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In the story of the British people, | 0:00:04 | 0:00:07 | |
we've reached the threshold of the modern age. | 0:00:07 | 0:00:10 | |
Through civil war and revolution the nations of Britain | 0:00:12 | 0:00:15 | |
emerged in the 18th century with their own identities | 0:00:15 | 0:00:20 | |
while part of a union that made them all Britons. | 0:00:20 | 0:00:24 | |
Their tale is one of creativity, resilience and invention | 0:00:25 | 0:00:30 | |
and never more so than during the Industrial Revolution, | 0:00:30 | 0:00:33 | |
when Britain became the workshop of the world. | 0:00:33 | 0:00:37 | |
With their inherited skills and freedoms, | 0:00:39 | 0:00:42 | |
the British became the world's first industrial nation, | 0:00:42 | 0:00:46 | |
pioneers in engineering, science and knowledge. | 0:00:46 | 0:00:51 | |
They laid a path that others would follow. | 0:00:53 | 0:00:56 | |
In the next chapter of the Great British Story - | 0:00:59 | 0:01:02 | |
the origins of Empire and the Industrial Revolution. | 0:01:02 | 0:01:06 | |
Those who lived through the Industrial Revolution | 0:01:23 | 0:01:26 | |
saw that it would reshape humanity. | 0:01:26 | 0:01:29 | |
For some, that offered liberation. | 0:01:29 | 0:01:32 | |
The poet Wordsworth marvelled how, "An inventive age | 0:01:32 | 0:01:36 | |
"had given birth almost with the speed of magic | 0:01:36 | 0:01:40 | |
"to a new and unforeseen creation. | 0:01:40 | 0:01:43 | |
"Wielding her potent enginery to frame | 0:01:46 | 0:01:49 | |
"and to produce, with rests not night or day." | 0:01:49 | 0:01:54 | |
MACHINERY HUMS | 0:01:54 | 0:01:57 | |
Others though saw enslavement to the machine - | 0:02:02 | 0:02:06 | |
"Cruel works of many wheels I view", said the poet, William Blake, | 0:02:06 | 0:02:10 | |
"with cogs tyrannic, moving each other by compulsion not in freedom." | 0:02:10 | 0:02:16 | |
It was to be the issue of the age. | 0:02:16 | 0:02:19 | |
In 1700 Britain was a small island off the edge of Europe, | 0:02:21 | 0:02:25 | |
with less than 6 million people - | 0:02:25 | 0:02:29 | |
nothing compared with the powerhouses of world history at that | 0:02:29 | 0:02:32 | |
time - Ming Dynasty China, Mogul India, the Ottoman. | 0:02:32 | 0:02:36 | |
But in the course of the 18th century, | 0:02:40 | 0:02:42 | |
Britain became the world's first industrial nation and acquired | 0:02:42 | 0:02:47 | |
an empire which eventually became the greatest in world history. | 0:02:47 | 0:02:50 | |
And how it all happened is one of the greatest stories in history. | 0:02:50 | 0:02:56 | |
The Industrial Revolution didn't come out of the blue. | 0:03:00 | 0:03:04 | |
It was driven by deep social and economic forces | 0:03:04 | 0:03:06 | |
working below the surface of society since the 13th century. | 0:03:06 | 0:03:11 | |
Local industries meeting basic needs - | 0:03:11 | 0:03:15 | |
heat, tools, clothing, but now accelerated by invention. | 0:03:15 | 0:03:20 | |
William Clark came over | 0:03:20 | 0:03:23 | |
from England 1736 and started making linen right here | 0:03:23 | 0:03:28 | |
at this very spot. | 0:03:28 | 0:03:29 | |
Beetling is where you hammer the cloth, | 0:03:29 | 0:03:33 | |
make it into a continuous cloth as opposed to a warp and weft. | 0:03:33 | 0:03:36 | |
That's before it's beetled only it's wet, | 0:03:36 | 0:03:40 | |
run through a starch and it's wet. | 0:03:40 | 0:03:43 | |
As I keep putting it on and turning it every day, | 0:03:43 | 0:03:46 | |
it goes on until it comes to this stage. | 0:03:46 | 0:03:48 | |
Across Britain and Ireland | 0:03:52 | 0:03:54 | |
traditional industries began to mechanise. | 0:03:54 | 0:03:57 | |
In the potteries, old manufacturers went into mass production, | 0:03:57 | 0:04:01 | |
the growing middle and working classes who no longer wanted wood | 0:04:01 | 0:04:05 | |
on their tables. | 0:04:05 | 0:04:07 | |
'Almost everybody that you knew from this area | 0:04:09 | 0:04:10 | |
'worked in the pottery industry.' | 0:04:10 | 0:04:14 | |
These specialised industries gave rise to new skills | 0:04:14 | 0:04:18 | |
and new communities. | 0:04:18 | 0:04:21 | |
MACHINES WHIRR | 0:04:21 | 0:04:24 | |
How long have been doing this? | 0:04:24 | 0:04:25 | |
This particular job, | 0:04:25 | 0:04:28 | |
-about 22, 23 years. -Wow! | 0:04:28 | 0:04:30 | |
In the five towns of the potteries, they used local coal seams | 0:04:36 | 0:04:40 | |
for the kilns, but the fine china clay came from Cornwall. | 0:04:40 | 0:04:45 | |
Some of the most famous names in world pottery set up here - | 0:04:45 | 0:04:48 | |
Doulton, Wedgewood, Spode and Minton. | 0:04:48 | 0:04:52 | |
Founded in the 1780s, Dudsons are still thriving. | 0:04:53 | 0:04:59 | |
They also made high-end pottery, | 0:05:00 | 0:05:03 | |
reflecting the growing international reach of British society, | 0:05:03 | 0:05:08 | |
depicting the ideals as well as the tastes of the new age. | 0:05:08 | 0:05:11 | |
Tell us about this blackware here, Alison. | 0:05:11 | 0:05:15 | |
This was originally fashionable in the 1770s | 0:05:15 | 0:05:19 | |
but it had a renaissance in the 1870s | 0:05:19 | 0:05:21 | |
when Queen Victoria went into mourning on the death | 0:05:21 | 0:05:25 | |
of Prince Albert, so the potters obviously responded | 0:05:25 | 0:05:28 | |
with a black range of pottery. | 0:05:28 | 0:05:29 | |
In the Black Country, they've been makers of chains, | 0:05:35 | 0:05:37 | |
nails, needles and blades since the 14th century. | 0:05:37 | 0:05:40 | |
And now domestic production was organised on a new level | 0:05:40 | 0:05:46 | |
through a huge network of cottage workshops with child labour. | 0:05:46 | 0:05:50 | |
I'm just going to knock this into the shape of a U, | 0:05:53 | 0:05:56 | |
now, hopefully. | 0:05:56 | 0:05:58 | |
This work was still all done by hand. | 0:06:00 | 0:06:02 | |
-How do you know if it's hot enough to get out of the fire? -By eye. | 0:06:06 | 0:06:10 | |
You just watch the flames and it's like sparkly little bits. | 0:06:10 | 0:06:15 | |
Then when you bring it out it's really fizzing | 0:06:15 | 0:06:18 | |
and that's why you need to be standing back that far, | 0:06:18 | 0:06:21 | |
because when I heat it, the sparks will fly. | 0:06:21 | 0:06:23 | |
In the 18th century chains had many different uses. | 0:06:27 | 0:06:31 | |
And children this age would have made them. | 0:06:36 | 0:06:39 | |
Did you see what it was? Yeah! | 0:06:39 | 0:06:41 | |
One of the key factors in the Industrial Revolution was coal. | 0:06:46 | 0:06:51 | |
They've mined in Yorkshire and Durham since the Middle Ages | 0:06:53 | 0:06:56 | |
and here in Gloucestershire, you can see another factor | 0:06:56 | 0:06:59 | |
that helped the rise of industry - | 0:06:59 | 0:07:01 | |
freedom. | 0:07:01 | 0:07:03 | |
These are the free miners of the Forest of Dean. | 0:07:04 | 0:07:07 | |
Nobody's ever found the actual physical charter, | 0:07:09 | 0:07:13 | |
but the story is that Edward I or II, | 0:07:13 | 0:07:16 | |
depending on which book you read, gave us our rights | 0:07:16 | 0:07:20 | |
back in the 13th century or thereabouts. | 0:07:20 | 0:07:22 | |
We obtained these rights by going to Berwick-on-Tweed | 0:07:24 | 0:07:28 | |
and driving a tunnel underneath the walls of Berwick-on-Tweed | 0:07:28 | 0:07:32 | |
and allowing the King to take the city. | 0:07:32 | 0:07:34 | |
In his gratitude he gave us, the foresters, the right to mine | 0:07:34 | 0:07:38 | |
coal, iron and stone in the Forest of Dean for evermore. | 0:07:38 | 0:07:42 | |
The first mine I went down, they dropped me down a shaft | 0:07:48 | 0:07:51 | |
in a 40 gallon drum with two hooks in the side on a hand winch. | 0:07:51 | 0:07:56 | |
I was 13. | 0:07:56 | 0:07:58 | |
The Forest of Dean actually | 0:08:01 | 0:08:03 | |
was built on the minerals that are under the ground. | 0:08:03 | 0:08:07 | |
Because at one time there was nothing here. | 0:08:07 | 0:08:11 | |
It was just a hunting place for poor royalty. Nothing here at all. | 0:08:14 | 0:08:17 | |
Tremendous amount of wealth that come out of the ground | 0:08:17 | 0:08:20 | |
and that's how all the villages and towns and that, sprang up | 0:08:20 | 0:08:24 | |
because of what is underground. | 0:08:24 | 0:08:25 | |
HE SCRAPES | 0:08:25 | 0:08:28 | |
# Follow me down. # | 0:08:34 | 0:08:37 | |
Another key to the Industrial Revolution was Britain's | 0:08:37 | 0:08:41 | |
mineral riches - copper, iron and tin from Cornwall. | 0:08:41 | 0:08:45 | |
# This land is barren and broken | 0:08:45 | 0:08:49 | |
# Scarred like the face of the moon. # | 0:08:49 | 0:08:53 | |
Here at Levant Mine, these schoolchildren have come to | 0:08:53 | 0:08:56 | |
see where their ancestors toiled deep below the seabed. | 0:08:56 | 0:08:59 | |
This shaft is about 2,000 foot deep | 0:09:00 | 0:09:04 | |
and under the sea, there are 70 miles of tunnels. | 0:09:04 | 0:09:10 | |
# Will I find gold in the cave? # | 0:09:10 | 0:09:13 | |
So, you were saying your nan worked in the mines. Is that right? | 0:09:13 | 0:09:18 | |
-Yeah. -And how old is she now? -94. -She's 94! | 0:09:18 | 0:09:23 | |
# Where there's a mine or a hole in the ground | 0:09:23 | 0:09:30 | |
# That's where I'm heading for... # | 0:09:30 | 0:09:33 | |
South Crofty mine was first dug in Tudor times. | 0:09:33 | 0:09:36 | |
Between the 18th century and the 20th, | 0:09:38 | 0:09:40 | |
it's vast caverns were expanded to two-and-a-half miles across | 0:09:40 | 0:09:43 | |
and 3,000 feet deep. | 0:09:43 | 0:09:47 | |
Oh, that is just epic, isn't it? Look at that! | 0:09:47 | 0:09:53 | |
So when was this dug out, do you know, Chris? | 0:09:53 | 0:09:55 | |
I guess it was started at the beginning of the century. | 0:09:55 | 0:09:59 | |
Would this have been all hacked out by hand then? | 0:09:59 | 0:10:03 | |
Yes, this was all done by hand. | 0:10:03 | 0:10:05 | |
We talk about the Industrial Revolution as if it was | 0:10:05 | 0:10:08 | |
something that happened rather swiftly from the late 1700s onward, | 0:10:08 | 0:10:12 | |
but these techniques existed for centuries here in Cornwall | 0:10:12 | 0:10:16 | |
and what you see here is the product of a slow percolation of history, | 0:10:16 | 0:10:21 | |
the endeavour of ordinary people working at a local level. | 0:10:21 | 0:10:25 | |
It's just astounding. | 0:10:25 | 0:10:28 | |
# Where there's a mine or a hole in the ground | 0:10:31 | 0:10:37 | |
# That's where I'm heading for... # | 0:10:37 | 0:10:40 | |
So the Industrial Revolution came out of the perfect convergence | 0:10:40 | 0:10:44 | |
of ideas and industry with a skilled and adaptable workforce. | 0:10:44 | 0:10:49 | |
Now we're always taught that the Industrial Revolution | 0:10:49 | 0:10:53 | |
was an English phenomenon - Colebrookdale and Ironbridge | 0:10:53 | 0:10:57 | |
and the Lancashire cotton mills and they were important. | 0:10:57 | 0:11:00 | |
'But it all depends what you mean by origins. | 0:11:00 | 0:11:05 | |
'As we've seen through this series, | 0:11:06 | 0:11:08 | |
'our industrialisation was really a long, slow progress over time.' | 0:11:08 | 0:11:13 | |
They were working metals in the Black Country and Sheffield | 0:11:13 | 0:11:17 | |
back in the 13th century. | 0:11:17 | 0:11:19 | |
So if you're going to look for a catalyst for these great | 0:11:19 | 0:11:22 | |
events in the early 18th century, | 0:11:22 | 0:11:25 | |
how about not looking in England, | 0:11:25 | 0:11:28 | |
but here in Wales? | 0:11:28 | 0:11:31 | |
This is Swansea Bay and they'd been smelting metals here, | 0:11:31 | 0:11:36 | |
especially copper, since the 1600s. | 0:11:36 | 0:11:39 | |
It was out of these deeper roots that the great leap | 0:11:41 | 0:11:43 | |
forward in history began. | 0:11:43 | 0:11:46 | |
From a long crystallisation, | 0:11:46 | 0:11:48 | |
new technologies would remake society, leading to | 0:11:48 | 0:11:52 | |
the fateful transformation of humanity across the globe. | 0:11:52 | 0:11:56 | |
As Wordsworth had said, "At social industry's command, | 0:11:56 | 0:11:59 | |
"how quick and how vast an increase." | 0:11:59 | 0:12:04 | |
And there was hope, too, | 0:12:04 | 0:12:07 | |
to build Jerusalem | 0:12:07 | 0:12:09 | |
in these dark, satanic mills. | 0:12:09 | 0:12:12 | |
It's a new birthplace for the Industrial Revolution, | 0:12:20 | 0:12:25 | |
here in the world's first industrial nation - | 0:12:25 | 0:12:28 | |
Wales. | 0:12:28 | 0:12:29 | |
Originally, the copper works | 0:12:32 | 0:12:33 | |
were importing their ore from Cornwall. | 0:12:33 | 0:12:37 | |
In the late 18th century, from North Wales as well, | 0:12:37 | 0:12:40 | |
from the mines on Anglesey. | 0:12:40 | 0:12:42 | |
But when those reserves ran out, | 0:12:42 | 0:12:44 | |
they turned their sights to Cuba, to Chile, to south Australia | 0:12:44 | 0:12:49 | |
and shipped in huge cargos of copper. | 0:12:49 | 0:12:51 | |
Some of the big uses of copper that made the industry take off, | 0:12:53 | 0:12:57 | |
first of all, the Royal Navy | 0:12:57 | 0:12:59 | |
used copper for sheathing the hulls of ships | 0:12:59 | 0:13:02 | |
to protect them from degradation when they were at sea for long voyages. | 0:13:02 | 0:13:06 | |
Shortly after that, | 0:13:06 | 0:13:08 | |
the development of coinage and the use of copper in coinage. | 0:13:08 | 0:13:13 | |
The Birmingham manufacturers Matthew Boulton were producing coins | 0:13:13 | 0:13:17 | |
and needed, you know, good supplies of copper, | 0:13:17 | 0:13:20 | |
reliable supplies of copper. | 0:13:20 | 0:13:22 | |
So at its height, the Swansea Valley must have been an amazing sight. | 0:13:24 | 0:13:29 | |
It wouldn't have looked pretty, I think we can safely say. | 0:13:29 | 0:13:32 | |
The coal industry, of course, | 0:13:32 | 0:13:34 | |
was what made smelting so profitable in this area | 0:13:34 | 0:13:37 | |
so the availability of large volumes of coal | 0:13:37 | 0:13:40 | |
near the surface that could be mined and used for smelting. | 0:13:40 | 0:13:43 | |
Copper smelting was closely followed by zinc works, | 0:13:43 | 0:13:47 | |
there was lead smelting, | 0:13:47 | 0:13:48 | |
-there were iron foundries. -So where there was muck, | 0:13:48 | 0:13:51 | |
there literally was brass, as we say in Lancashire? | 0:13:51 | 0:13:54 | |
Yes, and there was a fair bit of muck, I think, | 0:13:54 | 0:13:56 | |
or at least a fair bit of smoke. | 0:13:56 | 0:13:57 | |
As capitalism expanded, it co-opted the world for its workforce | 0:14:01 | 0:14:06 | |
and it didn't care how it got them. | 0:14:06 | 0:14:08 | |
The chains were both invisible and real. | 0:14:08 | 0:14:11 | |
And one link in the chain | 0:14:12 | 0:14:14 | |
was the biggest unspoken in British history, slavery. | 0:14:14 | 0:14:17 | |
In the 18th century, two thirds of all British slaving ships | 0:14:19 | 0:14:23 | |
were registered here in Liverpool. | 0:14:23 | 0:14:26 | |
It was Liverpool that opened my eyes to the horror of slavery. | 0:14:26 | 0:14:32 | |
It was the most horrific period in the history of this country. | 0:14:32 | 0:14:36 | |
You go down the list, and Harry was 55, | 0:14:43 | 0:14:45 | |
that turns your stomach a bit, | 0:14:45 | 0:14:47 | |
or Mary was 10 years old, but when you get down | 0:14:47 | 0:14:49 | |
to Grace, who's just six months, you think... | 0:14:49 | 0:14:52 | |
It's important that we | 0:14:54 | 0:14:55 | |
talk about Africans as Africans and not as slaves. | 0:14:55 | 0:15:00 | |
The people they kidnapped were Africans, and they kidnapped them. | 0:15:00 | 0:15:03 | |
In conservative figures, | 0:15:04 | 0:15:06 | |
12 million people, 12 million! | 0:15:06 | 0:15:08 | |
If you think of Liverpool just by itself, conservative figures say | 0:15:09 | 0:15:14 | |
Liverpool merchants were responsible for 1.5 million | 0:15:14 | 0:15:17 | |
of the 3 million slaves taken on British ships that made it, | 0:15:17 | 0:15:20 | |
that were able to be counted at the end of the voyages. | 0:15:20 | 0:15:22 | |
Liverpool is THE classic 18th century boomtown. | 0:15:24 | 0:15:28 | |
I think it's about putting in perspective what our history is | 0:15:31 | 0:15:34 | |
and telling the truth about it. | 0:15:34 | 0:15:36 | |
I think it's Martin Luther King who said the truth will set us free | 0:15:36 | 0:15:40 | |
and that's both for black and white people. | 0:15:40 | 0:15:42 | |
So it's about putting the slave trade | 0:15:42 | 0:15:45 | |
as one of the main events to help to shape | 0:15:45 | 0:15:49 | |
during the period when we become the first world superpower. | 0:15:49 | 0:15:53 | |
Liverpool has to be | 0:15:57 | 0:15:59 | |
the most splendid setting of any British city. | 0:15:59 | 0:16:02 | |
But unlike others - London, for example | 0:16:02 | 0:16:05 | |
or Glasgow, Newcastle, even Manchester, | 0:16:05 | 0:16:07 | |
Liverpool owed nothing to its medieval past. | 0:16:07 | 0:16:10 | |
It's really a creation of the 18th century, | 0:16:10 | 0:16:13 | |
of commerce in sugar, tobacco, | 0:16:13 | 0:16:16 | |
textiles and, of course, slaves. | 0:16:16 | 0:16:19 | |
"Liverpool is one of the wonders of Britain," | 0:16:19 | 0:16:22 | |
wrote Daniel Defoe in 1715 | 0:16:22 | 0:16:25 | |
"and what it may grow to in time I know not." | 0:16:25 | 0:16:30 | |
So Britain was also transformed by the expansion of empire, | 0:16:40 | 0:16:44 | |
through the slave triangle between Britain, Africa and the Americas... | 0:16:44 | 0:16:49 | |
..but above all by India. | 0:16:50 | 0:16:52 | |
Here, the Mughal Empire was in decline. | 0:16:55 | 0:16:58 | |
Once a world power with a quarter of the world's GDP, | 0:16:58 | 0:17:01 | |
in 1759 they were defeated | 0:17:01 | 0:17:04 | |
by a mercenary army of Britain's East India Company. | 0:17:04 | 0:17:07 | |
The story of how a trading company | 0:17:07 | 0:17:09 | |
became the greatest empire that the world had ever seen | 0:17:09 | 0:17:13 | |
is long and full of strange twists and turns. | 0:17:13 | 0:17:16 | |
But the key thing to remember is this - | 0:17:18 | 0:17:20 | |
the British, although a small nation, were a sea power | 0:17:20 | 0:17:24 | |
and through the 17th century, established a series of bases | 0:17:24 | 0:17:28 | |
around the shores of India. | 0:17:28 | 0:17:29 | |
The key was here in the rich and populous lands of Bengal. | 0:17:31 | 0:17:36 | |
The market they were after was textiles, and their chief factory, | 0:17:38 | 0:17:42 | |
here by the banks of the Hooghly River, a tributary of the Ganges, | 0:17:42 | 0:17:46 | |
the little village which would become the great city of Calcutta. | 0:17:46 | 0:17:50 | |
CAR HORNS BLARE | 0:17:54 | 0:17:55 | |
"I was born in the year 1757 in Norwich in the county of Norfolk. | 0:17:55 | 0:18:00 | |
"My father was a blacksmith but drawn by desire to see the world, | 0:18:00 | 0:18:03 | |
"I enlisted with the honourable East India Company." | 0:18:03 | 0:18:05 | |
"My whole stock on board was the jacket and trousers I wore, | 0:18:09 | 0:18:12 | |
"plus half a guinea from the company." | 0:18:12 | 0:18:14 | |
"India is a land of thousands and thousands of merchants. | 0:18:19 | 0:18:22 | |
"The abundance of very curious | 0:18:22 | 0:18:24 | |
"and valuable manufacturers | 0:18:24 | 0:18:26 | |
"is sufficient for the use of the whole globe." | 0:18:26 | 0:18:29 | |
So the British people began to spread across the globe, | 0:18:33 | 0:18:37 | |
sons of Cornish miners, Scottish crofters and Norfolk blacksmiths, | 0:18:37 | 0:18:43 | |
taking the risk, the profit | 0:18:43 | 0:18:45 | |
and the loss. | 0:18:45 | 0:18:47 | |
"I'm exceedingly sorry to acquaint you | 0:18:48 | 0:18:50 | |
"of my dear brother Patrick's death." | 0:18:50 | 0:18:52 | |
"I cannot think of informing my dear father and mother. | 0:18:52 | 0:18:55 | |
"Good God, what distresses are accumulated on their heads." | 0:18:55 | 0:18:59 | |
Survive two monsoons, they said, and you had a chance. | 0:19:00 | 0:19:04 | |
"Nothing could be more disagreeable | 0:19:04 | 0:19:07 | |
"than the weather here at present. It is very hot, | 0:19:07 | 0:19:10 | |
"with scarcely a breath of air." | 0:19:10 | 0:19:12 | |
"But we cannot expect a good breeze until the monsoon changes." | 0:19:12 | 0:19:16 | |
So the British people | 0:19:27 | 0:19:28 | |
became part of a world system of commerce and industry - | 0:19:28 | 0:19:31 | |
a system of their own devising. | 0:19:31 | 0:19:34 | |
At home, their manufacturers invested in a new transport network | 0:19:37 | 0:19:42 | |
to meet the challenge. | 0:19:42 | 0:19:43 | |
This was the great age of canals, | 0:19:46 | 0:19:48 | |
taking goods to and from the centres of manufacture. | 0:19:48 | 0:19:52 | |
The Leeds and Liverpool, the Grand Union, | 0:19:53 | 0:19:57 | |
the Forth and Clyde. | 0:19:57 | 0:19:58 | |
4,000 miles of canal | 0:19:59 | 0:20:01 | |
were created in the 18th century by private companies, | 0:20:01 | 0:20:05 | |
going right into the hearts of the new industrial cities. | 0:20:05 | 0:20:10 | |
The canal age engineers also led technological innovation, | 0:20:13 | 0:20:18 | |
especially the steam engine, | 0:20:18 | 0:20:19 | |
invented in England in the early 18th century... | 0:20:19 | 0:20:23 | |
..and perfected by James Watt. | 0:20:24 | 0:20:26 | |
This is the oldest working steam engine in the world. | 0:20:26 | 0:20:30 | |
It was put to work in May 1779. | 0:20:30 | 0:20:35 | |
It was designed by James Watt, | 0:20:36 | 0:20:37 | |
ordered from James Watt by the Birmingham Canal Company | 0:20:37 | 0:20:43 | |
and used for recirculating water on the canals. | 0:20:43 | 0:20:46 | |
It is, in engineering terms, maybe a bit over-designed | 0:20:47 | 0:20:51 | |
but it'll survive. | 0:20:51 | 0:20:53 | |
What steam did was allow you to have your factory | 0:21:02 | 0:21:06 | |
convenient for your manufacture, convenient for your raw materials | 0:21:06 | 0:21:10 | |
if there wasn't adequate water power available. | 0:21:10 | 0:21:13 | |
It was a flexible source of power. | 0:21:13 | 0:21:15 | |
One of the heartlands of the Industrial Revolution | 0:21:20 | 0:21:22 | |
was Birmingham. | 0:21:22 | 0:21:24 | |
A city of small workshops, | 0:21:26 | 0:21:29 | |
there were over 500 different specialised trades and crafts here | 0:21:29 | 0:21:33 | |
with an incredible range of skills. | 0:21:33 | 0:21:36 | |
Nowhere in Europe or the Americas, it was said, | 0:21:40 | 0:21:43 | |
lacked some product of the Birmingham manufacturer. | 0:21:43 | 0:21:47 | |
Here gathered some of the most brilliant people of the time - | 0:21:49 | 0:21:53 | |
the Lunar Men, blending the inherited skills of local craftsmen | 0:21:53 | 0:21:57 | |
with a new imagination. | 0:21:57 | 0:21:59 | |
Pioneers in chemistry, engineering and medicine, | 0:22:01 | 0:22:04 | |
they were people with political and social ideals | 0:22:04 | 0:22:07 | |
and scientific curiosity. | 0:22:07 | 0:22:09 | |
Led by Matthew Boulton, the group cut across class, | 0:22:13 | 0:22:16 | |
a key factor in Britain's leap ahead of the rest of the world. | 0:22:16 | 0:22:20 | |
The Lunar Society, who met here at Soho house, | 0:22:21 | 0:22:25 | |
they would take on subjects like philosophy, natural history, | 0:22:25 | 0:22:30 | |
astronomy, physics, | 0:22:30 | 0:22:32 | |
chemistry, medicine. | 0:22:32 | 0:22:34 | |
They were also designing things, inventing things, | 0:22:35 | 0:22:38 | |
and they began to take on philosophical questions | 0:22:38 | 0:22:40 | |
as well, around the dinner table. | 0:22:40 | 0:22:42 | |
So an astounding bunch. Hard to summarise them easily, really. | 0:22:42 | 0:22:46 | |
And coming up from the grass roots. | 0:22:46 | 0:22:47 | |
This is not given knowledge from the upper classes, is it? | 0:22:47 | 0:22:51 | |
This is coming out of practical experience, manufacturing. | 0:22:51 | 0:22:56 | |
I mean, Boulton had been on the shop floor. | 0:22:56 | 0:22:59 | |
Yeah, absolutely. The son of a manufacturer, not a baronet. | 0:22:59 | 0:23:03 | |
Joseph Priestly was the son of a Yorkshire wool dyer. | 0:23:05 | 0:23:08 | |
Josiah Wedgwood was the 12th child of a master potter. | 0:23:09 | 0:23:14 | |
James Watt was born on Clydeside, | 0:23:14 | 0:23:17 | |
the son of a ship's chandler. | 0:23:17 | 0:23:19 | |
Erasmus Darwin was the son of a Nottinghamshire lawyer. | 0:23:19 | 0:23:22 | |
Matthew Boulton was the son | 0:23:22 | 0:23:24 | |
of a Birmingham buckle-maker. | 0:23:24 | 0:23:27 | |
And as Matthew Boulton said... | 0:23:27 | 0:23:28 | |
"I sell here what the whole world desires - | 0:23:28 | 0:23:31 | |
"power." | 0:23:31 | 0:23:33 | |
And in the 18th century enlightenment, power was knowledge. | 0:23:36 | 0:23:41 | |
Here in Armagh, the public library was founded in 1771 | 0:23:41 | 0:23:45 | |
by an English clergyman as part of a plan to found a university here. | 0:23:45 | 0:23:50 | |
Hi, Carol. Just looking at your treasures here. | 0:23:53 | 0:23:56 | |
-Incredible. -Yes. -Beautiful edition, isn't it, of Voltaire? | 0:23:56 | 0:23:59 | |
Well, I was keen for you to see this, | 0:23:59 | 0:24:01 | |
one of Robinson's own books which he chose to donate to us. | 0:24:01 | 0:24:04 | |
And there you see his book plate. | 0:24:04 | 0:24:08 | |
-Philosophical dictionary of Voltaire. -Yes. -In French. | 0:24:08 | 0:24:11 | |
And although he's a churchman, | 0:24:11 | 0:24:13 | |
-the works of the great sceptic. -Exactly. -Isn't that great? | 0:24:13 | 0:24:17 | |
Many people think because he was a clergyman, | 0:24:17 | 0:24:20 | |
that this library must only have books on theology | 0:24:20 | 0:24:23 | |
and I would always be very keen to explain | 0:24:23 | 0:24:26 | |
it's a breadth of subjects | 0:24:26 | 0:24:27 | |
because, of course, it was to be a university library | 0:24:27 | 0:24:30 | |
so Robinson was buying very, very widely in his choice | 0:24:30 | 0:24:33 | |
and he wanted there to be a second university in the island of Ireland. | 0:24:33 | 0:24:38 | |
So he chose Armagh. | 0:24:38 | 0:24:40 | |
It's astonishing to encounter a library from the 18th century, | 0:24:40 | 0:24:44 | |
school from the 18th century, an observatory from the 18th century. | 0:24:44 | 0:24:47 | |
It's as if there's another story to Armagh | 0:24:47 | 0:24:50 | |
which isn't just St Patrick, is it? This is the enlightenment city. | 0:24:50 | 0:24:53 | |
Yes, I love to think that he was looking at that | 0:24:53 | 0:24:56 | |
and thinking, "Let's build on that." Yes, there have been centuries go by | 0:24:56 | 0:25:00 | |
where there wasn't that sort of success | 0:25:00 | 0:25:02 | |
but look what he was doing now in the 18th century | 0:25:02 | 0:25:04 | |
and looking at the age of enlightenment, | 0:25:04 | 0:25:06 | |
all that was happening throughout Europe | 0:25:06 | 0:25:08 | |
and I love the idea he didn't want Ireland to be left out of that | 0:25:08 | 0:25:11 | |
and he didn't want Armagh to be left out of that. | 0:25:11 | 0:25:14 | |
So even though he was an Englishman, I think he was great! | 0:25:14 | 0:25:17 | |
This is the Troughton Equatorial Telescope, manufactured in 1795. | 0:25:24 | 0:25:30 | |
Quite a small telescope by modern standards, of course. | 0:25:30 | 0:25:33 | |
It's the oldest telescope in the UK still in its original housing. | 0:25:34 | 0:25:39 | |
You can still see through it. That's the original lens at the other end? | 0:25:39 | 0:25:43 | |
That's right, yes, it is. | 0:25:43 | 0:25:44 | |
The universe was literally opening up before their eyes, | 0:25:46 | 0:25:50 | |
old certainties replaced by new questions. | 0:25:50 | 0:25:53 | |
Through newspapers, books and learned societies, | 0:25:56 | 0:26:00 | |
these ideas passed into mainstream British society - | 0:26:00 | 0:26:03 | |
science, geology, evolution, | 0:26:03 | 0:26:06 | |
and through them, | 0:26:06 | 0:26:08 | |
reflections on the place of humanity itself in the cosmos, | 0:26:08 | 0:26:12 | |
the very idea of universal human rights. | 0:26:12 | 0:26:15 | |
Josiah Wedgwood was in the anti-slavery movement | 0:26:16 | 0:26:19 | |
alongside black Britons like Olaudah Equiano. | 0:26:19 | 0:26:23 | |
But once technology drives social change, there's no looking back. | 0:26:28 | 0:26:31 | |
If you travelled across Britain in the last years of the 18th century, | 0:26:31 | 0:26:35 | |
you would have seen the signs everywhere in every region | 0:26:35 | 0:26:39 | |
of the accelerating transformation of societies and cultures, | 0:26:39 | 0:26:44 | |
as a still predominantly agricultural population | 0:26:44 | 0:26:49 | |
became an industrial urbanised workforce, | 0:26:49 | 0:26:52 | |
a wage-earning landless proletariat. | 0:26:52 | 0:26:56 | |
Nowhere was untouched, from the booming industrial cities | 0:26:56 | 0:27:00 | |
to traditional, isolated rural communities | 0:27:00 | 0:27:04 | |
in the farthest reaches of the British isles. | 0:27:04 | 0:27:07 | |
Out in the Scottish highlands, | 0:27:09 | 0:27:11 | |
after the Jacobite rebellions of 1715 and 1745, | 0:27:11 | 0:27:15 | |
the rural poor went through a painful uprooting - | 0:27:15 | 0:27:17 | |
the Highland Clearances. | 0:27:17 | 0:27:19 | |
Recently, the Scottish Rural History Project has begun mapping villages | 0:27:24 | 0:27:29 | |
depopulated in the 18th and 19th centuries. | 0:27:29 | 0:27:31 | |
The Highland Clearances were carried out by hereditary landowners. | 0:27:37 | 0:27:41 | |
People were driven out, their villages abandoned | 0:27:41 | 0:27:44 | |
and their sites forgotten. | 0:27:44 | 0:27:46 | |
Gavin and myself went on a two-day training course | 0:27:46 | 0:27:49 | |
and were taught how to do surveys using a plane table, | 0:27:49 | 0:27:52 | |
how to use a GPS and photography. | 0:27:52 | 0:27:56 | |
And after that two-day course, | 0:27:58 | 0:28:00 | |
then we just came back and started surveying. | 0:28:00 | 0:28:03 | |
Between 1700 and 1850, | 0:28:03 | 0:28:06 | |
a way of life lived here since prehistory largely vanished. | 0:28:06 | 0:28:09 | |
I suddenly realised that the landscape was full of archaeology | 0:28:09 | 0:28:13 | |
and we'd been walking here for years. | 0:28:13 | 0:28:16 | |
We walked past this and it just looked like a lump of a hill | 0:28:18 | 0:28:21 | |
but with that training, we could see it wasn't just a lump of hill. | 0:28:21 | 0:28:25 | |
It was part of the history of the landscape. | 0:28:25 | 0:28:27 | |
-What do you prefer? -What are my options? -You hold a pole | 0:28:30 | 0:28:33 | |
or you're at the table here. | 0:28:33 | 0:28:36 | |
This township above Camus Croise had 50 families, | 0:28:36 | 0:28:40 | |
300 people who went in a few years in the 19th century | 0:28:40 | 0:28:43 | |
to work in the pits and factories of Glasgow and in Australia and Canada. | 0:28:43 | 0:28:48 | |
Only the foundations are left below the bracken. | 0:28:48 | 0:28:52 | |
What the team are discovering | 0:28:52 | 0:28:55 | |
is the down side of the Industrial Revolution. | 0:28:55 | 0:28:58 | |
One of the countless rural communities | 0:28:58 | 0:29:01 | |
across the British isles and Ireland that suffered a similar fate. | 0:29:01 | 0:29:05 | |
People who had lived the subsistence life | 0:29:06 | 0:29:08 | |
of our upland and island ancestors since prehistory. | 0:29:08 | 0:29:12 | |
Yep. The one thing there isn't here, | 0:29:14 | 0:29:17 | |
quite often you find a midden at the front. | 0:29:17 | 0:29:19 | |
OK, so we can do the doorway now. | 0:29:19 | 0:29:21 | |
There's a wall creating an enclosure for vegetables | 0:29:22 | 0:29:26 | |
and stacking the corn. | 0:29:26 | 0:29:28 | |
Over there, there's a little, very small building | 0:29:28 | 0:29:31 | |
that was either for storing hay or potatoes. | 0:29:31 | 0:29:34 | |
And then just over there, there's what I reckon is a cattle fold. | 0:29:34 | 0:29:38 | |
They maybe had a boat. You can see | 0:29:41 | 0:29:43 | |
there's a good little bay just down there. | 0:29:43 | 0:29:46 | |
-The first doorway is here. -Oh, right. So it's really far up the end? | 0:29:46 | 0:29:49 | |
-And the wall's a metre thick. -Right. -So inside... | 0:29:49 | 0:29:52 | |
So because it has two doors, | 0:29:52 | 0:29:54 | |
they would have had the animals in one end | 0:29:54 | 0:29:57 | |
so it's not a big area for so many people. | 0:29:57 | 0:29:59 | |
-What's the size of it? How many metres long? -12. | 0:29:59 | 0:30:03 | |
-12 metres by... -12 metres by... | 0:30:03 | 0:30:06 | |
-about four. -Four metres | 0:30:06 | 0:30:08 | |
and half of that would have been occupied by cattle. | 0:30:08 | 0:30:11 | |
We found about 40 habitable... | 0:30:11 | 0:30:14 | |
well, what would have been habitable buildings, here in Barabhaig | 0:30:14 | 0:30:17 | |
and it's now completely empty. | 0:30:17 | 0:30:19 | |
This huge area that had 40 or 50 families living there, | 0:30:19 | 0:30:21 | |
-possibly... -Yeah, depopulated. -Completely empty. | 0:30:21 | 0:30:25 | |
# Far an d'fhuair mi greis dhe m'arach... # | 0:30:27 | 0:30:32 | |
So from the 18th century, the story | 0:30:32 | 0:30:34 | |
for the inhabitants of the Highlands and islands was emigration - | 0:30:34 | 0:30:38 | |
to industrial Scotland, to Australia and to the Americas. | 0:30:38 | 0:30:41 | |
# 'N uair a bhiodh na h-armuinn cruinn | 0:30:41 | 0:30:46 | |
# Far am biodh na h-oighean guanach... # | 0:30:48 | 0:30:52 | |
'It's a song called Thoir Mo Shoraidh Thar An t-Saile,' | 0:30:52 | 0:30:56 | |
one of the hundreds of songs that refer to emigration. | 0:30:56 | 0:31:00 | |
# Agus bodaich coire... # | 0:31:00 | 0:31:03 | |
All these songs have the same feeling of deep sadness | 0:31:03 | 0:31:07 | |
and of separation from their people | 0:31:07 | 0:31:09 | |
and from the land where they grew up. | 0:31:09 | 0:31:12 | |
# Far am faighte crodh... # | 0:31:12 | 0:31:16 | |
But in this particular song, they sing that | 0:31:16 | 0:31:18 | |
hopefully, the wheel has turned now, | 0:31:18 | 0:31:20 | |
the landlords will be not tolerated | 0:31:20 | 0:31:23 | |
if they don't play fairly with people. | 0:31:23 | 0:31:26 | |
And up here, migration is in everybody's family story. | 0:31:37 | 0:31:41 | |
Cathy MacAskill from Govan in Glasgow | 0:31:41 | 0:31:44 | |
has come back to Skye to pursue her own family journey. | 0:31:44 | 0:31:47 | |
Ship-builders on the Clyde in more recent times, | 0:31:49 | 0:31:52 | |
her ancestors were Gaelic speakers from Skye. | 0:31:52 | 0:31:55 | |
Cathy's come back here to trace the story. | 0:31:59 | 0:32:02 | |
-It's a very remote area, isn't it? -It's quite remote! | 0:32:02 | 0:32:06 | |
I'd imagine in the winter, it would be a bleak place to live in | 0:32:06 | 0:32:11 | |
and then if they lived off the land, | 0:32:11 | 0:32:13 | |
they would be out in this all the time. | 0:32:13 | 0:32:15 | |
Looking at it from nowadays, however bleak it seems to us, | 0:32:20 | 0:32:25 | |
this was where they were born and brought up, | 0:32:25 | 0:32:28 | |
so they'd have a more emotional pull to here | 0:32:28 | 0:32:31 | |
and they would have seen this in a different light, probably, | 0:32:31 | 0:32:34 | |
to what I see it in. | 0:32:34 | 0:32:36 | |
To understand these vast social changes, | 0:32:45 | 0:32:48 | |
the government undertook huge statistical enquiries | 0:32:48 | 0:32:52 | |
-into the state of the poor. -The great thing about Scotland | 0:32:52 | 0:32:56 | |
is that they have something called the Statistical Account | 0:32:56 | 0:33:00 | |
and the first one was produced in the 1790s. | 0:33:00 | 0:33:04 | |
Sir John Sinclair, he wrote to every single parish minister in Scotland | 0:33:04 | 0:33:09 | |
and asked them to fill in a questionnaire, 160 questions | 0:33:09 | 0:33:14 | |
so you can imagine what that would be like | 0:33:14 | 0:33:17 | |
-landing on your desk! -Not good. | 0:33:17 | 0:33:19 | |
But even so, he got over half of the parish ministers replying. | 0:33:19 | 0:33:23 | |
-This is the Bracadale. -Here, Cathy's hoping to find her ancestors. | 0:33:23 | 0:33:27 | |
And he talked about the poverty of the people | 0:33:28 | 0:33:32 | |
and how some had hardly any clothes | 0:33:32 | 0:33:34 | |
and they couldn't do this and they couldn't do that | 0:33:34 | 0:33:36 | |
because of their poverty. | 0:33:36 | 0:33:38 | |
"Regarding their comforts as to clothing, | 0:33:38 | 0:33:41 | |
"it may be sufficient to mention | 0:33:41 | 0:33:43 | |
"there were 140 families found in the parish | 0:33:43 | 0:33:47 | |
"who had no change of night or day clothes. | 0:33:47 | 0:33:50 | |
"From the above remarks as to food and clothing, | 0:33:50 | 0:33:53 | |
"it must appear evident that the people are far from enjoying | 0:33:53 | 0:33:57 | |
"the ordinary comforts of society | 0:33:57 | 0:33:59 | |
"and if their complaints are not more loudly heard, | 0:33:59 | 0:34:02 | |
"one great reason is that the system of farming pursued | 0:34:02 | 0:34:06 | |
"has placed them in such absolute dependence on the tackmen | 0:34:06 | 0:34:09 | |
"as to preclude any hope of amelioration." | 0:34:09 | 0:34:12 | |
He's writing this in something that's going to be published | 0:34:14 | 0:34:16 | |
and he's really saying it quite strongly. | 0:34:16 | 0:34:20 | |
-So he could lose his job? -He could, perhaps, yeah. | 0:34:20 | 0:34:23 | |
But who owned the land? | 0:34:23 | 0:34:24 | |
-Who was the actual...? -McLeod owned the land. -He owned all of it? | 0:34:24 | 0:34:28 | |
But it had been let out on a tack, which is a lease. | 0:34:28 | 0:34:32 | |
-And that was the MacAskills', was it? -Yes. | 0:34:32 | 0:34:35 | |
It's the tacksmen doing the clearing as opposed to the landlord. | 0:34:35 | 0:34:38 | |
These tacksmen decided that | 0:34:38 | 0:34:41 | |
you could get more money for renting a farm to a single sheep farmer | 0:34:41 | 0:34:46 | |
rather than a group of crofters | 0:34:46 | 0:34:49 | |
and so the area would be cleared. | 0:34:49 | 0:34:51 | |
Cathy's ancestor, it turned out, had worked as an agent of the landlords. | 0:34:53 | 0:34:57 | |
"He cleared Carbost Beg for himself | 0:34:59 | 0:35:02 | |
"for the purpose of erecting a distillery in Carbost." | 0:35:02 | 0:35:05 | |
"The same widow's daughter told me she saw her father's corn | 0:35:05 | 0:35:10 | |
"shovelled out into the river when seeking a place for the distillery." | 0:35:10 | 0:35:14 | |
Yeah. | 0:35:15 | 0:35:16 | |
That can't come of MacAskills. | 0:35:18 | 0:35:20 | |
LAUGHTER | 0:35:20 | 0:35:22 | |
I hope not! I hope not. | 0:35:22 | 0:35:24 | |
So the transforming powers of industry and capitalism | 0:35:29 | 0:35:33 | |
reached the farthest corners of Britain. | 0:35:33 | 0:35:36 | |
In the 19th century, in the last stages of their existence, | 0:35:39 | 0:35:43 | |
the old ways of life were documented in reports and photographs | 0:35:43 | 0:35:46 | |
in the same way that they recorded primitive tribes | 0:35:46 | 0:35:49 | |
in the remotest parts of the world. | 0:35:49 | 0:35:51 | |
By then, the British people and their way of life | 0:35:52 | 0:35:55 | |
had changed forever. | 0:35:55 | 0:35:57 | |
For several million people through the Industrial Revolution, | 0:36:02 | 0:36:06 | |
the only way out was emigration. | 0:36:06 | 0:36:08 | |
Take the real-life Downton in Wiltshire. | 0:36:11 | 0:36:13 | |
In the 1830s, with rural employment collapsed, | 0:36:16 | 0:36:19 | |
the village hired a ship to cross the Atlantic... | 0:36:19 | 0:36:22 | |
..so that the young and the poor could settle in Canada. | 0:36:24 | 0:36:27 | |
"Notice is hereby given that all fathers of families | 0:36:30 | 0:36:33 | |
"and all single persons who wish to emigrate to Canada | 0:36:33 | 0:36:36 | |
"are to attend a meeting tomorrow | 0:36:36 | 0:36:38 | |
"at three o'clock at the church | 0:36:38 | 0:36:40 | |
"for the purpose of securing their passage." | 0:36:40 | 0:36:43 | |
In August 1836, the King William took 279 people | 0:36:49 | 0:36:55 | |
from Downton and its neighbours to a new life on the Great Lakes | 0:36:55 | 0:37:00 | |
with help from the impoverished community that they left behind. | 0:37:00 | 0:37:04 | |
"For the use of the poor about to emigrate from Downton Parish, | 0:37:07 | 0:37:11 | |
"25 pairs of men's shoes to lace, | 0:37:11 | 0:37:14 | |
"25 pairs of women's shoes, | 0:37:14 | 0:37:16 | |
"100 girls' and boys' shoes | 0:37:16 | 0:37:18 | |
"from three years old to 15." | 0:37:18 | 0:37:21 | |
The Downton migration came at a time of acute tension in the countryside. | 0:37:28 | 0:37:32 | |
The increasing mechanisation of agriculture | 0:37:32 | 0:37:36 | |
had driven many of the traditional rural workforce out of work | 0:37:36 | 0:37:39 | |
and off the land. | 0:37:39 | 0:37:41 | |
The enclosure of common fields everywhere | 0:37:47 | 0:37:50 | |
was depriving the poor of work | 0:37:50 | 0:37:51 | |
and of their traditional share in the land. | 0:37:51 | 0:37:54 | |
In the Forest of Dean in Gloucestershire, | 0:37:55 | 0:37:58 | |
the resistance of the Free Miners to attacks on their rights | 0:37:58 | 0:38:02 | |
is still remembered today. | 0:38:02 | 0:38:04 | |
It wasn't like agricultural enclosure, | 0:38:04 | 0:38:06 | |
but actually, these enclosures were put up for the growth of trees | 0:38:06 | 0:38:09 | |
so it's a slightly different story in the Forest of Dean, | 0:38:09 | 0:38:12 | |
but it was happening all over the country at that time. | 0:38:12 | 0:38:16 | |
Their leader was a miner called Warren James. | 0:38:18 | 0:38:21 | |
The whole bone of contention was that the Crown said | 0:38:24 | 0:38:27 | |
that after so many years, the enclosure would be thrown open | 0:38:27 | 0:38:30 | |
because the trees would be above where the animals could damage them. | 0:38:30 | 0:38:33 | |
Now, despite various petitions to London and to Parliament, | 0:38:33 | 0:38:37 | |
they refused to reopen the enclosures | 0:38:37 | 0:38:39 | |
and that was really where the trouble started. | 0:38:39 | 0:38:42 | |
Warren encouraged people then to take things into their own hands | 0:38:43 | 0:38:46 | |
and to throw the enclosures down and fill in the ditches | 0:38:46 | 0:38:50 | |
and that's where the 1831 rising stemmed from. | 0:38:50 | 0:38:54 | |
Warren James, he was a miner, | 0:38:59 | 0:39:01 | |
a Free Miner. He would have worked in a pit exactly the same as this, | 0:39:01 | 0:39:04 | |
very similar to the way we work today. | 0:39:04 | 0:39:07 | |
Actually, Warren ended up | 0:39:07 | 0:39:09 | |
on the same trip as a lot of the Swing rioters and Luddites | 0:39:09 | 0:39:14 | |
that went out to Tasmania at the same time. | 0:39:14 | 0:39:18 | |
He was in the same boat, so to speak. | 0:39:18 | 0:39:20 | |
In the 1830s, there were rural riots right across England, | 0:39:26 | 0:39:29 | |
protesting against increased mechanisation and unemployment. | 0:39:29 | 0:39:33 | |
These were the last of the peasants' revolts. | 0:39:33 | 0:39:37 | |
In the South and the Southwest, | 0:39:37 | 0:39:39 | |
they were led by the legendary, and fictitious, Captain Swing. | 0:39:39 | 0:39:43 | |
In Swing's name, the protesters issued their letters and threats | 0:39:47 | 0:39:51 | |
to the hated landowners. | 0:39:51 | 0:39:53 | |
"Revenge for thee is on the wing, | 0:39:53 | 0:39:56 | |
"from thy determined Captain Swing." | 0:39:56 | 0:39:59 | |
"Sir, your name is down amongst the black hearts in the black book. | 0:40:00 | 0:40:06 | |
"This is to advise you, and the like of you, to make your wills. | 0:40:06 | 0:40:09 | |
"You have not yet done as you ought." | 0:40:11 | 0:40:13 | |
Faced with the threat of starvation or transportation, | 0:40:23 | 0:40:26 | |
the rural workforce's only course was to organise into unions. | 0:40:26 | 0:40:30 | |
DRUMMING AND WHISTLING | 0:40:30 | 0:40:34 | |
BRASS BAND PLAYS | 0:40:38 | 0:40:40 | |
And the most famous union in our history | 0:40:40 | 0:40:42 | |
was formed in Dorset in the 1830s. | 0:40:42 | 0:40:46 | |
BRASS BAND PLAYS | 0:40:46 | 0:40:49 | |
The Tolpuddle Martyrs - still a landmark in British labour history. | 0:40:52 | 0:40:57 | |
During the Napoleonic wars, the conditions of the workforce | 0:40:59 | 0:41:03 | |
in the countryside had really declined gravely | 0:41:03 | 0:41:06 | |
with growing mechanisation, surplus labour and so on. | 0:41:06 | 0:41:10 | |
But with the lifting of the laws against assembly in 1825, | 0:41:10 | 0:41:14 | |
what we would call trade union movement, was possible. | 0:41:14 | 0:41:18 | |
And in 1832, | 0:41:18 | 0:41:21 | |
only two years after the great rising of Captain Swing, | 0:41:21 | 0:41:25 | |
a group of six Dorset men formed | 0:41:25 | 0:41:28 | |
the Friendly Society Of Agricultural Labourers | 0:41:28 | 0:41:31 | |
to protest against the decline in agricultural workers' wages. | 0:41:31 | 0:41:36 | |
Only six men, but nobody could have guessed where it would lead. | 0:41:36 | 0:41:41 | |
# Union forever defending our rights | 0:41:41 | 0:41:46 | |
# Down with the blackleg all workers unite | 0:41:46 | 0:41:50 | |
# With our brothers and our sisters... # | 0:41:50 | 0:41:53 | |
Convicted for forming a union, | 0:41:53 | 0:41:55 | |
the martyrs were transported to Tasmania, | 0:41:55 | 0:41:58 | |
but public outcry saw them returned as heroes. | 0:41:58 | 0:42:02 | |
THEY SING | 0:42:02 | 0:42:06 | |
It's a reminder that the rights of the British people were not | 0:42:10 | 0:42:13 | |
handed down from on high, but won by the people themselves - | 0:42:13 | 0:42:17 | |
at a cost. | 0:42:17 | 0:42:18 | |
# The watchword liberty | 0:42:18 | 0:42:21 | |
# We will, we will, we will be free. # | 0:42:21 | 0:42:26 | |
I lay this wreath on behalf of the TUC and the trade unionists | 0:42:30 | 0:42:34 | |
of today, who continue to be inspired by the courage | 0:42:34 | 0:42:39 | |
that was shown by James Hammett and the other Tolpuddle Martyrs. | 0:42:39 | 0:42:42 | |
I lay this wreath on behalf of the rural and agricultural | 0:42:42 | 0:42:45 | |
members of Unite | 0:42:45 | 0:42:47 | |
at a time when rural and agricultural workers are under attack again. | 0:42:47 | 0:42:51 | |
I lay this wreath on behalf | 0:42:51 | 0:42:53 | |
of the International Trade Union Confederation. | 0:42:53 | 0:42:57 | |
I lay this wreath on behalf of our youth and the future. | 0:42:57 | 0:43:00 | |
And for James Hammett's descendants | 0:43:00 | 0:43:03 | |
this history is also a family affair. | 0:43:03 | 0:43:07 | |
# Starve all our children | 0:43:07 | 0:43:11 | |
# In chains they can bind us | 0:43:11 | 0:43:14 | |
# And steal all our land | 0:43:14 | 0:43:17 | |
# They can mock our religion | 0:43:17 | 0:43:21 | |
# From our families divide us | 0:43:21 | 0:43:24 | |
# But they can't break the oath | 0:43:24 | 0:43:28 | |
# Of a Tolpuddle man | 0:43:28 | 0:43:32 | |
# No they can't break the oath | 0:43:32 | 0:43:37 | |
# Of a Tolpuddle man. # | 0:43:37 | 0:43:43 | |
I'll never forget the night that I found out. | 0:43:46 | 0:43:47 | |
I just kept repeating it over and over. "I can't believe this.". | 0:43:47 | 0:43:52 | |
"Phil, look at this. I can't believe this." | 0:43:52 | 0:43:54 | |
Did you know the story of the Tolpuddle Martyrs | 0:43:54 | 0:43:56 | |
before you ever knew about your connection? | 0:43:56 | 0:43:58 | |
No and it's quite shocking because I was brought up in Dorset. | 0:43:58 | 0:44:01 | |
I went to school in Shaftesbury. | 0:44:01 | 0:44:04 | |
If it wasn't for the unions at that time, he'd never have come home | 0:44:04 | 0:44:10 | |
and we wouldn't be here. | 0:44:10 | 0:44:13 | |
-So it really is that important. -For you! -Absolutely, yes. | 0:44:13 | 0:44:18 | |
In the years after the Napoleonic wars, | 0:44:24 | 0:44:27 | |
the British working class had also begun to mobilise | 0:44:27 | 0:44:31 | |
in the industrial cities for fair wages, | 0:44:31 | 0:44:34 | |
for franchise and even women's rights. | 0:44:34 | 0:44:38 | |
The key turning point had come in 1819 | 0:44:39 | 0:44:43 | |
with an attack by an armed militia on a crowd of 60,000 people | 0:44:43 | 0:44:47 | |
demonstrating for workers' rights. | 0:44:47 | 0:44:50 | |
The Peterloo massacre inspired new forms of social action. | 0:44:50 | 0:44:55 | |
"Shake off your chains", | 0:44:55 | 0:44:56 | |
the poet Shelley said to the British people, | 0:44:56 | 0:44:59 | |
"You are many and they are few." | 0:44:59 | 0:45:03 | |
And it happened in the shock city of age - Manchester. | 0:45:07 | 0:45:12 | |
The city was the phenomenon of the age and famous writers | 0:45:12 | 0:45:16 | |
and journalists and novelists came here to see the future - | 0:45:16 | 0:45:20 | |
the world's first industrial city. | 0:45:20 | 0:45:22 | |
When the great French commentator Alexis de Tocqueville came here | 0:45:22 | 0:45:25 | |
in 1835, he was just appalled by what he saw, | 0:45:25 | 0:45:29 | |
the sheer anarchy of it. | 0:45:29 | 0:45:30 | |
"No sign of the directing hand of society", he said. | 0:45:30 | 0:45:34 | |
"Here modern civilisation works its miracles | 0:45:36 | 0:45:40 | |
"and modern man is turned back into a savage." | 0:45:40 | 0:45:44 | |
Manchester just exploded as a centre of commerce. | 0:45:51 | 0:45:56 | |
All these people were flooding in from the countryside | 0:45:56 | 0:45:58 | |
over from Ireland particularly, when the potato famine hit | 0:45:58 | 0:46:00 | |
Ireland in the 1830s, so they built the world's first industrial suburbs. | 0:46:00 | 0:46:05 | |
And the most famous slum of the industrial age - | 0:46:06 | 0:46:09 | |
Angel Meadow - is now being uncovered by the archaeologists. | 0:46:09 | 0:46:13 | |
These little workers housing, back-to-back rows, | 0:46:15 | 0:46:19 | |
they could pack the housing in really tight. | 0:46:19 | 0:46:22 | |
These were dark, dingy places. | 0:46:22 | 0:46:24 | |
We can see clearly today, very damp, | 0:46:24 | 0:46:27 | |
no ventilation, no light. | 0:46:27 | 0:46:30 | |
Each floor was a separate family unit, so one family | 0:46:30 | 0:46:32 | |
would have the cellar, | 0:46:32 | 0:46:34 | |
a slightly better-off family would have the ground-floor | 0:46:34 | 0:46:36 | |
-and another family would have the first floor. -How would they have toilets? | 0:46:36 | 0:46:40 | |
Those early stages, there'd probably be one privy | 0:46:40 | 0:46:44 | |
in a yard, shared between five to ten houses, each with three families | 0:46:44 | 0:46:48 | |
in each house, so you'd probably have one toilet for about 100 people. | 0:46:48 | 0:46:52 | |
The most famous account from the time was written by Friedrich Engels | 0:46:55 | 0:46:57 | |
who shone a powerful light on the ravages of industrial capitalism | 0:46:57 | 0:47:02 | |
which attracted the greatest philosopher of the age - | 0:47:02 | 0:47:04 | |
Karl Marx. | 0:47:04 | 0:47:07 | |
Engels had already brought out The Condition Of The Working Class | 0:47:09 | 0:47:13 | |
and Marx came up to work with Engels. | 0:47:13 | 0:47:17 | |
The idea was that Engels would support Marx. | 0:47:17 | 0:47:20 | |
He worked so that Marx didn't have to and Marx could write. | 0:47:20 | 0:47:24 | |
Marx was really an academic. | 0:47:24 | 0:47:26 | |
He gets his head down and that's all he does all day. | 0:47:26 | 0:47:29 | |
A driven intellectual, isn't he? | 0:47:29 | 0:47:30 | |
Would Marx have actually seen things outside his window here? | 0:47:30 | 0:47:34 | |
He would have had to, even just walking | 0:47:34 | 0:47:36 | |
from here to the train station, or to wherever they were staying. | 0:47:36 | 0:47:40 | |
This was at the time really one of the shock areas | 0:47:40 | 0:47:42 | |
in Manchester along with Little Ireland - | 0:47:42 | 0:47:46 | |
Angel Meadow - this was a shocking area. | 0:47:46 | 0:47:48 | |
Together they ploughed through the great government statistical | 0:47:48 | 0:47:51 | |
enquiries, trying to understand the effect of the capitalist | 0:47:51 | 0:47:55 | |
system on humanity. | 0:47:55 | 0:47:58 | |
They look at society in detail and they amass data as well | 0:47:58 | 0:48:01 | |
and statistics is perfect for them. | 0:48:01 | 0:48:03 | |
Engels' insights came from his own experience, | 0:48:09 | 0:48:13 | |
walking the streets of Manchester. | 0:48:13 | 0:48:14 | |
"The lowest, most filthy, most unhealthy | 0:48:28 | 0:48:32 | |
"and most wicked locality in Manchester is called Angel Meadow." | 0:48:32 | 0:48:38 | |
"If one wants to see in how little space a human being can move, | 0:48:40 | 0:48:45 | |
"how little air he can breathe... | 0:48:45 | 0:48:47 | |
"..it is only necessary to travel here." | 0:48:48 | 0:48:52 | |
This is where Engels came in 1844, led by his lover, Mary Burns, | 0:48:58 | 0:49:03 | |
the Irish patriot who was his guide, | 0:49:03 | 0:49:05 | |
the Virgil to his Dante, taking him | 0:49:05 | 0:49:08 | |
on this journey into the inferno, the underworld of the Victorian age. | 0:49:08 | 0:49:15 | |
Here in 30 squalid acres, | 0:49:19 | 0:49:21 | |
lived 30,000 poor workers from Britain, Ireland and further afield. | 0:49:21 | 0:49:27 | |
Most peoples ancestors were in this immediate area? | 0:49:28 | 0:49:31 | |
-ALL: Yes. -1830. -In 1830? | 0:49:31 | 0:49:36 | |
1830, came across from Ireland, they were living in a cellar dwelling | 0:49:36 | 0:49:40 | |
and they were still there on the 1851 census. | 0:49:40 | 0:49:44 | |
1855 from Germany and he was a musician. | 0:49:45 | 0:49:50 | |
Which seems a bit out of step with the area. | 0:49:52 | 0:49:54 | |
Really, when they described it as, | 0:49:54 | 0:49:57 | |
"the lowest of the low lived here". | 0:49:57 | 0:50:00 | |
That's what Frederick Engels said. | 0:50:00 | 0:50:02 | |
The absolute poverty and the contrast | 0:50:04 | 0:50:07 | |
between, obviously Britain thriving as an industrial power | 0:50:07 | 0:50:12 | |
on the backs and sweat of its people, it's quite upsetting really. | 0:50:12 | 0:50:18 | |
Engels was convinced revolution was inevitable and would happen soon, | 0:50:25 | 0:50:31 | |
that the British working class as a whole would rise up | 0:50:31 | 0:50:34 | |
and overthrow the system. | 0:50:34 | 0:50:36 | |
Of course, it didn't happen and it didn't happen, | 0:50:36 | 0:50:40 | |
as Engels himself later recognised, | 0:50:40 | 0:50:42 | |
because the working class here were able to gain a share, | 0:50:42 | 0:50:46 | |
a share of the profits of their labours and of the Empire. | 0:50:46 | 0:50:51 | |
From the 1850s, Victorian England entered an incredible phase | 0:50:54 | 0:50:59 | |
of social progress that really made us what we are today. | 0:50:59 | 0:51:04 | |
And the key to it was local government. | 0:51:04 | 0:51:08 | |
The mosaic on the floor, busy bees, a symbol of Manchester. | 0:51:08 | 0:51:13 | |
It's just fabulous, isn't it? | 0:51:13 | 0:51:15 | |
Only 40 years after de Tocqueville's terrifying vision of the brutality | 0:51:15 | 0:51:20 | |
and squalor of the streets of the town, | 0:51:20 | 0:51:24 | |
with no sign of the guiding power of society, | 0:51:24 | 0:51:28 | |
and now there's this. | 0:51:28 | 0:51:31 | |
Here was directing power writ large. | 0:51:34 | 0:51:38 | |
Manchester Town Hall is a cathedral of civic order. | 0:51:38 | 0:51:41 | |
The industrial revolution may have caused massive social problems | 0:51:41 | 0:51:46 | |
but they were confident in their ability to solve them. | 0:51:46 | 0:51:49 | |
The city fathers, the Corporation commissioned these paintings | 0:51:51 | 0:51:54 | |
from a famous painter of the day, Ford Maddox Brown. | 0:51:54 | 0:51:57 | |
And they're a kind of semi-mythical history of Manchester, | 0:51:57 | 0:52:01 | |
the Romans, the Anglo-Saxons, the Vikings, | 0:52:01 | 0:52:07 | |
and then all the way round through the civil war to the industrial age. | 0:52:07 | 0:52:11 | |
As the Manchester Guardian said, | 0:52:16 | 0:52:17 | |
it's "a visible reminder to all citizens of the labours | 0:52:17 | 0:52:22 | |
"and the responsibilities of the community to which they belong." | 0:52:22 | 0:52:27 | |
In the last decades of the Victorian age, | 0:52:31 | 0:52:34 | |
the British people saw tremendous social progress through civic government. | 0:52:34 | 0:52:39 | |
And the machine did indeed become a source of liberation, | 0:52:40 | 0:52:43 | |
with trains even to take the workers on the great British summer holiday. | 0:52:48 | 0:52:53 | |
In a mere 50 years, Education and Health Acts raised the children | 0:52:59 | 0:53:04 | |
of the poor of Angel Meadow out of their poverty. | 0:53:04 | 0:53:07 | |
The workers in the mills and factories, | 0:53:15 | 0:53:18 | |
though not yet with a vote at the ballot box, enjoyed better housing and sanitation. | 0:53:18 | 0:53:23 | |
The establishment of police forces removed the anarchy de Tocqueville had seen in Manchester. | 0:53:26 | 0:53:31 | |
There was much to celebrate. | 0:53:40 | 0:53:42 | |
At the opening of this great town hall in 1877, | 0:53:44 | 0:53:48 | |
the key speech was made by John Bright, | 0:53:48 | 0:53:52 | |
famous anti-Corn Law agitator, free-trader. | 0:53:52 | 0:53:57 | |
The Victorians' achievements in local government, | 0:53:57 | 0:54:00 | |
he said, would be talked about in generations, indeed in centuries. | 0:54:00 | 0:54:05 | |
But he added a note of caution. | 0:54:06 | 0:54:09 | |
He asked his audience here to imagine a time in the future | 0:54:09 | 0:54:13 | |
when this great building was in ruins. | 0:54:13 | 0:54:16 | |
"We must be aware," he said, and you can imagine it in his rich, | 0:54:18 | 0:54:23 | |
rolling, Rochdale 'R's, "but great cities have risen before in history," | 0:54:23 | 0:54:28 | |
before Manchester and Liverpool, the symbols of his age, | 0:54:28 | 0:54:34 | |
"so we must not for a moment imagine that we stand upon | 0:54:34 | 0:54:39 | |
"a foundation which is absolutely sure and absolutely immovable." | 0:54:39 | 0:54:45 | |
As Bright spoke, there was a shadow on the horizon. | 0:54:49 | 0:54:52 | |
The world was already catching up. | 0:54:52 | 0:54:55 | |
The new industrial powers of the USA and Germany. | 0:54:55 | 0:54:58 | |
In the 1870s came the first Great Depression, | 0:54:58 | 0:55:02 | |
the first crisis of capitalism. | 0:55:02 | 0:55:05 | |
And in Britain, this triggered another wave of emigration. | 0:55:05 | 0:55:09 | |
# Follow me down... # | 0:55:16 | 0:55:18 | |
With all their skills, the Cornish and the Irish, | 0:55:18 | 0:55:22 | |
the Welsh and the Ulstermen, Scots and English, | 0:55:22 | 0:55:25 | |
had each created their own Empire of labour, mining and engineering. | 0:55:25 | 0:55:30 | |
And now they began to migrate once more, | 0:55:30 | 0:55:34 | |
as if it was a condition of the British story. | 0:55:34 | 0:55:37 | |
# And our tongue is no longer spoken | 0:55:37 | 0:55:41 | |
# These towns are a round-faced ruin. # | 0:55:41 | 0:55:44 | |
I wanted to write about where I was from. | 0:55:44 | 0:55:47 | |
# Will there be work in New Brunswick? # | 0:55:47 | 0:55:50 | |
And there's nothing bigger than the emigration | 0:55:50 | 0:55:52 | |
of hundreds of thousands of people. | 0:55:52 | 0:55:54 | |
# If I tunnel way down... # | 0:55:56 | 0:55:58 | |
You worked your passage because in theory there were always jobs | 0:55:58 | 0:56:01 | |
for deep rock miners all around the world | 0:56:01 | 0:56:03 | |
and the Cornish were extremely good at digging very difficult mines. | 0:56:03 | 0:56:06 | |
# Where there's a mine or a hole in the ground | 0:56:06 | 0:56:11 | |
# That's where I'm heading for. # | 0:56:11 | 0:56:14 | |
It's true of Australia, it's true of South America, North America. | 0:56:14 | 0:56:17 | |
Whatever there is mining, you will find Cornish people. | 0:56:17 | 0:56:20 | |
# And I'm not coming back | 0:56:20 | 0:56:23 | |
# So follow me down, Cousin Jack. # | 0:56:23 | 0:56:27 | |
This is the album of the Veale family, | 0:56:28 | 0:56:31 | |
a mining engineer called Jervis Veale. | 0:56:33 | 0:56:35 | |
And this is the album that he kept | 0:56:35 | 0:56:37 | |
when he journeyed all over the world as a mining engineer. | 0:56:37 | 0:56:42 | |
He went to some extraordinary places. Here he is in South Africa. | 0:56:42 | 0:56:45 | |
God, that's Cecil Rhodes there, isn't it? | 0:56:45 | 0:56:47 | |
That is Cecil Rhodes, indeed it is. | 0:56:47 | 0:56:49 | |
We think this is Jervis Veale here, so they moved, some of them, | 0:56:49 | 0:56:53 | |
in high circles. And then he goes off to Argentina. | 0:56:53 | 0:56:56 | |
This is in fact a little earlier, this is 1888. So he's a busy boy. | 0:56:56 | 0:57:01 | |
He goes around the planet. | 0:57:01 | 0:57:03 | |
So David, have we got any sense of how many people | 0:57:03 | 0:57:07 | |
migrated from Cornwall in the 19th century, | 0:57:07 | 0:57:09 | |
say up to the First World War? | 0:57:09 | 0:57:11 | |
It's quite a difficult question to answer, | 0:57:11 | 0:57:13 | |
but you can say that several teens of thousands went. | 0:57:13 | 0:57:18 | |
The population of Cornwall in 1861 was bigger than 1961. | 0:57:18 | 0:57:23 | |
Since the 1700s, the British people had lived through | 0:57:26 | 0:57:29 | |
an adventure unparalleled in history. | 0:57:29 | 0:57:32 | |
They'd made their country the workshop of the world, and for good or ill, created a great empire. | 0:57:32 | 0:57:38 | |
And I love the way it starts, because it says "Out on the ocean deep sailing. | 0:57:38 | 0:57:42 | |
And he spells sailing "C-E-A-L-I-N-G". | 0:57:42 | 0:57:44 | |
"This morning, me and a Welsh chap was up on deck walking about | 0:57:47 | 0:57:50 | |
"and forgot the breakfast until it was too late. | 0:57:50 | 0:57:54 | |
"About 10 in the morning, we had preaching along with an English chap | 0:57:54 | 0:57:57 | |
"called Burriss from Quenchwell," which was another Cornish village. | 0:57:57 | 0:58:01 | |
Resilient, inventive, adaptable, they'd made our modern world. | 0:58:02 | 0:58:07 | |
And the daughter and the captain | 0:58:10 | 0:58:13 | |
could force them to dance every night. | 0:58:13 | 0:58:16 | |
Force them?! | 0:58:16 | 0:58:17 | |
But little did they know what lay in store for them in the 20th century. | 0:58:19 | 0:58:25 | |
# Somewhere over the rainbow | 0:58:25 | 0:58:30 | |
# Bluebirds fly | 0:58:32 | 0:58:36 | |
# And the dreams that you dreamed of | 0:58:36 | 0:58:41 | |
# Dreams really do come true | 0:58:41 | 0:58:46 | |
# Oh-oh-oh | 0:58:47 | 0:58:50 | |
# Someday I'll wish upon a star | 0:58:50 | 0:58:53 | |
# Wake up where the clouds | 0:58:53 | 0:58:55 | |
# Are far behind. # | 0:58:55 | 0:58:57 |