Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Do you have a small garden, but a big idea? | 0:00:02 | 0:00:04 | |
Do you know what you'd like it to look like, | 0:00:04 | 0:00:07 | |
but no idea really of where to begin? | 0:00:07 | 0:00:09 | |
Well, you're not alone. | 0:00:09 | 0:00:11 | |
Over the last year, I've been working with people right across the country, | 0:00:11 | 0:00:15 | |
helping them to make their garden dreams become reality. | 0:00:15 | 0:00:19 | |
Monty Don has listened to their hopes and plans. | 0:00:19 | 0:00:23 | |
It's an absolutely crazy idea and I love it. | 0:00:23 | 0:00:28 | |
He's given advice... | 0:00:28 | 0:00:30 | |
Don't be frightened to push plants into crevices. | 0:00:30 | 0:00:33 | |
..and he's rolled up his sleeves. | 0:00:33 | 0:00:35 | |
Let's not talk about it, let's just do it. | 0:00:35 | 0:00:37 | |
Talk about a lean, mean gardening machine. | 0:00:37 | 0:00:40 | |
Things haven't always gone to plan. | 0:00:40 | 0:00:43 | |
I thought we were going to make four raised beds. | 0:00:43 | 0:00:45 | |
I'm a bit worried that we might have killed it. | 0:00:45 | 0:00:48 | |
But it's been worth it. | 0:00:48 | 0:00:50 | |
What a beautiful garden. | 0:00:50 | 0:00:52 | |
I'm so happy. | 0:00:52 | 0:00:53 | |
-Thank you, Monty! -ALL: Cheers! | 0:00:53 | 0:00:55 | |
I do believe that however small your garden is, | 0:00:55 | 0:00:59 | |
everybody can cultivate a big dream. | 0:00:59 | 0:01:02 | |
This time, Monty works with two couples | 0:01:10 | 0:01:12 | |
who dream of bringing far-off places into their back gardens. | 0:01:12 | 0:01:17 | |
They test Monty to the limit. | 0:01:17 | 0:01:19 | |
I can't even get my fork in. | 0:01:19 | 0:01:21 | |
-To your right. -Are you sure?! | 0:01:21 | 0:01:23 | |
From creating a mountain and a stream... | 0:01:23 | 0:01:26 | |
Cold! That's cold. That's cold. | 0:01:26 | 0:01:28 | |
..to bringing the Far East to the South East. | 0:01:28 | 0:01:31 | |
That's where it wants to be, it wants to be out like that. | 0:01:31 | 0:01:34 | |
And they find the elements bring them to their knees. | 0:01:34 | 0:01:37 | |
There are times like this and you think, "This was such a silly idea." | 0:01:39 | 0:01:42 | |
They will move heaven... | 0:01:42 | 0:01:44 | |
Step away from the Buddha. | 0:01:44 | 0:01:46 | |
..and earth to turn their small spaces into big dreams. | 0:01:46 | 0:01:51 | |
-Well done. -Cheers. -Thank you. | 0:01:51 | 0:01:53 | |
Our first dreamers come from the village of Marnhull in Dorset. | 0:01:56 | 0:02:00 | |
Helen met Tim seven years ago when he moved to the area. | 0:02:00 | 0:02:05 | |
Erm, we met socially and then Tim and I started walking the dogs. | 0:02:05 | 0:02:09 | |
Becoming more familiar with the highways and byways of Dorset, | 0:02:09 | 0:02:13 | |
as well as Helen's dogs, was not the only thing on Tim's mind. | 0:02:13 | 0:02:17 | |
That's when you could say, yes, I did ask her out, in a way. | 0:02:17 | 0:02:20 | |
It was definitely love me, love my dog, though, because Tim... | 0:02:20 | 0:02:23 | |
The dog I had at the time, Tim said to me, | 0:02:23 | 0:02:25 | |
"And how long do they live for?" And I thought, "Watch it, mate." | 0:02:25 | 0:02:29 | |
"If you've got any ideas, the dog's staying, you're not!" | 0:02:29 | 0:02:33 | |
But Helen agreed to leave the dogs at home, | 0:02:33 | 0:02:36 | |
get herself a passport for the first time | 0:02:36 | 0:02:38 | |
and go on the honeymoon of a lifetime. | 0:02:38 | 0:02:40 | |
My overall impression of Norway was of greenery, ferns, grasses, | 0:02:41 | 0:02:47 | |
rocks, boulders and the movement of water going over the stones | 0:02:47 | 0:02:52 | |
and that's really what I want to try and get into this garden. | 0:02:52 | 0:02:55 | |
My Norwegian garden. | 0:02:55 | 0:02:56 | |
Our second gardeners live in the London suburbs of Bromley. | 0:03:00 | 0:03:04 | |
Joan and David have been here for nine years, | 0:03:04 | 0:03:07 | |
but gifts like tonnes of paving and purchases of lots of plants | 0:03:07 | 0:03:12 | |
has so far led to a garden looking like a dumping ground. | 0:03:12 | 0:03:16 | |
I work for a big international marketing company. | 0:03:16 | 0:03:20 | |
For me to come into my own space | 0:03:20 | 0:03:22 | |
and have somewhere to chill and relax is key. | 0:03:22 | 0:03:26 | |
Joan has a busy working life as a graphic designer | 0:03:26 | 0:03:30 | |
and has decided to turn her garden | 0:03:30 | 0:03:32 | |
into a haven of peace and tranquillity. | 0:03:32 | 0:03:34 | |
The Japanese-theme garden came about really cos my eye was drawn in | 0:03:37 | 0:03:41 | |
and I found it very peaceful and tranquil, | 0:03:41 | 0:03:44 | |
so I think that kind of guided me into... Down that line. | 0:03:44 | 0:03:48 | |
Joan isn't the only one looking for peace and quiet. | 0:03:50 | 0:03:53 | |
Her husband, David, has his own plans. | 0:03:53 | 0:03:56 | |
I had a shed out there for a long while, | 0:03:56 | 0:03:58 | |
but I haven't been able to get into it | 0:03:58 | 0:04:01 | |
because of all the... All the extra stuff that goes in there. | 0:04:01 | 0:04:05 | |
It'd just be nice to have a bit of room in there | 0:04:07 | 0:04:10 | |
to store some of my stuff. | 0:04:10 | 0:04:13 | |
Maybe have a little TV as a bit of a chill-out place to go | 0:04:13 | 0:04:19 | |
and keep out of the way sometimes. | 0:04:19 | 0:04:22 | |
THEY GIGGLE | 0:04:25 | 0:04:28 | |
It's late autumn and in Dorset Helen is anticipating a visit | 0:04:39 | 0:04:43 | |
from Britain's top gardener, | 0:04:43 | 0:04:45 | |
so a last-minute tidy-up and a bit of weeding is in order. | 0:04:45 | 0:04:49 | |
I'm looking forward to Monty coming. | 0:04:51 | 0:04:53 | |
I am a little bit anxious about what he's going to say | 0:04:53 | 0:04:55 | |
about my garden. I think possibly most gardeners | 0:04:55 | 0:04:58 | |
are a little bit precious about their baby. | 0:04:58 | 0:05:01 | |
Helen knows that she has some unusual plans, wild dreams even, | 0:05:01 | 0:05:05 | |
given the tiny space. She's worried she won't sell them easily to Monty. | 0:05:05 | 0:05:09 | |
-So... -Here we are. This is the plot. | 0:05:13 | 0:05:16 | |
So just this area here? | 0:05:16 | 0:05:18 | |
Just this area, yes. It is rather small. | 0:05:18 | 0:05:21 | |
And what do you want to do with it? | 0:05:21 | 0:05:23 | |
We want to recreate something of what we saw | 0:05:23 | 0:05:27 | |
when we were on honeymoon in Norway. | 0:05:27 | 0:05:29 | |
We just saw the nice gardens they've got there | 0:05:29 | 0:05:31 | |
and so we just thought, | 0:05:31 | 0:05:33 | |
"Well, why not have a garden here from Norway and bring it home?" | 0:05:33 | 0:05:36 | |
Not technically, of course, but... | 0:05:36 | 0:05:39 | |
A Norwegian garden is pretty unusual. | 0:05:39 | 0:05:43 | |
-Yes. -I mean, in fact, I'll be honest, | 0:05:43 | 0:05:45 | |
it's the first people I've ever met who said, | 0:05:45 | 0:05:47 | |
"I want a Norwegian garden." | 0:05:47 | 0:05:49 | |
What did you see when you were on honeymoon in Norway? | 0:05:49 | 0:05:52 | |
We were inspired by a walk we took. | 0:05:52 | 0:05:54 | |
We were in Gol and we walked down one day | 0:05:54 | 0:05:57 | |
from the big, white church on the mountainside | 0:05:57 | 0:06:00 | |
and we got these glimpses of little glades almost amongst the trees, | 0:06:00 | 0:06:05 | |
with streams and rocks and little waterfalls all running through. | 0:06:05 | 0:06:09 | |
So what we want to do really here is to have | 0:06:11 | 0:06:16 | |
water running over rocks and then into a pool and then a stream | 0:06:16 | 0:06:19 | |
-and bridge and build an arbour. -Hang on, bridge? What bridge? | 0:06:19 | 0:06:23 | |
Well, over the stream, I'm hoping to have a bridge, | 0:06:23 | 0:06:26 | |
because I've got the water running away on the stream | 0:06:26 | 0:06:30 | |
and you've got to be able to cross it to get to the arbour... | 0:06:30 | 0:06:32 | |
-Arbour?! -..that Tim's going... | 0:06:32 | 0:06:34 | |
-Tim was going to build on the back of the workshop. -OK. | 0:06:34 | 0:06:37 | |
Erm...fine. | 0:06:38 | 0:06:40 | |
-I have big ideas... -You certainly do. -..only a small space! | 0:06:40 | 0:06:44 | |
After they've rebuilt their garage | 0:06:45 | 0:06:48 | |
and a remaining budget of £1,500 to £2,000 | 0:06:48 | 0:06:51 | |
for the four-by-five metre plot, | 0:06:51 | 0:06:53 | |
Helen and Tim's dream is to have water falling over boulders, | 0:06:53 | 0:06:57 | |
leading to a pond, which will then flow from the pond to a bridge | 0:06:57 | 0:07:00 | |
and in turn that will lead to an arbour. | 0:07:00 | 0:07:04 | |
And, if that wasn't enough, they also want a bog garden and some decking. | 0:07:04 | 0:07:08 | |
Monty is stunned by the scale of the dream, | 0:07:10 | 0:07:12 | |
but slowly he begins to warm to the Norwegian theme. | 0:07:12 | 0:07:16 | |
You need a touch of the sinister to make it work. | 0:07:16 | 0:07:19 | |
You do something that is radical and, erm, | 0:07:19 | 0:07:25 | |
has a sort of Grimm's fairy-tale element to it, you know, | 0:07:25 | 0:07:28 | |
and it becomes a, sort of, Gothic, rich idea rather than a twee... | 0:07:28 | 0:07:34 | |
Don't want to do twee. Do not want to do twee. | 0:07:34 | 0:07:37 | |
If ever there was a chance or an opportunity to use dwarf conifers, | 0:07:37 | 0:07:42 | |
it's here. Now dwarf conifers, I don't know how you feel about them | 0:07:42 | 0:07:46 | |
or what you know about them, but for most of my adult life | 0:07:46 | 0:07:50 | |
have been about as unfashionable and untrendy as it's possible to be. | 0:07:50 | 0:07:55 | |
Helen and Tim need to simplify their plans dramatically. | 0:07:58 | 0:08:02 | |
I would drop the arbour and the decking | 0:08:02 | 0:08:05 | |
to avoid the small space becoming too cluttered. | 0:08:05 | 0:08:08 | |
And the stream must either be linked to the rest of the garden | 0:08:08 | 0:08:11 | |
or screened off. | 0:08:11 | 0:08:13 | |
And I do think they should go all out for the dwarf conifers. | 0:08:13 | 0:08:17 | |
Today has been a real eye-opener. | 0:08:19 | 0:08:21 | |
It's certainly made me think about the garden in a different way. | 0:08:21 | 0:08:24 | |
Well, this is a truly tiny space and a whooping great idea. | 0:08:24 | 0:08:29 | |
It's going to be holding on to what was our idea, | 0:08:29 | 0:08:31 | |
but I think incorporating some of the really good input | 0:08:31 | 0:08:34 | |
that he's given us today. | 0:08:34 | 0:08:35 | |
Watch this space and see what we come up with. | 0:08:35 | 0:08:38 | |
Over in Bromley, | 0:08:41 | 0:08:42 | |
it's Joan and David's turn to prepare for Monty's visit. | 0:08:42 | 0:08:45 | |
The big tidy-up is under way to turn a dump into a blank canvas. | 0:08:45 | 0:08:49 | |
So far, the extent of Joan's gardening | 0:08:51 | 0:08:53 | |
has been about buying plants. | 0:08:53 | 0:08:55 | |
Keeping them alive has been quite another story. | 0:08:56 | 0:08:59 | |
-These can go down the dump, David, they're dead. -All right. | 0:08:59 | 0:09:02 | |
No, they're rubbish. | 0:09:03 | 0:09:05 | |
Apart from the long commute, the long hours, | 0:09:05 | 0:09:08 | |
we both have a responsibility to my dad, who's 91, disabled, | 0:09:08 | 0:09:13 | |
and we spend the evenings with him, really, | 0:09:13 | 0:09:16 | |
making sure he's had a hot meal. | 0:09:16 | 0:09:18 | |
Now Joan and David want to make time to create their dream garden... | 0:09:19 | 0:09:24 | |
with Monty's expert help. | 0:09:24 | 0:09:26 | |
Now, tell me, what's the idea? | 0:09:30 | 0:09:34 | |
Erm, well, we'd like to clear a lot of this | 0:09:34 | 0:09:36 | |
and have a Japanese-style theme. | 0:09:36 | 0:09:39 | |
I see, erm, three separate sections in the garden. | 0:09:39 | 0:09:43 | |
One area near the house for dining, | 0:09:43 | 0:09:46 | |
the middle section probably for more of a seating area, for entertaining, | 0:09:46 | 0:09:50 | |
and then the third area much more, kind of, exclusive, if you like. | 0:09:50 | 0:09:55 | |
-OK. That's the usage. -Yes. | 0:09:55 | 0:09:59 | |
But describe to me how you think that'll look. | 0:09:59 | 0:10:01 | |
Well, I think I'd have, sort of, planting | 0:10:01 | 0:10:04 | |
coming right the way across the garden to make the sections. | 0:10:04 | 0:10:08 | |
Is it going to be flowers or hedge or trees or shrubs? | 0:10:08 | 0:10:12 | |
I mean, do you see it as spiky, soft? | 0:10:12 | 0:10:14 | |
I kind of like bamboos and grasses | 0:10:14 | 0:10:17 | |
and sort of the movement and the noise of it | 0:10:17 | 0:10:20 | |
is really kind of peaceful. | 0:10:20 | 0:10:23 | |
Why Japanese? | 0:10:23 | 0:10:25 | |
I suppose, I'm just really drawn to the tranquillity and | 0:10:25 | 0:10:28 | |
all the different colours going on. | 0:10:28 | 0:10:30 | |
And what will be on the ground? | 0:10:30 | 0:10:33 | |
Well, we've got rather a lot of paving stones to... | 0:10:33 | 0:10:36 | |
It's funny, I had noticed that! | 0:10:36 | 0:10:38 | |
I couldn't help but see that most of your garden is taken up | 0:10:38 | 0:10:42 | |
with piles of paving stones. | 0:10:42 | 0:10:44 | |
That's true. | 0:10:44 | 0:10:47 | |
Because David and Joan have been given 22 tonnes of stone paving, | 0:10:47 | 0:10:52 | |
they want to use it in their Japanese tea garden | 0:10:52 | 0:10:54 | |
dividing their 20-by-7 metre plot into three sections. | 0:10:54 | 0:10:59 | |
The first area will be a dining space, framed by planted screens, | 0:10:59 | 0:11:04 | |
and Joan would also like vertical, wooden moving screens | 0:11:04 | 0:11:08 | |
for extra privacy. | 0:11:08 | 0:11:10 | |
The second area has more seating, for entertaining guests, | 0:11:10 | 0:11:13 | |
with an ornamental acer as a centrepiece | 0:11:13 | 0:11:15 | |
and the third area is designed to be more tranquil and secluded, | 0:11:15 | 0:11:20 | |
and their budget is £8,000 to £10,000. | 0:11:20 | 0:11:23 | |
Are we thinking of a building at all? | 0:11:25 | 0:11:27 | |
-Toying with the idea. -Are you? -Hmm. He doesn't know yet. | 0:11:27 | 0:11:32 | |
That's the first I've heard of this! | 0:11:32 | 0:11:34 | |
Looks like the designer is keeping a few surprises up her sleeve. | 0:11:34 | 0:11:38 | |
Well, now we've broached the subject, let's go on with it. | 0:11:38 | 0:11:42 | |
-What sort of building? -Erm, almost like a pagoda kind of thing. | 0:11:42 | 0:11:47 | |
I mean, you said you wanted a tea garden, | 0:11:47 | 0:11:50 | |
would you consider a teahouse? | 0:11:50 | 0:11:52 | |
-Might be nice. -It'd be in keeping, wouldn't it? -Yes, it would. | 0:11:52 | 0:11:56 | |
-Erm... -We've got the shed down that end, though, so... | 0:11:56 | 0:11:59 | |
Well, you've got a shed, you've got a teahouse, there you are, isn't it? | 0:11:59 | 0:12:02 | |
I mean, it's... | 0:12:02 | 0:12:04 | |
Moving swiftly on from the shed, | 0:12:04 | 0:12:06 | |
Joan addresses another common feature of a Japanese garden. | 0:12:06 | 0:12:09 | |
I mean, we hadn't considered a water feature, | 0:12:09 | 0:12:11 | |
but maybe that's something that we could look at. | 0:12:11 | 0:12:14 | |
Why haven't you considered a water feature? | 0:12:14 | 0:12:16 | |
Erm, probably cos of the expense. | 0:12:16 | 0:12:19 | |
-Well, it's your garden. -I know. | 0:12:19 | 0:12:21 | |
I mean, what is the point in having a dream of what you'd like to do | 0:12:21 | 0:12:26 | |
if you then nip that dream in the bud and squash it before it's even begun? | 0:12:26 | 0:12:30 | |
I think that Joan and David should go all out on the Japanese theme | 0:12:31 | 0:12:35 | |
and include a teahouse. | 0:12:35 | 0:12:37 | |
It should be free flowing rather than created in symmetrical blocks, | 0:12:37 | 0:12:42 | |
so they do need to rethink that aspect of the design. | 0:12:42 | 0:12:45 | |
By all means, use plants to divide the space, | 0:12:47 | 0:12:50 | |
but I would lose the moving screens, | 0:12:50 | 0:12:53 | |
although it would be worth considering a fence | 0:12:53 | 0:12:56 | |
to protect the plants from wind. | 0:12:56 | 0:12:58 | |
And to complete the Japanese effect, | 0:12:58 | 0:13:00 | |
it really must include a water feature. | 0:13:00 | 0:13:03 | |
I notice that you're not contributing to this, | 0:13:03 | 0:13:06 | |
-so you're just... You're just going with it. -This is all Joan's. | 0:13:06 | 0:13:09 | |
That is except for the shed, but more of that later. | 0:13:09 | 0:13:13 | |
I'd like a garden that is very nice to look at and maintenance free. | 0:13:13 | 0:13:20 | |
I've got news for you... | 0:13:22 | 0:13:24 | |
..that garden only exists in a pie in the sky. | 0:13:26 | 0:13:31 | |
THEY CHUCKLE | 0:13:31 | 0:13:32 | |
Well, we are talking about dream gardens here. | 0:13:32 | 0:13:35 | |
I like the idea of the Japanese garden. | 0:13:35 | 0:13:37 | |
I think it'll be stylish and also Joan will get that meditative garden | 0:13:37 | 0:13:42 | |
that's so important to her. | 0:13:42 | 0:13:43 | |
I feel very, erm, energised by it. | 0:13:43 | 0:13:46 | |
Monty bought clarity to my plans, | 0:13:46 | 0:13:48 | |
because there was confusion about whether to keep it really structured | 0:13:48 | 0:13:52 | |
or go the more traditional Japanese route. | 0:13:52 | 0:13:54 | |
But they do need to do something about those slabs. | 0:13:54 | 0:13:58 | |
I mean, 22 tonnes of stone blocking the garden is crazy. | 0:13:58 | 0:14:03 | |
Looking forward to Monty coming back, | 0:14:03 | 0:14:05 | |
to learn more about plants themselves, | 0:14:05 | 0:14:08 | |
helping out with the planting will be great, | 0:14:08 | 0:14:11 | |
learning from an expert, excellent! | 0:14:11 | 0:14:14 | |
I don't know what'll happen with the shed at the end. | 0:14:14 | 0:14:16 | |
Will it be a pagoda? | 0:14:16 | 0:14:18 | |
Will it be a tearoom? | 0:14:18 | 0:14:19 | |
Or will David's shed just get a new roof? | 0:14:19 | 0:14:22 | |
A few weeks later, | 0:14:29 | 0:14:30 | |
to help Joan and David see what goes in to a Japanese garden, | 0:14:30 | 0:14:34 | |
Monty has sent them to Tatton Park in Cheshire. | 0:14:34 | 0:14:37 | |
It's one of the most famous examples of its kind - | 0:14:39 | 0:14:42 | |
a tea garden inspired by the owners' visit | 0:14:42 | 0:14:44 | |
to an Anglo-Japanese exhibition in London in 1910. | 0:14:44 | 0:14:48 | |
The head gardener, Simon Tetlow, | 0:14:49 | 0:14:51 | |
sets our dreamers off on their journey of discovery. | 0:14:51 | 0:14:54 | |
This idea that you want to take tea in a nice, quiet and restful place. | 0:14:54 | 0:15:00 | |
That's essentially what this garden is. | 0:15:00 | 0:15:03 | |
It's kind of looking at linking long views up in a very small space. | 0:15:03 | 0:15:08 | |
What's behind that tree, you know? | 0:15:08 | 0:15:09 | |
It could be the road to a mountain top, | 0:15:09 | 0:15:13 | |
it could be the road to a wellhead or back to the town. | 0:15:13 | 0:15:16 | |
It's kind of hiding things, it's revealment and concealment. | 0:15:16 | 0:15:20 | |
This is exactly what you can do in a relatively small space. | 0:15:20 | 0:15:23 | |
And some good news for David. | 0:15:23 | 0:15:26 | |
It is about the very simple arrangement of plants. | 0:15:26 | 0:15:28 | |
There's nothing very complicated about the planting, | 0:15:28 | 0:15:31 | |
-you'll be pleased to here. -Yes! | 0:15:31 | 0:15:33 | |
It's a very, very limited kind of palette of plants | 0:15:33 | 0:15:37 | |
used in a Japanese garden. | 0:15:37 | 0:15:39 | |
It's just kind of learning a very few simple things | 0:15:39 | 0:15:41 | |
on how to shape them and position them. | 0:15:41 | 0:15:45 | |
What are the kind of things that you'd like to take away with you? | 0:15:45 | 0:15:48 | |
What are the kind of elements of it? | 0:15:48 | 0:15:49 | |
I'd love the water, I think this is fabulous and the bridge, | 0:15:49 | 0:15:52 | |
it's exquisite. | 0:15:52 | 0:15:54 | |
The lanterns, everything, it's just absolutely beautiful, | 0:15:54 | 0:15:57 | |
so if I could wrap it up and take it with me, that would be super. | 0:15:57 | 0:16:00 | |
A tea garden, perhaps its most important thing is water. | 0:16:04 | 0:16:08 | |
The idea that you were to draw pure water for the tea ceremony. | 0:16:08 | 0:16:13 | |
It's that retreat to the mountains - | 0:16:13 | 0:16:15 | |
you're disappearing off into the woods for meditation | 0:16:15 | 0:16:19 | |
or a spiritual experience. | 0:16:19 | 0:16:21 | |
The shady, dewy path through the trees. | 0:16:23 | 0:16:27 | |
And in case Joan was thinking | 0:16:28 | 0:16:30 | |
she could get away with a Japanese tea garden | 0:16:30 | 0:16:32 | |
without that water feature... | 0:16:32 | 0:16:34 | |
Being in the space that we are now, | 0:16:34 | 0:16:36 | |
it's more about the sound of water | 0:16:36 | 0:16:38 | |
than it is about the actual water itself and if it is the tea ceremony, | 0:16:38 | 0:16:42 | |
it's that thought that somewhere behind the bushes there | 0:16:42 | 0:16:45 | |
is a well with spring water coming in | 0:16:45 | 0:16:48 | |
that we can make a pure cup of green tea from. | 0:16:48 | 0:16:51 | |
It's that illusion that it may be there. | 0:16:51 | 0:16:54 | |
Ever the practical one, David brings them down to earth. | 0:16:54 | 0:16:58 | |
What was maybe putting us off was | 0:16:58 | 0:17:01 | |
-the actual construction and maintenance. -Yeah. | 0:17:01 | 0:17:05 | |
-Do you need a main water supply? -Yeah, yeah. | 0:17:05 | 0:17:09 | |
I'm in the building business, but I'm not a plumber. | 0:17:09 | 0:17:13 | |
Fair do's. | 0:17:13 | 0:17:15 | |
No, it's as much illusion as it is reality, you know what I mean? | 0:17:15 | 0:17:19 | |
It doesn't have to be there as a big pool. | 0:17:19 | 0:17:22 | |
It could be something that's just moving water from one place | 0:17:22 | 0:17:25 | |
to another and a simple pump will do that for you. | 0:17:25 | 0:17:28 | |
Joan is blown away by it all. | 0:17:30 | 0:17:33 | |
I feel very inspired. It's been a great trip, | 0:17:33 | 0:17:36 | |
talking to Simon has put a lot of things in a bit more clarity. | 0:17:36 | 0:17:40 | |
Really loving the idea of the water feature. | 0:17:40 | 0:17:43 | |
-Yeah, that's good. -Bit more research, I guess. | 0:17:43 | 0:17:46 | |
David is realising just how much work is involved. | 0:17:46 | 0:17:49 | |
You could do a roof like that, couldn't you? Or we'd buy one. | 0:17:51 | 0:17:55 | |
I'm certainly going to go back home, look at our plans again. | 0:17:58 | 0:18:01 | |
I've really got a flavour now of, you know, | 0:18:01 | 0:18:03 | |
the winding paths and everything. | 0:18:03 | 0:18:05 | |
Before I was trying to be much too structured. | 0:18:05 | 0:18:08 | |
I think this is much more free flowing, if you like, | 0:18:08 | 0:18:11 | |
and that's the look I want to achieve now. | 0:18:11 | 0:18:13 | |
With Joan's plans crystallising in her head, | 0:18:14 | 0:18:17 | |
it will now be up to David to get on with some of the hard graft. | 0:18:17 | 0:18:20 | |
In Dorset, Helen and Tim are starting on their big project | 0:18:30 | 0:18:33 | |
to turn their small patch of lawn into their Norwegian dream garden. | 0:18:33 | 0:18:37 | |
But they're having to contend | 0:18:39 | 0:18:41 | |
with one of the wettest winters on record. | 0:18:41 | 0:18:43 | |
The flooding was in the Somerset Levels, | 0:18:45 | 0:18:48 | |
which are about 20 miles north of us. | 0:18:48 | 0:18:50 | |
The water levels has made it very difficult this winter | 0:18:51 | 0:18:54 | |
to do any gardening. | 0:18:54 | 0:18:56 | |
Helen was so determined to get going on the garden, | 0:18:56 | 0:18:59 | |
she decided to rebuild the workshop in January, | 0:18:59 | 0:19:01 | |
during the worst of the wet weather. | 0:19:01 | 0:19:04 | |
We got terribly tired, desperately tired trying to do it. | 0:19:04 | 0:19:08 | |
Back and forth, back and forth. | 0:19:08 | 0:19:10 | |
Well, Dad mixing the concrete, I mean, they got a cement mixer, | 0:19:10 | 0:19:12 | |
but they had to mix everything by hand. | 0:19:12 | 0:19:15 | |
We reckon he shovelled | 0:19:15 | 0:19:16 | |
something in the region of 2,000 shovels of sand and cement. | 0:19:16 | 0:19:20 | |
And Tim's dad, Terry, a bricklayer, is back for more. | 0:19:20 | 0:19:23 | |
It was a long punch | 0:19:27 | 0:19:29 | |
and if it wasn't my boy, I wouldn't have done half that. | 0:19:29 | 0:19:32 | |
Along with Terry, | 0:19:33 | 0:19:34 | |
Helen has pulled in the help of friends and a neighbour | 0:19:34 | 0:19:37 | |
to get fences painted, | 0:19:37 | 0:19:39 | |
the turf up and the stream design laid out. | 0:19:39 | 0:19:42 | |
You know, watch out, head gardener's on site. | 0:19:42 | 0:19:45 | |
If I just give you that, please, and just roll it out. | 0:19:48 | 0:19:52 | |
Tim, whose day job is being a plumber, | 0:19:52 | 0:19:54 | |
gets to work with his father | 0:19:54 | 0:19:55 | |
and together they find a way to get the water feature installed. | 0:19:55 | 0:19:58 | |
This is a good way of plumbing, this is. | 0:20:01 | 0:20:03 | |
We've got it. Roger's got it. | 0:20:04 | 0:20:08 | |
Ta-da. | 0:20:08 | 0:20:10 | |
Well, that's that bit done. | 0:20:10 | 0:20:12 | |
Next Monty suggested Helen should mark out | 0:20:12 | 0:20:14 | |
exactly where the new stream should go using a garden hose. | 0:20:14 | 0:20:18 | |
Don't worry, we'll put it out roughly then. | 0:20:18 | 0:20:20 | |
The head gardener knows exactly what she wants. | 0:20:20 | 0:20:23 | |
I could hear Helen coming out | 0:20:23 | 0:20:24 | |
and it sounds like the foreman coming on site, | 0:20:24 | 0:20:26 | |
directing the labourers at work. | 0:20:26 | 0:20:28 | |
So are we left a bit or right a bit, Sue? | 0:20:28 | 0:20:30 | |
Getting her plans to match the space isn't so easy. | 0:20:31 | 0:20:35 | |
No, I know, it's just getting the curve in at about 18 inches. | 0:20:35 | 0:20:40 | |
Right, well, that looks a lot smaller than I was anticipating! | 0:20:40 | 0:20:44 | |
Working in this small space | 0:20:44 | 0:20:46 | |
means the boulders that are part of the overall plan | 0:20:46 | 0:20:49 | |
are now getting in the way. | 0:20:49 | 0:20:51 | |
An ancient solution is the only way to go. | 0:20:51 | 0:20:53 | |
Are you sure this is how they did Stonehenge? | 0:20:56 | 0:20:59 | |
I wasn't there, I'm not actually that old. | 0:20:59 | 0:21:02 | |
-You've got to be quicker than that. -Now stop pushing. | 0:21:06 | 0:21:08 | |
What direction are we going? | 0:21:08 | 0:21:10 | |
We just need to get it out of the way at the moment. | 0:21:10 | 0:21:13 | |
Right, up a bit. That's it, now leave it like that. | 0:21:13 | 0:21:15 | |
-That's a good idea. -And walk away majestically. | 0:21:15 | 0:21:17 | |
We can drop it back on them later, | 0:21:20 | 0:21:22 | |
when you want to put it in a place | 0:21:22 | 0:21:24 | |
where Madame's made up her mind where it's going. | 0:21:24 | 0:21:27 | |
I knew this bit was going to be the interesting bit - | 0:21:27 | 0:21:29 | |
it's whether we can all stay friends. | 0:21:29 | 0:21:32 | |
Whoever said creating a dream garden was easy? | 0:21:32 | 0:21:34 | |
I don't think they'll talk to us if we've got this wrong, so... | 0:21:36 | 0:21:40 | |
The head gardener keeps her team on the job. | 0:21:40 | 0:21:43 | |
Finally, she has the space to go on designing | 0:21:43 | 0:21:46 | |
her Norwegian-style stream. | 0:21:46 | 0:21:48 | |
Over in Bromley, | 0:21:51 | 0:21:53 | |
pressure is mounting to get the hard landscaping done | 0:21:53 | 0:21:56 | |
before Monty returns to give them a hand with the planting. | 0:21:56 | 0:21:59 | |
And with wet weather delaying progress, | 0:21:59 | 0:22:01 | |
Joan and David need all the help they can get. | 0:22:01 | 0:22:04 | |
Five months on, the burning question is... | 0:22:04 | 0:22:07 | |
how much of that paving do they really, really need? | 0:22:07 | 0:22:10 | |
So far, it's 2 tonnes down, only 20 tonnes to go. | 0:22:12 | 0:22:17 | |
We still might have a bit left over. | 0:22:17 | 0:22:20 | |
I'm sure someone else might want it. | 0:22:21 | 0:22:24 | |
David is smiling, | 0:22:26 | 0:22:27 | |
not least because he's come up with a cunning plan to save his shed. | 0:22:27 | 0:22:31 | |
Why not build a new summer house or is it a teahouse? | 0:22:31 | 0:22:35 | |
Joan's happy to go along with this idea. | 0:22:35 | 0:22:38 | |
The boys are starting the teahouse, | 0:22:39 | 0:22:42 | |
so they've been studying the plans this morning | 0:22:42 | 0:22:45 | |
and I think it is a bit of the blind leading the blind, | 0:22:45 | 0:22:48 | |
but we'll see how it goes. | 0:22:48 | 0:22:49 | |
So I reckon the walls go straight onto here. | 0:22:51 | 0:22:55 | |
The paving has made a good floor for the new structure. | 0:22:55 | 0:22:58 | |
Now all they have to do is figure out | 0:22:58 | 0:23:00 | |
how 1,000 pieces of wood fit together. | 0:23:00 | 0:23:04 | |
It is a bit of a jigsaw puzzle but, erm, I think once we get the... | 0:23:04 | 0:23:09 | |
the base set up properly and then the rest of it should, erm, | 0:23:09 | 0:23:13 | |
should all fall into place, really. | 0:23:13 | 0:23:15 | |
Joan looks on encouragingly. | 0:23:17 | 0:23:19 | |
Do you know what you're doing now? | 0:23:19 | 0:23:20 | |
David just has to keep remembering | 0:23:22 | 0:23:25 | |
that this is how he's having his dream shed | 0:23:25 | 0:23:27 | |
and let Joan pursue her fantasies. | 0:23:27 | 0:23:29 | |
We're going to have a bridge, not an arched bridge, | 0:23:29 | 0:23:33 | |
but a sort of zigzag bridge | 0:23:33 | 0:23:35 | |
that you quite often see in Japanese gardens. | 0:23:35 | 0:23:37 | |
We're going to have a waiting area, | 0:23:37 | 0:23:40 | |
which is traditional before you go to the teahouse | 0:23:40 | 0:23:44 | |
and after, sort of, speaking to Monty | 0:23:44 | 0:23:47 | |
and also after the visit to Tatton Park, | 0:23:47 | 0:23:50 | |
we realised that we absolutely must have a water feature. | 0:23:50 | 0:23:54 | |
Down this side, mate. | 0:24:00 | 0:24:02 | |
That's it, that all looks straight. | 0:24:02 | 0:24:05 | |
I think I kind of underestimated the budget. | 0:24:05 | 0:24:08 | |
I hope it doesn't go into five figures, | 0:24:08 | 0:24:11 | |
but you never know, especially when I go shopping. | 0:24:11 | 0:24:14 | |
To achieve the traditional Japanese look, | 0:24:14 | 0:24:17 | |
Joan will have a good excuse to go on a spending spree. | 0:24:17 | 0:24:20 | |
There are lots of new things | 0:24:20 | 0:24:22 | |
that she can legitimately add to her shopping list, | 0:24:22 | 0:24:25 | |
including lanterns and other statuary. | 0:24:25 | 0:24:28 | |
And there's the all-important plants, | 0:24:28 | 0:24:31 | |
including acers, which produce the most stunning colours, | 0:24:31 | 0:24:34 | |
especially in autumn. | 0:24:34 | 0:24:35 | |
Joan heads for a specialist garden nursery | 0:24:39 | 0:24:41 | |
for that greatly anticipated shopping spree. | 0:24:41 | 0:24:44 | |
I've come to buy a lantern, some plants | 0:24:44 | 0:24:47 | |
and I want to do a small water feature. | 0:24:47 | 0:24:50 | |
That's £135. | 0:24:50 | 0:24:52 | |
The snow lantern, £315. | 0:24:52 | 0:24:56 | |
Joan picks out trees and shrubs, which she has seen in Tatton. | 0:24:56 | 0:24:59 | |
She's in her element. Money no object. | 0:24:59 | 0:25:02 | |
Acer, £325. | 0:25:02 | 0:25:04 | |
So beautiful. | 0:25:08 | 0:25:10 | |
So far, so good, | 0:25:10 | 0:25:12 | |
but it's what happens to the plants next | 0:25:12 | 0:25:14 | |
that may not come quite so easily. | 0:25:14 | 0:25:16 | |
It's spring and time for Helen and Tim to work out exactly | 0:25:26 | 0:25:30 | |
what plants will give their garden the Norwegian look. | 0:25:30 | 0:25:34 | |
Monty has sent them off to Longstock Water Garden | 0:25:34 | 0:25:37 | |
near their home in Dorset. | 0:25:37 | 0:25:38 | |
It was all dug by hand in the 1940s. | 0:25:41 | 0:25:44 | |
The main features are islands and bridges | 0:25:44 | 0:25:47 | |
and it has lots of interesting planting | 0:25:47 | 0:25:49 | |
around the edges of the water. | 0:25:49 | 0:25:51 | |
It's a rich and stunning mix of flowers, trees and shrubs. | 0:25:52 | 0:25:58 | |
The grounds manager, Rob Ballard, gives them some interesting tips. | 0:25:58 | 0:26:02 | |
Certainly from our water garden's point of view, | 0:26:02 | 0:26:05 | |
we try and grow things over the edges of the ponds | 0:26:05 | 0:26:08 | |
to soften the feel of them. | 0:26:08 | 0:26:10 | |
They can immediately see the wonderful effect of the plants | 0:26:10 | 0:26:14 | |
being reflected in the water. | 0:26:14 | 0:26:16 | |
Wherever possible, we try and plant in big, bold groups, | 0:26:16 | 0:26:20 | |
because you have this giant mirror and it'd be silly not to use it. | 0:26:20 | 0:26:25 | |
Over there, we have the Iris pseudacorus, | 0:26:25 | 0:26:28 | |
which is actually planted in a planting pocket | 0:26:28 | 0:26:31 | |
on the edge of the lake and, as you can see, | 0:26:31 | 0:26:34 | |
-they're quite happy there and they give really good reflections. -Yes. | 0:26:34 | 0:26:38 | |
Looking at the tricks used to make the most of this garden | 0:26:41 | 0:26:45 | |
has given Helen new ideas. | 0:26:45 | 0:26:47 | |
As we've walked around, | 0:26:49 | 0:26:50 | |
we've really appreciated the power of reflections and colour, | 0:26:50 | 0:26:54 | |
the colour into the water. | 0:26:54 | 0:26:57 | |
Cos if you look at the acid yellow with the dark green behind. | 0:26:59 | 0:27:03 | |
Yeah, it really shows itself. | 0:27:03 | 0:27:04 | |
Which is what will happen for us with the conifers. | 0:27:04 | 0:27:07 | |
And there's nothing like some instant gardening. | 0:27:11 | 0:27:14 | |
Helen and Tim head straight for the nursery to complement their design. | 0:27:14 | 0:27:19 | |
-Where do we start? -Right, here are the astilbes. | 0:27:19 | 0:27:23 | |
Oh, look, there's a... | 0:27:23 | 0:27:25 | |
-We've already got those. -Yes. -OK. | 0:27:25 | 0:27:27 | |
I think that'd make quite a good clump | 0:27:27 | 0:27:29 | |
and then we'll have blue and yellow. | 0:27:29 | 0:27:31 | |
Would you put yellow and purple together? | 0:27:31 | 0:27:33 | |
No, I'd have just yellow to one side, | 0:27:33 | 0:27:34 | |
and the purple, so big, big clumps of each. | 0:27:34 | 0:27:37 | |
-I got one of these the other day. -Too much varieties. | 0:27:37 | 0:27:41 | |
The trip has left Tim's head spinning | 0:27:41 | 0:27:43 | |
but he and Helen manage quite quickly | 0:27:43 | 0:27:45 | |
to run up a trolley full of plant purchases. | 0:27:45 | 0:27:49 | |
Meanwhile, it's time for Monty's next visit to Bromley. | 0:27:49 | 0:27:52 | |
I came away from here last time with some real worries, | 0:27:52 | 0:27:55 | |
because although I knew that Joan and David had lots of enthusiasm, | 0:27:55 | 0:28:00 | |
a bit of money and a good eye, | 0:28:00 | 0:28:03 | |
I didn't feel that they really understood | 0:28:03 | 0:28:05 | |
what they wanted from a Japanese garden. | 0:28:05 | 0:28:07 | |
Hello. How are you? | 0:28:11 | 0:28:12 | |
Very, very nice to be back. You've clearly been busy. | 0:28:12 | 0:28:14 | |
Yes, very busy. | 0:28:14 | 0:28:16 | |
And you've clearly been buying plants. | 0:28:16 | 0:28:18 | |
Yes, I've been shopping. | 0:28:18 | 0:28:20 | |
With a vengeance, good for you, | 0:28:20 | 0:28:23 | |
That's the way to go. | 0:28:23 | 0:28:25 | |
Remind me what the original plans were, | 0:28:25 | 0:28:27 | |
cos it looks slightly different to as I imagined it would. | 0:28:27 | 0:28:30 | |
I have a memory of three sections and sliding panels, is that right? | 0:28:30 | 0:28:33 | |
Oh, yeah, I had some wild and wacky ideas at the beginning. | 0:28:33 | 0:28:36 | |
I think I wanted this idea that it could be sort of multi-functional, | 0:28:36 | 0:28:42 | |
really, but not practical in the slightest, so... | 0:28:42 | 0:28:46 | |
No. | 0:28:46 | 0:28:47 | |
Joan's first plan was to pave over the whole garden with stone | 0:28:47 | 0:28:52 | |
and divide it into three sections. It was very ambitious, | 0:28:52 | 0:28:55 | |
with moving wooden screens, | 0:28:55 | 0:28:57 | |
but it just didn't feel like a Japanese tea garden. | 0:28:57 | 0:29:01 | |
I haven't been here for, what, six months? | 0:29:03 | 0:29:06 | |
So what I'd love you to do is to walk me through. | 0:29:06 | 0:29:08 | |
-OK. -This was going to be a seating area, wasn't it? | 0:29:08 | 0:29:12 | |
Yeah. Completely changed that. | 0:29:12 | 0:29:14 | |
And it was going to be a plain path running down the side which was... | 0:29:14 | 0:29:18 | |
So all this will be planted? | 0:29:18 | 0:29:21 | |
-Yes. -Beautiful. | 0:29:21 | 0:29:23 | |
I'm pleased to see that Joan has freed up the design | 0:29:23 | 0:29:26 | |
and let it evolve asymmetrically and has been shopping for plants, | 0:29:26 | 0:29:32 | |
but I think they won't get the protection they need without a fence. | 0:29:32 | 0:29:36 | |
So Monty gets to work and he begins with a bamboo screen, | 0:29:38 | 0:29:41 | |
that will at least give a little protection from the wind. | 0:29:41 | 0:29:45 | |
It will also give Joan the privacy she is after. | 0:29:46 | 0:29:49 | |
OK, we've got some Phyllostachys nigra here. | 0:29:51 | 0:29:54 | |
Phyllostachys is a Chinese bamboo | 0:29:54 | 0:29:57 | |
that makes beautiful, tall, quite dramatic plants. | 0:29:57 | 0:30:02 | |
They can spread, | 0:30:03 | 0:30:05 | |
but people worry much too much about bamboo spreading. | 0:30:05 | 0:30:07 | |
There are certain types that are very invasive - sasas, pleioblastus. | 0:30:07 | 0:30:12 | |
Getting it out the pot can be fun and games. | 0:30:12 | 0:30:15 | |
You see, look, it's completely splitting up. | 0:30:17 | 0:30:19 | |
-It was the roots, yeah. -We're going to have to cut that out. | 0:30:19 | 0:30:22 | |
Joan admitted to Monty that she bought these online. | 0:30:22 | 0:30:25 | |
This was definitely not one of her best buys. | 0:30:25 | 0:30:28 | |
See look at that thing - it's really woody. | 0:30:28 | 0:30:32 | |
You should always be able to take the plant out of the pot and | 0:30:32 | 0:30:34 | |
inspect the roots and if you can't, | 0:30:34 | 0:30:37 | |
-or they won't let you, don't buy. -Don't buy it. | 0:30:37 | 0:30:40 | |
Those roots are never going to grow out in a good fashion, | 0:30:40 | 0:30:44 | |
and what we can do, and it wouldn't hurt to, is just take that off. | 0:30:44 | 0:30:50 | |
You see, look that's where it wants to be, | 0:30:50 | 0:30:52 | |
it wants to be out like that. | 0:30:52 | 0:30:53 | |
And we're going to plant it a little bit deeper, | 0:30:55 | 0:30:57 | |
which will lose you some height, but roots will grow from the culms. | 0:30:57 | 0:31:02 | |
So you're going to strengthen it and also stop it rocking so much. | 0:31:02 | 0:31:06 | |
The happy shopper may have made a mistake, | 0:31:06 | 0:31:10 | |
but she fares better with her next, more extravagant purchase. | 0:31:10 | 0:31:13 | |
she's bought not one, but nine Japanese maples or acers. | 0:31:13 | 0:31:17 | |
If you haven't worked out exactly where you want things to plant, | 0:31:18 | 0:31:21 | |
a good idea is to get all your plants and start placing them. | 0:31:21 | 0:31:25 | |
Right at the stepping stone - do you mean over here? | 0:31:25 | 0:31:28 | |
-Erm... -Here? | 0:31:28 | 0:31:30 | |
-No, the other side of the path. Towards... Yeah. -Here? | 0:31:30 | 0:31:33 | |
-Round about...to your to your right. -Here? | 0:31:33 | 0:31:36 | |
-No, that's not going to work, is it? -I was going to say, are you sure? | 0:31:37 | 0:31:41 | |
I was thinking a bit closer in but it's not going to work there anyway. | 0:31:41 | 0:31:45 | |
All that shopping - that was easy next to this. | 0:31:45 | 0:31:48 | |
My instinct would be to put it there. | 0:31:48 | 0:31:50 | |
That's what I thought. | 0:31:52 | 0:31:53 | |
-You can't see the big rock then. -Well, you can from here. | 0:31:55 | 0:31:59 | |
Erm, no, I prefer that... | 0:32:06 | 0:32:08 | |
Right, go on, David, you take some grief now. I've suffered. | 0:32:08 | 0:32:12 | |
Right. | 0:32:12 | 0:32:13 | |
This has to be decision time for Joan - they haven't got all day! | 0:32:13 | 0:32:17 | |
-Can you swivel it round, please? The other way. -Other way round. | 0:32:18 | 0:32:22 | |
That's it, so it faces the... | 0:32:22 | 0:32:24 | |
That's lovely, look at that. | 0:32:24 | 0:32:27 | |
Not many people plant what, | 0:32:27 | 0:32:29 | |
one, two, three, four, five, six, | 0:32:29 | 0:32:32 | |
seven, eight, nine Acer palmatums in one go. | 0:32:32 | 0:32:38 | |
Most people, it would be the biggest event in their gardening year, | 0:32:40 | 0:32:43 | |
just to do one, Joan! | 0:32:43 | 0:32:46 | |
Next, a vital lesson for Joan about something | 0:32:47 | 0:32:49 | |
she hasn't managed to do so far - | 0:32:49 | 0:32:52 | |
how to keep these expensive plants alive. | 0:32:52 | 0:32:54 | |
You need to keep them watered, so if it gets too dry, | 0:32:56 | 0:32:58 | |
the crucial thing is try and keep them out of wind. | 0:32:58 | 0:33:01 | |
A harsh warm wind, a harsh cold wind will do them no good at all. | 0:33:01 | 0:33:06 | |
But other than that, they're easy plants to grow - | 0:33:06 | 0:33:08 | |
if they're happy, they're happy. | 0:33:08 | 0:33:09 | |
-Wind is the enemy. -Yeah. | 0:33:09 | 0:33:11 | |
There's yet one more extravagant Japanesey purchase that Monty | 0:33:14 | 0:33:18 | |
helps them with. | 0:33:18 | 0:33:19 | |
I see you've bought yourself an example of cloud pruning. | 0:33:21 | 0:33:25 | |
-Yes. -This is again typical Japanese, where everything is controlled, | 0:33:25 | 0:33:31 | |
but nature is revered. | 0:33:31 | 0:33:32 | |
So you have this funny relationship between man absolutely controlling | 0:33:32 | 0:33:37 | |
literally every last leaf, but trying to make it look natural. | 0:33:37 | 0:33:41 | |
So the very idea of cloud pruning, you know, how do you prune to the | 0:33:41 | 0:33:44 | |
clouds, the clouds shift? | 0:33:44 | 0:33:46 | |
-So there's no set shape and it's called "Niwaki". -Niwaki. | 0:33:46 | 0:33:50 | |
The time to prune this is sort of middle of May to beginning | 0:33:50 | 0:33:56 | |
of June, so it's growing strongly, lots of new growth, | 0:33:56 | 0:34:00 | |
and then you cut into that and shape it, | 0:34:00 | 0:34:01 | |
-and then again probably in September. -OK. | 0:34:01 | 0:34:04 | |
-Oh, nice. -How's that? -Perfect! | 0:34:07 | 0:34:09 | |
You have a very, very Japanesey feel evolving. | 0:34:11 | 0:34:14 | |
Getting there. | 0:34:15 | 0:34:16 | |
When I come back I want it all finished. | 0:34:16 | 0:34:19 | |
And I want to sit in your nice garden and I'll have a cup of green tea | 0:34:19 | 0:34:23 | |
and maybe something a little bit more celebratory. | 0:34:23 | 0:34:27 | |
Sake and sushi maybe. | 0:34:27 | 0:34:28 | |
Sake and sushi! I'll tell what - I'll hold you to that! | 0:34:28 | 0:34:30 | |
That is an absolute promise. I love it. | 0:34:30 | 0:34:34 | |
It's nice to be proved wrong sometimes because last time | 0:34:34 | 0:34:37 | |
I was here, I suspected this would be a bit of a mishmash. | 0:34:37 | 0:34:41 | |
I think the lessons of Tatton Park have come home - | 0:34:41 | 0:34:44 | |
they know what they want to do, | 0:34:44 | 0:34:45 | |
but they're expressing it in their own way. | 0:34:45 | 0:34:48 | |
-Still quite a bit to go. -Yep. | 0:34:48 | 0:34:51 | |
Yeah, a fair amount really. | 0:34:51 | 0:34:53 | |
The only thing, perhaps, I would worry about is that Joan has bought | 0:34:53 | 0:34:58 | |
a mass of plants without really thinking where they're going to go. | 0:34:58 | 0:35:02 | |
I'm not going to rush anything. I think we'll take our time. | 0:35:02 | 0:35:05 | |
Getting the planting right will make or break this garden. | 0:35:05 | 0:35:08 | |
In Dorset, spring is well under way and so is Helen's dream garden. | 0:35:12 | 0:35:18 | |
She's been working flat-out to get the landscaping done | 0:35:18 | 0:35:20 | |
ahead of Monty's visit in just a few days' time. | 0:35:20 | 0:35:24 | |
She has dug the entire pond, bog and stream by hand and by herself. | 0:35:24 | 0:35:30 | |
I don't know how many tonnes of soil I've moved, | 0:35:30 | 0:35:33 | |
but it's been very hard work. And then laying stuff over it | 0:35:33 | 0:35:35 | |
and not really being able to see the pattern, and then the rocks have | 0:35:35 | 0:35:38 | |
gone in and you can see the form a bit better. | 0:35:38 | 0:35:41 | |
Helen is nothing if not a perfectionist, | 0:35:41 | 0:35:43 | |
but she is desperate to be ready for Monty. | 0:35:43 | 0:35:46 | |
When the plants go in, it's going to be a huge difference. | 0:35:46 | 0:35:48 | |
I'm really looking forward to it. | 0:35:48 | 0:35:50 | |
This garden is one that intrigues me | 0:35:56 | 0:35:58 | |
because I really don't know what to expect. | 0:35:58 | 0:36:01 | |
I left last time pretty uncertain that they knew what they were | 0:36:01 | 0:36:05 | |
trying to achieve and I certainly wasn't absolutely sure, but there | 0:36:05 | 0:36:09 | |
seemed to be a germ of something genuinely interesting in there. | 0:36:09 | 0:36:12 | |
The hard work has clearly taken its toll on Helen. | 0:36:12 | 0:36:15 | |
If he's not impressed with that, I shall sit down and bawl my eyes out. | 0:36:15 | 0:36:20 | |
Tim, do you want to lead on? | 0:36:22 | 0:36:23 | |
We'll take you round and you can see what we've been up to. | 0:36:23 | 0:36:26 | |
I don't know if you'll be insulted or pleased | 0:36:28 | 0:36:31 | |
but I genuinely had not expected this. | 0:36:31 | 0:36:35 | |
-Really? -No. And I'm very impressed, very impressed. | 0:36:35 | 0:36:39 | |
Now, so where are we now? I mean, obviously you've rebuilt that... | 0:36:39 | 0:36:42 | |
-Yes. -..you've bought all this stone in. | 0:36:42 | 0:36:45 | |
I hadn't really taken on board the extent to which the water was | 0:36:45 | 0:36:50 | |
-going to work through here, which is fantastic. -Good. | 0:36:50 | 0:36:53 | |
And you have built that wall up there, | 0:36:53 | 0:36:55 | |
-which I was worried about the division... -Yes. | 0:36:55 | 0:36:57 | |
-..with the rest of the garden. -We took that on board. | 0:36:57 | 0:37:00 | |
We mulled over everything you said to us, | 0:37:00 | 0:37:02 | |
and basically trying to do mountainside stream on a flat plot. | 0:37:02 | 0:37:07 | |
It looks as though Helen has gone quite a long way to creating | 0:37:08 | 0:37:11 | |
a natural mountainous landscape. | 0:37:11 | 0:37:13 | |
And now the important thing is to make sure that the planting | 0:37:13 | 0:37:16 | |
fits in with this and maintains that naturalistic look. | 0:37:16 | 0:37:20 | |
Top of Monty's plant list for this new project | 0:37:20 | 0:37:22 | |
were those dwarf conifers, | 0:37:22 | 0:37:24 | |
and Helen certainly pushed the boat out. | 0:37:24 | 0:37:26 | |
-You've got a lot of dwarf conifers. -I have. | 0:37:26 | 0:37:30 | |
-That one. -Good. -That one. | 0:37:30 | 0:37:33 | |
And another. | 0:37:33 | 0:37:35 | |
-And another, right. -You've got larger arms than I have. | 0:37:35 | 0:37:38 | |
Let's get going along here for a bit. | 0:37:38 | 0:37:41 | |
Next, Monty uses the large selection of plants to begin to | 0:37:43 | 0:37:46 | |
populate the space. | 0:37:46 | 0:37:48 | |
-If you want to create a landscape rather than a rock garden... -Yes. | 0:37:48 | 0:37:53 | |
..then you've got to think how do landscapes work - | 0:37:53 | 0:37:56 | |
where are the tallest trees? Tallest trees will be lower down. | 0:37:56 | 0:37:59 | |
Yes. | 0:37:59 | 0:38:00 | |
The whole point about doing this - we can move them round endlessly. | 0:38:03 | 0:38:06 | |
But Helen decides to put a very tall plant in amongst the carefully | 0:38:06 | 0:38:09 | |
-choreographed small ones. -Just sneak it in whilst he's not looking. | 0:38:09 | 0:38:13 | |
Well, that's interesting. | 0:38:15 | 0:38:17 | |
This one might be too big. | 0:38:18 | 0:38:20 | |
-What's he said too big? What's too big? -That. | 0:38:20 | 0:38:24 | |
Babies. It was going to go in that corner. | 0:38:24 | 0:38:27 | |
-Well, I think that would be better. -Good. | 0:38:27 | 0:38:30 | |
-I think it's beginning to fall into shape. -It is, it is. | 0:38:35 | 0:38:39 | |
Next, a top planting tip for Helen. | 0:38:40 | 0:38:43 | |
They need to be planted surprisingly deeply these. | 0:38:43 | 0:38:45 | |
You've got to remember that they are trees | 0:38:45 | 0:38:48 | |
and they will behave like trees, so they don't want to get waterlogged. | 0:38:48 | 0:38:51 | |
-No. -You see that looks better - much better instantly. | 0:38:51 | 0:38:55 | |
I can see what you mean - | 0:38:55 | 0:38:56 | |
the density of planting really helps to give that feel of... | 0:38:56 | 0:38:59 | |
Well, it gives you the feel of your Norwegian fjord | 0:38:59 | 0:39:02 | |
and forest, as opposed to a rock garden. | 0:39:02 | 0:39:06 | |
Now, advice on the bog garden. | 0:39:06 | 0:39:08 | |
The thing to understand about bog - | 0:39:08 | 0:39:11 | |
-bog is simply ground that never dries up. -Yes. | 0:39:11 | 0:39:14 | |
-There's no more or less to it than that. -Right. | 0:39:14 | 0:39:17 | |
Helen has created a careful lining which would be watertight, | 0:39:17 | 0:39:20 | |
but Monty introduces some offcuts, which he scores. | 0:39:20 | 0:39:23 | |
-That's going to make a huge difference. -Right. | 0:39:23 | 0:39:26 | |
That's going to transform it as a bog. | 0:39:26 | 0:39:28 | |
Now already the water is going to go under there | 0:39:28 | 0:39:31 | |
and drain away, but most of it's going to be held. | 0:39:31 | 0:39:34 | |
And so what you see is you've got these fundamentally holding the water | 0:39:34 | 0:39:38 | |
but not nearly good enough for a pond. | 0:39:38 | 0:39:40 | |
-If it was a pond it would leak. -Yes, yeah. | 0:39:40 | 0:39:41 | |
But because it's going to be full of soil, | 0:39:41 | 0:39:43 | |
the soil will act like a sponge - we want wet soil, not a puddle. | 0:39:43 | 0:39:47 | |
Yes. OK. | 0:39:47 | 0:39:48 | |
So we just make some holes, like that and like that | 0:39:48 | 0:39:52 | |
and like that and like that... | 0:39:52 | 0:39:53 | |
20 wheelbarrows of topsoil later, | 0:39:59 | 0:40:01 | |
some compost and Monty is ready for the fun part. | 0:40:01 | 0:40:04 | |
So, plants. A perfect bog plant - hostas. | 0:40:06 | 0:40:11 | |
-I have some. -Well-prepared as ever, Helen has not one, but five | 0:40:11 | 0:40:16 | |
different varieties of hostas, ready to go. | 0:40:16 | 0:40:19 | |
There's a rule with hostas - | 0:40:19 | 0:40:21 | |
the sunnier they are, the more moisture they need. | 0:40:21 | 0:40:24 | |
So the shadier they are, the less moisture they need. | 0:40:24 | 0:40:27 | |
But they thrive in sort of half shade, half sun moisture. | 0:40:27 | 0:40:32 | |
Right. | 0:40:32 | 0:40:34 | |
And lots of other plants bought at Longstock too. | 0:40:34 | 0:40:37 | |
Let's get the geums, let's get the primulas, let's get 'em in. | 0:40:37 | 0:40:40 | |
I wonder how many more she's brought. | 0:40:40 | 0:40:42 | |
Right, how are you feeling about this? | 0:40:44 | 0:40:48 | |
Looking pretty good. | 0:40:48 | 0:40:49 | |
Obviously we've got your hostas, | 0:40:49 | 0:40:50 | |
-which are essentially foliage plants, but have flowers. -Yes. | 0:40:50 | 0:40:55 | |
And quite dramatic, beautiful flowers at that. | 0:40:55 | 0:40:57 | |
They're herbaceous perennials so they will totally disappear | 0:40:57 | 0:41:00 | |
-until March. -Yes. -Your primulas are going to come and then go. -Yes. | 0:41:00 | 0:41:05 | |
Even Tim is getting into the swing of the planting now. | 0:41:05 | 0:41:08 | |
Every time you water it, | 0:41:11 | 0:41:12 | |
what should happen is that you'll reach saturation point. | 0:41:12 | 0:41:18 | |
And of course the reason you mulch, even though it's a bog garden, | 0:41:18 | 0:41:23 | |
it's always the same three reasons - | 0:41:23 | 0:41:25 | |
it is one, to suppress weeds, because you're blocking them of light, | 0:41:25 | 0:41:29 | |
two, to stop evaporation, which keeps water in, | 0:41:29 | 0:41:33 | |
and three, if it's organic material, | 0:41:33 | 0:41:35 | |
it will work in and both feed the soil, | 0:41:35 | 0:41:38 | |
depending on what you use and really importantly, improve soil structure. | 0:41:38 | 0:41:43 | |
That should be the garden finished. | 0:41:45 | 0:41:47 | |
From a hole to this. | 0:41:47 | 0:41:48 | |
Monty leaves our dream gardeners satisfied. | 0:41:49 | 0:41:52 | |
Now, I've got a confession to make - of all the gardens that I've | 0:41:53 | 0:41:59 | |
been visiting, this is the one that I had least expectations of. | 0:41:59 | 0:42:04 | |
I really couldn't see how they could make anything | 0:42:04 | 0:42:09 | |
out of their proposals. | 0:42:09 | 0:42:10 | |
We've looked at their landscaping for so long, | 0:42:10 | 0:42:13 | |
and been planning and working on it for so long, | 0:42:13 | 0:42:16 | |
or that's how it seems, to actually have some... | 0:42:16 | 0:42:18 | |
-Life into it. -And some plants in it, yes, it was amazing. | 0:42:18 | 0:42:21 | |
I think what they've done has shown real vision, bags of energy - | 0:42:21 | 0:42:26 | |
Helen after all has dug that all out herself, by hand. | 0:42:26 | 0:42:30 | |
They've got on with it, they've expanded on their original ideas, | 0:42:30 | 0:42:34 | |
and yet they've been true to what they've wanted. | 0:42:34 | 0:42:36 | |
The thing I've learnt today from Monty is he's given me | 0:42:36 | 0:42:39 | |
more confidence in planting, in playing around with ideas, | 0:42:39 | 0:42:43 | |
looking at plants in relation to one another, so probably make me | 0:42:43 | 0:42:46 | |
bolder into trying other things for the rest of the garden. | 0:42:46 | 0:42:50 | |
It looks good already, but in five weeks' time when I come back | 0:42:50 | 0:42:53 | |
to see the final thing, I expect to see it looking spectacular. | 0:42:53 | 0:42:58 | |
After that exhilarating day with Monty, Helen felt she was on track | 0:42:59 | 0:43:03 | |
and all that time she'd battled with | 0:43:03 | 0:43:06 | |
the elements to prepare her dream garden had been worth it. | 0:43:06 | 0:43:09 | |
Two weeks later, however, and everything has gone pear-shaped. | 0:43:11 | 0:43:16 | |
The rain is back and progress is really slow. | 0:43:16 | 0:43:21 | |
It's like, uh, January all over again. | 0:43:21 | 0:43:23 | |
There are times like this and you think, "This was such a silly idea." | 0:43:24 | 0:43:28 | |
It hasn't actually filled my wellies yet, so that's quite good. | 0:43:31 | 0:43:35 | |
He's going to brain me. Just a minute. Yes, he nearly got me. | 0:43:36 | 0:43:40 | |
So this is only a light shower but we had heavy rain overnight, | 0:43:41 | 0:43:44 | |
I could hear it, and it just makes it so difficult to work. | 0:43:44 | 0:43:47 | |
It's not just the elements conspiring against her. | 0:43:47 | 0:43:50 | |
Tim's working solidly for the next six weeks, | 0:43:50 | 0:43:53 | |
so today is our last day - we've got to do all the construction | 0:43:53 | 0:43:56 | |
today because it's the last day I've got him here to help me. | 0:43:56 | 0:43:59 | |
You all right, because that's a slippy board? | 0:43:59 | 0:44:02 | |
The first job is to disguise their reservoir pump by creating | 0:44:02 | 0:44:05 | |
a log pile. | 0:44:05 | 0:44:07 | |
It's precarious work, not helped by all the mud from the constant rain. | 0:44:07 | 0:44:11 | |
Ooh! It's going to pull me in! | 0:44:11 | 0:44:13 | |
Next, Helen wants to copy the waterside planting at Longstock, | 0:44:13 | 0:44:16 | |
so there's nothing for it, but a dip in her new stream. | 0:44:16 | 0:44:20 | |
Cold! That's cold, that's cold. | 0:44:21 | 0:44:24 | |
That is cold. | 0:44:24 | 0:44:25 | |
It's very heavy now. | 0:44:26 | 0:44:27 | |
There's a whole area still to go | 0:44:28 | 0:44:30 | |
and muddy patches of earth where plants should be. | 0:44:30 | 0:44:33 | |
We're just going to move the plants, Tim, and then I think | 0:44:34 | 0:44:37 | |
we can get the patio up. | 0:44:37 | 0:44:41 | |
Finally, Helen and Tim are now back on track, | 0:44:41 | 0:44:43 | |
and Helen even has a confession to make about the bog garden. | 0:44:43 | 0:44:47 | |
When Monty was here, I forgot to give him | 0:44:47 | 0:44:49 | |
the grasses that I planned for the bog garden. | 0:44:49 | 0:44:52 | |
So we've put a lot more, erm, bog-loving grasses in there, | 0:44:52 | 0:44:55 | |
so it looks more like a woodland glade now with some flowers. | 0:44:55 | 0:44:59 | |
I have to admit I pulled everything out and started again | 0:44:59 | 0:45:02 | |
and I don't know what Monty's going to say about that. | 0:45:02 | 0:45:05 | |
Summer is finally here, and in Bromley, Joan is adding her | 0:45:19 | 0:45:22 | |
own extra flourishes to the new garden. | 0:45:22 | 0:45:26 | |
They're like little bird feeders. So these can hang up. | 0:45:26 | 0:45:30 | |
-Oh, dear. -Do you like them? Look! | 0:45:35 | 0:45:39 | |
Yeah, lovely! | 0:45:40 | 0:45:42 | |
Yeah, it does seem a bit of a long road. | 0:45:42 | 0:45:45 | |
Some points, I didn't think we were ever going to make it. | 0:45:45 | 0:45:48 | |
They're still nervous about one thing. | 0:45:48 | 0:45:50 | |
Time to show Monty, yeah. | 0:45:50 | 0:45:52 | |
I think the critical thing for Joan and David is whether they've | 0:45:53 | 0:45:56 | |
managed to pull together all the disparate elements of this garden. | 0:45:56 | 0:46:00 | |
Whether Joan has managed to resist | 0:46:00 | 0:46:01 | |
plonking in plants just because she's bought them, | 0:46:01 | 0:46:04 | |
and whether David has transformed the summer house into a teahouse, | 0:46:04 | 0:46:10 | |
and the whole thing comes together in | 0:46:10 | 0:46:12 | |
the Japanese dream that they originally conceived. | 0:46:12 | 0:46:16 | |
Last autumn, Joan and David's | 0:46:17 | 0:46:19 | |
outdoor space barely resembled a garden. | 0:46:19 | 0:46:22 | |
With overgrown grass, covered in rotten apples, paving stones | 0:46:22 | 0:46:26 | |
piled high and no fence, it looked like a forgotten building site. | 0:46:26 | 0:46:30 | |
It's been many months of hard work - time for Monty to give his verdict. | 0:46:32 | 0:46:37 | |
Well, well, well. Wow! | 0:46:39 | 0:46:41 | |
What a change. | 0:46:43 | 0:46:44 | |
That's a transformation, that's a real transformation. | 0:46:44 | 0:46:47 | |
There is a spacious patio with seating and dining table, | 0:46:52 | 0:46:56 | |
this leads out into the Japanese tea garden. | 0:46:56 | 0:46:59 | |
The unsightly paving stones have been elegantly refashioned | 0:47:00 | 0:47:04 | |
into a zigzag path and the Japanese theme has been extended everywhere. | 0:47:04 | 0:47:09 | |
The lily of the valley bush complements the many | 0:47:12 | 0:47:15 | |
varieties of acers on display. | 0:47:15 | 0:47:17 | |
Lush green hostas are surrounded by pebbles, lanterns and rocks. | 0:47:22 | 0:47:27 | |
The water feature and waiting area complete the | 0:47:29 | 0:47:32 | |
traditional Japanese tea garden, en-route to Joan's teahouse. | 0:47:32 | 0:47:36 | |
This is a big area now, isn't it? I don't remember this being so big. | 0:47:39 | 0:47:43 | |
And then you're looking out on a very complete theme. | 0:47:43 | 0:47:48 | |
Having spent around £15,000, | 0:47:49 | 0:47:51 | |
that's nearly double the budget, | 0:47:51 | 0:47:53 | |
Monty has to ask the all-important question. | 0:47:53 | 0:47:57 | |
-Are you happy? Are you pleased? -So glad, very happy. -Very happy. | 0:47:57 | 0:48:00 | |
-Yeah. -When was the moment when you knew it was going to come good? | 0:48:00 | 0:48:04 | |
About ten o'clock last night. | 0:48:04 | 0:48:06 | |
So it's been a last-minute thing? | 0:48:08 | 0:48:09 | |
Yeah. | 0:48:09 | 0:48:10 | |
The trellis looks great. | 0:48:12 | 0:48:14 | |
And the fact that on both sides balances up, it makes the space | 0:48:14 | 0:48:18 | |
what I think every garden has to be - it feels private and personal. | 0:48:18 | 0:48:23 | |
And I like the way that you look through the planting and you want to | 0:48:25 | 0:48:29 | |
see what's round the corner, you can't see everything. | 0:48:29 | 0:48:32 | |
That's really nice. | 0:48:32 | 0:48:33 | |
-I can hear water. -Yes, our little water feature. | 0:48:34 | 0:48:37 | |
-Ah, you've rigged up your water feature. -Yes, yeah. | 0:48:37 | 0:48:39 | |
It's great! | 0:48:39 | 0:48:41 | |
-And I love the ferns around the back. -The ferns are beautiful. | 0:48:41 | 0:48:44 | |
-They work well. -It's fresh, isn't it? | 0:48:44 | 0:48:46 | |
-Yeah. -And the water just makes it feel fresher. | 0:48:46 | 0:48:48 | |
Really, really nice. | 0:48:48 | 0:48:50 | |
Monty can't resist giving Joan and David a last bit of friendly advice. | 0:48:50 | 0:48:54 | |
Plants mainly need the water at their roots, | 0:48:56 | 0:48:59 | |
which then goes off to the leaves. | 0:48:59 | 0:49:02 | |
A little bit of moisture around leaves is not a bad idea, | 0:49:02 | 0:49:05 | |
but it's a very inefficient way cos at this time of the year, | 0:49:05 | 0:49:09 | |
most of the water that goes on the foliage will evaporate. | 0:49:09 | 0:49:12 | |
Oh, I see, yeah. | 0:49:12 | 0:49:13 | |
Far better to direct the water absolutely at the roots, | 0:49:13 | 0:49:17 | |
and water enough so that you see the water puddling around it. | 0:49:17 | 0:49:20 | |
-Right. -And do that once a week is plenty. | 0:49:20 | 0:49:23 | |
Zigzag twisting path. Is this representing a dry river? | 0:49:24 | 0:49:28 | |
The dry river running through here, yes, | 0:49:28 | 0:49:29 | |
and down the side of the teahouse. | 0:49:29 | 0:49:31 | |
Joan has even indulged her love of shopping inside the teahouse. | 0:49:34 | 0:49:37 | |
It's very nice. It's got a good feel in it, and you can look | 0:49:41 | 0:49:44 | |
back on the garden. | 0:49:44 | 0:49:46 | |
And I bet you look back with pride, do you? | 0:49:47 | 0:49:50 | |
Yeah, I've got a smile on my face when I look at it. | 0:49:50 | 0:49:53 | |
Yeah, I'm really pleased. | 0:49:53 | 0:49:55 | |
David, I know that you went along with this to please Joan. | 0:49:55 | 0:50:01 | |
Yes, but I'm really pleased with the outcome. | 0:50:01 | 0:50:06 | |
Joan could see a vision. | 0:50:06 | 0:50:10 | |
I couldn't see a finish and now I'm really pleased. | 0:50:10 | 0:50:17 | |
But there was one more question Monty has been dying to ask. | 0:50:17 | 0:50:21 | |
Did you did you ever get your shed done? | 0:50:21 | 0:50:23 | |
It's, er, still a work in progress, but it's started. | 0:50:23 | 0:50:27 | |
Let's go and have a look. Let's have a look. | 0:50:27 | 0:50:30 | |
My little sign. | 0:50:33 | 0:50:34 | |
OK. | 0:50:34 | 0:50:35 | |
Oh, yeah that's... | 0:50:38 | 0:50:39 | |
Oh, look at that! Look at that! | 0:50:39 | 0:50:41 | |
It's getting there. | 0:50:41 | 0:50:43 | |
I'll tell you what, what else could you need? | 0:50:43 | 0:50:45 | |
So you've got your armchair, you've got your telly - brilliant. | 0:50:45 | 0:50:50 | |
And as promised, a Japanese-style celebration. | 0:50:51 | 0:50:55 | |
Well, well done! To happy gardening! | 0:50:55 | 0:50:57 | |
Cheers. Thank you for your help. Thank you. | 0:50:57 | 0:51:00 | |
I think this garden is a really good example how collaboration can | 0:51:02 | 0:51:06 | |
produce something that is greater than the sum of its parts, | 0:51:06 | 0:51:09 | |
cos neither David nor Joan would or could have done this garden | 0:51:09 | 0:51:13 | |
without the other's help. | 0:51:13 | 0:51:14 | |
David, who trusted Joan's vision and faithfully executed it, | 0:51:14 | 0:51:19 | |
and Joan who trusted David to do the difficult things, to make it happen. | 0:51:19 | 0:51:23 | |
Everybody's worked really, really hard on it, | 0:51:23 | 0:51:26 | |
but, erm, you know, I think you've done a fabulous job. | 0:51:26 | 0:51:30 | |
Joan's never had a garden before. | 0:51:30 | 0:51:32 | |
She wanted her dream garden and now I can see why... | 0:51:33 | 0:51:39 | |
..because I think it looks beautiful. | 0:51:40 | 0:51:42 | |
And best of all, they have each got their quiet retreat. | 0:51:44 | 0:51:48 | |
David will be in his annexe. | 0:51:49 | 0:51:52 | |
I've got to get a lock on the indoor, on the inside. | 0:51:53 | 0:51:56 | |
But I can lock you in there too, think about that. | 0:51:56 | 0:51:59 | |
So for now at least the doors stay open. | 0:52:00 | 0:52:03 | |
In Dorset, Helen and Tim now face the daunting prospect of | 0:52:08 | 0:52:12 | |
showing Monty their ambitious garden. | 0:52:12 | 0:52:15 | |
Will it live up to the dream they presented to him? | 0:52:15 | 0:52:17 | |
It's a bit intimidating having someone visit your garden | 0:52:18 | 0:52:21 | |
that really knows what they're talking about. | 0:52:21 | 0:52:24 | |
I think I know what I'm talking about, | 0:52:24 | 0:52:26 | |
but I probably don't half the time. | 0:52:26 | 0:52:29 | |
So it's... | 0:52:29 | 0:52:30 | |
I think it's why I'm | 0:52:30 | 0:52:32 | |
a little bit anxious about him seeing the garden, as to whether | 0:52:32 | 0:52:35 | |
I've I have got it right or whether I've done something really stupid. | 0:52:35 | 0:52:39 | |
On my last visit here, I was really impressed by the energy | 0:52:40 | 0:52:44 | |
and effort that Tim and Helen have put into making their garden. | 0:52:44 | 0:52:49 | |
But for all the hard work, energy and effort don't finish a garden. | 0:52:49 | 0:52:54 | |
It's what it looks like, regardless of how much work you've put in, | 0:52:54 | 0:52:58 | |
that really matters. | 0:52:58 | 0:52:59 | |
Last autumn, Helen and Tim's garden was an unloved patch of grass | 0:52:59 | 0:53:03 | |
with a border, running up to an old garage and workshop. | 0:53:03 | 0:53:07 | |
It was neither used, nor appreciated and every day they would look | 0:53:07 | 0:53:11 | |
out at this dull space from their living room windows. | 0:53:11 | 0:53:15 | |
-Hello. -Hello. -How are you? Nice to see you. | 0:53:15 | 0:53:17 | |
-And you and you. -Nice to meet you. -Well, it's finished. -It is finished. | 0:53:17 | 0:53:22 | |
It is finished and utterly transformed. | 0:53:22 | 0:53:25 | |
Using plenty of dwarf conifers to give the effect of a forest | 0:53:32 | 0:53:35 | |
sitting against a rocky bank, | 0:53:35 | 0:53:37 | |
they have created the Norwegian mountain landscape in miniature. | 0:53:37 | 0:53:41 | |
Large boulders form a waterfall | 0:53:44 | 0:53:45 | |
leading into a beautifully clear pond. | 0:53:45 | 0:53:48 | |
Iris and marsh marigolds softens the edges. | 0:53:51 | 0:53:54 | |
The flowering hostas mingle with grasses, | 0:53:59 | 0:54:03 | |
and there is already a water lily. | 0:54:03 | 0:54:05 | |
A picturesque and natural-looking stream gently flows to the bridge. | 0:54:08 | 0:54:12 | |
The bog garden is full to bursting with hostas, geums and astilbes | 0:54:17 | 0:54:22 | |
and the whole scene has been enhanced with small, | 0:54:22 | 0:54:25 | |
but bright flashes of colour in the gravel bed. | 0:54:25 | 0:54:28 | |
I'm sort of digesting the changes | 0:54:32 | 0:54:34 | |
because it's got a really established feel to it. | 0:54:34 | 0:54:38 | |
I did not see this coming... | 0:54:38 | 0:54:40 | |
Did you not? Oh, right. | 0:54:40 | 0:54:41 | |
..when I first came here. | 0:54:41 | 0:54:42 | |
I wasn't quite sure how the | 0:54:42 | 0:54:45 | |
idea of Norwegian garden was going to translate. | 0:54:45 | 0:54:48 | |
It's probably a bit misleading to call it a Norwegian garden | 0:54:48 | 0:54:51 | |
because people assume it's going to look like the gardens of Norway, | 0:54:51 | 0:54:55 | |
but what we've tried to reproduce here is what | 0:54:55 | 0:54:57 | |
we saw in the countryside that we so enjoyed. | 0:54:57 | 0:55:00 | |
Monty's professional eye soon spots something's changed. | 0:55:01 | 0:55:04 | |
I can see you've actually | 0:55:04 | 0:55:06 | |
done some re-planting and re-jigging, haven't you? | 0:55:06 | 0:55:08 | |
I have. The bog garden, I have to say - rearranged. | 0:55:08 | 0:55:12 | |
-Right. -Um... -And why was that? | 0:55:12 | 0:55:15 | |
It was lovely as it was, but we actually want it to look more like | 0:55:16 | 0:55:20 | |
a woodland glade. | 0:55:20 | 0:55:22 | |
So I'm afraid we took everything out | 0:55:22 | 0:55:24 | |
-and I added in some more grasses. -Right. | 0:55:24 | 0:55:27 | |
So you've got your boggy woodland glade. | 0:55:27 | 0:55:30 | |
I have my boggy woodland glade, yes. | 0:55:30 | 0:55:32 | |
So that was a total rethink, | 0:55:32 | 0:55:34 | |
but Helen can point to advice she has followed. | 0:55:34 | 0:55:36 | |
One of the things when you first talked about a design, | 0:55:36 | 0:55:39 | |
which I was worried about, was delineating the edge, | 0:55:39 | 0:55:43 | |
so you're glad that you built a wall? | 0:55:43 | 0:55:46 | |
You said we needed to have a boundary | 0:55:46 | 0:55:47 | |
and it would make the space seem bigger. | 0:55:47 | 0:55:49 | |
It has, of course, given us the added advantage we've been able to | 0:55:49 | 0:55:52 | |
get some height because we can build up against it. | 0:55:52 | 0:55:55 | |
So it's become a very useful boundary. | 0:55:56 | 0:56:00 | |
Helen ditched the arbour, as Monty suggested, | 0:56:00 | 0:56:03 | |
but she did build a stone seat to give another view of her garden. | 0:56:03 | 0:56:08 | |
It's looking great now and you've got plenty of flowers coming | 0:56:08 | 0:56:11 | |
through from the water lily - I'm very impressed you've got | 0:56:11 | 0:56:14 | |
that flowering straightaway, | 0:56:14 | 0:56:16 | |
and the yellow loosestrife, | 0:56:16 | 0:56:19 | |
and those pretty, pretty foxgloves in the background. | 0:56:19 | 0:56:23 | |
But this is essentially a green garden with touches of colour, isn't it? | 0:56:23 | 0:56:27 | |
Yes. I didn't want vast patches of colour. | 0:56:27 | 0:56:31 | |
It is supposed to be a woodland glade. | 0:56:31 | 0:56:33 | |
But there is great scope for bulbs - | 0:56:33 | 0:56:36 | |
you could have quite delicate bulbs coming through here. | 0:56:36 | 0:56:39 | |
Helen and Tim have already spent nearly £3,000, | 0:56:39 | 0:56:41 | |
almost double their estimate. Still, Monty is impressed. | 0:56:41 | 0:56:44 | |
You've dramatically changed your garden. | 0:56:44 | 0:56:48 | |
You've created something that is meaningful to the two of you. | 0:56:48 | 0:56:52 | |
Yes, well, we have we have a long-term Norwegian holiday here. | 0:56:52 | 0:56:56 | |
Yeah. | 0:56:56 | 0:56:57 | |
And after all the months of hard work, it's now time to relax | 0:56:59 | 0:57:03 | |
and celebrate, Norwegian style, of course! | 0:57:03 | 0:57:06 | |
That is an extraordinary, | 0:57:12 | 0:57:14 | |
magnificent cake - or is it a cake or biscuit? | 0:57:14 | 0:57:18 | |
Well, it's the traditional Norwegian wedding cake. | 0:57:18 | 0:57:21 | |
I think it's pronounced "kransekake". | 0:57:21 | 0:57:23 | |
Well, cheers! | 0:57:26 | 0:57:27 | |
Here's to a very, very successful garden. | 0:57:28 | 0:57:31 | |
Thank you very much, Monty. | 0:57:31 | 0:57:32 | |
Well, they've come through triumphantly. | 0:57:38 | 0:57:41 | |
They've made a garden that works really well for them | 0:57:41 | 0:57:44 | |
and is superbly finished and completed. | 0:57:44 | 0:57:48 | |
He was pleased, so I'm pleased. | 0:57:48 | 0:57:49 | |
It is just amazing, you know, suddenly this whole new vista | 0:57:49 | 0:57:54 | |
is out there instead of that boring lawn and the back | 0:57:54 | 0:57:57 | |
of a very grotty old garage. | 0:57:57 | 0:58:00 | |
It is amazing to wake up and see that each morning. | 0:58:00 | 0:58:04 | |
I think of all the gardens I've seen, this one exemplifies | 0:58:04 | 0:58:07 | |
the fact that it doesn't matter how small your back garden might be, | 0:58:07 | 0:58:11 | |
and how big the dream you might have, | 0:58:11 | 0:58:14 | |
if you've got the energy and the determination, | 0:58:14 | 0:58:18 | |
you can make it come true. | 0:58:18 | 0:58:20 |