -It's lovely. | 0:23:50 | 0:23:52 | |
I feel free. | 0:23:52 | 0:23:53 | |
# Come on, let's twist again | 0:23:54 | 0:23:57 | |
# Like we did last summer | 0:23:57 | 0:24:00 | |
# Yeah, let's twist again | 0:24:00 | 0:24:03 | |
# Like we did last year | 0:24:03 | 0:24:05 | |
# Do you remember... # | 0:24:05 | 0:24:07 | |
Ha-ha! | 0:24:07 | 0:24:09 | |
No! No! | 0:24:09 | 0:24:11 | |
# Yeah, let's twist again | 0:24:11 | 0:24:14 | |
# Twisting time is here. # | 0:24:14 | 0:24:17 | |
Good fun. You just forget who you are and you just scream out! | 0:24:19 | 0:24:23 | |
-All I could hear was my mother in the back just laughing. -Cackling! | 0:24:23 | 0:24:27 | |
She was, wasn't she? | 0:24:27 | 0:24:28 | |
STEPH CACKLES LOUDLY | 0:24:28 | 0:24:29 | |
It's like being on a ride with Sid James. | 0:24:29 | 0:24:31 | |
It was brilliant, it was really good. | 0:24:31 | 0:24:33 | |
SHE LAUGHS | 0:24:33 | 0:24:35 | |
This is what leisure time is. | 0:24:35 | 0:24:37 | |
-This is fun. -Proper leisure. | 0:24:37 | 0:24:39 | |
-Proper leisure, pleasure and leisure. All in one, isn't it? -More! | 0:24:39 | 0:24:42 | |
That's it, I'm here. | 0:24:45 | 0:24:47 | |
-Oh, Mum! -STEPH: -Take my handbag. | 0:24:47 | 0:24:49 | |
And for Steph, it's a real holiday. | 0:24:51 | 0:24:53 | |
Takeaway fish and chips on the beach means no dinner to prepare. | 0:24:53 | 0:24:57 | |
My day is complete. | 0:24:58 | 0:24:59 | |
Can I just say, here's to your mum not cooking for the first time. | 0:25:00 | 0:25:04 | |
Yay! | 0:25:04 | 0:25:05 | |
-I would say cheers. -Cheers! -There we go. | 0:25:05 | 0:25:07 | |
Here's to other people catering, yay! Woohoo! | 0:25:07 | 0:25:11 | |
I'm free! I'm free! | 0:25:13 | 0:25:16 | |
Oh, God, it feels so good. | 0:25:16 | 0:25:19 | |
It must be the thing that you looked forward to every day of your life. | 0:25:19 | 0:25:23 | |
Thinking, when am I going away next? | 0:25:23 | 0:25:26 | |
In the modern day, I wouldn't normally spend this length of time with my family, | 0:25:26 | 0:25:29 | |
unless we were all forced to go out | 0:25:29 | 0:25:31 | |
and then we'd probably all be on our phones if we had the chance. | 0:25:31 | 0:25:35 | |
The only option is to have fun with your family. | 0:25:36 | 0:25:39 | |
# Do you love me? # | 0:25:43 | 0:25:46 | |
In 1963, with full employment and high wages, | 0:25:46 | 0:25:49 | |
most families were enjoying a better standard of living than ever before. | 0:25:49 | 0:25:53 | |
80% of teenagers left school at 15 | 0:25:55 | 0:25:58 | |
and most had full-time jobs. | 0:25:58 | 0:26:00 | |
They had money to burn and splashed out on clothes, magazines | 0:26:00 | 0:26:04 | |
and, in particular, music. | 0:26:04 | 0:26:05 | |
-TELEVISION: -'Groups of youngsters like these had teamed together | 0:26:09 | 0:26:12 | |
'with one ambition - to top the hit parade.' | 0:26:12 | 0:26:15 | |
In 1955, four million singles were sold. | 0:26:15 | 0:26:18 | |
By 1963, it was 61 million. | 0:26:18 | 0:26:21 | |
The Family Expenditure Survey is full of teen spending, | 0:26:23 | 0:26:26 | |
like this 17-year-old from Birmingham | 0:26:26 | 0:26:28 | |
who buys a record and music magazine | 0:26:28 | 0:26:30 | |
for eight shillings and thruppence. | 0:26:30 | 0:26:33 | |
# For goodness' sake | 0:26:33 | 0:26:35 | |
# I got the hippy, hippy shake... # | 0:26:35 | 0:26:38 | |
To understand how teenagers spent their leisure, | 0:26:38 | 0:26:41 | |
historian Polly Russell has come to meet legendary DJ Tony Blackburn, | 0:26:41 | 0:26:45 | |
who began his radio career in the 1960s. | 0:26:45 | 0:26:48 | |
Tony, what was life like for teenagers in the '60s? | 0:26:48 | 0:26:51 | |
It was all based around music. | 0:26:51 | 0:26:53 | |
That's all we were interested in. | 0:26:53 | 0:26:54 | |
It was, what's going to be number one in the charts, | 0:26:54 | 0:26:57 | |
what are we going to go out and buy next week? | 0:26:57 | 0:26:59 | |
That is all geared around that. | 0:26:59 | 0:27:01 | |
The record business was enormous, you know. | 0:27:01 | 0:27:03 | |
And this is the first time, | 0:27:03 | 0:27:05 | |
really, that there's a definable identity of teenagers, isn't there? | 0:27:05 | 0:27:09 | |
-Yes. -There's a market for them, there's things for them to do, | 0:27:09 | 0:27:12 | |
there's things for them to buy. | 0:27:12 | 0:27:14 | |
We didn't have quite so much from the point of view of technology, | 0:27:14 | 0:27:17 | |
and what we had, we were enjoying, | 0:27:17 | 0:27:19 | |
like these record players and going out. | 0:27:19 | 0:27:22 | |
Have you got the latest Beatles or Rolling Stones records? | 0:27:22 | 0:27:25 | |
Or Drifters or Jackie Wilson? | 0:27:25 | 0:27:27 | |
That's what the conversation was about. | 0:27:27 | 0:27:29 | |
You'd go round to somebody's house | 0:27:29 | 0:27:31 | |
and listen to their record collection. | 0:27:31 | 0:27:33 | |
-They'd come round to yours, that was it, really. -Fantastic. | 0:27:33 | 0:27:35 | |
Yes, it was great. | 0:27:35 | 0:27:37 | |
It as the start of the teenage revolution, | 0:27:37 | 0:27:39 | |
but at the same time, it was quite innocent. | 0:27:39 | 0:27:42 | |
-Shall we play? -Yes. | 0:27:42 | 0:27:44 | |
There we are. | 0:27:44 | 0:27:46 | |
That should drop down. There we are. | 0:27:46 | 0:27:49 | |
# Sweets for my sweet | 0:27:49 | 0:27:50 | |
# Sugar for my honey... # | 0:27:50 | 0:27:52 | |
There's the tone. | 0:27:52 | 0:27:54 | |
# Her sweet kiss thrills me so | 0:27:54 | 0:27:56 | |
# Sweets for my sweet | 0:27:56 | 0:27:58 | |
# Sugar for my honey | 0:27:58 | 0:28:00 | |
# I'll never, ever let you go. # | 0:28:00 | 0:28:03 | |
To give Daisy a taste of a leisure pursuit enjoyed by '60s teenagers, | 0:28:05 | 0:28:08 | |
I've sent her her own portable record player. | 0:28:08 | 0:28:11 | |
It's perfect for sharing her music collection with her friend Ella, | 0:28:13 | 0:28:16 | |
up in her bedroom and away from the old folks. | 0:28:16 | 0:28:18 | |
Wow, that plays... | 0:28:21 | 0:28:23 | |
That's really good! | 0:28:23 | 0:28:26 | |
# I like it | 0:28:26 | 0:28:28 | |
# I like the words you say. # | 0:28:28 | 0:28:31 | |
OK, so... | 0:28:31 | 0:28:34 | |
-Clap. -Wait. | 0:28:34 | 0:28:35 | |
Then clap. | 0:28:35 | 0:28:36 | |
Cross your hands... | 0:28:39 | 0:28:41 | |
Oh, yes, this is so easy. | 0:28:41 | 0:28:42 | |
THEY CLAP IN TIME | 0:28:42 | 0:28:44 | |
And then what's this? | 0:28:44 | 0:28:45 | |
Machines like this Dansette gave teenagers the freedom | 0:28:45 | 0:28:48 | |
to enjoy their music when and where they wanted. | 0:28:48 | 0:28:52 | |
The same way, then you do this. | 0:28:52 | 0:28:54 | |
'Having my own space and being able to go upstairs and get out | 0:28:54 | 0:28:56 | |
'and listen to this awesome music | 0:28:56 | 0:28:58 | |
'that's just so happy and fast.' | 0:28:58 | 0:29:01 | |
I feel more like a teenager more than a mini-mum. | 0:29:01 | 0:29:03 | |
It's really nice, cos it separates me from my parents, | 0:29:03 | 0:29:05 | |
cos obviously, my parents don't listen to this music, | 0:29:05 | 0:29:08 | |
so it's really lovely. | 0:29:08 | 0:29:10 | |
# I like it, I like it... # | 0:29:10 | 0:29:12 | |
Daisy! Daisy! | 0:29:12 | 0:29:14 | |
Daisy! | 0:29:14 | 0:29:17 | |
'Yes?' | 0:29:17 | 0:29:19 | |
Can you turn up, please? Cos... # I like it! I like it! # | 0:29:19 | 0:29:22 | |
I think as '60s parents, we probably wouldn't have liked it. | 0:29:22 | 0:29:26 | |
But I like it. | 0:29:26 | 0:29:27 | |
# I like it... # | 0:29:27 | 0:29:29 | |
So does he! | 0:29:29 | 0:29:30 | |
# I like it | 0:29:30 | 0:29:31 | |
# I like the funny feeling being here with you... # | 0:29:31 | 0:29:36 | |
I am really enjoying the 1960s. | 0:29:36 | 0:29:38 | |
I've got new stuff, | 0:29:38 | 0:29:40 | |
I've actually changed, Mum has stayed the same. | 0:29:40 | 0:29:42 | |
I think change is always good. | 0:29:42 | 0:29:44 | |
I'm still not getting the leisure vibe. | 0:29:44 | 0:29:46 | |
I know we went out yesterday and we had a lovely time... | 0:29:46 | 0:29:49 | |
..but today it's Saturday night... | 0:29:50 | 0:29:52 | |
..and I'm in without any wine, | 0:29:54 | 0:29:57 | |
having had a most revolting Vesta curry. | 0:29:57 | 0:30:00 | |
And I'm washing it down with a cup of tea and a Tunnock's teacake | 0:30:00 | 0:30:02 | |
and that's as exciting as it gets on a Saturday night. | 0:30:02 | 0:30:06 | |
SHE SIGHS | 0:30:06 | 0:30:08 | |
# What a kooky little paradise | 0:30:08 | 0:30:12 | |
# What a kooky little paradise... # | 0:30:12 | 0:30:15 | |
1964. | 0:30:15 | 0:30:16 | |
DOORBELL RINGS | 0:30:16 | 0:30:18 | |
I've sent Rob one of the more popular men's mags of the decade. | 0:30:18 | 0:30:21 | |
HE CHUCKLES | 0:30:21 | 0:30:23 | |
Wow! | 0:30:23 | 0:30:25 | |
That's fabulous. | 0:30:25 | 0:30:28 | |
By the mid-60s, DIY was not just for functional repair work any more. | 0:30:28 | 0:30:33 | |
It's now about aspiration and modernisation. | 0:30:33 | 0:30:35 | |
Leading the way was TV's Barry Bucknell, | 0:30:41 | 0:30:44 | |
whose series had an estimated five million viewers tuning in for advice every week. | 0:30:44 | 0:30:48 | |
Hello, I want to talk about pelmets this week. | 0:30:52 | 0:30:55 | |
And it's surprising, you know, | 0:30:55 | 0:30:57 | |
what a difference a pelmet does make to a room. | 0:30:57 | 0:31:00 | |
As thousands of people turned dated old properties | 0:31:00 | 0:31:03 | |
into contemporary modern homes, | 0:31:03 | 0:31:05 | |
weekends were spent getting rid of the period fixtures and fittings | 0:31:05 | 0:31:08 | |
we now pay a premium for. | 0:31:08 | 0:31:10 | |
"Dear Rob, here are some instructions | 0:31:11 | 0:31:14 | |
"for transforming your fireplace to make a..." | 0:31:14 | 0:31:16 | |
SETH SIGHS, STEPH LAUGHS | 0:31:16 | 0:31:18 | |
"..to make a very modern living room." | 0:31:18 | 0:31:21 | |
I'm really thrilled. | 0:31:21 | 0:31:22 | |
There's two of them. | 0:31:22 | 0:31:24 | |
There's covering the door and boxing in a fireplace. | 0:31:24 | 0:31:26 | |
It's going to be finished with an electric fire in front. | 0:31:26 | 0:31:29 | |
-Wow! -You mean instant heat? | 0:31:29 | 0:31:31 | |
Out of this world! | 0:31:31 | 0:31:33 | |
-We love a bit more electricity. -Are you going to help me with it? | 0:31:33 | 0:31:36 | |
-Yes, OK. Why not. -I need someone to blame in case it goes wrong! | 0:31:36 | 0:31:39 | |
Unlike the majority of '60s men, | 0:31:39 | 0:31:41 | |
DIY isn't something Rob usually chooses to do at the weekend. | 0:31:41 | 0:31:44 | |
That way. | 0:31:44 | 0:31:46 | |
Yes! | 0:31:47 | 0:31:49 | |
-There we go. -I know what I'm doing. | 0:31:49 | 0:31:50 | |
They've boxed everything up in the '60s and come the '80s and '90s, | 0:31:53 | 0:31:56 | |
we unbox it all again. It's like a little Christmas present. | 0:31:56 | 0:31:58 | |
I suppose it was the fashion of the time. | 0:31:58 | 0:32:00 | |
Wallpaper first, Seth. What do you think? | 0:32:03 | 0:32:07 | |
This could be awkward if your walls aren't square. | 0:32:07 | 0:32:12 | |
If we have real trouble cutting a fine edge, | 0:32:12 | 0:32:14 | |
we'll just push the rug closer to the fireplace... | 0:32:14 | 0:32:17 | |
What we're trying to achieve is a nice, smooth, buckle-free finish. | 0:32:19 | 0:32:23 | |
What do you think? Stand back. | 0:32:23 | 0:32:24 | |
-That looks... -It's actually not that bad. | 0:32:25 | 0:32:28 | |
When it's cut off, | 0:32:30 | 0:32:32 | |
you can then use the gauge to square off the edges. | 0:32:32 | 0:32:35 | |
Now when your glue's thoroughly dry, | 0:32:39 | 0:32:42 | |
you can then trim around the edge | 0:32:42 | 0:32:44 | |
to remove the extra eighth of an inch. | 0:32:44 | 0:32:46 | |
BANGING | 0:32:48 | 0:32:49 | |
-STEPH: -Cor, noisy! | 0:32:49 | 0:32:51 | |
I'm coming in to see how you're getting on... Wow! | 0:32:51 | 0:32:53 | |
-Hello! -Hello! I've got a new lamp, as well. | 0:32:53 | 0:32:55 | |
-Fantastic. -Ready? | 0:32:56 | 0:32:58 | |
Oh, yeah. | 0:33:00 | 0:33:01 | |
-That just...yeah. Are you happy with your lamp? -I love it. | 0:33:01 | 0:33:04 | |
What about your fireplace surround? | 0:33:04 | 0:33:06 | |
I've never, ever wallpapered in my life. | 0:33:07 | 0:33:10 | |
I think it's really ugly. | 0:33:11 | 0:33:13 | |
You've done a...a thorough job of it... | 0:33:14 | 0:33:18 | |
but I just think it's really ugly. | 0:33:18 | 0:33:20 | |
You looked really hurt, actually, when I said that. | 0:33:20 | 0:33:24 | |
You looked... You're threatening me with a hammer! | 0:33:24 | 0:33:26 | |
You looked really, genuinely hurt | 0:33:26 | 0:33:29 | |
when I said that I thought it looked horrible. | 0:33:29 | 0:33:32 | |
# Right, said Fred | 0:33:32 | 0:33:33 | |
# Both of us together | 0:33:33 | 0:33:35 | |
# One each end and steady as we go... # | 0:33:35 | 0:33:37 | |
-BANGING -Oh, yes. | 0:33:37 | 0:33:40 | |
# Tried to shift it | 0:33:40 | 0:33:41 | |
# Couldn't even lift it | 0:33:41 | 0:33:42 | |
# We was getting nowhere | 0:33:42 | 0:33:44 | |
# And so we had a cup of tea and | 0:33:44 | 0:33:47 | |
# Right, said Fred | 0:33:47 | 0:33:48 | |
# Give a shove to Charlie | 0:33:48 | 0:33:50 | |
# Up comes Charlie from the floor below... # | 0:33:50 | 0:33:52 | |
Seamless. | 0:33:52 | 0:33:53 | |
# After straining, heaving and complaining | 0:33:53 | 0:33:56 | |
# We was getting nowhere | 0:33:56 | 0:33:58 | |
# And so we had a cup of tea | 0:33:58 | 0:34:00 | |
# And Charlie had a think... # | 0:34:00 | 0:34:02 | |
-You can have one or the other, you can have cabbage or sweetcorn. Which one? -Cabbage. | 0:34:02 | 0:34:06 | |
But in 1964, it wasn't just our houses that we were modernising. | 0:34:06 | 0:34:11 | |
-RADIO: -'This afternoon, Her Majesty the Queen | 0:34:11 | 0:34:13 | |
'invited me to form a government, which I'm now in the process of doing.' | 0:34:13 | 0:34:17 | |
New Prime Minister Harold Wilson had seized on this zest for the new in his election campaign, | 0:34:17 | 0:34:21 | |
urging Britain to embrace "the white heat of technology". | 0:34:21 | 0:34:25 | |
No building reflected this change more than London's Post Office Tower... | 0:34:28 | 0:34:31 | |
..which opened in 1965. | 0:34:33 | 0:34:34 | |
-TELEVISION: -'In ultramodern works like the Post Office Tower, | 0:34:38 | 0:34:42 | |
'now reaching up over Central London, | 0:34:42 | 0:34:44 | |
'many skills combine as the engineers climb upwards | 0:34:44 | 0:34:47 | |
'into the world of tomorrow.' | 0:34:47 | 0:34:49 | |
At 600 feet, it towered above London. | 0:34:53 | 0:34:56 | |
-TELEVISION: -'First, the high-speed lift to the 35th floor and the cocktail bar.' | 0:34:56 | 0:35:00 | |
'The lift is now travelling at 1,400 feet a minute.' | 0:35:02 | 0:35:06 | |
Oh, ear pop! | 0:35:06 | 0:35:07 | |
That is quite fast. | 0:35:08 | 0:35:10 | |
I'm meeting Nicola Millard, innovation specialist for BT, | 0:35:11 | 0:35:14 | |
to find out what this amazing building actually did. | 0:35:14 | 0:35:17 | |
Well, basically, the BT Tower is a very big antenna. | 0:35:18 | 0:35:21 | |
It was the heart of the microwave radio network. | 0:35:21 | 0:35:24 | |
So, that was the principal transmission means | 0:35:24 | 0:35:26 | |
for the telecoms network in the 1960s. | 0:35:26 | 0:35:29 | |
In the days before satellites and fibre-optic cables, | 0:35:29 | 0:35:32 | |
the tower was at the heart of a network | 0:35:32 | 0:35:34 | |
that beamed phone and television signals around the country. | 0:35:34 | 0:35:38 | |
Microwave radio was really one huge solution | 0:35:38 | 0:35:41 | |
to actually making sure that we could route both television calls and TV broadcasts. | 0:35:41 | 0:35:45 | |
And the tower was absolutely critical to that. | 0:35:45 | 0:35:49 | |
It's amazing that it actually did stuff. | 0:35:49 | 0:35:51 | |
I'm sure people just looked at it and thought, "Yes, nice building," | 0:35:51 | 0:35:54 | |
and then didn't give it another thought. | 0:35:54 | 0:35:55 | |
Absolutely, and I will say, you know, | 0:35:55 | 0:35:57 | |
it's symptomatic of how absolutely critical it was | 0:35:57 | 0:36:01 | |
that it was an official secret almost as soon as it opened. | 0:36:01 | 0:36:04 | |
It didn't actually stop being an official secret until 1994. | 0:36:04 | 0:36:07 | |
What, you mean people weren't allowed to know that it was here? | 0:36:07 | 0:36:10 | |
-It was not on any Ordnance Survey maps. -You're kidding! | 0:36:10 | 0:36:13 | |
I'm boggled by that. | 0:36:13 | 0:36:15 | |
You were supposed to walk past it, sort of...shading your eyes? | 0:36:15 | 0:36:18 | |
What was the secret? | 0:36:18 | 0:36:19 | |
It was so core both to the telecoms network and the broadcast network | 0:36:19 | 0:36:23 | |
that work that it was regarded as a very critical piece of UK property. | 0:36:23 | 0:36:26 | |
Despite the huge expansion of the telephone network, | 0:36:28 | 0:36:30 | |
few people in the mid-'60s had their own phones. | 0:36:30 | 0:36:33 | |
The Ashby Hawkins are among the vast majority of the population | 0:36:35 | 0:36:37 | |
who still have to leave home to make a call. | 0:36:37 | 0:36:39 | |
-Now... -Wow. Look at that, that's so cool. | 0:36:42 | 0:36:44 | |
Are we going to be calling some people? | 0:36:44 | 0:36:47 | |
I hope so. | 0:36:47 | 0:36:48 | |
I'm surprised and a little disappointed that you knew what it was. | 0:36:48 | 0:36:51 | |
-Well, it says at the top. -So it does. | 0:36:51 | 0:36:54 | |
So you need that information. | 0:36:54 | 0:36:55 | |
-This is a thing with which you're familiar? -Yes. Yes, yes. | 0:36:55 | 0:36:58 | |
They have them on the street. It's where people wee in when they get drunk. | 0:36:58 | 0:37:01 | |
But once upon a time, people used them for making telephone calls. | 0:37:01 | 0:37:04 | |
Have you ever used a telephone box? | 0:37:04 | 0:37:06 | |
No. I've got a mobile. | 0:37:06 | 0:37:08 | |
Are you aware that at this time in the '60s, | 0:37:08 | 0:37:11 | |
75% of people didn't have a telephone? | 0:37:11 | 0:37:13 | |
What, really? | 0:37:13 | 0:37:15 | |
They had to use this. A telephone call at that time cost sixpence. | 0:37:15 | 0:37:18 | |
-It's worth about 50p now. -Really? | 0:37:18 | 0:37:20 | |
You got about a minute for that. | 0:37:20 | 0:37:22 | |
-So... -I spend, like, an hour on the phone. | 0:37:22 | 0:37:25 | |
So, that would be... | 0:37:25 | 0:37:26 | |
ten minutes is five pounds, so an hour would be £30. | 0:37:26 | 0:37:28 | |
-Have you got £30 worth of stuff to say to your friends? -Nope. | 0:37:28 | 0:37:32 | |
Right. | 0:37:32 | 0:37:33 | |
-Who's going in first... -Seth. | 0:37:33 | 0:37:34 | |
..to this terrifying piece of technology? | 0:37:34 | 0:37:36 | |
It is a bit cramped. | 0:37:36 | 0:37:39 | |
It's quite disgusting. Your phone is your phone and you do what you want. | 0:37:39 | 0:37:42 | |
But this is everyone... everyone touching it. | 0:37:42 | 0:37:45 | |
Why don't we make a phone call? Dial your own phone number. | 0:37:46 | 0:37:49 | |
That's not how you make a telephone call! | 0:37:51 | 0:37:52 | |
You've got to lift the receiver. | 0:37:52 | 0:37:54 | |
DIAL WHIRS | 0:37:56 | 0:37:58 | |
That is the sound of the '60s. | 0:37:58 | 0:38:02 | |
-Quite slow. -This is very long. | 0:38:02 | 0:38:04 | |
It's a world away from their smartphones, | 0:38:04 | 0:38:07 | |
but in the '60s, a public phone box was the closest thing to social media. | 0:38:07 | 0:38:11 | |
I use my phone for about four hours in the evening. | 0:38:14 | 0:38:17 | |
What do you say to them?! | 0:38:17 | 0:38:18 | |
We just talk about stuff. | 0:38:18 | 0:38:20 | |
-So you just phone up and talk rubbish because it's free? -Yes. | 0:38:20 | 0:38:22 | |
In those days it was expensive, so you had to think about what you wanted to say | 0:38:22 | 0:38:25 | |
to make it worthwhile to make a phone call. | 0:38:25 | 0:38:28 | |
I did kind of miss my actual mobile | 0:38:30 | 0:38:32 | |
because I just felt like it would be a lot easier. | 0:38:32 | 0:38:35 | |
I didn't actually have to remember people's numbers off by heart | 0:38:35 | 0:38:38 | |
or look them up in the GIANT phone book. | 0:38:38 | 0:38:40 | |
MUSIC: Match of the Day Theme | 0:38:45 | 0:38:48 | |
It's 1966, a year fixed in the mind of England fans across the country. | 0:38:48 | 0:38:53 | |
Sir Trevor Brooking, one of the era's sporting heroes, | 0:38:53 | 0:38:56 | |
is bringing a game that capitalised on the nation's obsession with football. | 0:38:56 | 0:39:01 | |
-Hi, Rob. -Hello, Sir. -Nice to see you. | 0:39:02 | 0:39:04 | |
-Thought I'd bring my Subbuteo along. Is that OK? -Oh, wow. Come on in. | 0:39:04 | 0:39:07 | |
You are most welcome to my house. Come on in, please. | 0:39:07 | 0:39:09 | |
Gentlemen, I give you Sir Trevor Brooking. | 0:39:09 | 0:39:12 | |
-This is Seth, is it? -Yes. | 0:39:12 | 0:39:13 | |
-My son, Seth. -Very good. -And... | 0:39:13 | 0:39:15 | |
-Harvey. -Yes. -There we are. | 0:39:15 | 0:39:17 | |
I've got my Subbuteo here, do you fancy a game? | 0:39:17 | 0:39:19 | |
BOTH: OK. | 0:39:19 | 0:39:21 | |
I'm not very good at it, but, er... | 0:39:21 | 0:39:23 | |
Well, it should be a good match, then. | 0:39:23 | 0:39:24 | |
It will be us versus you, then. | 0:39:24 | 0:39:26 | |
THEY LAUGH | 0:39:26 | 0:39:27 | |
Subbuteo was the Fifa 16 of its day. | 0:39:27 | 0:39:30 | |
The new 3D figures introduced in the '60s | 0:39:30 | 0:39:33 | |
sent sales rocketing with 300,000 sets sold each year. | 0:39:33 | 0:39:36 | |
With miniature versions of all the teams, | 0:39:38 | 0:39:40 | |
'60s boys could play football indoors with their heroes. | 0:39:40 | 0:39:44 | |
Let's think about this strategically. | 0:39:44 | 0:39:46 | |
-Where are you going to play it? -(Let's get some of these guys...) | 0:39:46 | 0:39:49 | |
I'd like to point out, lads, | 0:39:49 | 0:39:51 | |
that you can't have a 30-second discussion during the match | 0:39:51 | 0:39:53 | |
about what you're going to do! | 0:39:53 | 0:39:55 | |
You've got to do this instinctively. | 0:39:55 | 0:39:58 | |
In the '60s, a million people attended live matches every Saturday. | 0:39:58 | 0:40:02 | |
-TV: -'Saturday afternoon is the peak of this boy's week he'd never miss. | 0:40:03 | 0:40:07 | |
'He's the first and, behind him, there's a whole army.' | 0:40:07 | 0:40:11 | |
And, at just 20p a ticket, | 0:40:11 | 0:40:12 | |
it was an affordable way for fathers and sons across the country | 0:40:12 | 0:40:16 | |
to enjoy quality time together. | 0:40:16 | 0:40:18 | |
-TV: -'Everyone forgets their own worries. | 0:40:18 | 0:40:20 | |
'If their team wins, they too will feel the achievement of victory.' | 0:40:20 | 0:40:23 | |
REFEREE'S WHISTLE | 0:40:23 | 0:40:24 | |
From the terraces to the dining room table, | 0:40:24 | 0:40:26 | |
it was a golden age of football. | 0:40:26 | 0:40:28 | |
Sir Trevor began his career in 1965, signing for local team West Ham. | 0:40:28 | 0:40:32 | |
Well saved! | 0:40:32 | 0:40:33 | |
'64, won the FA Cup, '65, the Cup Winners' Cup. | 0:40:33 | 0:40:36 | |
And then, all biased West Ham fans will tell you, of course, | 0:40:36 | 0:40:39 | |
West Ham won the World Cup in 1956! | 0:40:39 | 0:40:41 | |
I've actually heard that, yeah. | 0:40:41 | 0:40:42 | |
Because we had three players in the team. | 0:40:42 | 0:40:44 | |
-TV: -'Reaching to beat the whistle, | 0:40:44 | 0:40:46 | |
'Geoff Hurst saw an opening in the defence | 0:40:46 | 0:40:48 | |
'and achieved a hat-trick.' | 0:40:48 | 0:40:50 | |
The game's popularity reached a high point in 1966 | 0:40:50 | 0:40:53 | |
when England triumphed at the World Cup. | 0:40:53 | 0:40:55 | |
-CROWD: -We won the Cup! | 0:40:55 | 0:40:57 | |
CHEERING AND WHISTLING | 0:40:57 | 0:40:59 | |
The success of '66, the whole country was buzzing about football. | 0:41:03 | 0:41:09 | |
Then, of course, in the East End, the actual parties, street parties, | 0:41:09 | 0:41:13 | |
went on for days, really. | 0:41:13 | 0:41:15 | |
But, of course, as years gone by, | 0:41:15 | 0:41:17 | |
the significance of it grows even greater because, | 0:41:17 | 0:41:19 | |
I've got to say, in 1966, we thought England | 0:41:19 | 0:41:22 | |
would always be in contention, | 0:41:22 | 0:41:23 | |
and there were other World Cups to follow. | 0:41:23 | 0:41:25 | |
-Come on, come on, come on! -Unlucky, Harvey. | 0:41:27 | 0:41:29 | |
And they think it's all over... | 0:41:29 | 0:41:31 | |
-ALL: -Oh! | 0:41:31 | 0:41:33 | |
What a save. | 0:41:33 | 0:41:34 | |
# It's not unusual to be loved by anyone... # | 0:41:36 | 0:41:38 | |
With the house overrun by football obsessed men, | 0:41:38 | 0:41:40 | |
Daisy and friend Ella are heading off to try the teenage craze | 0:41:40 | 0:41:43 | |
available in phone boxes across the country. | 0:41:43 | 0:41:46 | |
# But when I see you hanging about with anyone | 0:41:46 | 0:41:52 | |
# It's not unusual to see me cry | 0:41:52 | 0:41:56 | |
# I wanna die... # | 0:41:56 | 0:41:58 | |
GIRLS GIGGLE | 0:41:58 | 0:41:59 | |
# It's not unusual to go out... # | 0:41:59 | 0:42:01 | |
On a modern smartphone, you can stream music | 0:42:01 | 0:42:04 | |
and store thousands of songs. | 0:42:04 | 0:42:06 | |
In 1966, phones started playing pop music on demand too. | 0:42:06 | 0:42:10 | |
If you didn't mind calling Dial-a-Disc on 160, | 0:42:10 | 0:42:12 | |
and listening to the track playing that day. | 0:42:12 | 0:42:15 | |
-BOTH: -# It's not unusual... # | 0:42:15 | 0:42:16 | |
THEY MUMBLE THE LYRICS | 0:42:16 | 0:42:18 | |
# No matter what you say... # | 0:42:19 | 0:42:22 | |
'60s teenagers loved it. | 0:42:22 | 0:42:24 | |
Within a decade, it was receiving 70 million calls a year. | 0:42:24 | 0:42:27 | |
Do you love it? I do love the whole dancing in a phone box. | 0:42:28 | 0:42:31 | |
It's a good way to get away from your parents. | 0:42:31 | 0:42:34 | |
You can storm out of the house, call a number, and dance. | 0:42:34 | 0:42:36 | |
And that's quite fun, I think that's a really good thing. | 0:42:36 | 0:42:39 | |
OK, OK, yeah, yeah. | 0:42:41 | 0:42:43 | |
-Yes! Yes! -You're good at just touching it. All right. | 0:42:43 | 0:42:47 | |
THEY SCREAM AND LAUGH | 0:42:47 | 0:42:49 | |
Harvey took the glory, he should have left it to Seth. | 0:42:49 | 0:42:52 | |
That's a good shot, that's good, | 0:42:57 | 0:42:59 | |
because you've got a player in the 18-yard box. | 0:42:59 | 0:43:01 | |
Yeah! | 0:43:01 | 0:43:02 | |
TREVOR LAUGHS | 0:43:02 | 0:43:04 | |
I was thinking, shall I be gentle? Then I thought, no, be ruthless. | 0:43:04 | 0:43:07 | |
I'm sure they'd have been exactly the same. | 0:43:07 | 0:43:09 | |
It's all part of the learning curve. | 0:43:09 | 0:43:11 | |
# But when I see you hanging about with anyone | 0:43:12 | 0:43:17 | |
# It's not unusual to see me cry | 0:43:17 | 0:43:21 | |
# I wanna die... # | 0:43:21 | 0:43:24 | |
It was amazing. | 0:43:29 | 0:43:30 | |
To play Subbuteo with the fabulous Sir Trevor Brooking. | 0:43:30 | 0:43:33 | |
And it has inspired me to take Seth to a match. | 0:43:33 | 0:43:37 | |
After today, I think it would be really nice if I took Seth | 0:43:37 | 0:43:39 | |
to go and watch West Ham, to see what Trevor was talking about. | 0:43:39 | 0:43:42 | |
To see the Hammers in action. | 0:43:42 | 0:43:44 | |
It'll be good seeing you mow the lawn. | 0:43:49 | 0:43:52 | |
-It's normally me who mows the lawn. -I'm not hearing drum rolls! | 0:43:52 | 0:43:54 | |
SHE SINGS A FANFARE | 0:43:54 | 0:43:56 | |
As the man of the house, | 0:43:56 | 0:43:58 | |
it's Rob's responsibility to maintain the garden. | 0:43:58 | 0:44:01 | |
MOWER ENGINE STARTS | 0:44:03 | 0:44:04 | |
Ooh, it purrs like a...kitten. | 0:44:04 | 0:44:07 | |
In the '60s, the back yard transformed from a place to grow veg | 0:44:08 | 0:44:12 | |
into an area that was as stylish and modern as the rest of the house. | 0:44:12 | 0:44:16 | |
-TV ARCHIVE: -'The lawn is an essential and dominant feature | 0:44:16 | 0:44:19 | |
'of any good garden. A good lawn is not difficult to maintain. | 0:44:19 | 0:44:23 | |
'But it does need careful and regular attention | 0:44:23 | 0:44:25 | |
'throughout the year.' | 0:44:25 | 0:44:27 | |
In the quest for the perfect striped lawn, | 0:44:29 | 0:44:31 | |
the 1960s gardener harnessed the new technology of the day. | 0:44:31 | 0:44:35 | |
From highly poisonous chemicals to keep the weeds under control, | 0:44:35 | 0:44:38 | |
to a state-of-the-art petrol mower | 0:44:38 | 0:44:40 | |
to produce those beautiful, straight lines. | 0:44:40 | 0:44:42 | |
-TV ARCHIVE: -'The direction in which the machine is used | 0:44:42 | 0:44:45 | |
'should vary from cut to cut.' | 0:44:45 | 0:44:47 | |
The Financial Expenditure Survey | 0:44:47 | 0:44:49 | |
reflects this growing passion for gardening. | 0:44:49 | 0:44:51 | |
Like this family in Lincoln, who spent nine shillings threepence | 0:44:51 | 0:44:54 | |
on liquid manure, grass seed and pest control powder. | 0:44:54 | 0:44:57 | |
# Down the road I look and there runs Mary | 0:44:59 | 0:45:05 | |
# Hair of gold and lips like cherries | 0:45:05 | 0:45:10 | |
# It's good to touch the green, green grass of home. # | 0:45:10 | 0:45:17 | |
Loving it, absolutely loving it. Now I can see the lines coming through, | 0:45:17 | 0:45:20 | |
it's worth doing. | 0:45:20 | 0:45:22 | |
# Beneath the green, green grass of home. # | 0:45:22 | 0:45:31 | |
What do you think, what do you think? | 0:45:31 | 0:45:33 | |
Steph, if you could just walk down on that path, that way. | 0:45:33 | 0:45:36 | |
And when you come up, just walk up on the left. | 0:45:36 | 0:45:38 | |
Now, the light colour is down. | 0:45:38 | 0:45:40 | |
You didn't do it clear enough, Dad. | 0:45:40 | 0:45:42 | |
Hour-and-a-half I was out here doing it. | 0:45:42 | 0:45:44 | |
-It's nice, huh? -Looks lovely. | 0:45:44 | 0:45:46 | |
It's neat and tidy, thanks to Rob | 0:45:46 | 0:45:47 | |
and his meticulous efforts with the grass! | 0:45:47 | 0:45:50 | |
And this, now, is a nice, big room added to the house, so, it's lovely. | 0:45:50 | 0:45:55 | |
A very different feel than '50s, very different. | 0:45:55 | 0:45:58 | |
It is about leisure, isn't it? | 0:45:58 | 0:46:01 | |
With the lawn beautifully maintained, | 0:46:03 | 0:46:05 | |
it's back to the washing-up for Steph | 0:46:05 | 0:46:07 | |
as the men of the house settle down for some must-see viewing. | 0:46:07 | 0:46:10 | |
With only three channels to choose from in 1957, | 0:46:12 | 0:46:14 | |
a series on origami became appointment to view. | 0:46:14 | 0:46:18 | |
ORIENTAL-THEMED MUSIC INTRODUCTION | 0:46:18 | 0:46:20 | |
And a very big welcome to the inner sanctum. | 0:46:20 | 0:46:23 | |
Now, you can't do origami without paper. | 0:46:23 | 0:46:26 | |
-White side up, and fold this corner to that corner... -OK. | 0:46:27 | 0:46:30 | |
Make a little cross in the middle. | 0:46:30 | 0:46:32 | |
Now, having done that corner, do this corner. | 0:46:32 | 0:46:34 | |
-It's going too quickly. -Now, fold all the corners to the middle. | 0:46:34 | 0:46:38 | |
-Oh, God, I messed... -You haven't, quick. | 0:46:38 | 0:46:39 | |
-Hold those into the corner. -I messed up the folding. -You didn't. | 0:46:39 | 0:46:42 | |
I did, the corners aren't going into the right place. | 0:46:42 | 0:46:45 | |
If you're not catching up, well, never mind, | 0:46:45 | 0:46:47 | |
perhaps you will next time. I think you will if you try. | 0:46:47 | 0:46:50 | |
No, I can do it again. | 0:46:50 | 0:46:51 | |
No, you won't, you're going to miss it. | 0:46:51 | 0:46:53 | |
Fold the whole thing in half like that. | 0:46:53 | 0:46:55 | |
-It doesn't work. -Done it. Oh, I messed up what he did then. | 0:46:55 | 0:46:58 | |
Fold that side the middle. Like the door of a long cupboard. | 0:46:58 | 0:47:02 | |
-What? -Now, hold it like that, please. | 0:47:04 | 0:47:07 | |
SETH GASPS | 0:47:07 | 0:47:08 | |
And fold it in half diagonally across there. | 0:47:08 | 0:47:12 | |
Put it round the other way and you'll find it stands up like that, | 0:47:12 | 0:47:16 | |
-and really looks jolly good. -SETH LAUGHS | 0:47:16 | 0:47:18 | |
There is a water lily. | 0:47:18 | 0:47:21 | |
A beautiful decoration. | 0:47:21 | 0:47:23 | |
Whoo! | 0:47:23 | 0:47:24 | |
Huh? Not bad, is it, first time? | 0:47:27 | 0:47:30 | |
Today was great because me and Seth have spent some time together. | 0:47:32 | 0:47:35 | |
We've always had a really good relationship, | 0:47:35 | 0:47:37 | |
but he's coming to that age now | 0:47:37 | 0:47:40 | |
where he's just off out with his mates now. | 0:47:40 | 0:47:43 | |
So, a lovely day, really nice, love being with my son. | 0:47:43 | 0:47:46 | |
Ladies, it's 1968. | 0:47:51 | 0:47:53 | |
Ooh! | 0:47:53 | 0:47:55 | |
In 1968, Swinging London was setting trends around the world. | 0:47:55 | 0:47:59 | |
Today, Daisy and Steph are going to meet a '60s icon | 0:47:59 | 0:48:03 | |
who was at the heart of it all, Sandie Shaw. | 0:48:03 | 0:48:05 | |
# Like a puppet on a string... # | 0:48:05 | 0:48:09 | |
Best known for her pop hits, Sandie also ran her own fashion label. | 0:48:09 | 0:48:14 | |
-Daisy and Steph. -Yes. Hello! | 0:48:14 | 0:48:16 | |
-Hi. -Good to meet you. Hello. -Hi. | 0:48:16 | 0:48:20 | |
-Oh, I love your hair. -Thank you. -It's amazing. | 0:48:20 | 0:48:23 | |
She's going to show Daisy how '60s teenagers | 0:48:23 | 0:48:25 | |
kept up with the latest styles. | 0:48:25 | 0:48:28 | |
So, the '60s was an amazing time, | 0:48:29 | 0:48:31 | |
because it was the time of the teenager. | 0:48:31 | 0:48:34 | |
We started doing our own fashions, | 0:48:34 | 0:48:35 | |
as they weren't in the shops straight away. | 0:48:35 | 0:48:37 | |
These are the kind of colours that remind me of that time. | 0:48:37 | 0:48:41 | |
They're kind of a bit ugly. | 0:48:41 | 0:48:44 | |
There were no pretty-pretty colours, | 0:48:44 | 0:48:46 | |
no pastels or anything like that. | 0:48:46 | 0:48:47 | |
I'll show you some pictures. | 0:48:47 | 0:48:49 | |
This is like the first, the beginning of the '60s. | 0:48:49 | 0:48:51 | |
-You see the length of the dress. -Mm. It's really nice. | 0:48:51 | 0:48:54 | |
This is the middle of the '60s, where it crept higher. | 0:48:54 | 0:48:57 | |
-Your famous, famous dress. -Yes. | 0:48:57 | 0:49:01 | |
And this one is how it reached by '68, | 0:49:01 | 0:49:03 | |
that was in my own dress range. | 0:49:03 | 0:49:05 | |
It's really short, isn't it? | 0:49:05 | 0:49:08 | |
-Very short. -Did you have to wear really big knickers? | 0:49:08 | 0:49:10 | |
No, you didn't wear knickers, you wore tights. | 0:49:11 | 0:49:14 | |
STEPH GASPS | 0:49:14 | 0:49:15 | |
-And no pants? -No. | 0:49:15 | 0:49:16 | |
-Whoa! -I'm sorry, is that a bit rude? | 0:49:16 | 0:49:19 | |
The main thing about it is that we didn't look like our mums. | 0:49:19 | 0:49:22 | |
Whatever it was you wanted to do, you'd have to make yourself. | 0:49:22 | 0:49:25 | |
That was the fun of it, because you were making this whole new world | 0:49:25 | 0:49:29 | |
and they didn't know what it was about. | 0:49:29 | 0:49:31 | |
We thought we could change the world. | 0:49:31 | 0:49:33 | |
We thought we could change politics. | 0:49:33 | 0:49:34 | |
Do you know, we didn't just stop, | 0:49:34 | 0:49:37 | |
we started going outwards by '68 to see how we could | 0:49:37 | 0:49:40 | |
-change how things were, to make it more suitable for us. -Yeah. | 0:49:40 | 0:49:45 | |
It was the freedom to say and do, think and feel, as you thought fit. | 0:49:45 | 0:49:49 | |
It was that. | 0:49:49 | 0:49:51 | |
MUSIC: All Along the Watchtower by Jimi Hendrix | 0:49:52 | 0:49:55 | |
By the end of the '60s, | 0:49:55 | 0:49:56 | |
teenagers had become a powerful cultural force. | 0:49:56 | 0:49:59 | |
One in 20 teens were now going to university. | 0:49:59 | 0:50:03 | |
The availability of the pill was shaking things up. | 0:50:03 | 0:50:05 | |
And the young took to the streets to make their voices heard. | 0:50:09 | 0:50:12 | |
This generation's coming-of-age marked a shift | 0:50:14 | 0:50:16 | |
from the old, conservative values, | 0:50:16 | 0:50:17 | |
to the more liberal, progressive Britain of today. | 0:50:17 | 0:50:20 | |
Even if they weren't marching, '60s teens could still demonstrate | 0:50:22 | 0:50:25 | |
their independence with what they wore. | 0:50:25 | 0:50:29 | |
# Eagerly pursuing all the latest fads and trends | 0:50:29 | 0:50:32 | |
# Cos he's a dedicated follower of fashion. # | 0:50:32 | 0:50:38 | |
Inspired by Sandie, Daisy's having a go at some do-it-yourself fashion, | 0:50:38 | 0:50:43 | |
with mum Steph's help. | 0:50:43 | 0:50:45 | |
Beautiful, straight stitching, and you'll be done. | 0:50:45 | 0:50:47 | |
The Family Expenditure Survey shows this family in Watford | 0:50:47 | 0:50:50 | |
splashed out double their monthly mortgage payment | 0:50:50 | 0:50:52 | |
on a new sewing machine for their daughter's birthday. | 0:50:52 | 0:50:55 | |
DAISY SINGS A FANFARE | 0:50:56 | 0:50:59 | |
The mod skirt. | 0:50:59 | 0:51:00 | |
Wow! | 0:51:00 | 0:51:01 | |
The '60s must have felt like this exciting time, | 0:51:03 | 0:51:05 | |
because everything's changing. And it's more targeted at teenagers. | 0:51:05 | 0:51:09 | |
Especially for a 16-year-old girl, | 0:51:09 | 0:51:11 | |
it must have been really, really exciting | 0:51:11 | 0:51:13 | |
because it's all about you. | 0:51:13 | 0:51:14 | |
# Five, four, three, two, one... # | 0:51:14 | 0:51:18 | |
While teenagers were busy trying to change the world, | 0:51:18 | 0:51:21 | |
there was a glimmer of hope for their housebound mums. | 0:51:21 | 0:51:23 | |
They finally had a hobby of their own. | 0:51:23 | 0:51:25 | |
# Five, four, three, two, one. # | 0:51:25 | 0:51:27 | |
Bingo. | 0:51:27 | 0:51:28 | |
Leaving behind her domestic duties for the night, | 0:51:29 | 0:51:32 | |
Steph's trying her luck at this popular pastime. | 0:51:32 | 0:51:35 | |
I'm out of the kitchen. | 0:51:37 | 0:51:39 | |
I can't tell you how much it means to me to be out. | 0:51:39 | 0:51:41 | |
-It's just so great. -Scrubbing the floor? | 0:51:41 | 0:51:43 | |
With all my mates, I love it, cheers, ladies! | 0:51:43 | 0:51:45 | |
-ALL: -Cheers. | 0:51:45 | 0:51:47 | |
Gin and gambling. | 0:51:47 | 0:51:48 | |
It doesn't get any better than that, does it, surely? | 0:51:48 | 0:51:51 | |
The loosening of gambling laws earlier in the decade | 0:51:53 | 0:51:55 | |
had the unexpected consequence of creating a bingo mania. | 0:51:55 | 0:51:59 | |
At a time when pubs were still a male domain, | 0:52:01 | 0:52:03 | |
bingo halls became a popular place for '60s housewives | 0:52:03 | 0:52:06 | |
to have a bit of fun | 0:52:06 | 0:52:07 | |
and forget about the ironing for an hour or two. | 0:52:07 | 0:52:10 | |
Red nine. | 0:52:10 | 0:52:12 | |
-Blue 48. -Oh, my God, it's really fast! -White 79. | 0:52:12 | 0:52:16 | |
White 68. Blue 58. | 0:52:16 | 0:52:19 | |
Yellow 38. Yellow 40. | 0:52:19 | 0:52:22 | |
White 64. | 0:52:22 | 0:52:24 | |
I'm so stressed! | 0:52:24 | 0:52:26 | |
White 74. | 0:52:26 | 0:52:28 | |
The Expenditure Survey shows a housewife in Newcastle | 0:52:28 | 0:52:31 | |
spending four shillings on the game. | 0:52:31 | 0:52:33 | |
-Oh, I've got a line, I've got a line! -Shout! | 0:52:35 | 0:52:38 | |
-Bingo! -THEY GIGGLE | 0:52:38 | 0:52:40 | |
BINGO CALLER CONTINUES | 0:52:40 | 0:52:42 | |
Red 12. Yellow 25. | 0:52:42 | 0:52:44 | |
He's still going. | 0:52:44 | 0:52:45 | |
I'm really stressed. | 0:52:45 | 0:52:47 | |
I don't... | 0:52:48 | 0:52:49 | |
This will be good for your mind. | 0:52:49 | 0:52:51 | |
It's the only thing in the '60s that would be good for your mind | 0:52:51 | 0:52:54 | |
-as a housewife, trust me. -And the gin. | 0:52:54 | 0:52:55 | |
And the gin, actually, yeah. Here's to gin again. | 0:52:55 | 0:52:58 | |
-ALL: -Gin again. -Thank goodness for the gin. | 0:52:58 | 0:53:01 | |
I can understand why people did it in their droves, frankly. | 0:53:01 | 0:53:04 | |
Because, you know, it's just out and about having fun. | 0:53:04 | 0:53:06 | |
No men, no-one telling you what to do. | 0:53:06 | 0:53:09 | |
Relaxing. Drinking gin. | 0:53:09 | 0:53:11 | |
And maybe this was the start of actually women escaping, | 0:53:11 | 0:53:14 | |
and this was the thin end of the wedge in terms of saying, | 0:53:14 | 0:53:16 | |
"Well, I'm doing something for me, get used to it." | 0:53:16 | 0:53:19 | |
And, hopefully, this galvanised women into | 0:53:19 | 0:53:21 | |
pushing for a bit more freedom. | 0:53:21 | 0:53:23 | |
Once you get a taste of it, you don't want to let it go. | 0:53:23 | 0:53:25 | |
..42. Red 18. White 72... | 0:53:27 | 0:53:32 | |
# Ground control to Major Tom | 0:53:37 | 0:53:41 | |
# Ground control to Major Tom... # | 0:53:44 | 0:53:49 | |
It's 1969, and the family have invited friends round | 0:53:49 | 0:53:53 | |
to mark the end of the decade, and witness a very special event. | 0:53:53 | 0:53:56 | |
It's a space party. This is the landing on the moon. | 0:53:57 | 0:54:00 | |
This is, like, one of the key points in history. | 0:54:00 | 0:54:04 | |
It's quite extraordinary, we've gone from mangles | 0:54:04 | 0:54:06 | |
to landing on the moon in a handful of years. | 0:54:06 | 0:54:08 | |
This just extraordinary. | 0:54:08 | 0:54:09 | |
And if that's not worth making an Angel Delight flan for, | 0:54:09 | 0:54:13 | |
I don't know what is! | 0:54:13 | 0:54:15 | |
# This is ground control to Major Tom... # | 0:54:15 | 0:54:19 | |
I'm back to experience this decade's defining moment with the family. | 0:54:19 | 0:54:23 | |
THEY CHEER | 0:54:24 | 0:54:25 | |
-1969. -July 21. -Yep. | 0:54:27 | 0:54:29 | |
Eight days later, an even more significant thing will happen. | 0:54:29 | 0:54:32 | |
-You were born. -Spot on. | 0:54:32 | 0:54:33 | |
THEY CHEER | 0:54:33 | 0:54:34 | |
She knows, because it was big news at the time. | 0:54:34 | 0:54:36 | |
THEY GIGGLE | 0:54:36 | 0:54:38 | |
-TV ARCHIVE: -'Astronauts Neil A Armstrong, Edwin E Aldrin | 0:54:39 | 0:54:42 | |
'and Michael Collins, the three men who will make | 0:54:42 | 0:54:45 | |
'the next and most historic round-trip to the moon.' | 0:54:45 | 0:54:48 | |
On 21 July 1969, | 0:54:50 | 0:54:52 | |
one billion people tuned in to watch man's first step on the moon. | 0:54:52 | 0:54:57 | |
Even to beam the pictures from the moon to here was pretty special, | 0:54:58 | 0:55:02 | |
-let alone actually landing on it. -This is absolutely amazing. | 0:55:02 | 0:55:06 | |
I'm getting goose bumps. | 0:55:06 | 0:55:08 | |
-TV: -'If you stand on the ladder facing forward, | 0:55:08 | 0:55:10 | |
'the minus-Y strip is the landing gear to your left.' | 0:55:10 | 0:55:14 | |
INDISTINCT REPLY FROM ASTRONAUT | 0:55:14 | 0:55:16 | |
'Roger, we copy.' | 0:55:18 | 0:55:20 | |
'It's one small step for man...' | 0:55:20 | 0:55:22 | |
Wow. | 0:55:22 | 0:55:24 | |
'..one giant leap for mankind.' | 0:55:24 | 0:55:28 | |
THEY ALL GASP | 0:55:28 | 0:55:29 | |
That's amazing. | 0:55:29 | 0:55:32 | |
'Columbia, this is Houston, reading you loud and clear.' | 0:55:32 | 0:55:35 | |
That was... My heart just went, whoa! | 0:55:35 | 0:55:39 | |
The moon landing brought the decade to a close in spectacular style. | 0:55:39 | 0:55:43 | |
No party would be complete without the sausage and prawn ring. | 0:55:44 | 0:55:47 | |
THEY GASP | 0:55:47 | 0:55:49 | |
-Daisy, rude! Guests. -No! -Guests. | 0:55:49 | 0:55:52 | |
But did the '60s swing for the family? | 0:55:52 | 0:55:55 | |
So, how was the '60s for you, was it liberating? | 0:55:55 | 0:55:58 | |
Not for me, it wasn't. | 0:55:58 | 0:56:00 | |
Why not? You had exciting new utensils. | 0:56:00 | 0:56:03 | |
I had exciting new utensils, but I was still stuck in the kitchen. | 0:56:03 | 0:56:07 | |
All the liberation and the Swinging Sixties | 0:56:07 | 0:56:09 | |
was going on without me, I'm afraid. Because I'm too old. | 0:56:09 | 0:56:12 | |
I'm too old. I'm not 16. | 0:56:12 | 0:56:14 | |
# People try to put us down... # | 0:56:14 | 0:56:17 | |
I'm still chained to the kitchen sink. It's a slightly shinier sink. | 0:56:17 | 0:56:21 | |
The Swinging Sixties passed me by completely. | 0:56:21 | 0:56:25 | |
And here I am, just doing the same old thing in a different dress. | 0:56:25 | 0:56:29 | |
I think it's been quite nice, because I have | 0:56:30 | 0:56:32 | |
spent quite a lot of time with my dad through the '60s. | 0:56:32 | 0:56:35 | |
'You sort of drift away in modern day. | 0:56:35 | 0:56:37 | |
'You don't even know you're doing it because it happens so slowly.' | 0:56:37 | 0:56:40 | |
But then you suddenly realise you no longer spend any time | 0:56:40 | 0:56:44 | |
with your dad, which is kind of a bit sad. | 0:56:44 | 0:56:46 | |
# Talking about my generation... # | 0:56:46 | 0:56:50 | |
I do feel the sense that I have my own voice now, I can speak out loud. | 0:56:50 | 0:56:54 | |
I think there's a massive gateway for teenagers now | 0:56:54 | 0:56:57 | |
to just make this their own. | 0:56:57 | 0:56:59 | |
# My generation | 0:56:59 | 0:57:03 | |
# It's my generation... # | 0:57:03 | 0:57:04 | |
The '60s for me has been togetherness as a family, | 0:57:04 | 0:57:08 | |
and that's been lovely. It's been a coming together of the four of us. | 0:57:08 | 0:57:11 | |
We've done a lot more smiling and laughing together in the '60s. | 0:57:11 | 0:57:14 | |
And I got to play football in the lounge with Trevor Brooking. | 0:57:14 | 0:57:18 | |
HE LAUGHS | 0:57:18 | 0:57:20 | |
Compared to the '50s, they clearly cheered up. | 0:57:21 | 0:57:23 | |
Compared with the 21st century, yes, | 0:57:23 | 0:57:25 | |
they're still lacking in a few departments. | 0:57:25 | 0:57:27 | |
Steph is disappointed. She thought she was going to be freer. | 0:57:27 | 0:57:30 | |
But things will change, but slower than she imagined. | 0:57:30 | 0:57:32 | |
But they all acknowledge that things have looked up from the '50s | 0:57:32 | 0:57:35 | |
and, frankly, today, a man landed on the moon. So, anything could happen. | 0:57:35 | 0:57:39 | |
# Wait a minute! | 0:57:39 | 0:57:41 | |
# It isn't silly No, it isn't silly, | 0:57:41 | 0:57:45 | |
# Love isn't silly at all. # | 0:57:45 | 0:57:51 | |
Next time... | 0:57:53 | 0:57:55 | |
the family have even more time together. | 0:57:55 | 0:57:57 | |
-Who's looking forward to going camping? -Yay! -Yay! | 0:57:57 | 0:58:00 | |
I was not born to stand in a muddy field trying to put together | 0:58:00 | 0:58:03 | |
a stupid tent with no proper instructions. | 0:58:03 | 0:58:06 | |
And even more stuff to play with. | 0:58:06 | 0:58:08 | |
I've brought you a new car. | 0:58:08 | 0:58:10 | |
Like the conveyor belt stuff on The Generation Game, | 0:58:10 | 0:58:12 | |
there's this, this and a cuddly toy. | 0:58:12 | 0:58:14 | |
It's just, there's so much stuff. | 0:58:14 | 0:58:16 | |
# How can I tell you about my loved one? | 0:58:22 | 0:58:29 | |
# How can I tell you about my loved one? | 0:58:29 | 0:58:37 | |
-# I love you -How can I tell you | 0:58:37 | 0:58:41 | |
# About my loved one? # | 0:58:41 | 0:58:44 |