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Want to know about British history? You'd better get your hands dirty. | 0:00:02 | 0:00:05 | |
Don't bury your head in a guidebook - ask a brickie, | 0:00:05 | 0:00:08 | |
a chippy or a roofer. | 0:00:08 | 0:00:11 | |
Ever since I were a boy, I've had a passion for our past, | 0:00:12 | 0:00:15 | |
so I'm going to apprentice myself | 0:00:15 | 0:00:17 | |
to the oldest masonry company in the country, | 0:00:17 | 0:00:21 | |
mastering their crafts and scraping away the secrets | 0:00:21 | 0:00:25 | |
of Blighty's poshest piles. | 0:00:25 | 0:00:27 | |
From castles to cathedrals, | 0:00:27 | 0:00:30 | |
music halls to mansions, | 0:00:30 | 0:00:32 | |
palaces to public schools. | 0:00:32 | 0:00:35 | |
These aren't just buildings, | 0:00:35 | 0:00:37 | |
they're keys to opening up our past and bringing it back to life. | 0:00:37 | 0:00:40 | |
Today I'm in Dartmoor in Devon | 0:01:02 | 0:01:04 | |
helping to restore this fascinating 20th-century building, | 0:01:04 | 0:01:08 | |
the spectacular Castle Drogo. | 0:01:08 | 0:01:11 | |
Fierce, isn't it? | 0:01:11 | 0:01:12 | |
This castle roof could take on Wembley Stadium. | 0:01:13 | 0:01:15 | |
If you was to flatten everything out, | 0:01:15 | 0:01:17 | |
it's roughly two football pitches in size. | 0:01:17 | 0:01:20 | |
'I travel back in rustic time.' | 0:01:20 | 0:01:23 | |
This is incredible. | 0:01:23 | 0:01:24 | |
Oh, and it doesn't smell too good. | 0:01:24 | 0:01:26 | |
It smells like the inside of David Bellamy's beard. | 0:01:26 | 0:01:28 | |
Dartmoor - 950 square kilometres of damp, Devonian wilderness. | 0:01:31 | 0:01:37 | |
Sherlock Holmes came here to investigate the mystery | 0:01:38 | 0:01:41 | |
of the Hound Of The Baskervilles. | 0:01:41 | 0:01:43 | |
I'm here to investigate the mystery of the last castle | 0:01:43 | 0:01:47 | |
ever to be built in England, Castle Drogo. | 0:01:47 | 0:01:50 | |
This man-made structure might look medieval but it's just 85 years old. | 0:01:52 | 0:01:57 | |
It was built to look like a Norman fortress, | 0:01:57 | 0:02:00 | |
with its dominant position on the moor, | 0:02:00 | 0:02:02 | |
its fully functioning portcullis | 0:02:02 | 0:02:05 | |
and castellated roof fit for a conquest. | 0:02:05 | 0:02:07 | |
So it wasn't just pretending to be a castle, it IS a castle. | 0:02:09 | 0:02:12 | |
It was built by one of Britain's leading architects of the 20th century, | 0:02:14 | 0:02:18 | |
Sir Edwin Lutyens. | 0:02:18 | 0:02:20 | |
In his lifetime, Lutyens completed hundreds of projects, | 0:02:20 | 0:02:24 | |
including iconic war memorials such as the Cenotaph. | 0:02:24 | 0:02:27 | |
As you can see today, Castle Drogo is in no fit state for battle. | 0:02:30 | 0:02:34 | |
Fortunately it's now in the hands of The National Trust | 0:02:34 | 0:02:37 | |
and it's currently undergoing huge renovation work | 0:02:37 | 0:02:40 | |
by construction firm William Anelay. | 0:02:40 | 0:02:43 | |
But before I meet the builders, | 0:02:44 | 0:02:46 | |
Tim Cambourne is going to give me an insight | 0:02:46 | 0:02:48 | |
into the castle's past and present. | 0:02:48 | 0:02:50 | |
You've got so much work on your hands. | 0:02:50 | 0:02:52 | |
I think this is possibly the biggest project | 0:02:52 | 0:02:54 | |
-that we're visiting on the series. -Right. | 0:02:54 | 0:02:56 | |
So what is the budget for it? | 0:02:56 | 0:02:58 | |
-Just over 13 million. -It's an odd building, isn't it? | 0:02:58 | 0:03:00 | |
Because you first look at it, | 0:03:00 | 0:03:01 | |
and it's hard to determine what age it is. | 0:03:01 | 0:03:03 | |
But it is not as old as it looks, is it? | 0:03:03 | 0:03:05 | |
No, it was built between 1911 and 1930. | 0:03:05 | 0:03:08 | |
It only took that long because the First World War interrupted that. | 0:03:08 | 0:03:12 | |
It was built for Julius Drewe, | 0:03:12 | 0:03:14 | |
-and he founded the Home And Colonial Stores. -Right. | 0:03:14 | 0:03:16 | |
And he retired at the age of 33 a multimillionaire. | 0:03:16 | 0:03:19 | |
And then he had this built, actually, in his mid-50s. | 0:03:19 | 0:03:22 | |
So this was like his posh house. | 0:03:22 | 0:03:24 | |
He had traced his family history and made a connection with one of | 0:03:24 | 0:03:27 | |
the Norman knights, Drogo du Teigne. | 0:03:27 | 0:03:30 | |
And so the idea was that it was the kind of ancestral home, | 0:03:30 | 0:03:33 | |
if you like, that was being built, | 0:03:33 | 0:03:35 | |
but he really wanted to build a house for his family | 0:03:35 | 0:03:37 | |
and to leave it for generations to come. | 0:03:37 | 0:03:40 | |
Home And Colonial Stores was one of the UK's largest retail chains | 0:03:40 | 0:03:44 | |
of the 1900s. | 0:03:44 | 0:03:45 | |
And on selling this lucrative grocery business in 1919, | 0:03:45 | 0:03:49 | |
Julius Drewe was able to build a unique home. | 0:03:49 | 0:03:52 | |
After finding a perfect location in Dartmoor, | 0:03:53 | 0:03:56 | |
Drewe persuaded Lutyens to take on the project. | 0:03:56 | 0:03:59 | |
Lutyens specialised in creating new, old-style houses | 0:04:01 | 0:04:05 | |
for those who had just made money. | 0:04:05 | 0:04:07 | |
An aspiring aristocrat, Julius Drewe wanted a large, | 0:04:07 | 0:04:10 | |
imposing place that would create a lasting legacy. | 0:04:10 | 0:04:14 | |
On completion, Lutyens was successful in weaving | 0:04:14 | 0:04:17 | |
eight centuries' worth of period detail into Castle Drogo. | 0:04:17 | 0:04:21 | |
Inside, the windows are Tudor in style. | 0:04:23 | 0:04:25 | |
The dressing room looks Georgian. | 0:04:25 | 0:04:28 | |
Drewe went for luxurious Edwardian bathrooms. | 0:04:28 | 0:04:31 | |
This one even has a power shower. | 0:04:31 | 0:04:34 | |
And the kitchen was custom-built with a state-of-the-art phone system. | 0:04:34 | 0:04:38 | |
It's a brilliant trick intended to make guests think | 0:04:38 | 0:04:42 | |
this nouveau-riche grocer was heir to an aristocratic dynasty. | 0:04:42 | 0:04:45 | |
In the restoration of Drogo Castle, | 0:04:47 | 0:04:49 | |
what were the biggest problems you encountered? | 0:04:49 | 0:04:52 | |
There's three main elements - the roof, the walls and the windows. | 0:04:52 | 0:04:56 | |
So the structure that sticks out of the ground, basically, | 0:04:56 | 0:04:58 | |
-the water comes through. -So it's water ingress. | 0:04:58 | 0:05:01 | |
-Water ingress. -Yeah. | 0:05:01 | 0:05:02 | |
It's work on a Gothic scale. | 0:05:02 | 0:05:04 | |
It is a massive scale. It is. | 0:05:04 | 0:05:06 | |
I wonder why we're not building castles any more. | 0:05:06 | 0:05:09 | |
I think when you get a £13 million repair bill, | 0:05:09 | 0:05:11 | |
-that's probably part of the reason. -Yes. | 0:05:11 | 0:05:13 | |
Gosh. | 0:05:13 | 0:05:14 | |
Castle Drogo was built with local granite, | 0:05:16 | 0:05:18 | |
with some walls being six feet thick. | 0:05:18 | 0:05:21 | |
But the flat roof was sealed with asphalt, | 0:05:21 | 0:05:23 | |
a new and untested building material that proved to be unsuitable. | 0:05:23 | 0:05:28 | |
Over time, cracks emerged in the roof, allowing the rain to get in. | 0:05:28 | 0:05:31 | |
It was like a sieve. | 0:05:31 | 0:05:33 | |
In fact, it started leaking before the building was even finished. | 0:05:33 | 0:05:37 | |
Site manager Gareth Townend is going to tell me more about the extensive | 0:05:39 | 0:05:43 | |
renovation work going into this grand construction. | 0:05:43 | 0:05:46 | |
Hiya, Gareth. | 0:05:46 | 0:05:47 | |
Hi, Dave. Nice to meet you. | 0:05:47 | 0:05:49 | |
-All right? -Not bad, how are you? -I'm all right. | 0:05:49 | 0:05:51 | |
By crikey, some view here. | 0:05:51 | 0:05:52 | |
It is, especially when the sun's shining. It's lovely. | 0:05:52 | 0:05:55 | |
It's not so good on a blowy day, is it? | 0:05:55 | 0:05:57 | |
No, no, it is one of the most exposed areas in Dartmoor. | 0:05:57 | 0:06:01 | |
How on earth do you keep a scaffolding of that size up? | 0:06:01 | 0:06:04 | |
We do fight a battle with the sheeting. | 0:06:04 | 0:06:06 | |
It's designed to tear off at up to 40mph. | 0:06:06 | 0:06:09 | |
I suppose if the sheeting doesn't give way, | 0:06:09 | 0:06:11 | |
it's going to be like a hang glider and tear the scaffold off. | 0:06:11 | 0:06:14 | |
The idea is that it will tear, | 0:06:14 | 0:06:15 | |
so that obviously lets air pass through the scaffolding | 0:06:15 | 0:06:18 | |
so the roof doesn't take off. | 0:06:18 | 0:06:20 | |
And was the roof one of the major problems? | 0:06:20 | 0:06:22 | |
The roof was the major area of problem. | 0:06:22 | 0:06:25 | |
Obviously the leak was starting at the roof | 0:06:25 | 0:06:27 | |
and penetrating through the walls | 0:06:27 | 0:06:29 | |
and then just finding whichever route it could into the building. | 0:06:29 | 0:06:32 | |
The National Trust's priority in its five-year project | 0:06:34 | 0:06:37 | |
is making the castle's leaky roof watertight | 0:06:37 | 0:06:40 | |
for the first time in its history. | 0:06:40 | 0:06:41 | |
It's all in various levels, this roof, but how big is it? | 0:06:43 | 0:06:46 | |
If you were to flatten everything out, | 0:06:46 | 0:06:48 | |
it's roughly two football pitches in size. | 0:06:48 | 0:06:51 | |
Good grief. | 0:06:51 | 0:06:52 | |
How do you go about actually restoring a roof that is leaking | 0:06:52 | 0:06:55 | |
-on something like this? -Well, | 0:06:55 | 0:06:57 | |
initially the easiest thing to do is try and locate where the leaks are | 0:06:57 | 0:07:00 | |
-coming from. -Aye. -In this instance, on Castle Drogo, | 0:07:00 | 0:07:03 | |
that is most of the roof, so it is just a case | 0:07:03 | 0:07:06 | |
of trying to get back to a blank canvas. | 0:07:06 | 0:07:08 | |
To install the new watertight roofing material | 0:07:08 | 0:07:11 | |
they've had to remove and refit over 2,300 granite blocks, | 0:07:11 | 0:07:16 | |
some weighing up to 750kg. | 0:07:16 | 0:07:19 | |
That's the equivalent of two large pigs. | 0:07:19 | 0:07:22 | |
But it is important the castle looks just as it did | 0:07:22 | 0:07:25 | |
before the renovation. | 0:07:25 | 0:07:26 | |
Each individual stone gets an individual number, location, | 0:07:27 | 0:07:31 | |
roof number, | 0:07:31 | 0:07:33 | |
so we ensure everything goes back as it was built originally. | 0:07:33 | 0:07:37 | |
The most awe-inspiring jigsaw puzzle I've ever seen. | 0:07:37 | 0:07:40 | |
Over time, the cement sealing the bricks cracked, | 0:07:42 | 0:07:44 | |
so the builders are replacing all 64km | 0:07:44 | 0:07:47 | |
of the castle's original mortar with a lime-based mortar | 0:07:47 | 0:07:51 | |
to prevent it from disintegrating in the future. | 0:07:51 | 0:07:54 | |
You know somewhere, because it was Julius Drewe's personal passion project, | 0:07:54 | 0:07:58 | |
I bet he's up there looking down, thinking, | 0:07:58 | 0:08:00 | |
"Oh, thank goodness this is happening." | 0:08:00 | 0:08:02 | |
-Well, for the future it's looking good. -It is. | 0:08:02 | 0:08:05 | |
'Builders are patchworking the roof | 0:08:07 | 0:08:09 | |
'with a bespoke material to prevent any further damp.' | 0:08:09 | 0:08:12 | |
It's a massive amount of work, isn't it? | 0:08:12 | 0:08:14 | |
Yes, very intricate. | 0:08:14 | 0:08:15 | |
-It's a challenge. -Do you do domestic roofing as well, | 0:08:15 | 0:08:18 | |
or is it all big projects? | 0:08:18 | 0:08:20 | |
Everything, really. Industrial roofs, schools, | 0:08:20 | 0:08:23 | |
down to little private sheds. | 0:08:23 | 0:08:24 | |
It's going to be a bit dismal doing a shed after this one. | 0:08:24 | 0:08:27 | |
It'll be easy. | 0:08:27 | 0:08:29 | |
'Time I had a go.' | 0:08:30 | 0:08:31 | |
Just watch your fingers with the flame. | 0:08:31 | 0:08:34 | |
Obviously in the direction you are pointing at, is where it heats. | 0:08:34 | 0:08:37 | |
Yes. | 0:08:37 | 0:08:38 | |
FLAME HISSES | 0:08:38 | 0:08:40 | |
Whoa-ho! | 0:08:40 | 0:08:41 | |
'This tar-like material is melted, and when it cools down, | 0:08:41 | 0:08:45 | |
'it will form a watertight bond.' | 0:08:45 | 0:08:47 | |
It's fierce, isn't it? | 0:08:50 | 0:08:52 | |
So, Paul, how long do you reckon this roof is going to last, the new one? | 0:08:53 | 0:08:56 | |
Hundreds of years, hopefully. | 0:08:56 | 0:08:58 | |
-You don't want to come back to patch it. -No, not if we can help it, no. | 0:08:58 | 0:09:01 | |
The scaffolding alone cost £1 million for this site. | 0:09:05 | 0:09:09 | |
Dartmoor granite is one of the hardest stones in England. | 0:09:09 | 0:09:13 | |
Over the past three years, | 0:09:13 | 0:09:15 | |
100 builders have worked on the renovation of the castle. | 0:09:15 | 0:09:18 | |
The leaking roof and crumbling brickwork made the castle's upkeep | 0:09:20 | 0:09:24 | |
almost impossible. | 0:09:24 | 0:09:25 | |
Bunny, great-great-granddaughter of Julius Drewe, | 0:09:27 | 0:09:30 | |
lived at Drogo for 19 years, from 1954 to 1973, | 0:09:30 | 0:09:35 | |
and she has vivid memories of life at the castle. | 0:09:35 | 0:09:39 | |
What was it like growing up here? | 0:09:39 | 0:09:40 | |
Presumably there was a lot of staff. | 0:09:40 | 0:09:42 | |
Yes, we had a certain amount of help. | 0:09:42 | 0:09:44 | |
Less as time went on after the war, | 0:09:44 | 0:09:47 | |
but we did have a certain amount of help. | 0:09:47 | 0:09:49 | |
But what was it like? | 0:09:49 | 0:09:50 | |
It was a lot of fun, a lot of parties. | 0:09:50 | 0:09:53 | |
A lot of people to stay, lots of rooms to be in. | 0:09:53 | 0:09:56 | |
Bunny's late father, Anthony Drewe, | 0:09:56 | 0:09:58 | |
did what he could to maintain the castle. | 0:09:58 | 0:10:00 | |
But in 1974 it became too big a job to handle, | 0:10:00 | 0:10:04 | |
so he gave the Drewe family home and its 600 acres of land | 0:10:04 | 0:10:08 | |
to The National Trust. | 0:10:08 | 0:10:10 | |
Does it seem odd to see your house occupied by other people? | 0:10:10 | 0:10:13 | |
We couldn't have afforded to stay here. | 0:10:13 | 0:10:15 | |
The Trust...you know, you can see what a job they're doing. | 0:10:15 | 0:10:18 | |
-Yes. -So, really, you know, in much better hands, I think. | 0:10:18 | 0:10:22 | |
Do you know, Bunny, when I come to places like this, I love my cooking, | 0:10:22 | 0:10:26 | |
I love my entertaining, and I feel I was born to be somewhere like this. | 0:10:26 | 0:10:30 | |
You would have enjoyed it enormously. | 0:10:30 | 0:10:32 | |
I would do. But I think, really, | 0:10:32 | 0:10:33 | |
my place would have been the kitchens. | 0:10:33 | 0:10:35 | |
Oh, shall we go down there? | 0:10:35 | 0:10:37 | |
Yes, that would be wonderful, thank you. | 0:10:37 | 0:10:39 | |
Well, this obviously is the kitchen we used to cook in | 0:10:41 | 0:10:43 | |
-up to the end of the Second World War. -Right. | 0:10:43 | 0:10:46 | |
This is a particularly good Lutyens table. | 0:10:48 | 0:10:50 | |
-You can see... -It echoes the domed lantern, doesn't it? | 0:10:50 | 0:10:54 | |
Yes, it does. Very clever, very Lutyens. | 0:10:54 | 0:10:56 | |
Shall I show you the pantry where our food was prepared for us? | 0:10:56 | 0:11:00 | |
-We used this as a kitchen after the war. -Right. | 0:11:00 | 0:11:04 | |
Because we put the dining room upstairs, it was more convenient. | 0:11:04 | 0:11:06 | |
So this would be the kitchen, obviously, that you know. | 0:11:06 | 0:11:09 | |
This is the kitchen I know. I used to come down in the afternoon. | 0:11:09 | 0:11:12 | |
I was allowed to cook the odd cake and things like that. | 0:11:12 | 0:11:14 | |
So very happy memories here. Always warm. | 0:11:14 | 0:11:16 | |
I noticed there, you can see where the damp's come through. | 0:11:16 | 0:11:18 | |
Yes, you can. | 0:11:18 | 0:11:19 | |
Hopefully all will be restored in the end. | 0:11:19 | 0:11:22 | |
Is it a massive relief to you to know the place is going to survive | 0:11:22 | 0:11:26 | |
and, you know, for the next millennium? | 0:11:26 | 0:11:28 | |
Well, I think so, yes, it's such a huge undertaking, isn't it? | 0:11:28 | 0:11:31 | |
A huge undertaking. Of course it's a relief, | 0:11:31 | 0:11:33 | |
and of course it's nice to see it return to its glory. | 0:11:33 | 0:11:36 | |
During the renovation of Castle Drogo, | 0:11:37 | 0:11:40 | |
builders discovered that its roof required replacement granite slabs, | 0:11:40 | 0:11:43 | |
so here in York, specialist stonemasons | 0:11:43 | 0:11:45 | |
are making them from Dartmoor granite, | 0:11:45 | 0:11:48 | |
and I'm keen to find out just how they do it. | 0:11:48 | 0:11:50 | |
So, granite - what's it like to work with? | 0:11:51 | 0:11:53 | |
It's very, very hard. | 0:11:53 | 0:11:55 | |
It's just hard on the saws, it's hard on the men, | 0:11:55 | 0:11:58 | |
it's hard on the chisels. | 0:11:58 | 0:12:00 | |
So that is how the rock looks when it comes from the quarry. | 0:12:00 | 0:12:02 | |
As it comes from the quarry, it's all different thicknesses. | 0:12:02 | 0:12:06 | |
So what we do, the first part of what we do here | 0:12:06 | 0:12:08 | |
is put it on our machine and we will bed it off to a uniform thickness. | 0:12:08 | 0:12:11 | |
What would have people done before they had machinery? | 0:12:11 | 0:12:13 | |
It was all done by hand. | 0:12:13 | 0:12:15 | |
It is absolutely incredible and the more bigger jobs we do, | 0:12:15 | 0:12:18 | |
with the skills of our lads and the machinery we've got, | 0:12:18 | 0:12:22 | |
the more and more unbelievable it is to me | 0:12:22 | 0:12:25 | |
of how they did projects in the past. | 0:12:25 | 0:12:27 | |
And keeping sympathetic to the original work, | 0:12:27 | 0:12:30 | |
first, the stone slab will be cut to measure | 0:12:30 | 0:12:33 | |
before the craftsman tackles the underside. | 0:12:33 | 0:12:36 | |
As you can see, it's quite tough. | 0:12:36 | 0:12:38 | |
What you have to do is go across to put a punch mark in, | 0:12:38 | 0:12:41 | |
so it adheres to the fixing compound | 0:12:41 | 0:12:43 | |
-or the gravel that's actually on the roof. -By hand. | 0:12:43 | 0:12:46 | |
Because that's how it was done originally. | 0:12:46 | 0:12:49 | |
It is a heritage building, it has to go back, and the new stuff, | 0:12:49 | 0:12:52 | |
as it was before. | 0:12:52 | 0:12:53 | |
-Can I have a go, Jamie? -You can do. | 0:12:57 | 0:12:59 | |
I've just given my knuckles a bat. | 0:13:04 | 0:13:06 | |
How often do you hit yourself? | 0:13:06 | 0:13:07 | |
Probably once a day, I'd say. | 0:13:07 | 0:13:10 | |
Hit it, Dave, don't tickle it. | 0:13:15 | 0:13:17 | |
'Now the specialist work really takes place, | 0:13:18 | 0:13:20 | |
'as skilled masons chisel the marks on the top sides by hand | 0:13:20 | 0:13:24 | |
'so it looks the same as the original.' | 0:13:24 | 0:13:27 | |
-This is Tom. -How do you do, Tom? | 0:13:27 | 0:13:29 | |
Tom is working now again with a different tool | 0:13:29 | 0:13:31 | |
to put a surface texture on which is the top side of the pavement, | 0:13:31 | 0:13:34 | |
which is what people will be walking on. | 0:13:34 | 0:13:36 | |
So, really, this is basically like the tread. | 0:13:36 | 0:13:38 | |
-When people are on it, it's non-slip. -Correct. | 0:13:38 | 0:13:41 | |
So when you look at it, you've got your non-slip bits, | 0:13:41 | 0:13:44 | |
there's a fella cut every notch into that piece of stone. | 0:13:44 | 0:13:47 | |
-Yep. -It's bonkers. | 0:13:47 | 0:13:49 | |
By hand, with a hammer and chisel. | 0:13:49 | 0:13:51 | |
-Can I have a go at that? -Yeah, of course you can. | 0:13:51 | 0:13:53 | |
-Let me get out of your way. -No, | 0:13:53 | 0:13:55 | |
I think I will be good at this because I'm good at kind of... | 0:13:55 | 0:13:58 | |
That one is a bit kind of random. | 0:13:58 | 0:14:00 | |
Is that sort of it? Or is it a bit rubbish? | 0:14:06 | 0:14:10 | |
Keep going until you miss and hit your hand. | 0:14:10 | 0:14:13 | |
'Well, I've done my share of hard graft, so it's back to Dartmoor.' | 0:14:16 | 0:14:20 | |
Now, Drogo may look olde-worlde on the outside, | 0:14:20 | 0:14:23 | |
but the inside was very up to date for its day, | 0:14:23 | 0:14:26 | |
with the latest mod cons. | 0:14:26 | 0:14:28 | |
And they needed power to work. | 0:14:28 | 0:14:30 | |
Drogo Castle's architect, Lutyens, | 0:14:31 | 0:14:33 | |
didn't just build in bricks and mortar - | 0:14:33 | 0:14:35 | |
sometimes he worked in liquid too. | 0:14:35 | 0:14:37 | |
For decades the castle was water-powered, | 0:14:37 | 0:14:40 | |
thanks to this hydroelectric power station just here. | 0:14:40 | 0:14:43 | |
In its remote location, the castle wasn't connected | 0:14:45 | 0:14:49 | |
to the National Grid until the 1950s. | 0:14:49 | 0:14:51 | |
It was powerless, | 0:14:51 | 0:14:53 | |
so Lutyens gave it electricity | 0:14:53 | 0:14:55 | |
through the clever use of water by building this power plant | 0:14:55 | 0:14:58 | |
not far from the castle. | 0:14:58 | 0:14:59 | |
National Trust building surveyor Wesley Key | 0:15:02 | 0:15:04 | |
is going to give me the lowdown. | 0:15:04 | 0:15:07 | |
Is it still working today? | 0:15:07 | 0:15:09 | |
It's not. It was turned off in 1994. | 0:15:09 | 0:15:11 | |
-Right. -Due to regulations for | 0:15:11 | 0:15:13 | |
obstruction licences to stop the... | 0:15:13 | 0:15:16 | |
It's a big salmon river, | 0:15:16 | 0:15:17 | |
and it was to stop the salmon going through the turbine. | 0:15:17 | 0:15:20 | |
But hopefully we are going to get it up and running | 0:15:20 | 0:15:22 | |
in the next couple of years, | 0:15:22 | 0:15:24 | |
and really it is just to make sure the Environment Agency are happy | 0:15:24 | 0:15:27 | |
and we can start going. | 0:15:27 | 0:15:28 | |
-Let's go and have a look. I can't wait to see how this is done. -No problem. | 0:15:28 | 0:15:32 | |
'Wes has worked at the castle since 1983 | 0:15:32 | 0:15:35 | |
'and sure knows a thing or two about the turbine.' | 0:15:35 | 0:15:38 | |
Oh, brill. | 0:15:39 | 0:15:40 | |
Oh, wow. | 0:15:42 | 0:15:44 | |
Look at this, Wes. It's all very Jules Verne, isn't it? | 0:15:44 | 0:15:47 | |
It is, isn't it? | 0:15:47 | 0:15:48 | |
God, blimey. So, how do you make electricity from water? | 0:15:48 | 0:15:53 | |
-Well, you need a turbine. -Yep. | 0:15:53 | 0:15:55 | |
Here we've got two Francis drop turbines | 0:15:55 | 0:15:58 | |
and the water is about eight feet above our heads. | 0:15:58 | 0:16:00 | |
And it actually drops through a turbine and it makes | 0:16:00 | 0:16:03 | |
the generator spin. That spins, it produces our DC electric. | 0:16:03 | 0:16:07 | |
So presumably you've got a massive tank of water, | 0:16:07 | 0:16:09 | |
so if the river's not flowing, | 0:16:09 | 0:16:10 | |
you've still got your head of water to make electric. | 0:16:10 | 0:16:13 | |
We've got a head which would last, with a big turbine, | 0:16:13 | 0:16:15 | |
no more than about 20 minutes. | 0:16:15 | 0:16:17 | |
So you need quite a bit of flow on the river. | 0:16:17 | 0:16:20 | |
The River Teign has got a big catchment area. | 0:16:20 | 0:16:22 | |
You do get a lot of water off the moor. | 0:16:22 | 0:16:24 | |
So this is a Grade II-listed building. | 0:16:24 | 0:16:26 | |
It is, yes. It was listed a few years ago now. | 0:16:26 | 0:16:28 | |
When we do put new machinery in, | 0:16:28 | 0:16:30 | |
we'll make sure it's sympathetic to what we've got, | 0:16:30 | 0:16:33 | |
-so we wouldn't take any of this out, we'll build around it. -Fantastic. | 0:16:33 | 0:16:36 | |
'I'm learning all these wonderful things about Lutyens' genius designs, | 0:16:36 | 0:16:41 | |
'but as I'm in Devon, there's one burning question I have, | 0:16:41 | 0:16:45 | |
'and it's about their famous cream teas.' | 0:16:45 | 0:16:48 | |
Now, Wes, it struck me that with your accent, you're a local fella. | 0:16:48 | 0:16:51 | |
I am. | 0:16:51 | 0:16:52 | |
Are you cream or jam first? | 0:16:52 | 0:16:55 | |
-Cream first. -Cream first. -Yeah. | 0:16:55 | 0:16:57 | |
The Cornish are a lot more militant, aren't they, | 0:16:57 | 0:16:59 | |
in safeguarding their culture? | 0:16:59 | 0:17:01 | |
But you've got your own culture here, haven't you? | 0:17:01 | 0:17:03 | |
Oh, yes, we've got our own culture, yes. | 0:17:03 | 0:17:06 | |
More of a drinking culture, really, but we like our cider, | 0:17:06 | 0:17:08 | |
which is more a Devon thing. | 0:17:08 | 0:17:10 | |
-Yeah, certainly. -And of course a Devon pasty. | 0:17:10 | 0:17:12 | |
Oh, aye. Devon pasty. | 0:17:12 | 0:17:14 | |
Never a Cornish pasty - it is a Devon pasty. | 0:17:14 | 0:17:17 | |
'Not only do they have their own pasties, | 0:17:17 | 0:17:19 | |
'they've got their own dialect too.' | 0:17:19 | 0:17:21 | |
We're down in the valley here and there is a path that goes up over, | 0:17:21 | 0:17:24 | |
-and that would be stickle. -Stickle. | 0:17:24 | 0:17:27 | |
Steep, fair steep. | 0:17:27 | 0:17:28 | |
Could you say that like, "That price is fair stickle?" | 0:17:28 | 0:17:32 | |
-Fair stickle, yes. -Too dear. Aye. | 0:17:32 | 0:17:34 | |
And there's a village across there, just up the valley, | 0:17:34 | 0:17:37 | |
which is called Sticklepath, | 0:17:37 | 0:17:38 | |
which means steep path. | 0:17:38 | 0:17:40 | |
-So it's pretty much its own language. -Yes, yes, it is. | 0:17:40 | 0:17:43 | |
The turbine was state-of-the-art in Lutyens' day, | 0:17:44 | 0:17:47 | |
but today Drogo is doing all it can to become a self-sustaining castle | 0:17:47 | 0:17:51 | |
like it was 100 years ago. | 0:17:51 | 0:17:54 | |
In 2009, | 0:17:54 | 0:17:55 | |
the National Trust installed the largest biomass boiler | 0:17:55 | 0:17:59 | |
on any of its properties. Fuelled by woodchip, | 0:17:59 | 0:18:02 | |
this beauty provides heat for both the castle and the visitor centre. | 0:18:02 | 0:18:06 | |
Oh, right, so this is your new toy. | 0:18:08 | 0:18:11 | |
Yes, it is our biomass boiler. | 0:18:11 | 0:18:13 | |
-The wood chip, so it is 400 kilowatts. -Right. | 0:18:13 | 0:18:17 | |
Which is enough to run 50 four-bedroom houses. | 0:18:17 | 0:18:19 | |
'The boiler has cut carbon emissions massively | 0:18:19 | 0:18:23 | |
'and generated 1 million kWh of renewable heat.' | 0:18:23 | 0:18:26 | |
You've got the land, so you can grow your own fuel. | 0:18:26 | 0:18:29 | |
Yes, we have all the woodland down through the Teign Valley, | 0:18:29 | 0:18:32 | |
and that has been managed by our ranger team. | 0:18:32 | 0:18:34 | |
So when you start producing your own electricity again, | 0:18:34 | 0:18:37 | |
this estate is going to be... | 0:18:37 | 0:18:39 | |
carbon neutral? | 0:18:39 | 0:18:41 | |
Yes, as close to carbon neutral as we will ever get. | 0:18:41 | 0:18:43 | |
It is just using a bit of modern technology and a bit of Lutyens | 0:18:43 | 0:18:46 | |
-technology and linking the two together. -Good on you. | 0:18:46 | 0:18:49 | |
At the time the castle was built, | 0:18:51 | 0:18:53 | |
Lutyens used materials and labour sourced right here in Dartmoor. | 0:18:53 | 0:18:58 | |
Local lads built Drogo Castle | 0:18:58 | 0:18:59 | |
using wooden scaffolding made from local trees. | 0:18:59 | 0:19:03 | |
He liked to use local materials, delivered by local transport. | 0:19:03 | 0:19:08 | |
Namely, shire horses. | 0:19:08 | 0:19:10 | |
Back then, shire horses would have been used to transport | 0:19:11 | 0:19:14 | |
the building materials for the castle. | 0:19:14 | 0:19:16 | |
Mechanisation made shire horses redundant for a while, | 0:19:16 | 0:19:19 | |
but Dartmoor local Ben May has given these powerful creatures | 0:19:19 | 0:19:23 | |
another chance to shine. | 0:19:23 | 0:19:25 | |
I'll go to the horse racing track and I'll look at the horses, | 0:19:25 | 0:19:28 | |
but these are different. These are positively prehistoric in size. | 0:19:28 | 0:19:32 | |
We've got Tom here, he's 17. | 0:19:32 | 0:19:35 | |
I've had him since he was two, so he's been there, done it all. | 0:19:35 | 0:19:38 | |
And we've got Sonny here, and he is only three. | 0:19:38 | 0:19:42 | |
He is our first home-bred shire horse. | 0:19:42 | 0:19:44 | |
-Strong, aren't they? -Yes. | 0:19:44 | 0:19:46 | |
-And this is Joey. -Hello, Joey. | 0:19:46 | 0:19:47 | |
-And he's six years old. -Hello, Joey. | 0:19:47 | 0:19:50 | |
'The farm prides itself on traditional farming methods | 0:19:50 | 0:19:53 | |
'using shire horses rather than modern equipment.' | 0:19:53 | 0:19:56 | |
They really are like the juggernauts of the farm, aren't they? | 0:19:56 | 0:19:59 | |
Oh, completely. It's all about power, really, | 0:19:59 | 0:20:02 | |
that sort of real traction they get, | 0:20:02 | 0:20:04 | |
which is just incredible when you're working three horses. | 0:20:04 | 0:20:07 | |
Yes, so he's a bit friendly. I said he's quite young. | 0:20:08 | 0:20:11 | |
I think there must be something on my jacket | 0:20:12 | 0:20:14 | |
that he's taken a liking to. | 0:20:14 | 0:20:16 | |
What is it that particularly attracts you to the horses? | 0:20:16 | 0:20:19 | |
I love that feeling of working the land, and with the horses | 0:20:19 | 0:20:22 | |
you have to understand the land, you have to work with the land. | 0:20:22 | 0:20:25 | |
And of course, I just love to work my horses. | 0:20:25 | 0:20:27 | |
So these are working horses, they're not ornaments. | 0:20:27 | 0:20:30 | |
These guys are working horses, very much so. | 0:20:30 | 0:20:33 | |
Well, I think Sonny is ready for work. | 0:20:33 | 0:20:34 | |
Shall we go down and do some...? | 0:20:34 | 0:20:36 | |
-Love to, love to. -Great. | 0:20:36 | 0:20:38 | |
OK, lads, walk on. | 0:20:38 | 0:20:40 | |
Get on. | 0:20:40 | 0:20:41 | |
'Shire horses are a strong bunch | 0:20:43 | 0:20:44 | |
'and their origins date back to the Normans. | 0:20:44 | 0:20:47 | |
'They became known as warhorses and in medieval times | 0:20:47 | 0:20:50 | |
'were used for battle. | 0:20:50 | 0:20:53 | |
'By the 17th century, shire horses became workhorses, | 0:20:53 | 0:20:57 | |
'turning the wheels of Britain's industry.' | 0:20:57 | 0:20:59 | |
This is incredible. | 0:21:00 | 0:21:02 | |
I tell you what, though, if they got a spurt on, | 0:21:02 | 0:21:04 | |
I don't think I'd be able to hold them back. | 0:21:04 | 0:21:06 | |
'Shire horses are still used for jobs | 0:21:08 | 0:21:10 | |
'such as ploughing the fields and logging trees, | 0:21:10 | 0:21:13 | |
'but today, Ben has a special treat in store. | 0:21:13 | 0:21:16 | |
'He's using his horses for muck spreading. | 0:21:16 | 0:21:18 | |
'Time I got shovelling. | 0:21:18 | 0:21:20 | |
'But before we get started...' | 0:21:20 | 0:21:22 | |
When you're muck spreading, | 0:21:23 | 0:21:25 | |
a little bit of muck just goes a little bit forwards | 0:21:25 | 0:21:27 | |
and there's a slight possibility it may get you, | 0:21:27 | 0:21:30 | |
so what we do is we wear these...we wear these things. | 0:21:30 | 0:21:34 | |
And then stops the muck hitting your head. | 0:21:36 | 0:21:38 | |
-So... -Very pagan. -Yes, it is quite pagan, isn't it? | 0:21:38 | 0:21:41 | |
Suits you very well. | 0:21:44 | 0:21:45 | |
This is cow muck and horse muck, | 0:21:47 | 0:21:49 | |
and you can imagine, with a horse of this size, | 0:21:49 | 0:21:51 | |
-a lot of horse muck in it. -There is, isn't there? | 0:21:51 | 0:21:53 | |
I mean, what is it that appeals to you about this traditional type of farming? | 0:21:53 | 0:21:57 | |
I think it is what we've called slow farming. | 0:21:57 | 0:22:01 | |
What we're after is quality, not quantity. | 0:22:01 | 0:22:04 | |
And with our cattle, they take probably 12 months more to grow, | 0:22:04 | 0:22:08 | |
-but the quality you're getting in the food because of that... -Superb. | 0:22:08 | 0:22:11 | |
'If you're not going to farm with chemicals, | 0:22:11 | 0:22:14 | |
'you need a natural alternative, and what could be more natural than muck?' | 0:22:14 | 0:22:18 | |
Do you think this is more sustainable? | 0:22:18 | 0:22:21 | |
But if you can use something that's a little bit more natural, | 0:22:21 | 0:22:24 | |
like this muck, then... | 0:22:24 | 0:22:26 | |
Incredible amount of earthworms. It's all there, it's all goodness. | 0:22:26 | 0:22:30 | |
It's like the inside of David Bellamy's beard. | 0:22:30 | 0:22:32 | |
It is, though. It stinks. | 0:22:34 | 0:22:36 | |
'Traditional farming works in harmony with nature, | 0:22:38 | 0:22:40 | |
'keeping the soil rich and the wildlife diverse | 0:22:40 | 0:22:43 | |
'whilst helping to protect the land from floods and storms.' | 0:22:43 | 0:22:47 | |
Come, boys, walk on. | 0:22:47 | 0:22:48 | |
Go on. Go on, boys. | 0:22:48 | 0:22:51 | |
-I see now Tom is taking up the load. -Go on, lads. | 0:22:51 | 0:22:54 | |
Good lads, go on. | 0:22:54 | 0:22:57 | |
Of course the field's wet, so it's not easy. | 0:22:57 | 0:22:59 | |
No, it does make it a lot harder work for them. | 0:22:59 | 0:23:02 | |
Good lads, come on. | 0:23:05 | 0:23:06 | |
Good lads. | 0:23:10 | 0:23:12 | |
Come on. | 0:23:12 | 0:23:14 | |
Good lads. Good lads. | 0:23:17 | 0:23:18 | |
So that's how you spread muck, 18th-century fashion. | 0:23:24 | 0:23:27 | |
Exactly. | 0:23:27 | 0:23:29 | |
'Back on site, and the builders are working hard | 0:23:33 | 0:23:36 | |
'to repair the original brass windows. | 0:23:36 | 0:23:38 | |
'And there's a lot of them.' | 0:23:40 | 0:23:42 | |
So, how many windows have you had to do? | 0:23:42 | 0:23:44 | |
We've done 650 up to now. | 0:23:44 | 0:23:46 | |
And how many have you got to go? | 0:23:46 | 0:23:49 | |
Another 300-odd. There's about 900... | 0:23:49 | 0:23:52 | |
I think there's 914 in total. | 0:23:52 | 0:23:54 | |
-Blooming heck. -And 14,000 panes of glass, | 0:23:54 | 0:23:57 | |
or quarries as they're called. | 0:23:57 | 0:23:59 | |
On commissioning the castle, | 0:23:59 | 0:24:01 | |
Julius Drewe demanded that no window sills were fitted, | 0:24:01 | 0:24:04 | |
but that meant there was no protection | 0:24:04 | 0:24:06 | |
from the fierce Dartmoor elements, | 0:24:06 | 0:24:08 | |
so rainwater ran down the walls. | 0:24:08 | 0:24:11 | |
Were the windows really leaking? | 0:24:11 | 0:24:13 | |
Yes. And falling out, blowing out on the high winds, | 0:24:13 | 0:24:17 | |
-the pressure from the inside and outside. -Really? | 0:24:17 | 0:24:19 | |
They would actually blow them out, take them out. | 0:24:19 | 0:24:21 | |
'The only things that are new | 0:24:23 | 0:24:24 | |
'are the lead cames in the windows and the putty to fit the glass.' | 0:24:24 | 0:24:27 | |
So would this be the specific window that has come out of this hole? | 0:24:28 | 0:24:32 | |
Yes, they're all on our database. Every one is photographed, | 0:24:32 | 0:24:35 | |
so we've got literally thousands and thousands | 0:24:35 | 0:24:37 | |
of photographs of different stages. | 0:24:37 | 0:24:40 | |
So we've got lead plugs with a hole in it, | 0:24:40 | 0:24:42 | |
ready for the screw to go in. | 0:24:42 | 0:24:44 | |
-Lead. -It's lead, which has got its advantages | 0:24:44 | 0:24:47 | |
because it doesn't deteriorate. | 0:24:47 | 0:24:49 | |
So the screw goes in and out the same. | 0:24:49 | 0:24:51 | |
You know, it's beautiful to work with. | 0:24:51 | 0:24:53 | |
-So, here we go, if I hold it in... -Original screws. | 0:24:53 | 0:24:56 | |
Put that screw into there. | 0:24:56 | 0:24:58 | |
Grab that screwdriver. | 0:24:58 | 0:24:59 | |
-Right. -Just screw it in till you feel a bit of tension, basically, | 0:24:59 | 0:25:03 | |
till it's screwed fully in. | 0:25:03 | 0:25:05 | |
It is going in nice and easy. | 0:25:06 | 0:25:07 | |
'The screws are in, and a specialist company will seal it later. | 0:25:08 | 0:25:12 | |
'A fully leak-proof window. | 0:25:12 | 0:25:14 | |
'And this builder isn't just good at fitting windows - | 0:25:14 | 0:25:17 | |
'he has a passion that's very close to my heart.' | 0:25:17 | 0:25:20 | |
I don't know if you'll enjoy it or not, but I made you a cake. | 0:25:21 | 0:25:25 | |
Unfortunately we've already eaten some of it. | 0:25:25 | 0:25:27 | |
There you go. | 0:25:27 | 0:25:29 | |
-Did you bake this? -I certainly did. | 0:25:29 | 0:25:31 | |
Smells great. | 0:25:31 | 0:25:33 | |
You've caramelised your pecans. | 0:25:33 | 0:25:35 | |
-I certainly did. -Can I have a slice? -Maple syrup. -What a treat. | 0:25:35 | 0:25:38 | |
-That's beautiful. It's really moist. -You've got to try a pecan. | 0:25:41 | 0:25:44 | |
Lovely. | 0:25:46 | 0:25:48 | |
Who'd have thought it? | 0:25:50 | 0:25:52 | |
Drogo Castle, have a go at the roof, a bit of waterproofing, | 0:25:52 | 0:25:56 | |
fit a window and you get a nice bit of cake. | 0:25:56 | 0:26:00 | |
It's not a bad life, being a builder. | 0:26:00 | 0:26:02 | |
TRADITIONAL MUSIC | 0:26:04 | 0:26:05 | |
'It's the end of a hard day | 0:26:07 | 0:26:09 | |
'and I want to bring some entertainment to the castle. | 0:26:09 | 0:26:13 | |
'Unfortunately, the Royal Ballet weren't available.' | 0:26:17 | 0:26:20 | |
Morris dancing - there's a thing. | 0:26:25 | 0:26:27 | |
Why did people Morris dance? | 0:26:27 | 0:26:29 | |
-Money. -Money, busking. -Really? -Yes, it was a form of busking. | 0:26:29 | 0:26:32 | |
You could earn a fair few if you went out into a town | 0:26:32 | 0:26:35 | |
and did a bit of Morris dancing. | 0:26:35 | 0:26:37 | |
People would just give you a couple of coins. | 0:26:37 | 0:26:40 | |
All right. I gather that with Morris dancing, ale is a very big part. | 0:26:40 | 0:26:44 | |
Yes. Yes. | 0:26:46 | 0:26:49 | |
So in the convention of the Morris dancing group, | 0:26:49 | 0:26:51 | |
I noticed they were calling you squire. | 0:26:51 | 0:26:54 | |
-Yes. And are you the fool? -Yes. | 0:26:54 | 0:26:56 | |
-I'm not being disrespectful. -No, it's all right. | 0:26:56 | 0:26:58 | |
No, no, that's a great deal of respect. | 0:26:58 | 0:27:02 | |
-Thank you. -That's all right. | 0:27:02 | 0:27:04 | |
'I'm not sure why they're all laughing - it's their turn next.' | 0:27:13 | 0:27:17 | |
Keep me right. Go on, aye. | 0:27:27 | 0:27:29 | |
-Hey! -Hey! | 0:27:33 | 0:27:34 | |
Buildings don't need to be ancient to be intriguing. | 0:27:39 | 0:27:43 | |
Drogo is the most modern castle in Britain, | 0:27:43 | 0:27:46 | |
and I'll never forget its double identity. | 0:27:46 | 0:27:48 | |
Norman on the outside, Edwardian on the inside, | 0:27:48 | 0:27:52 | |
set in one of the most haunting and lively places in the country. | 0:27:52 | 0:27:56 | |
ALL CHEER | 0:27:56 | 0:27:58 | |
'Next time on Hairy Builder, I'm at Clifton Cathedral in Bristol... | 0:28:00 | 0:28:04 | |
'..where I'll be ripping off the roof...' | 0:28:06 | 0:28:08 | |
There's acres and acres of it. | 0:28:08 | 0:28:10 | |
'..thumping out some tunes...' | 0:28:11 | 0:28:13 | |
Two, three, four. | 0:28:13 | 0:28:15 | |
THEY PLAY "Do-Re-Mi" | 0:28:15 | 0:28:17 | |
'..and finding out more about Bristol's rich engineering heritage.' | 0:28:20 | 0:28:24 | |
Oh, this is high. It's not like this making pies, you know. | 0:28:24 | 0:28:27 |