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I believe that a really good way to understand a culture is through its gardens. | 0:00:02 | 0:00:06 | |
This is an extraordinary journey to visit 80 inspiring gardens from all over the world. | 0:00:06 | 0:00:12 | |
Some are very well known like the Taj Mahal or the Alhambra. | 0:00:12 | 0:00:16 | |
And I'm also challenging my idea of what a garden actually is. | 0:00:17 | 0:00:22 | |
So I'm visiting gardens that float on the Amazon. | 0:00:22 | 0:00:25 | |
A strange fantasy in the jungle. | 0:00:25 | 0:00:28 | |
As well as the private homes of great designers. | 0:00:28 | 0:00:31 | |
And the desert flowering in a garden. | 0:00:31 | 0:00:34 | |
I shall be meeting people that share my own passion for gardens, | 0:00:34 | 0:00:38 | |
on my epic quest to see the world through 80 of its most fascinating and beautiful gardens. | 0:00:38 | 0:00:45 | |
My journey this week has brought me to a region of rich diversity, both botanical and cultural. | 0:00:58 | 0:01:03 | |
It's a steamy, tropical sub-continent | 0:01:03 | 0:01:06 | |
with some of the fastest growing plants and cities in the world. | 0:01:06 | 0:01:11 | |
South East Asia. | 0:01:11 | 0:01:14 | |
This is Bangkok, the capital of Thailand, | 0:01:14 | 0:01:18 | |
and one of the noisiest, dirtiest, most polluted cities in the world. | 0:01:18 | 0:01:23 | |
And it's the starting point for my journey to find the real exotic tropical garden. | 0:01:23 | 0:01:31 | |
Now, we in the west have taken plants and the concept | 0:01:31 | 0:01:34 | |
of the jungle garden and put it in our northern backyard. | 0:01:34 | 0:01:37 | |
But here, where there are only two seasons, it's either wet or dry, | 0:01:37 | 0:01:41 | |
it's always hot and plants grow constantly. | 0:01:41 | 0:01:45 | |
I want to see what the real tropical garden is like. | 0:01:45 | 0:01:50 | |
This will take me on a trip right through the south-east Asian region. | 0:01:53 | 0:01:58 | |
I'll start in Thailand in the garden of a western silk merchant. | 0:01:58 | 0:02:02 | |
I'll then head nearly 1,000 miles south, to visit the self-proclaimed garden city state of Singapore. | 0:02:02 | 0:02:09 | |
Finally I'll cross the Java Sea, to experience a little of the deep spirituality | 0:02:09 | 0:02:15 | |
and diverse cultural influences of the Indonesian island of Bali. | 0:02:15 | 0:02:19 | |
Our fascination with lush tropical plants | 0:02:25 | 0:02:28 | |
has been going on for at least 200 years and it's growing. | 0:02:28 | 0:02:33 | |
At Gardeners' World, we've made a jungle garden. | 0:02:33 | 0:02:37 | |
But, it's in an idiom that actually was forced by a set of circumstances | 0:02:37 | 0:02:42 | |
that were partly industrial and partly political because, the British Empire started to take over | 0:02:42 | 0:02:49 | |
the Asian world and bring back plants as part of colonisation. | 0:02:49 | 0:02:53 | |
People made more and more money, bought large houses, | 0:02:53 | 0:02:56 | |
and wanted trophy plants to show off, to show their status. | 0:02:56 | 0:03:00 | |
And then, the development of plate glass and cast iron and cheap fuel, | 0:03:00 | 0:03:05 | |
meant that vast glasshouses, like the one at Kew, | 0:03:05 | 0:03:08 | |
could be made so people could go in and immerse themselves in what they thought of as a jungle. | 0:03:08 | 0:03:14 | |
Typically, these gardens were lush, green and full of exotic varieties, | 0:03:14 | 0:03:19 | |
usually much bigger and faster growing than anything that we could find at home. | 0:03:19 | 0:03:24 | |
And these plants, although beautiful and exciting in their own right, | 0:03:24 | 0:03:28 | |
also acted as indicators for all the richness of tropical life, | 0:03:28 | 0:03:34 | |
and suggested a freer, less inhibited world. | 0:03:34 | 0:03:37 | |
It was, from the first, an intoxicating and intense association. | 0:03:37 | 0:03:42 | |
My journey to discover the reality behind that potent image, starts here. | 0:03:46 | 0:03:52 | |
The consensus seems to be that, if you want to visit gardens in Bangkok, | 0:03:52 | 0:03:57 | |
the first place to go to is Jim Thompson's house. | 0:03:57 | 0:04:00 | |
So, that's where I'm starting. | 0:04:00 | 0:04:03 | |
If you're in Bangkok, you've certainly got to take a tuk-tuk. | 0:04:11 | 0:04:15 | |
But the slight disadvantage is that, if you're taller than about four foot six, you can't see a thing. | 0:04:15 | 0:04:21 | |
In 1946, Jim Thompson, an American entrepreneur and bon viveur, | 0:04:21 | 0:04:25 | |
moved to Thailand and proceeded to revolutionise the Thai silk industry. | 0:04:25 | 0:04:31 | |
His house, right in the centre of Bangkok, sits surrounded by a densely planted tropical garden. | 0:04:31 | 0:04:37 | |
Jim Thompson mysteriously disappeared | 0:04:43 | 0:04:46 | |
in the Malaysian jungle in 1967, and no-one did anything to the garden for 25 years | 0:04:46 | 0:04:52 | |
which, as jungles will, grew enormous and impenetrable. | 0:04:52 | 0:04:56 | |
One of Jim's friends, the garden designer Bill Warren, | 0:04:56 | 0:05:00 | |
was part of the team that took the garden back into hand. | 0:05:00 | 0:05:03 | |
The house was really designed as a theatre set | 0:05:03 | 0:05:10 | |
and as a place to entertain. | 0:05:10 | 0:05:13 | |
And Jim entertained here every night. | 0:05:13 | 0:05:17 | |
It's not designed, let's say, for comfort, | 0:05:17 | 0:05:20 | |
because this room is open, there are no screens. | 0:05:20 | 0:05:23 | |
Jim wanted to look down on a jungle. | 0:05:23 | 0:05:27 | |
-And the little houses in there were... -The servants' quarters. | 0:05:27 | 0:05:32 | |
There was the houseboy, the cook and the gardener. | 0:05:32 | 0:05:36 | |
-When did you first come here? -I came to visit in 1959. | 0:05:36 | 0:05:42 | |
I came to the house warming. | 0:05:42 | 0:05:44 | |
OK, let's go and have a look at the rest of the house. | 0:05:44 | 0:05:47 | |
The garden weaves around and under the house, rising on various levels, | 0:05:47 | 0:05:52 | |
and screening out the city that is on three sides. | 0:05:52 | 0:05:56 | |
We're now underneath the main house, I guess. | 0:05:59 | 0:06:03 | |
One can't help but notice | 0:06:03 | 0:06:05 | |
the way that the garden forms this...greendrop in the background, without any sky. | 0:06:05 | 0:06:12 | |
So you have garden but no sky which, of course, is the jungle effect. | 0:06:12 | 0:06:17 | |
Jim had a plan of this house and he marked this area "jungle". | 0:06:17 | 0:06:24 | |
That effect doesn't take a lot to achieve, does it? | 0:06:24 | 0:06:27 | |
I mean, there are certain key plants, certain ways of doing it, which is this layering of foliage. | 0:06:27 | 0:06:34 | |
Things like the fan palms, and the gingers, they all create different textures | 0:06:34 | 0:06:40 | |
and different colours, | 0:06:40 | 0:06:42 | |
if you look at them carefully. | 0:06:42 | 0:06:45 | |
I love the little ponds in pots. | 0:06:45 | 0:06:48 | |
These were to catch the rainwater, but they have used lotuses for decoration. | 0:06:48 | 0:06:55 | |
And you had those in the bathrooms when I first came to Thailand, | 0:06:55 | 0:07:00 | |
-and we bathed from one of these jobs. -Really? | 0:07:00 | 0:07:04 | |
Jim Thompson finished the house in 1959, and just eight years later | 0:07:08 | 0:07:13 | |
disappeared after going for a walk in the jungle whilst on holiday in Malaya. | 0:07:13 | 0:07:18 | |
After the garden lay untended for a quarter of a century, | 0:07:18 | 0:07:22 | |
Bill was asked to help restore it as it was in Jim's day. | 0:07:22 | 0:07:27 | |
Standing here, you can only see foliage, | 0:07:31 | 0:07:35 | |
with just touches of that red of the ginger, through there. | 0:07:35 | 0:07:39 | |
I cut down a lot of trees, so that you could see the rooflines. | 0:07:39 | 0:07:46 | |
You can go on cutting forever, in the tropical garden. | 0:07:46 | 0:07:51 | |
Probably it could use some cutting back now. | 0:07:51 | 0:07:53 | |
It's hard for people used to western gardens, | 0:07:53 | 0:07:57 | |
-to appreciate just how fast this sort of garden will grow if left untended. -Oh, yes. | 0:07:57 | 0:08:05 | |
-These are heliconias. -It's almost sculptural and sort of... | 0:08:05 | 0:08:10 | |
unbelievable as a flower, it's so physically solid. | 0:08:10 | 0:08:13 | |
If you made it in plastic, you wouldn't know the difference. | 0:08:13 | 0:08:18 | |
This is the spirit house. | 0:08:19 | 0:08:22 | |
Every Thai residential or business compound has a spirit | 0:08:22 | 0:08:28 | |
that's supposed to watch over the fortunes of the people who live in it. | 0:08:28 | 0:08:33 | |
Every day, they make offerings of burning incense, flowers, to keep the spirit happy. | 0:08:33 | 0:08:40 | |
I think here, like any garden, you've got to know something of the context. | 0:08:57 | 0:09:02 | |
Jim Thompson placed his garden here, | 0:09:02 | 0:09:07 | |
absolutely knowing that he was looking out over his village of Muslim silk weavers, | 0:09:07 | 0:09:15 | |
really rather like a sort of mill owner in Victorian Britain looked out over his workers. | 0:09:15 | 0:09:21 | |
They could see him, and he could see them. | 0:09:21 | 0:09:24 | |
And the whole place is to do with performance, and command, | 0:09:24 | 0:09:30 | |
and display. | 0:09:30 | 0:09:33 | |
I like Jim Thompson's garden. | 0:09:52 | 0:09:55 | |
And clearly a lot of people do. 175,000 visitors a year don't lie. | 0:09:55 | 0:10:00 | |
But it wasn't a Thai garden and, I think to be fair to Jim Thompson, he would never have pretended it was. | 0:10:00 | 0:10:06 | |
It was an approximation of what he thought a jungle might be. | 0:10:06 | 0:10:12 | |
And the really telling thing was that, after his disappearance, | 0:10:12 | 0:10:15 | |
they had to clear the growth back to make it look like a jungle garden. | 0:10:15 | 0:10:20 | |
And we could do that at home. It's not the real thing. | 0:10:20 | 0:10:25 | |
It's not got me any closer to Thai indigenous gardens, or gardening, or culture even, I don't think. | 0:10:25 | 0:10:32 | |
But I've read that the fastest way to get an insight into Thai culture | 0:10:32 | 0:10:37 | |
is to be out in a public park at precisely 6pm. | 0:10:37 | 0:10:41 | |
TANNOY ANNOUNCEMENT THAI NATIONAL ANTHEM BEGINS TO PLAY | 0:10:41 | 0:10:47 | |
Guide books will tell you everybody stops for the national anthem, | 0:10:58 | 0:11:02 | |
but actually seeing it happen, is extraordinary. | 0:11:02 | 0:11:06 | |
The image of the king is everywhere, and any kind of disrespect | 0:11:14 | 0:11:17 | |
towards it is regarded as sacrilege and a very serious criminal offence. | 0:11:17 | 0:11:22 | |
The royal palaces then are places of huge significance to Thai people, | 0:11:22 | 0:11:28 | |
and it seemed to me that I should visit one or two of them | 0:11:28 | 0:11:32 | |
on the basis that they must surely be a profound influence. | 0:11:32 | 0:11:36 | |
The best known royal palace is the Grand Palace, which is a major tourist attraction. | 0:11:44 | 0:11:49 | |
Religion, in this case Buddhism, the state, | 0:11:49 | 0:11:53 | |
buildings and plants all merge together. | 0:11:53 | 0:11:56 | |
It seems to me to be a surprising and eclectic mix, with tightly clipped cloud topiary, | 0:12:01 | 0:12:08 | |
strongly influenced by Chinese gardens, Thai temples and shrines, and massive buildings. | 0:12:08 | 0:12:13 | |
It is all fascinating but very strange. | 0:12:13 | 0:12:17 | |
The Grand Palace tells me something about Thailand, but not a lot about any kind of gardening style. | 0:12:17 | 0:12:23 | |
And to try and get closer to that, I am leaving the centre of Bangkok | 0:12:23 | 0:12:28 | |
to visit the king's horticultural project at his official residence, the Chitlada Palace. | 0:12:28 | 0:12:34 | |
-Good afternoon. -Hello. Good afternoon. | 0:12:44 | 0:12:47 | |
Rosarin Smitabhindu has been guiding dignitaries round the palace and grounds for more than 30 years. | 0:12:47 | 0:12:52 | |
Ah! So here are your cattle. | 0:12:54 | 0:12:58 | |
Hello, my dear. They look very well. | 0:12:58 | 0:13:02 | |
Clearly, these are not your ordinary palace gardens. | 0:13:07 | 0:13:10 | |
Since 1961, the king has been using his grounds to try out sustainable methods of food production | 0:13:10 | 0:13:17 | |
that his subjects can then apply in their own gardens. | 0:13:17 | 0:13:20 | |
How many people work in this project? | 0:13:20 | 0:13:23 | |
-About 700. -700? -Yes. | 0:13:23 | 0:13:27 | |
-Now, what are you growing on these plots? -This is rice field. | 0:13:27 | 0:13:31 | |
But during this time, it grows mung bean, soya bean and peanuts, these for rotation crops. | 0:13:31 | 0:13:36 | |
And then when do the rice go back in? | 0:13:36 | 0:13:38 | |
-In August. -And this is to keep the birds off, is it? | 0:13:38 | 0:13:41 | |
Yes. We have lots of birds here because, not far from here this is our demonstration forest. | 0:13:41 | 0:13:48 | |
-There's a lot going on here, isn't there? -Yes. This is from 1961. | 0:13:48 | 0:13:52 | |
So, for the last 45 years, His Royal Highness has been building up this demonstration | 0:13:52 | 0:13:58 | |
for the Thai people? Or for himself. | 0:13:58 | 0:14:00 | |
Yes. Yes. For the Thai people. | 0:14:00 | 0:14:02 | |
Because he learning by doing here and, also he's educating people. | 0:14:02 | 0:14:08 | |
We have to make lots of visitors come here to see the projects. | 0:14:08 | 0:14:12 | |
I came expecting to see something that fufilled my preconceptions of a palace garden. | 0:14:12 | 0:14:17 | |
But Rosarin has more horticultural research projects and labs to show me. | 0:14:17 | 0:14:23 | |
This one aims to protect the disappearing biodiversity of Thailand's indigenous species. | 0:14:23 | 0:14:30 | |
It's getting dark now. | 0:14:32 | 0:14:35 | |
So, during this time, you can hear the voice of many birds. | 0:14:35 | 0:14:40 | |
We visited the patch of demonstration forest that was in the centre of the park. | 0:14:42 | 0:14:49 | |
As the light fell, the insects came out. | 0:14:49 | 0:14:53 | |
The park is remorselessly practical and felt a little bit more like | 0:14:56 | 0:15:00 | |
a corporate research station than a garden. | 0:15:00 | 0:15:03 | |
But, inside this jungly bit, | 0:15:03 | 0:15:06 | |
you do get a hint of what almost all of Thailand must have been like until relatively recently. | 0:15:06 | 0:15:12 | |
The jungle was not something that you would try and cultivate. In fact, it was kept firmly at bay. | 0:15:12 | 0:15:18 | |
The king's projects at the Chitlada palace are designed to be an example | 0:15:21 | 0:15:25 | |
for his subjects to follow and, as such, they do work. | 0:15:25 | 0:15:29 | |
Thai rice growing has apparently been transformed by the work done here. | 0:15:29 | 0:15:33 | |
I can't help feeling, that there's one element glaringly absent, and that's any sense of aesthetic. | 0:15:33 | 0:15:41 | |
I mean it, it... | 0:15:41 | 0:15:43 | |
just wasn't very beautiful. | 0:15:43 | 0:15:46 | |
Bangkok, for all its pollution and veniality, is a beautiful and entrancing place. | 0:15:46 | 0:15:53 | |
So I am finding it hard to reconcile that stark functionality | 0:15:53 | 0:15:56 | |
that I saw at the Chitlada Palace with the fascinating tangle of Bangkok street life. | 0:15:56 | 0:16:01 | |
There seems to be a dissonance there, something I am missing | 0:16:01 | 0:16:04 | |
as I try and discover the archetypal tropical garden. | 0:16:04 | 0:16:09 | |
Well, I've had a night's sleep and a chance to think about it | 0:16:16 | 0:16:20 | |
and I think the best way to understand this problem | 0:16:20 | 0:16:24 | |
is to go from the very top of Thai society and the royal palace, | 0:16:24 | 0:16:29 | |
down to a more ordinary level and have a look around and see what people are growing at home. | 0:16:29 | 0:16:36 | |
To help me explore the private gardens of Bangkok, | 0:16:42 | 0:16:45 | |
Patravadi Meechuthon, a well-known Thai actress, has offered to take me off the beaten track. | 0:16:45 | 0:16:49 | |
Well, off the track altogether actually, because we are off to explore the klongs. | 0:16:49 | 0:16:54 | |
A klong is the name given to any of the waterways that still vein through Bangkok | 0:16:57 | 0:17:03 | |
despite the relentless development of the city. | 0:17:03 | 0:17:06 | |
The name is a good start. Who couldn't love anything called a klong? | 0:17:06 | 0:17:09 | |
They used to be the main way to get around, although nowadays the klongs are packed with tourists. | 0:17:09 | 0:17:14 | |
But you can see the gardens all the way along them, from the poorest shack to the grooviest apartment. | 0:17:14 | 0:17:21 | |
Do people not mind the noise? | 0:17:22 | 0:17:25 | |
We do mind, but nobody does anything about it. | 0:17:25 | 0:17:29 | |
There's lots of plants. | 0:17:30 | 0:17:31 | |
I mean, every balcony. | 0:17:31 | 0:17:34 | |
Yeah. In every Thai heart, there's always some softness. | 0:17:34 | 0:17:37 | |
-But are they particular plants? -The plants you see there are the very common plants that grow very easy. | 0:17:37 | 0:17:44 | |
You don't have to water it all the time. | 0:17:44 | 0:17:46 | |
You know, like this one, this pink flower. | 0:17:46 | 0:17:50 | |
-It grows by itself really. -The bougainvillea. -Easy to look after. | 0:17:50 | 0:17:54 | |
So people don't really want to garden? | 0:17:54 | 0:17:58 | |
-They want the plants, but they don't want to look after them. -It's hot. | 0:17:58 | 0:18:03 | |
So it's too hot work outside. | 0:18:03 | 0:18:05 | |
Yeah. In your country, you know it's cool and you need the sunshine. | 0:18:05 | 0:18:09 | |
We hide from the sunshine, we don't like sunshine. | 0:18:09 | 0:18:11 | |
It's too hot. | 0:18:11 | 0:18:13 | |
What about the rainy season? | 0:18:13 | 0:18:15 | |
Oh, then it's too wet! | 0:18:15 | 0:18:17 | |
That is fabulous. I'm going to take a picture of this cos I like that. | 0:18:17 | 0:18:21 | |
Beauty has to be useful. | 0:18:21 | 0:18:24 | |
-Beauty has to be useful. -Yeah. | 0:18:24 | 0:18:27 | |
To see how beauty and usefulness coexist in a Thai garden, | 0:18:29 | 0:18:32 | |
Patravadi suggested that we stop at one of the houses and ask to have a look around. | 0:18:32 | 0:18:38 | |
THEY SPEAK IN THAI | 0:18:47 | 0:18:50 | |
All this is his father's house. And that's his house. | 0:18:53 | 0:18:56 | |
In Thailand we like to live together. | 0:18:56 | 0:18:58 | |
And next to each other. | 0:18:58 | 0:19:00 | |
It's handy, you know, handy. | 0:19:00 | 0:19:02 | |
It certainly is. Oh, look, plants everywhere. | 0:19:02 | 0:19:04 | |
And hang on a minute, beautiful pots there. Great big lovely pots. | 0:19:04 | 0:19:10 | |
Oh, this is his home. | 0:19:10 | 0:19:12 | |
Here we go. | 0:19:12 | 0:19:13 | |
Some people worship King Rama V. | 0:19:17 | 0:19:21 | |
It is very popular among Thai people. | 0:19:21 | 0:19:24 | |
And these whiskies. All these whiskies. | 0:19:24 | 0:19:28 | |
-Oh, he just like the boxes, they look good. -He's right. -Yeah. | 0:19:31 | 0:19:35 | |
And then this beautiful garden. | 0:19:35 | 0:19:38 | |
And what is this plant here? | 0:19:38 | 0:19:40 | |
This is a tree. | 0:19:40 | 0:19:42 | |
When you eat the fruit, you can eat lemon and it's sweet. | 0:19:42 | 0:19:47 | |
Interesting. So I mean, does he enjoy growing these plants? | 0:19:47 | 0:19:51 | |
THEY SPEAK IN THAI | 0:19:51 | 0:19:55 | |
He says it's for relaxation, a little exercise. | 0:20:00 | 0:20:04 | |
The fruits, they are vegetable he can eat, and they are chemical free. | 0:20:04 | 0:20:11 | |
And we have here what looks sort of like an apple or a... | 0:20:11 | 0:20:15 | |
It's the same family as the apple. | 0:20:15 | 0:20:19 | |
-It's delicious. -Is it? | 0:20:19 | 0:20:22 | |
You like your food, don't you? It's very good, I like that. | 0:20:22 | 0:20:24 | |
-Thai people like to eat. We eat all the time. -Well, you eat very nice food. | 0:20:24 | 0:20:31 | |
We'll let this boat go by. | 0:20:31 | 0:20:33 | |
For the houses on the river, it's just like displaying, | 0:20:37 | 0:20:40 | |
flowers in front of the house, and screening the pollution from his home. | 0:20:40 | 0:20:46 | |
-I don't know this flower here. What is this one here? -Er... | 0:20:46 | 0:20:49 | |
HE EXPLAINS IN THAI | 0:20:49 | 0:20:52 | |
-Cat... -Cat's whiskers? | 0:20:52 | 0:20:55 | |
So, I mean, does he find it easy to grow these plants in pots here on the river? | 0:20:55 | 0:21:01 | |
Oh, yeah. He has to be careful. Because when you water the plant, the wood get heavier, | 0:21:04 | 0:21:09 | |
-so the balcony can go and disappear! -Something that I hadn't thought of! | 0:21:09 | 0:21:14 | |
It's a very, very beautiful house and garden. Tell him that for me. | 0:21:22 | 0:21:27 | |
SHE SPEAKS IN THAI | 0:21:27 | 0:21:29 | |
The beauty of Mr Lek's garden was real and gave me great pleasure, | 0:21:37 | 0:21:41 | |
but it was entirely based upon utilitarianism. | 0:21:41 | 0:21:45 | |
It was not created as anything like our idea of an exotic tropical garden. | 0:21:45 | 0:21:50 | |
If you go looking for the exotic, the last place you're going to find it is where it grows, | 0:21:52 | 0:21:58 | |
because the exotic is always what we can't have, what we can't grow. | 0:21:58 | 0:22:03 | |
The exotic is a state of mind. | 0:22:04 | 0:22:07 | |
It actually doesn't really exist at all. | 0:22:07 | 0:22:11 | |
It's time to leave Bangkok and move on. | 0:22:24 | 0:22:27 | |
And I haven't really perceived an indigenous Thai gardening culture here. I don't think it exists. | 0:22:27 | 0:22:35 | |
But Bangkok's a modern city, and it's changing fast, | 0:22:35 | 0:22:40 | |
and you can make a garden here in a matter of weeks, because of the extraordinary climate. | 0:22:40 | 0:22:44 | |
So it's possible to develop a style for gardens, as opposed just for plants, very, very quickly. | 0:22:44 | 0:22:52 | |
And it could happen. | 0:22:52 | 0:22:55 | |
The next stage of my journey takes me south from Thailand, 900 miles to the city state of Singapore. | 0:23:07 | 0:23:13 | |
I am making the journey by train, racing through the Malaysian jungles | 0:23:19 | 0:23:23 | |
and palm oil plantations and enjoying the most civilised way that there is to travel. | 0:23:23 | 0:23:31 | |
Coming from Bangkok, | 0:23:45 | 0:23:48 | |
which is so rich in images and human life | 0:23:48 | 0:23:53 | |
and yet rather elusive when it comes to gardens, my next stop will be very, very different. | 0:23:53 | 0:23:59 | |
For the last 40 years, the government in Singapore has been pursuing a programme | 0:23:59 | 0:24:04 | |
of self-consciously greening the 270 square miles of this densely populated island nation. | 0:24:04 | 0:24:11 | |
Today it promotes itself as a city in a garden. | 0:24:12 | 0:24:16 | |
Thank you. | 0:24:19 | 0:24:21 | |
I am staying at the Shangri-la hotel, because it was built in 1971, | 0:24:25 | 0:24:30 | |
right at the vanguard of the corporate drive to make Singapore a green city. | 0:24:30 | 0:24:34 | |
The centrepiece is the lush, very green tropical garden, | 0:24:37 | 0:24:42 | |
right at the heart of the hotel, with soaring planting down in the well of a balconied courtyard. | 0:24:42 | 0:24:48 | |
Well, there are strange things going on here, | 0:25:02 | 0:25:04 | |
but it's a tale of two halves. | 0:25:04 | 0:25:07 | |
And one half is really interesting and the other is disturbing and shocking. | 0:25:07 | 0:25:11 | |
Up above, | 0:25:11 | 0:25:13 | |
with all this greenery and this rather beautiful architecture, | 0:25:13 | 0:25:18 | |
it's a really good indication of what the hotel was setting out to do to embody the greening of Singapore. | 0:25:18 | 0:25:25 | |
And succeeding. I think it's really beautiful. Below, you have this... | 0:25:25 | 0:25:29 | |
weirdly horrible, phoney wood balustrading and steps, | 0:25:29 | 0:25:35 | |
which looks like a bad theme park and could easily put you off. | 0:25:35 | 0:25:39 | |
But, this is not a garden. This is really to get at the concept | 0:25:39 | 0:25:43 | |
that is the greening of Singapore. | 0:25:43 | 0:25:46 | |
And for that, it's really good. | 0:25:46 | 0:25:48 | |
Before I came to Singapore, I was sent this book | 0:26:04 | 0:26:07 | |
called The Tale of the Magical Seeds, | 0:26:07 | 0:26:12 | |
which is all about the wonderful greening of Singapore, issued by the national parks people. | 0:26:12 | 0:26:19 | |
And I'll just read you a little bit of it. | 0:26:19 | 0:26:21 | |
"There was once a beautiful tropical island in a clear blue sea." Are you sitting comfortably by the way? | 0:26:21 | 0:26:27 | |
"Birds sang from trees and butterflies danced among the flowers. | 0:26:27 | 0:26:32 | |
"Friendly animals played in the forest." You get the drift. | 0:26:32 | 0:26:36 | |
Anyway, people came along and liked it and decided to make it their home. | 0:26:36 | 0:26:39 | |
It's significant the order of the words, "The people worked hard. | 0:26:39 | 0:26:44 | |
"Trees were cut, land was cleared and many fine buildings and factories were built. | 0:26:44 | 0:26:49 | |
"The harbour filled with ships and the city grew rich." | 0:26:49 | 0:26:53 | |
And it says, "The birds and butterflies went away. | 0:26:53 | 0:26:57 | |
"The friendly animals hid, the children became sick and everyone was sad." | 0:26:57 | 0:27:01 | |
Not good. | 0:27:01 | 0:27:03 | |
So they turned to this master gardener | 0:27:03 | 0:27:07 | |
who has magical seeds which he sows and in due course, they grow. | 0:27:07 | 0:27:11 | |
Everything is rosy again and the island becomes a garden. | 0:27:11 | 0:27:15 | |
And the last page is, "The island became a tropical paradise | 0:27:15 | 0:27:20 | |
"where happy people and their children lived in a garden and cared for nature." | 0:27:20 | 0:27:25 | |
That the government describes the greening of Singapore | 0:27:25 | 0:27:30 | |
as a fairy tale is interesting, and there is no doubt that it is of huge symbolic importance to them. | 0:27:30 | 0:27:36 | |
To find out exactly where the idea came from, we have been granted the rare privilege | 0:27:36 | 0:27:41 | |
of an audience with the model for the mythical master gardener, former Prime Minister Lee Kuan Yew. | 0:27:41 | 0:27:47 | |
I saw Hong Kong. | 0:27:49 | 0:27:51 | |
I saw Kuala Lumpur, Bangkok, | 0:27:51 | 0:27:54 | |
and they were dreadful. | 0:27:54 | 0:27:56 | |
I can't say that in public, I mean, | 0:27:56 | 0:28:00 | |
they were concrete jungles, some tarmac and concrete. | 0:28:00 | 0:28:03 | |
So I decided that we have to be different. | 0:28:03 | 0:28:08 | |
When we started, it was just to combat the greyness | 0:28:08 | 0:28:11 | |
and the drabness of a city which has no greenery. | 0:28:11 | 0:28:18 | |
Since the government of Singapore embarked on the greening project 40 years ago, | 0:28:20 | 0:28:24 | |
skyscrapers and underpasses have been covered with plants, | 0:28:24 | 0:28:30 | |
and more than 4,300 acres of parkland have been landscaped. | 0:28:30 | 0:28:34 | |
It's transformed what would have been a very drab, grey place | 0:28:38 | 0:28:43 | |
into a clean, green and exciting place. | 0:28:43 | 0:28:46 | |
Well, it is famously clean, and I am keen to have a look at its greenness for myself. | 0:28:48 | 0:28:55 | |
There is no doubt, this is very different to Bangkok. | 0:28:55 | 0:28:59 | |
In this city devoted to frenetic consumerism, the roads are lined | 0:28:59 | 0:29:03 | |
with fabulous mahogany and rain trees, both smothered in epiphytes, | 0:29:03 | 0:29:08 | |
and they are lush, green and extremely beautiful. | 0:29:08 | 0:29:12 | |
As part of Lee Kuan Yew's green fairytale vision, parks were laid out | 0:29:20 | 0:29:25 | |
to give Singapore's densely packed population places to relax in, to take exercise and be stimulated. | 0:29:25 | 0:29:31 | |
Bishan Park is held up as a fine example of Singapore's creation of these green spaces. | 0:29:31 | 0:29:36 | |
I am told that it is packed at weekends, but during office hours it is all but empty. | 0:29:36 | 0:29:42 | |
This is a very disturbing place. | 0:29:49 | 0:29:52 | |
It's got all the ingredients, and clearly there was a corporate plan to... | 0:29:52 | 0:29:58 | |
make it beautiful - get a designer in, | 0:29:58 | 0:30:02 | |
clad the place in all the recognised elements of an enjoyable and pleasant garden. | 0:30:02 | 0:30:09 | |
And it sort of has. But a garden must have humanity | 0:30:09 | 0:30:15 | |
and the more quirky and the more individual that humanity is, the better the garden will always be. | 0:30:15 | 0:30:22 | |
The truth is that it is easier for a garden to pass through the eye of a needle than be good and corporate. | 0:30:22 | 0:30:28 | |
Singapore proclaims itself the city in a garden, but I don't think I've yet found that garden. | 0:30:28 | 0:30:33 | |
Dr Lawrence Leong Chee Chiew is from N-Parks, the government department in charge of the greening process. | 0:30:33 | 0:30:39 | |
Maybe he can help me solve this conundrum. | 0:30:39 | 0:30:43 | |
If we indeed want to be a city in a garden, | 0:30:44 | 0:30:49 | |
so that the city actually rises from a garden ambience, | 0:30:49 | 0:30:54 | |
then we need the presence of a garden, everywhere you go. | 0:30:54 | 0:30:58 | |
How would you define a garden as opposed to a park? | 0:30:58 | 0:31:02 | |
A park must have space for informalrecreation activities. | 0:31:02 | 0:31:07 | |
But a garden is what you have here in this small area | 0:31:07 | 0:31:11 | |
where particular attention is paid to how the plants are displayed. | 0:31:11 | 0:31:16 | |
And if you extend this to the whole of Singapore, | 0:31:16 | 0:31:19 | |
and you consider Singapore as a garden, then you have to see | 0:31:19 | 0:31:24 | |
our roadsides, plants on our buildings, gardens along our canals. | 0:31:24 | 0:31:31 | |
And now we are getting the people in the local communities to take up gardening as a hobby as well. | 0:31:31 | 0:31:38 | |
Can a garden be the entire city in all its component parts? | 0:31:41 | 0:31:45 | |
Can it be dictated and laid out by governmental and corporate decree? | 0:31:45 | 0:31:51 | |
Can it be enough that it is clean and useful and pleasant? | 0:31:51 | 0:31:55 | |
Lots of questions. And although I know where my own instincts lie, | 0:31:56 | 0:32:01 | |
I want to know more about Singapore's gardens, not my own attitudes. | 0:32:01 | 0:32:05 | |
The truth is that, as most people in Singapore live in high rise flats, | 0:32:05 | 0:32:10 | |
not many people have the chance to garden. | 0:32:10 | 0:32:13 | |
But I have met up with Wilson Wong who is harnessing the enthusiasm of users of his internet message board | 0:32:13 | 0:32:18 | |
to create a communal garden. | 0:32:18 | 0:32:21 | |
Wilson, tell me the story of this garden. When did it start? | 0:32:25 | 0:32:29 | |
This garden was started about two months ago. | 0:32:29 | 0:32:32 | |
It was initiated, started by me, to actually bring gardening to the residents who live in this estate. | 0:32:32 | 0:32:38 | |
-And who designed it? -I was the one who designed it. | 0:32:38 | 0:32:41 | |
So, you conceived it, you got the money raised, | 0:32:41 | 0:32:44 | |
-you persuaded people to do it, you've designed it. It's pretty much your baby. -Yeah. You can say that. | 0:32:44 | 0:32:49 | |
And what have you got at this end? | 0:32:49 | 0:32:52 | |
OK. In the front part of this garden, we actually designed a medicinal garden in a European garden style. | 0:32:52 | 0:32:58 | |
So a herb garden based on a sort of European Renaissance model really. | 0:32:58 | 0:33:03 | |
Yes. We bring it to south-east Asia. | 0:33:03 | 0:33:06 | |
OK. This here, I mean, these cat's whiskers, | 0:33:06 | 0:33:10 | |
I last saw these in the backwaters of Bangkok. | 0:33:10 | 0:33:14 | |
I never thought I would say that. | 0:33:14 | 0:33:17 | |
But there we are, it's true. | 0:33:17 | 0:33:19 | |
I have learned to appreciate the constant climate. | 0:33:19 | 0:33:23 | |
All year round summer. | 0:33:23 | 0:33:25 | |
We do not need to actually observe the seasons. | 0:33:25 | 0:33:27 | |
Over here you can just plant, or plonk in whatever you want, as and when you want it. | 0:33:27 | 0:33:32 | |
And this is a plant that can actually be used in one of our local dishes. | 0:33:34 | 0:33:40 | |
You can smell it. It actually has a very fragrant, nice aroma. | 0:33:40 | 0:33:45 | |
Ah! It does smell wonderful! | 0:33:45 | 0:33:48 | |
-Now these are your vegetable beds. What's your soil like? -Oh! | 0:33:48 | 0:33:54 | |
Over here the soil is very clay, so we have a very hard time trying to improve the soil texture. | 0:33:54 | 0:33:59 | |
When you talk about soil, top soil, you get this kind of soil. | 0:33:59 | 0:34:03 | |
So will you be making your own compost? | 0:34:03 | 0:34:06 | |
We are going to make a little compost heap here, returning everything back into the ground. | 0:34:06 | 0:34:10 | |
This is exactly what I like to hear! What are you growing there? | 0:34:10 | 0:34:14 | |
This is actually water spinach. | 0:34:14 | 0:34:17 | |
-These are your first crops. -No. -But it's only been going for a couple of months. | 0:34:17 | 0:34:22 | |
-So you've already had one harvest? -Yes. | 0:34:22 | 0:34:25 | |
We nurture plants and we cosset them and we take them through their life journey | 0:34:25 | 0:34:31 | |
which, for cabbages, or purple sprouting broccoli or something, | 0:34:31 | 0:34:36 | |
we can sow the seed in April and harvest the following March or April. | 0:34:36 | 0:34:40 | |
Yeah. But over here, all it takes is just less than a month. | 0:34:40 | 0:34:44 | |
I feel so attached to this garden. | 0:34:45 | 0:34:48 | |
In the middle of the night, I can bring my dog through this garden a couple of times. | 0:34:48 | 0:34:53 | |
The residents here can be the witnesses. | 0:34:53 | 0:34:55 | |
They say, "Now who is this crazy guy that comes down in the wee hours of the morning to look at his plants?" | 0:34:55 | 0:35:01 | |
You're not alone, I assure you. | 0:35:01 | 0:35:03 | |
-You are not alone. -So that's how attached I am to this garden. | 0:35:03 | 0:35:07 | |
Wilson Wong's community garden is in itself wholly unremarkable, | 0:35:08 | 0:35:13 | |
but it's undoubtedly the best thing I saw in Singapore. | 0:35:13 | 0:35:16 | |
Although it might seem ordinary, it is filled with the passion and enthusiasm of one individual | 0:35:16 | 0:35:21 | |
bucking the corporate blandness that threatens to smother the rest of the garden city. | 0:35:21 | 0:35:26 | |
OK. To the Earth Walk, please. | 0:35:28 | 0:35:30 | |
OK, sir. | 0:35:30 | 0:35:32 | |
There's no doubt that Singapore is really eager, desperately eager, | 0:35:37 | 0:35:42 | |
to present itself as a garden city. | 0:35:42 | 0:35:45 | |
And I think it's completely genuine in that, to create what they call the city in a garden. | 0:35:45 | 0:35:51 | |
But that can only come alive if it is driven not by the state | 0:35:51 | 0:35:56 | |
but by the contrariness of individuals like Wilson. | 0:35:56 | 0:35:59 | |
Predictably, at the airport, there is a display of orchids under the harsh terminal lights. | 0:35:59 | 0:36:05 | |
Lush, exotic, beautiful, but completely artificial and rather depressing, | 0:36:05 | 0:36:12 | |
and I feel further away from my idea of a tropical paradise than ever. | 0:36:12 | 0:36:17 | |
But things are looking up, because my next stop is Bali. | 0:36:17 | 0:36:21 | |
And on top of its obvious attractions, | 0:36:21 | 0:36:24 | |
I know that gardens are completely central to the local culture. | 0:36:24 | 0:36:29 | |
Bali is an Indonesian island just off the east coast of Java, | 0:36:35 | 0:36:39 | |
and it is probably many people's idea of a perfect tropical paradise. | 0:36:39 | 0:36:44 | |
Wow! How about that for a view? | 0:36:57 | 0:37:01 | |
That is magnificent. | 0:37:06 | 0:37:08 | |
The contrast with Singapore is dramatic and exciting. | 0:37:10 | 0:37:13 | |
It feels as if the hunt for the ideal tropical garden is back on, | 0:37:13 | 0:37:18 | |
and I celebrate by buying a snazzy piece of local headwear. | 0:37:18 | 0:37:22 | |
Bali has a combination of three things that make one think they may well be gardeners. | 0:37:27 | 0:37:33 | |
For a start, it's a volcanic soil, intensely fertile. | 0:37:33 | 0:37:37 | |
Secondly, a long tradition of sophisticated use of land, so that they're growing things all the time. | 0:37:37 | 0:37:43 | |
And thirdly, this climate which is common to the region, where everything grows tremendously fast. | 0:37:43 | 0:37:50 | |
Put it all together, and it's perfect for making gardens. | 0:37:50 | 0:37:55 | |
To really understand that Balinese gardening tradition, | 0:37:57 | 0:38:01 | |
you have to know a little about the predominant religion. | 0:38:01 | 0:38:04 | |
Unlike the rest of Indonesia where the majority are Muslim, | 0:38:04 | 0:38:09 | |
more than 90% of Balinese practise their own version of Hinduism | 0:38:09 | 0:38:12 | |
which gives them a deep and ingrained respect for the natural world. | 0:38:13 | 0:38:17 | |
And if I really wanted to get under the skin of the modern domestic Balinese garden, | 0:38:19 | 0:38:24 | |
I was told that I should first go to a temple garden, and the best known of these is Pura Taman Ayun. | 0:38:24 | 0:38:30 | |
It was built in 1634 as part of the capital of the ancient kingdom of Mengwi. | 0:38:30 | 0:38:36 | |
A member of the local ruling family, Agung Prana, gave me the guided tour. | 0:38:42 | 0:38:47 | |
This is the central court where people usually prepare the offerings | 0:38:47 | 0:38:52 | |
and perform the ritual dances. | 0:38:52 | 0:38:56 | |
And what's the significance of the trees you have here? | 0:38:56 | 0:39:00 | |
Those trees are special frangipani that we use very much as the main part of the offerings. | 0:39:00 | 0:39:07 | |
And what's that tree there with the sort of scarf wrapped round? | 0:39:07 | 0:39:11 | |
It's also a holy tree that we use as part of the offerings. | 0:39:11 | 0:39:17 | |
Because, in the offering, the main part of the offering is flowers. | 0:39:17 | 0:39:22 | |
The flowers are practical. | 0:39:22 | 0:39:23 | |
They have significances, their symbolic significance. | 0:39:23 | 0:39:28 | |
-Yeah. -What about the trees themselves, are they included in the... | 0:39:28 | 0:39:33 | |
sensation of reverence? | 0:39:33 | 0:39:35 | |
Yes. It is. We have the philosophy of life in Bali. | 0:39:35 | 0:39:39 | |
we have what we call Tri Hita Karana. We have to be friendly and in harmony with our God. | 0:39:39 | 0:39:45 | |
We have to be friendly and in harmony with our environment | 0:39:45 | 0:39:48 | |
and also socially with the human to human. And that's the balance of three, yeah. | 0:39:48 | 0:39:54 | |
Now this is the entrance to the next court, is it? | 0:39:54 | 0:39:57 | |
Yeah. This is the main entrance to the main part of the temple, is the inner court, | 0:39:57 | 0:40:02 | |
which is the holy part of the temple where prayer will be conducted. | 0:40:03 | 0:40:07 | |
-So can we go through? -No. | 0:40:07 | 0:40:09 | |
Unfortunately people who are not praying, can only see it from the other side of the temple. | 0:40:09 | 0:40:14 | |
Ah! My word. So this... | 0:40:25 | 0:40:28 | |
I hadn't expected to see this. | 0:40:28 | 0:40:30 | |
Yeah. This is the inner court of the temple, this is the holy part, | 0:40:30 | 0:40:36 | |
and this part is surrounded by the water. | 0:40:36 | 0:40:39 | |
Lotus and water lily is very much used in the offering. | 0:40:39 | 0:40:45 | |
Beautiful looking, but also it is the symbol of the seat of our deities and gods. | 0:40:45 | 0:40:51 | |
We try to keep it in serenity. | 0:40:51 | 0:40:55 | |
So serenity, it has a religious function and it's to do with the gods, and it's just beautiful. | 0:40:55 | 0:41:01 | |
That's altogether. | 0:41:01 | 0:41:03 | |
Now explain to me the different functions of these buildings. | 0:41:04 | 0:41:08 | |
Those with the black roof, they are the shrines. | 0:41:08 | 0:41:12 | |
Those building with the grass roof, they are the place of the offering, | 0:41:12 | 0:41:17 | |
a place for the ritual singers, | 0:41:17 | 0:41:21 | |
and then also the place for the priest to conduct the ceremony. | 0:41:21 | 0:41:25 | |
I'll take my hat off. It's not the most flattering thing, but very good at keeping the sun out. | 0:41:44 | 0:41:51 | |
I'm overwhelmed by this place. | 0:41:53 | 0:41:56 | |
My reaction on coming here was fundamentally delight. | 0:41:56 | 0:42:01 | |
And, above all, this sense of balance and harmony that integrates | 0:42:01 | 0:42:07 | |
every aspect of life, whether it be plant, human, spiritual, | 0:42:07 | 0:42:15 | |
as one completely interwoven tapestry that you can't possibly unravel, | 0:42:15 | 0:42:20 | |
and I think very beautiful. | 0:42:20 | 0:42:22 | |
Now it is important to square both sides of the equation, of the spiritual and the normal human life. | 0:42:48 | 0:42:56 | |
And to get the humanity side of things... | 0:42:56 | 0:43:00 | |
Whoops! | 0:43:00 | 0:43:02 | |
Hello! I'm busy. In a minute. OK? | 0:43:02 | 0:43:04 | |
..I've taken myself to the Kumbasari, the night market in Denpasar, | 0:43:04 | 0:43:09 | |
which is about the busiest place I've ever been to in my life. | 0:43:09 | 0:43:13 | |
However...even in here, the spiritual is to be found. | 0:43:13 | 0:43:20 | |
Um... | 0:43:20 | 0:43:23 | |
All over the market, I found flowers and their petals for sale. | 0:43:34 | 0:43:39 | |
These aren't for decoration but, just as in the temple, | 0:43:39 | 0:43:43 | |
they are the ingredients for making offerings to the gods. | 0:43:43 | 0:43:48 | |
The completed offerings, intricate baskets that are said to represent the universe, are also made here. | 0:43:48 | 0:43:54 | |
Now traditionally, these would have been made from flowers from people's own gardens, | 0:43:54 | 0:43:58 | |
and I think a domestic home and garden is where I should go next. | 0:43:58 | 0:44:03 | |
But before that, I need to sleep. | 0:44:08 | 0:44:11 | |
It's another absolute scorcher today, | 0:44:24 | 0:44:27 | |
and I'm feeling a bit fragile because I spent the night without a wink of sleep, inflicted by... | 0:44:27 | 0:44:33 | |
let's call it "Bali belly". | 0:44:33 | 0:44:35 | |
But there's still lots to see and, having seen the way that temples | 0:44:35 | 0:44:42 | |
were laid out and all the ritual significances tied into plants, and how people use them, | 0:44:42 | 0:44:48 | |
now I'm going to visit a private house which is in a compound, | 0:44:48 | 0:44:53 | |
and an awful lot of Balinese people live in these compounds, | 0:44:53 | 0:44:57 | |
which are laid out in many of the same ways as a temple. | 0:44:57 | 0:45:01 | |
The temple gardens were clearly defined spaces, | 0:45:01 | 0:45:06 | |
yet their role and the role of the gardens and shrines in general, seems fused together. | 0:45:06 | 0:45:11 | |
A local resident, Bragies Warung, has offered to show me round this compound, | 0:45:11 | 0:45:16 | |
which is one of many in the village, each home to an extended family | 0:45:16 | 0:45:21 | |
and laid out in the same way, with individual buildings arranged within a large enclosed courtyard. | 0:45:21 | 0:45:25 | |
This is the house for living. | 0:45:29 | 0:45:32 | |
This is for the old men because they open bali. | 0:45:32 | 0:45:36 | |
-Bali means house, does it? -Yeah. Bali means house in Balinese. | 0:45:36 | 0:45:40 | |
-Right. And this building here? -This is, we call paon, in Balinese language. We call kitchen. | 0:45:40 | 0:45:46 | |
So the kitchen there, and then in the middle there's this area. | 0:45:46 | 0:45:51 | |
They use for all kind of ceremony, preparing the offering or cremation ceremony, wedding, whatever. | 0:45:51 | 0:45:57 | |
-And what are they making there? -They prepare for the offering. | 0:45:57 | 0:46:01 | |
For offering for what? | 0:46:01 | 0:46:02 | |
The offering is similar to gift, something you give to God. | 0:46:02 | 0:46:07 | |
Now what we have here, looks to me like a little temple or a shrine. | 0:46:16 | 0:46:23 | |
Everyone, even in modern life, they have a small temple in the house. | 0:46:23 | 0:46:29 | |
-Can we go through? -Yes. | 0:46:29 | 0:46:32 | |
-So you have plants inside. -Yeah. This is hibiscus I think. | 0:46:32 | 0:46:38 | |
That's where we need the flower. | 0:46:38 | 0:46:40 | |
-You need the flowers. -Yes. | 0:46:40 | 0:46:43 | |
-This, pinka we call. This used for... -Do you have a plant for a bad tummy? | 0:46:43 | 0:46:49 | |
-For somebody have - what you call that - when they are pregnant, they have. -No, I'm not pregnant. | 0:46:49 | 0:46:55 | |
-That's the one they have here. -OK. | 0:46:55 | 0:46:57 | |
This called bale daja. | 0:47:02 | 0:47:05 | |
People just get married and they must stay a bit privacy here. | 0:47:05 | 0:47:10 | |
-So they have privacy, and pregnancy plants outside. -Yeah! | 0:47:10 | 0:47:13 | |
-Absolutely. Altogether. -Very useful. -Yeah. Very useful. | 0:47:13 | 0:47:18 | |
-And also this plant... -And does it have a use? | 0:47:19 | 0:47:22 | |
Oh, yeah. They use for the anti-mosquito actually. | 0:47:22 | 0:47:27 | |
And what's over there with those huge coconut trees? | 0:47:28 | 0:47:32 | |
Oh, this garden. Yes, the back garden. | 0:47:32 | 0:47:35 | |
-It's cool-er here, isn't it? -Yes, it's quite cool, for us. | 0:47:38 | 0:47:42 | |
Well, quite cool. It's actually just roasting hot, | 0:47:42 | 0:47:48 | |
as hot as anything, but slightly less hot than outside. | 0:47:48 | 0:47:52 | |
Would people treat this like a place | 0:47:52 | 0:47:56 | |
-to come and relax in, or is it just for work? -Oh, yes, also, also. | 0:47:56 | 0:48:00 | |
In the hot day like this time after they have plan, they have meal, | 0:48:00 | 0:48:05 | |
the children and the mummy and everyone, go to the backyard. | 0:48:05 | 0:48:10 | |
Are people making modern gardens in the spirit of this garden? | 0:48:10 | 0:48:16 | |
Oh, this garden is completely like here. | 0:48:16 | 0:48:18 | |
Wild, they grow wild. | 0:48:18 | 0:48:21 | |
But useful, yeah? | 0:48:21 | 0:48:23 | |
But modern plan is different and the concept of original Balinese garden, very different. | 0:48:23 | 0:48:31 | |
There is one big question that has to be addressed and that is, is this a garden? | 0:48:40 | 0:48:47 | |
Well, clearly it's fascinating and it's instructive and it's stimulating. | 0:48:47 | 0:48:53 | |
But I think the garden side of it was summed up for me by watching the women sitting where I am now, | 0:48:53 | 0:49:00 | |
making up the offerings from flowers they had grown, | 0:49:00 | 0:49:04 | |
little baskets from the coconut leaves, | 0:49:04 | 0:49:07 | |
and then going out and placing them with the relevant ritual. And that whole process, using plants, | 0:49:07 | 0:49:14 | |
sitting in the centre of the household, relating to their gods and balancing everything, | 0:49:14 | 0:49:20 | |
balancing their entire world through these plants | 0:49:20 | 0:49:24 | |
seemed to me the essence of what is happening here. | 0:49:24 | 0:49:28 | |
It's not something I've ever found in this way anywhere else in the world. | 0:49:28 | 0:49:32 | |
The intimacy of the people and their plants, | 0:49:40 | 0:49:43 | |
and the daily rituals of gathering the leaves and flowers | 0:49:43 | 0:49:46 | |
for the offerings and carefully making them into the beautiful little posies, | 0:49:46 | 0:49:49 | |
seems to me to be as much gardening as any of our own more familiar horticultural primping and preening. | 0:49:49 | 0:49:57 | |
But even in Bali, there is a distinct element of this belonging to the past | 0:49:57 | 0:50:03 | |
and I am curious to know how these complex and subtle traditions could be applied to a modern garden. | 0:50:03 | 0:50:11 | |
So, with that in mind, I go off to the Batajimbar Estate. | 0:50:11 | 0:50:14 | |
As Bali was opened up for tourism, first in the '30s and then more fully in the '70s, | 0:50:17 | 0:50:23 | |
wealthy holiday makers wanted their conveniently westernised luxury holiday homes | 0:50:23 | 0:50:29 | |
to be adorned with gardens with a Balinese feel. | 0:50:29 | 0:50:33 | |
Guests on this estate have included Mick Jagger and Jerry Hall and, it's rumoured, Princess Diana. | 0:50:33 | 0:50:38 | |
Already it's clear that there are elements of the compound here. | 0:50:41 | 0:50:47 | |
But, as you walk in, | 0:50:47 | 0:50:50 | |
there is a distinct aura...of money. | 0:50:50 | 0:50:54 | |
In contrast to what I've seen elsewhere in Bali, | 0:50:58 | 0:51:01 | |
the house is distinctly luxurious and the gardens are landscaped and grand. | 0:51:01 | 0:51:05 | |
But the real attraction, and something we haven't seen at all yet looking for this paradise, is this. | 0:51:05 | 0:51:13 | |
It's right slap on the sea. | 0:51:13 | 0:51:15 | |
The warm tropical sea, lapping just a few feet away from the edge of the garden. | 0:51:17 | 0:51:24 | |
Now, as a gardener, it's astonishing that you can have a garden like this so close to the sea. | 0:51:24 | 0:51:29 | |
So that's unusual. | 0:51:29 | 0:51:32 | |
But I think the key here is it's fulfilling all the fantasies | 0:51:32 | 0:51:36 | |
of what we westerners, we tourists, want when we go on holiday. | 0:51:36 | 0:51:42 | |
The ceremonial house is handsome, | 0:51:46 | 0:51:49 | |
and the banyan tree is by far the most striking example I've seen on the whole of this trip. | 0:51:49 | 0:51:55 | |
And the shrines are genuine. They're in the north-east corner of the boundaries of the garden | 0:51:55 | 0:52:00 | |
but, there's none of the mess, there are no chickens walking around in it. It's very sanitised. | 0:52:00 | 0:52:06 | |
This is a wonderful tropical holiday retreat. | 0:52:07 | 0:52:13 | |
But I don't need a holiday. | 0:52:13 | 0:52:15 | |
I'm in pursuit of the authentic tropical garden, and this is not it. | 0:52:15 | 0:52:21 | |
The Batajimbar Gardens represent the beginning of a modern Balinese gardening style. | 0:52:31 | 0:52:36 | |
But they were laid out over 30 years ago and so now, I want to see how modern Balinese design has evolved. | 0:52:36 | 0:52:43 | |
My last visit in Bali is to a man called Made Wijaya. | 0:52:50 | 0:52:54 | |
In fact, he was born in Australia and called Michael White, | 0:52:54 | 0:52:57 | |
but he came to the country 30 years ago, fell in love with it, stayed here and made a beautiful garden. | 0:52:57 | 0:53:04 | |
Others admired it so much that he made gardens for them, and quickly became established | 0:53:04 | 0:53:10 | |
as an internationally renowned garden designer, specialising in tropical gardens. | 0:53:10 | 0:53:15 | |
So what I want to know from him is how he's taken all the culture | 0:53:15 | 0:53:20 | |
and ritual and spirit of the ancient Balinese style of garden | 0:53:20 | 0:53:26 | |
and turned it into a thriving garden design business. | 0:53:26 | 0:53:31 | |
Made arrived in Bali in 1973 by, at least according to his version, | 0:53:45 | 0:53:50 | |
swimming ashore after first jumping ship during a violent storm. | 0:53:50 | 0:53:53 | |
And whilst perhaps this is not the whole truth, the story seems to fit his larger-than-life persona. | 0:53:53 | 0:53:59 | |
Somehow it's not surprising that this garden started off | 0:53:59 | 0:54:03 | |
as a commission for someone else, until he realised he liked it so much he had to keep it. | 0:54:03 | 0:54:08 | |
When you began to create gardens using Balinese courtyards and traditions, did you have to jettison | 0:54:08 | 0:54:15 | |
any of the Balinese cultural history and how much did you have to bring in to put on top of it? | 0:54:15 | 0:54:23 | |
Having grown up in Sydney, which was a sub-tropical paradise with artful natural English design trends, | 0:54:23 | 0:54:30 | |
it was easy for me in my work to introduce a more natural look. | 0:54:30 | 0:54:35 | |
But I was very influenced working with the Balinese gardeners and living in a Balinese society, | 0:54:35 | 0:54:43 | |
by the fecundity, the wild colours, the incredible statuary, | 0:54:43 | 0:54:46 | |
the peopling of the gardens with all of these shrines and things. | 0:54:46 | 0:54:52 | |
So, in one way, I've been trying to keep the shrines and the idea of a spiritual garden, | 0:54:52 | 0:54:58 | |
without it becoming too kitschy or cheesey or Disneyland. | 0:54:58 | 0:55:03 | |
I'd like you to talk me through your garden here because, clearly, it's based on a compound, | 0:55:05 | 0:55:12 | |
but the compounds I've seen have had almost no aesthetic consideration - | 0:55:12 | 0:55:17 | |
that seems to be incidental to the practical uses. Yet this is primarily aesthetic. | 0:55:17 | 0:55:23 | |
I wanted it to be first and foremost a little mini history of all the different Balinese landscape trends. | 0:55:23 | 0:55:29 | |
So I chose red brick shrines, and then I had water features that I'd seen in the palaces of east Bali. | 0:55:29 | 0:55:36 | |
I've tried to collect ornamental courtyard trees and shrubs | 0:55:36 | 0:55:41 | |
that you find in Balinese temples and palaces. | 0:55:41 | 0:55:45 | |
And the last one is a sand garden, which is a homage to the old sand gardens of the temples of Sanur, | 0:55:45 | 0:55:51 | |
the coastal gardens. | 0:55:51 | 0:55:53 | |
Made's garden is a complex series of interconnected courtyards which at once feels | 0:55:54 | 0:56:00 | |
authentically Balinese, and yet also thoroughly modern. | 0:56:00 | 0:56:06 | |
How do you feel that westerners coming to Bali, seeing the light and the lushness and the fecundity, | 0:56:06 | 0:56:13 | |
and then trying to recreate it back at home in grey London, or Paris or New York? | 0:56:13 | 0:56:18 | |
I mean, do you think that can work? | 0:56:18 | 0:56:20 | |
It really doesn't work. | 0:56:20 | 0:56:22 | |
I'm forever being led into houses all over the world, "You must see our Balinese garden." | 0:56:22 | 0:56:26 | |
And it's like the anti-Christ! It's horrible, cultural prostitution almost. | 0:56:26 | 0:56:31 | |
But it's also very bitty and nasty. | 0:56:31 | 0:56:33 | |
I think you always need to have cultural and geographical reference in a garden, it's better. | 0:56:33 | 0:56:39 | |
How much of that is going to be lost as the culture changes, as it's going to? | 0:56:39 | 0:56:44 | |
Bali has a way of surviving. So it's survived Islamification. | 0:56:44 | 0:56:48 | |
It's survived colonisation. It's pretty much survived mass tourism. | 0:56:48 | 0:56:54 | |
Will it survive the real estate boom, which is putting the garden down? Let's see. | 0:56:54 | 0:56:59 | |
Made's garden was not what I had imagined would be the goal of my journey, but I loved it. | 0:56:59 | 0:57:07 | |
I'd found a truly creative garden using local and, to me, very exotic planting, | 0:57:07 | 0:57:12 | |
as well as being deeply entrenched in a local idiom, but making something new from it. | 0:57:12 | 0:57:19 | |
I set out on this trip to find the perfect tropical paradise, | 0:57:25 | 0:57:31 | |
the garden that was the prototype | 0:57:31 | 0:57:34 | |
for all those tens of thousands of jungle gardens that are made at home. | 0:57:34 | 0:57:40 | |
But I've come to the conclusion that it's a fantasy. | 0:57:40 | 0:57:44 | |
It's a figment of our holiday imagination. | 0:57:44 | 0:57:47 | |
And what we're trying to do is store that experience, so that we can feed off it like a battery. | 0:57:47 | 0:57:53 | |
Nevertheless, over the 2,000 miles I've travelled throughout south-east Asia, | 0:57:53 | 0:57:59 | |
I have seen fascinating things along the way, all suggesting some kind of tropical ideal. | 0:57:59 | 0:58:04 | |
There were the practical, busy gardens of the klongs in Bangkok. | 0:58:04 | 0:58:09 | |
And the wonderful compounds in Bali. | 0:58:09 | 0:58:13 | |
That overwhelming lushness and fecundity right across the region, | 0:58:13 | 0:58:18 | |
and the modest but intense passion of the new gardeners in Singapore. | 0:58:18 | 0:58:22 | |
All these had elements of the idealised exotic garden. | 0:58:22 | 0:58:27 | |
But as for that real tropical paradise? | 0:58:27 | 0:58:32 | |
Mankind will always be looking for that Shangri-la, that wonderful place. | 0:58:32 | 0:58:38 | |
And actually it exists within you. | 0:58:38 | 0:58:40 |