Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
'The Royal Commission is a government detective agency, | 0:00:06 | 0:00:10 | |
'set up in the same year as the FBI. | 0:00:10 | 0:00:12 | |
'Unlike the FBI, the Commission investigates the history of Wales | 0:00:12 | 0:00:16 | |
'and its case files are open to everyone. | 0:00:16 | 0:00:19 | |
'Today - The Norman town that time forgot. | 0:00:21 | 0:00:25 | |
'Does Grosmont have the oldest church roof in Wales? | 0:00:25 | 0:00:28 | |
'How a West Wales family lives a 21st Century life | 0:00:28 | 0:00:31 | |
'in an 18th Century cottage. | 0:00:31 | 0:00:33 | |
'A visit to the only full-sized handball court in Britain. | 0:00:33 | 0:00:38 | |
'And new views of Bardsey from your armchair.' | 0:00:38 | 0:00:41 | |
This is picture postcard pretty in remote north Monmouthshire. | 0:01:00 | 0:01:06 | |
We're so close to the border that there's no escaping the neighbours. | 0:01:06 | 0:01:10 | |
This though is Wales, although with an almost unique twist. | 0:01:10 | 0:01:14 | |
And it's all to do with invasion. | 0:01:14 | 0:01:17 | |
Grosmont is about as Norman as anywhere in Wales. | 0:01:22 | 0:01:26 | |
By name - gros mont, big hill. | 0:01:26 | 0:01:28 | |
And by architecture. | 0:01:28 | 0:01:30 | |
Yep, it's lovely. | 0:01:30 | 0:01:32 | |
But there's a hidden history here of strife | 0:01:32 | 0:01:34 | |
and of dreams that never quite came true. | 0:01:34 | 0:01:37 | |
'The days of glory are all around, | 0:01:42 | 0:01:44 | |
'when Grosmont was a Norman frontier town. | 0:01:44 | 0:01:47 | |
'1,000 years later, little has changed. | 0:01:47 | 0:01:50 | |
'The Royal Commission wants to date the exceptional church roof. | 0:01:50 | 0:01:54 | |
'Is it the oldest in Wales? | 0:01:54 | 0:01:56 | |
'A remarkable map from 1588 shows a town where time had stood still.' | 0:01:56 | 0:02:02 | |
The Elizabethan car boot sale! What have we got here? | 0:02:02 | 0:02:05 | |
This is one of the treasures of Grosmont. | 0:02:05 | 0:02:07 | |
It's a birds-eye view of the town, | 0:02:07 | 0:02:09 | |
showing all the elements of the town as it was in 1588, | 0:02:09 | 0:02:13 | |
the year of the Armada. | 0:02:13 | 0:02:15 | |
So we can see the key buildings. | 0:02:15 | 0:02:17 | |
The castle facing the church here with the central tower. | 0:02:17 | 0:02:22 | |
And then the main street with rows of houses on either side. | 0:02:25 | 0:02:29 | |
I think the point is that it shows all these buildings | 0:02:32 | 0:02:35 | |
which defined the town and the buildings are still here. | 0:02:35 | 0:02:40 | |
It's spread over a huge area. There's the mountain behind. | 0:02:40 | 0:02:44 | |
If that's all there is in 1588, does that mean | 0:02:44 | 0:02:47 | |
it hadn't become the dream town the Normans had imagined? | 0:02:47 | 0:02:51 | |
The map doesn't show everything. | 0:02:51 | 0:02:53 | |
It doesn't show all the houses, for example. | 0:02:53 | 0:02:55 | |
But yes, Grosmont is a case of a rested development. | 0:02:55 | 0:02:58 | |
It gets so far, and then it stops and becomes fossilised. | 0:02:58 | 0:03:01 | |
The interest of Grosmont is that we can actually examine a town | 0:03:01 | 0:03:05 | |
as it was in the late Medieval period. | 0:03:05 | 0:03:07 | |
'While they were still conquering England, | 0:03:07 | 0:03:10 | |
'the Normans turned their attention to Wales | 0:03:10 | 0:03:13 | |
'and their first castle here was Chepstow, built in 1067, | 0:03:13 | 0:03:17 | |
'a year after the invasion. | 0:03:17 | 0:03:19 | |
'Chepstow was the most southern of a chain of castles on the borders. | 0:03:19 | 0:03:23 | |
'The Normans quickly established three others. | 0:03:23 | 0:03:26 | |
'White Castle, Skenfrith and Grosmont.' | 0:03:26 | 0:03:29 | |
They're real statements of power. | 0:03:33 | 0:03:35 | |
They're expressions of the Anglo Norman ability to command men and resources. | 0:03:35 | 0:03:40 | |
They dominate the landscape, they're very difficult to attack, | 0:03:40 | 0:03:43 | |
and they're essentially imperial statements really in stone. | 0:03:43 | 0:03:48 | |
The contrast between the stone castles and the timber dwellings | 0:03:48 | 0:03:52 | |
is a very stark one. | 0:03:52 | 0:03:54 | |
But more than that, it's a good agricultural region | 0:03:54 | 0:03:58 | |
and they wanted to establish a prosperous settlement. | 0:03:58 | 0:04:01 | |
'Grosmont has an illustrious royal history. | 0:04:03 | 0:04:07 | |
'Henry III, Henry IV and Henry V | 0:04:07 | 0:04:09 | |
'were all associated with the fortified town. | 0:04:09 | 0:04:12 | |
'Indeed, Henry V, who was born in Monmouth, | 0:04:12 | 0:04:15 | |
'cut his teeth here, defeating the forces of Owain Glyndwr. | 0:04:15 | 0:04:18 | |
'Professor Ralph Griffiths sees Grosmont | 0:04:18 | 0:04:21 | |
'as a crucial stronghold for the English monarchy.' | 0:04:21 | 0:04:24 | |
Kings have always been interested in this part of the world, | 0:04:26 | 0:04:29 | |
ever since the Norman conquest. | 0:04:29 | 0:04:31 | |
It was a major defensive guardian of the of the route way, | 0:04:31 | 0:04:35 | |
which went from the plain of Hereford | 0:04:35 | 0:04:37 | |
down to the plain of Monmouth and Abergavenny. | 0:04:37 | 0:04:39 | |
But it is remarkable that this was... | 0:04:39 | 0:04:42 | |
You know, with Henry V born in Monmouth nearby, | 0:04:42 | 0:04:44 | |
with Henry III coming from here, | 0:04:44 | 0:04:46 | |
we're talking about a vibrant piece of Welsh history here. | 0:04:46 | 0:04:51 | |
Henry V, at the time of his birth, | 0:04:51 | 0:04:53 | |
was the grandson of the Duke of Lancaster, John of Gaunt. | 0:04:53 | 0:04:57 | |
So it's not surprising that he spent a certain amount of time in his youth | 0:04:57 | 0:05:02 | |
here in this part of the world, | 0:05:02 | 0:05:04 | |
before his father seized the throne as King Henry IV in 1399. | 0:05:04 | 0:05:10 | |
Of course, it was taken. A certain Owain Glyndwr. | 0:05:10 | 0:05:14 | |
Henry V, at the age of 18, | 0:05:14 | 0:05:16 | |
led an army and confronted Owain just outside the castle. | 0:05:16 | 0:05:21 | |
He was successful and the Welsh were defeated. | 0:05:24 | 0:05:28 | |
It could be a bit disturbing that the hero of Agincourt | 0:05:29 | 0:05:33 | |
actually practised on the Welsh. | 0:05:33 | 0:05:36 | |
It's quite common amongst historians to say that he cut his teeth | 0:05:37 | 0:05:42 | |
as a military commander in Wales, that's true. | 0:05:42 | 0:05:46 | |
The forces he had with him, we don't know a great deal about them, | 0:05:46 | 0:05:49 | |
but it's quite likely that he had archers and pikemen | 0:05:49 | 0:05:53 | |
who were drawn from the Duchy of Lancaster estates. | 0:05:53 | 0:05:57 | |
So men of Gwent, which is a common phrase, just like Men of Harlech, | 0:05:57 | 0:06:00 | |
after the defenders of Harlech against Glyndwr. | 0:06:00 | 0:06:03 | |
Men of Gwent were probably the archers who served with him | 0:06:03 | 0:06:08 | |
both in Grosmont as well as in France. | 0:06:08 | 0:06:12 | |
The centrepiece of the castle is this eye-catching chimney, | 0:06:15 | 0:06:18 | |
built in the 14th Century, | 0:06:18 | 0:06:20 | |
when three storeys of comfortable new apartments were added. | 0:06:20 | 0:06:24 | |
But the oldest part of the castle dates from the 12th Century. The Great Hall. | 0:06:24 | 0:06:28 | |
So this is downstairs life, is it? This was the kitchens? | 0:06:28 | 0:06:31 | |
This was life on the ground floor. This was a kitchen wing. | 0:06:31 | 0:06:35 | |
People scurrying everywhere, being shouted at by the chef! | 0:06:35 | 0:06:39 | |
That's right! With the fire place at the gable end. | 0:06:39 | 0:06:43 | |
-But the real business was on the first floor. -Up there? -Yes. | 0:06:43 | 0:06:46 | |
-The Great Hall. -The Great Hall, yes. | 0:06:46 | 0:06:49 | |
And entered from that doorway there, | 0:06:49 | 0:06:51 | |
probably by wooden steps that have long gone. | 0:06:51 | 0:06:55 | |
The Great Hall is a place where the lord entertains | 0:06:55 | 0:06:59 | |
and it's just where he shows how powerful he is really. | 0:06:59 | 0:07:03 | |
We're missing a floor, but above all, we're missing the roof. | 0:07:03 | 0:07:07 | |
The roofs were tremendous pieces of carpentry. | 0:07:07 | 0:07:10 | |
Very few 13th Century roofs have survived. | 0:07:10 | 0:07:13 | |
But if you want to see a roof | 0:07:13 | 0:07:15 | |
like the one that formally covered the hall, | 0:07:15 | 0:07:17 | |
all we have to do is go to the church. | 0:07:17 | 0:07:19 | |
-Let's do that. -Let's do that. | 0:07:19 | 0:07:22 | |
'As the Royal Commission's buildings expert, | 0:07:27 | 0:07:29 | |
'Richard has been wanting to find out | 0:07:29 | 0:07:31 | |
'if Grosmont Church has the oldest roof in Wales. | 0:07:31 | 0:07:35 | |
'A few weeks before our visit, he commissioned a test to date the timber. | 0:07:35 | 0:07:39 | |
'But first, Richard wanted to show me the interior, | 0:07:39 | 0:07:43 | |
'which speaks of another age.' | 0:07:43 | 0:07:45 | |
You've heard of the shock of the new, | 0:07:51 | 0:07:53 | |
but this is the shock of the old! | 0:07:53 | 0:07:55 | |
This space is more or less as it would have been in the 13th Century. | 0:07:55 | 0:08:01 | |
This is what it was. No pews. | 0:08:01 | 0:08:03 | |
Absolutely. No pews, an open space. | 0:08:03 | 0:08:05 | |
This big arcade with the heavy, round pillars. | 0:08:07 | 0:08:12 | |
And above all, the roof. We don't often look upwards in a church. | 0:08:13 | 0:08:18 | |
I think we're meant to! | 0:08:18 | 0:08:20 | |
But this roof seems to be part and parcel of a 13th Century church. | 0:08:23 | 0:08:28 | |
How rare is this? | 0:08:28 | 0:08:31 | |
This one is unusual. It's simple and it's very functional. | 0:08:31 | 0:08:35 | |
It pre-dates the ornate roofs of the 15th and 16th centuries. | 0:08:35 | 0:08:39 | |
How old it is is difficult to determine, except scientifically. | 0:08:39 | 0:08:44 | |
So we've tree ring dated the roof and we now know what date it is. | 0:08:44 | 0:08:50 | |
'Jean Prosser, the Vicar of Grosmont, is on tenterhooks | 0:08:51 | 0:08:54 | |
'to find out if the roof is indeed the oldest in Wales.' | 0:08:54 | 0:08:57 | |
We've had the information back from the Oxford Dendro Lab, | 0:08:57 | 0:09:01 | |
and we have a felling date range of 1214 to 1244. | 0:09:01 | 0:09:05 | |
-My goodness! -I know. It is an extraordinary result. | 0:09:05 | 0:09:10 | |
It certainly means that the church, the nave, the roof, | 0:09:10 | 0:09:15 | |
is contemporary with the castle, built by Hubert de Burgh, | 0:09:15 | 0:09:19 | |
as part of a campaign of setting up the borough. | 0:09:19 | 0:09:22 | |
It means that this is the earliest scientifically dated roof in Wales | 0:09:22 | 0:09:26 | |
and one of the earliest in Britain. | 0:09:26 | 0:09:28 | |
So all in all, it's fantastic. | 0:09:28 | 0:09:31 | |
-And there's more! -Really? | 0:09:31 | 0:09:33 | |
Not only do we have a date range, | 0:09:34 | 0:09:36 | |
but it fits in very well with the documentation. | 0:09:36 | 0:09:38 | |
In 1227, the Crown granted Hubert de Burgh 50 oaks | 0:09:38 | 0:09:42 | |
for his building works. | 0:09:42 | 0:09:44 | |
50 oaks is a lot of timber, | 0:09:44 | 0:09:46 | |
so certainly a lot was used in the castle. | 0:09:46 | 0:09:49 | |
But I think, almost certainly, some of these oaks were used here. | 0:09:49 | 0:09:53 | |
-These are still the oaks up here. -That's right. | 0:09:53 | 0:09:56 | |
We haven't repaired them. We've done a little bit of strengthening, | 0:09:56 | 0:10:00 | |
but essentially, it's the same roof. | 0:10:00 | 0:10:03 | |
After 800 years, that's quite extraordinary. | 0:10:03 | 0:10:05 | |
We've done much more work to the Victorian restoration | 0:10:05 | 0:10:09 | |
than we've ever done to this! | 0:10:09 | 0:10:12 | |
That's a credit to the Medieval builders! | 0:10:12 | 0:10:14 | |
So not only the earliest scientifically dated roof in Wales, | 0:10:14 | 0:10:18 | |
but the earliest documented roof in Wales. | 0:10:18 | 0:10:20 | |
So if these oaks were felled in the 1220s, | 0:10:24 | 0:10:28 | |
the acorns from which they grew, well, they began to sprout | 0:10:28 | 0:10:32 | |
not long after the Norman invasion of 1066. | 0:10:32 | 0:10:36 | |
And perhaps the reason they survive | 0:10:36 | 0:10:38 | |
is because Grosmont didn't remain a mighty Norman fortress, | 0:10:38 | 0:10:42 | |
but rather hid its histories away in picture postcard peacefulness. | 0:10:42 | 0:10:47 | |
'To anyone who knows Bardsey, it seems inconceivable | 0:10:57 | 0:11:01 | |
'that the place has changed much over the centuries. | 0:11:01 | 0:11:04 | |
'But my eyes have been opened by work undertaken by the Royal Commission | 0:11:06 | 0:11:10 | |
'as part of People's Collection Wales, | 0:11:10 | 0:11:12 | |
'an online history of Wales.' | 0:11:12 | 0:11:14 | |
This is an exciting project | 0:11:14 | 0:11:16 | |
which allows you to view the history of Wales | 0:11:16 | 0:11:19 | |
in the comfort of your own home on your own computer. | 0:11:19 | 0:11:22 | |
'This is how Bardsey may have looked in the Iron Age. | 0:11:23 | 0:11:26 | |
'The houses were turf or stone walled. | 0:11:26 | 0:11:28 | |
'By around 1000 AD, the island reputed to be the burial place | 0:11:34 | 0:11:39 | |
'of 20,000 saints was an important Christian site. | 0:11:39 | 0:11:43 | |
'The early monastery was a humble affair. | 0:11:43 | 0:11:46 | |
'Monks may well have lived in circular huts nearby | 0:11:46 | 0:11:50 | |
'in outhouses which may also have housed a kitchen, | 0:11:50 | 0:11:53 | |
'refectory and guest accommodation. | 0:11:53 | 0:11:56 | |
'By 1400 AD, monasticism was at its height | 0:11:57 | 0:12:02 | |
'and the large Augustinian abbey dominated the landscape. | 0:12:02 | 0:12:05 | |
'The most striking aspect of the abbey was its whitewashed walls. | 0:12:05 | 0:12:10 | |
'At least five of the windows had stained glass. | 0:12:12 | 0:12:16 | |
'There may well have been a covered walkway joining the abbey | 0:12:18 | 0:12:21 | |
'to a lady chapel. | 0:12:21 | 0:12:23 | |
'By the mid-18th Century, croft style farming was well established. | 0:12:25 | 0:12:29 | |
'There was also an old chapel, in those days used as a schoolhouse. | 0:12:32 | 0:12:37 | |
'Today it is a visitor centre. | 0:12:37 | 0:12:39 | |
'By the 1890s, Bardsey's owner, Lord Newborough, | 0:12:41 | 0:12:45 | |
'had replaced the old crofts with more modern farmhouses. | 0:12:45 | 0:12:48 | |
'He also built a new chapel alongside the older chapel | 0:12:48 | 0:12:53 | |
'which was still used as a school and community centre. | 0:12:53 | 0:12:56 | |
'The lighthouse had been built in 1821. | 0:12:56 | 0:12:59 | |
'Bardsey's hidden history can be seen on the People's Collection.' | 0:13:03 | 0:13:08 | |
On this side it's a bit forbidding, a bit like a prison wall | 0:13:11 | 0:13:14 | |
which, of course, would have its own history. | 0:13:14 | 0:13:17 | |
But on this side it's the handball court of Nelson in Caerphilly. | 0:13:17 | 0:13:23 | |
It's so unique that it's worthy of being recorded | 0:13:23 | 0:13:26 | |
by the Royal Commission. | 0:13:26 | 0:13:27 | |
Handball. It's not fives, that's English, | 0:13:27 | 0:13:30 | |
it's not handball as played in the Olympics | 0:13:30 | 0:13:32 | |
it's not squash because that has a racquet. | 0:13:32 | 0:13:35 | |
It's Welsh handball and like the court, it's unique. | 0:13:35 | 0:13:38 | |
'It claims to be the only full sized handball court | 0:13:40 | 0:13:44 | |
'built on mainland Britain. | 0:13:44 | 0:13:46 | |
'Now, I'm a sporting lad but I have to confess | 0:13:48 | 0:13:51 | |
'I've never before come across the game.' | 0:13:51 | 0:13:53 | |
Here I am. I'm new to Nelson, I quite fancy his game. | 0:13:55 | 0:13:58 | |
What are the rules? | 0:13:58 | 0:14:00 | |
The rules of the game. | 0:14:00 | 0:14:03 | |
If you see that little square at the the front there | 0:14:03 | 0:14:06 | |
that originally had a flat stone for the service to start. | 0:14:06 | 0:14:09 | |
One bounce and that would be returned to the front wall. | 0:14:09 | 0:14:12 | |
-You can use the side walls? -You can use the side walls. | 0:14:12 | 0:14:15 | |
That's why they're skewed out | 0:14:15 | 0:14:17 | |
so they direct the ball onto the front wall. | 0:14:17 | 0:14:20 | |
-Play vollies? -Vollies. -Both hands? -Both hands. | 0:14:20 | 0:14:23 | |
Open hand, closed fist. As long as it was returned to the front wall. | 0:14:23 | 0:14:28 | |
Time to take on the Royal Commission about why they're interested. | 0:14:29 | 0:14:33 | |
I'll take the first point there. | 0:14:33 | 0:14:34 | |
Utterly hopeless! | 0:14:34 | 0:14:36 | |
Not a bad use for a pub wall. | 0:14:40 | 0:14:42 | |
The air shot! The air shot! | 0:14:42 | 0:14:45 | |
Do you think, if it had remained a pub wall, | 0:14:48 | 0:14:51 | |
that you wouldn't have become involved? | 0:14:51 | 0:14:53 | |
Probably not, no. | 0:14:53 | 0:14:55 | |
It's a fantastic structure and a very rare survival in South Wales. | 0:14:55 | 0:14:59 | |
It's the only handball court left in South Wales. | 0:14:59 | 0:15:02 | |
It was very popular in the late part of the 19th Century. | 0:15:02 | 0:15:05 | |
The idea of it being built by the Irish for the Irish... | 0:15:05 | 0:15:08 | |
Yeah, right next to the pub to attract all the pub-goers. | 0:15:08 | 0:15:12 | |
What were they doing? Working on the railway line? | 0:15:12 | 0:15:15 | |
Yeah. In the 1860s, we had the two railway lines coming close to Nelson | 0:15:15 | 0:15:19 | |
so there was a community move to work on the railways. | 0:15:19 | 0:15:22 | |
They were looking to develop sports they'd known in Ireland | 0:15:22 | 0:15:25 | |
and handball's a very popular sport in Ireland. | 0:15:25 | 0:15:28 | |
'After the heyday of handball the court fell into disrepair | 0:15:28 | 0:15:32 | |
'and another court got involved | 0:15:32 | 0:15:35 | |
'when the local council wanted to demolish it.' | 0:15:35 | 0:15:37 | |
The Welsh Handball Association took them to county court. | 0:15:40 | 0:15:43 | |
Fortunately, the judge who was hearing the case, | 0:15:44 | 0:15:47 | |
his father played fives. | 0:15:47 | 0:15:49 | |
When I explained to him what the position was | 0:15:50 | 0:15:53 | |
he told the barrister for the council | 0:15:53 | 0:15:56 | |
to reconsider what they were doing. | 0:15:56 | 0:15:58 | |
-Excellent. -Within three months, the court was renovated | 0:15:58 | 0:16:02 | |
CADW came up and supervised it and put it back to its original state. | 0:16:02 | 0:16:08 | |
'Until about 30 years ago, handball players in Nelson | 0:16:11 | 0:16:14 | |
'thought they were a one-off. | 0:16:14 | 0:16:16 | |
'Then they heard of other handball players overseas.' | 0:16:16 | 0:16:19 | |
These are American. | 0:16:20 | 0:16:22 | |
It's actually the world championships in Canada we went to. | 0:16:22 | 0:16:25 | |
Any good? How did you get on? | 0:16:25 | 0:16:26 | |
I'd lost in the semi but one of our boys won the singles | 0:16:26 | 0:16:30 | |
and I think we had a doubles runner up. | 0:16:30 | 0:16:33 | |
-30 years ago when you thought this was the only... -Court in the world. | 0:16:33 | 0:16:37 | |
Tell me how you made your balls then. | 0:16:37 | 0:16:39 | |
Then we'd get a tennis ball, we'd get a Stanley knife razor blade | 0:16:39 | 0:16:44 | |
and we'd shave the fur off because you can't hit the ball with the fur | 0:16:44 | 0:16:48 | |
because it takes the skin off your hand with the friction. | 0:16:48 | 0:16:51 | |
We'd play with those. | 0:16:51 | 0:16:53 | |
We thought we had world championships just for us | 0:16:53 | 0:16:55 | |
because we thought we were the only ones in the world to play it. | 0:16:55 | 0:16:59 | |
-That was your hidden history. -Yes, it was. | 0:16:59 | 0:17:01 | |
Unfortunately, we found out the Irish and Americans played it... | 0:17:01 | 0:17:04 | |
And now you've seen the world with it. | 0:17:04 | 0:17:06 | |
Canada, America, Ireland, France, Germany, Italy. | 0:17:06 | 0:17:09 | |
We've been to these places playing their version of handball | 0:17:09 | 0:17:13 | |
and we bring them here. | 0:17:13 | 0:17:14 | |
We had the first European championships in '86...erm, '96. | 0:17:14 | 0:17:18 | |
We had countries from all over Europe and the Americans came over. | 0:17:18 | 0:17:22 | |
That introduced the village to a global version of the game. | 0:17:22 | 0:17:27 | |
Who have we got here? One of the immortals? | 0:17:32 | 0:17:35 | |
This is William Griffiths, who was the handball champion of Tonypandy. | 0:17:35 | 0:17:40 | |
His handball was played out of Porth | 0:17:40 | 0:17:43 | |
and it was twinned with this old court in Nelson. | 0:17:43 | 0:17:46 | |
In the 1850s, there were big-money games played on the two courts | 0:17:46 | 0:17:52 | |
on a home and away basis. | 0:17:52 | 0:17:54 | |
Any idea of the purse? | 0:17:54 | 0:17:55 | |
Purses at the time were around about £50 a side or £100 a side. | 0:17:55 | 0:18:01 | |
Such was the interest generated in these games, | 0:18:01 | 0:18:04 | |
people were known to bet their pigs on the outcome. | 0:18:04 | 0:18:08 | |
'Although handball was mainly a working class sport in South Wales, | 0:18:11 | 0:18:16 | |
'the old social distinctions were never far away.' | 0:18:16 | 0:18:20 | |
Down in Cardiff, I've got to show you this, | 0:18:20 | 0:18:22 | |
this is for a fives court, a related sport, but this is Cardiff. | 0:18:22 | 0:18:27 | |
I just love the line... | 0:18:27 | 0:18:29 | |
"On Mondays and Saturdays the court will be open for boys and members of the industrious classes, | 0:18:29 | 0:18:35 | |
"but on the remaining four days the court will be kept exclusively for parties of respectability." | 0:18:35 | 0:18:41 | |
The industrious classes were the people | 0:18:41 | 0:18:44 | |
who would play with bare hands. | 0:18:44 | 0:18:46 | |
The more posh, like yourself, Ed, would play with a racquet. | 0:18:46 | 0:18:50 | |
You'd pay a bit more money to use a racquet. | 0:18:50 | 0:18:53 | |
-Kid gloves, me. -That's it. | 0:18:53 | 0:18:55 | |
It was nearly lost. | 0:18:56 | 0:18:58 | |
It nearly came down and it was saved by a good old judgement. | 0:18:58 | 0:19:02 | |
Is that the reason the Royal Commission exists, | 0:19:02 | 0:19:05 | |
to make sure that doesn't happen again? | 0:19:05 | 0:19:08 | |
Our role is to increase awareness of structures like this | 0:19:08 | 0:19:12 | |
so hopefully its long-term survival is assured. | 0:19:12 | 0:19:15 | |
'If the traditional Welsh cottage is in sharp decline, | 0:19:26 | 0:19:30 | |
'there are examples of how they can meet today's standards of comfort | 0:19:30 | 0:19:34 | |
'without losing their integrity. | 0:19:34 | 0:19:37 | |
'This is Pantyrhwch Cottage near Lampeter | 0:19:37 | 0:19:40 | |
'which retains original features while using renewable technology. | 0:19:40 | 0:19:45 | |
'Martin and Ann Jones have been living at Pantyrhwch with their daughter since 2008. | 0:19:49 | 0:19:55 | |
'Their new home is a labourer's cottage built around 1750. | 0:19:55 | 0:20:00 | |
'At first they wanted a complete renovation | 0:20:01 | 0:20:04 | |
'but then fell in love with the house and the simpler lifestyle.' | 0:20:04 | 0:20:09 | |
It was as I got to know the place a bit better | 0:20:09 | 0:20:11 | |
I found that a lot of original features were still there. | 0:20:11 | 0:20:15 | |
We came here with plans of doing a standard rebuild | 0:20:15 | 0:20:20 | |
and it was only when I started to see all the bits and pieces | 0:20:20 | 0:20:24 | |
that we didn't want to lose them. | 0:20:24 | 0:20:26 | |
There aren't many of them left. | 0:20:26 | 0:20:28 | |
I felt a bit of a vandal really, to destroy them and take them out. | 0:20:28 | 0:20:33 | |
'Richard Suggett is intrigued by what he's heard | 0:20:34 | 0:20:38 | |
'and is here as part of the Commission's research on Welsh cottages.' | 0:20:38 | 0:20:41 | |
This is perfection, Martin. | 0:20:41 | 0:20:43 | |
You never know what to expect from the outside | 0:20:43 | 0:20:46 | |
but this is fantastic. | 0:20:46 | 0:20:48 | |
You have all the features, from the fireplace to the quarry tile floor. | 0:20:48 | 0:20:54 | |
This is a remarkable fireplace, Martin. | 0:20:54 | 0:20:56 | |
It's a fireplace hood, isn't it? What's the structure here? | 0:20:56 | 0:21:01 | |
It's lath and plaster from here on up to the chimney. | 0:21:01 | 0:21:06 | |
Now, some of them are lath and plaster, | 0:21:06 | 0:21:09 | |
some of them are wickerwork. | 0:21:09 | 0:21:11 | |
Either way, they're a fire risk. | 0:21:11 | 0:21:15 | |
Yes, and that may be one of the reasons | 0:21:15 | 0:21:18 | |
-there aren't so many left around. -Absolutely! | 0:21:18 | 0:21:22 | |
The reason we're able to keep it is that we've got | 0:21:22 | 0:21:25 | |
the wood-burning stove and an insulated pipe. | 0:21:25 | 0:21:28 | |
You would never have dared to have an open fire. | 0:21:28 | 0:21:32 | |
Not any more. | 0:21:32 | 0:21:34 | |
I'm very impressed that you've retained your quarry tile floor. | 0:21:34 | 0:21:38 | |
Lots of people just rip them up. | 0:21:38 | 0:21:40 | |
Yes, they're all original throughout the house. | 0:21:40 | 0:21:43 | |
There are various ages of quarry tile here. | 0:21:43 | 0:21:47 | |
These are the oldest. | 0:21:47 | 0:21:48 | |
They're hand-made. They've been set in lime mortar. | 0:21:48 | 0:21:52 | |
We don't get the dampness coming through. | 0:21:52 | 0:21:54 | |
It's a full breathing floor. | 0:21:54 | 0:21:56 | |
I'm very impressed with these windows, Martin. | 0:21:56 | 0:21:59 | |
I wondered whether they were genuine. | 0:21:59 | 0:22:02 | |
It's not a usual sash window or a usual casement. | 0:22:02 | 0:22:06 | |
No, it's got a central pivot on it which works very nicely | 0:22:06 | 0:22:11 | |
and much easier to work than a sash window. | 0:22:11 | 0:22:15 | |
-So you undo the catches... -And it pivots. | 0:22:16 | 0:22:19 | |
And it pivots, yeah. | 0:22:19 | 0:22:21 | |
It's all wood. I have seen these but in metal. | 0:22:21 | 0:22:25 | |
It's interesting to see these - timber replicating metal. | 0:22:25 | 0:22:29 | |
The glass, again, the windows are all original. | 0:22:29 | 0:22:33 | |
We've had to do some repair on the bottom | 0:22:33 | 0:22:35 | |
but most of it is original cylinder glass. | 0:22:35 | 0:22:39 | |
We've had to replace a few of the panes, that's all. | 0:22:39 | 0:22:42 | |
And the finish is very good. It looks like new. | 0:22:42 | 0:22:45 | |
Wonderfully thin glazing bars. | 0:22:45 | 0:22:48 | |
It's a model window we could use today. | 0:22:48 | 0:22:51 | |
It works very functionally. Easy to clean, easy to paint. | 0:22:51 | 0:22:55 | |
'Indeed, the cylinder glass had to be ordered from France | 0:22:56 | 0:23:00 | |
'as Martin couldn't source a UK supplier. | 0:23:00 | 0:23:03 | |
'Martin and Ann have not only downsized, | 0:23:03 | 0:23:06 | |
'they've embraced a simpler life | 0:23:06 | 0:23:08 | |
'with a balance between conservation and innovation.' | 0:23:08 | 0:23:12 | |
We've tried to keep all the period features intact, | 0:23:12 | 0:23:16 | |
but we were having to re-lay the quarry tile floor. | 0:23:16 | 0:23:22 | |
So we put in under-floor heating and we run the under-floor heating | 0:23:22 | 0:23:28 | |
with a very modern ground source heat pump | 0:23:28 | 0:23:31 | |
which satisfies the conservation side and ecological side as well. | 0:23:31 | 0:23:37 | |
'A prime example of Martin and Ann's thoughtful modernity | 0:23:37 | 0:23:41 | |
'is that they've opted to use geothermal energy | 0:23:41 | 0:23:44 | |
'for under-floor heating.' | 0:23:44 | 0:23:46 | |
We don't want to preserve for preserving's case. | 0:23:46 | 0:23:49 | |
This is a living home | 0:23:49 | 0:23:51 | |
that I hope is going to be here for future generations. | 0:23:51 | 0:23:55 | |
We've kept everything we could but at the same time | 0:23:55 | 0:23:58 | |
made sure that it functions to a good standard in this day and age. | 0:23:58 | 0:24:03 | |
I like these doors very much, Martin. | 0:24:04 | 0:24:06 | |
It's all original including the ironwork. | 0:24:06 | 0:24:09 | |
The handle, I'm afraid, is a bit of my woodwork, | 0:24:09 | 0:24:13 | |
but it's an exact replica of what was there. | 0:24:13 | 0:24:16 | |
Unfortunately, the original has gone. | 0:24:16 | 0:24:18 | |
So a plank door - three planks, blacksmith-made strap hinges. | 0:24:18 | 0:24:24 | |
You've reproduced what was here with this handle. | 0:24:24 | 0:24:27 | |
What have we got here, Martin? | 0:24:27 | 0:24:31 | |
Well, the old llaethdy as it would have been, | 0:24:31 | 0:24:34 | |
but we don't need a llaethdy but we do need a bathroom. | 0:24:34 | 0:24:38 | |
A tin bath in front of the fireplace is not for me. | 0:24:38 | 0:24:42 | |
And a bathroom in a cottage much better downstairs. | 0:24:42 | 0:24:45 | |
Yes, we can keep all the plumbing downstairs | 0:24:45 | 0:24:48 | |
and keep the plaster work in place. | 0:24:48 | 0:24:51 | |
Well, this is a surprise, Martin. What's all this about? | 0:24:51 | 0:24:56 | |
It's an ingenious way of getting from downstairs to upstairs in half the distance | 0:24:56 | 0:25:01 | |
by putting a double step into each step. | 0:25:01 | 0:25:05 | |
In a small cottage you can get upstairs in much shorter distance. | 0:25:05 | 0:25:09 | |
A steep ascent and you stagger the climb. | 0:25:09 | 0:25:14 | |
Let's give it a go. | 0:25:14 | 0:25:16 | |
'Even the buildings expert has to watch his step.' | 0:25:16 | 0:25:19 | |
Ouch. | 0:25:20 | 0:25:22 | |
There are challenges. | 0:25:23 | 0:25:25 | |
You have to make the space work for you. | 0:25:25 | 0:25:28 | |
You have to think that every piece of equipment or furniture you need | 0:25:28 | 0:25:33 | |
works in its duality or that it's absolutely essential. | 0:25:33 | 0:25:38 | |
Sadly the dishwasher had to go. We're looking at a new one. | 0:25:38 | 0:25:43 | |
A bit temperamental sometimes | 0:25:43 | 0:25:45 | |
but I don't think we're missing out on anything. | 0:25:45 | 0:25:49 | |
We've had to think long and hard, probably like the people before us. | 0:25:49 | 0:25:54 | |
It's made us consider a more considerate consumers and users of equipment | 0:25:54 | 0:25:59 | |
and whatever we want to consume and buy. | 0:25:59 | 0:26:01 | |
There's a minimalist feel to this room, Martin. | 0:26:01 | 0:26:05 | |
It's an early 19th Century room. | 0:26:05 | 0:26:08 | |
There seems to be a perfect balance between the old and the new. | 0:26:08 | 0:26:12 | |
This looks like a storeyed house from the outside | 0:26:12 | 0:26:16 | |
but it's one-and-a-half storeys because we're in the attic here. | 0:26:16 | 0:26:20 | |
Just about, yes. | 0:26:20 | 0:26:22 | |
-What have we got here? The roof trusses. -Yes. | 0:26:22 | 0:26:25 | |
-These were here, obviously. -Yes, everything is as it was. | 0:26:25 | 0:26:30 | |
Even the lath and plaster on the ceiling. | 0:26:30 | 0:26:33 | |
That is still original for much of the ceiling. | 0:26:33 | 0:26:37 | |
I like the floorboards too. | 0:26:37 | 0:26:39 | |
But what's this area here? | 0:26:39 | 0:26:42 | |
There is a trapdoor there. You've seen the staircase. | 0:26:42 | 0:26:46 | |
It would have been difficult to get furniture up | 0:26:46 | 0:26:50 | |
or, as some people tell me, get the body out. | 0:26:50 | 0:26:54 | |
We're very, very lucky. | 0:26:58 | 0:27:00 | |
We read a small book by Martin Davies, Precious Inheritance, | 0:27:00 | 0:27:04 | |
and I think it changed both of our opinions and we did realise, | 0:27:04 | 0:27:09 | |
we're only going to come here and take down | 0:27:09 | 0:27:12 | |
what we always said we would like to find. | 0:27:12 | 0:27:15 | |
We've tried to make best of what was here | 0:27:15 | 0:27:18 | |
and not change too much but make it suitable for modern living. | 0:27:18 | 0:27:22 | |
'Richard Suggett thinks Pantyrhwch | 0:27:22 | 0:27:25 | |
'could be a blueprint for other traditional cottages.' | 0:27:25 | 0:27:29 | |
It does show that you can be traditional and contemporary. | 0:27:29 | 0:27:33 | |
The best of both worlds. | 0:27:33 | 0:27:34 | |
All those involved in a similar project should beat a path to Pantyrhwch. | 0:27:34 | 0:27:39 | |
Subtitles by Red Bee Media Ltd | 0:27:56 | 0:27:58 | |
E-mail [email protected] | 0:27:59 | 0:28:02 |