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Hello and welcome to the best of Homes Under The Hammer. | 0:00:27 | 0:00:30 | |
And what a fantastic collection we have for you. | 0:00:30 | 0:00:33 | |
Martin and I can hardly believe | 0:00:33 | 0:00:35 | |
that we've been to well over 1,000 properties. | 0:00:35 | 0:00:37 | |
But we still get excited about each and every one. | 0:00:37 | 0:00:40 | |
But now is the chance for us to sit down and watch again some of our favourites. | 0:00:40 | 0:00:45 | |
It's not a Grade 2 star Listed property comes up for auction, | 0:00:45 | 0:00:49 | |
but this one in Wiltshire was, well, a star. | 0:00:49 | 0:00:54 | |
And in South London, I also found a star - | 0:00:56 | 0:01:00 | |
a flat in a building which fancied itself as Hampton Court Palace. | 0:01:00 | 0:01:04 | |
These are two of our favourite properties from the early days. | 0:01:07 | 0:01:11 | |
-Find out what happened to them when they went under the hammer. -Sold! | 0:01:11 | 0:01:14 | |
I'm in Steeple Ashton, a picture-postcard village in Wiltshire, | 0:01:20 | 0:01:24 | |
with village greens, beautifully preserved cottages and a local pub. | 0:01:24 | 0:01:28 | |
Surely it doesn't get any better than this. | 0:01:28 | 0:01:31 | |
But let's just fantasise for a moment. | 0:01:33 | 0:01:38 | |
What would your ideal property in this kind of village be like? | 0:01:38 | 0:01:42 | |
Something with bags of character, maybe in its own grounds, maybe something that's had | 0:01:42 | 0:01:49 | |
loads of history, something that had potential that you could really turn | 0:01:49 | 0:01:53 | |
into something that would be almost unbelievably fantastic. | 0:01:53 | 0:01:57 | |
Oh, yes. This is it, without a doubt. | 0:01:58 | 0:02:03 | |
The Sanctuary is reputed to be the oldest building in the village, | 0:02:05 | 0:02:09 | |
possibly dating back as far as the 14th century. | 0:02:09 | 0:02:13 | |
It's a timber-framed, brick-infilled building with cruck trusses. | 0:02:13 | 0:02:18 | |
Cruck houses were constructed with curved timbers to form | 0:02:18 | 0:02:21 | |
an A-frame which supports the roof independently of the walls. | 0:02:21 | 0:02:26 | |
Because of its unique construction, The Sanctuary was Grade 2 star listed in the 1980s. | 0:02:26 | 0:02:32 | |
This means it's a particularly important building of exceptional interest or outstanding importance. | 0:02:32 | 0:02:39 | |
Only 4% of listed properties in the UK are Grade 2 star, so this is a rare find. | 0:02:39 | 0:02:45 | |
The house has five bedrooms and comes with six acres of land, | 0:02:45 | 0:02:48 | |
including a pond and a double garage. | 0:02:48 | 0:02:51 | |
This dream place in the country has a guide price of just 400,000. | 0:02:51 | 0:02:56 | |
This place is nothing short of an architectural treasure, and the great thing is, | 0:02:58 | 0:03:04 | |
it's pretty much in original condition. It hasn't been messed around with. | 0:03:04 | 0:03:07 | |
Parts of it date back to the 14th century, and you really get a | 0:03:07 | 0:03:11 | |
flavour of a whole waft of history that's floated through this place. | 0:03:11 | 0:03:16 | |
It is a bit of a hotchpotch. You've got rooms leading off rooms. | 0:03:16 | 0:03:19 | |
Through there, big reception room. Beams. | 0:03:19 | 0:03:22 | |
More beams than you can shake a stick at. And look at these. | 0:03:22 | 0:03:25 | |
Look at this fireplace. If this was the only architecturally fantastic | 0:03:25 | 0:03:29 | |
feature, it would be good enough, but the house is full of them. | 0:03:29 | 0:03:32 | |
You've got a kitchen off there, you've got a reception room there, and that's just the downstairs. | 0:03:32 | 0:03:37 | |
Wait until you see upstairs! | 0:03:37 | 0:03:40 | |
Of course, careful attention should be paid to the low ceiling | 0:03:40 | 0:03:44 | |
height throughout the entire house, as all the rooms have these charming but potentially painful low beams. | 0:03:44 | 0:03:50 | |
Up here, you've got five bedrooms and yet more fantastic features. | 0:03:50 | 0:03:55 | |
Oak floorboards throughout, | 0:03:55 | 0:03:58 | |
and what do you think about this? | 0:03:58 | 0:04:00 | |
That's the loo. What do you think is through here? | 0:04:00 | 0:04:04 | |
It's the bathroom. In fact, it's the only bathroom in the whole house, and you have | 0:04:04 | 0:04:09 | |
to get through it through that major bit of wood there, and you couldn't get rid of that, that's for sure. | 0:04:09 | 0:04:14 | |
But you get through, more labyrinths, more corridors, and you find what was once a study. | 0:04:14 | 0:04:20 | |
This house is extraordinary. | 0:04:20 | 0:04:22 | |
The other bedrooms are amazing, though they've not been lived in | 0:04:25 | 0:04:28 | |
or looked after for the last six to 12 months. | 0:04:28 | 0:04:30 | |
The last person to stay in this room was clearly in a hurry to leave. | 0:04:30 | 0:04:34 | |
Maybe another night on this bed was just too much for him. | 0:04:34 | 0:04:39 | |
It is so easy to get bowled over by the romance in this place, but you know what? | 0:04:42 | 0:04:46 | |
Let's put our sensible hat on for a moment. | 0:04:46 | 0:04:49 | |
You come round the back here, you start to get an inkling of the kind of state this place is in. | 0:04:49 | 0:04:55 | |
And that state is very, very bad. | 0:04:55 | 0:04:58 | |
Over the years, I don't think it's had much looking after. | 0:04:58 | 0:05:01 | |
So, the roof is in a state, this side of the building almost looks like it's falling off. | 0:05:01 | 0:05:05 | |
This could potentially be a massive, massive money pit. | 0:05:05 | 0:05:10 | |
Still, it's gorgeous, isn't it? | 0:05:12 | 0:05:15 | |
Apart from the structural work, there are many other considerations here. | 0:05:31 | 0:05:35 | |
If you wanted to take this house back to how it originally looked, | 0:05:35 | 0:05:39 | |
you might need to replace the tiles with a thatched roof. | 0:05:39 | 0:05:43 | |
There's also the rewiring, the plumbing and so on. | 0:05:43 | 0:05:46 | |
This is a gem that is surely going to be the star of the auction room, | 0:05:47 | 0:05:51 | |
especially with its low guide price of £400,000. | 0:05:51 | 0:05:55 | |
In fact, the property excited so much interest | 0:05:55 | 0:05:59 | |
that on its first viewing 100 people turned up to have a look around. | 0:05:59 | 0:06:03 | |
So, what kind of a value do you put on a place like this? | 0:06:05 | 0:06:09 | |
Well, in lots of ways, it's priceless. | 0:06:09 | 0:06:11 | |
Whoever buys it has definitely got to go in with their eyes open, because it is one heck of a project. | 0:06:11 | 0:06:17 | |
But how often do you get the chance to buy a piece of history? | 0:06:17 | 0:06:21 | |
-Let's go to the auction. -Time for The Sanctuary, there we are. | 0:06:21 | 0:06:24 | |
No disrespect to the others, we've kept the best till last. | 0:06:24 | 0:06:27 | |
At 500. 500 at the back. | 0:06:27 | 0:06:29 | |
At £500,000, then, for the first time at 5... | 0:06:29 | 0:06:35 | |
505. | 0:06:35 | 0:06:38 | |
10 to you, sir, just in time. 510? | 0:06:38 | 0:06:40 | |
510. 515. At £515,000, the bid is there and it's in the market. | 0:06:40 | 0:06:44 | |
OK, 520. 525. | 0:06:44 | 0:06:48 | |
530. 535. | 0:06:48 | 0:06:51 | |
540. 540? | 0:06:51 | 0:06:53 | |
Yes or no? We can't dwell otherwise. | 0:06:54 | 0:06:58 | |
At £535,000 the bid is over there. | 0:06:58 | 0:07:00 | |
I'll take 540 from anybody else. | 0:07:00 | 0:07:02 | |
Otherwise, 535 then for the first time... Gentleman in the middle. | 0:07:02 | 0:07:06 | |
540. 545. 550, sir, if you like. | 0:07:06 | 0:07:10 | |
At 545. Don't worry, you'll give up in a moment if you like. | 0:07:10 | 0:07:14 | |
545. 550 if you like. 545,000, back where we started for the first time, and the bid is over there. | 0:07:14 | 0:07:20 | |
£545,000 for the second time. | 0:07:20 | 0:07:23 | |
And £545,000... | 0:07:23 | 0:07:26 | |
Your last chance, sir. 50? No. 545, your bid, sir. | 0:07:26 | 0:07:29 | |
Third and last time. Anybody else want to go? Otherwise, 545. | 0:07:29 | 0:07:33 | |
Your number, sir, is 40. | 0:07:33 | 0:07:36 | |
At £545,000, the successful bidder is semi-retired businessman John. | 0:07:36 | 0:07:42 | |
He made his money from the entertainment business, buying up clubs, bingo halls and cinemas. | 0:07:42 | 0:07:48 | |
He's recently sold off a lot of his clubs but still owns a bingo hall and cinema in Devizes. | 0:07:48 | 0:07:53 | |
John knows all about old properties. | 0:07:53 | 0:07:56 | |
He renovated his current home in Southampton, which was subsequently granted Grade 2 listed status. | 0:07:56 | 0:08:01 | |
So, he understands exactly what's involved with this one. | 0:08:01 | 0:08:04 | |
There's a lot of work to be done. We've got to get the right people in. It's going to take time. | 0:08:04 | 0:08:09 | |
Probably 12 months, I don't know, even longer. | 0:08:09 | 0:08:11 | |
But we've got to do it right and we've got to get it done | 0:08:11 | 0:08:15 | |
so that it'll be something to stand out amongst everything else. | 0:08:15 | 0:08:19 | |
That's my aim. | 0:08:19 | 0:08:20 | |
Of course, we've got to keep it under control of the finance, but... | 0:08:20 | 0:08:24 | |
It's going to cost me, I should think, as much to do it up as what I've paid for it. | 0:08:24 | 0:08:29 | |
-Really? -Mmm. | 0:08:29 | 0:08:31 | |
So, what we paid for it, as you well know, we'll have to spend again to get this into some order. | 0:08:31 | 0:08:38 | |
-You're budgeting over half a million quid to do it up? -Yeah, I am. | 0:08:38 | 0:08:41 | |
So, there'll be no messing around for John. | 0:08:41 | 0:08:45 | |
His original plan was to renovate and sell it on, but having spent | 0:08:45 | 0:08:49 | |
time here, John's beginning to fall in love with the place. | 0:08:49 | 0:08:52 | |
So, what's his plan now? | 0:08:52 | 0:08:54 | |
Well, we employ an architect to start with. | 0:08:57 | 0:08:59 | |
We've got to get a good architect in the area that's used to these old buildings, that can identify it | 0:08:59 | 0:09:06 | |
and pick out the bad pieces and have discussions with the planners | 0:09:06 | 0:09:09 | |
and the conservation people and get the permissions required. | 0:09:09 | 0:09:14 | |
Then after that, we get some tenders for building work, and then we do it in stages. | 0:09:14 | 0:09:20 | |
As far as I'm concerned, we move as quickly as we can, | 0:09:20 | 0:09:24 | |
but I'm told it's going to take three or four months for permission, | 0:09:24 | 0:09:27 | |
at least, so we're anticipating probably 12 months minimum | 0:09:27 | 0:09:33 | |
before any work really gets under way. | 0:09:33 | 0:09:36 | |
We can't wait to come back and see what you do with this place, and I think it's lucky to have found you. | 0:09:36 | 0:09:41 | |
Yeah. Well, please come back and see what I've done when I've done it. | 0:09:41 | 0:09:45 | |
-Great. Congratulations. -Thank you. | 0:09:45 | 0:09:47 | |
After years of neglect, John plans to return this wonderful building to its former glory. | 0:09:47 | 0:09:53 | |
We'll find out how he gets on later in the show. | 0:09:53 | 0:09:57 | |
I'm in Sydenham, just 20 minutes away from Central London. | 0:10:06 | 0:10:10 | |
In recent years, the huge properties around here | 0:10:10 | 0:10:12 | |
have enticed the trendies from the likes of Clapham. They know a bargain when they see one. | 0:10:12 | 0:10:17 | |
I love to look at architecture and old buildings, | 0:10:17 | 0:10:21 | |
and this is no exception. | 0:10:21 | 0:10:23 | |
If you just stop and look up, | 0:10:23 | 0:10:26 | |
you can see some wonderful old period features. | 0:10:26 | 0:10:30 | |
I mean, almost Gothic in style. | 0:10:30 | 0:10:31 | |
That is truly beautiful. | 0:10:31 | 0:10:33 | |
It would have once been a grand Victorian house, but not any more, | 0:10:33 | 0:10:38 | |
because I'm here to see flat 57C. | 0:10:38 | 0:10:41 | |
It's got a guide price of £145,000. I can't wait to get inside. | 0:10:41 | 0:10:47 | |
In its day this would have been home to a very wealthy family, | 0:10:47 | 0:10:51 | |
and looking at it, it seems the new owners will need a fair bit of cash themselves. It's filthy! | 0:10:51 | 0:10:57 | |
Although this property stands out from the crowd, it's far from flawless. | 0:11:12 | 0:11:16 | |
These sash windows here are going to need some serious attention. | 0:11:16 | 0:11:21 | |
And this wall over here is riddled with damp. | 0:11:21 | 0:11:25 | |
Now the buyer is going to have to factor in these extra costs when bidding at auction. | 0:11:25 | 0:11:30 | |
But it's not just the damp. | 0:11:32 | 0:11:34 | |
The doors will need to be replaced, as will the floors, | 0:11:34 | 0:11:36 | |
and a new kitchen needs to be fitted. | 0:11:36 | 0:11:39 | |
Changing a tap in this place is a drop in the ocean, | 0:11:44 | 0:11:47 | |
but the rooms are huge, and many still have original features. | 0:11:47 | 0:11:51 | |
Yes. Now this room is everything I love. | 0:11:54 | 0:11:58 | |
You can imagine what it's going to look like when you've renovated it. | 0:11:58 | 0:12:01 | |
High ceilings. | 0:12:01 | 0:12:03 | |
Old cornicing. A wonderful, imposing bay window here, | 0:12:03 | 0:12:08 | |
complete with its panelling. And look out here. | 0:12:08 | 0:12:11 | |
Across this pretty garden, you've got Crystal Palace Park. | 0:12:11 | 0:12:15 | |
Sadly, you can't enjoy the view from the bathroom. | 0:12:17 | 0:12:20 | |
That might have helped to distract from the decor. | 0:12:20 | 0:12:23 | |
Add a new bathroom to that list of things to do. | 0:12:23 | 0:12:27 | |
Let's hope the prospective buyer can see past all the work and recognise this flat's true potential. | 0:12:27 | 0:12:33 | |
You only have to look outside the front door for a taste of how it could look. | 0:12:33 | 0:12:37 | |
Believe it or not, this is the communal hallway. | 0:12:40 | 0:12:44 | |
You feel like you're standing in Hampton Court Palace. | 0:12:44 | 0:12:47 | |
It's detail like this that makes this property so special. | 0:12:47 | 0:12:53 | |
This flat sells itself, | 0:12:59 | 0:13:01 | |
with its grand proportions and period features. | 0:13:01 | 0:13:05 | |
I love the fact that it's so close to the wide open space of Crystal Palace Park. | 0:13:05 | 0:13:10 | |
Now, only when I'm buying property, do I judge a book by its cover. | 0:13:10 | 0:13:14 | |
This one's a real looker. Let's go to auction. | 0:13:14 | 0:13:17 | |
Lot 47 is... | 0:13:29 | 0:13:31 | |
..57C Crystal Palace Park Road, Sydenham. | 0:13:33 | 0:13:37 | |
It's a raised ground-floor flat. | 0:13:37 | 0:13:40 | |
Would you like to have a go at this one? Nice flat. | 0:13:40 | 0:13:44 | |
£150,000. | 0:13:46 | 0:13:49 | |
151. Take it here 151. 152. | 0:13:49 | 0:13:52 | |
152, 153, | 0:13:53 | 0:13:57 | |
154, 155, | 0:13:57 | 0:14:01 | |
156, 157... | 0:14:01 | 0:14:04 | |
Got 156. 157. Going to lose it. 156. | 0:14:07 | 0:14:12 | |
157 at the back. 158, 159. | 0:14:12 | 0:14:16 | |
160, | 0:14:21 | 0:14:23 | |
161, | 0:14:23 | 0:14:26 | |
162. | 0:14:28 | 0:14:30 | |
He's more decisive than you. 163. | 0:14:30 | 0:14:33 | |
Yes, no? 163. 162 in the aisle. 163 anywhere? | 0:14:34 | 0:14:39 | |
162 in the aisle. | 0:14:39 | 0:14:41 | |
First time. 163... 163, well done. | 0:14:41 | 0:14:44 | |
164? 165, sir? | 0:14:44 | 0:14:48 | |
Round off 165. | 0:14:48 | 0:14:49 | |
164. First time, second time, | 0:14:49 | 0:14:53 | |
third and last time... You all done? | 0:14:53 | 0:14:55 | |
Sold 164. | 0:14:55 | 0:14:59 | |
And the new owner is Yolanta, originally from Poland. | 0:14:59 | 0:15:04 | |
She's made London her home for the past 15 years. | 0:15:04 | 0:15:07 | |
As an artist, Yolanta is more than at home with a paintbrush in her hand, | 0:15:10 | 0:15:14 | |
but for now, it's tape measure, pen and camera, | 0:15:14 | 0:15:18 | |
as she works out her future. | 0:15:18 | 0:15:21 | |
Yolanta, congratulations. | 0:15:22 | 0:15:25 | |
You're a very lucky lady. A lot of people wanted to buy this flat, | 0:15:25 | 0:15:28 | |
-me included. -Oh, my God. | 0:15:28 | 0:15:32 | |
I am very happy person that I got it. | 0:15:32 | 0:15:34 | |
What did you think when you first saw that stained-glass window? | 0:15:34 | 0:15:39 | |
I couldn't believe it, really. | 0:15:39 | 0:15:42 | |
It's just a pity that I don't have to go through it in order to get to the flat, | 0:15:42 | 0:15:48 | |
because the entrance to my flat is just opposite the main entrance. | 0:15:48 | 0:15:52 | |
But it is very special. | 0:15:52 | 0:15:55 | |
Yolanta's planning on doing everything she can to restore her flat to its former glory, | 0:15:55 | 0:15:59 | |
with touches of the modern in the form of her own paintings. | 0:15:59 | 0:16:05 | |
Nature inspires me, so it's very important for me | 0:16:06 | 0:16:10 | |
that it's next to the park. | 0:16:10 | 0:16:13 | |
I'm so pleased that you've got this property. | 0:16:13 | 0:16:16 | |
-I'm so pleased it's not a developer, and that you're going to live here. And love it. -And enjoy it. | 0:16:16 | 0:16:22 | |
-You are, aren't you? -Absolutely. | 0:16:22 | 0:16:24 | |
Yolanta has budgeted 20,000 for the renovation. | 0:16:26 | 0:16:31 | |
This will need to buy her new floors and doors, a bathroom and kitchen, and sort out the minor damp problem. | 0:16:31 | 0:16:37 | |
Yolanta has some great plans, and with her artistic skills, | 0:16:37 | 0:16:42 | |
I think this flat is going to be very different to the usual, plain developer's style. | 0:16:42 | 0:16:48 | |
I can visualise nice chandeliers in every room. It'll be really nice. | 0:16:48 | 0:16:53 | |
Did you get an immediate feeling when you walked in the door? | 0:16:53 | 0:16:57 | |
Yes, absolutely, yes. | 0:16:57 | 0:16:59 | |
I had very strong feeling that this was my kind of place. | 0:16:59 | 0:17:03 | |
I can't wait to see how artist Yolanta has stamped her mark on this amazing flat. | 0:17:06 | 0:17:13 | |
Some of our buyers will finish their projects in weeks, | 0:17:17 | 0:17:21 | |
most take months, and others won't invite us back for years. | 0:17:21 | 0:17:24 | |
But however long it takes, we're always fascinated by what's been going on. | 0:17:24 | 0:17:29 | |
So what's happened with today's properties? | 0:17:29 | 0:17:31 | |
Usually, three months is enough time to leave before seeing a change at most properties. But not all. | 0:17:34 | 0:17:40 | |
Some, like this stunning Grade 2 star listed property in Wiltshire, are a bit special. | 0:17:40 | 0:17:46 | |
So, it's been seven months since we met businessman John, | 0:17:46 | 0:17:50 | |
who bought The Sanctuary for £545,000. | 0:17:50 | 0:17:53 | |
Originally, John planned to renovate it and sell it on, but things have changed. | 0:17:53 | 0:17:58 | |
John has fallen in love with the house and the village. | 0:17:58 | 0:18:02 | |
The Sanctuary is a unique property in a unique village. | 0:18:04 | 0:18:09 | |
Steeple Ashton is a very sociable village. | 0:18:09 | 0:18:12 | |
The people are very friendly, they're very warm, | 0:18:12 | 0:18:15 | |
and although I haven't moved into the village itself, into my house, I've been to several parties. | 0:18:15 | 0:18:21 | |
Over the months, John has been very much welcomed by the local villagers, who are all delighted | 0:18:21 | 0:18:27 | |
to see this building being restored. | 0:18:27 | 0:18:31 | |
But what work has actually taken place? | 0:18:31 | 0:18:34 | |
Wrapped up like an enormous present, we can't see much from out here. | 0:18:36 | 0:18:40 | |
It's only once inside that you start to see the enormity of the project. | 0:18:40 | 0:18:44 | |
John isn't cutting any corners with the renovation. | 0:18:51 | 0:18:54 | |
He wanted the work done properly, with the right experts doing it. | 0:18:54 | 0:18:58 | |
One of those was architect Adam. He's tasked with the enormous job of restoring the house | 0:18:58 | 0:19:04 | |
to exactly as it was, and that meant uncovering some of its history. | 0:19:04 | 0:19:09 | |
OK, this part of the building is probably the most interesting. | 0:19:09 | 0:19:13 | |
It's late 15th century, it's of jettied construction. | 0:19:13 | 0:19:18 | |
It was a very high status when it was originally constructed, | 0:19:19 | 0:19:22 | |
compared to the rest of the building, | 0:19:22 | 0:19:24 | |
because it was the first thing you would see as you approached the house. | 0:19:24 | 0:19:27 | |
Over the centuries, as the cruck structure deteriorated, | 0:19:27 | 0:19:31 | |
more and more timbers were added to strengthen it. | 0:19:31 | 0:19:34 | |
What Adam and his team are now doing is removing all the extra timber | 0:19:34 | 0:19:38 | |
and strengthening the original frame, | 0:19:38 | 0:19:40 | |
because due to all the repairs, the building became less stable. | 0:19:40 | 0:19:44 | |
The difficult part of renovating a building this old is working out | 0:19:44 | 0:19:48 | |
what's original and what's been added over the years, and then figuring out how to put it right. | 0:19:48 | 0:19:53 | |
Much of the stone unfortunately was decayed, but we've copied it using local stone carved by local masons. | 0:19:53 | 0:20:01 | |
As every stage of the restoration requires planning permission, | 0:20:05 | 0:20:09 | |
it would be at least 12 months before work is completed. | 0:20:09 | 0:20:12 | |
But, as you can see, every little detail | 0:20:12 | 0:20:14 | |
has been meticulously repaired or rebuilt exactly as it was. | 0:20:14 | 0:20:18 | |
We've gone back for a long way and we've got all the history on the property. | 0:20:21 | 0:20:25 | |
A complete history for several hundreds of years. | 0:20:25 | 0:20:30 | |
The last people to own the house kept it in the family for 75 years. | 0:20:30 | 0:20:35 | |
As restoration work continues, I'm sure that this beautiful house will give up a few more of its secrets. | 0:20:35 | 0:20:42 | |
One thing it will certainly hold on to is its charm. It's such a fascinating building | 0:20:42 | 0:20:47 | |
and an important insight into history. | 0:20:47 | 0:20:51 | |
I'm delighted to see it getting the care it deserves. | 0:20:51 | 0:20:53 | |
John originally paid £545,000 for The Sanctuary at auction | 0:20:55 | 0:21:00 | |
and will spend close to that again renovating it. | 0:21:00 | 0:21:03 | |
We've had a valuation, a private valuation from a national company. | 0:21:11 | 0:21:15 | |
They've valued the property - when it's fully complete, it'll be valued at 1.5 million. | 0:21:15 | 0:21:23 | |
But he has no plans to sell it at the moment. | 0:21:25 | 0:21:29 | |
He's fallen in love with The Sanctuary and the village it's in. | 0:21:29 | 0:21:33 | |
He takes enormous pride and pleasure in owning this magnificent building. | 0:21:33 | 0:21:37 | |
Because the property has been deteriorating over many years, | 0:21:37 | 0:21:41 | |
and no-one has ever attempted to take this on, | 0:21:41 | 0:21:44 | |
and so it's an ordeal for me to take something of this nature on. | 0:21:44 | 0:21:48 | |
And I think it really is once-in-a-lifetime. | 0:21:48 | 0:21:53 | |
We're back to see a flat in this work of art in South London with its wonderful Gothic features, | 0:22:04 | 0:22:11 | |
and that unforgettable entrance hall. | 0:22:11 | 0:22:14 | |
Yolanta paid 164,000 for the property. | 0:22:16 | 0:22:20 | |
She's an artist, so she had the vision to see the masterpiece | 0:22:20 | 0:22:24 | |
beneath the muck. | 0:22:24 | 0:22:26 | |
I can visualise nice chandeliers in every room. | 0:22:26 | 0:22:30 | |
It will be really nice. | 0:22:30 | 0:22:32 | |
And just three months on, Yolanta's vision has become a reality. | 0:22:34 | 0:22:38 | |
She's transformed this blank canvas into a work of art. | 0:22:41 | 0:22:45 | |
Nowadays, the flat is just dripping with sophistication. | 0:23:20 | 0:23:23 | |
The damp patch in the bedroom was a result of leaking pipes | 0:23:37 | 0:23:40 | |
under the wall, rather than an inherent damp problem. | 0:23:40 | 0:23:44 | |
Nothing that a bit of ventilation and a lick of paint couldn't sort. | 0:23:44 | 0:23:48 | |
Yolanta has certainly put her mark on this place. | 0:24:03 | 0:24:06 | |
And she's uncovered a few treasures. | 0:24:06 | 0:24:09 | |
She discovered this beautiful Victorian print | 0:24:09 | 0:24:11 | |
whilst stripping the walls. | 0:24:11 | 0:24:14 | |
I took some wallpaper, all the wallpaper off and this emerged. | 0:24:14 | 0:24:18 | |
I was really pleased to see it. | 0:24:18 | 0:24:20 | |
And I decided to preserve the best pieces. | 0:24:20 | 0:24:23 | |
And just paint with the background colour into it. | 0:24:23 | 0:24:27 | |
This is a little, you know, quotation from the past, you know? | 0:24:27 | 0:24:33 | |
Yolanta has enhanced all the original features | 0:24:35 | 0:24:38 | |
as well as laying oak flooring throughout and raising the ceilings | 0:24:38 | 0:24:41 | |
in the hall and bathroom. | 0:24:41 | 0:24:43 | |
She's also fitted a new kitchen and bathroom suite. | 0:24:43 | 0:24:47 | |
But it's not just inside that Yolanta has made changes. | 0:24:47 | 0:24:51 | |
She had permission to move her front door into the main entrance. | 0:24:51 | 0:24:54 | |
Which means she gets the full benefit | 0:24:54 | 0:24:57 | |
of the gorgeous stained glass windows. | 0:24:57 | 0:24:59 | |
But has she been wearing rose-tinted glasses when it comes to the budget? | 0:25:07 | 0:25:12 | |
Keeping to the budget was quite difficult for me. | 0:25:12 | 0:25:15 | |
And in the end I went over my budget by about 3,000. | 0:25:15 | 0:25:19 | |
But I think the flat is worth it. | 0:25:19 | 0:25:23 | |
Considering the location and the quality of the building, | 0:25:23 | 0:25:26 | |
it's a really amazing building. | 0:25:26 | 0:25:28 | |
So I'm sure, you know, if I sell it one day, I will get it back, | 0:25:28 | 0:25:32 | |
but for a while I will just enjoy it. | 0:25:32 | 0:25:35 | |
Let's hope the estate agents enjoy their first viewing, | 0:25:36 | 0:25:40 | |
and give Yolanta another reason to be happy with her investment. | 0:25:40 | 0:25:45 | |
I think if I was selling it, I would put it on the market | 0:25:54 | 0:25:57 | |
get a realistic price of 205. | 0:25:57 | 0:25:59 | |
Which means I may put it on higher than that to achieve it. | 0:25:59 | 0:26:02 | |
But 205 would be a realistic price. | 0:26:02 | 0:26:04 | |
Sales in the region of £225,000. | 0:26:04 | 0:26:08 | |
So, even taking into account Yolanta's overspend, | 0:26:08 | 0:26:12 | |
she could clear 30,000 profit. But she's not motivated by the money. | 0:26:12 | 0:26:17 | |
I would like to stay here for some time, yeah. | 0:26:19 | 0:26:22 | |
Maybe a long time. | 0:26:22 | 0:26:23 | |
I used to paint much more abstract, | 0:26:27 | 0:26:29 | |
but it's becoming more and more nature based. | 0:26:29 | 0:26:33 | |
And I think it's the influence | 0:26:33 | 0:26:35 | |
of changing the place and being in touch with this green every day. | 0:26:35 | 0:26:40 | |
So overwhelming. | 0:26:40 | 0:26:43 | |
So, I'm quite happy the way it's going now. | 0:26:43 | 0:26:48 | |
And so she should be. In the space of just three months, | 0:26:48 | 0:26:52 | |
Yolanta has created a true work of art. | 0:26:52 | 0:26:54 | |
And finally the building is as beautiful inside as it is out. | 0:26:54 | 0:26:59 | |
Well, that's two more favourites added to our great list. | 0:27:08 | 0:27:11 | |
So, join us next time for another pair of pearls | 0:27:11 | 0:27:14 | |
-from the auction room. -We'll see you then. -Bye-bye. -Bye. | 0:27:14 | 0:27:17 | |
Subtitles by Red Bee Media Ltd | 0:27:23 | 0:27:26 | |
E-mail [email protected] | 0:27:26 | 0:27:29 |