Browse content similar to The Roaring Twenties. Check below for episodes and series from the same categories and more!
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Just over a century ago, the motion camera was invented | 0:00:03 | 0:00:07 | |
and changed for ever the way we recall our history. | 0:00:07 | 0:00:10 | |
For the first time, we could see life through the eyes of ordinary people. | 0:00:10 | 0:00:15 | |
Across this series, we'll bring these rare archive films back to life | 0:00:18 | 0:00:24 | |
with the help of our vintage mobile cinema. | 0:00:24 | 0:00:26 | |
We'll be inviting people with a story to tell to step on board | 0:00:29 | 0:00:33 | |
and relive moments they thought were gone for ever. | 0:00:33 | 0:00:37 | |
They'll see their relatives on screen for the first time, | 0:00:39 | 0:00:43 | |
come face to face with their younger selves | 0:00:43 | 0:00:46 | |
and celebrate our amazing 20th-century past. | 0:00:46 | 0:00:50 | |
This is the people's story. | 0:00:50 | 0:00:53 | |
Our story. | 0:00:53 | 0:00:54 | |
Our vintage mobile cinema was originally commissioned in 1967 | 0:01:19 | 0:01:24 | |
to show training films to workers. | 0:01:24 | 0:01:26 | |
Today, it's been lovingly restored | 0:01:26 | 0:01:29 | |
and loaded up with remarkable film footage, | 0:01:29 | 0:01:32 | |
preserved for us by the British Film Institute and other national and regional film archives. | 0:01:32 | 0:01:37 | |
In this series, we'll be travelling to towns and cities across the country | 0:01:38 | 0:01:42 | |
and showing films from the 20th century that give us the Reel History of Britain. | 0:01:42 | 0:01:48 | |
Today, we're pulling up in the glamorous Roaring '20s | 0:01:51 | 0:01:55 | |
to discover how the other half lived and find out about a group | 0:01:55 | 0:01:59 | |
of Bright Young People who created Britain's first cult of celebrity. | 0:01:59 | 0:02:02 | |
This is Cliveden in Berkshire, | 0:02:14 | 0:02:17 | |
the house in the 1920s of the second Viscount Waldorf Astor | 0:02:17 | 0:02:21 | |
and his American wife, Nancy. | 0:02:21 | 0:02:23 | |
The Astors were one of the grandest and wealthiest families in the world | 0:02:23 | 0:02:27 | |
and it was here, in this house, that many of the parties and events took place | 0:02:27 | 0:02:31 | |
that mark out the rich Roaring '20s. | 0:02:31 | 0:02:35 | |
'Coming up, the tragic story of Britain's original It girl...' | 0:02:39 | 0:02:43 | |
My grandfather got a telegram from London | 0:02:43 | 0:02:47 | |
saying "regret to inform you, Elizabeth had died". | 0:02:47 | 0:02:50 | |
It was alcoholic poisoning. She had drunk herself to death. | 0:02:50 | 0:02:54 | |
'..Lord Astor returns to his ancestral home to give us a guided tour...' | 0:02:54 | 0:02:59 | |
And you can see up there is Amy Johnson, Charlie Chaplin, | 0:02:59 | 0:03:02 | |
my grandmother and George Bernard Shaw. | 0:03:02 | 0:03:04 | |
'..and a glimpse of what life was like for Cliveden's formidable head butler, Edwin Lee.' | 0:03:04 | 0:03:09 | |
Lady Astor called him "Lord Lee of Cliveden". | 0:03:09 | 0:03:12 | |
They couldn't operate without him. He was essential. | 0:03:12 | 0:03:15 | |
'We're at the stately home of Cliveden today, | 0:03:30 | 0:03:33 | |
'to catch a glimpse of life as it was lived by a small group of privileged, rich people | 0:03:33 | 0:03:38 | |
'who defined what became known as the Roaring '20s.' | 0:03:38 | 0:03:42 | |
The traumas of the First World War convinced a new generation | 0:03:49 | 0:03:53 | |
to live for the moment and, by the 1920s, the decadence and the Jazz Age were in full swing. | 0:03:53 | 0:03:59 | |
Indulgent fads and madcap antics were all the rage. | 0:04:00 | 0:04:05 | |
Women, who now had the vote, shockingly cropped their hair AND their hemlines. | 0:04:05 | 0:04:10 | |
But the '20s was a decade of huge contrast. | 0:04:11 | 0:04:14 | |
While workers faced extreme poverty and crippling unemployment, | 0:04:14 | 0:04:17 | |
a small group of young, rich socialites in London were living it up | 0:04:17 | 0:04:21 | |
like there was no tomorrow. | 0:04:21 | 0:04:23 | |
The tabloid press dubbed them the "Bright Young People", | 0:04:25 | 0:04:29 | |
creating possibly the first celebrities to be famous for being famous. | 0:04:29 | 0:04:34 | |
My guests here today have come from all over the country | 0:04:38 | 0:04:41 | |
to share their family history stories of the Roaring '20s. | 0:04:41 | 0:04:45 | |
They will be showing us photo albums, | 0:04:46 | 0:04:48 | |
scrapbooks and treasured mementos. | 0:04:48 | 0:04:51 | |
Many of them will be seeing the films we are about to screen for the first time. | 0:04:51 | 0:04:55 | |
'Joining us today is Laura Ponsonby, from Surrey. | 0:04:58 | 0:05:01 | |
'She has some vivid stories to share about her aunt, Elizabeth Ponsonby, | 0:05:01 | 0:05:06 | |
'one of the most famous It girls of that decade.' | 0:05:06 | 0:05:09 | |
She was she really was like the leader of the Bright Young People, | 0:05:09 | 0:05:12 | |
but, like many of the Bright Young People, she was not rich. | 0:05:12 | 0:05:16 | |
My grandmother writes a very good and critical diary. | 0:05:16 | 0:05:19 | |
She said about Elizabeth, "She lives as though she's got 3,000 a year | 0:05:19 | 0:05:23 | |
"and will spend 800 on a dress." | 0:05:23 | 0:05:26 | |
But, really, Elizabeth's family | 0:05:26 | 0:05:27 | |
were what sometimes people call the aristocratic poor. They had no money. | 0:05:27 | 0:05:31 | |
-I do have a photograph, if you'd like to look at it. -I would. | 0:05:31 | 0:05:35 | |
-It's a little tender. -I'll hold it and you can open it. | 0:05:35 | 0:05:39 | |
I'll open up. | 0:05:39 | 0:05:40 | |
This is Elizabeth's scrapbook and she's put in various photographs of these many parties she had. | 0:05:40 | 0:05:45 | |
"Heather Pilkington party, summer 1927." | 0:05:45 | 0:05:47 | |
-There is Elizabeth in the middle. -And next to her is? | 0:05:47 | 0:05:50 | |
That is Brian Howard. | 0:05:50 | 0:05:52 | |
Somebody wrote a book about him - he was a poet and writer - Portrait Of A Failure. | 0:05:52 | 0:05:56 | |
He always seemed to be around. | 0:05:56 | 0:05:58 | |
I think this is probably Cecil Beaton, dressed up. | 0:05:58 | 0:06:01 | |
-Cecil Beaton, so that's an impersonation party? -Yes. | 0:06:01 | 0:06:04 | |
-Thank you very much indeed. -Not at all. Wonderful to meet you. -And you. | 0:06:04 | 0:06:08 | |
We're about to show Laura some films that will take her back | 0:06:12 | 0:06:15 | |
to a time when her Aunt Elizabeth was a 1920s reveller. | 0:06:15 | 0:06:19 | |
What family stories will they bring to mind? | 0:06:27 | 0:06:29 | |
She was absolutely mad for partying. | 0:06:31 | 0:06:33 | |
I mean, she was in and out of the nightclubs always. | 0:06:33 | 0:06:36 | |
She loved dancing. She loved music. | 0:06:36 | 0:06:38 | |
You know, she really enjoyed that sort of thing and was up all hours of the night. | 0:06:38 | 0:06:43 | |
The daughter of a prominent Labour politician, | 0:06:43 | 0:06:46 | |
Elizabeth became known for her high jinks. | 0:06:46 | 0:06:49 | |
Stealing policemen's helmets and breaking into stately homes. | 0:06:49 | 0:06:53 | |
For Elizabeth and her chums, life was one long party. | 0:06:53 | 0:06:57 | |
These Bright Young People all got together | 0:06:59 | 0:07:02 | |
and had all these different themed parties. | 0:07:02 | 0:07:04 | |
So they had the bath and bottle party, which was in a swimming pool. | 0:07:04 | 0:07:09 | |
They had the impersonation party, where everybody went as something else. | 0:07:09 | 0:07:14 | |
They had the white party, when everybody was dressed in white. | 0:07:14 | 0:07:18 | |
They had the red-and-white party. They had the Mozart party. | 0:07:18 | 0:07:21 | |
They had the American party. They were always dressing up. | 0:07:21 | 0:07:24 | |
Sometimes, they weren't in their ordinary clothes for days, and they were drinking. | 0:07:24 | 0:07:28 | |
Laura reveals how Elizabeth's parents were shocked by her numerous affairs. | 0:07:28 | 0:07:33 | |
She was mad about men, frankly. | 0:07:34 | 0:07:36 | |
And her mother does write, in one of her diaries, | 0:07:36 | 0:07:42 | |
or reflections about Elizabeth. | 0:07:42 | 0:07:44 | |
she says, "What a pity that Elizabeth knew about contraception, | 0:07:44 | 0:07:48 | |
"because she wouldn't have risked herself with so many men." | 0:07:48 | 0:07:52 | |
Pleasure-seeking parties were a feature of the time, | 0:07:52 | 0:07:55 | |
but they had their dark side, too. | 0:07:55 | 0:07:57 | |
According to Diana Mosley, who was also a Bright Young Person | 0:07:58 | 0:08:02 | |
at that particular time, she felt that Elizabeth was a person who introduced cocaine | 0:08:02 | 0:08:07 | |
into the into the scene of the Bright Young People. | 0:08:07 | 0:08:10 | |
And there was one daughter of a baronet, called Brenda Dean Paul, | 0:08:10 | 0:08:14 | |
who was rather striking, I think, and went to these parties | 0:08:14 | 0:08:18 | |
and she was really addicted to cocaine and I think she was in prison. | 0:08:18 | 0:08:23 | |
To the dismay of her parents, Elizabeth refused to settle down | 0:08:24 | 0:08:28 | |
and continued to party into the 1930s. | 0:08:28 | 0:08:31 | |
Laura tells the sad story of her death at the age of 39. | 0:08:33 | 0:08:37 | |
She died in 1940 and my grandfather got a telegram from London | 0:08:38 | 0:08:44 | |
saying, "Regret to inform you, Elizabeth had died." | 0:08:44 | 0:08:47 | |
He'd seen her, I think, about a month before | 0:08:47 | 0:08:49 | |
but they'd been seeing much less of her, in fact. | 0:08:49 | 0:08:52 | |
And it was alcoholic poisoning. | 0:08:52 | 0:08:55 | |
She had drunk herself to death, which was a desperate, desperate thing | 0:08:55 | 0:08:59 | |
and, of course, the grandparents were shattered. | 0:08:59 | 0:09:01 | |
Laura's family have kept many mementos of Elizabeth's short life, | 0:09:03 | 0:09:07 | |
like this poignant letter written after an unknown scandal. | 0:09:07 | 0:09:11 | |
"Dearest mother, I am writing to tell you how frightfully sorry I am | 0:09:13 | 0:09:16 | |
"for hurting you and father. | 0:09:16 | 0:09:18 | |
"From nobody's fault, I have had to make my own life. | 0:09:18 | 0:09:22 | |
"And I may not have made it very well. | 0:09:22 | 0:09:25 | |
"But there it is. | 0:09:25 | 0:09:27 | |
"But whatever I may think or do, | 0:09:27 | 0:09:29 | |
"the last thing in the world that I ever wished to do | 0:09:29 | 0:09:32 | |
"was to hurt you so much. | 0:09:32 | 0:09:34 | |
"I may be treading a road that leads nowhere | 0:09:34 | 0:09:38 | |
"but perhaps it is better than scrambling about in the desert. | 0:09:38 | 0:09:42 | |
"Try and forgive me. Ever, your loving Elizabeth." | 0:09:42 | 0:09:46 | |
To find out more about the Bright Young People of the 1920s, | 0:09:51 | 0:09:55 | |
I'm meeting the writer and historian Lucy Moore inside Cliveden House. | 0:09:55 | 0:10:00 | |
-Hello, Lucy. -Hello. | 0:10:01 | 0:10:03 | |
-How are you? -Melvyn Bragg, nice to see you. -Nice to see you. -Have a seat. -Thank you. | 0:10:03 | 0:10:08 | |
People talked about the Bright Young Things, who were the Bright Young Things? | 0:10:08 | 0:10:12 | |
The Bright Young Things were the socialites of the 1920s. | 0:10:12 | 0:10:15 | |
They were a group of people who embraced quite a broad section of society for the first time, | 0:10:15 | 0:10:21 | |
so you had impoverished artists, | 0:10:21 | 0:10:23 | |
you had daughters of peers, you had daughters of Labour politicians. | 0:10:23 | 0:10:28 | |
You had all sorts of people mixed up together | 0:10:28 | 0:10:30 | |
and what they had in common was they were young, they hadn't been involved in the war. | 0:10:30 | 0:10:35 | |
What about the attention to... Well, young people always pay attention to their appearance, | 0:10:35 | 0:10:39 | |
but it seemed to be, not excessive, but they had fun with it, didn't they? | 0:10:39 | 0:10:44 | |
Absolutely. There was a sense of girls were dressing as boys, boys were dressing as girls. | 0:10:44 | 0:10:48 | |
There was a massive influence of Hollywood, | 0:10:48 | 0:10:51 | |
so everyone slicks their hair down like Rudolph Valentino | 0:10:51 | 0:10:55 | |
and tries to dance the tango with a rose in their mouth and that's because the media had changed. | 0:10:55 | 0:11:01 | |
For the first time, you could see a movie that everyone else was seeing. | 0:11:01 | 0:11:05 | |
The new fashions and fads of the 1920s | 0:11:05 | 0:11:07 | |
were limited to the few who could afford them. | 0:11:07 | 0:11:10 | |
Mass unemployment brought thousands of ordinary families to the point of destitution | 0:11:12 | 0:11:17 | |
and, by 1921, two and half million workers were out of a job. | 0:11:17 | 0:11:21 | |
In the '20s, there were a lot of people in this country going through very hard times. | 0:11:23 | 0:11:27 | |
How did they feel about what was going on? | 0:11:27 | 0:11:29 | |
I suspect that most of the population of England at the time | 0:11:29 | 0:11:33 | |
was half horrified and half fascinated by them. | 0:11:33 | 0:11:36 | |
But, there was an emptiness about what they were doing | 0:11:36 | 0:11:40 | |
and I'm sure the bulk of the population who were on strike, | 0:11:40 | 0:11:43 | |
or suffering with the desperate economic situation post-war | 0:11:43 | 0:11:47 | |
would have looked at them and thought, "What are they doing with their lives? | 0:11:47 | 0:11:51 | |
'I'm now off to meet someone who has a very personal connection | 0:11:57 | 0:12:01 | |
'to one the Bright Young People of the Roaring '20s.' | 0:12:01 | 0:12:03 | |
'Simon Blow is the great nephew of Stephen Tennant, | 0:12:06 | 0:12:10 | |
'the most flamboyant of the 24-hour party people. | 0:12:10 | 0:12:13 | |
'He would often wear make-up and gold dust in his hair.' | 0:12:13 | 0:12:17 | |
My Uncle Stephen was a carefree person, really, in the early '20s. | 0:12:17 | 0:12:22 | |
I mean, he had the world at his feet. He had looks, he had talent. | 0:12:22 | 0:12:26 | |
You know, background connections and everything. | 0:12:28 | 0:12:31 | |
He was a glamour figure, really, and he was very beautiful. | 0:12:31 | 0:12:34 | |
You say "very beautiful", he liked to dress as a woman, didn't he? | 0:12:34 | 0:12:39 | |
-Well, he didn't go completely into drag. -No. | 0:12:39 | 0:12:43 | |
But, conventional society said, | 0:12:43 | 0:12:45 | |
"It's not surprising, his mother dressed him as a girl until he was 12." | 0:12:45 | 0:12:48 | |
HE CHUCKLES | 0:12:48 | 0:12:49 | |
As a young man in the 1970s and '80s, | 0:12:49 | 0:12:52 | |
Simon enjoyed a close relationship with his then ageing great uncle | 0:12:52 | 0:12:56 | |
and would spend long periods with him at the Tennant family estate in Wiltshire. | 0:12:56 | 0:13:02 | |
You've brought a photograph of your Uncle Stephen. | 0:13:02 | 0:13:05 | |
Yes, this is one of Uncle Stephen, which he gave to me. | 0:13:05 | 0:13:08 | |
Well, that's him before he put make-up on. He did the later sketching himself. | 0:13:08 | 0:13:13 | |
He once said to me, | 0:13:13 | 0:13:15 | |
"Have you noticed, Simon, how beautifully chiselled my nose is?" | 0:13:15 | 0:13:19 | |
HE CHUCKLES | 0:13:19 | 0:13:21 | |
So I said, "Yes." He was looking up from his bed | 0:13:21 | 0:13:24 | |
and he lay back on his pillows and thought, | 0:13:24 | 0:13:26 | |
then he looked at me and said, | 0:13:26 | 0:13:28 | |
"And you have a very chiselled nose, too." | 0:13:28 | 0:13:31 | |
There was more thinking on the pillow and he said, | 0:13:32 | 0:13:35 | |
"I think most well-bred people have chiselled noses." | 0:13:35 | 0:13:37 | |
THEY LAUGH Not a bit, not a bit. | 0:13:37 | 0:13:40 | |
Simon boards our mobile cinema, where we're about to screen | 0:13:41 | 0:13:45 | |
some rare film footage of life in 1920s Britain. | 0:13:45 | 0:13:48 | |
Will these films conjure up the atmosphere of the era, | 0:14:01 | 0:14:04 | |
when his Uncle Stephen was the toast of the smart set in London? | 0:14:04 | 0:14:08 | |
It made me, in a way, quite nostalgic for a world I'd never known. | 0:14:09 | 0:14:13 | |
I think that, er... | 0:14:13 | 0:14:15 | |
Um... | 0:14:15 | 0:14:16 | |
..there was a feeling of cheerfulness in the films, really. | 0:14:16 | 0:14:21 | |
I think you do get the sense of jollity that happened after the ending of the First World War. | 0:14:21 | 0:14:25 | |
Simon's Great Uncle Stephen was the youngest son of Lord and Lady Glenconner. | 0:14:26 | 0:14:31 | |
Because of his class and privilege, he never had to work. | 0:14:31 | 0:14:34 | |
I think he always hoped that he would be a famous writer, | 0:14:36 | 0:14:40 | |
um, but then he wanted to be a famous beauty, too. | 0:14:40 | 0:14:44 | |
And there's a lovely story about Claire, my grandmother. | 0:14:44 | 0:14:48 | |
He was staying in a country house in Wales | 0:14:48 | 0:14:51 | |
and Michael Duff, the host, um... | 0:14:51 | 0:14:55 | |
..was waiting for Stephen to come down for dinner. | 0:14:56 | 0:15:00 | |
They waited and Michael went up to Stephen's room and said, | 0:15:00 | 0:15:03 | |
"We are all waiting for you, Stephen. You must come down." | 0:15:03 | 0:15:06 | |
He was putting on the last touches of make-up. He turned round from looking in the glass | 0:15:06 | 0:15:10 | |
and said to Michael, "Michael, tell me I'm as beautiful as Claire." | 0:15:10 | 0:15:16 | |
So there was this desire to be as beautiful as his sister, | 0:15:16 | 0:15:20 | |
so that was all part of the thing. | 0:15:20 | 0:15:23 | |
He loved dressing up. He once said to me, | 0:15:23 | 0:15:27 | |
"I can't bear trousers, Simon. | 0:15:27 | 0:15:30 | |
"I only like clothes that drape." | 0:15:30 | 0:15:33 | |
He was very high-spirited and you know he threw all sorts of parties at Wilsford, | 0:15:33 | 0:15:40 | |
when he owned the house. He had a following. | 0:15:40 | 0:15:44 | |
He was a sort of magical name - Stephen Tennant. | 0:15:44 | 0:15:48 | |
And, um...and the world lay at his feet. | 0:15:48 | 0:15:53 | |
Stephen Tennant outlived most of his contemporaries and passed away in 1987. | 0:15:54 | 0:15:59 | |
He'd been a recluse | 0:15:59 | 0:16:01 | |
and chose to spend much of the last 17 years of his life in bed. | 0:16:01 | 0:16:05 | |
Often when I stayed with Uncle Stephen, I used to look through the old photographs | 0:16:05 | 0:16:10 | |
and sort of romance about those times in my head. | 0:16:10 | 0:16:14 | |
Er, I think they would have been great times to have experienced. | 0:16:14 | 0:16:19 | |
On Reel History today, we're in the grounds of the magnificent Cliveden House in Berkshire. | 0:16:27 | 0:16:32 | |
During the Roaring '20s, it was home to the wealthy Astor family, | 0:16:32 | 0:16:36 | |
who famously entertained on a lavish scale. | 0:16:36 | 0:16:39 | |
'43 years ago, the Astor family leased Cliveden to the National Trust | 0:16:44 | 0:16:50 | |
'and the house became a luxury hotel, with the gardens open to the public. | 0:16:50 | 0:16:54 | |
'But the current Lord Astor has returned today to show us around.' | 0:16:54 | 0:16:58 | |
'We're heading through the great hall to the French dining room.' | 0:16:59 | 0:17:02 | |
This is the French dining room. My great-grandfather bought the interior of the room | 0:17:02 | 0:17:07 | |
from one of the houses in Versailles. | 0:17:07 | 0:17:10 | |
And, according to his notes, when he got it here, | 0:17:10 | 0:17:13 | |
it still had bullet holes in the panelling left over from the French Revolution. | 0:17:13 | 0:17:18 | |
-That really makes it authentic! -Yeah. | 0:17:18 | 0:17:21 | |
Lord Astor's grandfather, Waldorf, inherited Cliveden | 0:17:24 | 0:17:27 | |
and an immense fortune from his American father, | 0:17:27 | 0:17:30 | |
who built the luxurious Waldorf Hotel in New York. | 0:17:30 | 0:17:33 | |
Waldorf married Nancy, a very rich American heiress, in 1906 | 0:17:34 | 0:17:38 | |
and together they had four sons and a daughter. | 0:17:38 | 0:17:41 | |
That picture over there is probably one of the most famous of the 20th century of my grandmother. | 0:17:44 | 0:17:49 | |
It was painted by Sargent. | 0:17:49 | 0:17:51 | |
She was originally drawn out... | 0:17:51 | 0:17:52 | |
She had... My uncle was being carried piggyback. | 0:17:52 | 0:17:57 | |
When they decided to do the picture, they said not to do that. | 0:17:57 | 0:18:00 | |
You wouldn't normally have someone looking over their left shoulder. | 0:18:00 | 0:18:03 | |
'Cliveden soon became a centre of social and political influence. | 0:18:03 | 0:18:08 | |
'In 1919, Nancy Astor made history when she became the first woman to take her seat in Parliament.' | 0:18:08 | 0:18:15 | |
You can see up there is Amy Johnson, Charlie Chaplin, | 0:18:15 | 0:18:18 | |
my grandmother, George Bernard Shaw. | 0:18:18 | 0:18:21 | |
Why was he such a regular visitor? | 0:18:21 | 0:18:23 | |
He was a great friend of my grandmother | 0:18:23 | 0:18:25 | |
and they did various trips together in Europe. They went to both Berlin and Moscow. | 0:18:25 | 0:18:29 | |
That's grandmother with the Duke of Windsor, playing golf. | 0:18:29 | 0:18:33 | |
What did they say to you about the '20s? | 0:18:33 | 0:18:35 | |
Cliveden in the '20s and '30s was a political salon, as it were. | 0:18:35 | 0:18:40 | |
She had lots of friends, whether it was the arts and George Bernard Shaw. | 0:18:40 | 0:18:44 | |
Lawrence of Arabia was a great friend. | 0:18:44 | 0:18:46 | |
She had an extraordinary range of people that came here | 0:18:46 | 0:18:49 | |
and they had this extraordinary house, in which they entertained. | 0:18:49 | 0:18:52 | |
'During the 1920s, many of the stately homes of Britain were a continuous social whirl | 0:18:56 | 0:19:00 | |
'of parties and entertaining, which required battalions of servants. | 0:19:00 | 0:19:05 | |
'We're now going to find out what life was like downstairs, | 0:19:05 | 0:19:08 | |
'from the relatives of those who worked at Cliveden at that time.' | 0:19:08 | 0:19:12 | |
'Martin Blaber has joined us today from Hampshire. | 0:19:13 | 0:19:16 | |
'He is here to tell us about his uncle, Edwin Lee, | 0:19:16 | 0:19:20 | |
'who was head butler to the Astors at Cliveden for 44 years.' | 0:19:20 | 0:19:24 | |
My uncle was here from 1919 to 1963, I think it was, | 0:19:24 | 0:19:29 | |
when he finally packed up. | 0:19:29 | 0:19:30 | |
What did he say about working for the Astors? | 0:19:30 | 0:19:33 | |
Well, he... It was his whole life. | 0:19:33 | 0:19:35 | |
I realised that the reason he stuck it here and did so well | 0:19:35 | 0:19:40 | |
was that he was strong man, he had a strong personality | 0:19:40 | 0:19:43 | |
he stood up to Lady Astor, he wouldn't take any stick. | 0:19:43 | 0:19:46 | |
What about the working hours? I've read notes about it. Can you tell us? | 0:19:46 | 0:19:50 | |
He told me that it was sometimes 18-hour days, seven days a week. | 0:19:50 | 0:19:55 | |
He had to run this place and St James's in London. | 0:19:55 | 0:20:00 | |
Also, Christmas, Easter, that was permanent work. | 0:20:00 | 0:20:04 | |
But, he enjoyed it, it was his whole life. | 0:20:04 | 0:20:08 | |
Martin's about to watch some rarely-seen film footage of the Astor family | 0:20:09 | 0:20:13 | |
that'll take him back to the time when his Uncle Edwin served as their butler. | 0:20:13 | 0:20:19 | |
When Kodak introduced a portable cine camera in 1923, | 0:20:27 | 0:20:32 | |
amateur film-making took off. | 0:20:32 | 0:20:33 | |
But it was a novelty pastime for wealthy enthusiasts like the Astors, | 0:20:35 | 0:20:39 | |
who recorded many home movies during the inter-war years. | 0:20:39 | 0:20:43 | |
These films paint an intimate picture of their lifestyle. | 0:20:43 | 0:20:48 | |
Until today, Martin had no idea these films existed. | 0:20:49 | 0:20:52 | |
Will he spot his Uncle Edwin? | 0:20:52 | 0:20:54 | |
I did actually catch a glimpse of my uncle. | 0:20:56 | 0:20:59 | |
He looked so much younger, | 0:20:59 | 0:21:01 | |
cos my main meetings with him were after he'd retired. | 0:21:01 | 0:21:05 | |
I didn't see him very much when he worked here, | 0:21:05 | 0:21:08 | |
because he was just busy seven days a week, | 0:21:08 | 0:21:14 | |
so it was good to see him looking... He looked very jovial. | 0:21:14 | 0:21:18 | |
He was laughing. That was really good. | 0:21:18 | 0:21:21 | |
During the 1920s, the butler in stately home | 0:21:23 | 0:21:27 | |
would be the highest-ranking servant, in charge of all the domestic staff. | 0:21:27 | 0:21:31 | |
Martin's Uncle Edwin, was renowned in his day | 0:21:31 | 0:21:34 | |
and to be trained by him was a reference in itself. | 0:21:34 | 0:21:38 | |
He was like the managing director of a large company. | 0:21:38 | 0:21:41 | |
He organised all the staff, the functions, | 0:21:41 | 0:21:44 | |
ordering all the wine. | 0:21:44 | 0:21:47 | |
He just managed a large household. | 0:21:48 | 0:21:51 | |
I would relate it today to running a company of 400 people as a managing director. | 0:21:51 | 0:21:57 | |
Lady Astor called him "Lord Lee of Cliveden", | 0:21:57 | 0:22:01 | |
because he was, in some ways, | 0:22:01 | 0:22:04 | |
he was as part of the structure and fixtures and fittings, you might say. | 0:22:04 | 0:22:09 | |
They couldn't operate without him. He was essential. | 0:22:09 | 0:22:12 | |
As a society hostess, Lady Nancy Astor earned a reputation for witty repartee. | 0:22:13 | 0:22:19 | |
But as her butler, Martin's Uncle Edwin was privy to other sides of her character. | 0:22:19 | 0:22:23 | |
I think he respected her greatly. | 0:22:25 | 0:22:27 | |
But he realised that she was a tyrant. | 0:22:27 | 0:22:30 | |
He told me a story of when she came back from parliament late one night, | 0:22:30 | 0:22:35 | |
probably in a pretty bad mood cos something had gone wrong. | 0:22:35 | 0:22:39 | |
He'd already organised a massive banqueting table for royalty, who were coming the next day. | 0:22:39 | 0:22:46 | |
It was all set up with flowers and everything. | 0:22:46 | 0:22:48 | |
She walked in and took one look at it, kicked her shoes off, | 0:22:48 | 0:22:51 | |
jumped up on the table and started moving things around, saying, | 0:22:51 | 0:22:56 | |
"I don't like the look of that," etc, etc. | 0:22:56 | 0:22:58 | |
Water was getting spilt. | 0:22:58 | 0:23:00 | |
So he just walked in and said, "Lady Astor, if you don't get off that table, I'm going." | 0:23:00 | 0:23:06 | |
So she just jumped. She apparently jumped down, put her shoes back on and said, | 0:23:06 | 0:23:10 | |
"Leave it to you, Lee," and walked out. | 0:23:10 | 0:23:12 | |
And that was that. That was the sort of relationship. | 0:23:12 | 0:23:15 | |
Martin's Uncle went into semi-retirement in 1953 | 0:23:16 | 0:23:20 | |
and married Emily, who was a telephonist at Cliveden for many years. | 0:23:20 | 0:23:25 | |
It was his whole life. | 0:23:25 | 0:23:27 | |
I would say that he was like a piece of rock with "Cliveden" written through him. | 0:23:27 | 0:23:32 | |
Whenever I used to visit him after he'd retired, we'd have lunch | 0:23:32 | 0:23:36 | |
and because my aunt worked here as well for 20-odd years | 0:23:36 | 0:23:40 | |
the conversations would always, always return to the Astors and Cliveden | 0:23:40 | 0:23:46 | |
and all the other people that they would know through that. It was his whole life. | 0:23:46 | 0:23:51 | |
And he had a good life doing it. | 0:23:51 | 0:23:54 | |
'Martin's Uncle Edwin was responsible for the smooth running of Cliveden. | 0:24:00 | 0:24:03 | |
'Now we're off to meet someone who can reveal what life at its most intimate was like with Lady Astor.' | 0:24:03 | 0:24:10 | |
-Hello, Anne. -Hello. | 0:24:10 | 0:24:12 | |
'Anne Norris has joined us today from North Yorkshire.' | 0:24:12 | 0:24:15 | |
Anne's aunt, Rose Harrison had the remarkable experience | 0:24:15 | 0:24:18 | |
of being lady's maid to the fiery Lady Astor for 35 years. | 0:24:18 | 0:24:23 | |
She had to look after her completely, run her baths, | 0:24:23 | 0:24:28 | |
get all her clothes ready, mend anything that needed mending, look after the jewellery. | 0:24:28 | 0:24:35 | |
More or less take care of her altogether. | 0:24:35 | 0:24:38 | |
My aunt was very lucky, really, because she went all over the world with her. | 0:24:38 | 0:24:43 | |
Everywhere Lady Astor went, my aunt went with her | 0:24:43 | 0:24:47 | |
and she travelled first class, went to some marvellous places. | 0:24:47 | 0:24:51 | |
She was very fortunate. She loved her job. | 0:24:51 | 0:24:54 | |
It was hard work, but she really enjoyed it. | 0:24:54 | 0:24:58 | |
Anne's about to watch the Astors' home movies, which she has never seen before. | 0:24:58 | 0:25:02 | |
The films will show her a hidden portrait of the life her aunt lived | 0:25:14 | 0:25:17 | |
as a 1920s lady's maid in one of Britain's wealthiest families. | 0:25:17 | 0:25:22 | |
I watched the films and they were absolutely fantastic. | 0:25:22 | 0:25:26 | |
And it's so nice to see different parts of the Astor family, | 0:25:26 | 0:25:31 | |
the places where they played and lived. | 0:25:31 | 0:25:35 | |
It's been really nice to see that, | 0:25:35 | 0:25:38 | |
and to see where my aunt might have been. | 0:25:38 | 0:25:41 | |
Right from the start, Rose had the strength of character to take on the formidable Lady Astor. | 0:25:41 | 0:25:47 | |
I think my aunt was the only one that really stood up to Lady Astor, | 0:25:47 | 0:25:51 | |
and she'd had a few lady's maids before that didn't last very long. | 0:25:51 | 0:25:56 | |
There was one incident where Lady Astor had a box of chocolates, | 0:25:56 | 0:26:00 | |
and she took a bite into one of them, and didn't like it, so she gave it to my aunt. | 0:26:00 | 0:26:06 | |
And my aunt looked at it, put it in the waste paper basket and said, | 0:26:06 | 0:26:11 | |
"I'm not that hard up that I have to have second-hand chocolates." | 0:26:11 | 0:26:14 | |
So she never did that again. | 0:26:14 | 0:26:17 | |
As lady's maid to Nancy Astor, Rose enjoyed a higher social status than the other housemaids. | 0:26:20 | 0:26:26 | |
She also travelled all over the world with the Astors, | 0:26:26 | 0:26:29 | |
who filmed many of their glamorous holidays abroad. | 0:26:29 | 0:26:32 | |
I think as my aunt's life and Lady Astor's life matured, | 0:26:32 | 0:26:38 | |
they seemed to become more, er, compatible | 0:26:38 | 0:26:42 | |
and more friends rather than maid and mistress. | 0:26:42 | 0:26:46 | |
I think she was really, really upset when Lady Astor passed away. | 0:26:46 | 0:26:51 | |
Lady Astor had asked earlier on in her life never to leave her, | 0:26:51 | 0:26:56 | |
and she promised she'd stay with her for ever. | 0:26:56 | 0:26:58 | |
And when she did actually pass away, | 0:26:58 | 0:27:01 | |
I think it really hit home. | 0:27:01 | 0:27:03 | |
The only thing that she brought away from the house was | 0:27:03 | 0:27:06 | |
Lady Astor's dog, who was called Madam, and she was a madam, too. | 0:27:06 | 0:27:14 | |
I think she was a little Pekinese. | 0:27:14 | 0:27:16 | |
She used to have a little basket at my aunt's house, | 0:27:16 | 0:27:19 | |
and you would never go near her because she was spoilt rotten and a little bit snappy. | 0:27:19 | 0:27:26 | |
But it was something to remember her ladyship by. | 0:27:26 | 0:27:30 | |
'The Astors were generous with their wealth | 0:27:30 | 0:27:33 | |
'and gave buildings, land and money to the city of Plymouth. | 0:27:33 | 0:27:36 | |
'But throughout the inter-war years, they famously continued to entertain at Cliveden. | 0:27:36 | 0:27:42 | |
'However, it was a different story for the racy London set.' | 0:27:42 | 0:27:45 | |
The Bright Young Things we've been talking about | 0:27:45 | 0:27:48 | |
had the celebrity then in the 1920s of today's pop stars | 0:27:48 | 0:27:51 | |
and sport stars, but in the 1920s, there was an enormous depression | 0:27:51 | 0:27:56 | |
and, eventually, the press was to turn against them. | 0:27:56 | 0:27:59 | |
By the 1930s, a war was brewing in Europe and the beautiful people began to disperse, | 0:27:59 | 0:28:06 | |
leaving behind their legacy of modern celebrity. | 0:28:06 | 0:28:11 | |
Whether or not we should thank them for that, the jury is out! | 0:28:11 | 0:28:14 | |
Next time on Reel History, we're at Osterley Park in Middlesex | 0:28:16 | 0:28:20 | |
to honour the brave Home Guard soldiers of World War Two. | 0:28:20 | 0:28:25 | |
I joined the Home Guard because I wanted to do my bit. | 0:28:25 | 0:28:29 | |
I wanted a future and I knew that future wouldn't exist if the invasion took place. | 0:28:29 | 0:28:35 | |
Subtitling by Red Bee Media Ltd | 0:28:57 | 0:29:00 | |
E-mail [email protected] | 0:29:00 | 0:29:03 |