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At Dundee's Centre for Anatomy and Human Identification | 0:00:02 | 0:00:05 | |
the history cold case team is about to take on a dramatic new case | 0:00:05 | 0:00:10 | |
surrounding a major, unsolved archaeological mystery. | 0:00:10 | 0:00:14 | |
Our next case? Wonderful name, it's called Windy Pits. | 0:00:14 | 0:00:18 | |
We've got human remains that are spanning across 3,000 years. | 0:00:18 | 0:00:22 | |
Setting up a mobile forensic lab | 0:00:22 | 0:00:25 | |
they'll investigate the puzzling remains of more than 20 people | 0:00:25 | 0:00:28 | |
discovered here in underground caves. | 0:00:28 | 0:00:31 | |
They're believed to be some of the oldest human bones | 0:00:31 | 0:00:34 | |
ever found in Britain. | 0:00:34 | 0:00:36 | |
Location - even better. The remote North Yorkshire Moors. | 0:00:36 | 0:00:40 | |
-Oh, my neck of the woods. -In winter. | 0:00:40 | 0:00:43 | |
Potholing. | 0:00:43 | 0:00:44 | |
Who are they, and why are their bones here? | 0:00:44 | 0:00:47 | |
It perhaps would have taken four or five people to hold him down. | 0:00:47 | 0:00:51 | |
Are the caves simply Iron Age graveyards, | 0:00:51 | 0:00:54 | |
or is there a more sinister explanation | 0:00:54 | 0:00:56 | |
for how this became the final resting place of so many people? | 0:00:56 | 0:00:59 | |
If these bones came up as a forensic case, | 0:00:59 | 0:01:03 | |
I would be advising the police | 0:01:03 | 0:01:04 | |
that we need to look at this a lot more closely. | 0:01:04 | 0:01:07 | |
The investigation will shine a light | 0:01:07 | 0:01:09 | |
on a long-forgotten period of our ancient history. | 0:01:09 | 0:01:12 | |
A time of brutal rituals | 0:01:14 | 0:01:16 | |
and bizarre beliefs, | 0:01:16 | 0:01:19 | |
when people lived in fear of what lay beneath the surface of the earth. | 0:01:19 | 0:01:22 | |
The coup de grace - there'll be a great spurt of blood! | 0:01:22 | 0:01:25 | |
Can modern forensics finally solve the mystery | 0:01:25 | 0:01:28 | |
of what happened at the Windy Pits? | 0:01:28 | 0:01:31 | |
And what dark and surprising new truths will emerge | 0:01:31 | 0:01:34 | |
about how we lived 2,000 years ago? | 0:01:34 | 0:01:36 | |
The skeletons at the centre of this investigation | 0:01:56 | 0:01:59 | |
were excavated from an extraordinary network of limestone caves, | 0:01:59 | 0:02:03 | |
carved deep into the landscape of the North York Moors. | 0:02:03 | 0:02:08 | |
There are believed to be 22 people among the remains. | 0:02:08 | 0:02:12 | |
But information about who they were and how they died | 0:02:12 | 0:02:15 | |
has remained tantalizingly beyond our reach. | 0:02:15 | 0:02:18 | |
With so many questions still unanswered, | 0:02:22 | 0:02:24 | |
local archaeologists carefully lay out the bones again | 0:02:24 | 0:02:27 | |
in a mobile forensic unit | 0:02:27 | 0:02:29 | |
close to where they were first excavated. | 0:02:29 | 0:02:31 | |
They hope a brand new investigation, | 0:02:35 | 0:02:37 | |
using science as well as historical analysis, | 0:02:37 | 0:02:39 | |
will help explain what happened here. | 0:02:39 | 0:02:42 | |
Well, this is interesting. | 0:02:45 | 0:02:48 | |
Forensic anthropologist Dr Xanthe Mallett | 0:02:48 | 0:02:51 | |
arrives to make the first visual assessment of the bones, | 0:02:51 | 0:02:54 | |
before reporting back to team leader Professor Sue Black in Dundee. | 0:02:54 | 0:02:59 | |
There's a huge amount of work to do here. | 0:02:59 | 0:03:01 | |
There's going to be 22 individuals we believe, maybe more, maybe less, | 0:03:01 | 0:03:06 | |
but you've got to ask what they're doing out on the middle of North Yorkshire Moors. | 0:03:06 | 0:03:10 | |
And when you've got 3,000 years' worth of history involved, | 0:03:10 | 0:03:14 | |
I can't for a moment imagine what that's going to turn into. | 0:03:14 | 0:03:18 | |
Archaeologist Graham Lee brings Xanthe up to speed | 0:03:22 | 0:03:24 | |
with how this unique, unusual hoard of human remains was discovered. | 0:03:24 | 0:03:29 | |
Been looking forward to you coming in actually, | 0:03:29 | 0:03:32 | |
because this is a real puzzle we've got going on here. | 0:03:32 | 0:03:35 | |
What do you know about them? | 0:03:35 | 0:03:38 | |
All of the bones here have come from things called windy pits | 0:03:38 | 0:03:41 | |
which are natural fissures where the rock has cracked apart | 0:03:41 | 0:03:44 | |
and created some quite deep caverns in the edge of the valleys. | 0:03:44 | 0:03:49 | |
And when people started exploring the Windy Pits | 0:03:49 | 0:03:53 | |
they started finding these fragments of human bone. | 0:03:53 | 0:03:56 | |
The remains are thought to span several thousand years, | 0:03:56 | 0:03:59 | |
from Roman times right back to around 2,000 BC. | 0:03:59 | 0:04:02 | |
The team wants to focus their enquiry | 0:04:02 | 0:04:05 | |
on a group of four individuals | 0:04:05 | 0:04:08 | |
that were found together in one of the deepest caves, | 0:04:08 | 0:04:11 | |
known as Slip Gill. | 0:04:11 | 0:04:12 | |
All of these come from just one of the windy pits, Slip Gill, | 0:04:12 | 0:04:16 | |
which is one of the deepest and steepest of the fissures. | 0:04:16 | 0:04:21 | |
These have been radiocarbon dated | 0:04:21 | 0:04:24 | |
to about the middle of the first century BC, | 0:04:24 | 0:04:27 | |
to the beginning of the second century AD. | 0:04:27 | 0:04:32 | |
They were found in a heap at the bottom of the windy pit | 0:04:32 | 0:04:37 | |
and it's virtually a sort of, I don't know... 23, 25-metre drop, | 0:04:37 | 0:04:41 | |
pretty much straight down from the entrance. | 0:04:41 | 0:04:44 | |
So they've all ended up being squashed together | 0:04:44 | 0:04:47 | |
at the bottom, together with rocks and other debris. | 0:04:47 | 0:04:50 | |
The suggestion has been made that it could be a family. | 0:04:51 | 0:04:54 | |
But why might a family end up dead in a cave? | 0:05:02 | 0:05:05 | |
At the site where they were found, Xanthe sees for herself | 0:05:05 | 0:05:09 | |
why these mysterious caves are called the Windy Pits. | 0:05:09 | 0:05:13 | |
We're now above Slip Gill, | 0:05:13 | 0:05:17 | |
which is one of the deepest windy pits. | 0:05:17 | 0:05:21 | |
Can you see the... All the vegetation's moving here | 0:05:21 | 0:05:24 | |
and that's a result of the hot draught coming up from the mouth of the windy pit. | 0:05:24 | 0:05:29 | |
I can see why this would have been a really mysterious place. | 0:05:29 | 0:05:32 | |
-It looks spooky, doesn't it? -It does, yes. | 0:05:32 | 0:05:34 | |
-Oh, you can feel the warm air from here really well, can't you? -Straight away. -Yeah. | 0:05:34 | 0:05:38 | |
The human bones found in Slip Gill date from around the first century AD. | 0:05:38 | 0:05:44 | |
There was a series of expeditions into these fissures, | 0:05:46 | 0:05:49 | |
say, through the 1950s. | 0:05:49 | 0:05:52 | |
I'm not sure that you would look at them | 0:05:52 | 0:05:54 | |
-and say that everyone is necessarily clad that appropriately for caving. -No. | 0:05:54 | 0:06:00 | |
-Some hard hats... -Yep. -..And some ropes, that's pretty much it, and a spade. | 0:06:00 | 0:06:04 | |
And they were the people that recovered | 0:06:04 | 0:06:07 | |
the bits and pieces of the bodies from the bottom. | 0:06:07 | 0:06:10 | |
Since being found in the 1950s, | 0:06:10 | 0:06:13 | |
the bones have been the subject of much study and debate. | 0:06:13 | 0:06:16 | |
But the job of this new investigation | 0:06:16 | 0:06:19 | |
is to look at the evidence again with fresh eyes, | 0:06:19 | 0:06:21 | |
and without being influenced by any previous theories. | 0:06:21 | 0:06:24 | |
Back in the mobile laboratory, | 0:06:37 | 0:06:39 | |
Xanthe begins the task of making sense of the puzzling remains. | 0:06:39 | 0:06:43 | |
She will look for signs that could confirm age, gender | 0:06:43 | 0:06:47 | |
and any evidence of trauma. | 0:06:47 | 0:06:48 | |
But the incompleteness of the skeletons will prove a major hurdle | 0:06:48 | 0:06:53 | |
in trying to establish the identities of the dead. | 0:06:53 | 0:06:56 | |
Not very much here with this one. | 0:06:56 | 0:07:00 | |
No skull, no pelvis, | 0:07:00 | 0:07:03 | |
not very much at all. | 0:07:03 | 0:07:06 | |
Initially, we're looking... certainly at an adult individual. | 0:07:06 | 0:07:11 | |
Pretty... Pretty robust femur, | 0:07:13 | 0:07:17 | |
been reconstructed slightly, | 0:07:17 | 0:07:21 | |
so first gut feeling would be that this is probably a male. | 0:07:21 | 0:07:25 | |
Luckily we've got quite a bit of the skull on this one, | 0:07:25 | 0:07:28 | |
so this might actually work for reconstruction. | 0:07:28 | 0:07:31 | |
As her initial examination continues | 0:07:31 | 0:07:34 | |
she spots a curious injury on the jawbone of the one of the males. | 0:07:34 | 0:07:38 | |
Now, that might be our first sign of significant trauma. | 0:07:39 | 0:07:44 | |
This is a... It looks like a sharp-force trauma | 0:07:44 | 0:07:47 | |
to the side of the mandible, | 0:07:47 | 0:07:49 | |
which would just be along your jaw line. | 0:07:49 | 0:07:51 | |
This is not an injury that's happened a reasonable time before death | 0:07:51 | 0:07:55 | |
and the bone has started to regenerate. | 0:07:55 | 0:07:58 | |
So... | 0:07:58 | 0:07:59 | |
Initial impression would be that this is an injury | 0:08:02 | 0:08:05 | |
that could have occurred around the time of death. | 0:08:05 | 0:08:07 | |
So at least one of the four people from Slip Gill | 0:08:07 | 0:08:11 | |
may not have died of natural causes. | 0:08:11 | 0:08:14 | |
So we've got some interesting elements mixed in, | 0:08:14 | 0:08:16 | |
we've got some sharp-force trauma... | 0:08:16 | 0:08:18 | |
on a fairly robust group. | 0:08:20 | 0:08:21 | |
It's interesting. | 0:08:23 | 0:08:25 | |
By forensically retracing events around the scene of death | 0:08:25 | 0:08:30 | |
and gaining clues as to who these people were in life, | 0:08:30 | 0:08:33 | |
can they uncover what happened here? | 0:08:33 | 0:08:36 | |
This case promises to drag the team back | 0:08:37 | 0:08:39 | |
to a largely-unrecorded period of our history. | 0:08:39 | 0:08:43 | |
It's a rare opportunity to build a personalized account | 0:08:43 | 0:08:46 | |
of life and death in Britain 2,000 years ago. | 0:08:46 | 0:08:50 | |
Back at Headquarters in Dundee, | 0:08:59 | 0:09:01 | |
they must first agree on the direction the investigation will take. | 0:09:01 | 0:09:05 | |
Xanthe brings Professor Sue Black up to speed, | 0:09:06 | 0:09:09 | |
along with Professor Caroline Wilkinson, | 0:09:09 | 0:09:12 | |
who's in charge of facial reconstruction. | 0:09:12 | 0:09:15 | |
One of the cave sites | 0:09:15 | 0:09:16 | |
is literally just kind of like a hole in this bowl in the earth. | 0:09:16 | 0:09:19 | |
Basically, it goes straight down, it's like a chimney | 0:09:19 | 0:09:23 | |
and so people have obviously been deposited in here | 0:09:23 | 0:09:26 | |
and we're not sure why. | 0:09:26 | 0:09:27 | |
To help understand the shape and size | 0:09:27 | 0:09:30 | |
of the Slip Gill cave where the four skeletons were found, | 0:09:30 | 0:09:33 | |
Xanthe shows them a 3-D reconstruction. | 0:09:33 | 0:09:35 | |
The CGI will really help you get a kind of visual | 0:09:35 | 0:09:38 | |
on the type of system we're talking about. | 0:09:38 | 0:09:41 | |
So this is kind of open, desolate moorland. | 0:09:42 | 0:09:46 | |
-This is going down into the cave, so you can see the shaft. -That's good. | 0:09:46 | 0:09:50 | |
It's huge, isn't it? It's amazing. | 0:09:50 | 0:09:53 | |
So, you can see how bodies would have tumbled down here, | 0:09:53 | 0:09:57 | |
once they get kind of down the channel and over that ridge, | 0:09:57 | 0:10:01 | |
this is where they would have landed. | 0:10:01 | 0:10:03 | |
Presumed to be the bones of a man, a woman and two teenagers, | 0:10:03 | 0:10:06 | |
the obvious questions is, why? | 0:10:06 | 0:10:09 | |
You've got to wonder why they're putting people in here. | 0:10:09 | 0:10:12 | |
Is this ritualistic? | 0:10:12 | 0:10:13 | |
Is this just vindictive of people just being, you know, murdered and, in essence, hidden? | 0:10:13 | 0:10:18 | |
-You're concealing them. -Exactly, yeah. | 0:10:18 | 0:10:20 | |
To try and get some concrete answers about who these people were, | 0:10:20 | 0:10:24 | |
bone samples taken in the field will go forward for forensic testing. | 0:10:24 | 0:10:28 | |
DNA is the obvious one. | 0:10:30 | 0:10:33 | |
Obviously, are we looking for a biological relationship | 0:10:33 | 0:10:36 | |
which ties all or any of four individuals? Yeah. | 0:10:36 | 0:10:39 | |
Carbon dating has already been carried out on the bones | 0:10:39 | 0:10:43 | |
placing then around the turn of the first century AD. | 0:10:43 | 0:10:46 | |
-So that really only leaves us with stable isotopes. -Indeed. | 0:10:48 | 0:10:52 | |
Yep. So, obviously, with that, we're going to be wondering | 0:10:52 | 0:10:55 | |
are they local, were they always local? | 0:10:55 | 0:10:57 | |
-It'll tell us a bit about diet as well. -Exactly. | 0:10:57 | 0:10:59 | |
And possibly quality of life, standard, that kind of thing as well. | 0:10:59 | 0:11:03 | |
-OK. -So, with me doing the stable isotopes. | 0:11:03 | 0:11:06 | |
So besides all of the tests we can do | 0:11:09 | 0:11:11 | |
we really need to look at the context, the wider context. | 0:11:11 | 0:11:14 | |
Who was potentially using this as a burial site, | 0:11:14 | 0:11:18 | |
-deposition site, or was this accidental? -Why. | 0:11:18 | 0:11:21 | |
Why? The bigger picture. | 0:11:21 | 0:11:23 | |
It's a real kind of intriguing puzzle, isn't it? | 0:11:23 | 0:11:26 | |
-Yes, it's not... It's not normal. -No. -No, it isn't normal. | 0:11:26 | 0:11:29 | |
-No, nothing normal about this. -So there is a story. | 0:11:29 | 0:11:32 | |
It's about finding out what the most likely story is. | 0:11:32 | 0:11:35 | |
The damaged jawbone belonging to the teenage male | 0:11:35 | 0:11:38 | |
is the only hard evidence they have so far | 0:11:38 | 0:11:40 | |
that this might not be a straightforward or innocent burial. | 0:11:40 | 0:11:44 | |
But it's enough to rouse Sue's suspicions. | 0:11:44 | 0:11:47 | |
The likely scenario's sounding as if | 0:11:47 | 0:11:49 | |
what we've got is a suspicious situation, | 0:11:49 | 0:11:52 | |
where four individuals are found at the bottom of a very long shaft, | 0:11:52 | 0:11:57 | |
in the middle of remote moors, | 0:11:57 | 0:11:58 | |
but there are other caves around it, | 0:11:58 | 0:12:00 | |
where obviously something untoward must have gone on | 0:12:00 | 0:12:03 | |
at different times in history. | 0:12:03 | 0:12:05 | |
One of the first tests is DNA. | 0:12:11 | 0:12:13 | |
This could establish if the skeletons have more than their final resting place in common. | 0:12:16 | 0:12:22 | |
Are they a family? Do we have mum, dad and two adolescent children? | 0:12:22 | 0:12:28 | |
The only way we're going to be able to find that out | 0:12:28 | 0:12:31 | |
is if we can extract DNA, and we can match them through DNA. | 0:12:31 | 0:12:34 | |
But the older the bones, the harder it is to get meaningful results | 0:12:34 | 0:12:38 | |
and science alone won't be enough to solve this case. | 0:12:38 | 0:12:41 | |
The carbon dating places our skeletons | 0:12:44 | 0:12:46 | |
in the early part of the Roman occupation. | 0:12:46 | 0:12:48 | |
But if our people were locals, | 0:12:48 | 0:12:51 | |
theirs would likely be a very pre-Roman way of life, | 0:12:51 | 0:12:53 | |
much as people had existed in and around the moors for millennia. | 0:12:53 | 0:12:58 | |
Xanthe has come to a traditional Iron Age village | 0:12:58 | 0:13:01 | |
to meet archaeologist Steve Sherlock. | 0:13:01 | 0:13:04 | |
She wants to understand how our people from Slip Gill | 0:13:04 | 0:13:07 | |
might have lived, and why their remains would be in a cave. | 0:13:07 | 0:13:10 | |
The individuals from Windy Pits - would they have lived somewhere like this? | 0:13:13 | 0:13:16 | |
They'd have lived in this sort of environment and structures. | 0:13:16 | 0:13:20 | |
-How many people would have lived in a house like this? -One family, but about eight to ten people. | 0:13:20 | 0:13:26 | |
And how many houses like this would have made up a community? | 0:13:26 | 0:13:29 | |
There could have been four or five houses like this in a busy village. | 0:13:29 | 0:13:33 | |
-That's quite a large community then. -Indeed it is. | 0:13:33 | 0:13:36 | |
And we mustn't just think of this one community, | 0:13:36 | 0:13:38 | |
-there would be another one quite close by. -And they would've interacted? | 0:13:38 | 0:13:42 | |
They would've traded, farmed and communicated, supported and helped each other. | 0:13:42 | 0:13:46 | |
We're talking about a society, not individual groups. | 0:13:46 | 0:13:49 | |
During the Iron Age, | 0:13:50 | 0:13:52 | |
the Britain population topped three million people. | 0:13:52 | 0:13:55 | |
This was a sophisticated culture and society. | 0:13:55 | 0:13:59 | |
Steve explains how the part of the moors where the Windy Pits are located | 0:13:59 | 0:14:04 | |
were a sort of no-man's-land between two competing Celtic tribes. | 0:14:04 | 0:14:07 | |
The windy pits are an interesting area | 0:14:08 | 0:14:10 | |
because they're on the North Yorkshire Moors | 0:14:10 | 0:14:13 | |
which are, let's say, a neutral area between the tribes to the south called the Parisi | 0:14:13 | 0:14:17 | |
and the tribes to the north, of the Brigantes. | 0:14:17 | 0:14:19 | |
So it's probable that the Parisi were using the Windy Pits. | 0:14:19 | 0:14:23 | |
They're the people that are having sites and activities | 0:14:23 | 0:14:27 | |
-on the southern parts of the North Yorkshire Moors. -Would the two different tribes have fought? | 0:14:27 | 0:14:32 | |
There may well have been territorial differences, but there's no evidence for battles as such. | 0:14:32 | 0:14:36 | |
Curiously, Steve is convinced that caves would not normally have been used for burials, | 0:14:36 | 0:14:41 | |
or deposition, as archaeologists call it. | 0:14:41 | 0:14:44 | |
The normal burial rite may well have been cremation scattering the ashes to the wind, | 0:14:44 | 0:14:49 | |
or being buried at locations nearer to the settlements, | 0:14:49 | 0:14:51 | |
a long way away from the Windy Pits. | 0:14:51 | 0:14:54 | |
So it's a really different type of deposition? | 0:14:54 | 0:14:56 | |
It's a different deposition in terms of choosing a location | 0:14:56 | 0:15:00 | |
and potentially only choosing certain people | 0:15:00 | 0:15:02 | |
to be buried at those points. | 0:15:02 | 0:15:04 | |
So people aren't living in the immediate vicinity? | 0:15:04 | 0:15:07 | |
It's taken a lot of people a lot of effort to bury people there. | 0:15:07 | 0:15:10 | |
Indeed. That tells you there's a religious action to this, | 0:15:10 | 0:15:14 | |
choosing people, location, for a special reason. | 0:15:14 | 0:15:17 | |
This points to the discovery of the skeletons at Slip Gill | 0:15:17 | 0:15:22 | |
being something unusual and special, even for Iron Age society. | 0:15:22 | 0:15:26 | |
How did the bodies end up several feet down in the dark, and why? | 0:15:28 | 0:15:33 | |
Might the bones finally give up some answers? | 0:15:33 | 0:15:36 | |
Back at Dundee HQ, the team is desperate for a new lead. | 0:15:42 | 0:15:45 | |
They assemble to receive the results of the DNA analysis. | 0:15:47 | 0:15:50 | |
Dr Ian Barnes from Royal Holloway, University of London, | 0:15:50 | 0:15:55 | |
has the difficult task of trying to answer the question | 0:15:55 | 0:15:58 | |
of whether the 2,000 year-old bones at Slip Gill | 0:15:58 | 0:16:01 | |
come from people who were genetically related. | 0:16:01 | 0:16:04 | |
We're hanging on your every word | 0:16:04 | 0:16:06 | |
in the hope that you give us something phenomenally exciting... | 0:16:06 | 0:16:10 | |
And...over to you! | 0:16:10 | 0:16:13 | |
-Um. -Yeah. -That face says everything. Go on. -OK. So... | 0:16:13 | 0:16:19 | |
We've had a couple of goes at getting DNA from this material | 0:16:19 | 0:16:23 | |
and there's just nothing that is reliable. | 0:16:23 | 0:16:25 | |
It looks to us like there's multiple sequences | 0:16:25 | 0:16:29 | |
laid over the top of each other | 0:16:29 | 0:16:31 | |
-so we think it's just contamination. -OK. -OK. | 0:16:31 | 0:16:33 | |
But I don't think there's any, um, real DNA from those individuals | 0:16:33 | 0:16:37 | |
in the samples that you gave us. | 0:16:37 | 0:16:39 | |
It's disappointing news. | 0:16:39 | 0:16:42 | |
Ian thinks that the bones may have become contaminated, | 0:16:42 | 0:16:45 | |
making it impossible to answer | 0:16:45 | 0:16:47 | |
whether the male, female and teenagers are related. | 0:16:47 | 0:16:51 | |
So it doesn't really help the story in any way, | 0:16:51 | 0:16:53 | |
because potentially they could still be family and linked genetically, | 0:16:53 | 0:16:58 | |
-we just can't tell. -Yeah. | 0:16:58 | 0:17:01 | |
Well, that's disappointing, but so be it. That's the way science goes. | 0:17:01 | 0:17:05 | |
-Thank you very much. -Thanks for that, Ian. | 0:17:05 | 0:17:07 | |
Right, sorry about that. | 0:17:07 | 0:17:08 | |
Good to speak to you. Thanks again. Take care. Bye. | 0:17:08 | 0:17:11 | |
With DNA having failed to provide any leads, | 0:17:19 | 0:17:21 | |
Sue feels it's time she examined the bones herself. | 0:17:21 | 0:17:24 | |
To scour them for possible causes of death, | 0:17:28 | 0:17:30 | |
she starts by looking at the injury to the jawbone of the teenage male. | 0:17:30 | 0:17:34 | |
Her experience alerts her to how serious a blow this could have been. | 0:17:34 | 0:17:39 | |
It's one of the most dangerous places for men who are shaving - | 0:17:40 | 0:17:43 | |
just right there. | 0:17:43 | 0:17:44 | |
Because if you put your finger just lightly on there, | 0:17:44 | 0:17:47 | |
you'll feel an artery, pulsing underneath | 0:17:47 | 0:17:50 | |
and the facial artery comes up just on there. | 0:17:50 | 0:17:52 | |
Just perfectly where that is, may I say. | 0:17:52 | 0:17:55 | |
So that what you have is a real nick into the bone. | 0:17:55 | 0:17:58 | |
That's not a thin-bladed implement, we've got a large blade. | 0:17:58 | 0:18:03 | |
So whether you're talking...axe, you're talking machete, | 0:18:03 | 0:18:07 | |
something that is a large blade. | 0:18:07 | 0:18:09 | |
It's not like a little, thin kitchen knife, | 0:18:09 | 0:18:11 | |
because you have a wide entrance | 0:18:11 | 0:18:14 | |
and a narrow point at which it's come to a stop, | 0:18:14 | 0:18:17 | |
before it's been pulled out. | 0:18:17 | 0:18:20 | |
And so that when that implement has come up onto that jaw line, | 0:18:20 | 0:18:24 | |
what it's then done is, it's caused fracturing to run across here | 0:18:24 | 0:18:28 | |
and up there and then up towards the base of this tooth. | 0:18:28 | 0:18:33 | |
Sue believes this wasn't self-inflicted. | 0:18:33 | 0:18:35 | |
He may have been murdered. | 0:18:35 | 0:18:38 | |
It certainly will have caused a lot of pain and a lot of bleeding. | 0:18:38 | 0:18:41 | |
It could have resulted in death. | 0:18:41 | 0:18:44 | |
This has been caused by somebody else. | 0:18:44 | 0:18:46 | |
Somebody has inflicted this on this individual | 0:18:46 | 0:18:49 | |
and it's a young individual. | 0:18:49 | 0:18:51 | |
And then, on the leg bones of the adult male, she spots more suspicious marks. | 0:18:52 | 0:18:59 | |
This is a pattern that's quite consistent | 0:18:59 | 0:19:01 | |
with a fracture occurring in what's called a green bone. | 0:19:01 | 0:19:04 | |
So it behaves very differently from an old bone | 0:19:04 | 0:19:07 | |
that doesn't have much water content and organic material still left in it. | 0:19:07 | 0:19:12 | |
What we don't have is any evidence of healing. | 0:19:12 | 0:19:15 | |
So this is consistent with the person - perhaps dead, | 0:19:15 | 0:19:19 | |
perhaps not quite dead - | 0:19:19 | 0:19:21 | |
being dropped down onto a height. | 0:19:21 | 0:19:23 | |
There's no proof yet, | 0:19:23 | 0:19:25 | |
but Sue feels that taking all the evidence so far, | 0:19:25 | 0:19:29 | |
a picture of suspicious death is definitely emerging for this group. | 0:19:29 | 0:19:33 | |
If these bones came up as a forensic case | 0:19:33 | 0:19:37 | |
I would be advising the police to look at this a lot more closely. | 0:19:37 | 0:19:40 | |
There's something very suspicious going on here. | 0:19:40 | 0:19:43 | |
You might cut yourself shaving, | 0:19:43 | 0:19:44 | |
but you sure as heck don't cut yourself shaving at that depth. | 0:19:44 | 0:19:48 | |
So that the sharp trauma injury, if nothing else, | 0:19:48 | 0:19:51 | |
is decidedly suspicious. | 0:19:51 | 0:19:53 | |
Xanthe has an agonizing wait to return to Slip Gill. | 0:20:00 | 0:20:03 | |
She's keen to test the theory | 0:20:03 | 0:20:04 | |
that the breaks on the leg bones of the adult male | 0:20:04 | 0:20:07 | |
could have been caused by falling into the cave. | 0:20:07 | 0:20:10 | |
But the caves are an important roosting site for bats | 0:20:10 | 0:20:13 | |
and access is restricted. | 0:20:13 | 0:20:17 | |
Finally, Spring arrives and she's able to meet up again | 0:20:17 | 0:20:20 | |
with archaeologist Graham Lee and local caver Martin Roe. | 0:20:20 | 0:20:23 | |
Lovely to meet you. Is it dangerous in there? Have you got any idea? | 0:20:23 | 0:20:27 | |
For anybody that didn't have the right equipment and knew how to use it then potentially it is, | 0:20:27 | 0:20:31 | |
because just behind me here is a 16-metre drop straight to the floor. | 0:20:31 | 0:20:35 | |
-That is deep, isn't it? Straight down? -Straight down, yeah. | 0:20:35 | 0:20:39 | |
Even an experienced caver like Martin | 0:20:39 | 0:20:42 | |
thinks twice about entering Slip Gill. | 0:20:42 | 0:20:44 | |
He'll carefully descend to show Xanthe the inside of the cave | 0:20:44 | 0:20:49 | |
via a camera attached to his helmet. | 0:20:49 | 0:20:51 | |
For the first time, she will see the real anatomy | 0:20:51 | 0:20:54 | |
of the final resting place of the skeletons. | 0:20:54 | 0:20:56 | |
The first few metres of Slip Gill are on a shallow incline | 0:20:58 | 0:21:02 | |
before Martin reaches the main shaft. | 0:21:02 | 0:21:05 | |
-MARTIN ON RADIO: -'Just to let you know what I'm doing. | 0:21:05 | 0:21:08 | |
'I'm moving towards the top of the big drop' | 0:21:08 | 0:21:10 | |
and you should be seeing the big, dark hole in front of me. | 0:21:10 | 0:21:14 | |
-Yep. -Look at that. | 0:21:14 | 0:21:16 | |
-That's like going into the abyss, isn't it? -Yep. | 0:21:16 | 0:21:19 | |
Yeah, you can see, there's nothing under him there. | 0:21:19 | 0:21:22 | |
The cave is 16-metres deep, certainly a potentially fatal drop. | 0:21:22 | 0:21:27 | |
A series of overhanging rocks | 0:21:27 | 0:21:29 | |
make the final descent particularly perilous. | 0:21:29 | 0:21:33 | |
That must be pretty scary in there. | 0:21:39 | 0:21:40 | |
-It's pitch black, except for that little light coming from the head-torch. -Yep. | 0:21:40 | 0:21:44 | |
Oh, dear! That wasn't very clever! | 0:21:47 | 0:21:51 | |
So he's going to be now touching down where the bodies were found, | 0:21:51 | 0:21:54 | |
-on that kind of scree slope? -Exactly. | 0:21:54 | 0:21:57 | |
So I'm at the bottom now. | 0:22:01 | 0:22:03 | |
'What I'll do now is I'll turn on the big light' | 0:22:03 | 0:22:05 | |
and show you how far I've come down from the surface. | 0:22:05 | 0:22:09 | |
XANTHE ON RADIO: 'OK, great. Thanks.' | 0:22:09 | 0:22:12 | |
-Oh, wow! -Wow, look at that! | 0:22:21 | 0:22:22 | |
It's an extraordinary place, | 0:22:22 | 0:22:25 | |
and one that's remained unchanged for thousands of years. | 0:22:25 | 0:22:29 | |
-That is a long way. -So you can see the nature of the fissure. | 0:22:35 | 0:22:38 | |
That's very... It's very slim on the way down, isn't it? | 0:22:38 | 0:22:41 | |
-Yeah, it is. It's a very narrow slot. That's fantastic. | 0:22:41 | 0:22:45 | |
And this ties in with the idea that our man fell from a height. | 0:22:45 | 0:22:49 | |
So once the body went in there, | 0:22:51 | 0:22:53 | |
it's going to slide down that chimney, | 0:22:53 | 0:22:55 | |
bounce off some rocks, off the ledge, and land at the bottom? | 0:22:55 | 0:22:58 | |
-Down on this scree slope down here. -That's it. | 0:22:58 | 0:23:01 | |
Wow! I just can't imagine anyone getting out of that alive. | 0:23:01 | 0:23:05 | |
Xanthe's happy that the man's injuries | 0:23:07 | 0:23:10 | |
are consistent with the cave being the scene of death. | 0:23:10 | 0:23:13 | |
But why were these people here? | 0:23:14 | 0:23:17 | |
What was the significance of this place? | 0:23:17 | 0:23:20 | |
Oh There he is, hello! How are you doing? | 0:23:22 | 0:23:27 | |
I'm a bit sweaty. But in one piece. | 0:23:27 | 0:23:30 | |
Quite relieved to have you back with us. | 0:23:30 | 0:23:33 | |
Yeah, very much so. | 0:23:33 | 0:23:34 | |
-Well done. -Hey! | 0:23:36 | 0:23:38 | |
Meanwhile in Dundee, Caroline is beginning the facial reconstruction. | 0:23:41 | 0:23:45 | |
None of the four skeletons in the group has a complete skull, | 0:23:45 | 0:23:50 | |
but Caroline is hoping there are enough pieces | 0:23:50 | 0:23:52 | |
to rebuild the face of the adult male. | 0:23:52 | 0:23:54 | |
Well, we've got quite a lot of pieces | 0:23:57 | 0:24:01 | |
and it looks like, when you hold them next to each other, | 0:24:01 | 0:24:05 | |
that they do fit - | 0:24:05 | 0:24:06 | |
that piece clearly fits against there. | 0:24:06 | 0:24:09 | |
And we've got large sections that have already been reassembled | 0:24:09 | 0:24:14 | |
that need a little bit of adjustment, | 0:24:14 | 0:24:17 | |
but again, you've got other large pieces that fit. | 0:24:17 | 0:24:21 | |
But this isn't really a problem for us | 0:24:21 | 0:24:23 | |
because we can scan them with the scanner | 0:24:23 | 0:24:25 | |
and then you can see the join lines on the scan | 0:24:25 | 0:24:28 | |
and we can just adjust the piece in the computer | 0:24:28 | 0:24:30 | |
so it makes it a whole lot easier | 0:24:30 | 0:24:32 | |
than having to get rid of this glue and re-glue it. | 0:24:32 | 0:24:36 | |
But one crucial part of his skull is missing. | 0:24:36 | 0:24:40 | |
I notice we've got no nasal bones, just at the top of the nose here, | 0:24:40 | 0:24:45 | |
which are quite important in predicting the nose. | 0:24:45 | 0:24:49 | |
But that seems like the only bit of the nose that's missing, | 0:24:49 | 0:24:52 | |
so we can do some estimation from that. | 0:24:52 | 0:24:54 | |
Now that Caroline has examined the 2,000 year-old skull, | 0:25:00 | 0:25:03 | |
she will use some very 21st century technology to rebuild it. | 0:25:03 | 0:25:06 | |
Xanthe's research has indicated | 0:25:15 | 0:25:18 | |
caves were not usually used in Iron Age burial practices. | 0:25:18 | 0:25:22 | |
So, she needs to continue on the trail of investigating why a cave like Slip Gill | 0:25:22 | 0:25:27 | |
would have been significant. | 0:25:27 | 0:25:30 | |
She travels to the Dales to meet Tom Lord from Lancaster University. | 0:25:30 | 0:25:33 | |
Thank you very much. | 0:25:33 | 0:25:35 | |
And, er, we've got a rather atmospheric day to visit a cave. | 0:25:35 | 0:25:38 | |
Tom believes that for our ancestors, caves had special significance. | 0:25:38 | 0:25:44 | |
Ooh, look at this. It's certainly very dark and imposing. | 0:25:44 | 0:25:50 | |
We're going underground, literally into another world, an underworld. | 0:25:50 | 0:25:55 | |
-And is that how our ancestors would have seen this place? -I think so. | 0:25:55 | 0:25:58 | |
-Lights on? -Lights on. -OK. | 0:25:58 | 0:26:01 | |
Helmet... And we're going into the underworld. | 0:26:01 | 0:26:05 | |
OK. Yes, please! | 0:26:05 | 0:26:07 | |
It gets darker, gradually. | 0:26:12 | 0:26:15 | |
It gets dark immediately, doesn't it? | 0:26:15 | 0:26:18 | |
O-K. | 0:26:18 | 0:26:20 | |
The cave is wet, it's dripping... | 0:26:24 | 0:26:28 | |
Tom has found evidence pointing to how caves were used in the Iron Age, | 0:26:28 | 0:26:32 | |
including human bones and artefacts. | 0:26:32 | 0:26:35 | |
He thinks the way in which precious objects like these were placed | 0:26:35 | 0:26:39 | |
suggests that caves were spiritually very important. | 0:26:39 | 0:26:44 | |
That's a perforated piece of red deer antler. | 0:26:44 | 0:26:47 | |
-This isn't a bone that I recognise. -It's red deer antler. | 0:26:47 | 0:26:51 | |
If you hold it up, can you see the careful hole drilled through it? | 0:26:51 | 0:26:54 | |
You can see it's been drilled through. | 0:26:54 | 0:26:57 | |
-Its probably been on a shaft. -Is this a weapon of some sort? | 0:26:57 | 0:27:00 | |
-It might be used as a hammer. -Yeah. | 0:27:00 | 0:27:03 | |
And this was on a ledge about 45-feet down, | 0:27:03 | 0:27:05 | |
so it could only have been put down, it couldn't have fallen there. | 0:27:05 | 0:27:09 | |
But this would've been valuable. Someone's gone to a lot of time to make this into a hammer... | 0:27:09 | 0:27:14 | |
You're not going to leave that down a cave without good reason. | 0:27:14 | 0:27:17 | |
Tom believes valuable objects were placed in caves | 0:27:17 | 0:27:20 | |
perhaps as votive offerings, or as part of rituals. | 0:27:20 | 0:27:25 | |
What we might be seeing, down some of these deep shafts, | 0:27:25 | 0:27:28 | |
beginning about 5,000 years ago, | 0:27:28 | 0:27:31 | |
-is actual sacrifice of human and animals at certain times. -Oh! | 0:27:31 | 0:27:36 | |
So these could be offerings to the Gods? | 0:27:36 | 0:27:38 | |
-Offering to the gods of the... -Underworld? -Of the underworld. | 0:27:38 | 0:27:42 | |
This idea of an underworld crops up throughout history | 0:27:42 | 0:27:46 | |
and across cultures. | 0:27:46 | 0:27:48 | |
And caves were seen as portals to a mysterious place | 0:27:51 | 0:27:54 | |
between the surface world and another. | 0:27:54 | 0:27:56 | |
Tom's evidence also suggests a new explanation | 0:27:57 | 0:28:00 | |
for how the Slip Gill individuals may have died. | 0:28:00 | 0:28:03 | |
He believes they may have been part of some kind of ritual sacrifice. | 0:28:05 | 0:28:08 | |
The archaeologists tell us | 0:28:10 | 0:28:12 | |
that there's a distinct possibility that there's a ritualistic element | 0:28:12 | 0:28:16 | |
to the way in which these individuals have landed up in these caves. | 0:28:16 | 0:28:21 | |
We unquestionably have got evidence of interpersonal violence | 0:28:21 | 0:28:25 | |
before these individuals have met their death. | 0:28:25 | 0:28:28 | |
There's some evidence of when they've gone down the pit | 0:28:28 | 0:28:31 | |
there is long-bone fracturing because of the drop, | 0:28:31 | 0:28:34 | |
but there's no evidence that those have healed. | 0:28:34 | 0:28:37 | |
If they've been alive at the bottom of the pit, it's not for very long. | 0:28:37 | 0:28:40 | |
But, you know, that's just looking at the evidence from the bones, | 0:28:40 | 0:28:44 | |
I think it's most likely that they were killed | 0:28:44 | 0:28:47 | |
before they went down the pit. | 0:28:47 | 0:28:48 | |
To test this new theory | 0:28:50 | 0:28:52 | |
that the people of Slip Gill were consciously sacrificed, | 0:28:52 | 0:28:56 | |
the bones are sent to the nearby Ninewells hospital for CT scanning. | 0:28:56 | 0:29:00 | |
This should reveal new information not visible to the naked eye. | 0:29:01 | 0:29:06 | |
The evidence already points to the adult male having fractured his leg, | 0:29:06 | 0:29:12 | |
but Sue and her colleague, Dr Roos Eisma, | 0:29:12 | 0:29:15 | |
now spot some new evidence, | 0:29:15 | 0:29:17 | |
this time on the thigh bone belonging to the adult female. | 0:29:17 | 0:29:20 | |
Look on that femur - | 0:29:24 | 0:29:26 | |
that's a beautiful butterfly-type fracture. | 0:29:26 | 0:29:29 | |
That's the kind of fracture that is green bone. | 0:29:29 | 0:29:32 | |
So it's bone that's gone down | 0:29:32 | 0:29:33 | |
that's still got all its pliability and its plasticity, | 0:29:33 | 0:29:36 | |
and it's fractured. It produces just such a different pattern. | 0:29:36 | 0:29:40 | |
So, like the other femur, I think that's a perimortem, | 0:29:40 | 0:29:45 | |
a "round about the time of death" type fracture. | 0:29:45 | 0:29:48 | |
Isn't that interesting? | 0:29:48 | 0:29:49 | |
They found exactly the same type of break | 0:29:51 | 0:29:53 | |
in the male and female adult thigh bones, | 0:29:53 | 0:29:56 | |
caused around the time of death. | 0:29:56 | 0:29:58 | |
Sue doesn't think it is just a coincidence. | 0:30:00 | 0:30:02 | |
She thinks it could point to a deliberate attempt to immobilise the two adults. | 0:30:04 | 0:30:08 | |
You know, we've got two femora now that have got perimortem trauma. | 0:30:09 | 0:30:15 | |
Why just in one bone? | 0:30:15 | 0:30:18 | |
Why is it just the leg that's broken? | 0:30:18 | 0:30:22 | |
-In more or less the same place. -In more or less the same place, yeah. | 0:30:22 | 0:30:25 | |
It just makes you wonder | 0:30:29 | 0:30:31 | |
if that's part of the incapacitation of the individual. I don't know. | 0:30:31 | 0:30:35 | |
You don't tend to run very fast if you've got a broken leg. | 0:30:35 | 0:30:38 | |
This new evidence begs the question, | 0:30:40 | 0:30:42 | |
what method could have been used to do this? | 0:30:42 | 0:30:45 | |
Were there weapons available back then | 0:30:45 | 0:30:47 | |
which could fit this pattern of trauma? | 0:30:47 | 0:30:50 | |
And then, there is also the injury on the jaw of the teenage boy. | 0:30:50 | 0:30:53 | |
Could this tie in with those seen on the adults? | 0:30:53 | 0:30:56 | |
It could be the same implement that causes both sharp force | 0:30:57 | 0:31:00 | |
and blunt force trauma. | 0:31:00 | 0:31:01 | |
It just depends which bit you hit it with. | 0:31:01 | 0:31:04 | |
So, the back of an axe causes blunt force trauma, | 0:31:04 | 0:31:07 | |
but the front of an axe causes sharp force trauma. | 0:31:07 | 0:31:10 | |
We have what we think is evidence of sharp force trauma on the mandible, | 0:31:10 | 0:31:14 | |
so it could be the same implement that can cause it, | 0:31:14 | 0:31:18 | |
but just used in a different way. | 0:31:18 | 0:31:19 | |
The breaks to the femurs on both the adults support the idea | 0:31:19 | 0:31:24 | |
that the skeletons died at the same time | 0:31:24 | 0:31:26 | |
and, possibly, by the same method. | 0:31:26 | 0:31:29 | |
It's a breakthrough for the team. | 0:31:30 | 0:31:32 | |
This and the potentially fatal blow to the head on the teenage boy | 0:31:32 | 0:31:36 | |
now leads to new questions. | 0:31:36 | 0:31:39 | |
If we are now looking at human sacrifice, how and why did they die? | 0:31:41 | 0:31:47 | |
Xanthe takes these latest findings to Professor Miranda Aldous Green | 0:31:51 | 0:31:54 | |
from Cardiff University, an expert in Iron Age rituals. | 0:31:54 | 0:31:58 | |
She agrees that the skeletons show signs | 0:32:00 | 0:32:03 | |
of having been ritually sacrificed. | 0:32:03 | 0:32:06 | |
Given the fact that you seem to have repeated injuries | 0:32:06 | 0:32:09 | |
and given where they've been put, in a cave system, | 0:32:09 | 0:32:12 | |
that rings warning bells, in terms of possible sacrificial activity. | 0:32:12 | 0:32:17 | |
The fact that it is going on over a long time | 0:32:17 | 0:32:20 | |
suggests that this place is special | 0:32:20 | 0:32:22 | |
and particular people who have met deaths in a ritualistic way | 0:32:22 | 0:32:26 | |
may have been placed there deliberately. | 0:32:26 | 0:32:28 | |
Miranda believes that some uniquely-preserved bodies, | 0:32:28 | 0:32:32 | |
found not in caves, but in marshland | 0:32:32 | 0:32:34 | |
could offer an explanation for exactly how and why the Slip Gill individuals met their death. | 0:32:34 | 0:32:40 | |
We have a particular group of individuals, called Bog Bodies, | 0:32:40 | 0:32:44 | |
which are found in swamps or marshes all over North-West Europe. | 0:32:44 | 0:32:48 | |
A lot of them, interestingly, are quite young and show signs of traumatic injury, | 0:32:48 | 0:32:55 | |
sometimes over time, but then would lead to their death. | 0:32:55 | 0:32:59 | |
What types of injury are you seeing? | 0:32:59 | 0:33:02 | |
Well, persistently, hanging and garrotting - | 0:33:02 | 0:33:06 | |
various forms of suffocation. You do get bloodletting. | 0:33:06 | 0:33:09 | |
Some have been disembowelled, throats cut, but there | 0:33:09 | 0:33:12 | |
is this very strong evidence, from the European Iron Age | 0:33:12 | 0:33:14 | |
and into the Roman period, of people who, | 0:33:14 | 0:33:17 | |
every so often, were chosen for some reason | 0:33:17 | 0:33:20 | |
to be sacrificed in a particularly spectacular way | 0:33:20 | 0:33:23 | |
and thrust deep into a marsh. | 0:33:23 | 0:33:25 | |
So, you are looking at marsh bodies, | 0:33:25 | 0:33:27 | |
but the individuals I am looking at are from a cave. | 0:33:27 | 0:33:29 | |
-Would that be considered ritualistic? -I think so. | 0:33:29 | 0:33:32 | |
The whole thing with bogs and caves is that they are so-called | 0:33:32 | 0:33:36 | |
liminal places, they are edgy places, | 0:33:36 | 0:33:38 | |
they are on the boundaries between the material world | 0:33:38 | 0:33:41 | |
and the world of the dead. | 0:33:41 | 0:33:42 | |
Bog bodies discovered the world over provide historians with ample evidence about human sacrifice. | 0:33:46 | 0:33:52 | |
Much of the soft tissue remains, revealing crucial forensic details. | 0:33:53 | 0:33:57 | |
One of the most famous is Lindow Man, | 0:33:58 | 0:34:01 | |
who is thought to date from the same period as the Windy Pits skeletons. | 0:34:01 | 0:34:05 | |
-Ooh, now, that's Lindow Man? -Yes, indeed. From Cheshire. | 0:34:05 | 0:34:10 | |
Found in August, 1984, when peat-cutting was going on. | 0:34:10 | 0:34:15 | |
He was found in the peat | 0:34:15 | 0:34:16 | |
and he had been bludgeoned hard on the head twice. | 0:34:16 | 0:34:18 | |
-Right. -And then he had been garrotted and his throat cut. | 0:34:18 | 0:34:23 | |
And he had various other traumas, as well. | 0:34:23 | 0:34:26 | |
He had been kneed in the back, as though somebody had forced him to kneel down. | 0:34:26 | 0:34:30 | |
-So, all sorts of other injuries. -Beautifully preserved. | 0:34:30 | 0:34:32 | |
Yes. And he was probably of quite high status. | 0:34:34 | 0:34:37 | |
His moustache was very carefully trimmed, | 0:34:37 | 0:34:39 | |
using shears, which were an expensive piece of kit, | 0:34:39 | 0:34:42 | |
and his fingernails showed that he had never done any manual work. | 0:34:42 | 0:34:46 | |
He was about 25 years old, so he would have been in prime condition. | 0:34:46 | 0:34:49 | |
Who knows who he was? He could have been a hostage, | 0:34:49 | 0:34:52 | |
he could have been some kind of criminal, but more likely, | 0:34:52 | 0:34:55 | |
he had chosen to be a sacrifice, I suspect, at a time of great crisis. | 0:34:55 | 0:35:00 | |
Having studied the evidence in detail, | 0:35:02 | 0:35:04 | |
Miranda has come up with a scenario of what happened during an Iron Age human sacrifice. | 0:35:04 | 0:35:08 | |
And it all centres on the idea of overkill. | 0:35:08 | 0:35:12 | |
If you're going to sacrifice me, what are you going to do? | 0:35:12 | 0:35:15 | |
I might drug you, give you some herbs or some psychotropic substance to make you more acquiescent. | 0:35:15 | 0:35:23 | |
You might struggle otherwise. | 0:35:23 | 0:35:25 | |
-And then, I would then turn you round, away from me... -Right. | 0:35:25 | 0:35:29 | |
..give you two hard blows on the skull. That will crack the skull, | 0:35:29 | 0:35:34 | |
by which time you are stunned, perhaps hovering on the edge of consciousness, | 0:35:34 | 0:35:39 | |
and beginning to weave around. Don't forget this is theatre. | 0:35:39 | 0:35:42 | |
-Lots of people watching. -We're putting on a show. -It's important. | 0:35:42 | 0:35:45 | |
The next thing I'm going to do is to garrotte you. | 0:35:45 | 0:35:49 | |
-Oh! OK. -Twist that. | 0:35:50 | 0:35:52 | |
I'm going to leave that in place, so you are now on the verge of death, but not quite dead. | 0:35:54 | 0:35:59 | |
OK, hold that thought. | 0:35:59 | 0:36:01 | |
And then, the coup de grace. I will slit your throat. | 0:36:02 | 0:36:05 | |
And because of the garrotte, there will be a great spurt of blood | 0:36:05 | 0:36:09 | |
and a great cheer from all the community. And the sacrifice will be complete. | 0:36:09 | 0:36:12 | |
-Now, I'm dead, for sure. -Indeed. | 0:36:12 | 0:36:15 | |
Why so many ways of doing it? You've drugged me, strangled me, now you're slitting my throat. | 0:36:15 | 0:36:20 | |
It's partly because the overkill violence is necessary | 0:36:20 | 0:36:25 | |
for the sacrifice to be really effective. | 0:36:25 | 0:36:28 | |
Look at the investment of time and trouble and effort there has been in sacrificing you. | 0:36:28 | 0:36:32 | |
But also, I've got to represent the entire community, who are sacrificing you, | 0:36:32 | 0:36:37 | |
perhaps to cleanse the community of all their sins and wickednesses and ills and pollution. | 0:36:37 | 0:36:42 | |
So if you don't have a marshy environment, you've only got the caves. What would happen then? | 0:36:42 | 0:36:47 | |
The death would happen, the killing would happen outside the cave | 0:36:47 | 0:36:50 | |
and you would then be deposited. | 0:36:50 | 0:36:52 | |
-There must be rituals and prayers and fires, perhaps feasting. -Really? | 0:36:52 | 0:36:58 | |
All to do with sending your soul to that place where it can't do any more harm. | 0:36:58 | 0:37:02 | |
The community is cleansed. | 0:37:02 | 0:37:03 | |
And Miranda also believes that other rituals linked to sacrifice, | 0:37:05 | 0:37:09 | |
such as removing the soft tissue from a corpse, | 0:37:09 | 0:37:11 | |
can leave marks on the bones, too. | 0:37:11 | 0:37:14 | |
But the condition of the bones from Slip Gill remain a challenge | 0:37:14 | 0:37:18 | |
in the battle to resurrect a compelling scenario for how these people died. | 0:37:18 | 0:37:22 | |
Caroline's colleague Dr Chris Ryan has the task of reassembling the head of the adult male | 0:37:31 | 0:37:36 | |
before he can start work on his face. | 0:37:36 | 0:37:38 | |
Here we've got all the fragments reassembled | 0:37:39 | 0:37:44 | |
into approximately the shape of the skull. | 0:37:44 | 0:37:48 | |
As you can see, there's quite a large chunk of the right-hand side | 0:37:48 | 0:37:51 | |
of the cranium missing and some of the facial skeleton, | 0:37:51 | 0:37:57 | |
but we can.... | 0:37:57 | 0:37:59 | |
Because we have the left-hand side quite intact, | 0:37:59 | 0:38:02 | |
we can estimate much of this by mirroring parts of the skull from one side to the other. | 0:38:02 | 0:38:07 | |
The green is just estimation of all the missing parts. | 0:38:07 | 0:38:12 | |
There's not enough of the mandible just to mirror it, | 0:38:12 | 0:38:16 | |
because we only have this chin area and three teeth. | 0:38:16 | 0:38:21 | |
The next stage will be to add layers of muscle and skin. | 0:38:21 | 0:38:26 | |
Soon, the face of the man who died at Slip Gill will emerge. | 0:38:26 | 0:38:32 | |
So, if our people at Slip Gill were sacrificed, | 0:38:35 | 0:38:39 | |
were they members of the local community or were they outsiders? | 0:38:39 | 0:38:43 | |
The team hopes the stable isotope analysis of the bones could shed some light on this. | 0:38:45 | 0:38:50 | |
If chemical signatures from the teeth and bones | 0:38:51 | 0:38:54 | |
are consistent with those found around the Yorkshire Moors, | 0:38:54 | 0:38:57 | |
then it will indicate the skeletons were born and then lived in the local area. | 0:38:57 | 0:39:02 | |
This could support Miranda's idea of community sacrifice. | 0:39:04 | 0:39:08 | |
Sue assembles the team for the results. | 0:39:11 | 0:39:16 | |
What they basically showed was a very good quality sample. | 0:39:16 | 0:39:20 | |
-Typical grain-based diet, almost no marine. -OK. | 0:39:20 | 0:39:23 | |
So that's quite interesting. | 0:39:23 | 0:39:25 | |
What it also showed was that they were local to the area. | 0:39:25 | 0:39:29 | |
Now the particular band they fall closest to is actually very localised to where they were found. | 0:39:29 | 0:39:35 | |
-It makes it more likely to be ritual than, um, just vindictive. -Yeah. | 0:39:35 | 0:39:40 | |
Yeah. I suppose it does. | 0:39:40 | 0:39:42 | |
Our Slip Gill people were locals, | 0:39:42 | 0:39:44 | |
and there was possible violence around the time of their death. | 0:39:44 | 0:39:47 | |
But if they were human sacrifices, did they offer themselves up willingly or were they executed? | 0:39:47 | 0:39:53 | |
Despite the evidence that's now building, Sue is reluctant to conclude a theory of foul play | 0:40:00 | 0:40:05 | |
until she has more proof. | 0:40:05 | 0:40:07 | |
'We're not ruling out the fact that it isn't necessarily ritual.' | 0:40:10 | 0:40:13 | |
We're not ruling out all these possibilities, because your imagination could run wild. | 0:40:13 | 0:40:18 | |
We're going to try and keep it as focused as we can. | 0:40:18 | 0:40:21 | |
As archaeologists say, got to bear ritual in mind, but what do the physicality of the bones tell us? | 0:40:21 | 0:40:28 | |
Is there anything on there that supports this or refutes it? | 0:40:28 | 0:40:32 | |
Until now, the team has focused on the four individuals from Slip Gill. | 0:40:34 | 0:40:38 | |
But 18 more skeletons were found in other Windy Pits caves around the same area. | 0:40:39 | 0:40:44 | |
Sue now turns her attention to some of these other remains. | 0:40:45 | 0:40:49 | |
It's an adult. | 0:40:52 | 0:40:54 | |
There's a lot of fracturing, so a lot of the joints have actually, where the sutures have sprung. | 0:40:58 | 0:41:04 | |
You can see that fracture again dissipating out into that suture, | 0:41:04 | 0:41:09 | |
with a lot of fracturing going on here, | 0:41:09 | 0:41:12 | |
so that the blow is to that point there. | 0:41:12 | 0:41:15 | |
So it's coming in round about here. | 0:41:15 | 0:41:17 | |
So again, I think we've got evidence in at least the three of these | 0:41:19 | 0:41:23 | |
of some form of blunt force trauma. | 0:41:23 | 0:41:27 | |
This was a male. An adult male. | 0:41:27 | 0:41:29 | |
This damage to these other skulls from a neighbouring cave | 0:41:29 | 0:41:33 | |
could mean that the other Windy Pits were used for rituals and sacrifices. | 0:41:33 | 0:41:38 | |
And as Sue starts to look at= the remains of a skeleton from yet another cave, | 0:41:38 | 0:41:41 | |
she notices some even more worrying marks on one of the shin bones. | 0:41:41 | 0:41:47 | |
This is a bit of tibia - this is a bit of the shin bone. | 0:41:47 | 0:41:50 | |
It's got a bit of damage at the top and at the bottom. | 0:41:50 | 0:41:53 | |
And there's... | 0:41:54 | 0:41:55 | |
..there's three, what looks like three... | 0:41:57 | 0:42:00 | |
..parallel lines. | 0:42:03 | 0:42:05 | |
Well, those are not natural. | 0:42:06 | 0:42:09 | |
They're not rodent activity, either. | 0:42:09 | 0:42:12 | |
Those look like they could well be knife marks, | 0:42:12 | 0:42:16 | |
or at least a sharp blade. | 0:42:16 | 0:42:19 | |
These are parallel cut marks. | 0:42:19 | 0:42:22 | |
These are... | 0:42:22 | 0:42:23 | |
..a repeat of the same action, in the same place. | 0:42:24 | 0:42:28 | |
I used to work in a butcher's shop before I started my academic career, | 0:42:28 | 0:42:34 | |
and I can remember having to take pieces of meat off cow bones and such things | 0:42:34 | 0:42:39 | |
and these are the kind of marks that you leave behind | 0:42:39 | 0:42:42 | |
as you're paring away the muscle, to take it away from the bone. | 0:42:42 | 0:42:46 | |
That may well be... | 0:42:46 | 0:42:48 | |
No, it tends to make you want to go too far, | 0:42:48 | 0:42:51 | |
because what you end up doing is you want to go down the sensationalist route | 0:42:51 | 0:42:55 | |
and the last thing forensic wants to do is go down a sensationalist route, | 0:42:55 | 0:42:59 | |
but it looks like muscle's been removed. | 0:42:59 | 0:43:04 | |
Why do you remove muscle from a human bone? | 0:43:04 | 0:43:07 | |
I don't know. | 0:43:09 | 0:43:11 | |
I think we could all surmise. | 0:43:11 | 0:43:13 | |
If these are indeed blade marks, | 0:43:13 | 0:43:16 | |
the investigation looks set to take an even more sinister direction. | 0:43:16 | 0:43:21 | |
The word that everybody wants to say | 0:43:21 | 0:43:24 | |
is the one that we're not going to say, | 0:43:24 | 0:43:26 | |
which is cannibalism, because there's no evidence of that. | 0:43:26 | 0:43:30 | |
All you have is evidence of cut marks. | 0:43:30 | 0:43:32 | |
We don't know what that meat was being used for. | 0:43:32 | 0:43:35 | |
But nevertheless. it's a chilling turn in the story. | 0:43:39 | 0:43:41 | |
Xanthe wants to establish what cutting marks on bone could mean | 0:43:41 | 0:43:47 | |
and travels to Oxford University to meet Dr Rick Shulting, | 0:43:47 | 0:43:50 | |
an expert in prehistoric archaeology. | 0:43:50 | 0:43:53 | |
If I saw these kind of marks on an animal bone, I would think butchery. | 0:43:53 | 0:43:57 | |
But this is human, | 0:43:57 | 0:43:58 | |
so why are we getting these marks on a human leg bone? | 0:43:58 | 0:44:01 | |
It's unlikely that they were eating the flesh of this person, | 0:44:01 | 0:44:06 | |
like you would with an animal, because we have | 0:44:06 | 0:44:08 | |
questionable evidence for cannibalism at this time here. | 0:44:08 | 0:44:11 | |
If this was in the Neolithic, we might think of, sort of, trying to | 0:44:11 | 0:44:16 | |
deflesh the bones to make them clean, as a part of joining the ancestors. | 0:44:16 | 0:44:21 | |
But how does removing the soft tissue from the bones | 0:44:21 | 0:44:24 | |
help people go to their ancestors more quickly? | 0:44:24 | 0:44:26 | |
Some people in different times and parts of the world, believed that | 0:44:26 | 0:44:30 | |
death is a process and it's not complete until the putrefaction | 0:44:30 | 0:44:35 | |
of the body is completed and you're left with the clean bones. | 0:44:35 | 0:44:38 | |
And at that point, the soul, if you speak of it as that, | 0:44:38 | 0:44:41 | |
ascends to the ancestors. | 0:44:41 | 0:44:42 | |
And sometimes there is an interest in hastening that process | 0:44:42 | 0:44:46 | |
by disarticulation and defleshing. | 0:44:46 | 0:44:48 | |
According to Rick, the practice of removing flesh | 0:44:49 | 0:44:52 | |
is unlikely to be a sign of cannibalism, | 0:44:52 | 0:44:55 | |
but was a way of allowing the dead to cross over to the next world. | 0:44:55 | 0:44:58 | |
But there were also more sinister explanations. | 0:44:58 | 0:45:02 | |
We have to be open to various possibilities. | 0:45:03 | 0:45:05 | |
Some of them might deal with | 0:45:05 | 0:45:07 | |
the negative side of things, the dark side, if you will. | 0:45:07 | 0:45:10 | |
And there is some evidence for slightly strange | 0:45:10 | 0:45:13 | |
and odd things going on with human remains in the Iron Age | 0:45:13 | 0:45:16 | |
in different parts of Britain | 0:45:16 | 0:45:18 | |
that sometimes involve taking the body apart | 0:45:18 | 0:45:22 | |
and moving bits of it around. | 0:45:22 | 0:45:23 | |
The skull, especially, seems to receive special treatment. | 0:45:23 | 0:45:26 | |
So the cutting marks could fit in with the idea | 0:45:30 | 0:45:33 | |
of ritual dismemberment after death. | 0:45:33 | 0:45:35 | |
But how would the marks have been caused? | 0:45:35 | 0:45:38 | |
To find out, Xanthe and Rick head to a local butcher. | 0:45:38 | 0:45:40 | |
It is just about free. | 0:45:44 | 0:45:45 | |
Let me just take off the last few bits. | 0:45:45 | 0:45:48 | |
Now, actually you can see I have left some marks all along that edge. | 0:45:48 | 0:45:53 | |
You can see all of my butchery marks going along there. | 0:45:53 | 0:45:56 | |
Would I use a tool like this to get rid of the rest of this soft tissue, | 0:45:56 | 0:46:00 | |
which I have, kind of, left behind? | 0:46:00 | 0:46:02 | |
Possibly, but the other possibility is a stone tool might be used, | 0:46:02 | 0:46:06 | |
which we know people were still making and using in the Iron Age. | 0:46:06 | 0:46:09 | |
So kind of scraping it. That would save my knife. | 0:46:09 | 0:46:12 | |
I do have something with me that we could have a go with. | 0:46:12 | 0:46:14 | |
Save your lovely sharp blade. | 0:46:14 | 0:46:17 | |
It's not necessarily the sharpest, but it does have one nice edge here, | 0:46:17 | 0:46:21 | |
and you'll get a sense of what it's like to use that. | 0:46:21 | 0:46:24 | |
So I am going to hold this nice and steady, I guess, | 0:46:24 | 0:46:27 | |
and then just, what, scrape the soft tissue off? | 0:46:27 | 0:46:31 | |
You need to get a good hold of it, don't you? | 0:46:31 | 0:46:33 | |
There we go. It's actually pretty efficient. I am quite impressed. | 0:46:34 | 0:46:40 | |
Much sharper than I expected. | 0:46:40 | 0:46:41 | |
That's where a lot of the muscle attachments are joining to the bone, | 0:46:49 | 0:46:52 | |
just around the ends and, of course, | 0:46:52 | 0:46:55 | |
that's exactly where we saw them on the human bone. | 0:46:55 | 0:46:57 | |
You can actually see now, | 0:46:57 | 0:46:59 | |
I've left some quite deep grooves. | 0:46:59 | 0:47:01 | |
Xanthe has produced exactly the same marks on the pig bone | 0:47:04 | 0:47:07 | |
that she found on the human leg bone. | 0:47:07 | 0:47:10 | |
Rick wants to demonstrate one very specialised type of defleshing - | 0:47:10 | 0:47:14 | |
removing the skin from a person's scalp. | 0:47:14 | 0:47:17 | |
-All the way up? -All the way up. | 0:47:17 | 0:47:20 | |
Why would you do that to a human head? | 0:47:20 | 0:47:23 | |
The head is very important in many societies. | 0:47:23 | 0:47:26 | |
We have a good case for it being important in Iron Age Britain | 0:47:26 | 0:47:29 | |
and Iron Age Europe, in general. | 0:47:29 | 0:47:31 | |
Are there any examples from the UK where the soft tissue has been moved from the head? | 0:47:31 | 0:47:36 | |
There's a few cases. There's one from St Albans, | 0:47:36 | 0:47:40 | |
where they seem to have had a defleshed head, in a place quite near a temple complex, actually, | 0:47:40 | 0:47:45 | |
which maybe speaks again of why you're doing this. | 0:47:45 | 0:47:47 | |
The idea of trophy heads or, possibly, as a punishment. | 0:47:47 | 0:47:51 | |
We have another case up in the north of Scotland, on the Moray Firth, | 0:47:51 | 0:47:54 | |
-where again, we have a child, in this case. -Oh, really? | 0:47:54 | 0:47:58 | |
It looks like the skull has been cleaned back, | 0:47:58 | 0:48:00 | |
so they are interested in having this white clean bone to display, presumably. | 0:48:00 | 0:48:04 | |
So, it's really rare? | 0:48:04 | 0:48:06 | |
It is. There aren't many cases. It's not a normal practice, | 0:48:06 | 0:48:09 | |
so it's a very special person, or somebody that's done something | 0:48:09 | 0:48:12 | |
terribly wrong, or being made an example of. | 0:48:12 | 0:48:15 | |
Xanthe has discovered that de-fleshing the dead | 0:48:15 | 0:48:20 | |
was practised in Iron Age Britain. | 0:48:20 | 0:48:22 | |
Sometimes, it was associated with funerary ritual, | 0:48:22 | 0:48:25 | |
but maybe it served another purpose. | 0:48:25 | 0:48:27 | |
Human skeletal remains recovered from Windy Pits | 0:48:30 | 0:48:33 | |
show that some individuals most likely met a violent end, | 0:48:33 | 0:48:36 | |
possibly as part of a ritual sacrifice. | 0:48:36 | 0:48:39 | |
We know that at least one person had their flesh cut from the bone, | 0:48:39 | 0:48:43 | |
before ending up in a cave | 0:48:43 | 0:48:45 | |
waiting to be discovered thousands of years later. | 0:48:45 | 0:48:47 | |
Until now, all the people whose bones were found | 0:48:50 | 0:48:53 | |
in the caves on the moors have remained anonymous. | 0:48:53 | 0:48:56 | |
But finally, the face of one of them is taking shape... | 0:48:58 | 0:49:03 | |
The adult male from Slip Gill. | 0:49:03 | 0:49:06 | |
Our biggest problem with this skull was that it was | 0:49:06 | 0:49:09 | |
in multiple fragments and we didn't have very much of the mandible. | 0:49:09 | 0:49:13 | |
So Chris has done a fantastic job at reconstructing the mandible, from just a bit of chin, | 0:49:13 | 0:49:18 | |
which is remarkable. And getting the whole of the cranium together | 0:49:18 | 0:49:22 | |
in lots of pieces is also quite a difficult job. | 0:49:22 | 0:49:25 | |
From that, it's the same process as it would be for any reconstruction - | 0:49:25 | 0:49:29 | |
building the muscles and putting skin on. | 0:49:29 | 0:49:31 | |
So, the biggest challenge was the state of the skull. | 0:49:31 | 0:49:34 | |
Well, let's have a look at the skin. | 0:49:34 | 0:49:37 | |
And he's turning into an interesting-looking individual. | 0:49:37 | 0:49:41 | |
Wow, that's not what I was expecting to see, at all. | 0:49:41 | 0:49:44 | |
He actually looks quite masculine, really, | 0:49:44 | 0:49:49 | |
and I wasn't expecting him to look that masculine. | 0:49:49 | 0:49:52 | |
Cos the top of his head is quite... gracile really, isn't it? | 0:49:52 | 0:49:57 | |
And then he's got this big heavy jaw at the bottom. | 0:49:57 | 0:49:59 | |
And really small ears. Why really small ears? | 0:49:59 | 0:50:03 | |
-Small ears, small nose, height wise. -I quite like him. -Good. | 0:50:03 | 0:50:10 | |
We've got a pretty reasonable face | 0:50:12 | 0:50:14 | |
out of really quite badly-conditioned skull. | 0:50:14 | 0:50:18 | |
The completion of the facial reconstruction | 0:50:20 | 0:50:22 | |
marks the end of the investigation. | 0:50:22 | 0:50:25 | |
The team will now report their findings to the local community. | 0:50:26 | 0:50:29 | |
Xanthe and Sue have come to Duncombe House, not far from the Windy Pits. | 0:50:35 | 0:50:39 | |
They're here to return the skeletal remains to the local archaeologists | 0:50:41 | 0:50:44 | |
and to present the case results. | 0:50:44 | 0:50:48 | |
Although they've made great strides, | 0:50:48 | 0:50:51 | |
Sue is concerned that they don't have enough evidence on the bones | 0:50:51 | 0:50:54 | |
to confirm that the man of Slip Gill was sacrificed. | 0:50:54 | 0:50:57 | |
Xanthe has gone away and done a lot of historical research | 0:51:01 | 0:51:04 | |
with a lot of people who know a lot about this area. | 0:51:04 | 0:51:06 | |
So we've gone back to the Slip Gill skeletons, | 0:51:06 | 0:51:10 | |
we've had a look through them again, just to be sure, just to be certain. | 0:51:10 | 0:51:16 | |
Sue looks at the Slip Gill remains one last time... | 0:51:19 | 0:51:24 | |
..and she notices something on the skull of the adult male that they missed before. | 0:51:27 | 0:51:33 | |
What have you found? | 0:51:34 | 0:51:36 | |
I don't know, but... This is sitting there. | 0:51:36 | 0:51:44 | |
-There's one line cut mark along there... -It's quite deep. | 0:51:44 | 0:51:47 | |
-There's another below it. -Yep. | 0:51:47 | 0:51:49 | |
And another one below that. | 0:51:49 | 0:51:52 | |
Sue has found several parallel cutting lines | 0:51:52 | 0:51:55 | |
around the top of the skull. | 0:51:55 | 0:51:57 | |
You have a cut mark that is - if I turn you round a bit - | 0:51:59 | 0:52:03 | |
you have got cut marks that are coming here | 0:52:03 | 0:52:05 | |
and then some that are back there. | 0:52:05 | 0:52:07 | |
It looks like Sue has detected signs of scalping on the adult male. | 0:52:09 | 0:52:13 | |
As Xanthe discovered, this practice of removing hair and skin | 0:52:15 | 0:52:19 | |
from the top of the head did happen in Iron Age Britain | 0:52:19 | 0:52:22 | |
and may have been part of ritualised killings. | 0:52:22 | 0:52:25 | |
For Sue, it's enough to finally to bring the events | 0:52:33 | 0:52:36 | |
surrounding the death of this man into focus. | 0:52:36 | 0:52:39 | |
I'm not a great supporter of defleshing and sacrifice and ritual, all sorts of things, | 0:52:41 | 0:52:47 | |
as anyone will tell you that knows me. | 0:52:47 | 0:52:49 | |
But sometimes, when you're faced with information | 0:52:49 | 0:52:52 | |
'and you go through all the possible outcomes,' | 0:52:52 | 0:52:55 | |
sometimes there's only one left. | 0:52:55 | 0:52:57 | |
These findings will have an even deeper significance for the local community | 0:53:00 | 0:53:05 | |
and the experts who have been studying the remains for decades. | 0:53:05 | 0:53:08 | |
We've waited a long time to get some more information about the remains from the Windy Pits, | 0:53:08 | 0:53:13 | |
so this is very important. | 0:53:13 | 0:53:14 | |
There's lots of unknown questions that, hopefully, we'll get some answers to today. | 0:53:14 | 0:53:20 | |
Sue and Xanthe explain the twists and turns in the case | 0:53:27 | 0:53:30 | |
that led to the conclusion that this was not a natural burial. | 0:53:30 | 0:53:33 | |
Did they go up there knowing what was going to happen to them? | 0:53:35 | 0:53:39 | |
Or did they go up there in some way incapacitated? | 0:53:39 | 0:53:42 | |
They're not being used as a normal deposition site for burials, so... | 0:53:42 | 0:53:49 | |
..potentially caused by that, because it does fit there | 0:53:49 | 0:53:52 | |
really rather nicely. | 0:53:52 | 0:53:54 | |
Then the moment comes for Sue to announce her last-minute discovery. | 0:53:55 | 0:53:59 | |
It takes an incredible amount of persuasion | 0:53:59 | 0:54:02 | |
for me to want to talk about sacrificing people to gods | 0:54:02 | 0:54:07 | |
and placing them down portals, so they don't come back. | 0:54:07 | 0:54:11 | |
It just makes me uncomfortable. But then, this morning, | 0:54:11 | 0:54:15 | |
we had a look a little bit closer at some of the areas, | 0:54:15 | 0:54:19 | |
as we were laying out the skeletons, and we came across something that we hadn't noticed before. | 0:54:19 | 0:54:24 | |
And it was all to do with this man. | 0:54:24 | 0:54:28 | |
On this man, and on his head only, we have evidence of defleshing. | 0:54:28 | 0:54:34 | |
We have parallel scratch marks that are of a similar width | 0:54:37 | 0:54:42 | |
in various parts across his skull. They're very, very delicate, | 0:54:42 | 0:54:46 | |
but they are there. If they're defleshing, | 0:54:46 | 0:54:51 | |
for whatever reason, they're only defleshing around the head, | 0:54:51 | 0:54:57 | |
almost in the sense of a scalping. The defleshing isn't on the face | 0:54:57 | 0:55:01 | |
and it isn't on the back of the head. It's just around the area of the crown. | 0:55:01 | 0:55:05 | |
-So they put a blade in and just scrape? -Scrape. | 0:55:05 | 0:55:09 | |
The cutting marks on the skull are the final piece of evidence | 0:55:11 | 0:55:14 | |
that at least one of the Slip Gill skeletons was almost certainly ritually killed. | 0:55:14 | 0:55:19 | |
It's a terrifying story. | 0:55:21 | 0:55:22 | |
We have placed him into an environment | 0:55:22 | 0:55:25 | |
which is a really rather scary, spooky sort of place, | 0:55:25 | 0:55:29 | |
that must have had some importance in the local community. | 0:55:29 | 0:55:32 | |
He's been taken there, perhaps immobilised, | 0:55:32 | 0:55:36 | |
he's been murdered, one can assume, whether by one people or by a community, | 0:55:36 | 0:55:40 | |
and then he's gone through a ritual removal of his scalp. | 0:55:40 | 0:55:46 | |
So his scalp has been scraped away. | 0:55:46 | 0:55:48 | |
But now, it's time for the team to reveal the face of the man whose life ended in such violence. | 0:55:50 | 0:55:57 | |
Because we only have one skull, | 0:55:57 | 0:56:00 | |
there was only one face we were able to reconstruct. | 0:56:00 | 0:56:03 | |
So do we want to see what he looked like? | 0:56:03 | 0:56:05 | |
ALL: Yes. | 0:56:05 | 0:56:06 | |
Yeah. Go on, then. | 0:56:06 | 0:56:07 | |
He has quite a rugged face, hasn't he? | 0:56:24 | 0:56:26 | |
He looks like he was a pretty robust individual, doesn't he? | 0:56:26 | 0:56:30 | |
I quite like him. Slight asymmetry in the orbits. | 0:56:30 | 0:56:35 | |
Quite highly-defined cheekbones. | 0:56:35 | 0:56:37 | |
If you were walking round Helmsley today | 0:56:37 | 0:56:39 | |
and saw someone looking like that, you wouldn't look twice, would you? | 0:56:39 | 0:56:46 | |
When you think what he may have gone through | 0:56:48 | 0:56:50 | |
and you have to ask, why was he chosen? | 0:56:50 | 0:56:53 | |
What was so important about him? Was it because he was important in the area that he was selected? | 0:56:53 | 0:57:00 | |
We will never know. That is about conjecture. | 0:57:00 | 0:57:03 | |
But what we do know is that he suffered blunt-force trauma, | 0:57:03 | 0:57:07 | |
we know that his skull was defleshed. | 0:57:07 | 0:57:12 | |
Following the story and hearing more today, | 0:57:17 | 0:57:20 | |
it's been absolutely fascinating. It's filled in a lot of the picture. | 0:57:20 | 0:57:23 | |
That was really amazing, absolutely fascinating. | 0:57:23 | 0:57:27 | |
The facial reconstruction was wonderful. | 0:57:27 | 0:57:30 | |
The actual face brought it all very much home. | 0:57:30 | 0:57:34 | |
He's a very human face and why did they do to him what they did? | 0:57:34 | 0:57:38 | |
The possibility remains that the other skeletons found with this man | 0:57:38 | 0:57:43 | |
also met the same tragic end. | 0:57:43 | 0:57:45 | |
We've added a dimension to this that we never anticipated we would. | 0:57:47 | 0:57:52 | |
And it's a first for me. I've never been involved in something | 0:57:52 | 0:57:56 | |
that has involved this sort of a ritual, if you like. | 0:57:56 | 0:58:00 | |
It does still make me uncomfortable, I really don't like the words, | 0:58:00 | 0:58:03 | |
but at the end of the day, the bones have the evidence | 0:58:03 | 0:58:06 | |
and the evidence speaks for itself. | 0:58:06 | 0:58:09 | |
The human remains presented to the team were not a recent discovery, | 0:58:11 | 0:58:15 | |
but it took modern forensics to bring back to life | 0:58:15 | 0:58:18 | |
a tragic story that's 2,000 years old. | 0:58:18 | 0:58:21 | |
Next time... The team's biggest challenge yet. | 0:58:25 | 0:58:27 | |
100 skeletons found in York. The trail provides a new perspective | 0:58:27 | 0:58:31 | |
on the English Civil War... | 0:58:31 | 0:58:33 | |
In the last battle between Christ and the forces of Anti-Christ... | 0:58:33 | 0:58:37 | |
..through one man's extraordinary battle to survive. | 0:58:37 | 0:58:40 | |
-That is outrageous. -If I take it off at the shoulder, you will die. | 0:58:40 | 0:58:44 | |
Subtitles by Red Bee Media Ltd | 0:59:04 | 0:59:07 | |
E-mail [email protected] | 0:59:07 | 0:59:11 |