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Over the years, | 0:00:02 | 0:00:03 | |
Britain's Empty Homes have been on a mission | 0:00:03 | 0:00:05 | |
to show what can be done to revitalise and transform | 0:00:05 | 0:00:07 | |
some of the UK's estimated one million empty properties. | 0:00:07 | 0:00:12 | |
Hi, it's good to see you. | 0:00:12 | 0:00:14 | |
In this series, I'll be catching up with some of the people | 0:00:15 | 0:00:18 | |
who took the plunge and staked everything | 0:00:18 | 0:00:20 | |
on turning unloved houses into bespoke family homes. | 0:00:20 | 0:00:23 | |
Today, I'll be catching up with a couple from an earlier series, | 0:00:28 | 0:00:30 | |
who made the brave move of taking on an empty property. | 0:00:30 | 0:00:34 | |
I'll see just how far they've got with creating their dream home. | 0:00:34 | 0:00:37 | |
We love being here. | 0:00:37 | 0:00:38 | |
-Yeah. -Yeah. -Definitely. -It's really comfortable. | 0:00:38 | 0:00:41 | |
It's a space that we can enjoy with our family. | 0:00:41 | 0:00:43 | |
We'll also visit some of the derelict dwellings | 0:00:43 | 0:00:45 | |
our property detectives have been working hard | 0:00:45 | 0:00:47 | |
to save, in order to prevent their owners | 0:00:47 | 0:00:49 | |
from leaving these buildings as a blot on the landscape. | 0:00:49 | 0:00:53 | |
Hey, look at this. | 0:00:53 | 0:00:56 | |
It's so different. | 0:00:57 | 0:00:59 | |
And we'll be finding out how one man | 0:00:59 | 0:01:01 | |
has made it his mission to preserve and protect | 0:01:01 | 0:01:03 | |
historic buildings. | 0:01:03 | 0:01:05 | |
When you buy an old building, or live in one, | 0:01:05 | 0:01:07 | |
it's very much like being a custodian. | 0:01:07 | 0:01:09 | |
Ten months ago, I met David and Hannah Ohandjanian, | 0:01:09 | 0:01:13 | |
who'd stumbled across a disused commercial property, | 0:01:13 | 0:01:15 | |
right here in the heart of Rugby. | 0:01:15 | 0:01:17 | |
The rundown office didn't appeal to other buyers, | 0:01:17 | 0:01:19 | |
but David and Hannah saw an opportunity here to create | 0:01:19 | 0:01:23 | |
a large family home, along with an office space for David. | 0:01:23 | 0:01:27 | |
When we first saw it, we saw that it was in a bit of a state, | 0:01:27 | 0:01:32 | |
but then we also immediately saw the opportunity to turn it | 0:01:32 | 0:01:37 | |
into something beautiful and exactly what we wanted, because it | 0:01:37 | 0:01:40 | |
had the space and it had the light, and also the location was perfect. | 0:01:40 | 0:01:45 | |
Hannah and David had outgrown their own house | 0:01:45 | 0:01:48 | |
and felt that with some considered renovation, | 0:01:48 | 0:01:50 | |
this period place would fit their family perfectly. | 0:01:50 | 0:01:52 | |
We've got three small children. | 0:01:52 | 0:01:54 | |
They're just going to be getting bigger, | 0:01:54 | 0:01:56 | |
and Dave hires an office at the moment, so we kind of thought | 0:01:56 | 0:02:01 | |
that we could get a house that he can have an office at the home. | 0:02:01 | 0:02:04 | |
We could combine the two. | 0:02:04 | 0:02:06 | |
We could have the extra space, the extra living space for a family, | 0:02:06 | 0:02:09 | |
and also combine and save costs. | 0:02:09 | 0:02:11 | |
Following a successful application to change the status of the building | 0:02:11 | 0:02:15 | |
from commercial to residential status, | 0:02:15 | 0:02:17 | |
they bought the property for £174,000, | 0:02:17 | 0:02:21 | |
and had plans to transform it. | 0:02:21 | 0:02:23 | |
It was a lot cheaper than anything else | 0:02:23 | 0:02:25 | |
we could have got for that size, and we've got the funds then | 0:02:25 | 0:02:28 | |
that we can decorate it exactly how we want it. | 0:02:28 | 0:02:31 | |
It's got the potential to be a really comfortable family home, right in | 0:02:31 | 0:02:35 | |
the centre of town, and it's really perfect for what we were looking for. | 0:02:35 | 0:02:40 | |
'When I first met up with David and Hannah at their new home, | 0:02:40 | 0:02:43 | |
'I was keen to see just what their options were | 0:02:43 | 0:02:45 | |
'and hear their ideas for renovation.' | 0:02:45 | 0:02:48 | |
-Hello, nice to meet you. -Joe. Hi, Hannah. | 0:02:48 | 0:02:49 | |
-Hi, Joe. You all right? -Hi, David. | 0:02:49 | 0:02:51 | |
Now, guys. This is your place. So, tell me about it. | 0:02:51 | 0:02:53 | |
For a start, you got it for an absolute steal. How? | 0:02:53 | 0:02:56 | |
Well, it's been offices, but that was three years ago. | 0:02:56 | 0:02:58 | |
It's been empty for three years. | 0:02:58 | 0:03:00 | |
Right, I can see a skip outside. Work's started, has it? | 0:03:00 | 0:03:03 | |
We got the keys about two weeks ago, and that's actually the third skip. | 0:03:03 | 0:03:06 | |
-Third skip? -Yes. | 0:03:06 | 0:03:08 | |
Brilliant. Let's see what you've been up to. | 0:03:08 | 0:03:10 | |
OK. | 0:03:10 | 0:03:12 | |
'With a budget of £50,000, | 0:03:12 | 0:03:14 | |
'the couple plan to turn this three-storey building | 0:03:14 | 0:03:17 | |
'into a four-bedroomed family home with an office for David.' | 0:03:17 | 0:03:19 | |
Goodness me, look at this. | 0:03:21 | 0:03:23 | |
So, where were things when you first came in here? | 0:03:23 | 0:03:26 | |
Well, where Dave is, that would have been a little reception area, | 0:03:26 | 0:03:28 | |
so there was a wall here. | 0:03:28 | 0:03:30 | |
Right. | 0:03:30 | 0:03:31 | |
And there, so we've taken all that out. | 0:03:31 | 0:03:32 | |
-That's the little reception window. -Yeah. | 0:03:32 | 0:03:34 | |
That's where the receptionist was. | 0:03:34 | 0:03:36 | |
And once you've got a big space here, | 0:03:36 | 0:03:39 | |
what do you want to do with it? | 0:03:39 | 0:03:41 | |
OK, so, down here, where we're standing, | 0:03:41 | 0:03:43 | |
is going to be part of my office. | 0:03:43 | 0:03:46 | |
We're going to have a meeting room where we're standing around here, | 0:03:46 | 0:03:48 | |
and then through here's going to be a big, open-plan office. | 0:03:48 | 0:03:51 | |
So, have you done this before? | 0:03:51 | 0:03:53 | |
Not really. We've done a bit of work on our current house, | 0:03:53 | 0:03:57 | |
but nothing to this scale. | 0:03:57 | 0:03:58 | |
Brilliant. Let's continue, shall we? | 0:03:58 | 0:04:00 | |
-Shall we look through there? -Yes, why not? | 0:04:00 | 0:04:02 | |
Well, this is a really good space. | 0:04:06 | 0:04:08 | |
So, this is, what, going to be a kitchen-diner? | 0:04:08 | 0:04:10 | |
-Yeah, we're going to have the dining room table there. -Yeah. | 0:04:10 | 0:04:13 | |
Galley kitchen here. | 0:04:13 | 0:04:14 | |
-At the back, we're going to have a couple of sofas. -Right. | 0:04:14 | 0:04:17 | |
And then the back wall is going to come out, | 0:04:17 | 0:04:19 | |
and we're going to have bi-fold doors. | 0:04:19 | 0:04:21 | |
It's our place we're really excited about, living space for the family. | 0:04:21 | 0:04:25 | |
Great, and you're working on this now. | 0:04:25 | 0:04:27 | |
How soon, in terms of timescale, do you need all this to be done? | 0:04:27 | 0:04:30 | |
We've got six weeks. | 0:04:30 | 0:04:32 | |
Six weeks? | 0:04:32 | 0:04:33 | |
Yeah, so we've got a lot of work to do. | 0:04:33 | 0:04:36 | |
Wow. What's dictating that? | 0:04:36 | 0:04:37 | |
-You've got to get out of your current place? -Yeah. | 0:04:37 | 0:04:40 | |
And so, you're prepared, are you, to be living in a building site? | 0:04:40 | 0:04:44 | |
You want a few areas to be nice, but you're going to just try | 0:04:44 | 0:04:47 | |
and cope and get by with other work going on when you're here? | 0:04:47 | 0:04:49 | |
Yeah. | 0:04:49 | 0:04:50 | |
In this area and the office that we've seen, as well, it does look | 0:04:50 | 0:04:55 | |
a bit of a building site, but the rest of the house is not too bad. | 0:04:55 | 0:04:58 | |
-It is liveable. -OK. | 0:04:58 | 0:05:00 | |
'It was a big job to tackle, and it needed a lot of hard work, | 0:05:01 | 0:05:05 | |
'especially on the ground floor, | 0:05:05 | 0:05:07 | |
'to make this once-commercial premises into a comfortable home.' | 0:05:07 | 0:05:11 | |
When you look ahead to the six weeks and beyond, what are your worries? | 0:05:11 | 0:05:15 | |
What are your concerns about this project? | 0:05:15 | 0:05:17 | |
I think mainly the timescale, isn't it? We haven't got long. | 0:05:17 | 0:05:20 | |
We need to get a kitchen in, we need to get a bathroom in. | 0:05:20 | 0:05:24 | |
Relating to that is scheduling correctly so that we have things | 0:05:24 | 0:05:28 | |
in place, workmen in place that will turn up, | 0:05:28 | 0:05:32 | |
and also keeping it within budget. | 0:05:32 | 0:05:34 | |
Later, we'll see what happened | 0:05:34 | 0:05:36 | |
'when I took David and Hannah to meet a couple | 0:05:36 | 0:05:38 | |
'who'd also taken on an ambitious project, | 0:05:38 | 0:05:40 | |
'completely renovating a boarded up a Grade II listed townhouse.' | 0:05:40 | 0:05:44 | |
Just keep asking questions. | 0:05:44 | 0:05:47 | |
There'll be other things where you have to fight | 0:05:47 | 0:05:49 | |
because you know that's what you want. | 0:05:49 | 0:05:51 | |
It's not just private buyers like David and Hannah | 0:05:51 | 0:05:54 | |
rising to the challenge of turning deserted properties | 0:05:54 | 0:05:57 | |
into functioning family homes. | 0:05:57 | 0:05:59 | |
Local council Empty Property Officers work tirelessly | 0:05:59 | 0:06:02 | |
to track down the owners of abandoned houses | 0:06:02 | 0:06:05 | |
and use everything in their power | 0:06:05 | 0:06:07 | |
to get them back into circulation. | 0:06:07 | 0:06:09 | |
'Back in 2011, Empty Property Officer | 0:06:09 | 0:06:13 | |
'Sue Li was on a mission | 0:06:13 | 0:06:15 | |
'to save abandoned homes in Amber Valley. | 0:06:15 | 0:06:18 | |
'Top of her list was an empty house in an affluent area | 0:06:18 | 0:06:22 | |
'outside Derby, that she'd received some complaints about.' | 0:06:22 | 0:06:25 | |
I can see why | 0:06:25 | 0:06:26 | |
the neighbours are concerned about the overgrown garden at the front. | 0:06:26 | 0:06:30 | |
And it all just adds to the view that it's not cared for, | 0:06:30 | 0:06:34 | |
that nobody's been here for a while | 0:06:34 | 0:06:36 | |
and that nobody's trying to maintain it. | 0:06:36 | 0:06:39 | |
'Sue's main objective was to check if the house was secure.' | 0:06:39 | 0:06:43 | |
There's a window that's been smashed here. | 0:06:43 | 0:06:45 | |
The back door is open. | 0:06:45 | 0:06:48 | |
So you can just wander straight into the house. | 0:06:48 | 0:06:51 | |
'As Sue continued to explore, | 0:06:51 | 0:06:53 | |
'it seemed that whoever had broken in, had not left empty-handed.' | 0:06:53 | 0:06:57 | |
Oh, right. It looks like... | 0:06:59 | 0:07:02 | |
..somebody's tried to take the copper piping at some point. | 0:07:04 | 0:07:07 | |
The ceiling's obviously come down as they've ripped the piping out. | 0:07:07 | 0:07:11 | |
Because there's pipes still remaining, | 0:07:11 | 0:07:13 | |
I really need to get this property secured and get that window boarded, | 0:07:13 | 0:07:18 | |
um, so there's no access again into the house. | 0:07:18 | 0:07:21 | |
'Today, over a year on, Sue Li | 0:07:23 | 0:07:24 | |
'has come back to visit the house on the outskirts of Derby. | 0:07:24 | 0:07:27 | |
'Since she was last here, it's been bought | 0:07:27 | 0:07:29 | |
'and the renovation is finished.' | 0:07:29 | 0:07:32 | |
The frontage has been completely transformed. | 0:07:33 | 0:07:37 | |
It looks so different with the new windows... | 0:07:38 | 0:07:41 | |
and doors. | 0:07:41 | 0:07:42 | |
It's really changed how it looks. | 0:07:45 | 0:07:47 | |
'Sue has kept in touch with the new owner, Mark. | 0:07:47 | 0:07:50 | |
'And he's invited her round | 0:07:50 | 0:07:52 | |
'to show her just how different the property now looks.' | 0:07:52 | 0:07:56 | |
-Hi, Sue. Come on in. -Hi. Thank you. | 0:07:56 | 0:07:58 | |
-Are you all right? -I'm well, thank you. Yourself? -Yeah, I'm fine. | 0:07:58 | 0:08:01 | |
DOG BARKS | 0:08:01 | 0:08:04 | |
Hey, look at this. | 0:08:07 | 0:08:08 | |
-It's so different. Oh, my word. -Yeah. | 0:08:08 | 0:08:14 | |
-A bit different, isn't it? -Yeah. There was a big hole, here, | 0:08:14 | 0:08:18 | |
where all the piping had been ripped out. | 0:08:18 | 0:08:20 | |
Um, there was a wall, here, dividing these two rooms. | 0:08:22 | 0:08:26 | |
Yeah, that's right. Yeah. | 0:08:26 | 0:08:27 | |
-It's created loads of space. -Yeah, we wanted to open it up, | 0:08:27 | 0:08:30 | |
you know, to create that feeling, yeah, | 0:08:30 | 0:08:32 | |
-which has worked. -And the rear wall, here, you've taken out. | 0:08:32 | 0:08:37 | |
-That's right, yeah. -And extended further out. -Yeah. | 0:08:37 | 0:08:40 | |
We extended to have the kitchen there, | 0:08:40 | 0:08:42 | |
because that was the old lean-to. | 0:08:42 | 0:08:44 | |
-Yes. -It's given us a bit of room, a bit of light. | 0:08:44 | 0:08:47 | |
Um, and we've managed to put as much glass as we can. | 0:08:47 | 0:08:51 | |
We're really chuffed with that. Do you want to see | 0:08:51 | 0:08:54 | |
-any of the other rooms, at all? -Yes, please! | 0:08:54 | 0:08:56 | |
Wow, this looks great. | 0:08:58 | 0:09:01 | |
-You like it? -I do. Yeah. Wonderful room. | 0:09:01 | 0:09:05 | |
-And I love the fireplace. -Yeah. | 0:09:05 | 0:09:07 | |
I remember the times I'd have to visit this property, | 0:09:07 | 0:09:10 | |
and I'd look through the window and wonder what this room | 0:09:10 | 0:09:13 | |
would look like. This has far exceeded | 0:09:13 | 0:09:15 | |
what I thought it would look like. | 0:09:15 | 0:09:18 | |
That's good. Yeah, thanks. | 0:09:18 | 0:09:20 | |
So, have you managed to meet the people around here, | 0:09:22 | 0:09:25 | |
or have you been too busy? | 0:09:25 | 0:09:27 | |
-They've welcomed us and I think are pleased with what we've done. -Great. | 0:09:27 | 0:09:31 | |
'Mark's renovations have continued right the way through the house. | 0:09:33 | 0:09:38 | |
-Good to see it back into use. -Yeah. | 0:09:42 | 0:09:44 | |
-And I hope you enjoy yourselves here. -Thanks for coming round. | 0:09:44 | 0:09:47 | |
-Thank you. -Lovely to see you. OK. -OK. Bye. -See you. Bye, Sue. | 0:09:47 | 0:09:50 | |
This couple have got such a vision | 0:09:54 | 0:09:56 | |
and had the appetite for taking on an empty property. | 0:09:56 | 0:09:59 | |
And we've been able to address the wider community concerns about | 0:09:59 | 0:10:04 | |
people poking around and breaking into properties. | 0:10:04 | 0:10:07 | |
Um, it's a good success story all round. | 0:10:07 | 0:10:10 | |
Breathing new life back into an empty property | 0:10:10 | 0:10:13 | |
can be a difficult and delicate balancing act, | 0:10:13 | 0:10:16 | |
particularly if you are squeezing a renovation | 0:10:16 | 0:10:18 | |
around the demands of work and family life. | 0:10:18 | 0:10:21 | |
But when you speak to people who've come through it | 0:10:21 | 0:10:24 | |
to create their perfect home, | 0:10:24 | 0:10:26 | |
then, suddenly, all that effort makes perfect sense. | 0:10:26 | 0:10:29 | |
Seasoned renovators Michael and Jill Willits | 0:10:32 | 0:10:35 | |
stumbled upon an opportunity they could not miss | 0:10:35 | 0:10:37 | |
when they spotted two rundown 17th-century mill cottages for sale. | 0:10:37 | 0:10:42 | |
No-one had lived in the house for about three years - it was dark, | 0:10:42 | 0:10:45 | |
it was damp. | 0:10:45 | 0:10:47 | |
It was falling apart, but I think we could see through that | 0:10:47 | 0:10:50 | |
and with plenty of work we could turn it into something. | 0:10:50 | 0:10:53 | |
This house was built in 1683, and we wanted to retain the history | 0:10:53 | 0:10:58 | |
and the character of it, but bring it into the 21st century. | 0:10:58 | 0:11:02 | |
The couple had spent over £600,000 buying the cottages set on two | 0:11:08 | 0:11:12 | |
acres of garden and woodland. | 0:11:12 | 0:11:14 | |
15 months and £300,000 later, | 0:11:16 | 0:11:19 | |
they had a stunning yet sympathetic modern home. | 0:11:19 | 0:11:22 | |
And the icing on the cake was that the River Rother ran right | 0:11:25 | 0:11:28 | |
through the garden. | 0:11:28 | 0:11:29 | |
Even with four previous renovations under their belt, | 0:11:32 | 0:11:36 | |
the Willits weren't immune to the trials | 0:11:36 | 0:11:38 | |
and tribulations of a project of this scale. | 0:11:38 | 0:11:41 | |
Probably the biggest low point was on my 50th birthday, my mother, | 0:11:41 | 0:11:45 | |
sister and brother-in-law had come down from York. | 0:11:45 | 0:11:48 | |
My mother couldn't see or envisage what we were trying to do. | 0:11:48 | 0:11:52 | |
I remember we came to the back door and she said to me, | 0:11:52 | 0:11:55 | |
"I can hear water running." I thought, "Yeah, isn't it wonderful. | 0:11:55 | 0:11:59 | |
"We have a river running through the garden, that's what you can hear." | 0:11:59 | 0:12:02 | |
She said, "No, I'm sure the water is coming from inside the house." | 0:12:02 | 0:12:06 | |
I opened the door and sure enough, the ceiling had come down, | 0:12:06 | 0:12:09 | |
floods everywhere, pipes had burst. | 0:12:09 | 0:12:11 | |
It was a really cold winter | 0:12:11 | 0:12:13 | |
and that was probably the down point on my 50th birthday. | 0:12:13 | 0:12:16 | |
What have we really taken on here? | 0:12:16 | 0:12:18 | |
But with the renovation behind them, | 0:12:20 | 0:12:22 | |
Michael and Jill couldn't have hoped for a better outcome. | 0:12:22 | 0:12:25 | |
We've achieved what we set out to do. | 0:12:25 | 0:12:28 | |
This house will be standing in another 350 years, most likely, | 0:12:28 | 0:12:32 | |
long after we've gone. | 0:12:32 | 0:12:34 | |
I think we have done our bit in its history | 0:12:34 | 0:12:37 | |
and we have brought it up to date. | 0:12:37 | 0:12:39 | |
It's a really beautiful family home in an absolutely stunning | 0:12:39 | 0:12:43 | |
part of the world. We're very, very lucky to live here. | 0:12:43 | 0:12:46 | |
Earlier we met Hannah and David who had spent £174,000 on a former | 0:12:51 | 0:12:56 | |
commercial building in the centre of Rugby in Warwickshire. | 0:12:56 | 0:12:59 | |
They'd secured permission to turn the offices into a family home | 0:12:59 | 0:13:02 | |
and were eager to get started. | 0:13:02 | 0:13:05 | |
It's got the potential to be a really comfortable family home. | 0:13:05 | 0:13:08 | |
It's really perfect for what we've been looking for. | 0:13:08 | 0:13:11 | |
To inspire Hannah and David, I took them to see Lorraine | 0:13:12 | 0:13:15 | |
and Matt Chamberlain, who faced a similar | 0:13:15 | 0:13:17 | |
battle against the clock constructing their dream home. | 0:13:17 | 0:13:20 | |
Back in 2008, Lorraine Chamberlain and her husband Matt bought | 0:13:23 | 0:13:26 | |
this impressive rundown Regency townhouse for £494,000. | 0:13:26 | 0:13:30 | |
We bought the building at auction. | 0:13:32 | 0:13:34 | |
It hadn't been lived in for quite a while and was boarded up. | 0:13:34 | 0:13:37 | |
Even when it was derelict, | 0:13:37 | 0:13:39 | |
you could see it could be quite a nice building. | 0:13:39 | 0:13:41 | |
Also the size of the garden, because we are in the middle of town | 0:13:41 | 0:13:44 | |
the size of the garden is pretty rare. | 0:13:44 | 0:13:46 | |
The Grade II listed building had been divided up into four flats | 0:13:46 | 0:13:49 | |
so it required a lot of reconfiguring | 0:13:49 | 0:13:51 | |
and planning to turn it into one family home. | 0:13:51 | 0:13:55 | |
Planning was the easiest process and we didn't think | 0:13:55 | 0:13:58 | |
we would get everything through planning and we did. | 0:13:58 | 0:14:01 | |
They were very happy we were turning it into a family house. | 0:14:01 | 0:14:04 | |
So, it was going from four flats, which were a real eyesore | 0:14:04 | 0:14:07 | |
and derelict, back to what it used to be. | 0:14:07 | 0:14:10 | |
The full renovation of this four-bedroom, | 0:14:10 | 0:14:12 | |
three-bathroom house had taken two years and we visited Lorraine | 0:14:12 | 0:14:17 | |
and Matt so they could share the benefit of their experience | 0:14:17 | 0:14:20 | |
with David and Hannah. | 0:14:20 | 0:14:22 | |
So, here we are. Really large, open kitchen-diner. | 0:14:23 | 0:14:26 | |
-What do you guys make of this? -It's wonderful. | 0:14:26 | 0:14:29 | |
-Similar to your vision, yeah? -It's gorgeous. | 0:14:29 | 0:14:31 | |
Just the kind of thing we were looking to do in our place. | 0:14:31 | 0:14:34 | |
Start at the beginning and tell us how this came about | 0:14:34 | 0:14:37 | |
because I'm pretty sure you didn't come into | 0:14:37 | 0:14:40 | |
lovely granite work surfaces in your kitchen, | 0:14:40 | 0:14:43 | |
and nice range, a good space. | 0:14:43 | 0:14:44 | |
What was this place like when you took it on? | 0:14:44 | 0:14:47 | |
It was derelict, boarded-up, wet inside. | 0:14:47 | 0:14:49 | |
It was very closed in and dark. | 0:14:49 | 0:14:51 | |
The old windows at the back of the house were really small | 0:14:51 | 0:14:54 | |
compared to the big ones at the front. | 0:14:54 | 0:14:56 | |
We knew that we would be living in the family area at the back | 0:14:56 | 0:15:00 | |
so we wanted to change the kitchen, make it more open. | 0:15:00 | 0:15:03 | |
-And overlooking the garden for the kids. -And any advice? | 0:15:03 | 0:15:08 | |
You must have worked for quite a long time. | 0:15:08 | 0:15:10 | |
-This was a long project, wasn't it? -It was, yes. | 0:15:10 | 0:15:13 | |
We finally got the builders on-site March, | 0:15:13 | 0:15:16 | |
-with the plan of being a six-seven month project. -And how long was it? | 0:15:16 | 0:15:20 | |
We were in by Christmas which was good, that was nine months. | 0:15:20 | 0:15:24 | |
Then it was another year until we got the outside and basement done, | 0:15:24 | 0:15:28 | |
so it was very optimistic I think. | 0:15:28 | 0:15:30 | |
When it comes to builders and going through that process, any advice you would pass over? | 0:15:30 | 0:15:34 | |
Anything you'd want to make sure the builders did next time? | 0:15:34 | 0:15:38 | |
How did you find working with them? | 0:15:38 | 0:15:40 | |
The biggest problem we had | 0:15:40 | 0:15:41 | |
was communication between everybody at times. | 0:15:41 | 0:15:44 | |
Especially when things don't always go right, | 0:15:44 | 0:15:47 | |
you need to make sure the builder has a foreman on-site | 0:15:47 | 0:15:50 | |
that you can actually talk one to one with rather than talking | 0:15:50 | 0:15:53 | |
to six people, miscommunication, I guess, would be the thing. | 0:15:53 | 0:15:57 | |
Good advice there. Keep on top of the communication. | 0:15:57 | 0:16:00 | |
In your case, it's going to be on slightly smaller scale | 0:16:00 | 0:16:03 | |
and you will be on site all the time | 0:16:03 | 0:16:05 | |
so just keeping a regular eye on exactly what's going on. | 0:16:05 | 0:16:08 | |
It's hit home a little bit that we need to be there. | 0:16:08 | 0:16:11 | |
We've seen the kitchen, lovely it is too. | 0:16:11 | 0:16:13 | |
-Can we go through and look at some of the rest of the house? -Yeah. | 0:16:13 | 0:16:17 | |
Lead the way. | 0:16:17 | 0:16:18 | |
Tell us about the money and the budget involved. | 0:16:22 | 0:16:24 | |
This was such a big project. It's a big property. | 0:16:24 | 0:16:27 | |
What did you budget for a total renovation on this size? | 0:16:27 | 0:16:32 | |
We budgeted about 280, | 0:16:32 | 0:16:34 | |
then during the project we added a few things on, found a few things. | 0:16:34 | 0:16:39 | |
But not much more than that. Probably only ten per cent. | 0:16:39 | 0:16:42 | |
These guys are doing it on a slightly smaller scale. | 0:16:42 | 0:16:44 | |
What would be your advice on where you can cut back | 0:16:44 | 0:16:47 | |
or where you can pinch the budget slightly to make it go further? | 0:16:47 | 0:16:51 | |
It's really just prioritising everything. | 0:16:51 | 0:16:54 | |
If you can put stuff off for a later phase, we tended to do that as well. | 0:16:54 | 0:16:58 | |
Keep asking questions, because when they say, | 0:16:58 | 0:17:01 | |
"We can't do this because...", | 0:17:01 | 0:17:03 | |
or "No, no, no, you want to do it this way." | 0:17:03 | 0:17:06 | |
Just keep asking them why, because there will be some things they | 0:17:06 | 0:17:10 | |
will just say categorically you can't do that, | 0:17:10 | 0:17:12 | |
and there'll be other things where you've got to fight | 0:17:12 | 0:17:15 | |
because you know that's what you want. | 0:17:15 | 0:17:17 | |
We wanted a slate floor in the kitchen. Maybe we could have | 0:17:17 | 0:17:20 | |
compromised on the slate floor, but in the long run we didn't want to. | 0:17:20 | 0:17:23 | |
I think it's good that you pushed through with what you wanted. | 0:17:23 | 0:17:27 | |
It's a big project and one of the things | 0:17:27 | 0:17:29 | |
we really wanted to do is make sure that when we do it, it's right, | 0:17:29 | 0:17:32 | |
-but then also be smart about what we ask for. -Thank you, guys. | 0:17:32 | 0:17:37 | |
I'm pleased it's turned out so well and great advice as well. | 0:17:37 | 0:17:40 | |
-Thank you for showing us around. -Thank you very much. -Thanks, guys. | 0:17:40 | 0:17:43 | |
Later on I'll catch up with Hannah and David | 0:17:43 | 0:17:45 | |
to see if everything they learned helped them | 0:17:45 | 0:17:48 | |
to put their plans for their unique renovation into practice. | 0:17:48 | 0:17:51 | |
Across the UK, all sorts of buildings can become derelict | 0:17:54 | 0:17:57 | |
and abandoned, from office blocks to former family homes. | 0:17:57 | 0:18:00 | |
12 months ago I met Douglas Kent, | 0:18:01 | 0:18:03 | |
and man who was helping people protect and update listed buildings. | 0:18:03 | 0:18:07 | |
This Grade I listed building in Essex dates back to the 14th century. | 0:18:10 | 0:18:14 | |
It was originally a medieval hall before becoming an inn. | 0:18:14 | 0:18:18 | |
Despite later becoming a residential house, | 0:18:18 | 0:18:21 | |
it retained its Grade I listing. | 0:18:21 | 0:18:24 | |
The inn belonged to Douglas Kent, who was the technical | 0:18:24 | 0:18:27 | |
director for the Society For The Protection Of Ancient Buildings | 0:18:27 | 0:18:30 | |
and he had some invaluable advice about taking on a listed building. | 0:18:30 | 0:18:34 | |
-This is great. Clearly a renovation in progress. -Very much so. | 0:18:38 | 0:18:43 | |
When it comes to renovating a building like this, | 0:18:43 | 0:18:46 | |
you have to study, learn and I suppose understand what's here | 0:18:46 | 0:18:52 | |
to begin with before you can restore it or add to it or conserve it. | 0:18:52 | 0:18:55 | |
That's exactly right. It's a whole extra stage. | 0:18:55 | 0:18:58 | |
The idea is you work out what's important about the building | 0:18:58 | 0:19:01 | |
so you can appreciate and protect it. | 0:19:01 | 0:19:03 | |
It's not about fossilising a building | 0:19:03 | 0:19:05 | |
or creating some kind of museum, | 0:19:05 | 0:19:07 | |
but about understanding what's important about it | 0:19:07 | 0:19:10 | |
and making it suitably fit for the 21st century, really. | 0:19:10 | 0:19:14 | |
Then when you decide to make changes, | 0:19:14 | 0:19:17 | |
you have to be very sensitive with materials, don't you? | 0:19:17 | 0:19:20 | |
The main thing... The absolute key thing with an old building | 0:19:20 | 0:19:23 | |
is to retain as much as you can of the physical fabric | 0:19:23 | 0:19:26 | |
and the overall spirit of the building. | 0:19:26 | 0:19:28 | |
And you do that by carrying out only essential work | 0:19:28 | 0:19:31 | |
that's essential to the life and wellbeing of the house | 0:19:31 | 0:19:35 | |
and also using compatible methods and materials. | 0:19:35 | 0:19:38 | |
You can't just apply new techniques to the old building? | 0:19:38 | 0:19:40 | |
That's exactly right. | 0:19:40 | 0:19:42 | |
Old buildings don't just differ in their architectural look, | 0:19:42 | 0:19:45 | |
they differ in the way they're constructed | 0:19:45 | 0:19:47 | |
and in their whole performance. | 0:19:47 | 0:19:49 | |
Today, one year on, Douglas is still determined | 0:19:51 | 0:19:53 | |
to realise his dream of making the Sun Inn his home. | 0:19:53 | 0:19:57 | |
But renovating a historic building such as this | 0:19:57 | 0:20:00 | |
tends to be a long and painstaking process. | 0:20:00 | 0:20:04 | |
Douglas quickly discovered the external plasterwork, | 0:20:04 | 0:20:07 | |
or pargeting, was so delicate he was forced to rescue the exterior | 0:20:07 | 0:20:11 | |
first or risk losing it for ever. | 0:20:11 | 0:20:14 | |
Last winter we decided that the pargeting was so fragile, | 0:20:14 | 0:20:17 | |
particularly above the carriageway, | 0:20:17 | 0:20:20 | |
that we boarded it over to protect it. | 0:20:20 | 0:20:22 | |
Sadly, it meant it was out of view and people couldn't see it. | 0:20:22 | 0:20:26 | |
But then last summer scaffolding went up | 0:20:26 | 0:20:28 | |
and a specialist conservator spent several months | 0:20:28 | 0:20:31 | |
working on the scaffolding doing really intricate repairs. | 0:20:31 | 0:20:36 | |
The gable here above the carriageway | 0:20:36 | 0:20:38 | |
with the two figures and the circular motif in the middle there, | 0:20:38 | 0:20:41 | |
this was where a lot of our attention had to focus. | 0:20:41 | 0:20:44 | |
This is really the area that was at risk of being lost | 0:20:44 | 0:20:47 | |
if we didn't get in and save it right away. | 0:20:47 | 0:20:50 | |
Douglas is not only passionate | 0:20:50 | 0:20:51 | |
about preserving this piece of living history, | 0:20:51 | 0:20:54 | |
but he also strongly believes buildings should be | 0:20:54 | 0:20:57 | |
restored in the correct manner. | 0:20:57 | 0:20:59 | |
To maintain that original fabric, | 0:20:59 | 0:21:01 | |
it maintains the authenticity of the building. | 0:21:01 | 0:21:04 | |
Douglas has had to pump a great deal of money | 0:21:06 | 0:21:08 | |
and time into saving this rather special place. | 0:21:08 | 0:21:12 | |
The exterior alone has eaten up his reserves | 0:21:12 | 0:21:14 | |
and as yet he hasn't been able to get started on the interior. | 0:21:14 | 0:21:18 | |
Overall, and I've not added up all the bills actually, | 0:21:18 | 0:21:21 | |
I've dug deep into my savings | 0:21:21 | 0:21:23 | |
and it has cost probably 20-£25,000 for all the work we have done so far | 0:21:23 | 0:21:29 | |
on the building and obviously we have quite a bit more to do internally. | 0:21:29 | 0:21:33 | |
The building can now be admired by the local community | 0:21:33 | 0:21:36 | |
and Douglas regularly enjoys sharing his passion and knowledge with | 0:21:36 | 0:21:39 | |
others, including this group of students from Cambridge University. | 0:21:39 | 0:21:43 | |
The building itself is believed to go back to the 14th century, | 0:21:43 | 0:21:46 | |
probably constructed on a site between two existing buildings. | 0:21:46 | 0:21:50 | |
'Initially, when I took on the building | 0:21:50 | 0:21:52 | |
'I thought one or two groups would come round and then I could get on | 0:21:52 | 0:21:55 | |
'with work like lifting up floorboards and making repairs. | 0:21:55 | 0:21:57 | |
'As time has gone on, I've had more and more interest from groups | 0:21:57 | 0:22:01 | |
'wanting to come round and visit, which I think is great.' | 0:22:01 | 0:22:04 | |
I'm really gratified there's that amount of interest locally. | 0:22:04 | 0:22:07 | |
If you look carefully you can see the joists here go in at a slight angle. | 0:22:07 | 0:22:12 | |
Douglas has undoubtedly played his part in the story of this building | 0:22:12 | 0:22:16 | |
by carefully and meticulously restoring it to its former glory. | 0:22:16 | 0:22:20 | |
When you buy an old building or live in one, | 0:22:22 | 0:22:24 | |
it's very much like being a custodian. | 0:22:24 | 0:22:26 | |
By taking a careful and considered approach, | 0:22:26 | 0:22:30 | |
a lot more of the historic fabric will survive | 0:22:30 | 0:22:32 | |
and that will be to the benefit of both the building | 0:22:32 | 0:22:35 | |
and future generations, at the end of the day. | 0:22:35 | 0:22:37 | |
Earlier in the programme we met Hannah and David. | 0:22:40 | 0:22:42 | |
They'd taken on an exciting project | 0:22:42 | 0:22:44 | |
when they bought a commercial property | 0:22:44 | 0:22:46 | |
and got permission to turn it into a family home. | 0:22:46 | 0:22:48 | |
I'm back in Rugby to catch up with David and Hannah | 0:22:55 | 0:22:58 | |
and first glance of their property, it certainly looks very smart. | 0:22:58 | 0:23:01 | |
I can spot one or two changes. Importantly that skip has gone. | 0:23:01 | 0:23:06 | |
Let's go and see how they've got on. | 0:23:06 | 0:23:09 | |
Guys, nice to see you again. David, Hannah, how are you? | 0:23:10 | 0:23:13 | |
-How have you got on? -We've been busy. | 0:23:13 | 0:23:16 | |
It was very ambitious, all of your plans last time, | 0:23:16 | 0:23:19 | |
I'm very curious to see how it's turned out. | 0:23:19 | 0:23:21 | |
But I notice the home office thing might just have come off. | 0:23:21 | 0:23:24 | |
Yes, it has. We are in there and working away. | 0:23:24 | 0:23:27 | |
-I've got to have a look, can I? -Yeah, sure. -OK, let's go. | 0:23:27 | 0:23:31 | |
Oh, wow! | 0:23:39 | 0:23:40 | |
This is completely different. | 0:23:40 | 0:23:42 | |
Hard to take it all in, it's changed so much. | 0:23:42 | 0:23:44 | |
Talk me through it. Before, there was a wall there, wasn't there? | 0:23:44 | 0:23:47 | |
That's right, we had a wall there. | 0:23:47 | 0:23:49 | |
We've removed the main part of the wall, | 0:23:49 | 0:23:52 | |
gave it more space and made it more airy | 0:23:52 | 0:23:54 | |
to get it to feel a bit more contemporary, like you said. | 0:23:54 | 0:23:57 | |
It works really well, so much space, so much light and there's what, | 0:23:57 | 0:24:00 | |
-three or four of you working in here? -That's right, yeah. | 0:24:00 | 0:24:03 | |
The big thing I wanted to ask you is, | 0:24:03 | 0:24:05 | |
you wanted to do all this in six weeks. Did that happen? | 0:24:05 | 0:24:09 | |
No, it wasn't six weeks, it was five months, wasn't it? | 0:24:09 | 0:24:13 | |
-Close(!) -Not too far out. | 0:24:13 | 0:24:15 | |
You were a bit worried about how you'd make it all work. | 0:24:15 | 0:24:17 | |
You said you were going to spend more time here as a result. | 0:24:17 | 0:24:20 | |
-That's right. -Did you spend a lot of time here project managing? | 0:24:20 | 0:24:23 | |
Well, it's one of the things we were advised by the other couple | 0:24:23 | 0:24:25 | |
that we saw last time, and it really was good advice. | 0:24:25 | 0:24:28 | |
I think it helped out with both the contractors that were here | 0:24:28 | 0:24:32 | |
and for also getting things done. | 0:24:32 | 0:24:34 | |
It looks amazing. It's a great office, loads of light coming in, | 0:24:34 | 0:24:38 | |
a really nice place to work, but it's also your home. | 0:24:38 | 0:24:40 | |
-Shall we have a look upstairs and see that part of it? -Yes. -Definitely. | 0:24:40 | 0:24:43 | |
Upstairs Hannah and David have completely transformed | 0:24:45 | 0:24:49 | |
what was once office space into four cosy bedrooms and a spacious lounge. | 0:24:49 | 0:24:54 | |
Because it was a commercial premises before, | 0:24:55 | 0:24:58 | |
what sort of issues are thrown up | 0:24:58 | 0:25:00 | |
when you try and convert a place like that into a home like this? | 0:25:00 | 0:25:03 | |
I suppose it's deciding what room you want to use for what purpose. | 0:25:03 | 0:25:08 | |
This was a dentist's room once but we choose to make it our lounge. | 0:25:08 | 0:25:12 | |
Yes, it could've been a bedroom, it could have been anything, | 0:25:12 | 0:25:15 | |
but with the office downstairs | 0:25:15 | 0:25:16 | |
this was the obvious place to have a lounge. | 0:25:16 | 0:25:19 | |
It has the nice view of the green there | 0:25:19 | 0:25:21 | |
and the light comes in through that so it's good to use as a lounge. | 0:25:21 | 0:25:25 | |
I know this project took a bit longer then you'd hoped. | 0:25:25 | 0:25:28 | |
Does that also mean the budget grew and grew | 0:25:28 | 0:25:31 | |
and grew or could you keep it under control? | 0:25:31 | 0:25:33 | |
We were very fortunate that we managed to keep it | 0:25:33 | 0:25:36 | |
-within our set limit. -Really? | 0:25:36 | 0:25:39 | |
Having that time allowed us to be a little less insistent on just | 0:25:39 | 0:25:43 | |
picking the first person we could find. | 0:25:43 | 0:25:45 | |
You had big, big plans for the kitchen that you were very excited about. | 0:25:45 | 0:25:48 | |
-Shall we pop our heads in there? -Definitely. | 0:25:48 | 0:25:52 | |
This is fantastic. | 0:25:57 | 0:25:59 | |
This really has changed and it's basically how you planned it. | 0:25:59 | 0:26:02 | |
You told me before you're going to have sofas and bi-fold doors | 0:26:02 | 0:26:06 | |
and the kitchen going along and a table. | 0:26:06 | 0:26:09 | |
It seems to have worked out really well. | 0:26:09 | 0:26:11 | |
How does it actually feel at the end of the project? | 0:26:11 | 0:26:14 | |
We love being here. | 0:26:14 | 0:26:15 | |
One thing that we really found by taking on this project | 0:26:15 | 0:26:20 | |
is because it was so run down and because it was falling apart, | 0:26:20 | 0:26:23 | |
we were able to gut it, | 0:26:23 | 0:26:24 | |
really think about what we wanted and design something that | 0:26:24 | 0:26:28 | |
suited the needs of our family which is probably something | 0:26:28 | 0:26:31 | |
we wouldn't have done if we took on a property that was almost there. | 0:26:31 | 0:26:34 | |
We probably would have said, this suffices, | 0:26:34 | 0:26:36 | |
-and maybe not got round to doing it. -I think you've done it brilliantly. | 0:26:36 | 0:26:39 | |
I'm pleased it's worked out. It's very rare that people | 0:26:39 | 0:26:42 | |
have no regrets at all and have got it just perfect. | 0:26:42 | 0:26:45 | |
On budget, maybe a little over time, | 0:26:45 | 0:26:47 | |
but here you are, you're living in it and it's going great. | 0:26:47 | 0:26:50 | |
-Many, many congratulations. -Thank you very much. -Thanks. | 0:26:50 | 0:26:53 | |
For three years, this grand old building | 0:26:55 | 0:26:57 | |
lay here empty and forgotten. | 0:26:57 | 0:26:59 | |
No-one could see the potential in it until David and Hannah came along, | 0:26:59 | 0:27:03 | |
and somehow they've managed to transform | 0:27:03 | 0:27:05 | |
quite a cold, commercial building into this lovely, warm | 0:27:05 | 0:27:10 | |
family home where David also has the perfect office. | 0:27:10 | 0:27:14 | |
It has worked out perfectly. I'm so pleased for them. | 0:27:14 | 0:27:17 | |
I don't think they could have done a better job. | 0:27:17 | 0:27:20 | |
Subtitles by Red Bee Media Ltd | 0:27:34 | 0:27:38 |