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We're travelling across the UK on a mission. | 0:00:01 | 0:00:04 | |
All over the country our heritage is at risk. | 0:00:04 | 0:00:08 | |
Ancient buildings and monuments are under threat of demolition. | 0:00:08 | 0:00:12 | |
Valuable arts and crafts are on the brink of extinction, | 0:00:12 | 0:00:16 | |
and our rich industrial heritage is disappearing fast. | 0:00:16 | 0:00:19 | |
We're scouring town and country | 0:00:20 | 0:00:22 | |
in search of the nation's unsung heroes, | 0:00:22 | 0:00:25 | |
determined not to let our heritage become a thing of the past. | 0:00:25 | 0:00:29 | |
Today, we meet the men fighting to save | 0:00:29 | 0:00:31 | |
one of our last great coastal defences. | 0:00:31 | 0:00:34 | |
And the people resurrecting a very heroic little boat. | 0:00:34 | 0:00:38 | |
-So, this is her, then? -This is Lady Cable. | 0:00:38 | 0:00:41 | |
On this journey we're uncovering the hidden treasures of our country. | 0:00:41 | 0:00:45 | |
Treasures that are certainly worth fighting for. | 0:00:45 | 0:00:48 | |
And meeting Heritage Heroes saving Britain at risk. | 0:00:48 | 0:00:51 | |
Right, then, John, pour the tea. | 0:01:04 | 0:01:07 | |
Here we go. Today, we're spending the whole leg of our journey | 0:01:07 | 0:01:10 | |
here in glorious Devon. | 0:01:10 | 0:01:12 | |
What it is about the great British experience that means | 0:01:12 | 0:01:15 | |
we love to sit by a busy road when there are gorgeous views to be had, | 0:01:15 | 0:01:19 | |
drinking a cup of tea? | 0:01:19 | 0:01:21 | |
I can't really understand it, Jules, can you? | 0:01:21 | 0:01:24 | |
I've no idea. But here we are in lovely Devon, and I thought, John, | 0:01:24 | 0:01:27 | |
we couldn't start our trip here without a cream tea. | 0:01:27 | 0:01:31 | |
It turned out nice, really. Yeah. | 0:01:31 | 0:01:34 | |
On this journey, we explore the glorious south-west of England. | 0:01:38 | 0:01:42 | |
We're travelling through some of our most beautiful countryside, | 0:01:42 | 0:01:46 | |
finally ending up at the western tip of the country in Cornwall. | 0:01:46 | 0:01:50 | |
From its coastal waters to its rolling hills, | 0:01:54 | 0:01:57 | |
today we explore Devon and meet the people working hard | 0:01:57 | 0:02:00 | |
to preserve some of the area's rich history. | 0:02:00 | 0:02:03 | |
Driving round here reminds me of the first time I came to this area. | 0:02:03 | 0:02:08 | |
I arrived in the dead of night. | 0:02:08 | 0:02:11 | |
It was pouring with rain, and I was 16 years old. | 0:02:11 | 0:02:14 | |
I was coming down to spend two weeks at the Naval Academy at Dartmouth. | 0:02:14 | 0:02:19 | |
I thought about joining the Navy. I fancied being a merchant marine. | 0:02:19 | 0:02:22 | |
I went along for an eyesight test. My eyes were pretty good back then. | 0:02:22 | 0:02:26 | |
As I was waiting to go in, a guy came out in tears in his 30s, | 0:02:26 | 0:02:30 | |
and he'd just failed the eyesight test. | 0:02:30 | 0:02:33 | |
That meant his career was over in those days | 0:02:33 | 0:02:35 | |
because you were not allowed to wear spectacles if you were a navigator. | 0:02:35 | 0:02:39 | |
So, I thought if a career can be based on something | 0:02:39 | 0:02:43 | |
as flimsy as that, I don't want to know. | 0:02:43 | 0:02:46 | |
But, John, think of what the nation would have lost | 0:02:46 | 0:02:49 | |
if you'd joined the Navy, and not become the legend that you now are. | 0:02:49 | 0:02:53 | |
They would have been spared so much! | 0:02:53 | 0:02:55 | |
THEY LAUGH | 0:02:55 | 0:02:57 | |
Our first stop is Torquay, | 0:03:01 | 0:03:03 | |
and the largest surviving medieval monastery in Devon, | 0:03:03 | 0:03:07 | |
with a barn where the crew from a Spanish Armada ship was imprisoned. | 0:03:07 | 0:03:11 | |
Torre Abbey was founded by an ancient order of Catholic cannons | 0:03:11 | 0:03:14 | |
in 1196. | 0:03:14 | 0:03:16 | |
At that time, it was believed you could buy your way into heaven, | 0:03:16 | 0:03:20 | |
which often lead to generous donations. | 0:03:20 | 0:03:23 | |
By the end of the 15th century, | 0:03:23 | 0:03:26 | |
the abbey was bringing in a staggering £1.8 million a year | 0:03:26 | 0:03:29 | |
that's a quarter of a billion pounds in today's money! | 0:03:29 | 0:03:33 | |
Henry VIII dissolved the monasteries in the mid-16th century. | 0:03:33 | 0:03:39 | |
Later, one of the wealthiest landowning families in Devon, | 0:03:39 | 0:03:42 | |
the Careys, made the abbey their home until the 1930s. | 0:03:42 | 0:03:45 | |
This important building has recently been opened to the public. | 0:03:45 | 0:03:49 | |
However, the abbey is still undergoing major restoration works, | 0:03:49 | 0:03:53 | |
overseen by Michael Rhodes. | 0:03:53 | 0:03:55 | |
It looks to me to be clad in concrete - is it? | 0:03:56 | 0:04:00 | |
I'm afraid it is. | 0:04:00 | 0:04:02 | |
That's hard cement, and it was put on to try and keep the damp out. | 0:04:02 | 0:04:06 | |
In fact, what's happened is that it's kept the damp in. | 0:04:06 | 0:04:10 | |
As a result of that, every lintel over every door and every window | 0:04:10 | 0:04:13 | |
is now at the end of its life - completely rotten. | 0:04:13 | 0:04:16 | |
So the wall is now becoming unstable. | 0:04:16 | 0:04:19 | |
So what's the big plan? | 0:04:19 | 0:04:20 | |
Well, first of all, we have to take the render off. | 0:04:20 | 0:04:23 | |
That will be fascinating because of the archaeology that'll be revealed. | 0:04:23 | 0:04:27 | |
There will be the mediaeval walls, | 0:04:27 | 0:04:29 | |
then the Tudor building, | 0:04:29 | 0:04:32 | |
then the late 18th-century building, | 0:04:32 | 0:04:35 | |
then the adaptations of 1740, which is what you see today, | 0:04:35 | 0:04:39 | |
and all that will be carefully recorded. | 0:04:39 | 0:04:41 | |
Then we will repair the stonework and put back lime render, | 0:04:41 | 0:04:44 | |
which will allow the building to breathe. | 0:04:44 | 0:04:46 | |
Only then will we be able to go onto the roof | 0:04:46 | 0:04:51 | |
and put a new lead roof up there. | 0:04:51 | 0:04:53 | |
There we go. | 0:04:53 | 0:04:55 | |
-John... -Wow, what a view! | 0:04:56 | 0:04:59 | |
Lovely, isn't it? | 0:04:59 | 0:05:01 | |
Fantastic vista of Torbay. | 0:05:01 | 0:05:03 | |
Staff have been known to come up here sunbathing. | 0:05:03 | 0:05:06 | |
The whole of this roof is going to have to be replaced, is it? | 0:05:07 | 0:05:11 | |
The whole thing. It's 18th century. It's patched to death. | 0:05:11 | 0:05:15 | |
It's right at its end of its life. | 0:05:15 | 0:05:16 | |
There's nothing we can do but replace it. | 0:05:16 | 0:05:19 | |
You can see why people coming in from the sea | 0:05:19 | 0:05:23 | |
couldn't fail but to notice this big house. | 0:05:23 | 0:05:27 | |
-Yes. -A house that told everybody... | 0:05:27 | 0:05:31 | |
Number one Torquay! | 0:05:31 | 0:05:32 | |
-Yes! -Absolutely. | 0:05:32 | 0:05:34 | |
And, turn this way, and we see the distant past, don't we? | 0:05:36 | 0:05:40 | |
Absolutely, the mediaeval ruins of the church, | 0:05:40 | 0:05:44 | |
and the chancel. | 0:05:44 | 0:05:46 | |
And the founder's tomb over there. | 0:05:46 | 0:05:49 | |
The great boulders of stonework from the tower, | 0:05:49 | 0:05:53 | |
and then the side chapels where masses were said for the dead, | 0:05:53 | 0:05:56 | |
which was the whole purpose of the mediaeval abbey. | 0:05:56 | 0:05:59 | |
And then, along came Henry VIII, all this was dissolved. | 0:05:59 | 0:06:03 | |
The basis on which the abbey was founded, prayers for the dead, | 0:06:03 | 0:06:07 | |
suddenly people didn't believe in it any more, | 0:06:07 | 0:06:10 | |
and the abbey became redundant. | 0:06:10 | 0:06:12 | |
And along came the Carey family, then. | 0:06:12 | 0:06:14 | |
The Carey family came here in 1662, yes. | 0:06:14 | 0:06:17 | |
Because the Careys were Catholics | 0:06:17 | 0:06:20 | |
at a time when it was a dangerous thing to be, | 0:06:20 | 0:06:23 | |
did they have hiding places in the house? | 0:06:23 | 0:06:26 | |
Well, there are stories of a priest hole. | 0:06:26 | 0:06:28 | |
Where do you think this priest hole might be? | 0:06:28 | 0:06:31 | |
Well, there's a record of a supposed priest hole | 0:06:31 | 0:06:33 | |
in one of the ground-floor rooms. | 0:06:33 | 0:06:35 | |
I don't know if that's what it is, but we've arranged for some builders | 0:06:35 | 0:06:39 | |
to uncover it today. | 0:06:39 | 0:06:41 | |
So, a secret might be revealed? | 0:06:41 | 0:06:43 | |
-It might be. -Intriguing! | 0:06:43 | 0:06:44 | |
The search is being supervised by archaeology officer Hal Bishop. | 0:06:44 | 0:06:49 | |
-Can you feel the stone behind? -No. | 0:06:49 | 0:06:52 | |
Hello, Hal. Come at a good time, have we? | 0:06:54 | 0:06:57 | |
-I think you've come at a very good time. -Have you seen this drawing? | 0:06:57 | 0:07:00 | |
Yes, it's an intriguing drawing - | 0:07:00 | 0:07:02 | |
it shows what we believe may well be a priest hole here. | 0:07:02 | 0:07:05 | |
At least, that's what they thought when they drew this 70 years ago. | 0:07:05 | 0:07:10 | |
Inevitably, there are more legends than ones that actually exist, | 0:07:10 | 0:07:13 | |
which is why this is rather an exciting moment. | 0:07:13 | 0:07:15 | |
-So, what's your hunch? -Let's wait and see. | 0:07:15 | 0:07:19 | |
Is it just the stud, or is it something else? | 0:07:20 | 0:07:23 | |
What will be behind this wall? | 0:07:27 | 0:07:29 | |
-Ah. -Ah! | 0:07:37 | 0:07:38 | |
What do you make of that, then? | 0:07:38 | 0:07:40 | |
Well, whatever that was, priest hole or fireplace, | 0:07:40 | 0:07:45 | |
it's been infilled... | 0:07:45 | 0:07:47 | |
With brick. | 0:07:47 | 0:07:48 | |
But the mystery of whether or not this was a priest hole remains. | 0:07:48 | 0:07:52 | |
For the moment, it does. | 0:07:52 | 0:07:54 | |
The Careys built up one of the largest private art collections | 0:07:57 | 0:08:01 | |
in the south-west of England. | 0:08:01 | 0:08:03 | |
It's in the process of being moved | 0:08:03 | 0:08:06 | |
so that vital restoration works can take place. | 0:08:06 | 0:08:08 | |
Several members of the Carey family still live in the area | 0:08:09 | 0:08:13 | |
and one who remembers coming here as a child | 0:08:13 | 0:08:15 | |
is Caroline Davey. | 0:08:15 | 0:08:17 | |
Your family has had connections with this abbey for centuries. | 0:08:18 | 0:08:22 | |
Yes, they lived here from about 1600, I think. | 0:08:22 | 0:08:26 | |
My mother was brought up as a child here. | 0:08:26 | 0:08:29 | |
In fact, I've got some photographs of when they moved here. | 0:08:29 | 0:08:32 | |
Where's your mother in this one? | 0:08:32 | 0:08:34 | |
That's my mother. | 0:08:34 | 0:08:36 | |
My Aunt Winifred, my grandmother. | 0:08:36 | 0:08:39 | |
And, um... That's my mother sitting on the wall. | 0:08:39 | 0:08:45 | |
And my grandfather and my grandmother, | 0:08:45 | 0:08:48 | |
and I think that is either Aunt Millie or the old nurse. | 0:08:48 | 0:08:52 | |
I think it was probable Aunt Millie. | 0:08:52 | 0:08:54 | |
What stories have you heard about the family | 0:08:54 | 0:08:57 | |
over the years here? | 0:08:57 | 0:08:59 | |
Oh, wonderful stories. | 0:08:59 | 0:09:02 | |
My grandmother would never sleep here because it was so badly haunted. | 0:09:02 | 0:09:06 | |
When she moved here she said she would have to sleep in Torquay, | 0:09:06 | 0:09:11 | |
and she never slept a night here. | 0:09:11 | 0:09:13 | |
How many ghosts were there supposed to be? | 0:09:13 | 0:09:16 | |
-Oh, the place is full of ghosts! -Really?! | 0:09:16 | 0:09:19 | |
There's a wonderful story about one of the old Lady Careys, who, | 0:09:19 | 0:09:23 | |
when she died, was so upset that she was giving up going to parties | 0:09:23 | 0:09:27 | |
that you can hear her carriage going along the path there, | 0:09:27 | 0:09:31 | |
as she's going off to her parties. | 0:09:31 | 0:09:33 | |
But you've never seen a ghost here? | 0:09:33 | 0:09:36 | |
No, but I find the Spanish barn really creepy. | 0:09:36 | 0:09:38 | |
-The where? -The Spanish barn. | 0:09:38 | 0:09:41 | |
I mean, that has a very nasty feel to it. | 0:09:41 | 0:09:44 | |
This is perhaps the spookiest place in the abbey. | 0:09:49 | 0:09:52 | |
It was built more than 800 years ago and is known as a Spanish barn | 0:09:52 | 0:09:56 | |
because during the Spanish Armada, 397 crew members from one of the galleons | 0:09:56 | 0:10:02 | |
captured by Sir Francis Drake were incarcerated in here. | 0:10:02 | 0:10:06 | |
They faced starvation. | 0:10:06 | 0:10:08 | |
Eventually, a Spanish nobleman came up with enough money for a ransom, | 0:10:08 | 0:10:12 | |
and they were set free. | 0:10:12 | 0:10:14 | |
I've found it fascinating | 0:10:16 | 0:10:18 | |
to learn about this piece of history that is now open to all of us. | 0:10:18 | 0:10:23 | |
Back on our heritage trail, we're now headed 40 miles west to Maristow, | 0:10:25 | 0:10:30 | |
to see how their gardens grow. | 0:10:30 | 0:10:32 | |
Now, I'm sure, Craven estate has its own walled garden, John. | 0:10:32 | 0:10:38 | |
We do, actually. We have a stone wall around our small garden. | 0:10:38 | 0:10:43 | |
-Well, I love a good walled garden. -I do. | 0:10:43 | 0:10:45 | |
And, of course, they were great barometers | 0:10:45 | 0:10:48 | |
in terms of the success of their owner. | 0:10:48 | 0:10:50 | |
The owner would take great pride in showing his guests | 0:10:50 | 0:10:53 | |
around the walled garden. | 0:10:53 | 0:10:55 | |
-As indeed I do. -Do you have a head gardener that you do that with? | 0:10:55 | 0:10:59 | |
Is that Mrs Craven? | 0:10:59 | 0:11:01 | |
Yes, it is. | 0:11:01 | 0:11:03 | |
Maristow House is an 18th-century mansion, just north of Plymouth. | 0:11:05 | 0:11:10 | |
Like many other great houses, it does have its own walled garden. | 0:11:10 | 0:11:15 | |
Landscape gardener Jenny TunleyPrice stumbled upon it | 0:11:15 | 0:11:18 | |
while working at the house. | 0:11:18 | 0:11:21 | |
Despite being overgrown and with crumbling buildings, Jenny set about bringing it back to life. | 0:11:21 | 0:11:26 | |
With the help of a range of groups, | 0:11:26 | 0:11:28 | |
she hopes to highlight the merits of growing your own produce, | 0:11:28 | 0:11:33 | |
and bring back heritage varieties of fruit and vegetables. | 0:11:33 | 0:11:36 | |
I was designing a garden at Maristow House. | 0:11:36 | 0:11:39 | |
One day, the builder and I came across a problem | 0:11:39 | 0:11:41 | |
that we needed to think about. | 0:11:41 | 0:11:43 | |
I decided to come for a walk and just have a jolly good think. | 0:11:43 | 0:11:48 | |
As I did so, I came through the woods here with the dogs | 0:11:48 | 0:11:51 | |
and came through the archway at the glasshouse over there, | 0:11:51 | 0:11:54 | |
and all the hairs on the back of my neck went up. | 0:11:54 | 0:11:56 | |
I thought, "Oh, goodness, this must be the walled garden from Maristow." | 0:11:56 | 0:12:00 | |
The aim of what we're trying to do here is to restore the gardens | 0:12:04 | 0:12:08 | |
to full productivity using different community projects. | 0:12:08 | 0:12:12 | |
Some of the people helping Jenny is this group doing community service. | 0:12:12 | 0:12:16 | |
It was really interesting, working with the young people on the community task force. | 0:12:16 | 0:12:20 | |
They were largely made up of a group of young people | 0:12:20 | 0:12:24 | |
from a social background that I'd never had anything to do with. | 0:12:24 | 0:12:28 | |
They wanted a chance to be able to prove themselves. | 0:12:28 | 0:12:31 | |
They want to work, and that fired me up. | 0:12:31 | 0:12:33 | |
The more I got involved, the more determined I became | 0:12:33 | 0:12:36 | |
that this was what we should be doing with this garden. | 0:12:36 | 0:12:38 | |
One of the major projects that will be running once the place is a little bit safer | 0:12:38 | 0:12:43 | |
is a horticultural therapy project for injured servicemen. | 0:12:43 | 0:12:47 | |
It's nice to hear that they're helping traumatised people | 0:12:47 | 0:12:50 | |
with rehabilitation, which is nice to hear. | 0:12:50 | 0:12:53 | |
They're trying to get the funding for that. | 0:12:53 | 0:12:56 | |
Today, there's lots of other people who have come volunteering as well. | 0:12:56 | 0:13:00 | |
The training here is not just about food and growing. | 0:13:00 | 0:13:03 | |
We look at heritage-building skills, traditional building skills, | 0:13:03 | 0:13:06 | |
traditional joinery, masonry and so on. | 0:13:06 | 0:13:09 | |
What I'm really keen to do | 0:13:09 | 0:13:11 | |
is to show that anybody can grow an apple tree against a wall or fence. | 0:13:11 | 0:13:15 | |
You can have the tiniest garden and still produce your own fruit. | 0:13:15 | 0:13:18 | |
You can have a balcony and still produce really good vegetables. | 0:13:18 | 0:13:22 | |
So, we've been growing heritage varieties of beans here, | 0:13:22 | 0:13:26 | |
showing people that they're just as easy to grow as supermarket ones. | 0:13:26 | 0:13:30 | |
The difference is, they taste fantastic. | 0:13:30 | 0:13:33 | |
Mm, very fresh. | 0:13:33 | 0:13:34 | |
I love the way they actually smell cold. | 0:13:36 | 0:13:38 | |
I've always thought that it's really nice to become self sustained anyway. | 0:13:38 | 0:13:43 | |
I kind of think that's what she's doing on a bigger scale, | 0:13:43 | 0:13:46 | |
and she's trying to grow all of this fresh produce and help people | 0:13:46 | 0:13:49 | |
and put it back into the community, and teach other people | 0:13:49 | 0:13:52 | |
how to grow their own vegetables and become more self sustained. | 0:13:52 | 0:13:56 | |
I think it's great as a county to be able to do that. | 0:13:56 | 0:14:00 | |
I'd love to be able to take this historic structure | 0:14:00 | 0:14:04 | |
and rather than preserve it in aspic as "this is what they did in 1860", | 0:14:04 | 0:14:08 | |
I want to prove that places like this can be really useful | 0:14:08 | 0:14:11 | |
and beneficial in the wider community. | 0:14:11 | 0:14:14 | |
JULES: Marching on now. We're on our way to the coast at Brixham, | 0:14:19 | 0:14:22 | |
an hour from here. | 0:14:22 | 0:14:24 | |
So many of the things that are at risk now | 0:14:25 | 0:14:28 | |
are relics of our military past. | 0:14:28 | 0:14:30 | |
Particularly the Second World War. | 0:14:30 | 0:14:32 | |
People tend to forget the south-west's role, | 0:14:32 | 0:14:35 | |
but actually, it played more of a part than many people realise. | 0:14:35 | 0:14:38 | |
There are relics it all over the place IF you know where to look. | 0:14:38 | 0:14:43 | |
Along the south coast of England, | 0:14:45 | 0:14:48 | |
boatloads of battered troops were pouring onto the quayside. | 0:14:48 | 0:14:52 | |
In the midst of the Dunkirk disaster, Churchill was convinced that a German invasion was imminent. | 0:14:52 | 0:14:58 | |
Having hailed the Dunkirk rescue as a "miracle of deliverance", | 0:14:58 | 0:15:02 | |
he was determined to strengthen Britain's position. | 0:15:02 | 0:15:04 | |
Additional coastal defence batteries were hastily built the length of the country. | 0:15:04 | 0:15:09 | |
Let's pop down into this one here. | 0:15:09 | 0:15:11 | |
This is the entrance to number two gun position. | 0:15:11 | 0:15:15 | |
Here at Brixham, retired Army officer Robbie Robinson | 0:15:15 | 0:15:19 | |
has lead the charge in setting up a heritage group to preserve the battery. | 0:15:19 | 0:15:23 | |
-Now, you said this was number two. -Yes. | 0:15:25 | 0:15:27 | |
Let's walk down the hill and see what else you've got. It's fascinating. | 0:15:27 | 0:15:31 | |
The second gun is a relic from the First World War, | 0:15:31 | 0:15:33 | |
installed in the hope that just maybe it'd be of some use. | 0:15:33 | 0:15:37 | |
And there we are at the six-pounder Hotchkiss gun position. | 0:15:39 | 0:15:43 | |
-Oh, now, then, the business end of the operation, Robbie. -Yes. | 0:15:44 | 0:15:49 | |
This was designed and built in, what, 1880s? | 0:15:49 | 0:15:53 | |
Dragged out of a museum for 1940. | 0:15:53 | 0:15:56 | |
And your lovely replica here really does give this room | 0:15:56 | 0:15:59 | |
a whole other feel, doesn't it? Does everything... Oh, it moves! | 0:15:59 | 0:16:03 | |
-Yes, yes. And here's the shell. So, you can put the shell in. -Lovely. | 0:16:03 | 0:16:09 | |
So, that's going to go in the breech. | 0:16:09 | 0:16:11 | |
Shove that up there. And then pull the breech. | 0:16:11 | 0:16:14 | |
And you're now ready. | 0:16:14 | 0:16:17 | |
Ready to fire down there. | 0:16:17 | 0:16:20 | |
But remember, the Luftwaffe launched 50 air raids on Torbay. | 0:16:20 | 0:16:25 | |
They would come in as two dots above the horizon. | 0:16:25 | 0:16:27 | |
Somebody in the battery with binoculars would see them coming in, focus on them. | 0:16:27 | 0:16:31 | |
From the moment you first saw them, | 0:16:31 | 0:16:33 | |
to the moment they're above your head, you have 9.5 seconds. | 0:16:33 | 0:16:36 | |
In those 9.5 seconds, the anti-aircraft weapons, | 0:16:36 | 0:16:39 | |
which we had above the main guns, would aim and then fire. | 0:16:39 | 0:16:43 | |
Very often, they had to fire down | 0:16:43 | 0:16:45 | |
because the guns are placed 160 feet above sea level, | 0:16:45 | 0:16:48 | |
and the German aircraft were coming in 30 feet above sea level. | 0:16:48 | 0:16:51 | |
-So these guns could come into action? -They might, as an anti-aircraft weapon. | 0:16:51 | 0:16:55 | |
-It would be a lucky hit, though, wouldn't it? -Very lucky, yes. | 0:16:55 | 0:16:58 | |
With a recent grant, Robbie and his enthusiastic squad of re-enactors, | 0:17:01 | 0:17:06 | |
have got their museum shipshape and open to the public | 0:17:06 | 0:17:10 | |
as an educational resource. | 0:17:10 | 0:17:12 | |
Well, this looks like the place I'm looking for. Hi, guys. How are you? | 0:17:13 | 0:17:17 | |
We've got the Paratroop Regiment, the Americans have turned up. | 0:17:17 | 0:17:21 | |
Mr Churchill, keeping up morale? | 0:17:21 | 0:17:23 | |
Yes. If you go through that door there, you'll find our museum. | 0:17:23 | 0:17:26 | |
I shall do as ordered, sir. Absolutely. Right. | 0:17:26 | 0:17:29 | |
Now, this is my kind of place. Look at it! | 0:17:32 | 0:17:36 | |
It's packed to the rafters with all manner of memorabilia. | 0:17:36 | 0:17:40 | |
Local film-maker Ashley Wing | 0:17:41 | 0:17:43 | |
used many of the artefacts in a film he made about the Second World War. | 0:17:43 | 0:17:47 | |
The proceeds have gone back into the centre. | 0:17:47 | 0:17:49 | |
Once the film was done and we screened it, | 0:17:49 | 0:17:52 | |
and it went to film festivals, we used it in the archive building, | 0:17:52 | 0:17:56 | |
and we had DVDs there for people to donate, you know. | 0:17:56 | 0:18:00 | |
It was like a donation thing, and it's done really well. | 0:18:00 | 0:18:04 | |
How important do you think this place is in terms of the local community? | 0:18:04 | 0:18:08 | |
It obviously played a very practical role 70 years ago, but what's its role now? | 0:18:08 | 0:18:13 | |
I guess the primary thing that it does is educate people - | 0:18:13 | 0:18:16 | |
it carries on that message and that knowledge, | 0:18:16 | 0:18:19 | |
which is very, very important - | 0:18:19 | 0:18:21 | |
you know, what happened during the war, | 0:18:21 | 0:18:24 | |
and all those kind of things. | 0:18:24 | 0:18:27 | |
I guess the main thing it does do is it brings the community together. | 0:18:27 | 0:18:32 | |
It is about getting people involved in doing something. | 0:18:32 | 0:18:35 | |
Of all the heritage sites I've been to, this is the most impressive, and I'm not biased! | 0:18:35 | 0:18:39 | |
Not at all, no! | 0:18:39 | 0:18:41 | |
What a great bunch of Heritage Heroes! | 0:18:44 | 0:18:48 | |
Now we're travelling 45 minutes north-west to Tavistock. | 0:18:48 | 0:18:51 | |
Did you ever want to be an engine driver when you were growing up? | 0:18:51 | 0:18:56 | |
I don't think I did, actually. | 0:18:56 | 0:18:58 | |
-Steam engines and all that. -No, no. I like steam. | 0:18:58 | 0:19:02 | |
You know, and I'm old enough to remember steamrollers | 0:19:02 | 0:19:07 | |
on my way home from school. | 0:19:07 | 0:19:09 | |
I can remember seeing steamrollers laying new tarmac on the road. | 0:19:09 | 0:19:14 | |
They're a lovely sight. | 0:19:14 | 0:19:16 | |
I've only seen them in shows and museums, but there's something about them - they're alive. | 0:19:16 | 0:19:20 | |
And they certainly revolutionised agriculture, didn't they? | 0:19:20 | 0:19:23 | |
The steam engine, the steam plough. | 0:19:23 | 0:19:26 | |
There's something special about those old steam engines. | 0:19:26 | 0:19:31 | |
During the 18th and 19th centuries, | 0:19:34 | 0:19:37 | |
steam power changed for ever the way the nation worked. | 0:19:37 | 0:19:40 | |
Here in Tavistock, | 0:19:47 | 0:19:49 | |
design and technology lecturer David Davies is doing all he can | 0:19:49 | 0:19:53 | |
to give our engineering heritage a future. | 0:19:53 | 0:19:56 | |
And finding an old, rusting Robey engine in a park proved to be the catalyst | 0:19:56 | 0:20:01 | |
for what's become an important engineering museum leading the way | 0:20:01 | 0:20:06 | |
in heritage restoration training. | 0:20:06 | 0:20:09 | |
It had been there for 20 years and it was totally derelict. | 0:20:09 | 0:20:12 | |
I wrote to the council and said, | 0:20:12 | 0:20:14 | |
"Please can I have it to restore with my students?" | 0:20:14 | 0:20:17 | |
They said, "Take it," and that's when it started. | 0:20:17 | 0:20:19 | |
I took it down to Plymouth and my students took it all apart, restoration started. | 0:20:19 | 0:20:24 | |
The students then said, "We're enjoying this, are there any more?" | 0:20:24 | 0:20:28 | |
So we acquired another engine and then another, and it grew. | 0:20:28 | 0:20:32 | |
No-one had really heard of the name of Robey, | 0:20:34 | 0:20:37 | |
so we made some enquiries | 0:20:37 | 0:20:39 | |
and then discovered just how big this firm really was, | 0:20:39 | 0:20:42 | |
with exports for over 120 years all over the world. | 0:20:42 | 0:20:46 | |
As soon as we found that out, we then started to look for other Robey artefacts | 0:20:46 | 0:20:51 | |
and discovered a whole range of different things that they made, | 0:20:51 | 0:20:55 | |
many of which - in different sorts - we've managed to collect here. | 0:20:55 | 0:21:00 | |
We get many questions from children right up to middle-aged people | 0:21:00 | 0:21:04 | |
and they say, "What was this used for?" | 0:21:04 | 0:21:06 | |
I can say an agricultural engine was used before the modern farm tractor. | 0:21:06 | 0:21:11 | |
This steam tractor was used before lorries. | 0:21:11 | 0:21:15 | |
So therefore people can very easily relate | 0:21:15 | 0:21:18 | |
to everything that we have here. | 0:21:18 | 0:21:20 | |
Now is the time, we feel, when the youngsters, the next generation, | 0:21:20 | 0:21:24 | |
ought to be taught these traditional skills, | 0:21:24 | 0:21:26 | |
so that when people like myself retire, and my colleagues, | 0:21:26 | 0:21:29 | |
we've got the next generation who can take on | 0:21:29 | 0:21:32 | |
the care of the nation's industrial heritage. | 0:21:32 | 0:21:35 | |
17-year-old steam engine fanatic Jack | 0:21:36 | 0:21:39 | |
has been coming here since he was ten. | 0:21:39 | 0:21:42 | |
Having recently won a technical achievement award, | 0:21:42 | 0:21:45 | |
he's a young man who quite literally lives and breathes engines. | 0:21:45 | 0:21:48 | |
The actual mechanics behind the engines | 0:21:48 | 0:21:51 | |
are really what interests me. | 0:21:51 | 0:21:53 | |
The mathematics especially. | 0:21:53 | 0:21:55 | |
I think it all leads back to when these engines were built. | 0:21:55 | 0:21:59 | |
The designers, the apprentices, they had the skills. | 0:21:59 | 0:22:03 | |
All those techniques have been lost. | 0:22:03 | 0:22:06 | |
I think it's important for people my age to develop those skills | 0:22:06 | 0:22:10 | |
because there's no-one to show us in 50 years' time. | 0:22:10 | 0:22:13 | |
I hope when I'm older that I can pass those skills on to my children. | 0:22:13 | 0:22:18 | |
I think you've got to preserve our heritage in this country. | 0:22:18 | 0:22:22 | |
On now to meet more Heritage Heroes | 0:22:28 | 0:22:31 | |
fighting to protect this region's military history. | 0:22:31 | 0:22:34 | |
This time in Totnes. | 0:22:34 | 0:22:36 | |
Were you in the Army, John, did you do national service? | 0:22:44 | 0:22:47 | |
No, I missed national service. By quite a couple of years! | 0:22:47 | 0:22:51 | |
But my dad was in the Army, | 0:22:51 | 0:22:52 | |
-he was a prisoner of war with the Japanese. -Was he? | 0:22:52 | 0:22:55 | |
In the Second World War. | 0:22:55 | 0:22:56 | |
For three-and-a-half years, my mother didn't know whether he was alive or dead. | 0:22:56 | 0:23:01 | |
My grandfather was one of the 300,000 or so that came off at Dunkirk. | 0:23:01 | 0:23:07 | |
-What, in a little boat? -In one of the little ships, yeah. | 0:23:07 | 0:23:09 | |
During the Second World War, the battle of Dunkirk | 0:23:14 | 0:23:17 | |
left hundreds of thousands of British and Allied soldiers stranded. | 0:23:17 | 0:23:21 | |
Surrounded in a shrinking pocket by German troops, | 0:23:21 | 0:23:23 | |
Prime Minister Winston Churchill dubbed it | 0:23:23 | 0:23:26 | |
"a colossal military disaster". | 0:23:26 | 0:23:28 | |
An effort was launched up and down the coast. | 0:23:28 | 0:23:30 | |
Over 700 boats of all shapes and sizes | 0:23:30 | 0:23:33 | |
were deployed in a operation | 0:23:33 | 0:23:35 | |
to rescue Allied troops from the beaches. | 0:23:35 | 0:23:37 | |
Lady Cable is one of the plucky little ships which helped save them. | 0:23:39 | 0:23:43 | |
She was the last boat out of Dunkirk. | 0:23:43 | 0:23:46 | |
We've come to meet John Duffin, | 0:23:46 | 0:23:48 | |
who is heading up the restoration of this historic vessel. | 0:23:48 | 0:23:52 | |
Once restored, this incredible piece of living history | 0:23:52 | 0:23:56 | |
will take people out onto the water to learn about the significant role | 0:23:56 | 0:23:59 | |
Lady Cable played on that remarkable rescue mission. | 0:23:59 | 0:24:03 | |
-So this is her, then? -This is Lady Cable. | 0:24:03 | 0:24:06 | |
And you can see from looking at her here how shallow she was. | 0:24:06 | 0:24:11 | |
-And therefore she was ideal for the beaches at Dunkirk. -Yeah. | 0:24:11 | 0:24:14 | |
Because she could get right in. | 0:24:14 | 0:24:16 | |
So her job was to ferry troops from the beach to bigger boats? | 0:24:16 | 0:24:20 | |
To bigger boats, yeah. | 0:24:20 | 0:24:21 | |
She did do two trips from Dunkirk to Dover with people, | 0:24:21 | 0:24:24 | |
but the rest of the time she was ferrying them to and fro. | 0:24:24 | 0:24:28 | |
-Are we allowed to go on board? -Yes. -Let's have a look. | 0:24:28 | 0:24:30 | |
You'd better lead the way, Skipper. | 0:24:32 | 0:24:34 | |
-It's a long time since she's had one of those, I suspect. -Yes. | 0:24:36 | 0:24:40 | |
Clamber over. | 0:24:40 | 0:24:41 | |
-It's like the inside of a great whale, isn't it? -Yeah. | 0:24:41 | 0:24:46 | |
Amazing! | 0:24:46 | 0:24:47 | |
And why is she in such a sorry state now? | 0:24:47 | 0:24:50 | |
Two reasons. | 0:24:50 | 0:24:52 | |
The last owner, who used her for trips, died. | 0:24:52 | 0:24:57 | |
She was left swinging around in Torquay harbour and eventually sank. | 0:24:57 | 0:25:01 | |
There was quite a bit of damage. | 0:25:01 | 0:25:02 | |
But also, because she's going to be restored | 0:25:02 | 0:25:05 | |
to the condition she was in in 1940, | 0:25:05 | 0:25:08 | |
we've had to rip out everything that wasn't original on the boat. | 0:25:08 | 0:25:12 | |
It's quite a moving thought to imagine this boat | 0:25:12 | 0:25:16 | |
in pitch darkness off the coast of northern France, | 0:25:16 | 0:25:19 | |
packed with soldiers, soaking wet, tired, cold and hungry... | 0:25:19 | 0:25:24 | |
-Under fire. -Under fire, completely demoralised. | 0:25:24 | 0:25:27 | |
And yet this boat, which was coming to give them salvation, | 0:25:27 | 0:25:30 | |
-run by civilian crews who'd never have seen anything like that. -No. | 0:25:30 | 0:25:33 | |
Do we know much about the crew at the time? | 0:25:33 | 0:25:35 | |
What we believe happened | 0:25:35 | 0:25:37 | |
is that they put on a young naval cadet called Price to skipper it, | 0:25:37 | 0:25:42 | |
with two new ratings, 19, straight out of the naval college. | 0:25:42 | 0:25:48 | |
He took it back and he was there for the remaining three days. | 0:25:48 | 0:25:53 | |
He was the one who brought her back with the French soldiers on board. | 0:25:53 | 0:25:56 | |
It'd be nice to think that when we get round to the 100th anniversary of Dunkirk, in 30 years' time, | 0:25:56 | 0:26:02 | |
this boat will once again be at sea reminding people of what went on. | 0:26:02 | 0:26:06 | |
Hopefully on a trip to Dunkirk. | 0:26:06 | 0:26:08 | |
He's itching to get going. | 0:26:08 | 0:26:11 | |
-As soon as you can set sail, you'll be off! -Yeah, yeah. | 0:26:11 | 0:26:14 | |
Dunkirk veteran Bob Jaffery remembers the evacuation vividly. | 0:26:16 | 0:26:21 | |
We just got the order through a loudspeaker, | 0:26:21 | 0:26:23 | |
"We're moving out in ten minutes. | 0:26:23 | 0:26:26 | |
"All you can take is what you stand up in and your greatcoat." | 0:26:26 | 0:26:29 | |
Just imagine it at the time, | 0:26:29 | 0:26:31 | |
these little boats spread all along the south coast of England. | 0:26:31 | 0:26:34 | |
They went out on Saturday afternoons, things like that, | 0:26:34 | 0:26:38 | |
and suddenly they were asked to go and bring an army back. | 0:26:38 | 0:26:42 | |
Well, it's unbelievable! | 0:26:42 | 0:26:44 | |
A lot of them did have a lieutenant or something in the Navy in charge, | 0:26:44 | 0:26:50 | |
but many of them were just civilians running them. | 0:26:50 | 0:26:54 | |
I think they were marvellous. They got away thousands of men. | 0:26:54 | 0:26:59 | |
Without them, it wouldn't have worked at all. | 0:26:59 | 0:27:03 | |
And for you, who, unlike all of us stood here, remembers Dunkirk, | 0:27:03 | 0:27:08 | |
seeing the Lady Cable come back to life | 0:27:08 | 0:27:12 | |
must be incredibly moving. | 0:27:12 | 0:27:13 | |
Oh, yes. I want to be alive when she is launched! | 0:27:13 | 0:27:18 | |
Will you get in her when she goes back to Dunkirk? | 0:27:18 | 0:27:21 | |
If she goes back to Dunkirk and they'll have me, yes, I will! | 0:27:21 | 0:27:25 | |
So here, Jules, we have a little ship | 0:27:29 | 0:27:31 | |
that was so much at risk in its hour of glory, wasn't it, | 0:27:31 | 0:27:35 | |
and then it was at risk because it had been abandoned, but now... | 0:27:35 | 0:27:38 | |
Hopefully it's got a very different future. | 0:27:38 | 0:27:41 | |
Just think, when it finally makes that passage back to Dunkirk, | 0:27:41 | 0:27:44 | |
under very different circumstances, what a moment that will be. | 0:27:44 | 0:27:48 | |
Who'd have thought it? | 0:27:48 | 0:27:49 | |
I've been captivated by the military history on this journey, | 0:27:56 | 0:28:00 | |
and I'm delighted that people are working hard to preserve it. | 0:28:00 | 0:28:03 | |
But as we saw with the Lady Cable, | 0:28:03 | 0:28:06 | |
it wasn't just the military striving to save lives, | 0:28:06 | 0:28:09 | |
but people like you and me. | 0:28:09 | 0:28:11 | |
Next time we'll be reaching the end of our journey through the south-west of England. | 0:28:14 | 0:28:18 | |
We'll be focusing on artistic heritage in St Ives. | 0:28:18 | 0:28:21 | |
And with a fair wind, | 0:28:21 | 0:28:23 | |
I'll be shown the ropes on this beautifully restored fishing boat. | 0:28:23 | 0:28:27 | |
You've got a work it fast now, no messing about. | 0:28:27 | 0:28:30 | |
Subtitles by Red Bee Media Ltd | 0:28:53 | 0:28:57 |