Browse content similar to The Great Rising. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
For the people of a small island, | 0:00:06 | 0:00:09 | |
the story of the British is one of the most astonishing | 0:00:09 | 0:00:13 | |
tales in history. | 0:00:13 | 0:00:14 | |
But it's also a tale of constant struggle. | 0:00:15 | 0:00:18 | |
Over the centuries, the British people have faced many tests, | 0:00:20 | 0:00:25 | |
endured many hardships, | 0:00:25 | 0:00:26 | |
and the rich pattern of our history was made by the people themselves. | 0:00:29 | 0:00:34 | |
It was the people who built our society. | 0:00:34 | 0:00:37 | |
They fought for and won our rights and freedoms. | 0:00:39 | 0:00:42 | |
And on their road to the modern world | 0:00:46 | 0:00:49 | |
they faced triumph and disaster, | 0:00:49 | 0:00:52 | |
with courage, tenacity and humour. | 0:00:52 | 0:00:56 | |
And never more so than in the catastrophic 14th century. | 0:00:58 | 0:01:02 | |
The next chapter of the Great British Story. | 0:01:03 | 0:01:06 | |
Around Midsummer's Day in June 1348, | 0:01:22 | 0:01:27 | |
a merchant ship from Gascony in France sailed into the little port | 0:01:27 | 0:01:32 | |
of Melcombe Regis in Weymouth Bay in Dorset. | 0:01:32 | 0:01:34 | |
On board, one sailor was desperately sick, spitting blood, | 0:01:38 | 0:01:42 | |
with agonizing swellings in his armpits and groin. | 0:01:42 | 0:01:46 | |
And as they put him ashore and unloaded their cargo, | 0:01:48 | 0:01:53 | |
rats scampered into the town, bearing a deadly pathogen. | 0:01:53 | 0:01:57 | |
The Black Death. | 0:01:59 | 0:02:01 | |
The story of the arrival of the Black Death is the stuff of dreams. | 0:02:05 | 0:02:09 | |
Tranquil summer's day on the south coast | 0:02:09 | 0:02:12 | |
initiates the greatest catastrophe in our history. | 0:02:12 | 0:02:16 | |
The Black Death will change everything for the peoples of Britain. | 0:02:16 | 0:02:19 | |
In society and economies, in religion and mentalities. | 0:02:19 | 0:02:24 | |
It will be the beginning of the end for the old feudal system, | 0:02:24 | 0:02:27 | |
which had been clamped on the people since the Norman conquest of 1066. | 0:02:27 | 0:02:31 | |
But at that moment, no-one could have foreseen how it would happen. | 0:02:31 | 0:02:38 | |
The horror was just about to begin. | 0:02:38 | 0:02:41 | |
That summer, the plague moved up the roads of southern England. | 0:02:46 | 0:02:50 | |
Remorseless yet unseen, carried by soldiers, | 0:02:54 | 0:02:59 | |
peddlers and pilgrims, it travelled about a mile a day | 0:02:59 | 0:03:02 | |
and by winter, had infected the whole of the south. | 0:03:02 | 0:03:05 | |
The village of Little Cornard in the Suffolk countryside | 0:03:06 | 0:03:10 | |
is the first place for which we have a detailed record. | 0:03:10 | 0:03:14 | |
A farming community whose surnames | 0:03:23 | 0:03:27 | |
still recall the medieval country tasks. | 0:03:27 | 0:03:30 | |
Smith, Mower, Hayward. | 0:03:31 | 0:03:34 | |
14th century court rolls. | 0:03:37 | 0:03:39 | |
Jonathan Belsey is a doctor and in a local solicitor's office, | 0:03:40 | 0:03:45 | |
handed down in the papers of the Lord of the Manor, | 0:03:45 | 0:03:48 | |
he's traced the lost court roll of the village. | 0:03:48 | 0:03:50 | |
Can you take us through what actually happened in 1349? | 0:03:52 | 0:03:56 | |
Do the parish minutes give us a picture? | 0:03:56 | 0:03:59 | |
March 31st 1349. | 0:03:59 | 0:04:03 | |
There are nine deaths recorded... | 0:04:03 | 0:04:05 | |
which is our first inkling that there's a problem. | 0:04:05 | 0:04:08 | |
Presumably this has come up the Stour | 0:04:08 | 0:04:10 | |
and the traders have picked this up. | 0:04:10 | 0:04:12 | |
Then there's another one, 1st of May. | 0:04:12 | 0:04:14 | |
We have 14 people die and this is not population, this is householders | 0:04:14 | 0:04:20 | |
so we can assume that wives and children are dying as well. | 0:04:20 | 0:04:23 | |
And after that there's a gap | 0:04:23 | 0:04:25 | |
and I think what happened there is everybody was running scared. | 0:04:25 | 0:04:29 | |
1st of November, we have this appalling list | 0:04:31 | 0:04:36 | |
of everybody that's died. | 0:04:36 | 0:04:38 | |
And it brings the total up to 49 householders | 0:04:38 | 0:04:41 | |
and in some cases there's single households where | 0:04:41 | 0:04:45 | |
a succession of four different people have died. | 0:04:45 | 0:04:48 | |
Someone's died, left it to their son, | 0:04:48 | 0:04:49 | |
who's died, left it to their sister, who's died, left it to their... | 0:04:49 | 0:04:52 | |
It's... this is a picture of devastation. | 0:04:52 | 0:04:55 | |
If you look at serious infectious illness, | 0:04:56 | 0:05:00 | |
if you get a death rate of three or four percent, which is about | 0:05:00 | 0:05:04 | |
the death rate we had in the flu pandemic in 1919. | 0:05:04 | 0:05:08 | |
You think, "God, that was dreadful." | 0:05:08 | 0:05:10 | |
Now, with the Great Pestilence, with Black Death, what happened was about | 0:05:10 | 0:05:17 | |
three quarters of people caught it and about half of those died of it. | 0:05:17 | 0:05:21 | |
This would have ripped the heart out of a community. | 0:05:21 | 0:05:25 | |
"Lately died Letice Harvy, Felice Osbern, John le Fuller, | 0:05:27 | 0:05:34 | |
"Adam Dyl Stour." | 0:05:34 | 0:05:36 | |
By then, the plague was raging in the cities. | 0:05:37 | 0:05:40 | |
In London, people spoke of 50,000 deaths, | 0:05:41 | 0:05:46 | |
of 10,000 buried here under Charterhouse Square. | 0:05:46 | 0:05:49 | |
The recant excavation of plague pits on Tower Hill showed that those who | 0:05:52 | 0:05:56 | |
buried the dead were too scared even to take the purses from the bodies. | 0:05:56 | 0:06:00 | |
Across the wide lands of open field England, | 0:06:05 | 0:06:09 | |
villages like Codicote on the Great North Road were almost wiped out. | 0:06:09 | 0:06:12 | |
1349. Meeting of the court of Codicote, pages and pages of deaths. | 0:06:13 | 0:06:21 | |
59 of them in one entry. | 0:06:22 | 0:06:25 | |
Hugo Allen, Jonat Pirrey, John White, John Thickney. | 0:06:26 | 0:06:34 | |
Ralph Thickney, Simon Walter, John Martin, Robert Blood. | 0:06:34 | 0:06:41 | |
Out on the Welsh borders, the plague made its way up | 0:06:45 | 0:06:48 | |
lonely country lanes to the farms around Abergavenny. | 0:06:48 | 0:06:52 | |
And now in the lords' rent books, we can see it's effect | 0:06:52 | 0:06:55 | |
on the feudal system itself where the whole structure of labour dues, | 0:06:55 | 0:06:59 | |
which bound the peasants' lives, was on the point of collapse. | 0:06:59 | 0:07:04 | |
At Cwm Morgan we had a watermill worth £14. | 0:07:06 | 0:07:10 | |
It's now worth only three because of the mortality. | 0:07:10 | 0:07:14 | |
There is no income from rent as the tenants are dead. | 0:07:14 | 0:07:17 | |
And with the tenants dead, who would plough the lord's land? | 0:07:21 | 0:07:25 | |
At Bryngwyn we have 196 acres of arable, which are now worth nothing, | 0:07:25 | 0:07:32 | |
on account of the weakness of the land and the plague. | 0:07:32 | 0:07:35 | |
As incomes fell, who would give the lord his dues? | 0:07:37 | 0:07:40 | |
At Hentlys Manor, we have a house of no value. | 0:07:44 | 0:07:47 | |
A fishpond without fish and 16 acres of large wood now worthless. | 0:07:47 | 0:07:52 | |
The rich fared better than the poor, as they always do. | 0:07:57 | 0:08:00 | |
But in Scotland, the monks | 0:08:01 | 0:08:03 | |
of the Royal Monastery of St Andrews were decimated. | 0:08:03 | 0:08:06 | |
So severe was the affliction, said the chronicler Henry Knighton, | 0:08:13 | 0:08:17 | |
that a third of the whole human race | 0:08:17 | 0:08:21 | |
was obliged to pay the debt of nature. | 0:08:21 | 0:08:23 | |
The sea was no barrier. | 0:08:26 | 0:08:27 | |
By 1350, the plague had reached the Orkneys and the Shetlands. | 0:08:27 | 0:08:31 | |
Boats from Bristol brought the plague to Ireland. | 0:08:36 | 0:08:39 | |
The first deaths in Dublin came even before the plague reached London. | 0:08:39 | 0:08:43 | |
And here in Trinity College, there's an extraordinary eyewitness account | 0:08:52 | 0:08:56 | |
of the plague by a friar called John Clyn. | 0:08:56 | 0:09:00 | |
Well, in Dublin, he says 14,000 died. | 0:09:02 | 0:09:05 | |
He tells us that it arrived in Dublin | 0:09:05 | 0:09:08 | |
and it swept through the whole of the city and then he tells us | 0:09:08 | 0:09:12 | |
very specifically that 25 friars died, Franciscans, in Drogheda. | 0:09:12 | 0:09:18 | |
Now that's a full house of friars, so, I mean, it is a devastation, | 0:09:18 | 0:09:22 | |
and 23 Franciscans died in Dublin. | 0:09:22 | 0:09:24 | |
And does he describe the symptoms, Bernadette? | 0:09:24 | 0:09:26 | |
Yes, he does. He describes three distinct symptoms. | 0:09:26 | 0:09:30 | |
"For many died from carbuncles and from ulcers | 0:09:30 | 0:09:33 | |
"and pustules that could be seen on the shins and under the armpits. | 0:09:33 | 0:09:37 | |
"Some died as if in a frenzy from the pain in the head, | 0:09:37 | 0:09:41 | |
"others from spitting blood." | 0:09:41 | 0:09:42 | |
In a Christian universe, the plague brought visions of the end of time. | 0:09:44 | 0:09:49 | |
Despairing of the future, Clyn left a moving message | 0:09:49 | 0:09:51 | |
for the generations to come. | 0:09:51 | 0:09:54 | |
"Now I, Friar John Clyn, have brought together in writing just as I have | 0:09:56 | 0:10:00 | |
"truthfully heard and examined and lest the writing should | 0:10:00 | 0:10:04 | |
"perish with the writer and the work fail together with the worker, | 0:10:04 | 0:10:08 | |
"I am leaving parchment for the work to continue, | 0:10:08 | 0:10:10 | |
"if by chance, in the future, a man should remain surviving, | 0:10:10 | 0:10:15 | |
"and anyone of the race of Adam should be able to escape this plague | 0:10:15 | 0:10:19 | |
"and live to continue this work I commenced." | 0:10:19 | 0:10:21 | |
He's left it in case anyone be left alive of the race of Adam | 0:10:22 | 0:10:25 | |
that will read it and will be able to continue. | 0:10:25 | 0:10:28 | |
For the people of the future, for us to read. | 0:10:28 | 0:10:31 | |
Because he thinks that everybody's going to die. | 0:10:31 | 0:10:33 | |
And with those millions of deaths, what did that terrible time | 0:10:50 | 0:10:54 | |
actually feel like? | 0:10:54 | 0:10:56 | |
In the church at Ashwell in Hertfordshire, | 0:11:00 | 0:11:04 | |
14th century graffiti scratched on the walls by the vicar | 0:11:04 | 0:11:07 | |
and still readable, give us a glimpse. | 0:11:07 | 0:11:10 | |
"And the year when the great plague first came | 0:11:13 | 0:11:18 | |
"was 1,350 minus one. | 0:11:18 | 0:11:25 | |
"Miseranda, ferox et violenta." | 0:11:26 | 0:11:30 | |
Pitiable, ferocious and violent. | 0:11:30 | 0:11:34 | |
"The plague departed | 0:11:35 | 0:11:37 | |
"and left only the dregs of the people to bear witness. | 0:11:37 | 0:11:41 | |
"And that year, a mighty wind blew across the world." | 0:11:43 | 0:11:47 | |
And so, over 500 days, the Black Death ran its course. | 0:11:52 | 0:11:58 | |
At least half the population of Britain died. | 0:11:58 | 0:12:01 | |
And the first impact of the plague was on work. | 0:12:01 | 0:12:05 | |
Most of the British people worked the fields, | 0:12:11 | 0:12:15 | |
villeins and serfs who owed labour to their lords. | 0:12:15 | 0:12:17 | |
Before the plague, England was densely populated, | 0:12:24 | 0:12:27 | |
maybe six million people. | 0:12:27 | 0:12:28 | |
Labour was plentiful, wages were low. | 0:12:29 | 0:12:32 | |
But now, labour had a new worth. | 0:12:32 | 0:12:35 | |
This gives you an idea what you would have seen in the Middle Ages. | 0:12:39 | 0:12:42 | |
You know, ploughing time in the 13th century, | 0:12:42 | 0:12:45 | |
maybe 15 or 20 ploughing teams moving slowly | 0:12:45 | 0:12:49 | |
across one of the great fields. | 0:12:49 | 0:12:51 | |
Some of them would have been women. | 0:12:51 | 0:12:53 | |
If you set your plough right, it'll follow, | 0:12:55 | 0:12:58 | |
if you haven't got it set right, you'll sweat all day. | 0:12:58 | 0:13:01 | |
The Black Death having killed so large a portion of the population, | 0:13:06 | 0:13:11 | |
it sort of makes things better for those who remain. | 0:13:11 | 0:13:13 | |
Go on, Go on! | 0:13:13 | 0:13:14 | |
That's it, keep a bit of pressure down on that hand. | 0:13:16 | 0:13:18 | |
On the right hand? | 0:13:18 | 0:13:19 | |
You want to be driving that wheel into the side. | 0:13:19 | 0:13:21 | |
Into the side, OK. | 0:13:21 | 0:13:23 | |
That's better. | 0:13:23 | 0:13:25 | |
That's how you'll keep it straight, keep in that furrow. | 0:13:25 | 0:13:28 | |
So you've got to watch that edge? | 0:13:28 | 0:13:29 | |
Yeah. And watch your horses are walking in the furrow as well. | 0:13:29 | 0:13:32 | |
Right. It take some physical strength to do it as well? | 0:13:32 | 0:13:35 | |
A little bit, yeah. | 0:13:35 | 0:13:37 | |
The peasants, who were so tied to their land, are now in great demand | 0:13:37 | 0:13:41 | |
because there aren't enough of them | 0:13:41 | 0:13:43 | |
and they can go off in search of higher wages. | 0:13:43 | 0:13:48 | |
Eventually, legislation is brought in to keep them from doing that, | 0:13:48 | 0:13:52 | |
but it's indicative of the sort of new age of ambition. | 0:13:52 | 0:13:57 | |
Though most British people were still unfree, | 0:14:01 | 0:14:05 | |
there was a rising class of free men and women | 0:14:05 | 0:14:08 | |
able to move about to seek better work, more money. | 0:14:08 | 0:14:12 | |
And the boom industry was in cloth. | 0:14:16 | 0:14:19 | |
The demand for cheap and cheerful clothing was on the rise | 0:14:19 | 0:14:23 | |
as far away as Scotland in Edinburgh and Dundee, | 0:14:23 | 0:14:27 | |
and in Wales in Carmarthenshire. | 0:14:27 | 0:14:28 | |
The key product was wool. | 0:14:33 | 0:14:35 | |
Though after the Black Death, the ancient craft of flax making, | 0:14:35 | 0:14:40 | |
to make linen, also starts to be more than a cottage industry. | 0:14:40 | 0:14:45 | |
That is ready as after it came from the crimpers, now it comes to | 0:14:48 | 0:14:52 | |
this cutters here so we have our crimping, sticking, scotching, | 0:14:52 | 0:14:58 | |
then it's put up in the box here then up to the flax store and retied. | 0:14:58 | 0:15:05 | |
But the centre of the cloth trade was England. | 0:15:07 | 0:15:11 | |
Course, Manchester's famous as a textile town | 0:15:12 | 0:15:15 | |
in the industrial revolution, the centre of Lancashire cotton. | 0:15:15 | 0:15:18 | |
But its roots as a textile town lie in the Middle Ages, | 0:15:18 | 0:15:22 | |
and after the Black Death, from the 1360s, it grew | 0:15:22 | 0:15:25 | |
with the migration of Flemish weavers from East Anglia, | 0:15:25 | 0:15:29 | |
who settled here, and all along the banks of River Irwell | 0:15:29 | 0:15:33 | |
and the Irk were fulling mills. | 0:15:33 | 0:15:35 | |
And the workers here were typical of the kind of people of that time | 0:15:35 | 0:15:40 | |
with a bit of freedom, a bit of ready cash, | 0:15:40 | 0:15:43 | |
who were anxious to take advantage | 0:15:43 | 0:15:44 | |
of the new job opportunities after the great plague. | 0:15:44 | 0:15:48 | |
The people below the big landlord, like the monks | 0:15:52 | 0:15:58 | |
and the barons and the other great aristocrats, the people below them | 0:15:58 | 0:16:02 | |
have a good deal of freedom of activity, shall we say. | 0:16:02 | 0:16:08 | |
They can take initiatives, they're not cowed, | 0:16:08 | 0:16:12 | |
dominated, lacking in skill or the ability to change their own lives. | 0:16:12 | 0:16:19 | |
And the new entrepreneurs were not only men. | 0:16:22 | 0:16:25 | |
Across Britain, women had always been a major part of the work force, | 0:16:25 | 0:16:28 | |
at home, in the field and in the marketplace. | 0:16:28 | 0:16:33 | |
I think you get your own little systems, don't you? | 0:16:33 | 0:16:36 | |
And one industry where women led and made money was brewing. | 0:16:36 | 0:16:40 | |
I have a feeling this is going to be thirsty work! | 0:16:40 | 0:16:43 | |
Ale was a key part of the British diet | 0:16:43 | 0:16:46 | |
and in every town and village, women did that job. | 0:16:46 | 0:16:51 | |
Only now being reclaimed by today's female brewsters. | 0:16:51 | 0:16:56 | |
Probably averaging four barrel brews at the moment. | 0:16:56 | 0:16:58 | |
I've literally just taken on a graduate from Heriot Watt. | 0:16:58 | 0:17:02 | |
This is a manorial court roll for Brigstock. A lot of women did help | 0:17:02 | 0:17:09 | |
support their households by brewing for sale, | 0:17:09 | 0:17:11 | |
by making ale and selling it to their neighbours. | 0:17:11 | 0:17:14 | |
And then this is a list of the brewsters, all women in this case. | 0:17:14 | 0:17:19 | |
Most of them wives. | 0:17:19 | 0:17:20 | |
So this is the wife of Richard Tubb and Matilda Tubb | 0:17:20 | 0:17:24 | |
and a woman who's only known by her first name, Maryant. | 0:17:24 | 0:17:27 | |
The wife of Richard Aukey and Joan Cocass, Isabella Cocass. | 0:17:27 | 0:17:33 | |
Medieval court rolls give us | 0:17:39 | 0:17:40 | |
a huge amount of social detail on women's work. | 0:17:40 | 0:17:44 | |
One woman entrepreneur called Cecilia Pennefader | 0:17:44 | 0:17:48 | |
stood up for herself in a male world | 0:17:48 | 0:17:50 | |
and earned a rude cartoon from the landlord's scribe. | 0:17:50 | 0:17:54 | |
What kind of freedoms did a woman like Cecilia have? | 0:17:55 | 0:17:58 | |
I mean, for example, | 0:17:58 | 0:17:59 | |
she didn't marry, but how did she make her living? | 0:17:59 | 0:18:02 | |
She was a landholder, she held about 70 acres. | 0:18:02 | 0:18:07 | |
She would have worked the land, she might well have hired people. | 0:18:07 | 0:18:10 | |
She would have bought a lot of things at market that she needed. | 0:18:10 | 0:18:14 | |
These people are very imbedded in commercial markets. | 0:18:14 | 0:18:17 | |
They're not subsistence farmers. | 0:18:17 | 0:18:19 | |
They're not producing everything they consume. | 0:18:19 | 0:18:21 | |
It's a terribly touching that you can resurrect the life | 0:18:21 | 0:18:24 | |
of such an ordinary person, from the documents. | 0:18:24 | 0:18:28 | |
Almost an act of piety by the scholar. | 0:18:28 | 0:18:30 | |
It shouldn't be necessary to write the history of half of humanity, | 0:18:30 | 0:18:33 | |
but it is necessary, isn't it? | 0:18:33 | 0:18:35 | |
Well, yes. I wouldn't say it was an act of piety, | 0:18:35 | 0:18:38 | |
but it comes from my belief that the history of ordinary people matter | 0:18:38 | 0:18:43 | |
and that women are among those ordinary people. | 0:18:43 | 0:18:48 | |
And I think what surprises people about someone like Cecilia, | 0:18:48 | 0:18:52 | |
which really is not surprising at all, | 0:18:52 | 0:18:55 | |
is that is she was much more active than I think a lot of people expect. | 0:18:55 | 0:19:02 | |
She did hold land, she did go to court, she argued with neighbours, | 0:19:02 | 0:19:05 | |
she had a rich and full life. | 0:19:05 | 0:19:07 | |
It was limited in certain ways, but she's not in an abyss, | 0:19:07 | 0:19:10 | |
which is what my students think the lives of medieval women were - | 0:19:10 | 0:19:14 | |
just terrible. And in fact, it's not the case at all. | 0:19:14 | 0:19:17 | |
-She's not a passive observer of history. -That's right. | 0:19:17 | 0:19:21 | |
She makes history, and she makes it in modest ways. | 0:19:21 | 0:19:27 | |
So Britain after the Black Death | 0:19:38 | 0:19:41 | |
is beginning to look like a different place. | 0:19:41 | 0:19:43 | |
And in our community dig in the town of Long Melford in Suffolk, | 0:19:43 | 0:19:47 | |
the townspeople found archaeological evidence | 0:19:47 | 0:19:49 | |
of these hidden changes in people's lives. | 0:19:49 | 0:19:52 | |
That's good evidence of a very posh building. | 0:19:52 | 0:19:55 | |
In our 50 test pits, an unexpected pattern started to emerge. | 0:19:55 | 0:20:01 | |
You've broken through the floor? | 0:20:01 | 0:20:03 | |
-Yeah, we got through it. You can see. -Fantastic! | 0:20:03 | 0:20:05 | |
Before the Black Death, Melford had been a largely rural place. | 0:20:07 | 0:20:12 | |
Its 60 tax-paying families were mostly farmers, | 0:20:13 | 0:20:16 | |
with one cloth dyer and a handful of artisans. | 0:20:16 | 0:20:20 | |
Right. That is proper medieval. | 0:20:20 | 0:20:23 | |
This is a late medieval jug handle. | 0:20:23 | 0:20:26 | |
I mean, that's very typical of the stuff they were making in Essex | 0:20:26 | 0:20:30 | |
from about 1400 onwards, or thereabouts. | 0:20:30 | 0:20:32 | |
But the quantity of finds suggested life in the town | 0:20:34 | 0:20:37 | |
was beginning to change. | 0:20:37 | 0:20:40 | |
The dig turned up startling evidence for the time after the plague. | 0:20:40 | 0:20:44 | |
Previous results from 40 rural village digs | 0:20:44 | 0:20:48 | |
showed massive contraction, | 0:20:48 | 0:20:50 | |
but Long Melford had now become a magnet. | 0:20:50 | 0:20:53 | |
Nearly all of the other villages we've looked at across the region | 0:20:53 | 0:20:57 | |
show a dramatic, catastrophic in most cases, | 0:20:57 | 0:20:59 | |
drop in the amount of activity, the size of the population, | 0:20:59 | 0:21:03 | |
post Black Death. | 0:21:03 | 0:21:05 | |
Not Long Melford. | 0:21:05 | 0:21:06 | |
You can see that in the maps here. Here's high medieval Long Melford. | 0:21:06 | 0:21:09 | |
Remember this scatter of separate nodes of activity, | 0:21:09 | 0:21:13 | |
-with perhaps fields in-between. -Yes. | 0:21:13 | 0:21:15 | |
When we take that forward to the late medieval period, | 0:21:15 | 0:21:18 | |
where in nearly all of our other medieval villages | 0:21:18 | 0:21:20 | |
there's a massive contraction in what's going on, | 0:21:20 | 0:21:23 | |
-we see growth. -Wow! | 0:21:23 | 0:21:24 | |
Look at that! And I think for the first time | 0:21:24 | 0:21:27 | |
we've got something that really looks like a town there. | 0:21:27 | 0:21:31 | |
Nearly all of these test pits producing pottery | 0:21:31 | 0:21:34 | |
of late medieval date. | 0:21:34 | 0:21:35 | |
People in a period when the population has declined, | 0:21:35 | 0:21:39 | |
many settlements are decimated, | 0:21:39 | 0:21:41 | |
Long Melford was probably hit as bad as everyone else | 0:21:41 | 0:21:43 | |
but people are moving into it. | 0:21:43 | 0:21:45 | |
People are picking up those empty places. Those empty households. | 0:21:45 | 0:21:49 | |
They're moving into them and the village is just steaming ahead. | 0:21:49 | 0:21:52 | |
Sharing in that boom was Hadleigh, a prosperous wool town. | 0:21:56 | 0:22:00 | |
And it's here that, for the first time, a document has turned up | 0:22:02 | 0:22:05 | |
with one of the most famous names in British history. | 0:22:05 | 0:22:09 | |
Wat Tyler. | 0:22:10 | 0:22:11 | |
His name tells you his profession. | 0:22:15 | 0:22:17 | |
He came from a Hadleigh family of tile and brick makers. | 0:22:17 | 0:22:20 | |
A perfect example of the trades that were doing well | 0:22:20 | 0:22:24 | |
after the Black Death. | 0:22:24 | 0:22:25 | |
Tyler and his wife, Imogen, lived on the outskirts of town, | 0:22:28 | 0:22:31 | |
here on Coram street. | 0:22:31 | 0:22:33 | |
And he would have worked in a place like this. | 0:22:36 | 0:22:39 | |
There have been kilns on this site since the 14th century. | 0:22:41 | 0:22:44 | |
Here we have Hadleigh. An ideal situation for brick and tile making. | 0:22:47 | 0:22:50 | |
They have all that's necessary. | 0:22:50 | 0:22:53 | |
You have a river valley, you have all the ingredients here, | 0:22:53 | 0:22:55 | |
you will have clay, and sand and water. | 0:22:55 | 0:22:57 | |
All the things a tile or brick maker would want. | 0:22:57 | 0:23:00 | |
If Wat Tyler and his wife Imogen were living on Coram Road, | 0:23:00 | 0:23:02 | |
they're quite close to the source of the materials, | 0:23:02 | 0:23:05 | |
the raw materials that are right on their doorstep. | 0:23:05 | 0:23:08 | |
You would have probably had a family group, | 0:23:13 | 0:23:15 | |
because the children were occupied and they were cheap labour. | 0:23:15 | 0:23:19 | |
So the tendency was for the man, or the woman, | 0:23:19 | 0:23:21 | |
because women made tiles as well, and bricks, | 0:23:21 | 0:23:24 | |
would be actually making the product. | 0:23:24 | 0:23:26 | |
And the family would be moving it away. | 0:23:26 | 0:23:29 | |
The method of making bricks by hand hasn't changed since Tyler's day. | 0:23:29 | 0:23:34 | |
We're using a system very, very similar to those | 0:23:34 | 0:23:37 | |
that would have been used in the 13th and 14th century. | 0:23:37 | 0:23:39 | |
Very little has really changed. | 0:23:39 | 0:23:41 | |
The principle is identical to that which would have been used | 0:23:41 | 0:23:44 | |
by Wat Tyler and his wife. | 0:23:44 | 0:23:47 | |
Tiles were in demand, not just for domestic housing | 0:23:50 | 0:23:53 | |
but we're not going into a period where grain barns were being built. | 0:23:53 | 0:23:57 | |
Huge barns which needed roofs to keep the grain dry. | 0:23:57 | 0:24:00 | |
In the late 14th century, | 0:24:02 | 0:24:04 | |
tilers and plasterers | 0:24:04 | 0:24:05 | |
were apprenticed to a master to learn their trade. | 0:24:05 | 0:24:08 | |
A bit like today. | 0:24:08 | 0:24:11 | |
How did you get into this job and what training did you have to do? | 0:24:11 | 0:24:14 | |
I got a job doing kiln stacking. | 0:24:14 | 0:24:16 | |
Then I slowly made my way up here and just got on the bench. | 0:24:16 | 0:24:20 | |
I started learning, that's pretty much it. | 0:24:20 | 0:24:23 | |
But what turned a skilled craftsman like him | 0:24:26 | 0:24:28 | |
into the most famous rebel in British history? | 0:24:28 | 0:24:32 | |
-Do you know what the job is, Matt? -Not off the top of my head. | 0:24:32 | 0:24:36 | |
There's a group, very independent, self sufficient in every way, | 0:24:39 | 0:24:44 | |
and proud of what they did, because they were a proud people. | 0:24:44 | 0:24:48 | |
I'm sure they'd be very bitter about any controls brought in on them, | 0:24:48 | 0:24:53 | |
because they were used to working at their own speed | 0:24:53 | 0:24:56 | |
and making their own progress. | 0:24:56 | 0:24:58 | |
But as East Anglians, they were also very jealous of their independence. | 0:24:58 | 0:25:02 | |
And they weren't the only ones. | 0:25:02 | 0:25:04 | |
In every English community, there were peasants who were literate, | 0:25:04 | 0:25:08 | |
who knew the law and were politically aware. | 0:25:08 | 0:25:10 | |
In medieval court rolls, | 0:25:12 | 0:25:14 | |
an incredible range of material is now coming to light, | 0:25:14 | 0:25:18 | |
recording a century of almost constant conflict | 0:25:18 | 0:25:21 | |
between the peasants and their feudal lords. | 0:25:21 | 0:25:24 | |
These sorts of things are the training ground for the later Peasants' Revolt. | 0:25:24 | 0:25:28 | |
So a long history of dare we call it "class struggle"? | 0:25:28 | 0:25:33 | |
Class struggle, absolutely! I certainly count that. | 0:25:33 | 0:25:36 | |
If you actually took a sort of map of England | 0:25:36 | 0:25:39 | |
and mapped out all the villages where there was violent protest, | 0:25:39 | 0:25:43 | |
litigation against their lord, | 0:25:43 | 0:25:45 | |
it would be a chequerboard of lots of parts of England. | 0:25:45 | 0:25:48 | |
What's true is that it never was coordinated. | 0:25:48 | 0:25:51 | |
It was just there wasn't the spark. | 0:25:51 | 0:25:53 | |
And the spark came in the late 1370s | 0:25:53 | 0:25:57 | |
with a series of national poll taxes, | 0:25:57 | 0:26:00 | |
which hit everyone, rich and poor, men and women. | 0:26:00 | 0:26:04 | |
So this is one of the great documents of English history, | 0:26:04 | 0:26:07 | |
this is the poll tax of 1381. | 0:26:07 | 0:26:09 | |
The tax that caused the Peasants' Revolt. | 0:26:11 | 0:26:13 | |
"An unheard-of tax," it was said at the time, | 0:26:15 | 0:26:19 | |
"...imposed by a corrupt, incompetent, insolvent government," | 0:26:19 | 0:26:24 | |
Who were fighting a very costly foreign war. | 0:26:24 | 0:26:27 | |
We've heard that before, haven't we? | 0:26:30 | 0:26:32 | |
The revolt began in Essex in a village on the Thames estuary | 0:26:43 | 0:26:46 | |
where the King's poll tax gatherers were driven out by force. | 0:26:46 | 0:26:50 | |
The place was Fobbing. | 0:26:53 | 0:26:56 | |
The date, 13th May 1381. | 0:26:56 | 0:26:59 | |
In the next few days, resistance spread like wildfire. | 0:27:01 | 0:27:05 | |
East Anglia, the richest part of England, was a centre of the revolt. | 0:27:07 | 0:27:11 | |
You're suggesting that a lot more planning lay behind these events, | 0:27:13 | 0:27:17 | |
not just a spontaneous combustion like the English riots in 2011. | 0:27:17 | 0:27:22 | |
I think it's totally unlike that, Michael. | 0:27:22 | 0:27:24 | |
I'd rather choose the Arab Spring. | 0:27:24 | 0:27:27 | |
The communication is the thing. | 0:27:27 | 0:27:28 | |
What was the equivalent in 1381 of the BlackBerry? | 0:27:28 | 0:27:33 | |
Answer is a string of good fast horses. | 0:27:33 | 0:27:36 | |
They got the information out and signalled to start the revolt. | 0:27:36 | 0:27:40 | |
As far as we know, the Peasants' Revolt | 0:27:42 | 0:27:45 | |
was an English phenomenon. | 0:27:45 | 0:27:47 | |
It didn't spread into Wales or into the Kingdom of Scotland. | 0:27:47 | 0:27:51 | |
Beginning in the southeast, it spread as far north as Yorkshire, | 0:27:51 | 0:27:54 | |
and as far west as Somerset. | 0:27:54 | 0:27:56 | |
Leaders immediately emerged at a local level. | 0:28:02 | 0:28:05 | |
Many using pseudonyms - Jack Straw or Jack Truman. | 0:28:05 | 0:28:08 | |
Even Piers Ploughman. | 0:28:08 | 0:28:10 | |
They communicated by letters in English, | 0:28:11 | 0:28:14 | |
the texts of seven of these have survived. | 0:28:14 | 0:28:17 | |
In the rich county of Kent, | 0:28:35 | 0:28:36 | |
the rebels took over market towns like Faversham, | 0:28:36 | 0:28:40 | |
supported by the better off peasant landowners. | 0:28:40 | 0:28:43 | |
# Crippled by levies and taxes and tithes | 0:28:43 | 0:28:46 | |
# The crying of children And the sorrow of wives... # | 0:28:46 | 0:28:51 | |
A lot of people were very disgruntled | 0:28:51 | 0:28:54 | |
because this tax of one to three groats went across everybody. | 0:28:54 | 0:28:58 | |
Everyone thinks it's just the peasants, but no. | 0:28:58 | 0:29:00 | |
-Everyone was there. -The people of England? | 0:29:00 | 0:29:02 | |
The people of England. That's it, yeah. | 0:29:02 | 0:29:03 | |
It was here in Kent that the radical priest John Ball | 0:29:04 | 0:29:09 | |
spoke his famous sermon that all human beings are born equal. | 0:29:09 | 0:29:12 | |
So when Adam delved and Eve span. Who was then the gentleman? | 0:29:12 | 0:29:17 | |
One of the most interesting new discoveries about the revolt is the role of women in the leadership. | 0:29:21 | 0:29:26 | |
-There were women leaders as well, weren't there? -Certainly, Margery Starre for one. | 0:29:27 | 0:29:31 | |
63 women rebels were indicted in Suffolk alone. | 0:29:31 | 0:29:35 | |
Women were sometimes going against the men - | 0:29:35 | 0:29:38 | |
"I'm sorry, I'm a free woman." | 0:29:38 | 0:29:42 | |
That old English idea of "it's not fair". | 0:29:42 | 0:29:43 | |
Well, yeah, you've got to be fair play and all that. It's justice. | 0:29:43 | 0:29:47 | |
The people take so much and then after a while they say, | 0:29:47 | 0:29:50 | |
"Nah, we've had enough of this," and just rise up. | 0:29:50 | 0:29:52 | |
The government now faced a mass uprising. | 0:29:55 | 0:29:58 | |
Among the peasants' first targets was the ancient Abbey of St Albans, | 0:29:58 | 0:30:02 | |
which owned estates with thousands of tied peasants, | 0:30:02 | 0:30:06 | |
and also controlled the market. | 0:30:06 | 0:30:08 | |
This is where the mob attacked St Albans Abbey that summer of 1381. | 0:30:10 | 0:30:15 | |
The Great North Gate. | 0:30:15 | 0:30:16 | |
It's like a fortress, isn't it? | 0:30:16 | 0:30:18 | |
A visible symbol of their subjection. | 0:30:18 | 0:30:21 | |
There were 2,000 rebels, all of them trying to fight their way inside | 0:30:21 | 0:30:25 | |
where there were 100 monks and the Abbot and their few hundred staff. | 0:30:25 | 0:30:29 | |
They must have been terrified by the turn of events, | 0:30:29 | 0:30:33 | |
by the fury that was unleashed. | 0:30:33 | 0:30:35 | |
And the peasants out there not only wanted to get the monks inside | 0:30:35 | 0:30:40 | |
but they wanted to destroy the Abbey archives. | 0:30:40 | 0:30:42 | |
The court books, the record of their subjection. | 0:30:42 | 0:30:47 | |
Their leader William Grindcob said, | 0:30:47 | 0:30:50 | |
"All we want is a little liberty after so many centuries of oppression." | 0:30:50 | 0:30:54 | |
By now, and we don't know how, | 0:30:56 | 0:30:58 | |
Wat Tyler was acknowledged as the chief leader. | 0:30:58 | 0:31:01 | |
From south and east, the rebels converged on London. | 0:31:02 | 0:31:07 | |
# Crippled by levies and taxes and tithes | 0:31:07 | 0:31:11 | |
# The crying of children and the sorrow of wives | 0:31:11 | 0:31:15 | |
# Smouldering anger in Essex and Kent | 0:31:15 | 0:31:19 | |
# Has burst into flame Now on London we're bent... # | 0:31:19 | 0:31:24 | |
The city's gates were opened and the people poured in. | 0:31:25 | 0:31:30 | |
# In the garden of England We'll delve and we'll spin | 0:31:30 | 0:31:34 | |
# Till the fruits of our labours In Eden we'll win. # | 0:31:34 | 0:31:40 | |
They celebrated with bonfires of feudal documents in the streets. | 0:31:40 | 0:31:44 | |
As the Savoy Palace went up in flames, | 0:31:45 | 0:31:49 | |
the whole order of things was shaken. | 0:31:49 | 0:31:51 | |
Among the chief targets of the people's anger | 0:31:53 | 0:31:56 | |
was the Archbishop Of Canterbury, Simon of Sudbury. | 0:31:56 | 0:31:58 | |
Sudbury was Lord Chancellor too | 0:31:59 | 0:32:02 | |
and the rebel leader Jack Straw said he was public enemy number one. | 0:32:02 | 0:32:06 | |
As Chancellor, he was responsible | 0:32:08 | 0:32:10 | |
for bringing in the poll tax at three groats a head. | 0:32:10 | 0:32:13 | |
Rich pay the same as poor. | 0:32:13 | 0:32:15 | |
But most of all, I think, it's said to be that he was one of a coterie | 0:32:16 | 0:32:19 | |
who influenced Richard against doing a deal with Wat Tyler. | 0:32:19 | 0:32:24 | |
Tyler is reported as saying that if they could have done a deal with the King, | 0:32:24 | 0:32:28 | |
we can all go home. | 0:32:28 | 0:32:29 | |
And the person who stopped it was Simon of Sudbury | 0:32:31 | 0:32:34 | |
and that was probably the real reason, as well as the poll tax, | 0:32:34 | 0:32:39 | |
why they finished him off. | 0:32:39 | 0:32:42 | |
To the rebels, Sudbury was an enemy of the people. | 0:32:43 | 0:32:46 | |
but back in his hometown, where he founded a college, | 0:32:46 | 0:32:49 | |
he's still a bit of a local hero. | 0:32:49 | 0:32:51 | |
And they pulled him out, together with some others | 0:32:51 | 0:32:54 | |
and they made him kneel down. | 0:32:54 | 0:32:56 | |
On June 14th, Sudbury was beheaded on Tower Hill... | 0:32:56 | 0:32:59 | |
Whack! | 0:32:59 | 0:33:02 | |
..by rebels, led by a woman, Johanna Ferrour. | 0:33:02 | 0:33:06 | |
And Simon's head was gone. | 0:33:06 | 0:33:10 | |
Recovered from its spike on London Bridge, | 0:33:10 | 0:33:13 | |
his head was later returned to Sudbury. | 0:33:13 | 0:33:16 | |
And it's still here. | 0:33:16 | 0:33:17 | |
Draw round so that you can all see... | 0:33:17 | 0:33:19 | |
and I will introduce you to Simon. | 0:33:19 | 0:33:23 | |
Eww! | 0:33:26 | 0:33:28 | |
-Say hello, everybody. CHILDREN: -Hello. | 0:33:29 | 0:33:31 | |
-What do you think of that? -Gross. | 0:33:31 | 0:33:34 | |
The peasants had now killed the Lord Chief Justice | 0:33:36 | 0:33:39 | |
and the Chancellor. | 0:33:39 | 0:33:41 | |
They were on the verge of full-scale revolution. | 0:33:41 | 0:33:44 | |
As Sudbury was executed, | 0:33:47 | 0:33:48 | |
eyewitnesses remembered the sound of the crowd. | 0:33:48 | 0:33:51 | |
Rising over the city, a visceral roar like a monstrous beast. | 0:33:52 | 0:33:57 | |
Within a few days, the rebels had taken over the capital. | 0:34:02 | 0:34:08 | |
But what would they do now? | 0:34:08 | 0:34:10 | |
At this point, the letters of the peasant leaders betray a growing anxiety. | 0:34:10 | 0:34:14 | |
"Lady Mary, help us. | 0:34:16 | 0:34:18 | |
"Know your friend from your foe, | 0:34:18 | 0:34:21 | |
"beware of treachery in the city." | 0:34:21 | 0:34:24 | |
Early next day came the reckoning. | 0:34:28 | 0:34:31 | |
The peasants believed that the King would listen if only they could speak to him directly. | 0:34:31 | 0:34:36 | |
Their key demand was the abolition of serfdom | 0:34:41 | 0:34:44 | |
and the next morning, they met the 14-year-old Richard II face-to-face here at Smithfield. | 0:34:44 | 0:34:50 | |
Saturday June 15th 1381, it's a turning point in British history. | 0:34:52 | 0:34:58 | |
Crystalline blue day, just like today. | 0:34:58 | 0:35:02 | |
And the city crackling with tension. | 0:35:02 | 0:35:04 | |
During the night, the peasant army has moved round from the East End | 0:35:06 | 0:35:10 | |
and is pouring into Smithfield. | 0:35:10 | 0:35:12 | |
And the King and his henchmen with his armed guards | 0:35:12 | 0:35:14 | |
have come out of the city and are down there below us, | 0:35:14 | 0:35:18 | |
facing the peasant army. | 0:35:18 | 0:35:20 | |
And at this point, with incredible bravado, | 0:35:22 | 0:35:24 | |
the peasant leader, Wat Tyler, rides out to meet the King. | 0:35:24 | 0:35:29 | |
Now remember, our sources for what happened next | 0:35:30 | 0:35:32 | |
only come from the King's side. | 0:35:32 | 0:35:35 | |
But according to them, | 0:35:35 | 0:35:36 | |
Tyler was insulting in his manner towards the King. | 0:35:36 | 0:35:39 | |
Called him "my brother". At one point reined his horse in | 0:35:39 | 0:35:42 | |
so its bottom thrusted to the very nostrils of the King's horse. | 0:35:42 | 0:35:47 | |
Then the Mayor of London, William Walworth, | 0:35:47 | 0:35:50 | |
seized Tyler's reins | 0:35:50 | 0:35:51 | |
and called him "a scurvy villain and a traitor" and stabbed him. | 0:35:51 | 0:35:56 | |
The rebels were stunned and enraged. | 0:36:02 | 0:36:05 | |
But the King himself pacified them and agreed to meet their demands. | 0:36:05 | 0:36:10 | |
That day, the King and his councillors signed charters promising to abolish serfdom. | 0:36:16 | 0:36:22 | |
But once the rebel army had dispersed, the Government reneged on the deal, | 0:36:24 | 0:36:28 | |
saying they'd only signed it under duress. | 0:36:28 | 0:36:30 | |
The ringleaders were hunted down, tried and executed. | 0:36:33 | 0:36:38 | |
Whether Imogen Tyler carried on her husband's business, history does not say. | 0:36:38 | 0:36:43 | |
So, brief and savage, the summer of blood was over by late June 1381. | 0:36:54 | 0:37:01 | |
Sporadic rioting, looting and house breaking still flickered | 0:37:01 | 0:37:06 | |
across the country, but serious organized disorder was over. | 0:37:06 | 0:37:11 | |
Here in Sudbury, the Earl Of Suffolk was brought in on a mandate from the Government | 0:37:11 | 0:37:15 | |
to mop up the resistance and to punish insurgents. | 0:37:15 | 0:37:20 | |
And in the 14th century, that was a very unpleasant business. | 0:37:20 | 0:37:24 | |
So the great rising had failed. | 0:37:28 | 0:37:31 | |
But the forces that had propelled it, | 0:37:31 | 0:37:33 | |
which after all were the forces of history, couldn't be stopped. | 0:37:33 | 0:37:37 | |
Over the next few decades, a million mutinies are recorded in the court rolls. | 0:37:38 | 0:37:43 | |
Legal cases in which the people themselves slowly, patiently | 0:37:43 | 0:37:47 | |
negotiated away the bonds of the old order. | 0:37:47 | 0:37:51 | |
One story from Suffolk is typical of the changing times. | 0:37:54 | 0:37:58 | |
It's the tale of a man who was born a bonded serf | 0:37:58 | 0:38:02 | |
20 years after the revolt but gained his freedom and rose in the world, | 0:38:02 | 0:38:05 | |
to become a member of a new group in English society. | 0:38:05 | 0:38:09 | |
I was interested in finding out more about farmers because they're a mystery. | 0:38:12 | 0:38:17 | |
Often all you know about them is their name | 0:38:17 | 0:38:19 | |
and the amount of rent they pay. | 0:38:19 | 0:38:21 | |
-We're using this word "farmer"? -Yes, I mean, for them it's quite a technical term, | 0:38:21 | 0:38:25 | |
it meant someone who paid a particular type of rent, the farm. | 0:38:25 | 0:38:29 | |
So they're renting rather than paying labour dues as their ancestors did. | 0:38:29 | 0:38:35 | |
Yes, they're not paying labour dues, | 0:38:35 | 0:38:37 | |
the usual arrangement is they paid a sum of cash | 0:38:37 | 0:38:40 | |
and that's typical of the records contained in a roll like this, | 0:38:40 | 0:38:44 | |
which is a financial account. | 0:38:44 | 0:38:47 | |
This is the account of Robert Parman, farmer. | 0:38:47 | 0:38:50 | |
It says that he pays £11 | 0:38:50 | 0:38:52 | |
for the farm of the agricultural production of the Abbot's demesne. | 0:38:52 | 0:38:57 | |
And it says here, "Thus let to the said Robert." | 0:38:58 | 0:39:02 | |
Was he a free man? | 0:39:03 | 0:39:05 | |
No, he's a serf. His father was a serf so he was born into serfdom. | 0:39:05 | 0:39:09 | |
But being a serf didn't prevent you making your way in the world. | 0:39:09 | 0:39:13 | |
Sounds like the rise of a new class in English society. | 0:39:13 | 0:39:17 | |
Yes, yes, there were no farmers in... You know, 20 years earlier. | 0:39:17 | 0:39:21 | |
It's a new group of people, a very significant group of people, | 0:39:21 | 0:39:25 | |
who are making waves in the 15th century | 0:39:25 | 0:39:28 | |
and of course, continuing to make waves until the present day. | 0:39:28 | 0:39:32 | |
So in the 1450s, Robert was a man of some standing in the village. | 0:39:32 | 0:39:38 | |
Do you get a sense of a personality coming out in the documents, Chris? | 0:39:38 | 0:39:42 | |
I don't think he's a very attractive man, myself. | 0:39:42 | 0:39:44 | |
He's a dominant, bullying sort of figure, I suspect. | 0:39:44 | 0:39:48 | |
Clever, manipulative. | 0:39:48 | 0:39:50 | |
He's a successful businessman. | 0:39:50 | 0:39:52 | |
Can I just point out how he bossed the village about? | 0:39:53 | 0:39:56 | |
You find that his sons are not just landholders in the village, | 0:39:56 | 0:40:00 | |
they also occupy official positions in the Government. | 0:40:00 | 0:40:05 | |
The Abbot's Bailiff chooses the people who are going to occupy office. | 0:40:05 | 0:40:11 | |
Of course, for a long time, the Abbot's Bailiff was one Robert Parman | 0:40:11 | 0:40:16 | |
and then you look down the list and who do you see? | 0:40:16 | 0:40:19 | |
Simon Parman. | 0:40:19 | 0:40:22 | |
Sometimes you get three or four of his sons are also in this group of influential pledges. | 0:40:22 | 0:40:28 | |
Chosen by himself. | 0:40:28 | 0:40:29 | |
Wonderful tale of advancement, isn't it? | 0:40:31 | 0:40:34 | |
Unlikeable and grasping as he may have been, | 0:40:40 | 0:40:43 | |
Robert had set out to better himself and his children. | 0:40:43 | 0:40:47 | |
It's very pretty, isn't it? | 0:40:52 | 0:40:53 | |
'The ex-serf had become a pillar of the local community. | 0:40:53 | 0:40:57 | |
'He even beautified his parish church.' | 0:40:57 | 0:41:00 | |
Robert Parman's window from the inside. | 0:41:00 | 0:41:03 | |
Yes, his great contribution to | 0:41:03 | 0:41:06 | |
the whole communal effort, really, in building the church. | 0:41:06 | 0:41:12 | |
So Robert dies, 1475, commemorated in the church, | 0:41:17 | 0:41:22 | |
what happens to the family story in the village after that? | 0:41:22 | 0:41:26 | |
Quite extraordinarily, his son, | 0:41:26 | 0:41:29 | |
Robert Jr, had actually become a rector of the parish, | 0:41:29 | 0:41:34 | |
so as well as his father ruling the secular side of parish life, | 0:41:34 | 0:41:39 | |
his son was the leader of the religion of the parish as well. | 0:41:39 | 0:41:46 | |
So his son had got a much better education that his father then. | 0:41:46 | 0:41:50 | |
-Oh, indeed. -Do we know? | 0:41:50 | 0:41:51 | |
Well, we know the father had a basic education of some kind, | 0:41:51 | 0:41:55 | |
which made him able to keep his accounts and so on. | 0:41:55 | 0:41:57 | |
But the son, presumably again, went to Bury School, the monks' school at Bury. | 0:41:57 | 0:42:03 | |
-Then went onto Cambridge... -Cambridge?! | 0:42:03 | 0:42:05 | |
..got an MA at Cambridge | 0:42:05 | 0:42:07 | |
and then there was promoted to become Rector of Chevington. | 0:42:07 | 0:42:11 | |
Everyday story of medieval country folk, isn't it? | 0:42:11 | 0:42:14 | |
What a journey in a few decades from a serf to a Cambridge MA. | 0:42:14 | 0:42:20 | |
So the aspirations of the Peasants' Revolt | 0:42:31 | 0:42:35 | |
would eventually be achieved by new economic freedoms. | 0:42:35 | 0:42:38 | |
And also, crucially, by education, | 0:42:41 | 0:42:43 | |
which provided opportunities across the barriers of medieval class and gender. | 0:42:43 | 0:42:50 | |
# And if you're a friend of Jesus you're a friend of mine. # | 0:42:50 | 0:42:56 | |
And don't think that our rural ancestors were strangers to education. | 0:42:56 | 0:43:01 | |
By the 14th century, schools had sprung up all over the medieval countryside. | 0:43:01 | 0:43:06 | |
Ewelme School was founded in the 1430s, | 0:43:06 | 0:43:10 | |
before the Wars of the Roses. | 0:43:10 | 0:43:12 | |
We're at Ewelme Primary School in South Oxfordshire, | 0:43:13 | 0:43:16 | |
the oldest primary school in the country. | 0:43:16 | 0:43:18 | |
Founded in 1437 by Alice Chaucer, | 0:43:18 | 0:43:22 | |
who was granddaughter of Geoffrey Chaucer, the poet. | 0:43:22 | 0:43:26 | |
The children would have been taught to read and write, | 0:43:26 | 0:43:29 | |
very unusual in those days. | 0:43:29 | 0:43:31 | |
And so this was, in effect, a grammar school | 0:43:31 | 0:43:35 | |
and the children would have learned Latin. | 0:43:35 | 0:43:38 | |
See whether you can work out what any of these words might mean. | 0:43:38 | 0:43:42 | |
Feminam might mean feminine. | 0:43:42 | 0:43:44 | |
So it's reading and writing and being able to use Latin | 0:43:44 | 0:43:47 | |
and to compute figures, | 0:43:47 | 0:43:49 | |
so that they were equipped to go | 0:43:49 | 0:43:53 | |
and help on the estates and keep records, | 0:43:53 | 0:43:55 | |
possibly even to go into the church. | 0:43:55 | 0:43:58 | |
I'm going to show you some of the equipment | 0:43:58 | 0:44:02 | |
that they would have been using in this school | 0:44:02 | 0:44:04 | |
back in the 15th century. They would have been using things like wax tablets. | 0:44:04 | 0:44:11 | |
Can anyone see anything around this classroom that you don't think | 0:44:11 | 0:44:14 | |
they would have had in 1437? | 0:44:14 | 0:44:17 | |
Well, they wouldn't have had whiteboard pens. | 0:44:17 | 0:44:21 | |
Well, maybe they just didn't know how to make a whiteboard pen work. | 0:44:21 | 0:44:26 | |
Back in the 15th century, the spread of education | 0:44:26 | 0:44:29 | |
was helped by a very simple and practical innovation. | 0:44:29 | 0:44:32 | |
Paper. | 0:44:32 | 0:44:33 | |
When you get to about 1400, | 0:44:33 | 0:44:36 | |
paper is becoming common and cheap in England | 0:44:36 | 0:44:42 | |
and it's always seemed to me that the paper revolution | 0:44:42 | 0:44:45 | |
is even more important than the printing revolution, | 0:44:45 | 0:44:48 | |
because, in fact, you cannot have a printing revolution | 0:44:48 | 0:44:50 | |
until you've got paper. | 0:44:50 | 0:44:53 | |
And once you've got cheap paper, it's much easier for schools to function | 0:44:53 | 0:44:57 | |
because you don't merely keep temporary exercises, | 0:44:57 | 0:45:01 | |
which you have to then get rid of. | 0:45:01 | 0:45:04 | |
You can actually keep permanent notes, | 0:45:04 | 0:45:07 | |
so by 1400, you're already in the world of school exercise books. | 0:45:07 | 0:45:11 | |
CHILDREN ALL TALK AT ONCE | 0:45:11 | 0:45:14 | |
And we've been talking about boys. What about girls and women? | 0:45:14 | 0:45:19 | |
Most female education is done in the households, | 0:45:19 | 0:45:23 | |
but it won't involve Latin. | 0:45:23 | 0:45:25 | |
They don't go to grammar schools, | 0:45:25 | 0:45:28 | |
but they may well be taught by a parent or a literate person, | 0:45:28 | 0:45:34 | |
a cleric or somebody like that, | 0:45:34 | 0:45:36 | |
they may be taught their alphabet and be able to read | 0:45:36 | 0:45:39 | |
and we certainly know at gentry level that women were reading romances, | 0:45:39 | 0:45:44 | |
they were reading religious books, | 0:45:44 | 0:45:46 | |
because these works get mentioned in wills. | 0:45:46 | 0:45:49 | |
Right, we're going to be singing the Tudor song Hey Ho, Nobody's At Home. | 0:45:49 | 0:45:53 | |
OK, so one, two, three, four... | 0:45:53 | 0:45:56 | |
# Hey ho, nobody at home | 0:45:56 | 0:46:01 | |
# Meat nor drink nor money I have none... # | 0:46:01 | 0:46:05 | |
So in the 15th century, hundreds of villages up and down the land | 0:46:07 | 0:46:10 | |
had their own tiny schools and schoolmasters. | 0:46:10 | 0:46:15 | |
It was the beginning of a social revolution | 0:46:15 | 0:46:17 | |
percolating silently from below. | 0:46:17 | 0:46:20 | |
By the time we reach the Tudors, | 0:46:22 | 0:46:24 | |
England will be the most literate society | 0:46:24 | 0:46:27 | |
that had yet existed in history. | 0:46:27 | 0:46:29 | |
So the people rose through education. Take the Paston family | 0:46:35 | 0:46:40 | |
from the tiny Norfolk village which still bears their name today. | 0:46:40 | 0:46:44 | |
Back in the 1400s, the Pastons were just 100-acre farmers, | 0:46:46 | 0:46:50 | |
but they rose in the world. | 0:46:50 | 0:46:52 | |
And we know about them through letters they wrote to each other | 0:46:52 | 0:46:56 | |
during the Wars of the Roses. | 0:46:56 | 0:46:58 | |
The Pastons' letters are so vividly expressed | 0:47:03 | 0:47:07 | |
that they can almost seem people like us. | 0:47:07 | 0:47:10 | |
And it's the letters written by the women that are most revealing. | 0:47:10 | 0:47:14 | |
It's not bad, actually. That's not a bad fit... | 0:47:16 | 0:47:19 | |
Oh, not too... You can't see now! | 0:47:19 | 0:47:21 | |
For the first time in our history, | 0:47:21 | 0:47:23 | |
we can eavesdrop on the thoughts of ordinary women. | 0:47:23 | 0:47:27 | |
They tell of blackmail and bullying by the local lords and their cronies | 0:47:30 | 0:47:33 | |
but they also speak of women's hopes and dreams | 0:47:33 | 0:47:36 | |
and even their love lives. | 0:47:36 | 0:47:38 | |
I'm sorry that you shall not be home for Christmas. | 0:47:40 | 0:47:43 | |
I pray that you'll come as soon as you may. | 0:47:43 | 0:47:46 | |
I shall think myself half a widow because you shall not be home. | 0:47:46 | 0:47:50 | |
God have you in his keeping. | 0:47:50 | 0:47:52 | |
Written on Christmas Eve by your Margaret. | 0:47:52 | 0:47:55 | |
They read so immediate. | 0:47:59 | 0:48:02 | |
They just are real people. | 0:48:02 | 0:48:03 | |
And that's very uncommon in 15th-century letters. | 0:48:05 | 0:48:07 | |
So as the news filtered back to this corner of Norfolk | 0:48:09 | 0:48:12 | |
of battles in France in the Hundred Years War and the Wars of the Roses, | 0:48:12 | 0:48:17 | |
life went on. | 0:48:17 | 0:48:19 | |
To my right worshipful husband, John Paston. | 0:48:20 | 0:48:24 | |
I pray you heartily that you'll send me a pot of treacle. | 0:48:24 | 0:48:29 | |
In haste, Margaret. | 0:48:29 | 0:48:30 | |
In one of the Paston letters | 0:48:33 | 0:48:35 | |
is what might just be our earliest Valentine. | 0:48:35 | 0:48:38 | |
Nearly, it has sealed it. You've got the pattern. Just skidded a bit. | 0:48:38 | 0:48:41 | |
Cousin, Friday is Valentine's Day. | 0:48:43 | 0:48:48 | |
And every bird choose himself a mate. | 0:48:48 | 0:48:50 | |
If you'd like to come on Thursday night and stay till Monday, | 0:48:50 | 0:48:54 | |
I trust to God that you may speak to my husband | 0:48:54 | 0:48:57 | |
and that we may bring the matter to a conclusion. | 0:48:57 | 0:49:00 | |
"I pray you that you will wear the ring | 0:49:05 | 0:49:08 | |
"with the image of St Margaret..." | 0:49:08 | 0:49:10 | |
..That I sent you for remembrance till you come home. | 0:49:10 | 0:49:12 | |
You have left me such a remembrance | 0:49:12 | 0:49:15 | |
that makes me think upon you both night and day when I would sleep. | 0:49:15 | 0:49:19 | |
"Yours, Margery." | 0:49:19 | 0:49:20 | |
We've talked about the quill that was taken from goose feathers. | 0:49:23 | 0:49:27 | |
You just, like, take all the feathers off | 0:49:27 | 0:49:30 | |
then you just, like, make a slit in the bottom | 0:49:30 | 0:49:32 | |
and then you just dip it in the ink. | 0:49:32 | 0:49:34 | |
Yes, so if you look at the angle there... | 0:49:34 | 0:49:38 | |
'The younger John Paston is begging for a new hawk from his brother' | 0:49:38 | 0:49:41 | |
and there's this plea, "Could I have a new hawk, please? | 0:49:41 | 0:49:45 | |
"My last hawk was useless | 0:49:45 | 0:49:46 | |
"and all the other knights have got better hawks than me." | 0:49:46 | 0:49:49 | |
Then he gets one, and he says, "But she is but a hedge sparrow." | 0:49:49 | 0:49:54 | |
Because she arrived with broken wings | 0:49:54 | 0:49:57 | |
so it's so sad, this younger brother, but, I mean, he triumphed in the end | 0:49:57 | 0:50:01 | |
because he's the one all the rest of the Pastons are descended from. | 0:50:01 | 0:50:05 | |
If you were an ordinary person, | 0:50:13 | 0:50:16 | |
the 15th century wasn't a great time to live, | 0:50:16 | 0:50:18 | |
but out of catastrophe had come the beginnings of real changes | 0:50:18 | 0:50:22 | |
in our ancestors' lives. By the 1470s and '80s, | 0:50:22 | 0:50:26 | |
Britain was slowly rising out of its long depression. | 0:50:26 | 0:50:30 | |
And the woolmen now did what the British have always been good at - | 0:50:31 | 0:50:35 | |
they reinvented their business model. | 0:50:35 | 0:50:37 | |
And it was the wool towns of Suffolk | 0:50:40 | 0:50:43 | |
which scored the most spectacular successes. | 0:50:43 | 0:50:46 | |
They tapped into the export market with Germany, France and the Baltic | 0:50:46 | 0:50:50 | |
and you can still see their new money in Lavenham. | 0:50:50 | 0:50:54 | |
Wonderful spectacle of medieval wealth | 0:51:01 | 0:51:03 | |
as you come up the street, isn't it? | 0:51:03 | 0:51:05 | |
It's an incredible place. | 0:51:05 | 0:51:06 | |
In 1524, we were recorded as | 0:51:06 | 0:51:08 | |
the 14th richest town in England. | 0:51:08 | 0:51:11 | |
We paid more tax in that year than York, Lincoln, Norwich, | 0:51:11 | 0:51:13 | |
many of the big cities. It's quite incredible to think | 0:51:13 | 0:51:17 | |
-of a population not much bigger than it is today, about 1,800. -Amazing. | 0:51:17 | 0:51:20 | |
-I love the way you refer to... You talk of "we", Jane. -We, we. | 0:51:20 | 0:51:24 | |
Well, you know, I'm not exactly a local, but Suffolk born and bred. | 0:51:24 | 0:51:29 | |
How did they make their money, Jane? | 0:51:29 | 0:51:31 | |
We're called the wool towns, but in actual fact, | 0:51:31 | 0:51:34 | |
we made our money from cloth. Our cloth in Lavenham, | 0:51:34 | 0:51:37 | |
which was a very thick, coarse, broad cloth, known as Lavenham Blues, | 0:51:37 | 0:51:41 | |
dyed with woad, which was a pretty horrible substance anyway. | 0:51:41 | 0:51:45 | |
But it was being exported as far away as northern Russia. | 0:51:45 | 0:51:48 | |
-Wow. -Yeah. -In the 15th century? -Or before that, yeah. | 0:51:48 | 0:51:52 | |
And these people, who started life as little artisans, | 0:51:52 | 0:51:56 | |
spinning, weaving and dyeing, | 0:51:56 | 0:51:57 | |
gradually became sort of under the umbrella, if you like, | 0:51:57 | 0:52:01 | |
of a cloth merchant or clothier, who took control of the whole process | 0:52:01 | 0:52:04 | |
and made a great deal of money in the process. | 0:52:04 | 0:52:07 | |
But of course, all those wealthy cloth merchants | 0:52:07 | 0:52:09 | |
try to show off their wealth through their buildings, | 0:52:09 | 0:52:13 | |
so Lavenham is comprehensively rebuilt during that period | 0:52:13 | 0:52:15 | |
with all these close-studded buildings, jettied buildings, | 0:52:15 | 0:52:19 | |
to show off the amount of timber they could afford. | 0:52:19 | 0:52:21 | |
Lavenham is an extraordinarily well-preserved medieval townscape. | 0:52:26 | 0:52:30 | |
Really can get a sense of what it must have been like | 0:52:30 | 0:52:32 | |
to walk down a medieval street here. | 0:52:32 | 0:52:35 | |
And here we're stepping onto Water Street in Lavenham, | 0:52:35 | 0:52:39 | |
which was originally, as the name suggests, | 0:52:39 | 0:52:42 | |
a wet, wide street that flooded regularly. | 0:52:42 | 0:52:45 | |
Today, the water flows underneath the front rooms, the sitting rooms | 0:52:45 | 0:52:50 | |
of the people living on one side of this street. | 0:52:50 | 0:52:53 | |
Michael, you're wearing wellingtons because you're about to explore it. | 0:52:53 | 0:52:56 | |
'Here in Lavenham, the early Tudor middle class | 0:52:56 | 0:53:00 | |
'built grand townhouses | 0:53:00 | 0:53:02 | |
'showing off all the arts of the plasterers and the tilers | 0:53:02 | 0:53:06 | |
'but they also put their money into infrastructure, | 0:53:06 | 0:53:09 | |
'even a common sewerage system for the town.' | 0:53:09 | 0:53:13 | |
The manhole cover that is looming open in front of us, Michael, | 0:53:13 | 0:53:16 | |
would have been the middle of our medieval street. | 0:53:16 | 0:53:19 | |
Gosh! | 0:53:20 | 0:53:22 | |
It's quite narrow, isn't it? | 0:53:24 | 0:53:27 | |
Look at this! | 0:53:27 | 0:53:29 | |
So... | 0:53:31 | 0:53:32 | |
So, can you hear me, Leigh? | 0:53:37 | 0:53:39 | |
Yup, I can hear you. What can you see, Michael? | 0:53:39 | 0:53:42 | |
I've got a fantastic sweep of brick vaults down here, Leigh. | 0:53:42 | 0:53:49 | |
I don't think anything lives down there, Michael, | 0:53:49 | 0:53:52 | |
but I can't guarantee it. | 0:53:52 | 0:53:53 | |
MICHAEL LAUGHS | 0:53:53 | 0:53:55 | |
Might be a few escaped pets of the reptilian variety. | 0:53:55 | 0:53:59 | |
Oh, gosh, spiders around here, look at this! | 0:54:03 | 0:54:06 | |
SPLASHING | 0:54:08 | 0:54:10 | |
Great, look at this, | 0:54:13 | 0:54:15 | |
a sewage outlet there, running underneath the street. | 0:54:15 | 0:54:20 | |
It's a wonderful insight, isn't it, | 0:54:22 | 0:54:24 | |
to the way things worked in the medieval world. | 0:54:24 | 0:54:26 | |
The community was the driving force | 0:54:26 | 0:54:31 | |
behind all the things that make society work. | 0:54:31 | 0:54:34 | |
Charity, law and order, education, | 0:54:35 | 0:54:39 | |
entertainment, and even sanitation. | 0:54:39 | 0:54:43 | |
In a medieval microcosm, it's the big society. | 0:54:43 | 0:54:48 | |
Right! | 0:54:50 | 0:54:52 | |
Oh, gosh! Blimey... | 0:54:57 | 0:55:00 | |
Hamish! | 0:55:03 | 0:55:05 | |
Well, hello. | 0:55:09 | 0:55:11 | |
It's very nice to see you. | 0:55:11 | 0:55:13 | |
I was expecting to come out in the loo. | 0:55:13 | 0:55:16 | |
'Back in Long Melford, in our big communal dig, | 0:55:19 | 0:55:23 | |
'we found more evidence of this early Tudor boom time.' | 0:55:23 | 0:55:26 | |
That's going back quite a long way. | 0:55:26 | 0:55:29 | |
Sort of Tudor period, Queen Elizabeth onwards, really. | 0:55:29 | 0:55:31 | |
'A medieval guildhall was rebuilt as an inn for commercial travellers.' | 0:55:31 | 0:55:35 | |
I don't know what that is, it's certainly not a typical modern tile. | 0:55:35 | 0:55:39 | |
'And, just behind the Swan Inn, the test pit revealed | 0:55:39 | 0:55:42 | |
'the modern spirit of those Tudor developers.' | 0:55:42 | 0:55:44 | |
Well, you have your grey-brown layer at the bottom, | 0:55:44 | 0:55:47 | |
which presumably was the soil behind the original building here, | 0:55:47 | 0:55:51 | |
which is producing the sort of 14th, 15th-century pottery. | 0:55:51 | 0:55:54 | |
Then someone's dug a trench through that to put a brick wall in, | 0:55:54 | 0:55:58 | |
presumably as part of a nice Tudor brick building. | 0:55:58 | 0:56:00 | |
Building goes up, it's knocked down, | 0:56:00 | 0:56:02 | |
the whole thing's levelled, the builders tarmac over it. | 0:56:02 | 0:56:05 | |
-At some point, someone put a sewer pipe in as well! -I love it. | 0:56:05 | 0:56:08 | |
Historians talk about the great rebuilding of the 16th century, don't they? | 0:56:08 | 0:56:12 | |
And we think about all these lovely half-timbered houses | 0:56:12 | 0:56:15 | |
and actually, that's kind of builders going at it | 0:56:15 | 0:56:18 | |
-and developers going at it as hard as they are today. -Yeah. | 0:56:18 | 0:56:21 | |
Great. Terrific. | 0:56:21 | 0:56:23 | |
It's a real insight, isn't it, | 0:56:24 | 0:56:26 | |
to the changing world of Tudor England. | 0:56:26 | 0:56:29 | |
I mean, you have to remember that that time - 15th, 16th century - | 0:56:29 | 0:56:33 | |
this part of East Anglia is a mainstay of the wealth of England, | 0:56:33 | 0:56:37 | |
with the wool trade, these towns like Lavenham and Kersey | 0:56:37 | 0:56:40 | |
and Long Melford here. | 0:56:40 | 0:56:42 | |
So in 1522, around the time that the Swan Inn was built, | 0:56:42 | 0:56:46 | |
there were 160 taxable households here in Long Melford | 0:56:46 | 0:56:50 | |
and a third of them worked in the cloth industry. | 0:56:50 | 0:56:52 | |
There were ten great, rich clothiers - | 0:56:52 | 0:56:55 | |
there were weavers and dyers and fullers and tailors. | 0:56:55 | 0:57:00 | |
And an inn like this, built to service their industry, | 0:57:00 | 0:57:04 | |
with people coming in from as far away as London. | 0:57:04 | 0:57:07 | |
And it's a story that you could repeat right across Britain - | 0:57:07 | 0:57:11 | |
from Totnes in Devon to the towns of northeast Scotland, | 0:57:11 | 0:57:15 | |
for the people of Britain, the world of work was changing. | 0:57:15 | 0:57:20 | |
BELLS PEAL | 0:57:20 | 0:57:23 | |
So, through work, education and ambition, | 0:57:26 | 0:57:30 | |
the British people came through the horrors of the Black Death | 0:57:30 | 0:57:33 | |
and its violent fallout. | 0:57:33 | 0:57:35 | |
For the ordinary person, it must have been a terrible time to live. | 0:57:35 | 0:57:39 | |
But out of it, they forged new ways of working and living | 0:57:39 | 0:57:43 | |
that still shape us today. | 0:57:43 | 0:57:46 | |
At this point, the lives of the people of Britain | 0:57:49 | 0:57:52 | |
were still ruled by the twin pillars of medieval power - | 0:57:52 | 0:57:57 | |
monarchy and the Catholic Church. | 0:57:57 | 0:58:00 | |
And the next challenge the British people will face | 0:58:00 | 0:58:03 | |
will come from their own rulers - | 0:58:03 | 0:58:06 | |
a chain of events that will change them forever | 0:58:06 | 0:58:08 | |
in their religious beliefs and customs, | 0:58:08 | 0:58:11 | |
in their attitudes to life and death. | 0:58:11 | 0:58:14 | |
Events that, in the end, | 0:58:14 | 0:58:17 | |
will overthrow the power of both God and king. | 0:58:17 | 0:58:21 | |
THEY ALL SING A HYMN | 0:58:22 | 0:58:24 | |
And how that happened, | 0:58:26 | 0:58:28 | |
we'll see in the next chapter of The Great British Story. | 0:58:28 | 0:58:31 | |
Subtitles by Red Bee Media Ltd | 0:58:50 | 0:58:53 |