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Just over a century ago, the motion camera was invented. | 0:00:03 | 0:00:07 | |
It changed forever the way we recall our history. | 0:00:07 | 0:00:12 | |
For the first time, we could see life | 0:00:12 | 0:00:13 | |
through the eyes of ordinary people. | 0:00:13 | 0:00:16 | |
Across the series, we'll bring these rare archive films back to life, | 0:00:19 | 0:00:23 | |
with the help of our vintage mobile cinema. | 0:00:23 | 0:00:26 | |
We'll be inviting people with a story to tell to step on board | 0:00:28 | 0:00:32 | |
and relive moments they thought were gone forever. | 0:00:32 | 0:00:35 | |
They'll see relatives on screen for the first time, | 0:00:40 | 0:00:43 | |
come face-to-face with their younger selves | 0:00:43 | 0:00:46 | |
and celebrate our amazing 20th century past. | 0:00:46 | 0:00:49 | |
This is the people's story. Our story. | 0:00:51 | 0:00:54 | |
Our vintage mobile cinema was originally commissioned in 1967 | 0:01:20 | 0:01:24 | |
to show training films to workers. | 0:01:24 | 0:01:26 | |
Today, it's been lovingly restored | 0:01:26 | 0:01:29 | |
and loaded up with remarkable film footage, preserved for us | 0:01:29 | 0:01:32 | |
by the British Film Institute | 0:01:32 | 0:01:34 | |
and other national and regional film archives. | 0:01:34 | 0:01:37 | |
In this series, | 0:01:38 | 0:01:39 | |
we'll be travelling to towns and cities across the country | 0:01:39 | 0:01:43 | |
and showing films from the 20th century | 0:01:43 | 0:01:45 | |
that give us the reel history of Britain. | 0:01:45 | 0:01:48 | |
Today we're pulling up in the 1960s, | 0:01:52 | 0:01:55 | |
to hear how the actions of one man, Richard Beeching, | 0:01:55 | 0:01:59 | |
led to the closure of almost a third of Britain's branch lines | 0:01:59 | 0:02:03 | |
and cut off millions living in rural communities across the country. | 0:02:03 | 0:02:08 | |
Today, we're in Sheringham, in the County of Norfolk. | 0:02:22 | 0:02:26 | |
We'll be looking back to the 1960s | 0:02:26 | 0:02:28 | |
and the axing of the railways by Beeching. | 0:02:28 | 0:02:31 | |
Coming up: | 0:02:35 | 0:02:37 | |
Captured on film. | 0:02:37 | 0:02:39 | |
The chance to see a much-loved uncle for the first time in over 20 years. | 0:02:39 | 0:02:42 | |
To see Uncle Billy up there was very moving. | 0:02:42 | 0:02:47 | |
I re-live a boyhood dream in a signal box. | 0:02:47 | 0:02:51 | |
And ride a steam train with railway enthusiast Pete Waterman. | 0:02:55 | 0:02:59 | |
And we hear fond memories of the dad | 0:03:01 | 0:03:04 | |
who drove the final train to Aldeburgh. | 0:03:04 | 0:03:06 | |
People wanted to talk to him. In fact, he was signing autographs. | 0:03:06 | 0:03:11 | |
Sheringham, here in Norfolk, was one of 2,128 stations across the country | 0:03:18 | 0:03:23 | |
that closed in the 1960s. | 0:03:23 | 0:03:26 | |
Axing Britain's branch lines changed public transport forever. | 0:03:29 | 0:03:34 | |
Getting to and from rural areas became much harder | 0:03:35 | 0:03:38 | |
and led to an explosion in the use of the motor car. | 0:03:38 | 0:03:42 | |
It's easy to see how it happened, looking back. | 0:03:48 | 0:03:51 | |
When the rail network was nationalised in 1948, | 0:03:51 | 0:03:55 | |
the newly-created British Railways inherited huge losses | 0:03:55 | 0:03:58 | |
and poorly-run lines. | 0:03:58 | 0:04:00 | |
In 1961, its new chairman, Dr Richard Beeching, | 0:04:06 | 0:04:09 | |
was given a simple task: | 0:04:09 | 0:04:11 | |
Make rail pay. | 0:04:11 | 0:04:13 | |
Beeching reported back with some startling facts. | 0:04:15 | 0:04:18 | |
95% of the journeys were taken on just 50% of the lines. | 0:04:18 | 0:04:22 | |
He concluded the only solution was to close the unprofitable ones. | 0:04:24 | 0:04:29 | |
It made him public enemy number one but he stuck to his guns. | 0:04:29 | 0:04:32 | |
I think the plan is right. | 0:04:35 | 0:04:36 | |
All the proposals are directed | 0:04:36 | 0:04:38 | |
towards making the railways do those things they can do best | 0:04:38 | 0:04:42 | |
and stopping them doing those things they are no longer suited to do. | 0:04:42 | 0:04:46 | |
There was huge opposition to the plan, | 0:04:46 | 0:04:49 | |
still known today as the Beeching Axe. | 0:04:49 | 0:04:52 | |
A plan that kept Britain talking for months. | 0:04:52 | 0:04:54 | |
Joining me in Sheringham today | 0:04:57 | 0:04:59 | |
are railwaymen and passengers from across the UK | 0:04:59 | 0:05:02 | |
who have gathered to tell me their stories | 0:05:02 | 0:05:05 | |
about how the closure of their local lines affected all their lives. | 0:05:05 | 0:05:10 | |
'Bruce McCartney grew up in Hawick in the Scottish borders, | 0:05:10 | 0:05:13 | |
'a small town on the Waverley line between Carlisle and Edinburgh. | 0:05:13 | 0:05:17 | |
'It was earmarked for closure.' | 0:05:17 | 0:05:20 | |
Bruce was a student at Edinburgh University at the time | 0:05:21 | 0:05:24 | |
and he became one of the protestors | 0:05:24 | 0:05:26 | |
campaigning to stop the closures going ahead. | 0:05:26 | 0:05:29 | |
-Are you on there? -I am bending over. That's me. | 0:05:30 | 0:05:35 | |
Not a very flattering shot, but... | 0:05:35 | 0:05:38 | |
So you lost the argument? | 0:05:38 | 0:05:40 | |
Yes, the line was losing about 700,000 a year. | 0:05:40 | 0:05:45 | |
And in the late '60s, that just wasn't viable at all. | 0:05:45 | 0:05:50 | |
Who's being led away here? | 0:05:50 | 0:05:51 | |
That is the Minister being led away by the police. | 0:05:51 | 0:05:54 | |
That's the Reverend Briden Mavern. | 0:05:54 | 0:05:56 | |
What has he done to be led away? | 0:05:56 | 0:05:59 | |
He has blocked the line, they padlocked the gates together, | 0:05:59 | 0:06:02 | |
hijacked the station master's car, let down the tyres. | 0:06:02 | 0:06:05 | |
Hah! | 0:06:05 | 0:06:07 | |
And the train from Hawick was delayed about a couple of hours. | 0:06:07 | 0:06:10 | |
We've got a treat for Bruce. We're about to show him | 0:06:12 | 0:06:15 | |
a Border TV news report from that time. | 0:06:15 | 0:06:18 | |
He's going to see his younger self as a protestor on that very day. | 0:06:18 | 0:06:23 | |
He and his friends made a coffin, as a symbol for the closure plan. | 0:06:29 | 0:06:32 | |
40 years on, will he be proud or just a bit embarrassed? | 0:06:35 | 0:06:39 | |
The coffin was almost a last-minute thought. | 0:06:41 | 0:06:46 | |
After all, the line is dying. | 0:06:46 | 0:06:49 | |
The night the line closed, | 0:06:49 | 0:06:50 | |
we addressed it and sent it by the last train | 0:06:50 | 0:06:53 | |
to the Minister of Transport, Richard Marsh. | 0:06:53 | 0:06:56 | |
But I think he refused delivery of it. As I would have, as well! | 0:06:56 | 0:07:00 | |
Seeing our film, does Bruce have any regrets? | 0:07:00 | 0:07:03 | |
Blow me, I would do the same again, | 0:07:03 | 0:07:05 | |
only I've learned from my experiences. | 0:07:05 | 0:07:07 | |
'I think, had the closure taken place, | 0:07:07 | 0:07:10 | |
'or was scheduled to take place in a year's time, | 0:07:10 | 0:07:14 | |
'I would get much better organised and do things differently | 0:07:14 | 0:07:18 | |
'and hopefully the result would be different.' | 0:07:18 | 0:07:21 | |
The line should have remained open to Hawick. | 0:07:23 | 0:07:26 | |
People who didn't have their own transport | 0:07:26 | 0:07:29 | |
would have a two-and-a-half bus journey in front of you. | 0:07:29 | 0:07:32 | |
That was a dreadful thought. | 0:07:32 | 0:07:33 | |
Seeing himself on that day | 0:07:33 | 0:07:35 | |
has certainly turned the clock back for Bruce. | 0:07:35 | 0:07:37 | |
It brought back events of 40-odd years ago, | 0:07:39 | 0:07:42 | |
seeing the protesters and just recalling the events of the day | 0:07:42 | 0:07:47 | |
and the placards that we'd spent ages out with the ink and... | 0:07:47 | 0:07:51 | |
Ah, dear... Youth! | 0:07:51 | 0:07:54 | |
Michael Gatenby from Lancashire was also captured on film in the '60s. | 0:08:04 | 0:08:09 | |
He's come to join us at Sheringham station to see himself on screen | 0:08:09 | 0:08:13 | |
and share his story of the life of a signalman. | 0:08:13 | 0:08:16 | |
Michael began his love affair with the locomotives | 0:08:17 | 0:08:20 | |
as a five-year-old trainspotter and he worked the railways for 37 years. | 0:08:20 | 0:08:25 | |
In a minute, he's going to see himself on screen as a young man. | 0:08:26 | 0:08:31 | |
And we're going to join him, | 0:08:31 | 0:08:33 | |
as he settles into his seat for a trip down Memory Lane. | 0:08:33 | 0:08:36 | |
The trains used to run past my school | 0:08:52 | 0:08:55 | |
and that's where the passion grew from. | 0:08:55 | 0:08:57 | |
I always wanted to work for the railway. | 0:08:57 | 0:08:59 | |
I never wanted to do anything else. | 0:08:59 | 0:09:01 | |
Michael was filmed for a BBC documentary when he was 19 | 0:09:01 | 0:09:06 | |
and one of the youngest signalmen in the country. | 0:09:06 | 0:09:09 | |
The film bore the curious title | 0:09:09 | 0:09:12 | |
"Engines Must Not Enter The Potato Siding." | 0:09:12 | 0:09:15 | |
How will he feel about seeing himself all those years ago? | 0:09:15 | 0:09:18 | |
It's one of the most responsible jobs there is, signalman, | 0:09:20 | 0:09:24 | |
no doubt about it. | 0:09:24 | 0:09:26 | |
Come to think of it, it's more important than a pilot's. | 0:09:26 | 0:09:30 | |
A signalman's got the lives of two passenger trains coming up, | 0:09:30 | 0:09:35 | |
all those lives. | 0:09:35 | 0:09:36 | |
I mean, there's no element for mistakes in this job. | 0:09:36 | 0:09:41 | |
It was like a part of me that's been preserved forever. | 0:09:41 | 0:09:45 | |
I suppose then I was at my best and now I'm at my worst! | 0:09:46 | 0:09:51 | |
Down path's just coming out now, a twin-engine section. | 0:09:51 | 0:09:55 | |
For railwaymen like Michael, the closure of | 0:10:04 | 0:10:06 | |
so many rural lines was shocking. | 0:10:06 | 0:10:09 | |
He recalls that Beeching's axe fell hard. | 0:10:09 | 0:10:13 | |
As well as closing over 2,000 stations | 0:10:15 | 0:10:18 | |
and cutting 67,000 jobs, | 0:10:18 | 0:10:20 | |
over 5,000 miles of track were ripped up | 0:10:20 | 0:10:24 | |
and sold for cash or abandoned. | 0:10:24 | 0:10:26 | |
It did need whittling down a little bit but I thought, | 0:10:29 | 0:10:34 | |
you know, he's decimated the railways | 0:10:34 | 0:10:37 | |
and it was a bit short-sighted. | 0:10:37 | 0:10:40 | |
If anybody could have seen how much we still need the railways, | 0:10:40 | 0:10:44 | |
it would have been better to mothball certain lines | 0:10:44 | 0:10:47 | |
instead of ripping them all up. | 0:10:47 | 0:10:49 | |
Michael's feelings echo those of millions at the time. | 0:10:51 | 0:10:54 | |
It's more than a job, it's a family. | 0:10:57 | 0:10:58 | |
That's why when they close down a line, you destroy families. | 0:10:58 | 0:11:03 | |
'You destroy a way of life, | 0:11:05 | 0:11:07 | |
'which you can't really put into words.' | 0:11:07 | 0:11:11 | |
It's terrific to meet someone like Michael, | 0:11:17 | 0:11:19 | |
who cares so much about the railways. | 0:11:19 | 0:11:21 | |
He's taking me to see the signal box here at Sheringham, | 0:11:21 | 0:11:24 | |
which is just like the one he operated at Woodhead in Lancashire. | 0:11:24 | 0:11:28 | |
It's a kind of sitting room, isn't it? | 0:11:33 | 0:11:35 | |
Yep, everything you need. | 0:11:35 | 0:11:37 | |
You've got your armchair. | 0:11:37 | 0:11:39 | |
Home from home. Feels like I've never been away. | 0:11:41 | 0:11:45 | |
Watching the film, of you on the film, a rather younger | 0:11:47 | 0:11:50 | |
version of yourself, what did you think of yourself on the film? | 0:11:50 | 0:11:54 | |
My son, who watched that for the first time, | 0:11:54 | 0:11:57 | |
was five years older than I was at the time and he said, | 0:11:57 | 0:12:00 | |
"Dad, "I bet you were a real babe magnet!" | 0:12:00 | 0:12:03 | |
But I was really shy. | 0:12:03 | 0:12:05 | |
I was probably the most shy person you could imagine. | 0:12:05 | 0:12:09 | |
But, er, yeah, I look back now, | 0:12:09 | 0:12:11 | |
I wish I was that age again with what I know now. | 0:12:11 | 0:12:14 | |
That's the driver ringing in to tell me he's arrived. | 0:12:16 | 0:12:20 | |
Hello. | 0:12:20 | 0:12:21 | |
Yeah, OK. Thank you. | 0:12:21 | 0:12:24 | |
What effect did you find from your experience | 0:12:27 | 0:12:30 | |
was it having on the places that no longer had a railway? | 0:12:30 | 0:12:34 | |
They had no service any more. Not everybody had a car in those days. | 0:12:34 | 0:12:39 | |
The bus services weren't adequate to get people where they wanted to go. | 0:12:39 | 0:12:43 | |
People couldn't go on holidays any more. | 0:12:43 | 0:12:45 | |
They used to rely on the trains. | 0:12:45 | 0:12:47 | |
They were prisoners in the community unless you had a car. | 0:12:47 | 0:12:51 | |
Once entrusted to dedicated individuals like Michael, | 0:12:52 | 0:12:55 | |
the job of the signalman has now been replaced | 0:12:55 | 0:12:59 | |
with cutting-edge technology. | 0:12:59 | 0:13:02 | |
Today on Reel History we're at Sheringham station, | 0:13:07 | 0:13:10 | |
in East Anglia, which was closed | 0:13:10 | 0:13:13 | |
during the restructure of Britain's railway network in the 1960s. | 0:13:13 | 0:13:16 | |
Today, thanks to the dedication of railway enthusiasts, | 0:13:16 | 0:13:19 | |
it's re-opened as a popular tourist attraction. | 0:13:19 | 0:13:23 | |
But not all branch lines were as lucky. | 0:13:23 | 0:13:25 | |
The next film was made by an amateur filmmaker. | 0:13:25 | 0:13:29 | |
It captures a day in the life of a community | 0:13:29 | 0:13:31 | |
when it came out in force to say farewell to an era. | 0:13:31 | 0:13:35 | |
Susan Hawkes from Sizewell knows she is about to see | 0:13:37 | 0:13:41 | |
her beloved uncle in this next film. What she doesn't know is | 0:13:41 | 0:13:45 | |
that he isn't the only member of her family who will appear. | 0:13:45 | 0:13:49 | |
This film was shot on 10th September 1966 | 0:14:00 | 0:14:04 | |
and captures the last train from Saxmundham to Aldeburgh in Suffolk, | 0:14:04 | 0:14:09 | |
just a few miles from here. | 0:14:09 | 0:14:12 | |
Susan's uncle, Billy Botterill, gave 50 years to Aldeburgh station, | 0:14:12 | 0:14:15 | |
working his way up from luggage boy in 1916 | 0:14:15 | 0:14:19 | |
to managing the station right up to the day it closed. | 0:14:19 | 0:14:23 | |
How will she feel about seeing him on film? | 0:14:25 | 0:14:27 | |
My heart thumped when I saw Uncle Billy on the film, | 0:14:29 | 0:14:34 | |
it was really lovely. | 0:14:34 | 0:14:36 | |
Every day of his life he'd got up early in the morning, | 0:14:39 | 0:14:43 | |
sorted the household out, left his wife at home | 0:14:43 | 0:14:46 | |
and gone up to his beloved station. | 0:14:46 | 0:14:50 | |
He really loved it. | 0:14:50 | 0:14:52 | |
And he particularly loved his garden. | 0:14:52 | 0:14:55 | |
Year after year he would win the cup | 0:15:01 | 0:15:03 | |
for the best station garden in the local area. | 0:15:03 | 0:15:08 | |
But someone else catches Susan's eye in our mobile cinema - | 0:15:10 | 0:15:14 | |
someone she wasn't expecting to see. | 0:15:14 | 0:15:17 | |
Also on the platform was my cousin, waving a white handkerchief | 0:15:22 | 0:15:26 | |
with a great big smile on his face. | 0:15:26 | 0:15:28 | |
It was really lovely to see him | 0:15:30 | 0:15:34 | |
because, unfortunately, he only died a few days ago. | 0:15:34 | 0:15:37 | |
To see him on film was very special at this particular time. | 0:15:40 | 0:15:44 | |
3,000 people lost their link to the outside world | 0:15:47 | 0:15:51 | |
when the branch line to Aldeburgh close. | 0:15:51 | 0:15:54 | |
A story repeated across the country. | 0:15:54 | 0:15:57 | |
It's been a sentimental day for Susan. | 0:15:57 | 0:16:00 | |
To see Uncle Billy up there, he was so like my father. | 0:16:01 | 0:16:06 | |
It was very moving. | 0:16:06 | 0:16:08 | |
The day they ran the last train to Aldeburgh, | 0:16:14 | 0:16:17 | |
Clive Strutt was there to capture the moment on his camera. | 0:16:17 | 0:16:21 | |
He was a press photographer covering | 0:16:22 | 0:16:24 | |
the story of the closure for the local papers. | 0:16:24 | 0:16:27 | |
-You were a photographer on that last train, a press photographer? -Yes. | 0:16:27 | 0:16:31 | |
Yes, the last train running from Aldeburgh to Saxmundham | 0:16:31 | 0:16:34 | |
was a major event in our lives. | 0:16:34 | 0:16:36 | |
-It was a big turnout, all along the line. -Yes, absolutely. | 0:16:36 | 0:16:39 | |
I think everybody felt a lump in their throat. | 0:16:39 | 0:16:43 | |
What Clive didn't know was that an amateur filmmaker was filming him. | 0:16:44 | 0:16:50 | |
That film was preserved by the regional archive in East Anglia, | 0:16:50 | 0:16:53 | |
and Clive's about to watch it for the first time. | 0:16:53 | 0:16:56 | |
How will he react to seeing himself, aged 23? | 0:16:56 | 0:17:00 | |
Here he is, walking along the middle of the track. | 0:17:14 | 0:17:17 | |
Seeing myself in those days, as a young man, | 0:17:19 | 0:17:21 | |
I didn't realise how old I'd become. My hair wasn't grey, | 0:17:21 | 0:17:26 | |
I wasn't wrinkled and I certainly wasn't fat. | 0:17:26 | 0:17:29 | |
But, no, it was very nostalgic. | 0:17:29 | 0:17:31 | |
Clive recalls how, like communities right across the country, | 0:17:33 | 0:17:36 | |
everyone along the line turned out to say an emotional goodbye | 0:17:36 | 0:17:40 | |
as the last train to Aldeburgh went past. | 0:17:40 | 0:17:43 | |
The thing I remember most of all about that day | 0:17:43 | 0:17:47 | |
was the large amount of people that turned up. | 0:17:47 | 0:17:51 | |
I think that was a surprise to a lot of people. | 0:17:51 | 0:17:54 | |
And probably it said something about the way the branch line, | 0:17:54 | 0:17:58 | |
as it was known in those days, how people felt about it | 0:17:58 | 0:18:02 | |
and how people felt about the closure, | 0:18:02 | 0:18:04 | |
because it was quite a community shock when that went. | 0:18:04 | 0:18:08 | |
Clive's obviously pleased | 0:18:09 | 0:18:11 | |
he's had the chance to share his recollections of that day with us. | 0:18:11 | 0:18:15 | |
In a way, I was quite privileged to be here today, | 0:18:18 | 0:18:21 | |
because most of the people there are no longer with us. | 0:18:21 | 0:18:24 | |
-Huge cheers by the crowds, wasn't there? -There was. | 0:18:31 | 0:18:34 | |
Clive has brought with him one special photograph he took that day, | 0:18:34 | 0:18:40 | |
of a man who played a crucial role - the train driver, Albert Skeels. | 0:18:40 | 0:18:44 | |
A coincidence there, really. | 0:18:44 | 0:18:46 | |
Albert's son, Colin, is here to see his father captured on camera. | 0:18:46 | 0:18:50 | |
Have you seen this photograph? | 0:18:50 | 0:18:52 | |
Not such a clear one. I've seen a hazy one in the paper. | 0:18:52 | 0:18:57 | |
-That's very nice, isn't it? -It's good, yes. | 0:18:57 | 0:19:00 | |
Colin's father, Albert, | 0:19:00 | 0:19:02 | |
drove the last train from Saxmundham to Aldeburgh. | 0:19:02 | 0:19:05 | |
After a quiet 40-year career on the railways, | 0:19:05 | 0:19:08 | |
that day, he became the reluctant star of the show. | 0:19:08 | 0:19:11 | |
Albert died 26 years ago. | 0:19:13 | 0:19:16 | |
So how will his son, Colin, feel about watching | 0:19:16 | 0:19:18 | |
his father's big moment re-played on the big screen? | 0:19:18 | 0:19:21 | |
He started off at the very bottom when he left school, | 0:19:44 | 0:19:48 | |
I think it was in 1917 or 18, | 0:19:48 | 0:19:52 | |
and he worked his way up. | 0:19:52 | 0:19:56 | |
He enjoyed his job, he liked the railways, | 0:19:56 | 0:20:00 | |
he was a railwayman through and through | 0:20:00 | 0:20:04 | |
and erm, he... this was just a special day. | 0:20:04 | 0:20:10 | |
My father was lucky enough to be on duty that day, | 0:20:20 | 0:20:24 | |
to drive the train to Aldeburgh from Ipswich | 0:20:24 | 0:20:28 | |
and it was so different from a normal day's working, | 0:20:28 | 0:20:33 | |
because people wanted to talk to him. | 0:20:33 | 0:20:36 | |
In fact, he signed autographs, | 0:20:36 | 0:20:39 | |
which...nobody ever wants an engine driver's autograph! | 0:20:39 | 0:20:44 | |
I suppose he felt special for one day. | 0:20:44 | 0:20:48 | |
You know, it brought back some nice memories for me | 0:20:52 | 0:20:55 | |
and it's made me realise that he had a moment | 0:20:55 | 0:21:01 | |
in the limelight in his life. | 0:21:01 | 0:21:04 | |
Because most of the while, he just drove his train and that was it. | 0:21:04 | 0:21:09 | |
Unfortunately, both him and my mum died before we saw it, | 0:21:15 | 0:21:19 | |
so they never saw the film. | 0:21:19 | 0:21:21 | |
He never showed his emotions very much, | 0:21:32 | 0:21:36 | |
but I think he would be pleased to think that something he did | 0:21:36 | 0:21:41 | |
was still available for people to get some enjoyment from. | 0:21:41 | 0:21:46 | |
Colin's dad retired shortly after this film was made | 0:21:53 | 0:21:57 | |
but 5,000 engine drivers like him lost their jobs due to the cuts. | 0:21:57 | 0:22:02 | |
Were you there on that day? | 0:22:08 | 0:22:10 | |
No, I wasn't. No, I didn't know it had happened until afterwards. | 0:22:10 | 0:22:14 | |
My dad told me, when we saw him later. | 0:22:14 | 0:22:17 | |
And we didn't know the film had been taken. We had no idea. | 0:22:17 | 0:22:20 | |
And this you have here, is...? | 0:22:20 | 0:22:22 | |
The passengers had a whip round for the driver, | 0:22:22 | 0:22:26 | |
because it was the last train, | 0:22:26 | 0:22:28 | |
and presented him with a hatful of money at the end | 0:22:28 | 0:22:32 | |
and he bought this with it. | 0:22:32 | 0:22:34 | |
And he passed it down the family. | 0:22:34 | 0:22:36 | |
Oh, lovely. Mmm. | 0:22:36 | 0:22:37 | |
1966 was the end of the line for Aldeburgh. | 0:22:48 | 0:22:52 | |
But the '60s sounded the death knell | 0:22:52 | 0:22:54 | |
for another treasured aspect of the railways - | 0:22:54 | 0:22:57 | |
the steam engine. | 0:22:57 | 0:22:59 | |
In 1963, there were 8,767 steam trains. | 0:23:01 | 0:23:05 | |
But they were dirty and inefficient | 0:23:05 | 0:23:06 | |
and by 1969 there wasn't a single passenger service left, | 0:23:06 | 0:23:11 | |
as cheaper, more efficient diesel engines took over. | 0:23:11 | 0:23:14 | |
These affectionate pictures of a steam engine, | 0:23:18 | 0:23:21 | |
chugging through the British countryside, | 0:23:21 | 0:23:24 | |
were taken on the North York Moors by a former rail worker, Frank Dean, | 0:23:24 | 0:23:28 | |
who became a keen filmmaker. | 0:23:28 | 0:23:31 | |
They capture a charming, disappearing world of steam trains | 0:23:31 | 0:23:34 | |
and flower meadows. | 0:23:34 | 0:23:36 | |
Maybe that's why steam trains still have enormous appeal, | 0:23:38 | 0:23:41 | |
but now as a tourist attraction. | 0:23:41 | 0:23:43 | |
Despite axing railways in the '60s, | 0:23:48 | 0:23:51 | |
some people will never forget the glory days | 0:23:51 | 0:23:54 | |
and one of those is the railway enthusiast, Pete Waterman. | 0:23:54 | 0:23:57 | |
Pete's enjoyed huge success as a music producer and television star, | 0:24:01 | 0:24:06 | |
but his life-long passion is trains. | 0:24:06 | 0:24:09 | |
He even has a share in his very own railway. | 0:24:09 | 0:24:13 | |
He's come to give me his thoughts | 0:24:13 | 0:24:14 | |
on what happened to the railways in the 1960s. | 0:24:14 | 0:24:17 | |
What about Beeching and his legacy? | 0:24:19 | 0:24:21 | |
What did you think of Beeching, | 0:24:21 | 0:24:23 | |
who became the most hated man in Britain? | 0:24:23 | 0:24:25 | |
Beeching gets too much blame. | 0:24:25 | 0:24:28 | |
By the time he came in, he was asked to do a specific job. | 0:24:28 | 0:24:32 | |
He was told, "Run this railway for a profit." | 0:24:32 | 0:24:35 | |
"Well, OK, yes, I'll close all the lines down then." | 0:24:35 | 0:24:39 | |
And everybody went, "Yeah, that'll do then." | 0:24:39 | 0:24:41 | |
There was no talk of social railways back then, there wasn't. | 0:24:41 | 0:24:44 | |
Nobody said, | 0:24:44 | 0:24:45 | |
"You must keep something open so the rural community can work." | 0:24:45 | 0:24:49 | |
That's not what Britain was like then. | 0:24:49 | 0:24:51 | |
But Pete's optimistic for the future of trains in rural areas, | 0:24:55 | 0:25:00 | |
even if that future rests on the tourist industry. | 0:25:00 | 0:25:03 | |
We're on a steam train and that town we've come from, Sheringham, | 0:25:05 | 0:25:10 | |
more or less lives off the steam train, doesn't it? | 0:25:10 | 0:25:12 | |
Well, all these small railways have transformed rural economies. | 0:25:12 | 0:25:17 | |
They can't survive without them. | 0:25:17 | 0:25:19 | |
Severn Valley is another one, | 0:25:19 | 0:25:21 | |
North Yorkshire Moors, these bring thousands of people. | 0:25:21 | 0:25:24 | |
200,000 visitors a year, you know, to these small villages. | 0:25:24 | 0:25:29 | |
In the old days, it'd be the bucket and spade brigade. | 0:25:29 | 0:25:32 | |
Now, it's the steam railway brigade. | 0:25:32 | 0:25:33 | |
You know, they have the '40s weekend, the beer festivals, | 0:25:33 | 0:25:38 | |
the Thomas weekends... And they're packed. It's like a heritage ride. | 0:25:38 | 0:25:42 | |
It's the biggest, the longest theme park in the world! | 0:25:42 | 0:25:45 | |
Here in Sheringham today, it's buzzing with day trippers | 0:25:54 | 0:25:57 | |
of all ages. | 0:25:57 | 0:25:58 | |
In 1976, this line, the Poppy line, | 0:25:58 | 0:26:02 | |
was re-opened by railway enthusiasts and volunteers. | 0:26:02 | 0:26:05 | |
It now has five miles of attractive track, trips into nostalgia. | 0:26:05 | 0:26:10 | |
One of the people responsible | 0:26:10 | 0:26:13 | |
for reviving the line is volunteer, Dave King. | 0:26:13 | 0:26:16 | |
-Hello. -Hello, Melvyn. -So you're the museum curator? | 0:26:16 | 0:26:20 | |
-I am indeed, sir. -What was this like before the axe fell in the 1960s? | 0:26:20 | 0:26:26 | |
It was a busy little station from time to time. | 0:26:26 | 0:26:29 | |
We're in a busy holiday resort | 0:26:29 | 0:26:31 | |
and the station was built to reflect that | 0:26:31 | 0:26:35 | |
and be somewhere welcoming for the passengers to come to. | 0:26:35 | 0:26:39 | |
Do you remember how it got going again in 1976? | 0:26:39 | 0:26:42 | |
We were in negotiations with British Railways from 1964, | 0:26:42 | 0:26:46 | |
when the line closed, | 0:26:46 | 0:26:47 | |
and we actually bought the line from Sheringham up to Weybourne. | 0:26:47 | 0:26:53 | |
It took quite a while to get steam locos restored | 0:26:53 | 0:26:57 | |
and get some coaching stock sorted out, | 0:26:57 | 0:26:59 | |
and start carrying passengers as a proper railway. | 0:26:59 | 0:27:02 | |
The man in charge of Sheringham today is Station Master, Ted Linge. | 0:27:08 | 0:27:13 | |
I'm meeting up with him to learn about the work involved | 0:27:13 | 0:27:15 | |
in returning this station to its former splendour. | 0:27:15 | 0:27:20 | |
When you started to do this Poppy Line, did you have to | 0:27:20 | 0:27:23 | |
reconstitute most of the station with the signs? | 0:27:23 | 0:27:26 | |
I see you have original signs, original adverts, the glass roof. | 0:27:26 | 0:27:30 | |
Well, the station was constructed originally in 1887. | 0:27:30 | 0:27:34 | |
We took it over from British Rail in the '70s | 0:27:34 | 0:27:37 | |
and a band of volunteers, since then, | 0:27:37 | 0:27:40 | |
have been working extremely hard | 0:27:40 | 0:27:44 | |
to bring it up to what you see now. | 0:27:44 | 0:27:47 | |
Through the goodwill of the people who love trains | 0:27:47 | 0:27:50 | |
and love heritage. | 0:27:50 | 0:27:53 | |
-Thank you. -You're welcome. | 0:27:54 | 0:27:55 | |
Very pleased to meet you. Thanks for looking after us today. | 0:27:55 | 0:27:58 | |
So today it's been rail, steam and nostalgia. | 0:28:04 | 0:28:07 | |
The age of steam is gone but a funny thing's happening. | 0:28:07 | 0:28:10 | |
All over this country, groups of volunteers and enthusiasts | 0:28:10 | 0:28:14 | |
are laying down the tracks, building up the stations, | 0:28:14 | 0:28:17 | |
bringing in new steam engines and starting all over again. | 0:28:17 | 0:28:21 | |
Next time on Reel History, | 0:28:25 | 0:28:27 | |
we're in Manchester, to see what the earliest motion cameras | 0:28:27 | 0:28:31 | |
captured on film at the turn of the century. | 0:28:31 | 0:28:35 | |
The first time they saw these films, our jaws dropped. | 0:28:35 | 0:28:38 | |
Subtitles by Red Bee Media Ltd | 0:28:48 | 0:28:53 | |
E-mail [email protected] | 0:28:53 | 0:28:58 |