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Over the years, Britain's Empty Homes has been on a mission | 0:00:02 | 0:00:04 | |
to show what can be done to revitalise and transform | 0:00:04 | 0:00:08 | |
some of the UK's estimated one million empty properties. | 0:00:08 | 0:00:12 | |
-Jeremy. -Good to see you again. -Karen. -Hi. | 0:00:12 | 0:00:14 | |
'In this series, | 0:00:14 | 0:00:15 | |
'I'll be catching up with some of the people who took the plunge and | 0:00:15 | 0:00:18 | |
'staked everything on turning unloved houses | 0:00:18 | 0:00:21 | |
'into bespoke family homes.' | 0:00:21 | 0:00:23 | |
Today, I'll be catching up with a couple from an earlier series. | 0:00:28 | 0:00:31 | |
They took on a 200-year-old cottage | 0:00:31 | 0:00:33 | |
and I'll be seeing how their renovation has gone. | 0:00:33 | 0:00:36 | |
The end result, to have something that's so pleasurable | 0:00:36 | 0:00:39 | |
and easy to live in, it's really great. | 0:00:39 | 0:00:41 | |
We'll also be catching up with the dedicated empty property officers, | 0:00:41 | 0:00:45 | |
whose job it is to turn derelict dwellings back into homes again. | 0:00:45 | 0:00:49 | |
Right. | 0:00:49 | 0:00:50 | |
Again, this looks very different from the last time I was here. | 0:00:50 | 0:00:53 | |
Well done. | 0:00:53 | 0:00:55 | |
And we'll be finding out how a London council has taken | 0:00:55 | 0:00:57 | |
an innovative approach to solve their funding problem. | 0:00:57 | 0:01:00 | |
A year ago, I met Jason and Gail, who had just bought a 220-year-old | 0:01:03 | 0:01:08 | |
cottage in the picturesque village of Southwell in Nottinghamshire. | 0:01:08 | 0:01:11 | |
Well, they were planning a complete renovation, | 0:01:11 | 0:01:14 | |
with Jason tackling many of the jobs himself. | 0:01:14 | 0:01:17 | |
To be honest, I think we fell for it a bit, even with the agent's | 0:01:22 | 0:01:26 | |
photograph on the front of the details. | 0:01:26 | 0:01:28 | |
It was obviously taken on a sunny day | 0:01:28 | 0:01:31 | |
and it did look really nice and classic and cottage-y. | 0:01:31 | 0:01:34 | |
The previous owner had moved into a retirement home | 0:01:34 | 0:01:37 | |
and the house had fallen into disrepair. | 0:01:37 | 0:01:39 | |
So Gail and Jason had planned a total renovation. | 0:01:39 | 0:01:42 | |
You almost felt sorry for the building, because the brickwork | 0:01:43 | 0:01:46 | |
and everything is so lovely at the front and then you've got | 0:01:46 | 0:01:49 | |
this utterly hideous '70s flat-roof extension on the back. | 0:01:49 | 0:01:53 | |
But such a large-scale project was new for both of them. | 0:01:53 | 0:01:56 | |
While Jason had done some renovation work before, | 0:01:56 | 0:01:59 | |
for Gail it was a step into the complete unknown. | 0:01:59 | 0:02:02 | |
I have no experience, no physical, manual skills. | 0:02:02 | 0:02:06 | |
But I do have vision of where we're going to get to. | 0:02:06 | 0:02:10 | |
'When I first met up with Jason and Gail at their cottage, | 0:02:11 | 0:02:14 | |
'I was keen to hear about their plans for the transition | 0:02:14 | 0:02:17 | |
'between the old part of the house and the modern extension.' | 0:02:17 | 0:02:21 | |
So, guys, tell me about your beautiful cottage here. | 0:02:21 | 0:02:24 | |
It was previously empty for over six months | 0:02:24 | 0:02:27 | |
and we're in the process of renovating it. | 0:02:27 | 0:02:29 | |
-Can we go inside and have a look round? -Absolutely. | 0:02:29 | 0:02:31 | |
Brilliant. Lead the way. | 0:02:31 | 0:02:33 | |
At the time, the house had three bedrooms and a small living area, | 0:02:33 | 0:02:37 | |
but Gail and Jason had big plans for it. | 0:02:37 | 0:02:40 | |
So, we're in the main part of the cottage, the living room. | 0:02:40 | 0:02:44 | |
-That's correct. -It's beautiful, really cosy size. | 0:02:44 | 0:02:46 | |
Now, where do you start on a project like this? | 0:02:46 | 0:02:49 | |
The first thing we had to do was get the house dried out. | 0:02:49 | 0:02:52 | |
It was absolutely damp, you could smell it as soon as you came in. | 0:02:52 | 0:02:56 | |
So, the first brief was get as much off the walls as you possibly could, | 0:02:56 | 0:03:00 | |
which... Jason has done all the work in here, as you can see. | 0:03:00 | 0:03:04 | |
-Already, the house is drying out. -What's the grand plan? | 0:03:04 | 0:03:07 | |
What's your vision for the place, what do you want to do with it? | 0:03:07 | 0:03:10 | |
Well, it's a home for life. | 0:03:10 | 0:03:12 | |
It'll be three stages, | 0:03:12 | 0:03:14 | |
so renovating and repairing the old two-up, two-down cottage. | 0:03:14 | 0:03:19 | |
Stage two is an extension, so big, family...a modern kitchen. | 0:03:19 | 0:03:25 | |
So, everything outside of this two-up, two-down | 0:03:25 | 0:03:27 | |
will be modern, new and contemporary. | 0:03:27 | 0:03:29 | |
And we'll be living as a family in that part of the building. | 0:03:29 | 0:03:34 | |
And then we're putting another annexe outside of the house. | 0:03:34 | 0:03:37 | |
A completely separate new build at the north end of the property. | 0:03:37 | 0:03:40 | |
And the wood burner here is temporary? | 0:03:40 | 0:03:42 | |
It's going to help you to dry out the place and give you some warmth | 0:03:42 | 0:03:45 | |
-while you work. -Yeah. -Are you on gas here? How does it work? | 0:03:45 | 0:03:48 | |
There's been nothing to the property whatsoever. | 0:03:48 | 0:03:50 | |
We're currently researching all the renewable options, | 0:03:50 | 0:03:53 | |
which we're interested in, apart from the cost. | 0:03:53 | 0:03:55 | |
So tricky, isn't it? Because you're plying all your efforts and energies | 0:03:55 | 0:03:58 | |
into making this a home for life, and all the energy solutions | 0:03:58 | 0:04:02 | |
out there that are perhaps the greenest | 0:04:02 | 0:04:04 | |
do require quite a lot of investment upfront. | 0:04:04 | 0:04:07 | |
I'm curious where this extension would go. | 0:04:07 | 0:04:08 | |
-Shall we go through to the back? -Yeah, sure. -After you. | 0:04:08 | 0:04:12 | |
'The cottage was certainly compact on the inside, | 0:04:12 | 0:04:14 | |
'but it was still a massive renovation job to take on.' | 0:04:14 | 0:04:18 | |
Where are we here? What was this on the back of the house? | 0:04:20 | 0:04:23 | |
Well, this was the previous owner's kitchen. | 0:04:23 | 0:04:26 | |
Really small space. This is like a warren of rooms here, | 0:04:26 | 0:04:29 | |
and you've got, I can see, more modern brick there, | 0:04:29 | 0:04:32 | |
so that's an add-on again, is it? | 0:04:32 | 0:04:33 | |
That's the 1970s flat-roof extension coming off | 0:04:33 | 0:04:36 | |
of this very tiny original kitchen. | 0:04:36 | 0:04:38 | |
What is your budget for a project of this size? | 0:04:38 | 0:04:42 | |
It's a big, big project. | 0:04:42 | 0:04:43 | |
We're going to try really hard to stick within the £75,000. | 0:04:43 | 0:04:46 | |
Obviously it doesn't include stage three, | 0:04:46 | 0:04:48 | |
which is a complete new build at the other end of the property. | 0:04:48 | 0:04:52 | |
-Are you living somewhere else at the moment? -Yeah. | 0:04:52 | 0:04:55 | |
Are you having to pay rent, or...? | 0:04:55 | 0:04:56 | |
-No, we're actually paying another mortgage. -OK. | 0:04:56 | 0:04:59 | |
But as soon as we can get a bathroom of sorts | 0:04:59 | 0:05:01 | |
and some sort of living conditions, then we will move in. | 0:05:01 | 0:05:06 | |
Where would you like a bit more help? | 0:05:06 | 0:05:07 | |
What is it you're still exploring and thinking about | 0:05:07 | 0:05:10 | |
and developing ideas with? | 0:05:10 | 0:05:12 | |
Well, we've already mentioned the heating and energy efficiency, | 0:05:12 | 0:05:17 | |
and also the transition between old and new. | 0:05:17 | 0:05:20 | |
We're quite adamant... In effect, it'll be two houses, | 0:05:20 | 0:05:22 | |
so you've got old at the front and brand spanking new at the back... | 0:05:22 | 0:05:26 | |
Making sure it's a smooth transition, | 0:05:26 | 0:05:29 | |
but a wow factor at the same time. | 0:05:29 | 0:05:31 | |
Later, we'll see what happened when I took Jason | 0:05:31 | 0:05:34 | |
and Gail to meet Peter Tasker, | 0:05:34 | 0:05:35 | |
someone who had fallen for a detached redbrick house | 0:05:35 | 0:05:38 | |
and completed a lot of the renovation work himself. | 0:05:38 | 0:05:42 | |
Throughout the country, it's not just private buyers rising to | 0:05:42 | 0:05:45 | |
the challenge of turning deserted properties into functioning homes. | 0:05:45 | 0:05:48 | |
Local council empty property officers work tirelessly | 0:05:48 | 0:05:52 | |
to track down the owners of abandoned homes | 0:05:52 | 0:05:54 | |
and use their powers to bring these properties back into use. | 0:05:54 | 0:05:58 | |
Back in 2009, empty property officer Dave Carter was on the trail of | 0:06:00 | 0:06:04 | |
a case that had blighted a community in north London for far too long. | 0:06:04 | 0:06:09 | |
We're going to visit a property this morning which has been empty | 0:06:09 | 0:06:12 | |
for 15 years and has been subject to vandalism | 0:06:12 | 0:06:15 | |
and accumulations of rubbish. | 0:06:15 | 0:06:17 | |
The three-bedroom, mid-terrace house had lain abandoned for so long, | 0:06:18 | 0:06:22 | |
it had become a cause of concern for the neighbours. | 0:06:22 | 0:06:25 | |
I've lived here 20 years. | 0:06:25 | 0:06:27 | |
A couple of years ago, after the door got boarded up | 0:06:27 | 0:06:29 | |
and it attracted attention, there was a lot of rubbish being dumped | 0:06:29 | 0:06:33 | |
in the front garden, becoming an eyesore. | 0:06:33 | 0:06:35 | |
The back garden was overgrowing, there were foxes around. | 0:06:35 | 0:06:39 | |
Basically, it's been used as a tip. | 0:06:39 | 0:06:41 | |
It's just a shame that it's left the way that it is. | 0:06:41 | 0:06:44 | |
Eventually, Bill lost patience and picked up the phone | 0:06:44 | 0:06:47 | |
to the council, which is where Dave came in. | 0:06:47 | 0:06:49 | |
The background is that there's been a relationship breakdown | 0:06:49 | 0:06:53 | |
between a couple of co-habiting people. | 0:06:53 | 0:06:55 | |
They lost contact with each other | 0:06:55 | 0:06:57 | |
and it's been difficult trying to put them together | 0:06:57 | 0:07:00 | |
so that they can come to some sort of solution to this property. | 0:07:00 | 0:07:05 | |
Dave had made contact with the owners | 0:07:05 | 0:07:07 | |
and informed them that they were at risk of the council using | 0:07:07 | 0:07:10 | |
official powers to take control of the house. | 0:07:10 | 0:07:13 | |
OK, you'll see that we've actually | 0:07:14 | 0:07:17 | |
obtained a compulsory purchase order on this property. | 0:07:17 | 0:07:20 | |
But we've put the notice on the door for the time being. | 0:07:20 | 0:07:24 | |
The inside of the house was just as dilapidated | 0:07:26 | 0:07:29 | |
and dirty as the outside. | 0:07:29 | 0:07:31 | |
And while Dave waited to hear from the owners, | 0:07:32 | 0:07:35 | |
the house remained in an abandoned state. | 0:07:35 | 0:07:37 | |
Today, four years on, | 0:07:40 | 0:07:41 | |
Dave Carter has come back to visit the north London property. | 0:07:41 | 0:07:45 | |
Since he was last here, the fortunes of this house have been completely | 0:07:45 | 0:07:48 | |
turned around, and now Dave is here to meet the developer, Kevin. | 0:07:48 | 0:07:52 | |
-Hi, Kevin. Nice to meet you. -Good to see you, Dave. | 0:07:53 | 0:07:56 | |
It's a lot different from when I was last here. | 0:07:56 | 0:07:58 | |
There was a huge tree that was blocking all the windows and I'm glad | 0:07:58 | 0:08:02 | |
to see that's gone, so I'm looking forward to seeing what you've done. | 0:08:02 | 0:08:05 | |
OK. Come on. | 0:08:05 | 0:08:07 | |
Before Kevin began the renovation, the lounge was one large, | 0:08:09 | 0:08:12 | |
dilapidated mess. | 0:08:12 | 0:08:13 | |
Oh, it's a lot different in here. | 0:08:17 | 0:08:18 | |
But now the space has been transformed, | 0:08:18 | 0:08:21 | |
dividing the lounge into two homely rooms. | 0:08:21 | 0:08:24 | |
This room, it was just full of pigeon mess, fox droppings, cold, nasty. | 0:08:24 | 0:08:30 | |
-It's just got a warm feeling about it now. -Definitely. | 0:08:30 | 0:08:33 | |
You've made it a nice, cosy home, as you say. | 0:08:33 | 0:08:36 | |
Previously, the kitchen was on the verge of being swallowed up | 0:08:38 | 0:08:41 | |
by the garden. | 0:08:41 | 0:08:42 | |
But now it's modern, compact and fit for purpose. | 0:08:42 | 0:08:45 | |
So, Kevin, this is the new kitchen. Again, it's a lot different. | 0:08:46 | 0:08:51 | |
Yeah, well, basically there was a boiler here when we got it. | 0:08:51 | 0:08:54 | |
Kevin has completely refitted | 0:08:54 | 0:08:56 | |
and rewired the kitchen to a high standard. | 0:08:56 | 0:08:59 | |
Let's have a look out here. | 0:09:00 | 0:09:02 | |
-Yeah, we can get out the back door now. -Yeah! | 0:09:02 | 0:09:05 | |
The back garden was once an overgrown jungle, but not any more. | 0:09:05 | 0:09:10 | |
When I came the first time, I came over two garden fences | 0:09:10 | 0:09:14 | |
-and I took this photo from there. -That's unbelievable, that. | 0:09:14 | 0:09:17 | |
It was the only way I could get in to have a look. | 0:09:17 | 0:09:20 | |
And the door was wide open. | 0:09:20 | 0:09:22 | |
That was the four-legged tenant. | 0:09:22 | 0:09:24 | |
The house has been completely overhauled from top to bottom, | 0:09:26 | 0:09:29 | |
including the grotty upstairs bathroom. | 0:09:29 | 0:09:32 | |
So, this is the bathroom. | 0:09:32 | 0:09:34 | |
Right! | 0:09:34 | 0:09:35 | |
Again, this looks very different from the last time I was here. | 0:09:35 | 0:09:39 | |
It really was nasty, not very functional | 0:09:39 | 0:09:42 | |
and very dated. | 0:09:42 | 0:09:44 | |
You've done it well. Yeah, well done. | 0:09:44 | 0:09:46 | |
So, Kevin, thanks for showing me around. | 0:09:50 | 0:09:53 | |
I'm really pleased that we've finally got somebody living there | 0:09:53 | 0:09:57 | |
after all these years of trying to track the owner down | 0:09:57 | 0:10:00 | |
-and get the work done. -You're very welcome. | 0:10:00 | 0:10:02 | |
-I'm just glad we've got a nice place, some nice people living there. It's great. -Brilliant. | 0:10:02 | 0:10:06 | |
Cheers, Dave. All the best. Bye. | 0:10:06 | 0:10:08 | |
It's another property off Dave's books, | 0:10:08 | 0:10:10 | |
and another one of Britain's empty homes brought back into use. | 0:10:10 | 0:10:14 | |
Breathing new life back into an empty property can be | 0:10:14 | 0:10:17 | |
a difficult and delicate balancing act, particularly if | 0:10:17 | 0:10:20 | |
you're squeezing a renovation around the demands of work and family life. | 0:10:20 | 0:10:24 | |
But when you speak to people who have come through it to create | 0:10:24 | 0:10:28 | |
their perfect home, suddenly all that effort makes perfect sense. | 0:10:28 | 0:10:32 | |
Barbara Charton had spotted this disused and uncared-for house | 0:10:34 | 0:10:38 | |
in Cambridgeshire, and she was instantly captivated by it. | 0:10:38 | 0:10:42 | |
There was no For Sale sign, but it was clearly empty, | 0:10:42 | 0:10:45 | |
clearly in very poor condition, the garden was horrendously overgrown. | 0:10:45 | 0:10:49 | |
And we looked round the house, and as we went room to room, | 0:10:49 | 0:10:53 | |
every room seemed to have something really special. | 0:10:53 | 0:10:56 | |
There was just so much in it that we just thought, | 0:10:56 | 0:10:59 | |
"Well, we just have to have this place." | 0:10:59 | 0:11:01 | |
Barbara spent £485,000 buying the house, | 0:11:01 | 0:11:06 | |
and made the decision to carry out a slow renovation | 0:11:06 | 0:11:09 | |
so the property could guide the rebuild. | 0:11:09 | 0:11:12 | |
It's got a character of its own, | 0:11:12 | 0:11:13 | |
so you're not going to come into a place like this and transform it. | 0:11:13 | 0:11:17 | |
You've got to live here for a while and get the feeling of what works. | 0:11:17 | 0:11:21 | |
Really, to make the house what it wants to be, | 0:11:21 | 0:11:24 | |
rather than what you want it to be. | 0:11:24 | 0:11:26 | |
The fact that the house is a listed building added another dimension | 0:11:28 | 0:11:32 | |
to the renovation. | 0:11:32 | 0:11:33 | |
Taking on a place like this, | 0:11:33 | 0:11:34 | |
one of the things to take on board is that you are going to be dealing | 0:11:34 | 0:11:38 | |
with the listed building people in the council. | 0:11:38 | 0:11:40 | |
In our case, because it's two-star with English Heritage as well. | 0:11:40 | 0:11:44 | |
It can be very frustrating when you want to do something | 0:11:44 | 0:11:46 | |
and there's always a three-month wait or a six-month wait before | 0:11:46 | 0:11:50 | |
you can put it through the planning and the listed building approval. | 0:11:50 | 0:11:54 | |
The previous tenant had refused to carry out any refurbishment work, | 0:11:55 | 0:11:59 | |
which left many of the original features intact. | 0:11:59 | 0:12:02 | |
It was vital to keep as much of the original in place as possible, | 0:12:05 | 0:12:09 | |
so wherever we've been able to, we've reused, | 0:12:09 | 0:12:12 | |
recycled the original fixtures and fittings. | 0:12:12 | 0:12:15 | |
The Chartons spent £60,000 on the renovation | 0:12:17 | 0:12:20 | |
and firmly believe they've gotten more out of living there | 0:12:20 | 0:12:23 | |
then they put in. | 0:12:23 | 0:12:25 | |
All in all, this project took over our lives for the best part of nine years. | 0:12:25 | 0:12:29 | |
But I can't say I regret it. | 0:12:29 | 0:12:30 | |
A lot of the pleasure we get out of this place | 0:12:30 | 0:12:33 | |
is seeing all the little things that we've done. | 0:12:33 | 0:12:36 | |
Living here is a real pleasure. | 0:12:36 | 0:12:38 | |
Looking at what we've achieved and what we've built | 0:12:38 | 0:12:41 | |
and what we've grown, it makes the experience of living in the house | 0:12:41 | 0:12:45 | |
that much more rewarding and enriching. | 0:12:45 | 0:12:48 | |
Earlier, we met Jason and Gail, | 0:12:52 | 0:12:54 | |
who had spent £200,000 on a 200-year-old abandoned cottage. | 0:12:54 | 0:12:59 | |
They planned to project manage the large-scale renovation, | 0:12:59 | 0:13:02 | |
despite minimal experience of such a big job. | 0:13:02 | 0:13:05 | |
I have no experience, no physical, manual skills. | 0:13:05 | 0:13:10 | |
But I do have vision of where we're going to get to. | 0:13:10 | 0:13:13 | |
To help Jason and Gail, I took them to meet the Taskers, | 0:13:13 | 0:13:16 | |
a couple who had undertaken a major project | 0:13:16 | 0:13:19 | |
and completed much of the work themselves. | 0:13:19 | 0:13:22 | |
When interior designer Peter Tasker and his wife Vicky laid eyes | 0:13:23 | 0:13:27 | |
on this redbrick Victorian detached house, it had sat empty | 0:13:27 | 0:13:31 | |
and on the market for more than a year. | 0:13:31 | 0:13:33 | |
The front of the house was what first drew us to it, | 0:13:33 | 0:13:36 | |
because there were so many nice architectural features. | 0:13:36 | 0:13:39 | |
But then, the inside was quite a different story. | 0:13:39 | 0:13:42 | |
Yes, very damp and there were lots of cracks everywhere. | 0:13:42 | 0:13:45 | |
The couple bought the house in 2005 for £300,000 | 0:13:45 | 0:13:49 | |
and to save money, they lived in the property | 0:13:49 | 0:13:52 | |
whilst work was ongoing. | 0:13:52 | 0:13:53 | |
Well, we got the keys, and then we literally all moved in | 0:13:53 | 0:13:57 | |
and started working. | 0:13:57 | 0:13:58 | |
Yeah, we piled all our possessions in this room | 0:13:58 | 0:14:01 | |
and started painting throughout. | 0:14:01 | 0:14:03 | |
Impressively, Peter has done most of the work himself, | 0:14:03 | 0:14:06 | |
only calling in the professionals for the specialist jobs. | 0:14:06 | 0:14:09 | |
We wouldn't have been able to do the project without | 0:14:09 | 0:14:11 | |
basically deciding we were going to do the work ourselves. | 0:14:11 | 0:14:14 | |
We dug out the floor, we mixed the gobo... | 0:14:14 | 0:14:17 | |
-I mean, we did all of that, didn't we? -Yeah. | 0:14:17 | 0:14:20 | |
And for those who don't know, gobo is concrete, | 0:14:20 | 0:14:23 | |
and these two clearly know their stuff. | 0:14:23 | 0:14:26 | |
They had some great ideas and inspiration for Gail and Jason. | 0:14:26 | 0:14:29 | |
-It's quite an extension, isn't it? -Wow. | 0:14:31 | 0:14:34 | |
Yeah. Absolutely. | 0:14:34 | 0:14:37 | |
-It's a fantastic space. -Yeah. | 0:14:37 | 0:14:39 | |
So, it strikes me as something quite similar to your plans, | 0:14:39 | 0:14:42 | |
in that it's extending out the back, it's getting that width | 0:14:42 | 0:14:45 | |
and that one big, open-plan space. | 0:14:45 | 0:14:48 | |
As soon as you walk in, you feel it's cosy. | 0:14:48 | 0:14:51 | |
And the light, have you thought about where you'd bring light in, | 0:14:51 | 0:14:54 | |
or how you would use windows in your extension? | 0:14:54 | 0:14:56 | |
Seeing the amount of natural light you've managed to bring in here, | 0:14:56 | 0:14:59 | |
it's something we're going to maybe pay a bit more attention to | 0:14:59 | 0:15:02 | |
before we make any big decisions on that, | 0:15:02 | 0:15:04 | |
because it is really impressive and it helps to set the whole room off | 0:15:04 | 0:15:07 | |
with so much natural light. It's lovely. | 0:15:07 | 0:15:09 | |
I love this, I think it's an amazing space. | 0:15:09 | 0:15:12 | |
As you said, it really does have that wow factor. | 0:15:12 | 0:15:14 | |
But, I think we should also look around a bit further, | 0:15:14 | 0:15:17 | |
-so shall we pop to the front of the house? -Yes. | 0:15:17 | 0:15:20 | |
Peter and his wife carried out | 0:15:24 | 0:15:26 | |
a complete renovation from the ground up, | 0:15:26 | 0:15:28 | |
creating a truly stunning family home. | 0:15:28 | 0:15:31 | |
Right, this is your front sitting room. | 0:15:34 | 0:15:37 | |
Huge project, it's a big house, what did you budget for that? | 0:15:37 | 0:15:40 | |
We budgeted about 40,000, initially. | 0:15:40 | 0:15:45 | |
As the project has taken more and more time, | 0:15:45 | 0:15:47 | |
obviously we've eaten into that, | 0:15:47 | 0:15:50 | |
-but we seem to be pretty much on budget. -Really? -Yeah. | 0:15:50 | 0:15:53 | |
How much of it was spent on the extension, as a proportion of that? | 0:15:53 | 0:15:57 | |
I think the whole extension, | 0:15:57 | 0:15:59 | |
just the infrastructure of getting it built, | 0:15:59 | 0:16:02 | |
was about 15,000. | 0:16:02 | 0:16:03 | |
It's encouraging you can add on such a big space | 0:16:03 | 0:16:07 | |
like you have for that kind of budget. | 0:16:07 | 0:16:09 | |
When you first moved in, did you have a clear idea that | 0:16:09 | 0:16:13 | |
you were going to keep the old part of the house very much separate, | 0:16:13 | 0:16:16 | |
or did you feel that you wanted to integrate? | 0:16:16 | 0:16:19 | |
Well, we always quite liked the idea of eclectic, | 0:16:19 | 0:16:22 | |
in the sense that you may have old pieces and old bits, | 0:16:22 | 0:16:26 | |
and then you walk into the new, | 0:16:26 | 0:16:28 | |
but you've still got old elements there. | 0:16:28 | 0:16:30 | |
I think here, it's quite unapologetic, quite honest... | 0:16:30 | 0:16:33 | |
You just go from quite new to a bit older. | 0:16:33 | 0:16:36 | |
You don't have to feel that you have to sort of... | 0:16:36 | 0:16:38 | |
-Stage it. -Yes, exactly. | 0:16:38 | 0:16:40 | |
We've got a 200-year-old cottage | 0:16:40 | 0:16:42 | |
and it's going to... We can't modernise it, | 0:16:42 | 0:16:46 | |
we don't want to modernise it... | 0:16:46 | 0:16:48 | |
I feel quite comfortable with it, don't you? | 0:16:48 | 0:16:50 | |
The change in between the two. | 0:16:50 | 0:16:53 | |
I think it's quite nice that you've got effectively two houses. | 0:16:53 | 0:16:56 | |
Peter, thank you for showing us around. | 0:16:56 | 0:16:58 | |
Amazing to see that kitchen, | 0:16:58 | 0:17:00 | |
and how well also the rest of the house works with it, | 0:17:00 | 0:17:02 | |
so it's been really great, and I hope it's been really useful. | 0:17:02 | 0:17:05 | |
-Absolutely, yeah. -Fantastic. -Thank you very much. | 0:17:05 | 0:17:08 | |
Later on, I'll catch up with Gail and Jason to see | 0:17:08 | 0:17:11 | |
if everything they've learned helped them to put the plans | 0:17:11 | 0:17:14 | |
for their large-scale renovation into practice. | 0:17:14 | 0:17:17 | |
From countryside to town, | 0:17:19 | 0:17:21 | |
many areas of the UK can be affected by the problems of abandoned homes. | 0:17:21 | 0:17:25 | |
Over a year ago I was in east London, | 0:17:25 | 0:17:28 | |
where a stalled regeneration project had led to run-down, | 0:17:28 | 0:17:31 | |
vandalised houses and an influx of squatters. | 0:17:31 | 0:17:34 | |
John McCollin, a senior project manager from Newham Council, | 0:17:39 | 0:17:42 | |
talked me through the impact this had on the community. | 0:17:42 | 0:17:45 | |
At its height, the council had to carry out a programme of 120 | 0:17:46 | 0:17:51 | |
or so squatting and repossession cases. | 0:17:51 | 0:17:54 | |
And how long were these properties going to be empty for? | 0:17:54 | 0:17:57 | |
Was there a problem with the funds coming through? | 0:17:57 | 0:18:00 | |
Well, what actually happened was that due to the slowdown | 0:18:00 | 0:18:03 | |
in the economic climate, that meant that the phase programme in which | 0:18:03 | 0:18:08 | |
the regeneration was due to take place actually got delayed further. | 0:18:08 | 0:18:12 | |
Empty properties, they take a lot of money to keep them secure, | 0:18:12 | 0:18:15 | |
they're a blight on the neighbourhood and ultimately | 0:18:15 | 0:18:18 | |
no-one is living in them. So you came up with a new approach. | 0:18:18 | 0:18:20 | |
What was that? What did you do? | 0:18:20 | 0:18:22 | |
We entered into a contract with a private company, | 0:18:22 | 0:18:25 | |
whereby we leased a number of properties to the private contractor. | 0:18:25 | 0:18:29 | |
The private contractor was then required to refurbish these units | 0:18:29 | 0:18:34 | |
and find tenants to move into the properties, | 0:18:34 | 0:18:37 | |
so that they became occupied and again started to regenerate the area. | 0:18:37 | 0:18:43 | |
So the council still owns the properties but you leased them out | 0:18:43 | 0:18:46 | |
to a private company, they refurbished them | 0:18:46 | 0:18:48 | |
at no cost to you, and then leased them out to tenants? | 0:18:48 | 0:18:51 | |
Seems like it works very well for you. | 0:18:51 | 0:18:53 | |
This has been a real success story for Newham. | 0:18:53 | 0:18:56 | |
We've now put something like 193 properties back into purposeful use, | 0:18:56 | 0:19:02 | |
which would otherwise have been empty for at least another five years. | 0:19:02 | 0:19:06 | |
John invited me to take a look at one of the properties | 0:19:06 | 0:19:10 | |
that had already been renovated. | 0:19:10 | 0:19:12 | |
The house was still boarded up for security reasons, | 0:19:13 | 0:19:16 | |
but it was ready and waiting for a family to move in. | 0:19:16 | 0:19:19 | |
Oh, wow. So here we are. It's a big room. | 0:19:26 | 0:19:29 | |
Actually, a pretty big place overall, isn't it? | 0:19:29 | 0:19:31 | |
This is a four-bedroom house. As you can see, it's fully refurbished, | 0:19:31 | 0:19:37 | |
-fully redecorated throughout. -Wow. | 0:19:37 | 0:19:39 | |
New bathroom fixtures, all the kitchen fixtures, new boiler, | 0:19:39 | 0:19:42 | |
everything's gone in. | 0:19:42 | 0:19:44 | |
It's just ready now for a family to come and move in. | 0:19:44 | 0:19:47 | |
So how does this make you feel when you come and see this? | 0:19:47 | 0:19:50 | |
It's very satisfying. | 0:19:50 | 0:19:51 | |
The first step of the programme was almost complete, | 0:19:52 | 0:19:55 | |
but a key element was missing - people, to bring life | 0:19:55 | 0:19:59 | |
into these houses and back to the area. | 0:19:59 | 0:20:01 | |
Today, one year on, the shutters have come off | 0:20:04 | 0:20:07 | |
and more tenants have now moved in, creating a thriving community. | 0:20:07 | 0:20:11 | |
Through their partnership with the developers Tando, | 0:20:13 | 0:20:16 | |
Newham Council have brought 47 more properties into use | 0:20:16 | 0:20:19 | |
and housed 240 families, including Terry Curran and his family. | 0:20:19 | 0:20:24 | |
A few years ago, they was derelict. I mean, they've done them all up, | 0:20:24 | 0:20:28 | |
they've done everything to them, new windows, everything. | 0:20:28 | 0:20:31 | |
The inside's completely refurbished. | 0:20:31 | 0:20:33 | |
Having spent his whole life in the borough, | 0:20:33 | 0:20:35 | |
Terry can clearly see the benefits of the regeneration. | 0:20:35 | 0:20:39 | |
If it's all run down and that, it just, like, encourages crime, | 0:20:39 | 0:20:43 | |
people breaking in and things like that, yeah, when they were empty. | 0:20:43 | 0:20:47 | |
But now they've all been done up, families have moved into them. | 0:20:47 | 0:20:51 | |
There's more of a community feeling round here than what there was. | 0:20:51 | 0:20:54 | |
Everyone's a lot happier. Everything's fine. | 0:20:54 | 0:20:57 | |
John McCollin from Newham Council is still managing the project. | 0:20:58 | 0:21:02 | |
It's a success story for Newham, both in terms of the revenue | 0:21:04 | 0:21:10 | |
that we're now saving in terms of the properties being empty. | 0:21:10 | 0:21:13 | |
Also the loss of council tax revenue. | 0:21:13 | 0:21:15 | |
Small businesses have started to revitalise | 0:21:15 | 0:21:17 | |
because they're getting more business through the local residents, | 0:21:17 | 0:21:20 | |
so we're quite proud of what we've been able to achieve to date. | 0:21:20 | 0:21:24 | |
When I first met Jason and Gail, | 0:21:25 | 0:21:27 | |
they had taken on an exciting project | 0:21:27 | 0:21:29 | |
in this 200-year-old derelict cottage. | 0:21:29 | 0:21:32 | |
They wanted to update the 1970s extension, yet keep the feel | 0:21:32 | 0:21:35 | |
and features of the original building. | 0:21:35 | 0:21:38 | |
Well, here I am back in Southwell a year after my first visit. | 0:21:45 | 0:21:48 | |
Now, this was a really ambitious project for Jason and Gail, | 0:21:48 | 0:21:52 | |
but it seems, from first glance, things have gone really well. | 0:21:52 | 0:21:56 | |
This looks incredible and I can't wait to see inside. | 0:21:56 | 0:21:59 | |
-Joe, hi. -Jason, how are you doing? -Nice to see you again. | 0:22:04 | 0:22:07 | |
Good to see you. This looks incredible. | 0:22:07 | 0:22:10 | |
-As you approach, everything is so clean and so neat, beautiful. -Yep. | 0:22:10 | 0:22:14 | |
It has all been repointed, with line-based pointing and yeah, | 0:22:14 | 0:22:19 | |
it's made a real difference. | 0:22:19 | 0:22:20 | |
-The little porch that was here before has gone. -Correct. | 0:22:20 | 0:22:23 | |
I took it down one Sunday morning | 0:22:23 | 0:22:25 | |
and straightaway I thought it actually makes the house | 0:22:25 | 0:22:27 | |
look a lot bigger and just a much nicer front elevation. | 0:22:27 | 0:22:31 | |
-That's right, it's back to its original, isn't it? -Yeah. | 0:22:31 | 0:22:33 | |
-Shall we have a look inside? -Certainly. Come on. | 0:22:33 | 0:22:36 | |
-Come on in. -Hey. Look at this. This is very homely. | 0:22:36 | 0:22:40 | |
And a stove, very welcome on a cold day! | 0:22:40 | 0:22:43 | |
All this actually runs all the hot water | 0:22:43 | 0:22:45 | |
-and all the under-floor heating. -Does it? -Yeah. | 0:22:45 | 0:22:47 | |
-So you've got a back boiler on there? -Er... It's... | 0:22:47 | 0:22:50 | |
What it is, it goes through to a thermal store | 0:22:50 | 0:22:53 | |
at the back of the house, and it's kind of future-proofed | 0:22:53 | 0:22:56 | |
as well, which means we can slot some solar thermal | 0:22:56 | 0:23:00 | |
into it, eventually. | 0:23:00 | 0:23:01 | |
Last time you stripped all the plaster back off the walls, | 0:23:01 | 0:23:04 | |
you were trying to dry out the house. What happened next? | 0:23:04 | 0:23:06 | |
-How did it work? -It dried out very quickly, in actual fact. | 0:23:06 | 0:23:10 | |
Took all the old concrete-based mortar on most of the walls | 0:23:10 | 0:23:13 | |
in the house and, after we spent a few weeks taking that off, | 0:23:13 | 0:23:16 | |
you could literally see the moisture coming out of the walls | 0:23:16 | 0:23:19 | |
and the windows were steamed up for a number of weeks | 0:23:19 | 0:23:22 | |
and that's purely moisture that had been trapped in the brickwork. | 0:23:22 | 0:23:25 | |
Another thing was this floor, | 0:23:25 | 0:23:27 | |
very old-fashioned quarry-tile floor. Actually, as you see now, | 0:23:27 | 0:23:30 | |
it's dry as a bone, working fantastically, because it can breathe. | 0:23:30 | 0:23:34 | |
Before there was a vinyl-based covering on that they'd tried | 0:23:34 | 0:23:37 | |
to keep damp down in. | 0:23:37 | 0:23:38 | |
-Since you've re-plastered, you haven't had any problems? -No. | 0:23:38 | 0:23:41 | |
Not at all. This is lime-based plaster. | 0:23:41 | 0:23:44 | |
So it's designed to be able to breathe with the building. | 0:23:44 | 0:23:47 | |
Great! So often on the programme we've talked about using | 0:23:47 | 0:23:49 | |
traditional methods with traditional buildings. | 0:23:49 | 0:23:52 | |
It's exactly what you've done here, | 0:23:52 | 0:23:53 | |
lime mortar on the outside, lime plaster on the inside. | 0:23:53 | 0:23:57 | |
It's breathing nicely and you haven't had any problems. | 0:23:57 | 0:23:59 | |
No, it's worked really, really well, | 0:23:59 | 0:24:01 | |
so traditional methods have won through. | 0:24:01 | 0:24:03 | |
What about next door? | 0:24:03 | 0:24:05 | |
-You were thinking about going a bit more modern. Have you? -We have. | 0:24:05 | 0:24:08 | |
I'll let you judge, so if you're ready, we'll go through | 0:24:08 | 0:24:11 | |
-and have a look. -OK, let's do it. | 0:24:11 | 0:24:13 | |
Wow. So this is... | 0:24:17 | 0:24:20 | |
This is mind-blowingly different. This is incredible. | 0:24:20 | 0:24:23 | |
It is quite different. | 0:24:23 | 0:24:24 | |
Before, it was very compartmentalised. | 0:24:24 | 0:24:26 | |
All these little rooms. It's amazing what you can do when you've got the vision | 0:24:26 | 0:24:30 | |
-to ignore those walls and just open it all up. -Yeah. | 0:24:30 | 0:24:33 | |
I think it's something not to be scared of really, let yourself | 0:24:33 | 0:24:35 | |
go with it, imagining how you want it to be and see if it can do it. | 0:24:35 | 0:24:38 | |
Yeah. When we went to see Peter Tasker before, | 0:24:38 | 0:24:41 | |
you both seemed quite struck at how it was a traditional house and, | 0:24:41 | 0:24:45 | |
in many ways, quite traditional in how it had been laid out, | 0:24:45 | 0:24:49 | |
but as soon as you went to the back, it opened up and was very modern. | 0:24:49 | 0:24:51 | |
You quite liked that. Has that influenced this? | 0:24:51 | 0:24:54 | |
Definitely. | 0:24:54 | 0:24:55 | |
I think one of the things we took away from that | 0:24:55 | 0:24:57 | |
was the importance of natural light, hence we've put in | 0:24:57 | 0:25:01 | |
very large bi-fold doors | 0:25:01 | 0:25:03 | |
-and obviously the windows at the side. -Fantastic. | 0:25:03 | 0:25:07 | |
I'm pleased it's worked out so well. | 0:25:07 | 0:25:08 | |
You've added to your upstairs with the extension as well? | 0:25:08 | 0:25:11 | |
-Can we go and take a look? -Yeah. Let's go and have a look upstairs. | 0:25:11 | 0:25:15 | |
Gail and Jason have lovingly revived the bedrooms on the first floor. | 0:25:15 | 0:25:19 | |
And they've added another room above the extension. | 0:25:20 | 0:25:23 | |
-Wow. This is great. This is your master bedroom? -Correct. | 0:25:25 | 0:25:28 | |
When I first saw the bedrooms I was sort of worried | 0:25:28 | 0:25:31 | |
they might feel too small when they were done, but they don't. | 0:25:31 | 0:25:33 | |
-You must be very happy. -They're really good-sized bedrooms, | 0:25:33 | 0:25:36 | |
They're actually larger than they felt originally. | 0:25:36 | 0:25:39 | |
This is a six-foot bed in here and you've still got plenty of room. | 0:25:39 | 0:25:42 | |
Originally you wanted to be very hands-on with this project. | 0:25:42 | 0:25:45 | |
-Is that how it worked out? -No, it didn't work out like that. | 0:25:45 | 0:25:48 | |
A lot of the work on this project was quite skilled work. | 0:25:48 | 0:25:52 | |
And, as it turned out, | 0:25:52 | 0:25:53 | |
I could fulfil a much more effective role as a project manager | 0:25:53 | 0:25:57 | |
-than I could getting involved and getting in people's way. -I see. | 0:25:57 | 0:26:00 | |
-So you were keeping it as efficient as possible? -Yeah. | 0:26:00 | 0:26:03 | |
Yeah. As efficient as it could be. | 0:26:03 | 0:26:05 | |
These projects, of course, are expensive. | 0:26:05 | 0:26:07 | |
You were hoping to do stages one and two, | 0:26:07 | 0:26:08 | |
which was the old cottage and the new extension, for £75,000. | 0:26:08 | 0:26:12 | |
-How did it work out? -We've gone over, I would say, by about 25,000. | 0:26:12 | 0:26:18 | |
A lot of it was coming down to doing things the right way. | 0:26:18 | 0:26:21 | |
There could've been shortcuts, but we've done it the right way | 0:26:21 | 0:26:24 | |
and hopefully this building can look after itself for a long time to come. | 0:26:24 | 0:26:28 | |
-So, no regrets? -No, no, no. A few grey hairs, but... | 0:26:28 | 0:26:31 | |
THEY LAUGH | 0:26:31 | 0:26:33 | |
Well, I think Jason and Gail have been really sensible | 0:26:36 | 0:26:39 | |
by sticking to what they do best. | 0:26:39 | 0:26:41 | |
Jason became the project manager, which such a big project needed, | 0:26:41 | 0:26:44 | |
and left the major jobs to the professionals. | 0:26:44 | 0:26:47 | |
And it's worked out. | 0:26:47 | 0:26:48 | |
It's a stunning house and they now have an absolutely brilliant home | 0:26:48 | 0:26:53 | |
with all its original features intact. | 0:26:53 | 0:26:56 | |
Subtitles by Red Bee Media Ltd | 0:27:13 | 0:27:16 |