The Roaring Twenties Reel History of Britain


The Roaring Twenties

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Just over a century ago, the motion camera was invented

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and changed for ever the way we recall our history.

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For the first time, we could see life through the eyes of ordinary people.

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Across this series, we'll bring these rare archive films back to life

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with the help of our vintage mobile cinema.

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We'll be inviting people with a story to tell to step on board

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and relive moments they thought were gone for ever.

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They'll see their relatives on screen for the first time,

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come face to face with their younger selves

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and celebrate our amazing 20th-century past.

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This is the people's story.

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Our story.

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Our vintage mobile cinema was originally commissioned in 1967

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to show training films to workers.

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Today, it's been lovingly restored

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and loaded up with remarkable film footage,

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preserved for us by the British Film Institute and other national and regional film archives.

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In this series, we'll be travelling to towns and cities across the country

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and showing films from the 20th century that give us the Reel History of Britain.

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Today, we're pulling up in the glamorous Roaring '20s

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to discover how the other half lived and find out about a group

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of Bright Young People who created Britain's first cult of celebrity.

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This is Cliveden in Berkshire,

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the house in the 1920s of the second Viscount Waldorf Astor

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and his American wife, Nancy.

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The Astors were one of the grandest and wealthiest families in the world

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and it was here, in this house, that many of the parties and events took place

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that mark out the rich Roaring '20s.

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'Coming up, the tragic story of Britain's original It girl...'

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My grandfather got a telegram from London

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saying "regret to inform you, Elizabeth had died".

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It was alcoholic poisoning. She had drunk herself to death.

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'..Lord Astor returns to his ancestral home to give us a guided tour...'

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And you can see up there is Amy Johnson, Charlie Chaplin,

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my grandmother and George Bernard Shaw.

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'..and a glimpse of what life was like for Cliveden's formidable head butler, Edwin Lee.'

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Lady Astor called him "Lord Lee of Cliveden".

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They couldn't operate without him. He was essential.

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'We're at the stately home of Cliveden today,

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'to catch a glimpse of life as it was lived by a small group of privileged, rich people

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'who defined what became known as the Roaring '20s.'

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The traumas of the First World War convinced a new generation

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to live for the moment and, by the 1920s, the decadence and the Jazz Age were in full swing.

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Indulgent fads and madcap antics were all the rage.

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Women, who now had the vote, shockingly cropped their hair AND their hemlines.

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But the '20s was a decade of huge contrast.

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While workers faced extreme poverty and crippling unemployment,

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a small group of young, rich socialites in London were living it up

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like there was no tomorrow.

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The tabloid press dubbed them the "Bright Young People",

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creating possibly the first celebrities to be famous for being famous.

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My guests here today have come from all over the country

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to share their family history stories of the Roaring '20s.

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They will be showing us photo albums,

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scrapbooks and treasured mementos.

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Many of them will be seeing the films we are about to screen for the first time.

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'Joining us today is Laura Ponsonby, from Surrey.

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'She has some vivid stories to share about her aunt, Elizabeth Ponsonby,

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'one of the most famous It girls of that decade.'

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She was she really was like the leader of the Bright Young People,

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but, like many of the Bright Young People, she was not rich.

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My grandmother writes a very good and critical diary.

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She said about Elizabeth, "She lives as though she's got 3,000 a year

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"and will spend 800 on a dress."

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But, really, Elizabeth's family

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were what sometimes people call the aristocratic poor. They had no money.

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-I do have a photograph, if you'd like to look at it.

-I would.

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-It's a little tender.

-I'll hold it and you can open it.

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I'll open up.

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This is Elizabeth's scrapbook and she's put in various photographs of these many parties she had.

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"Heather Pilkington party, summer 1927."

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-There is Elizabeth in the middle.

-And next to her is?

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That is Brian Howard.

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Somebody wrote a book about him - he was a poet and writer - Portrait Of A Failure.

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He always seemed to be around.

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I think this is probably Cecil Beaton, dressed up.

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-Cecil Beaton, so that's an impersonation party?

-Yes.

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-Thank you very much indeed.

-Not at all. Wonderful to meet you.

-And you.

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We're about to show Laura some films that will take her back

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to a time when her Aunt Elizabeth was a 1920s reveller.

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What family stories will they bring to mind?

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She was absolutely mad for partying.

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I mean, she was in and out of the nightclubs always.

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She loved dancing. She loved music.

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You know, she really enjoyed that sort of thing and was up all hours of the night.

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The daughter of a prominent Labour politician,

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Elizabeth became known for her high jinks.

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Stealing policemen's helmets and breaking into stately homes.

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For Elizabeth and her chums, life was one long party.

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These Bright Young People all got together

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and had all these different themed parties.

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So they had the bath and bottle party, which was in a swimming pool.

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They had the impersonation party, where everybody went as something else.

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They had the white party, when everybody was dressed in white.

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They had the red-and-white party. They had the Mozart party.

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They had the American party. They were always dressing up.

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Sometimes, they weren't in their ordinary clothes for days, and they were drinking.

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Laura reveals how Elizabeth's parents were shocked by her numerous affairs.

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She was mad about men, frankly.

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And her mother does write, in one of her diaries,

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or reflections about Elizabeth.

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she says, "What a pity that Elizabeth knew about contraception,

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"because she wouldn't have risked herself with so many men."

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Pleasure-seeking parties were a feature of the time,

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but they had their dark side, too.

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According to Diana Mosley, who was also a Bright Young Person

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at that particular time, she felt that Elizabeth was a person who introduced cocaine

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into the into the scene of the Bright Young People.

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And there was one daughter of a baronet, called Brenda Dean Paul,

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who was rather striking, I think, and went to these parties

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and she was really addicted to cocaine and I think she was in prison.

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To the dismay of her parents, Elizabeth refused to settle down

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and continued to party into the 1930s.

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Laura tells the sad story of her death at the age of 39.

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She died in 1940 and my grandfather got a telegram from London

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saying, "Regret to inform you, Elizabeth had died."

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He'd seen her, I think, about a month before

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but they'd been seeing much less of her, in fact.

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And it was alcoholic poisoning.

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She had drunk herself to death, which was a desperate, desperate thing

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and, of course, the grandparents were shattered.

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Laura's family have kept many mementos of Elizabeth's short life,

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like this poignant letter written after an unknown scandal.

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"Dearest mother, I am writing to tell you how frightfully sorry I am

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"for hurting you and father.

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"From nobody's fault, I have had to make my own life.

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"And I may not have made it very well.

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"But there it is.

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"But whatever I may think or do,

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"the last thing in the world that I ever wished to do

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"was to hurt you so much.

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"I may be treading a road that leads nowhere

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"but perhaps it is better than scrambling about in the desert.

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"Try and forgive me. Ever, your loving Elizabeth."

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To find out more about the Bright Young People of the 1920s,

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I'm meeting the writer and historian Lucy Moore inside Cliveden House.

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-Hello, Lucy.

-Hello.

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-How are you?

-Melvyn Bragg, nice to see you.

-Nice to see you.

-Have a seat.

-Thank you.

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People talked about the Bright Young Things, who were the Bright Young Things?

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The Bright Young Things were the socialites of the 1920s.

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They were a group of people who embraced quite a broad section of society for the first time,

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so you had impoverished artists,

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you had daughters of peers, you had daughters of Labour politicians.

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You had all sorts of people mixed up together

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and what they had in common was they were young, they hadn't been involved in the war.

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What about the attention to... Well, young people always pay attention to their appearance,

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but it seemed to be, not excessive, but they had fun with it, didn't they?

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Absolutely. There was a sense of girls were dressing as boys, boys were dressing as girls.

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There was a massive influence of Hollywood,

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so everyone slicks their hair down like Rudolph Valentino

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and tries to dance the tango with a rose in their mouth and that's because the media had changed.

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For the first time, you could see a movie that everyone else was seeing.

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The new fashions and fads of the 1920s

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were limited to the few who could afford them.

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Mass unemployment brought thousands of ordinary families to the point of destitution

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and, by 1921, two and half million workers were out of a job.

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In the '20s, there were a lot of people in this country going through very hard times.

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How did they feel about what was going on?

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I suspect that most of the population of England at the time

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was half horrified and half fascinated by them.

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But, there was an emptiness about what they were doing

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and I'm sure the bulk of the population who were on strike,

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or suffering with the desperate economic situation post-war

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would have looked at them and thought, "What are they doing with their lives?

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'I'm now off to meet someone who has a very personal connection

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'to one the Bright Young People of the Roaring '20s.'

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'Simon Blow is the great nephew of Stephen Tennant,

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'the most flamboyant of the 24-hour party people.

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'He would often wear make-up and gold dust in his hair.'

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My Uncle Stephen was a carefree person, really, in the early '20s.

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I mean, he had the world at his feet. He had looks, he had talent.

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You know, background connections and everything.

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He was a glamour figure, really, and he was very beautiful.

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You say "very beautiful", he liked to dress as a woman, didn't he?

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-Well, he didn't go completely into drag.

-No.

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But, conventional society said,

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"It's not surprising, his mother dressed him as a girl until he was 12."

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HE CHUCKLES

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As a young man in the 1970s and '80s,

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Simon enjoyed a close relationship with his then ageing great uncle

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and would spend long periods with him at the Tennant family estate in Wiltshire.

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You've brought a photograph of your Uncle Stephen.

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Yes, this is one of Uncle Stephen, which he gave to me.

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Well, that's him before he put make-up on. He did the later sketching himself.

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He once said to me,

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"Have you noticed, Simon, how beautifully chiselled my nose is?"

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HE CHUCKLES

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So I said, "Yes." He was looking up from his bed

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and he lay back on his pillows and thought,

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then he looked at me and said,

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"And you have a very chiselled nose, too."

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There was more thinking on the pillow and he said,

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"I think most well-bred people have chiselled noses."

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THEY LAUGH Not a bit, not a bit.

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Simon boards our mobile cinema, where we're about to screen

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some rare film footage of life in 1920s Britain.

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Will these films conjure up the atmosphere of the era,

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when his Uncle Stephen was the toast of the smart set in London?

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It made me, in a way, quite nostalgic for a world I'd never known.

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I think that, er...

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Um...

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..there was a feeling of cheerfulness in the films, really.

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I think you do get the sense of jollity that happened after the ending of the First World War.

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Simon's Great Uncle Stephen was the youngest son of Lord and Lady Glenconner.

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Because of his class and privilege, he never had to work.

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I think he always hoped that he would be a famous writer,

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um, but then he wanted to be a famous beauty, too.

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And there's a lovely story about Claire, my grandmother.

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He was staying in a country house in Wales

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and Michael Duff, the host, um...

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..was waiting for Stephen to come down for dinner.

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They waited and Michael went up to Stephen's room and said,

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"We are all waiting for you, Stephen. You must come down."

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He was putting on the last touches of make-up. He turned round from looking in the glass

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and said to Michael, "Michael, tell me I'm as beautiful as Claire."

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So there was this desire to be as beautiful as his sister,

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so that was all part of the thing.

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He loved dressing up. He once said to me,

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"I can't bear trousers, Simon.

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"I only like clothes that drape."

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He was very high-spirited and you know he threw all sorts of parties at Wilsford,

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when he owned the house. He had a following.

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He was a sort of magical name - Stephen Tennant.

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And, um...and the world lay at his feet.

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Stephen Tennant outlived most of his contemporaries and passed away in 1987.

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He'd been a recluse

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and chose to spend much of the last 17 years of his life in bed.

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Often when I stayed with Uncle Stephen, I used to look through the old photographs

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and sort of romance about those times in my head.

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Er, I think they would have been great times to have experienced.

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On Reel History today, we're in the grounds of the magnificent Cliveden House in Berkshire.

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During the Roaring '20s, it was home to the wealthy Astor family,

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who famously entertained on a lavish scale.

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'43 years ago, the Astor family leased Cliveden to the National Trust

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'and the house became a luxury hotel, with the gardens open to the public.

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'But the current Lord Astor has returned today to show us around.'

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'We're heading through the great hall to the French dining room.'

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This is the French dining room. My great-grandfather bought the interior of the room

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from one of the houses in Versailles.

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And, according to his notes, when he got it here,

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it still had bullet holes in the panelling left over from the French Revolution.

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-That really makes it authentic!

-Yeah.

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Lord Astor's grandfather, Waldorf, inherited Cliveden

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and an immense fortune from his American father,

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who built the luxurious Waldorf Hotel in New York.

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Waldorf married Nancy, a very rich American heiress, in 1906

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and together they had four sons and a daughter.

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That picture over there is probably one of the most famous of the 20th century of my grandmother.

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It was painted by Sargent.

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She was originally drawn out...

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She had... My uncle was being carried piggyback.

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When they decided to do the picture, they said not to do that.

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You wouldn't normally have someone looking over their left shoulder.

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'Cliveden soon became a centre of social and political influence.

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'In 1919, Nancy Astor made history when she became the first woman to take her seat in Parliament.'

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You can see up there is Amy Johnson, Charlie Chaplin,

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my grandmother, George Bernard Shaw.

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Why was he such a regular visitor?

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He was a great friend of my grandmother

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and they did various trips together in Europe. They went to both Berlin and Moscow.

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That's grandmother with the Duke of Windsor, playing golf.

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What did they say to you about the '20s?

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Cliveden in the '20s and '30s was a political salon, as it were.

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She had lots of friends, whether it was the arts and George Bernard Shaw.

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Lawrence of Arabia was a great friend.

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She had an extraordinary range of people that came here

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and they had this extraordinary house, in which they entertained.

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'During the 1920s, many of the stately homes of Britain were a continuous social whirl

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'of parties and entertaining, which required battalions of servants.

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'We're now going to find out what life was like downstairs,

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'from the relatives of those who worked at Cliveden at that time.'

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'Martin Blaber has joined us today from Hampshire.

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'He is here to tell us about his uncle, Edwin Lee,

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'who was head butler to the Astors at Cliveden for 44 years.'

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My uncle was here from 1919 to 1963, I think it was,

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when he finally packed up.

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What did he say about working for the Astors?

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Well, he... It was his whole life.

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I realised that the reason he stuck it here and did so well

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was that he was strong man, he had a strong personality

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he stood up to Lady Astor, he wouldn't take any stick.

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What about the working hours? I've read notes about it. Can you tell us?

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He told me that it was sometimes 18-hour days, seven days a week.

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He had to run this place and St James's in London.

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Also, Christmas, Easter, that was permanent work.

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But, he enjoyed it, it was his whole life.

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Martin's about to watch some rarely-seen film footage of the Astor family

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that'll take him back to the time when his Uncle Edwin served as their butler.

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When Kodak introduced a portable cine camera in 1923,

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amateur film-making took off.

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But it was a novelty pastime for wealthy enthusiasts like the Astors,

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who recorded many home movies during the inter-war years.

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These films paint an intimate picture of their lifestyle.

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Until today, Martin had no idea these films existed.

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Will he spot his Uncle Edwin?

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I did actually catch a glimpse of my uncle.

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He looked so much younger,

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cos my main meetings with him were after he'd retired.

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I didn't see him very much when he worked here,

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because he was just busy seven days a week,

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so it was good to see him looking... He looked very jovial.

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He was laughing. That was really good.

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During the 1920s, the butler in stately home

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would be the highest-ranking servant, in charge of all the domestic staff.

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Martin's Uncle Edwin, was renowned in his day

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and to be trained by him was a reference in itself.

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He was like the managing director of a large company.

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He organised all the staff, the functions,

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ordering all the wine.

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He just managed a large household.

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I would relate it today to running a company of 400 people as a managing director.

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Lady Astor called him "Lord Lee of Cliveden",

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because he was, in some ways,

0:22:010:22:04

he was as part of the structure and fixtures and fittings, you might say.

0:22:040:22:09

They couldn't operate without him. He was essential.

0:22:090:22:12

As a society hostess, Lady Nancy Astor earned a reputation for witty repartee.

0:22:130:22:19

But as her butler, Martin's Uncle Edwin was privy to other sides of her character.

0:22:190:22:23

I think he respected her greatly.

0:22:250:22:27

But he realised that she was a tyrant.

0:22:270:22:30

He told me a story of when she came back from parliament late one night,

0:22:300:22:35

probably in a pretty bad mood cos something had gone wrong.

0:22:350:22:39

He'd already organised a massive banqueting table for royalty, who were coming the next day.

0:22:390:22:46

It was all set up with flowers and everything.

0:22:460:22:48

She walked in and took one look at it, kicked her shoes off,

0:22:480:22:51

jumped up on the table and started moving things around, saying,

0:22:510:22:56

"I don't like the look of that," etc, etc.

0:22:560:22:58

Water was getting spilt.

0:22:580:23:00

So he just walked in and said, "Lady Astor, if you don't get off that table, I'm going."

0:23:000:23:06

So she just jumped. She apparently jumped down, put her shoes back on and said,

0:23:060:23:10

"Leave it to you, Lee," and walked out.

0:23:100:23:12

And that was that. That was the sort of relationship.

0:23:120:23:15

Martin's Uncle went into semi-retirement in 1953

0:23:160:23:20

and married Emily, who was a telephonist at Cliveden for many years.

0:23:200:23:25

It was his whole life.

0:23:250:23:27

I would say that he was like a piece of rock with "Cliveden" written through him.

0:23:270:23:32

Whenever I used to visit him after he'd retired, we'd have lunch

0:23:320:23:36

and because my aunt worked here as well for 20-odd years

0:23:360:23:40

the conversations would always, always return to the Astors and Cliveden

0:23:400:23:46

and all the other people that they would know through that. It was his whole life.

0:23:460:23:51

And he had a good life doing it.

0:23:510:23:54

'Martin's Uncle Edwin was responsible for the smooth running of Cliveden.

0:24:000:24:03

'Now we're off to meet someone who can reveal what life at its most intimate was like with Lady Astor.'

0:24:030:24:10

-Hello, Anne.

-Hello.

0:24:100:24:12

'Anne Norris has joined us today from North Yorkshire.'

0:24:120:24:15

Anne's aunt, Rose Harrison had the remarkable experience

0:24:150:24:18

of being lady's maid to the fiery Lady Astor for 35 years.

0:24:180:24:23

She had to look after her completely, run her baths,

0:24:230:24:28

get all her clothes ready, mend anything that needed mending, look after the jewellery.

0:24:280:24:35

More or less take care of her altogether.

0:24:350:24:38

My aunt was very lucky, really, because she went all over the world with her.

0:24:380:24:43

Everywhere Lady Astor went, my aunt went with her

0:24:430:24:47

and she travelled first class, went to some marvellous places.

0:24:470:24:51

She was very fortunate. She loved her job.

0:24:510:24:54

It was hard work, but she really enjoyed it.

0:24:540:24:58

Anne's about to watch the Astors' home movies, which she has never seen before.

0:24:580:25:02

The films will show her a hidden portrait of the life her aunt lived

0:25:140:25:17

as a 1920s lady's maid in one of Britain's wealthiest families.

0:25:170:25:22

I watched the films and they were absolutely fantastic.

0:25:220:25:26

And it's so nice to see different parts of the Astor family,

0:25:260:25:31

the places where they played and lived.

0:25:310:25:35

It's been really nice to see that,

0:25:350:25:38

and to see where my aunt might have been.

0:25:380:25:41

Right from the start, Rose had the strength of character to take on the formidable Lady Astor.

0:25:410:25:47

I think my aunt was the only one that really stood up to Lady Astor,

0:25:470:25:51

and she'd had a few lady's maids before that didn't last very long.

0:25:510:25:56

There was one incident where Lady Astor had a box of chocolates,

0:25:560:26:00

and she took a bite into one of them, and didn't like it, so she gave it to my aunt.

0:26:000:26:06

And my aunt looked at it, put it in the waste paper basket and said,

0:26:060:26:11

"I'm not that hard up that I have to have second-hand chocolates."

0:26:110:26:14

So she never did that again.

0:26:140:26:17

As lady's maid to Nancy Astor, Rose enjoyed a higher social status than the other housemaids.

0:26:200:26:26

She also travelled all over the world with the Astors,

0:26:260:26:29

who filmed many of their glamorous holidays abroad.

0:26:290:26:32

I think as my aunt's life and Lady Astor's life matured,

0:26:320:26:38

they seemed to become more, er, compatible

0:26:380:26:42

and more friends rather than maid and mistress.

0:26:420:26:46

I think she was really, really upset when Lady Astor passed away.

0:26:460:26:51

Lady Astor had asked earlier on in her life never to leave her,

0:26:510:26:56

and she promised she'd stay with her for ever.

0:26:560:26:58

And when she did actually pass away,

0:26:580:27:01

I think it really hit home.

0:27:010:27:03

The only thing that she brought away from the house was

0:27:030:27:06

Lady Astor's dog, who was called Madam, and she was a madam, too.

0:27:060:27:14

I think she was a little Pekinese.

0:27:140:27:16

She used to have a little basket at my aunt's house,

0:27:160:27:19

and you would never go near her because she was spoilt rotten and a little bit snappy.

0:27:190:27:26

But it was something to remember her ladyship by.

0:27:260:27:30

'The Astors were generous with their wealth

0:27:300:27:33

'and gave buildings, land and money to the city of Plymouth.

0:27:330:27:36

'But throughout the inter-war years, they famously continued to entertain at Cliveden.

0:27:360:27:42

'However, it was a different story for the racy London set.'

0:27:420:27:45

The Bright Young Things we've been talking about

0:27:450:27:48

had the celebrity then in the 1920s of today's pop stars

0:27:480:27:51

and sport stars, but in the 1920s, there was an enormous depression

0:27:510:27:56

and, eventually, the press was to turn against them.

0:27:560:27:59

By the 1930s, a war was brewing in Europe and the beautiful people began to disperse,

0:27:590:28:06

leaving behind their legacy of modern celebrity.

0:28:060:28:11

Whether or not we should thank them for that, the jury is out!

0:28:110:28:14

Next time on Reel History, we're at Osterley Park in Middlesex

0:28:160:28:20

to honour the brave Home Guard soldiers of World War Two.

0:28:200:28:25

I joined the Home Guard because I wanted to do my bit.

0:28:250:28:29

I wanted a future and I knew that future wouldn't exist if the invasion took place.

0:28:290:28:35

Subtitling by Red Bee Media Ltd

0:28:570:29:00

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0:29:000:29:03

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