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It's 100 years since the first pioneering women | 0:00:03 | 0:00:06 | |
joined the British Armed Forces. | 0:00:06 | 0:00:07 | |
Today, women serve alongside men, | 0:00:10 | 0:00:12 | |
together in combat, on the front line. | 0:00:12 | 0:00:15 | |
If you can do it and you want to do it, you should be able to. | 0:00:16 | 0:00:19 | |
To see how much things have changed... | 0:00:19 | 0:00:21 | |
-Love it! -How do I look? | 0:00:21 | 0:00:23 | |
..five well-known faces revisit either their own... | 0:00:23 | 0:00:26 | |
-Morning, ma'am, I'm the captain of... -You called me ma'am, how sweet! | 0:00:26 | 0:00:29 | |
..or a family member's military past. | 0:00:29 | 0:00:32 | |
They just got stuck in. | 0:00:32 | 0:00:35 | |
It was exciting. | 0:00:35 | 0:00:37 | |
Always intense. | 0:00:37 | 0:00:38 | |
From defending land... | 0:00:40 | 0:00:41 | |
-..sea... -I don't want to go that way. | 0:00:43 | 0:00:45 | |
..and air, these are the extraordinary stories of a century | 0:00:45 | 0:00:49 | |
of women at war. | 0:00:49 | 0:00:51 | |
Today, 52 years after joining the Women's Royal Air Force, | 0:00:57 | 0:01:01 | |
poet and entertainer Pam Ayres discovers if she's still got | 0:01:01 | 0:01:04 | |
the skills to tackle aerial intelligence... | 0:01:04 | 0:01:08 | |
Why do I feel a sense of creeping dread, Mike? | 0:01:08 | 0:01:10 | |
..as she revisits a career that took her to the Far East | 0:01:12 | 0:01:15 | |
and ignited her passion for performing. | 0:01:15 | 0:01:17 | |
Oh, my! | 0:01:17 | 0:01:18 | |
Pam will meet one of the first women to fly a military plane... | 0:01:18 | 0:01:22 | |
I flew all single-seater fighters and what they called light twins. | 0:01:22 | 0:01:27 | |
What was your favourite aircraft to fly? | 0:01:29 | 0:01:31 | |
Oh, the Spit, obviously. | 0:01:31 | 0:01:33 | |
..and see how much has changed for those serving today... | 0:01:33 | 0:01:36 | |
I just think if you can do it and you want to do it, | 0:01:37 | 0:01:40 | |
you should be able to. | 0:01:40 | 0:01:41 | |
..before experiencing first-hand the thrill and the fear | 0:01:41 | 0:01:45 | |
faced by the aircrew who take to the skies. | 0:01:45 | 0:01:48 | |
I'm not as brave as I used to be. | 0:01:48 | 0:01:50 | |
I used to be bold, I was up for anything, | 0:01:50 | 0:01:53 | |
and now I'm a bit more cautious. | 0:01:53 | 0:01:56 | |
What if it all goes wrong? | 0:01:56 | 0:01:57 | |
It was 1975 when opportunity knocked on the door of comic poet Pam Ayres. | 0:02:04 | 0:02:09 | |
Her witty prose and songs struck a chord with the nation | 0:02:09 | 0:02:12 | |
and she was catapulted into the world of showbiz. | 0:02:12 | 0:02:14 | |
# Like a Cheshire cat I'm good with a grin. # | 0:02:17 | 0:02:20 | |
But before Pam discovered the career that made her a household name, | 0:02:21 | 0:02:25 | |
she served for four years in the Women's Royal Air Force | 0:02:25 | 0:02:28 | |
in the late 1960s. | 0:02:28 | 0:02:31 | |
Lie down and rolly over. | 0:02:31 | 0:02:33 | |
Good dog! Good doggie, yeah! What a star! | 0:02:33 | 0:02:36 | |
Now, regular walks with her dog around the airstrip at a disused RAF base | 0:02:38 | 0:02:42 | |
near her home offers time to reflect on the force in which she served. | 0:02:42 | 0:02:46 | |
Well, without sounding melodramatic, | 0:02:48 | 0:02:50 | |
I feel the weight of the sadness of this place when I'm here | 0:02:50 | 0:02:54 | |
that so many young men in the prime of life went down these runways | 0:02:54 | 0:02:58 | |
and never came back. That's what I feel. | 0:02:58 | 0:03:00 | |
But I like being here as well because I was in the WRAF | 0:03:00 | 0:03:03 | |
and it reminds me of happy times that I had as well. | 0:03:03 | 0:03:07 | |
When I was in Singapore, | 0:03:07 | 0:03:08 | |
I used to have to ride my bike every morning over to work and, | 0:03:08 | 0:03:13 | |
I don't know, I just sort of like runways. | 0:03:13 | 0:03:15 | |
It's lovely and fresh and there's a great big sky and it's a soothing | 0:03:15 | 0:03:20 | |
sort of place. I've got a very happy dog when I'm here as well. | 0:03:20 | 0:03:25 | |
Lots of things to sniff. | 0:03:25 | 0:03:26 | |
Pam was born just after the Second World War | 0:03:29 | 0:03:32 | |
and was the youngest of six children. | 0:03:32 | 0:03:35 | |
During the war, her father served in the Grenadier Guards, but like many, | 0:03:35 | 0:03:39 | |
he rarely spoke of his experiences, which included fighting at one of | 0:03:39 | 0:03:44 | |
the conflict's most decisive battles. | 0:03:44 | 0:03:46 | |
He was always very proud of the Grenadier Guards. | 0:03:46 | 0:03:49 | |
Whenever he saw them on the telly when he was older, | 0:03:49 | 0:03:51 | |
he'd say, "Oh, there's some smart old boys, | 0:03:51 | 0:03:53 | |
"look at them smart old boys." | 0:03:53 | 0:03:55 | |
But he didn't actually go into much detail about what he did. | 0:03:56 | 0:04:00 | |
I know he was at the Falaise Gap. | 0:04:00 | 0:04:02 | |
I know he said the stench was terrible | 0:04:02 | 0:04:04 | |
because they were trapped there, weren't they? | 0:04:04 | 0:04:06 | |
Horses and men and there was a great deal of death there | 0:04:06 | 0:04:10 | |
and Dad said you had to hold your breath there. | 0:04:10 | 0:04:12 | |
He just said little things like that that made you think the experiences | 0:04:12 | 0:04:15 | |
had been ghastly. | 0:04:15 | 0:04:17 | |
It was during the 1950s, when Pam watched her brothers leave for | 0:04:18 | 0:04:22 | |
National Service, that her eyes were first opened to the positive | 0:04:22 | 0:04:26 | |
opportunities that came with a life in the military. | 0:04:26 | 0:04:29 | |
They got a lot out of it. | 0:04:29 | 0:04:31 | |
They travelled at no cost to themselves, | 0:04:31 | 0:04:32 | |
they made a lot of friends, they had good experiences. | 0:04:32 | 0:04:35 | |
They'd go off looking like my brothers and they would come back | 0:04:35 | 0:04:38 | |
carrying a kitbag with a shaven head. | 0:04:38 | 0:04:40 | |
I waited until the contents of the kitbag were unpacked because they | 0:04:40 | 0:04:43 | |
always brought you a present, you know? | 0:04:43 | 0:04:45 | |
They were like something from paradise, really, | 0:04:45 | 0:04:49 | |
they were so exotic. | 0:04:49 | 0:04:50 | |
Exotic as it was, it seemed off-limits to girls. | 0:04:50 | 0:04:55 | |
It was just something that the boys did, you know, | 0:04:55 | 0:04:57 | |
all the men went off and did National Service. | 0:04:57 | 0:04:59 | |
I didn't ever think about doing something like that myself | 0:04:59 | 0:05:02 | |
until I was considerably older | 0:05:02 | 0:05:05 | |
and bored out of my skull with the job I was doing. | 0:05:05 | 0:05:08 | |
Luckily, times were changing. | 0:05:10 | 0:05:13 | |
When the '60s hit, | 0:05:13 | 0:05:14 | |
so did the liberation of women from domestic life. | 0:05:14 | 0:05:17 | |
And like many girls of her generation, Pam was ready to grab | 0:05:17 | 0:05:21 | |
any opportunity on offer with both hands. | 0:05:21 | 0:05:24 | |
One day I saw an advert for the Women's Royal Air Force. | 0:05:24 | 0:05:28 | |
And it was very persuasive and it said, you know, "Life of excitement, | 0:05:28 | 0:05:33 | |
"join the Women's Royal Air Force." | 0:05:33 | 0:05:34 | |
I hoped for cheap travel, well, free travel, let's not mince words, | 0:05:34 | 0:05:39 | |
and I hoped to see the world and meet different people | 0:05:39 | 0:05:44 | |
and break out and do the things that young people wanted to do. | 0:05:44 | 0:05:48 | |
At the age of 18, Pam visited the local RAF recruitment office | 0:05:50 | 0:05:54 | |
and was swiftly accepted for the Women's Royal Air Force. | 0:05:54 | 0:05:57 | |
My dad was horrified when I talked to him about it. | 0:05:59 | 0:06:03 | |
Mum was lovely. She said, "You do what you want, my gal," she said, | 0:06:03 | 0:06:06 | |
because she would always let you do what you wanted to do. | 0:06:06 | 0:06:10 | |
But my dad was horrified. | 0:06:10 | 0:06:12 | |
My dad said, "You'll be throwing away the best years of your life." | 0:06:12 | 0:06:16 | |
I'll never forget what he said. | 0:06:16 | 0:06:19 | |
But anyway, they didn't feel like the best years of my life, they didn't. | 0:06:19 | 0:06:23 | |
As it did for Pam, the military offered a gateway into a life | 0:06:26 | 0:06:29 | |
of adventure and real purpose for many young women. | 0:06:29 | 0:06:32 | |
But over the years, not every parent | 0:06:32 | 0:06:34 | |
has shared their daughter's enthusiasm for joining up. | 0:06:34 | 0:06:37 | |
My father was absolutely livid. | 0:06:42 | 0:06:46 | |
I won't tell you what he said but he was very angry. | 0:06:46 | 0:06:50 | |
It took him a while to speak to me after that. | 0:06:50 | 0:06:51 | |
My father was in the First World War | 0:06:51 | 0:06:55 | |
and he understood perfectly why I wanted to join up. | 0:06:55 | 0:06:59 | |
They didn't want me to be a balloon operator | 0:06:59 | 0:07:01 | |
because they thought that you needed muscles | 0:07:01 | 0:07:03 | |
and they didn't want their daughter with big muscles. | 0:07:03 | 0:07:07 | |
I won't tell you what exactly my father said | 0:07:07 | 0:07:10 | |
because it was probably quite rude. | 0:07:10 | 0:07:12 | |
But the others were fine, because my stepmother was in the WAAF | 0:07:12 | 0:07:16 | |
during the Second World War as well. | 0:07:16 | 0:07:18 | |
Initially my parents were a little bit concerned, | 0:07:18 | 0:07:21 | |
but fully supportive all the way through my career. | 0:07:21 | 0:07:24 | |
I wouldn't have been where I am now if it wasn't for their support. | 0:07:24 | 0:07:27 | |
Against the backdrop of the Cold War, | 0:07:30 | 0:07:33 | |
Pam joined the Women's Royal Air Force in 1965, | 0:07:33 | 0:07:37 | |
a time when Britain's military were involved in conflicts | 0:07:37 | 0:07:39 | |
and decolonisation throughout Africa and Asia. | 0:07:39 | 0:07:43 | |
But before Pam could play her part, | 0:07:43 | 0:07:45 | |
she had to get through basic training. | 0:07:45 | 0:07:47 | |
When I joined, you had six weeks stomping around RAF Spitalgate | 0:07:50 | 0:07:54 | |
and being shouted at because you hadn't laid out your clothes | 0:07:54 | 0:07:58 | |
properly on the bed and put your belt here | 0:07:58 | 0:08:00 | |
and, oh, I don't know, it seemed like nonsense to me. | 0:08:00 | 0:08:03 | |
So I was a bit appalled by the power they had over you and how they could | 0:08:03 | 0:08:07 | |
make your life even more miserable than it was. | 0:08:07 | 0:08:09 | |
Then this woman came in with this | 0:08:09 | 0:08:12 | |
awful pair of black, lace-up, | 0:08:12 | 0:08:15 | |
austere, ugly shoes and she said, | 0:08:15 | 0:08:18 | |
"Now I'm going to show you how to clean your shoes in the way that | 0:08:18 | 0:08:21 | |
"they have to be cleaned." And she hoiked up a great gob of spit | 0:08:21 | 0:08:26 | |
and spat at the shoe and then she got a dollop of polish on the cloth | 0:08:26 | 0:08:31 | |
and went round and round in little circles and she did it | 0:08:31 | 0:08:35 | |
for a long time until it came up to this mirror-like shine | 0:08:35 | 0:08:38 | |
and she showed us and said, | 0:08:38 | 0:08:39 | |
"All right, that's what I want you to do all over your shoes - | 0:08:39 | 0:08:42 | |
"the whole of the shoe has to look like this." | 0:08:42 | 0:08:44 | |
My jaw dropped and I thought, why? | 0:08:44 | 0:08:48 | |
Pam survived her basic training | 0:08:50 | 0:08:52 | |
and went on to specialise in aerial intelligence. | 0:08:52 | 0:08:55 | |
Her job was to analyse and plot the photographs taken by | 0:08:55 | 0:08:58 | |
RAF surveillance planes. | 0:08:58 | 0:09:00 | |
You would have to identify where it was and the scale of it. | 0:09:02 | 0:09:07 | |
That was very hard. | 0:09:09 | 0:09:10 | |
Pam was known as a plotter. The base where she trained | 0:09:11 | 0:09:14 | |
is no longer operational, so she's on her way to | 0:09:14 | 0:09:17 | |
RAF Marham in Norfolk to see how | 0:09:17 | 0:09:20 | |
the role she didn't always relish has changed. | 0:09:20 | 0:09:23 | |
I'm not particularly looking forward to seeing all that equipment again | 0:09:23 | 0:09:28 | |
and all that stuff that made me so miserable. | 0:09:28 | 0:09:31 | |
I dare say it will be much more modern now but oh, God, I hated it. | 0:09:31 | 0:09:35 | |
Marham is home to the RAF's Tornado GR4 Force and one of | 0:09:36 | 0:09:41 | |
the intelligence, surveillance and reconnaissance wings. | 0:09:41 | 0:09:45 | |
Before Pam gets down to business, | 0:09:45 | 0:09:47 | |
a Flight Lieutenant at the base wants to show her the type of plane | 0:09:47 | 0:09:50 | |
that was crucial to the work she did during her time in the forces. | 0:09:50 | 0:09:55 | |
This is the Canberra. This is in the photographic role, | 0:09:55 | 0:09:57 | |
the PR9, and the bomb bay under there with the camera pods. | 0:09:57 | 0:10:00 | |
With all the cameras mounted. | 0:10:00 | 0:10:02 | |
When I went to Bassingbourn to do the course to become a plotter, | 0:10:02 | 0:10:06 | |
I was thrilled to bits because there were Canberra aircraft, | 0:10:06 | 0:10:09 | |
they were going over all the time, | 0:10:09 | 0:10:11 | |
they were going around on exciting curves and the noise and the pilots, | 0:10:11 | 0:10:16 | |
it felt like the real thing. | 0:10:16 | 0:10:17 | |
-Proper Air Force? -Yeah, absolutely, yeah, the proper Air Force. | 0:10:17 | 0:10:20 | |
That's how it felt. | 0:10:20 | 0:10:22 | |
But it was a time when women were limited to ground-support roles, | 0:10:22 | 0:10:26 | |
and this is the first time Pam has been up close to the aircraft | 0:10:26 | 0:10:29 | |
that produced the photographs she plotted. | 0:10:29 | 0:10:32 | |
Can you show me where the cameras were mounted, please? | 0:10:32 | 0:10:34 | |
Yes, literally they were down just at the back here. | 0:10:34 | 0:10:37 | |
Where exactly were they? | 0:10:37 | 0:10:38 | |
-OK, the cameras were mounted in here in this bay here. -Yeah. | 0:10:38 | 0:10:41 | |
And effectively, you've got the different aperture entrance here. | 0:10:41 | 0:10:45 | |
Oh, I see, so there was a camera on every facet, was there? | 0:10:45 | 0:10:48 | |
I'm not quite sure how the cameras worked | 0:10:48 | 0:10:50 | |
but you could go to the oblique shot | 0:10:50 | 0:10:52 | |
this way or vertical. | 0:10:52 | 0:10:54 | |
Yeah, I see. | 0:10:54 | 0:10:55 | |
This is where it all started then, and they ended up with me! | 0:10:55 | 0:10:59 | |
LAUGHTER | 0:10:59 | 0:11:01 | |
-NEWS ARCHIVE: -Pilots are off on a photographic reconnaissance raid over Germany. | 0:11:01 | 0:11:08 | |
If you flew with them as a photographer, | 0:11:08 | 0:11:10 | |
these are the sort of shots you would get. | 0:11:10 | 0:11:11 | |
Women have played a significant role in interpreting aerial intelligence | 0:11:12 | 0:11:16 | |
since they were first recruited during World War I. | 0:11:16 | 0:11:19 | |
Alongside the men, their work provided key turning points | 0:11:21 | 0:11:24 | |
in the outcome of both world wars. | 0:11:24 | 0:11:26 | |
Assisting the so-called "spies in the sky", | 0:11:28 | 0:11:31 | |
they were able to research locations, | 0:11:31 | 0:11:33 | |
spot targets and track enemy movements. | 0:11:33 | 0:11:36 | |
And in 1944, the intelligence gathered was crucial to the success | 0:11:37 | 0:11:42 | |
of Operation Crossbow. | 0:11:42 | 0:11:44 | |
It provided Allied forces with the details needed to carry out accurate | 0:11:44 | 0:11:47 | |
bombing of German missile bases, saving countless British lives. | 0:11:47 | 0:11:52 | |
Retired RAF Wing Commander Mike Mockford | 0:11:54 | 0:11:58 | |
plotted air photography from 1952 to 1989 | 0:11:58 | 0:12:02 | |
and was responsible for training service men and women like Pam. | 0:12:02 | 0:12:06 | |
These stereoscopes, which you have produced, | 0:12:06 | 0:12:09 | |
are entirely familiar to me because I used to use these | 0:12:09 | 0:12:12 | |
when I was a plotter, but the amazing thing and rather daunting | 0:12:12 | 0:12:16 | |
thing is that they are now a museum piece. | 0:12:16 | 0:12:18 | |
They are, very much, yes. | 0:12:18 | 0:12:20 | |
I remember the first time I looked down through one of those, | 0:12:20 | 0:12:23 | |
it took my breath away. | 0:12:23 | 0:12:24 | |
-Yeah. -And it's such a simple-looking device. -It is. | 0:12:24 | 0:12:28 | |
That goes back to World War I, that's called a Type D. | 0:12:28 | 0:12:31 | |
-Right. -That was invented by a man called Hamshaw-Thomas in 1916 in Palestine. | 0:12:31 | 0:12:37 | |
-Gosh! -I thought you might like to try some. | 0:12:37 | 0:12:40 | |
-Oh, the thing was, I couldn't do it, Mike. -Couldn't you? | 0:12:40 | 0:12:42 | |
-I was so hopeless. -Oh, was you? | 0:12:42 | 0:12:44 | |
I was hopeless as a plotter. | 0:12:44 | 0:12:45 | |
I should never have been anywhere near that drawing office. | 0:12:45 | 0:12:49 | |
The only reason I was in a drawing office | 0:12:49 | 0:12:51 | |
was because I went into the recruiting office in Reading | 0:12:51 | 0:12:54 | |
and the Sergeant, Sergeant Cooper, | 0:12:54 | 0:12:56 | |
who I've been looking for ever since with a bread knife... | 0:12:56 | 0:12:58 | |
-Yes! -..said to me, "What do you like doing?" he said. | 0:12:58 | 0:13:02 | |
I said, "I like drawing." | 0:13:02 | 0:13:03 | |
He said, "With your test results, | 0:13:03 | 0:13:05 | |
"you could work in a drawing office" and I was so naive, | 0:13:05 | 0:13:08 | |
I didn't realise there was such a vast difference between this sort of | 0:13:08 | 0:13:11 | |
drawing and drawing a nice picture of a field with cows and trees. | 0:13:11 | 0:13:14 | |
-Well, it really isn't that difficult. -Isn't it? | 0:13:14 | 0:13:18 | |
I've brought a plotting square along and I thought you might like to have | 0:13:18 | 0:13:23 | |
-a little look at a plot. -Right. | 0:13:23 | 0:13:25 | |
Why do I feel a sense of creeping dread, Mike? | 0:13:25 | 0:13:28 | |
Well, there's a map of Singapore. | 0:13:29 | 0:13:31 | |
Oh, Singapore, of course, yeah. | 0:13:31 | 0:13:33 | |
Remember Singapore? You may remember in the good old days, | 0:13:33 | 0:13:37 | |
-you would have had a plotting square. -Yeah. | 0:13:37 | 0:13:39 | |
And you had to match the square to the photograph. | 0:13:39 | 0:13:42 | |
-Yes. -You had to find... | 0:13:42 | 0:13:44 | |
-Where the photograph was. -Well, there's a bit of... | 0:13:44 | 0:13:47 | |
Yeah, that's right. That little knobbly bit there | 0:13:47 | 0:13:49 | |
-is probably that little knobbly bit there. -That's right. | 0:13:49 | 0:13:52 | |
It's about a quarter of the way down. I'll shuffle it round a bit. | 0:13:52 | 0:13:56 | |
When you hear a gasp, you'll know I've got it. | 0:13:57 | 0:13:59 | |
Oh, yeah, OK, I got it. | 0:14:00 | 0:14:02 | |
Oh, I've got it, I've got it. | 0:14:02 | 0:14:04 | |
Oh, look. | 0:14:04 | 0:14:06 | |
You're looking at the Singapore waterfront. | 0:14:06 | 0:14:08 | |
-Yeah, I am. Boogie Street and all that, Mike. -That's it, yeah. | 0:14:08 | 0:14:11 | |
Yeah, I can still do it after all these years. | 0:14:11 | 0:14:14 | |
So, you haven't lost the touch? | 0:14:14 | 0:14:15 | |
I haven't lost my touch. | 0:14:15 | 0:14:16 | |
-They're recruiting. -LAUGHTER | 0:14:16 | 0:14:20 | |
Do you think an old bird like me'd get in? | 0:14:20 | 0:14:22 | |
-I don't think so. -Probably same problem I've got! | 0:14:22 | 0:14:24 | |
Two years into her military career, | 0:14:26 | 0:14:29 | |
Pam was posted to Singapore, where she plotted photographs of | 0:14:29 | 0:14:32 | |
the thousands of miles of jungle in Malaysia and Indonesia. | 0:14:32 | 0:14:37 | |
The data collected allowed the RAF to closely monitor communist forces | 0:14:37 | 0:14:42 | |
that were active in the region. | 0:14:42 | 0:14:44 | |
I think lots of people probably never appreciated how much | 0:14:44 | 0:14:47 | |
plotting air photography was just a part of a very important operation. | 0:14:47 | 0:14:52 | |
That's what you were doing. Very important, | 0:14:52 | 0:14:55 | |
it's a key part of the reconnaissance cycle, if you like, | 0:14:55 | 0:14:58 | |
and that was true for there or for JARIC UK, | 0:14:58 | 0:15:01 | |
where you were doing the same thing on a worldwide basis. | 0:15:01 | 0:15:05 | |
You were helping to record and catalogue and retain for future use | 0:15:05 | 0:15:10 | |
the photography that was being flown. | 0:15:10 | 0:15:13 | |
I feel much better about my contribution now, I do, yes. | 0:15:13 | 0:15:17 | |
It's a very important part of it. | 0:15:17 | 0:15:19 | |
-It's sort of reassuring to know that I was part of something that was... -Oh, you were. | 0:15:19 | 0:15:23 | |
-..doing something important. -Without a doubt, yes. | 0:15:23 | 0:15:26 | |
Everyone who worked at JARIC did a very important job, | 0:15:26 | 0:15:28 | |
even if they didn't know they did. | 0:15:28 | 0:15:30 | |
Oh, that's really nice. | 0:15:30 | 0:15:33 | |
52 years after joining the Women's Royal Air Force, | 0:15:33 | 0:15:36 | |
Mike has finally given Pam a sense of her own place | 0:15:36 | 0:15:39 | |
in the history of women in service. | 0:15:39 | 0:15:41 | |
I thought I was a real duffer who didn't contribute anything but Mike | 0:15:41 | 0:15:46 | |
was consoling about that and made me feel | 0:15:46 | 0:15:49 | |
perhaps that wasn't so much the case. | 0:15:49 | 0:15:51 | |
Maybe I did contribute something in my own way. | 0:15:51 | 0:15:55 | |
Since the 1960s, technology has improved the capabilities | 0:15:57 | 0:16:01 | |
of the RAF's intelligence teams. | 0:16:01 | 0:16:04 | |
-Red on. -Red on. -Green on. -Green on. | 0:16:04 | 0:16:07 | |
Right on, right up. | 0:16:07 | 0:16:09 | |
-Roger that. -Roger. | 0:16:09 | 0:16:11 | |
Today, analysts receive three-dimensional images | 0:16:11 | 0:16:14 | |
taken by remote-controlled aircraft within minutes of it being shot. | 0:16:14 | 0:16:18 | |
Like Pam, these women currently serving in the RAF | 0:16:20 | 0:16:23 | |
also trained at Brampton. | 0:16:23 | 0:16:25 | |
And Pam's keen to check out their footwear. | 0:16:27 | 0:16:29 | |
The first thing I'm going to observe is your shoes, | 0:16:30 | 0:16:33 | |
because they're very nice, elegant shoes. | 0:16:33 | 0:16:35 | |
When I was in the WRAF, we had to wear | 0:16:35 | 0:16:37 | |
these horrible, black, lace-up shoes and you flapped along in them | 0:16:37 | 0:16:41 | |
like Minnie Mouse and I absolutely hated them. | 0:16:41 | 0:16:43 | |
We get those ones as well. | 0:16:43 | 0:16:44 | |
Do you? Are they still around? | 0:16:44 | 0:16:46 | |
Yeah, but we also get these. | 0:16:46 | 0:16:48 | |
-They are nice. -A little bit more feminine. | 0:16:48 | 0:16:50 | |
You were at Brampton. | 0:16:50 | 0:16:52 | |
We've both been based at Brampton as well. | 0:16:52 | 0:16:54 | |
-Were you at Brampton at JARIC? -Yeah, yeah. -Yeah, I was. | 0:16:54 | 0:16:56 | |
They've knocked it down now? | 0:16:56 | 0:16:58 | |
They have, yes. | 0:16:58 | 0:16:59 | |
I was always hoping they'd put a blue plaque on it, saying, | 0:16:59 | 0:17:02 | |
"The terrific air photography plotter Pam Ayres worked here," | 0:17:02 | 0:17:06 | |
but sadly, not to be. | 0:17:06 | 0:17:09 | |
-It's probably very different to when you were here... -I'm sure. | 0:17:09 | 0:17:12 | |
-I hope it is. -..and there's a lot of different jobs that we can do now | 0:17:12 | 0:17:15 | |
and they're all very interesting. I think it does use your skills that | 0:17:15 | 0:17:19 | |
you're trained to do, yeah. | 0:17:19 | 0:17:20 | |
When I joined, it was the Women's Royal Air Force, | 0:17:20 | 0:17:23 | |
which of course it's not today, | 0:17:23 | 0:17:24 | |
is it just the RAF and it doesn't matter what gender you are? | 0:17:24 | 0:17:28 | |
Yeah, exactly that. | 0:17:28 | 0:17:30 | |
The only time you're separated is in your accommodation, that's it, | 0:17:30 | 0:17:33 | |
so obviously the females are in a different block to all the males | 0:17:33 | 0:17:36 | |
but other than that, you do all your training together. | 0:17:36 | 0:17:39 | |
Do you? When you trained, when you first joined up, | 0:17:39 | 0:17:43 | |
did you have to go and march around on parade squares and suchlike? | 0:17:43 | 0:17:46 | |
-Yeah. -Yeah. -Yeah, with the boys as well. | 0:17:46 | 0:17:48 | |
-With the boys? -Yeah, yeah. | 0:17:48 | 0:17:49 | |
We did everything together. | 0:17:49 | 0:17:51 | |
I'm not being nasty, but didn't it look a bit odd? | 0:17:51 | 0:17:54 | |
If you've got a big tall man | 0:17:54 | 0:17:55 | |
and then a petite lady, does that matter? | 0:17:55 | 0:17:58 | |
-They kind of size you off. -Oh, do they? -Yeah. | 0:17:58 | 0:18:00 | |
-You're graded according to size? -I'm always the smallest! | 0:18:00 | 0:18:04 | |
These analysts are two of almost 5,000 women | 0:18:07 | 0:18:10 | |
serving in the RAF today, | 0:18:10 | 0:18:12 | |
each one tasked with a vital defence role. | 0:18:12 | 0:18:16 | |
And like Pam, anyone serving in the intelligence arm of the force | 0:18:16 | 0:18:20 | |
has signed the Official Secrets Act. | 0:18:20 | 0:18:22 | |
So access to their work is strictly limited. | 0:18:22 | 0:18:25 | |
Now this all looks a little more sophisticated | 0:18:26 | 0:18:29 | |
than the kind of equipment I was dealing with in the '60s | 0:18:29 | 0:18:33 | |
when I had a pen and a bottle of etching ink | 0:18:33 | 0:18:36 | |
and a sheet of acetate, basically. | 0:18:36 | 0:18:38 | |
If I'd only had all this stuff. | 0:18:38 | 0:18:40 | |
Now, what's this? What are these for? They look really serious. | 0:18:40 | 0:18:43 | |
They will turn the imagery 3-D so you'll be able to see it in stereo. | 0:18:43 | 0:18:48 | |
Can I put these on? Does it matter which ones? | 0:18:48 | 0:18:50 | |
-No, no. -OK. Right. | 0:18:50 | 0:18:52 | |
Oh, wow, look at this. | 0:18:53 | 0:18:54 | |
You see, you feel as though you're in an aircraft. | 0:18:56 | 0:18:59 | |
You feel as though you're looking down out of an aircraft vertically | 0:18:59 | 0:19:03 | |
and the tops of the trees seem so close | 0:19:03 | 0:19:05 | |
and the aircraft seems so far away. | 0:19:05 | 0:19:09 | |
Now, I mean, this is all so much more sophisticated than | 0:19:09 | 0:19:11 | |
the work I was doing. | 0:19:11 | 0:19:12 | |
I was just trying to record what photography we had, | 0:19:12 | 0:19:15 | |
whereas you're looking to see what's in it, aren't you? | 0:19:15 | 0:19:20 | |
We're looking at an airfield here. | 0:19:20 | 0:19:22 | |
-Yeah. -And we could get asked a number of questions as to whether | 0:19:22 | 0:19:27 | |
the airfield is serviceable, as to what aircraft are at the airfield | 0:19:27 | 0:19:31 | |
and then we would just look around | 0:19:31 | 0:19:35 | |
the airfield to see if there was anything of note. | 0:19:35 | 0:19:38 | |
Today, the RAF are supporting missions in the Middle East, and in | 0:19:40 | 0:19:44 | |
recent years, they have provided aerial surveillance in Afghanistan, | 0:19:44 | 0:19:48 | |
Iraq and Libya. | 0:19:48 | 0:19:49 | |
This is so interesting for me, really. | 0:19:52 | 0:19:54 | |
There's something tremendously optimistic about it | 0:19:54 | 0:19:57 | |
because I'm enjoying looking at this. | 0:19:57 | 0:19:59 | |
I just like wearing glasses because I feel cool! | 0:19:59 | 0:20:01 | |
Today, every role in the RAF is open to women. | 0:20:04 | 0:20:08 | |
100 years ago, it was a very different picture. | 0:20:08 | 0:20:11 | |
It was only when the First World War intensified, and increasing numbers | 0:20:12 | 0:20:16 | |
of men were called to the front line, that women were recruited to | 0:20:16 | 0:20:19 | |
fill the jobs they vacated. | 0:20:19 | 0:20:21 | |
Women took to their roles with gusto and turned their hands to over 50 | 0:20:22 | 0:20:26 | |
trades, including welding, engineering and rigging aircraft. | 0:20:26 | 0:20:31 | |
When the country faced a second war, | 0:20:31 | 0:20:33 | |
the skills of women were called upon again. | 0:20:33 | 0:20:35 | |
Here's some WAAFs, look. | 0:20:36 | 0:20:38 | |
The farewell parade of the WAAF at Marham, 1941. | 0:20:38 | 0:20:43 | |
They look very much like I looked, really. | 0:20:43 | 0:20:45 | |
And here at RAF Marham, their contributions have been preserved. | 0:20:46 | 0:20:50 | |
I think it's absolutely marvellous that a place like this exists where | 0:20:52 | 0:20:56 | |
you can come in and you can be immersed in their lives, | 0:20:56 | 0:21:00 | |
in the lives of the women and indeed, of course, the men, | 0:21:00 | 0:21:03 | |
and just appreciate what previous generations went through to give us | 0:21:03 | 0:21:09 | |
the nice, safe life that we have. | 0:21:09 | 0:21:12 | |
I hope that they had good camaraderie and they enjoyed | 0:21:12 | 0:21:15 | |
each other's company. I'm sure they did, | 0:21:15 | 0:21:18 | |
I'm sure there was that great feeling of fellowship, | 0:21:18 | 0:21:20 | |
but they must have had such a hard and frightening time | 0:21:20 | 0:21:23 | |
because all around them, people were being killed. | 0:21:23 | 0:21:26 | |
All the young men they knew and their loved ones were being killed | 0:21:26 | 0:21:32 | |
and they must have always been in fear that their loved ones were not going to come home. | 0:21:32 | 0:21:36 | |
"You must hope on for a month but at the end of that time, you must | 0:22:01 | 0:22:05 | |
"accept the fact that I have handed my task over to the extremely | 0:22:05 | 0:22:09 | |
"capable hands of my comrades of the RAF, as so many splendid fellows | 0:22:09 | 0:22:15 | |
"have already done." | 0:22:15 | 0:22:16 | |
He didn't come home. | 0:22:21 | 0:22:22 | |
On 2nd September 1945, the Second World War finally ended. | 0:22:29 | 0:22:35 | |
Almost 400,000 British lives were lost, | 0:22:35 | 0:22:38 | |
but the legacy of their contribution lives on, | 0:22:38 | 0:22:41 | |
as will the memories and stories of the women who served. | 0:22:41 | 0:22:44 | |
The job we were doing, which definitely helped the defence | 0:22:49 | 0:22:53 | |
of the country, did make us feel we were trailblazers in a way. | 0:22:53 | 0:22:58 | |
We were very keen to be able to take action and win the war. | 0:23:00 | 0:23:06 | |
I feel lucky to have lived through that and I always am so, | 0:23:06 | 0:23:12 | |
so glad that I decided to do it, | 0:23:12 | 0:23:15 | |
because I wouldn't have been called up, the job I was doing, | 0:23:15 | 0:23:19 | |
so I've always been pleased that I did. | 0:23:19 | 0:23:23 | |
King George VI came down to Portsmouth | 0:23:23 | 0:23:27 | |
and there was a big march-past and... | 0:23:27 | 0:23:30 | |
..he thanked us all for our... | 0:23:32 | 0:23:34 | |
..dedication. | 0:23:36 | 0:23:38 | |
The wartime atmosphere was that you did your bit, | 0:23:38 | 0:23:41 | |
if you see what I mean, | 0:23:41 | 0:23:43 | |
and that's what you went in to do here. | 0:23:43 | 0:23:45 | |
Over 640,000 women served during the conflict, | 0:23:48 | 0:23:52 | |
every one of them paving the way for | 0:23:52 | 0:23:54 | |
the next generation of servicewomen like Pam. | 0:23:54 | 0:23:57 | |
She's on her way to meet Joy Lofthouse, | 0:23:58 | 0:24:00 | |
who played an astonishing part in the conflict. | 0:24:00 | 0:24:03 | |
-Hello. -Nice to meet you. -I'm so pleased to meet you. | 0:24:03 | 0:24:06 | |
It should be the other way about. | 0:24:06 | 0:24:08 | |
No, not at all. | 0:24:08 | 0:24:09 | |
I feel a complete fraud because I was in the air force | 0:24:09 | 0:24:13 | |
as an air photography plotter, | 0:24:13 | 0:24:16 | |
but you were the real McCoy, you were a pilot. | 0:24:16 | 0:24:20 | |
Throughout the war, women in the WAF were restricted from aircraft duty. | 0:24:20 | 0:24:24 | |
It was deemed unacceptable by the RAF. | 0:24:24 | 0:24:27 | |
But that changed, thanks in part to | 0:24:28 | 0:24:30 | |
the stand commercial pilot Pauline Gower made | 0:24:30 | 0:24:34 | |
when she formed the Air Transport Auxiliary. | 0:24:34 | 0:24:37 | |
Miss Pauline Gower, our Commandant, had a hard fight to wear down | 0:24:37 | 0:24:40 | |
the prejudices against women flying in wartime. | 0:24:40 | 0:24:43 | |
Joy was one of the women for whom Pauline paved the way. | 0:24:43 | 0:24:47 | |
What qualifications did you need to apply? | 0:24:47 | 0:24:50 | |
Well, they liked it very much that I'd been sporty. | 0:24:50 | 0:24:53 | |
-Oh, yes. -Because they knew that if you had been sporty, | 0:24:53 | 0:24:57 | |
you had good coordination. | 0:24:57 | 0:24:59 | |
So I applied and I got in. | 0:24:59 | 0:25:03 | |
Joy, could you tell us what the ATA was, actually, | 0:25:03 | 0:25:07 | |
and what was your role in it? | 0:25:07 | 0:25:09 | |
Well, it was called the Air Transport Auxiliary, all right? | 0:25:09 | 0:25:13 | |
-Yeah. -And we did all the non-operational flying | 0:25:13 | 0:25:17 | |
to allow the air force to do the operational work. | 0:25:17 | 0:25:22 | |
I flew all single-seater fighters and what they called light twins. | 0:25:22 | 0:25:27 | |
I wasn't allowed to fly anything fast like a Mosquito or anything, | 0:25:27 | 0:25:31 | |
but what you call light twins, | 0:25:31 | 0:25:34 | |
which is an Oxford and Anson and things like that. | 0:25:34 | 0:25:38 | |
What was your favourite aircraft to fly? | 0:25:38 | 0:25:40 | |
Oh, the Spit, obviously. | 0:25:40 | 0:25:41 | |
It was still in everyone's mind as having won the Battle of Britain. | 0:25:41 | 0:25:46 | |
Were they hard to fly? Are the controls difficult? | 0:25:48 | 0:25:51 | |
You only have to know the take-off speed and the landing speed, really. | 0:25:51 | 0:25:56 | |
-Really? -Yes. | 0:25:56 | 0:25:58 | |
And the cruising speed, if you like, because ATA had a very modest | 0:25:58 | 0:26:03 | |
cruising speed because we were trying to save petrol. | 0:26:03 | 0:26:07 | |
-Oh, I see. -Every gallon of petrol had to come cross the Atlantic | 0:26:07 | 0:26:10 | |
in those dreadful convoys. | 0:26:10 | 0:26:12 | |
U-boats were sinking them the whole time. | 0:26:12 | 0:26:15 | |
You seem very modest about what you did, Joy. | 0:26:15 | 0:26:19 | |
I'm sure most people would think you're absolutely heroic to go up | 0:26:19 | 0:26:23 | |
and deliver these aircraft on your own, | 0:26:23 | 0:26:25 | |
but you seem quite modest and self-effacing about it. | 0:26:25 | 0:26:29 | |
Well, all women did something and a lot of the women, you know, | 0:26:29 | 0:26:34 | |
in the Battle of Britain, they got bombed and everything, you know, | 0:26:34 | 0:26:38 | |
so it was dangerous just to be around. | 0:26:38 | 0:26:41 | |
I suppose so. | 0:26:41 | 0:26:42 | |
It didn't really matter if one was in a more or less dangerous job, | 0:26:42 | 0:26:47 | |
and you were young, nothing was ever going to happen to you! | 0:26:47 | 0:26:49 | |
-I know, you feel invincible then, don't you? -Absolutely. | 0:26:49 | 0:26:54 | |
Joy, do you think World War II gave opportunities to women that they | 0:26:54 | 0:26:57 | |
wouldn't otherwise have had? | 0:26:57 | 0:26:59 | |
It was the first foot in the door, if you like. | 0:26:59 | 0:27:01 | |
Yeah, I think it probably was. | 0:27:01 | 0:27:03 | |
It was probably the first foot in the door, otherwise it was back to | 0:27:03 | 0:27:06 | |
-the kitchen sink. -Yeah. | 0:27:06 | 0:27:08 | |
And what happened at the end of the war, Joy, what did you do? | 0:27:08 | 0:27:12 | |
Did you go on flying? | 0:27:12 | 0:27:13 | |
No. It was a wartime thing, and hard to believe it nowadays, | 0:27:13 | 0:27:19 | |
but if you weren't married by the time you were 30, | 0:27:19 | 0:27:22 | |
you were practically on the shelf. | 0:27:22 | 0:27:24 | |
Yeah, I know. | 0:27:24 | 0:27:26 | |
So, really, I think one thought, well, wartime was wartime. | 0:27:26 | 0:27:30 | |
It's time to marry and settle down. | 0:27:30 | 0:27:32 | |
-Oh, right. -Which most of us did. | 0:27:32 | 0:27:34 | |
Joy was one of only 166 females | 0:27:37 | 0:27:39 | |
in non-combat flying roles during the war. | 0:27:39 | 0:27:42 | |
Alongside their male colleagues, the ATA delivered | 0:27:43 | 0:27:47 | |
over 300,000 planes to airfields across the country. | 0:27:47 | 0:27:50 | |
What she did in the '40s and what women like her did | 0:27:52 | 0:27:57 | |
was to take on these ground-breaking jobs | 0:27:57 | 0:28:00 | |
and that began the process whereby today all those things | 0:28:00 | 0:28:03 | |
are now open to modern women, | 0:28:03 | 0:28:05 | |
and I think you can trace it back to women like Joy in her Spitfire. | 0:28:05 | 0:28:10 | |
The war ended, and with it, the ATA became redundant and was disbanded. | 0:28:14 | 0:28:18 | |
Some women did get to fly as volunteers for the WRAF after that, | 0:28:20 | 0:28:24 | |
but it wasn't until 1989 that the opportunity to fly military aircraft | 0:28:24 | 0:28:29 | |
was reopened to women. | 0:28:29 | 0:28:30 | |
And when Pam was in the WRAF in the 1960s, | 0:28:33 | 0:28:36 | |
the only flights servicewomen took | 0:28:36 | 0:28:38 | |
were as passengers to reach their postings overseas. | 0:28:38 | 0:28:41 | |
For Pam, that meant a flight to the Far East and Singapore. | 0:28:43 | 0:28:47 | |
Her prayers for excitement and new experiences were being answered. | 0:28:49 | 0:28:53 | |
And it was thanks, in part, | 0:28:53 | 0:28:55 | |
to a role she played outside of the plotting office. | 0:28:55 | 0:28:57 | |
Oh, my God! Oh, my! | 0:28:59 | 0:29:02 | |
This gives me a really strange feeling. | 0:29:04 | 0:29:06 | |
This theatre, or a theatre so much like this up the road at Brampton, | 0:29:06 | 0:29:11 | |
made such a massive difference to me. | 0:29:11 | 0:29:13 | |
This was a life-changer and, I don't say that lightly. | 0:29:13 | 0:29:17 | |
This theatre at RAF Henlow in Bedfordshire | 0:29:17 | 0:29:20 | |
is home to one of the force's many amateur dramatic groups. | 0:29:20 | 0:29:24 | |
Back in the late 1960s, | 0:29:25 | 0:29:27 | |
a curious Pam Ayres went to watch a rehearsal and was swiftly asked to | 0:29:27 | 0:29:31 | |
fill in for an absent cast member. | 0:29:31 | 0:29:34 | |
That night, a hidden talent was discovered. | 0:29:34 | 0:29:36 | |
Now, this is a play called Haul For The Shore | 0:29:36 | 0:29:41 | |
and it's written by Jean McConnell | 0:29:41 | 0:29:42 | |
and I'll just read you a little bit of it. | 0:29:42 | 0:29:44 | |
I mean, it ain't Shakespeare, it's a bit of fun, | 0:29:44 | 0:29:48 | |
it's a bit of light sort of froth and this is a bit from my part. | 0:29:48 | 0:29:52 | |
I played Polly. | 0:29:52 | 0:29:54 | |
We won't hear another word, uncle. | 0:29:54 | 0:29:56 | |
Mrs Trout may have her faults, but think how kind it was of her | 0:29:57 | 0:30:01 | |
to bring me them mushrooms. | 0:30:01 | 0:30:03 | |
Pam's delivery was perfect. | 0:30:03 | 0:30:06 | |
She was given the part and stole the show. | 0:30:06 | 0:30:09 | |
-I'm having 'em for breakfast. -LAUGHTER AND APPLAUSE | 0:30:09 | 0:30:12 | |
It was just magic. | 0:30:15 | 0:30:17 | |
I think because of my accent, | 0:30:17 | 0:30:18 | |
the audience responded very well to me and they laughed and laughed | 0:30:18 | 0:30:23 | |
and I was playing to the audience and I was in my element. | 0:30:23 | 0:30:26 | |
On the second night, which was for the officers, to my surprise, | 0:30:26 | 0:30:31 | |
I got shoved out on the stage right at the end | 0:30:31 | 0:30:33 | |
and the Air Squadron Leader | 0:30:33 | 0:30:34 | |
came out here and he said, "Ladies and gentlemen, | 0:30:34 | 0:30:37 | |
"I'd like you all to know that Miss Ayres stepped into the part | 0:30:37 | 0:30:41 | |
"at a mere ten days' notice | 0:30:41 | 0:30:43 | |
"and I think she deserves a jolly good round of applause." | 0:30:43 | 0:30:47 | |
Also in the audience was Pam's Group Captain, | 0:30:47 | 0:30:49 | |
who called her into his office later that week. | 0:30:49 | 0:30:52 | |
I went shuffling in and he got up and he said, | 0:30:52 | 0:30:57 | |
"I have never laughed so much in my whole life." | 0:30:57 | 0:31:01 | |
Then he said, "What's your ambition in the Air Force?" | 0:31:01 | 0:31:04 | |
I said, "I want to go to Singapore. | 0:31:04 | 0:31:06 | |
"That's what I'd love to do." | 0:31:06 | 0:31:08 | |
Now, cut forward a month, six weeks or so, | 0:31:08 | 0:31:13 | |
and I'm walking down the corridor and somebody says to me, | 0:31:13 | 0:31:16 | |
"Oh, here comes Seletar Jane." | 0:31:16 | 0:31:19 | |
I didn't know what they were talking about, because Seletar was the RAF station in Singapore. | 0:31:19 | 0:31:23 | |
I said, "What do you mean?" | 0:31:23 | 0:31:25 | |
He said, "You've got a posting." | 0:31:25 | 0:31:26 | |
Pam's ambition to travel with the force was finally being fulfilled. | 0:31:27 | 0:31:31 | |
Singapore was a colony of the British Empire | 0:31:32 | 0:31:35 | |
until it gained independence in 1965. | 0:31:35 | 0:31:38 | |
However, it was only 1976 | 0:31:38 | 0:31:40 | |
when the last of the British forces left the island. | 0:31:40 | 0:31:44 | |
Pam arrived in 1967 | 0:31:46 | 0:31:47 | |
and joined around 30 other women to be stationed there. | 0:31:47 | 0:31:52 | |
One of them was Avril Oxley, who worked in the supply store. | 0:31:52 | 0:31:56 | |
We were so white when we went out there, | 0:31:56 | 0:31:58 | |
and that was at the swimming baths. | 0:31:58 | 0:32:00 | |
Of course by the time we left, we had beautiful tans, | 0:32:00 | 0:32:03 | |
but when we first got there... | 0:32:03 | 0:32:04 | |
When you first got there and all the blokes, | 0:32:04 | 0:32:06 | |
all the soldiers, used to shout, "Moony!" | 0:32:06 | 0:32:09 | |
-Didn't they? -Yeah, I married one of those in the end! | 0:32:09 | 0:32:12 | |
-Yeah! -One from the block opposite. | 0:32:12 | 0:32:14 | |
Yeah, we were white. | 0:32:14 | 0:32:15 | |
There's me, obviously. | 0:32:15 | 0:32:17 | |
Oh, yeah. You've still got the same hairdo. | 0:32:17 | 0:32:20 | |
I know, I know. | 0:32:20 | 0:32:22 | |
I said that, yeah. | 0:32:22 | 0:32:24 | |
That's one thing that's never changed. | 0:32:24 | 0:32:26 | |
I'll show you a couple of mine. | 0:32:26 | 0:32:28 | |
This is the one I'm proud of. | 0:32:28 | 0:32:29 | |
When I look at myself now, a substantial person that I am, | 0:32:29 | 0:32:34 | |
I like looking at that. | 0:32:34 | 0:32:36 | |
That's me doing an impersonation of Horatio Nelson | 0:32:36 | 0:32:40 | |
on a gunning placement, | 0:32:40 | 0:32:42 | |
but when I look at my waspy waist... | 0:32:42 | 0:32:44 | |
Yeah, look at that! | 0:32:44 | 0:32:45 | |
-What happened? -Mmm, yeah! | 0:32:45 | 0:32:47 | |
Oh, it's so sad. | 0:32:49 | 0:32:50 | |
I know - if only we could go back for another run. | 0:32:50 | 0:32:54 | |
-This is me at JARIC where I worked at the end of the runway. -Oh, right. | 0:32:54 | 0:32:59 | |
You've got your main dress hat on there whereas in my job, | 0:32:59 | 0:33:03 | |
I always used to have to wear the beret. | 0:33:03 | 0:33:05 | |
Well, it may have been for the photo. | 0:33:05 | 0:33:08 | |
I liked that hat, though, that was my favourite. | 0:33:08 | 0:33:10 | |
I didn't like that stupid beret. | 0:33:10 | 0:33:11 | |
It was like a great chamberpot on your head, wasn't it? | 0:33:11 | 0:33:14 | |
A bit, yeah. We've both got exactly the same memories of the place. | 0:33:14 | 0:33:19 | |
I know. It was a real high spot for me, as it was for you. | 0:33:19 | 0:33:22 | |
Yeah, lovely. | 0:33:22 | 0:33:23 | |
Avril, did you like it there, were you happy there? | 0:33:23 | 0:33:25 | |
-I loved it. -So did I. -The best year of my life. | 0:33:25 | 0:33:28 | |
Absolutely loved it. | 0:33:28 | 0:33:29 | |
I felt that as well. | 0:33:29 | 0:33:31 | |
Pam spent almost 18 months in Singapore. | 0:33:33 | 0:33:36 | |
It was the highlight of her time in the forces. | 0:33:36 | 0:33:39 | |
And while she still worked as a plotter, | 0:33:39 | 0:33:41 | |
she joined the Seletar amateur dramatic society, which put on | 0:33:41 | 0:33:44 | |
weekly productions at the base. | 0:33:44 | 0:33:46 | |
She threw herself into a variety of roles, contributing to a long, | 0:33:50 | 0:33:54 | |
morale-boosting history of entertaining the troops. | 0:33:54 | 0:33:57 | |
The roots of such performances lie with the Entertainment's National | 0:33:58 | 0:34:02 | |
Service Association, or ENSA, which was established | 0:34:02 | 0:34:05 | |
to provide entertainment during the Second World War. | 0:34:05 | 0:34:09 | |
Today, the need to keep up spirits is as strong as ever | 0:34:09 | 0:34:13 | |
and James Blunt, a former British soldier himself, | 0:34:13 | 0:34:16 | |
and Katherine Jenkins, | 0:34:16 | 0:34:17 | |
have recently performed for those based in Afghanistan. | 0:34:17 | 0:34:20 | |
And the plays that Pam so enjoyed being a part of remain a feature of | 0:34:22 | 0:34:26 | |
Forces life, especially here at RAF Henley. | 0:34:26 | 0:34:30 | |
I've got ladies to see. | 0:34:30 | 0:34:33 | |
Other ladies? | 0:34:33 | 0:34:34 | |
The idea! | 0:34:34 | 0:34:36 | |
To be back here now like this is sort of like coming | 0:34:36 | 0:34:39 | |
a full circle, really. | 0:34:39 | 0:34:41 | |
I know what it did for me. | 0:34:41 | 0:34:43 | |
It was an absolute life-changer and if it's not that, it's great fun. | 0:34:43 | 0:34:48 | |
It's great fun to get out there and be somebody else. | 0:34:48 | 0:34:51 | |
However dastardly. | 0:34:51 | 0:34:53 | |
50 years since her first part as Poppy, | 0:34:59 | 0:35:02 | |
Pam can't resist treading the RAF's boards. | 0:35:02 | 0:35:05 | |
I still haven't given up hope, you know. | 0:35:06 | 0:35:08 | |
I still await the day When my true romantic hero | 0:35:09 | 0:35:14 | |
Comes to carry me away. | 0:35:14 | 0:35:16 | |
Well, I've been married 30 years. | 0:35:16 | 0:35:18 | |
Some people find that long, | 0:35:18 | 0:35:20 | |
But my husband's just a stopgap Till the real one comes along! | 0:35:20 | 0:35:24 | |
Then, like Lawrence of Arabia, Across the burning sand, | 0:35:26 | 0:35:32 | |
I see him ride towards me And I take his outstretched hand. | 0:35:32 | 0:35:37 | |
I see his pearly teeth, The flash of sunlight on enamel, | 0:35:37 | 0:35:43 | |
And if love cannot sustain us... | 0:35:43 | 0:35:45 | |
..We shall have to eat the camel. | 0:35:47 | 0:35:48 | |
LAUGHTER | 0:35:48 | 0:35:49 | |
Thank you, everybody. | 0:35:49 | 0:35:51 | |
Pam served for four years in the Women's Royal Air Force, | 0:35:56 | 0:36:00 | |
leaving in March 1969. | 0:36:00 | 0:36:02 | |
It wasn't until 1994 that it was fully integrated with the RAF. | 0:36:03 | 0:36:08 | |
A time that also marked another significant step forward for women. | 0:36:08 | 0:36:12 | |
This morning, the Service's first woman trained to fly combat missions | 0:36:12 | 0:36:15 | |
took to the air. As part of 617 Dambusters Squadron, | 0:36:15 | 0:36:18 | |
Flight Lieutenant Jo Salter set off from RAF Lossiemouth in a Tornado. | 0:36:18 | 0:36:22 | |
I think it's very important that children who are going through | 0:36:22 | 0:36:26 | |
school, especially girls, have the opportunity | 0:36:26 | 0:36:29 | |
to see that everything is open in this day and age. | 0:36:29 | 0:36:32 | |
Station Commander of RAF Benson, Hamish Cormack, | 0:36:32 | 0:36:36 | |
remembers this landmark time for the force. | 0:36:36 | 0:36:39 | |
What I do clearly remember is going through flying training | 0:36:39 | 0:36:41 | |
roughly at the time that the first female aircrew | 0:36:41 | 0:36:44 | |
went through flying training. | 0:36:44 | 0:36:45 | |
We saw pilots and navigators in the cockpit. | 0:36:45 | 0:36:48 | |
That was a difficult transition for some amongst the old and bold, | 0:36:48 | 0:36:51 | |
I must admit, but I think probably | 0:36:51 | 0:36:52 | |
most people would say that much more rapidly than expected, | 0:36:52 | 0:36:55 | |
everybody was treating everybody in the same way, | 0:36:55 | 0:36:58 | |
regardless of gender. That's absolutely what I see today. | 0:36:58 | 0:37:00 | |
It's not about gender at all, | 0:37:00 | 0:37:02 | |
it really is about whether you're good at doing your job. | 0:37:02 | 0:37:05 | |
That is the bottom line. | 0:37:05 | 0:37:07 | |
Since that time, many women have been trained to fly | 0:37:10 | 0:37:12 | |
every type of aircraft, from Tornadoes to Typhoons. | 0:37:12 | 0:37:16 | |
The aircrew at RAF Benson undergo | 0:37:18 | 0:37:20 | |
intense training to respond to a variety of missions | 0:37:20 | 0:37:23 | |
and were recently called upon to provide relief following | 0:37:23 | 0:37:27 | |
the devastation caused by Hurricane Irma. | 0:37:27 | 0:37:29 | |
We're constantly preparing to support several operations | 0:37:30 | 0:37:33 | |
we're required on and they are in a spectrum from low-level conflict | 0:37:33 | 0:37:37 | |
through to what the public would see as full war fighting. | 0:37:37 | 0:37:39 | |
But also, responding to disaster relief operations around the world. | 0:37:39 | 0:37:43 | |
Over the last 100 years, | 0:37:43 | 0:37:44 | |
the RAF, coming up for its 100th birthday next year, | 0:37:44 | 0:37:47 | |
has been involved in over 50 countries, | 0:37:47 | 0:37:49 | |
delivering relief aid after | 0:37:49 | 0:37:51 | |
volcanoes, earthquakes, typhoons, cyclones, | 0:37:51 | 0:37:53 | |
so it's not always what the public necessarily associate | 0:37:53 | 0:37:56 | |
with our primary role. | 0:37:56 | 0:37:57 | |
Qualifying as a pilot in March, | 0:37:59 | 0:38:01 | |
this Flight Lieutenant is now undergoing training that will | 0:38:01 | 0:38:04 | |
enable her to offer front-line support in the Puma helicopter. | 0:38:04 | 0:38:08 | |
What is it that attracts you, | 0:38:10 | 0:38:13 | |
why did you want to fly that particular aircraft? | 0:38:13 | 0:38:15 | |
I love flying helicopters | 0:38:15 | 0:38:17 | |
so I'd always wanted to go and end up flying helicopters. | 0:38:17 | 0:38:20 | |
I like that you're flying at low level a lot of the time | 0:38:20 | 0:38:23 | |
so I like that you're in amongst it | 0:38:23 | 0:38:25 | |
and doing something that's very involved with people | 0:38:25 | 0:38:28 | |
-on the ground. -It's such a contrast. | 0:38:28 | 0:38:31 | |
I was in the Women's Royal Air Force from '65 to '69, and really, | 0:38:31 | 0:38:35 | |
people, women were expected to do clerical jobs. | 0:38:35 | 0:38:39 | |
-Yeah. -By and large, that was the impression I got. | 0:38:39 | 0:38:43 | |
Now, the idea of a female pilot was far off into the future. | 0:38:43 | 0:38:47 | |
-Yeah. -It was unheard of. | 0:38:47 | 0:38:50 | |
It's still unusual, but there are no barriers to it | 0:38:50 | 0:38:53 | |
so I think if you want to do it, you can do it, | 0:38:53 | 0:38:56 | |
and I think that's how it should be. | 0:38:56 | 0:38:59 | |
-Indeed, yeah. -So rather than saying | 0:38:59 | 0:39:01 | |
you have to have half women and half men and forcing it, | 0:39:01 | 0:39:04 | |
I just think if you can do it and you want to do it, | 0:39:04 | 0:39:07 | |
-you should be able to. -Yeah. | 0:39:07 | 0:39:09 | |
I'm so glad it's changed from how it was. | 0:39:09 | 0:39:12 | |
I'm glad, too. That these things are open to everybody... | 0:39:12 | 0:39:16 | |
-Absolutely. -..who is prepared to devote themselves | 0:39:16 | 0:39:19 | |
to getting into it, that you would be able to succeed in it. | 0:39:19 | 0:39:23 | |
To get a chance to experience a job that was never on offer | 0:39:25 | 0:39:28 | |
during her time in the service, | 0:39:28 | 0:39:30 | |
Pam has been asked to join the Puma team | 0:39:30 | 0:39:32 | |
as they practice landing in confined spaces. | 0:39:32 | 0:39:35 | |
I have heard an awful rumour. | 0:39:48 | 0:39:50 | |
I'm going up in a Puma helicopter, so that should be very interesting. | 0:39:51 | 0:39:57 | |
I'm not as brave as I used to be. | 0:39:57 | 0:39:59 | |
I used to be bold. | 0:39:59 | 0:40:00 | |
I was up for anything and now I'm an old girl, | 0:40:00 | 0:40:04 | |
I'm sort of a bit more cautious and I think, "Oh, what if, what if? | 0:40:04 | 0:40:09 | |
"What if it all goes wrong?" | 0:40:09 | 0:40:11 | |
As the Flight Lieutenant is still training, | 0:40:13 | 0:40:15 | |
Pam is entrusting herself to the all-male crew. | 0:40:15 | 0:40:17 | |
How do I look? | 0:40:22 | 0:40:24 | |
This aircrew is trained to operate the Puma in inhospitable areas. | 0:40:29 | 0:40:33 | |
It can carry 12 fully-equipped troops. | 0:41:10 | 0:41:13 | |
The wind in your face, it feels like the real thing. | 0:41:59 | 0:42:02 | |
You feel like a real pioneer. | 0:42:02 | 0:42:04 | |
I think it would have been a lot more exciting | 0:42:04 | 0:42:06 | |
to have been a pilot than a plotter. | 0:42:06 | 0:42:08 | |
They are serious people, aren't they? | 0:42:08 | 0:42:10 | |
They're doing a dangerous job and I'm full of admiration. | 0:42:10 | 0:42:13 | |
100 years since women first joined the military | 0:42:15 | 0:42:18 | |
and over 50 years since her own experiences in the WRAF, | 0:42:18 | 0:42:23 | |
Pam has had a taste of what life is like for today's servicewomen. | 0:42:23 | 0:42:27 | |
As long as you embrace the life and get it by the scruff of the neck | 0:42:28 | 0:42:31 | |
and shake out of it what you can for yourself, | 0:42:31 | 0:42:36 | |
you can really enrich your life, and I feel it did enrich my life. | 0:42:36 | 0:42:40 | |
We were cosseted, | 0:42:40 | 0:42:41 | |
we were kept in a safe environment, | 0:42:41 | 0:42:43 | |
but these women are out on the front line | 0:42:43 | 0:42:46 | |
and I feel a tremendous admiration for them | 0:42:46 | 0:42:50 | |
and I'm glad that all these jobs now are available to them | 0:42:50 | 0:42:54 | |
if they are brave enough and have the courage and the resolve | 0:42:54 | 0:42:58 | |
to go out there and do it. | 0:42:58 | 0:42:59 | |
Now they can, and I think that's a fine thing. | 0:42:59 | 0:43:02 |