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There are nearly a million homes lying lost and abandoned in the UK, | 0:00:02 | 0:00:05 | |
waiting for someone to breathe life back into them. | 0:00:05 | 0:00:08 | |
Whether it's a tired semi or a rambling mansion, | 0:00:08 | 0:00:10 | |
we're on the search for Britain's Empty Homes. | 0:00:10 | 0:00:13 | |
If the thought of rescuing an old house tugs at your heartstrings, | 0:00:22 | 0:00:26 | |
then we're going to show you how you can make one your very own. | 0:00:26 | 0:00:29 | |
Today I'll be showing a couple of home-hunters around two vacant houses they could call home. | 0:00:29 | 0:00:34 | |
-A lot of potential in it - this is the best bit of the property, really. -It is. | 0:00:34 | 0:00:39 | |
We meet the people determined to take buildings from obsolete to occupied. | 0:00:39 | 0:00:43 | |
You suddenly see them being brought back into use - you get a really big boost from it. | 0:00:43 | 0:00:48 | |
And we'll see how once despondent domiciles have become dream des reses. | 0:00:48 | 0:00:53 | |
While many people may dismiss empty properties as something of an eyesore, | 0:00:55 | 0:00:59 | |
clued-up buyers know that behind their doors, could lie a world of possibility. | 0:00:59 | 0:01:03 | |
Martin and Angela James have lived in their current modern house in Northamptonshire | 0:01:05 | 0:01:10 | |
for the past seven years but are keen to try something different. | 0:01:10 | 0:01:13 | |
I think Martin, more than me, would like a house with a bit more character. | 0:01:13 | 0:01:18 | |
This one's a bit of a box. | 0:01:18 | 0:01:20 | |
-It's a lovely box! -But it is a box. -But it is a box. | 0:01:20 | 0:01:23 | |
I think we do agree on the sort of property we want. | 0:01:23 | 0:01:28 | |
I think you would prefer to have somewhere to eat in the kitchen or a kitchen/diner. | 0:01:28 | 0:01:33 | |
And holistic therapist, Angela, needs a quiet space away from the house to work in. | 0:01:33 | 0:01:39 | |
I need a decent-sized garden because I need to have, as I've got now, | 0:01:39 | 0:01:45 | |
a room out there that I do the therapies in. | 0:01:45 | 0:01:48 | |
I reckon Martin and Angela's best bet for finding what they want | 0:01:48 | 0:01:52 | |
could lie behind the door of a vacant building. | 0:01:52 | 0:01:55 | |
Now then, Martin and Angela, what's behind this move of yours? | 0:01:56 | 0:02:00 | |
It just feels the right time, basically. | 0:02:00 | 0:02:02 | |
-We've been where we are for, what, seven years? -Yes, you've got the seven year itch! | 0:02:02 | 0:02:06 | |
Martin gets a little bit bored sometimes. | 0:02:06 | 0:02:09 | |
We would have moved more but sometimes I dig my heels in and go, "No, I'm not moving!" | 0:02:09 | 0:02:14 | |
But you're prepared to give in now. Why are you prepared to go for this move at the moment, Angela? | 0:02:14 | 0:02:19 | |
Now, I think I'm ready to take on a challenge with Martin. | 0:02:19 | 0:02:22 | |
Are you fairly flexible as to the kind of property you're looking for? | 0:02:22 | 0:02:27 | |
Is there a picture in your mind of the ideal? | 0:02:27 | 0:02:29 | |
A village location - I think we like that. | 0:02:29 | 0:02:31 | |
Something with, not a big garden, but a garden you can do something with. | 0:02:31 | 0:02:36 | |
Let's think about the budget cos that's going to dictate everything. How much have you got to spend? | 0:02:36 | 0:02:41 | |
-All in, 320-350. -So that's the purchase price AND money to do it up. | 0:02:41 | 0:02:47 | |
-Let's see what we can find you. -OK. -OK. | 0:02:47 | 0:02:49 | |
So, they want a house with character, three bedrooms, | 0:02:51 | 0:02:54 | |
a large kitchen/diner and space for Angela's holistic therapy room - | 0:02:54 | 0:02:58 | |
all for a budget of £350,000. | 0:02:58 | 0:03:01 | |
We need to find them somewhere that fits the bill, | 0:03:01 | 0:03:05 | |
which is why I've brought them to the village of Wilbarston, | 0:03:05 | 0:03:08 | |
six miles outside Market Harborough in Leicestershire. | 0:03:08 | 0:03:12 | |
With a pub, post office and shop, it has all that the Jameses are looking for, | 0:03:12 | 0:03:16 | |
with a backdrop of beautiful open countryside. | 0:03:16 | 0:03:19 | |
This detached cottage hasn't been lived in for more than two months. | 0:03:19 | 0:03:23 | |
It's on the market for just under £250,000, | 0:03:23 | 0:03:26 | |
which will give them a further £100,000 spare from their budget to make it their ideal home. | 0:03:26 | 0:03:32 | |
OK, let's start with this one. What do you think? | 0:03:34 | 0:03:36 | |
-Um... -Looks very good. -Looks interesting. | 0:03:36 | 0:03:39 | |
It's very interesting. The good thing is that although we are in a conservation area, | 0:03:39 | 0:03:44 | |
which does have an effect on what you can try and do to this building, | 0:03:44 | 0:03:48 | |
in itself, it's not listed. | 0:03:48 | 0:03:49 | |
-OK, that's good. -It's a really good thing. | 0:03:49 | 0:03:53 | |
-Currently on the market for £250,000... -All right. -OK. -..for an initial spend, | 0:03:53 | 0:03:57 | |
leaving you, potentially, £100,000 or so to play with, depending on what you want to do to it. | 0:03:57 | 0:04:03 | |
-Let's see what you think. -Yeah, I'm excited. | 0:04:03 | 0:04:07 | |
Since the owner passed on, the house has been empty and is up for sale. | 0:04:07 | 0:04:11 | |
Inside, there are three bedrooms... | 0:04:11 | 0:04:14 | |
..two reception rooms... | 0:04:17 | 0:04:20 | |
and a kitchen, which all need a revamp. | 0:04:20 | 0:04:22 | |
Now, come in here. | 0:04:26 | 0:04:28 | |
-This is currently kitchen/diner, as you can see. -Mm. | 0:04:28 | 0:04:32 | |
-Not the biggest in the world. -No. | 0:04:32 | 0:04:35 | |
-I don't think you would want this as your kitchen/diner. -Definitely not. | 0:04:35 | 0:04:39 | |
The point about this whole area is that it's an extension to the earlier property, | 0:04:39 | 0:04:45 | |
so my suggestion is that the wall with the wallpaper on it, all of that can come out, | 0:04:45 | 0:04:50 | |
and that wall there would all go. | 0:04:50 | 0:04:52 | |
-Behind that is a bathroom... -Right. -..and again I would get rid. -Yeah. | 0:04:52 | 0:04:58 | |
So you open this up in a pretty big way, | 0:04:58 | 0:05:03 | |
cos what the property could then offer you is a mixture of character where it exists - | 0:05:03 | 0:05:07 | |
you'd keep that bit - and then you'd go for a nice modern, slick, clean look in the kitchen. | 0:05:07 | 0:05:12 | |
-Yeah, I can see that. Yeah. -Yeah. -Good. Let's continue through here. | 0:05:12 | 0:05:16 | |
This is where the character really comes to life. | 0:05:19 | 0:05:21 | |
This room is similar to what's next door - very cottagey, very cosy. | 0:05:21 | 0:05:27 | |
-Yes. -No square lines. -No square lines. | 0:05:27 | 0:05:30 | |
It's good, it's got the two windows, cos you've got a bit more light coming in than you'd have normally. | 0:05:30 | 0:05:36 | |
-In terms of space...? -It's all you'd need. -I think it's enough, yes. | 0:05:36 | 0:05:41 | |
-Because it is basically a sitting room, isn't it? -Yes. | 0:05:41 | 0:05:44 | |
So, after a quick tour of the three upstairs bedrooms, one of which has an en-suite loo, | 0:05:46 | 0:05:51 | |
I take Angela and Martin outside to show them where there may be the possibility of extending. | 0:05:51 | 0:05:56 | |
Right, let's have a first look at the rear of the property. | 0:05:59 | 0:06:02 | |
-Aw! -Quite sweet, isn't it? -It is. | 0:06:02 | 0:06:06 | |
Now, as you've seen upstairs, it's a bit poky. | 0:06:06 | 0:06:09 | |
What we're suggesting is that you could come out on the left-hand side of the property | 0:06:09 | 0:06:14 | |
with an upper-storey extension that would come out over half of the new open-plan kitchen/diner. | 0:06:14 | 0:06:20 | |
-Right. -That would allow you space for either very generously apportioned three bedrooms | 0:06:20 | 0:06:25 | |
with an extra family bathroom upstairs in the property, | 0:06:25 | 0:06:31 | |
or you could potentially squeeze in a smaller family bathroom and go for a four bed. | 0:06:31 | 0:06:35 | |
That makes it a better proposition - it's too small as it is, upstairs. | 0:06:35 | 0:06:39 | |
-So, that would be a lot better. -Yeah. | 0:06:39 | 0:06:42 | |
The garden is a decent size and there is a detached garage | 0:06:42 | 0:06:47 | |
plus there is an interesting space that would be ideal for Angela's therapy room. | 0:06:47 | 0:06:52 | |
This used to be the old village wash house. | 0:06:52 | 0:06:55 | |
This is a project in its own right. | 0:06:55 | 0:06:57 | |
-You can't wait to get in, can you? -No! | 0:06:57 | 0:06:59 | |
-Now, this is quite an interesting space. -Oh, my gosh! | 0:07:04 | 0:07:08 | |
-This is tremendous. -Yes. -Can you see yourself in here as a big open-plan studio? | 0:07:08 | 0:07:14 | |
Definitely! I think you could even split it - I might share a little bit with you! | 0:07:14 | 0:07:19 | |
-LAUGHTER -What would you do in your half? | 0:07:19 | 0:07:21 | |
I'd... Well, I was just thinking, get rid of the garage, have a garage and a room. | 0:07:21 | 0:07:27 | |
-So save yourself the job of the garage. -We've got more garden. | 0:07:27 | 0:07:30 | |
-Brilliant. -Fantastic. -Yeah. | 0:07:30 | 0:07:32 | |
Something like this is a real asset. | 0:07:32 | 0:07:35 | |
To realise all the potential here, demands the expertise of an architect, | 0:07:37 | 0:07:41 | |
so we asked a local one to inspect the house | 0:07:41 | 0:07:43 | |
and price up for knocking through in the kitchen to create an open-plan space, | 0:07:43 | 0:07:48 | |
extending and reconfiguring the upstairs to create three large bedrooms and a family bathroom | 0:07:48 | 0:07:53 | |
and turning the old wash house into a therapy room for Angela. | 0:07:53 | 0:07:57 | |
-We're thinking about £20,000-£25,000 to do this up. -In here, yeah. | 0:07:57 | 0:08:01 | |
About £10,000 on a new garage but you've saved that already by putting it in here. | 0:08:01 | 0:08:06 | |
But all in, we are confident that for the £100,000 left over from your 350 budget, | 0:08:06 | 0:08:12 | |
you would do all of that - put the extension on the back of the property, | 0:08:12 | 0:08:15 | |
renew the kitchen area etc. | 0:08:15 | 0:08:18 | |
So, going to the top of your budget of 350 but you would achieve it. | 0:08:18 | 0:08:22 | |
-Yeah. -It has a lot of potential in it. This is the best bit of the property, really. -It is. | 0:08:22 | 0:08:27 | |
Yeah, it does feel good, actually, it's got a nice vibe. | 0:08:27 | 0:08:30 | |
-So, worth showing you? -Very much so. | 0:08:30 | 0:08:33 | |
-Something for you to think about. -Something we would never have thought of, I have to say. | 0:08:33 | 0:08:37 | |
-I'd have probably just not walked in here. -Ah! So we might have opened your eyes a bit? -Yeah. -Brilliant. | 0:08:37 | 0:08:42 | |
When it comes to making a vacant house your home, | 0:08:45 | 0:08:47 | |
keeping your eyes open for any opportunity can pay off handsomely, | 0:08:47 | 0:08:51 | |
which is exactly what happened when Catherine and Sam Heppenstall found Stubbin Farm | 0:08:51 | 0:08:56 | |
in Holmfirth in Yorkshire. | 0:08:56 | 0:08:58 | |
We'd walked past it many times as a family | 0:08:58 | 0:09:00 | |
and often thought, "What a beautiful house - we'd love to live there." | 0:09:00 | 0:09:04 | |
We'd approached the guy who owned it many times and one day he said, "Yes, you can buy it." | 0:09:04 | 0:09:08 | |
It was just, like, "Crikey!" | 0:09:08 | 0:09:10 | |
The house was in a shocking state | 0:09:10 | 0:09:13 | |
when they paid £130,000 for it in 2002. | 0:09:13 | 0:09:17 | |
It were derelict - it had been empty for six or seven years, | 0:09:17 | 0:09:21 | |
so it were really uninhabitable. | 0:09:21 | 0:09:25 | |
-Totally, we had trees growing here in the kitchen. -Yeah, it were grim. | 0:09:25 | 0:09:29 | |
Yeah - grim's a good word for it! | 0:09:29 | 0:09:32 | |
It was a really sad house but you could see it had once been so happy and it just needed a little bit... | 0:09:34 | 0:09:39 | |
Well, it ended up being A LOT of love and attention. | 0:09:39 | 0:09:42 | |
Being in such a beautiful location dictated to Catherine and Sam how they wanted the house to look. | 0:09:42 | 0:09:48 | |
We tried to use as much reclaimed stone and locally-sourced materials as we can to make it blend in. | 0:09:49 | 0:09:57 | |
Yeah, and look as though it's original. | 0:09:57 | 0:09:59 | |
Catherine and Sam have worked hard to make their perfect family home in a once derelict farmhouse | 0:09:59 | 0:10:06 | |
and it's cost them much less than if they'd bought it newly renovated. | 0:10:06 | 0:10:10 | |
The farmhouse cost us about £130,000 and then we spent another 220 on it, | 0:10:10 | 0:10:15 | |
so, recently, when we had it valued at £500,000, it really did make it worthwhile. | 0:10:15 | 0:10:21 | |
I would never give it up. | 0:10:23 | 0:10:24 | |
I love it - we've got the pigs, the chickens. We're doing the good life! | 0:10:24 | 0:10:28 | |
I want to do it - I don't want to be striving towards something else. | 0:10:28 | 0:10:31 | |
I want to stop and enjoy what we've got and I want the children to have their memories planted in this home. | 0:10:31 | 0:10:37 | |
The memories within the walls are our memories and will reflect that in years to come. | 0:10:37 | 0:10:41 | |
For every empty property lying boarded up in your neighbourhood, | 0:10:49 | 0:10:52 | |
the chances are there's an empty property officer working hard behind the scenes | 0:10:52 | 0:10:56 | |
looking for clues as to who owns it and what can be done to bring it back into use. | 0:10:56 | 0:11:01 | |
Sue Hague heads up a team based in Devon covering an area of almost 700 square miles, | 0:11:03 | 0:11:08 | |
taking in both urban and rural properties. | 0:11:08 | 0:11:11 | |
What people tend to think is that if the council comes to see them then it's because they're in trouble | 0:11:11 | 0:11:18 | |
and that's not the case. | 0:11:18 | 0:11:20 | |
In her sights today is a new case in Exeter | 0:11:22 | 0:11:25 | |
brought to her attention by the council's environmental health department | 0:11:25 | 0:11:29 | |
after a concerned neighbour contacted them. | 0:11:29 | 0:11:32 | |
I haven't seen this and we need to have a really good look at it, | 0:11:32 | 0:11:36 | |
see what kind of state it's in | 0:11:36 | 0:11:38 | |
and then see where we need to take it from there. | 0:11:38 | 0:11:42 | |
Sue's first task is to establish if anyone is living there or not. | 0:11:46 | 0:11:50 | |
The property appears to be very, very overgrown. | 0:11:53 | 0:11:56 | |
I'm quite surprised, just looking at this, that we haven't been contacted before. | 0:11:56 | 0:12:01 | |
Extremely overgrown and... | 0:12:01 | 0:12:04 | |
Good heavens! | 0:12:04 | 0:12:06 | |
Completely full of rubbish. | 0:12:06 | 0:12:09 | |
I have to say, this is one of the worst I've seen. | 0:12:12 | 0:12:17 | |
A lot of this looks like it could be building rubbish. | 0:12:17 | 0:12:22 | |
It could be that work's started on the property, maybe to convert it, | 0:12:22 | 0:12:27 | |
and not actually managed to get the planning permission that they need. | 0:12:27 | 0:12:32 | |
So, that's something we'll really need to look at | 0:12:32 | 0:12:34 | |
and see whether there is any planning application in on the property. | 0:12:34 | 0:12:38 | |
But what we really need to do is get this cleared. | 0:12:38 | 0:12:42 | |
But that's just the front garden. | 0:12:42 | 0:12:45 | |
Sue's still not seen inside. | 0:12:45 | 0:12:46 | |
I can't see down to see whether there's any post lying around. | 0:12:48 | 0:12:51 | |
If you can see that there's post in there, | 0:12:51 | 0:12:55 | |
it probably means that at some stage they're going to collect that post. | 0:12:55 | 0:12:59 | |
What we can do is write a letter to the actual property | 0:12:59 | 0:13:01 | |
and then, hopefully, once the owners pick it up they'll contact us. | 0:13:01 | 0:13:05 | |
It doesn't always work but at least it's a way of attempting to get hold of them. | 0:13:05 | 0:13:10 | |
It almost looks like it's open at the back. | 0:13:10 | 0:13:14 | |
She's keen to check the back of the house to make sure it's secure. | 0:13:15 | 0:13:19 | |
We have a wall. | 0:13:21 | 0:13:23 | |
But the only way to gain access is through a neighbouring building. | 0:13:23 | 0:13:26 | |
Thank you. | 0:13:26 | 0:13:27 | |
It looks as if the original door that was on the back has been removed. | 0:13:33 | 0:13:39 | |
There's certainly not any activity gone on there for quite a while. | 0:13:40 | 0:13:44 | |
For now, Sue's done all she can at the house but the investigation is far from over. | 0:13:44 | 0:13:50 | |
The next step is back to the office, make a few calls, | 0:13:50 | 0:13:52 | |
see if we can find out who the property belongs to and take it from there. | 0:13:52 | 0:13:55 | |
If you want something done about a vacant building near you, | 0:13:58 | 0:14:02 | |
contact your local property officer who can investigate it for you. | 0:14:02 | 0:14:05 | |
Martin and Angela James have lived in their current home in Northamptonshire for seven years | 0:14:10 | 0:14:15 | |
but now they're itching to live a quieter life in a semi-rural setting. | 0:14:15 | 0:14:19 | |
With £350,000 to spend, | 0:14:19 | 0:14:21 | |
I think a vacant home could offer them everything they want. | 0:14:21 | 0:14:24 | |
We started off at a cottage in the village of Wilbarston near Market Harborough | 0:14:26 | 0:14:30 | |
on offer for a figure just shy of £250,000. | 0:14:30 | 0:14:34 | |
£100,000 under budget, it had ample room to satisfy Angela's need for workspace. | 0:14:34 | 0:14:39 | |
-This is tremendous. -Yes. | 0:14:39 | 0:14:41 | |
Now I'm taking them to the village of Swineshead and to Elm Cottage. | 0:14:44 | 0:14:48 | |
Set in an idyllic spot, this place has not been lived in for the past 11 months. | 0:14:48 | 0:14:52 | |
Right, now, property number two - | 0:14:54 | 0:14:58 | |
quite an old property, it's probably a good 200-300 years at its core. | 0:14:58 | 0:15:03 | |
It's hard to tell because it's been covered in this pebble-dash render. | 0:15:03 | 0:15:07 | |
-It's a pretty village location. What do you think? -I like the village. | 0:15:07 | 0:15:10 | |
-Very nice. -It all looks very nice but this, straightaway, looks too small, I have to say. | 0:15:10 | 0:15:17 | |
-But that is reflected in the price - £175,000. -OK. -Yeah. -Way under your £350,000. | 0:15:17 | 0:15:24 | |
This is a classic case of a historic property that's just been left | 0:15:24 | 0:15:29 | |
to literally fall apart and it's going to require some very sympathetic historic renovation. | 0:15:29 | 0:15:35 | |
-OK. -You'll see what I mean on the inside... -Mm. | 0:15:35 | 0:15:37 | |
..and we'll see whether you're up for it! | 0:15:37 | 0:15:40 | |
Inside, there are two bedrooms and two reception rooms. | 0:15:46 | 0:15:50 | |
The whole house is in need of a complete renovation. | 0:15:53 | 0:15:56 | |
Come on in - squeeze round the door. | 0:15:58 | 0:16:00 | |
You're quite right, Angela - it isn't the biggest place in the world, to be fair. | 0:16:00 | 0:16:06 | |
-You can see for yourself. -Well, I'm a very small person and even for me this is claustrophobic. | 0:16:06 | 0:16:13 | |
-Might be good for decorating but... -Don't touch that too much. -Sorry. | 0:16:13 | 0:16:17 | |
One of the reasons this is going to be a quick look around the property is that we can't really go upstairs. | 0:16:17 | 0:16:23 | |
These stairs here are full of damp. | 0:16:23 | 0:16:26 | |
I have looked at it earlier but I'm not going to take you up there. | 0:16:26 | 0:16:29 | |
So, up here you've got two bedrooms. | 0:16:29 | 0:16:31 | |
Effectively, it was a two up, two down. | 0:16:31 | 0:16:35 | |
But, as I say, there is scope to extend it. | 0:16:37 | 0:16:40 | |
-But as you can see, everything needs doing - the lot. -Right. | 0:16:40 | 0:16:45 | |
Come through here. | 0:16:45 | 0:16:46 | |
That's your bathroom, in there. As you can see, it all needs sorting. | 0:16:46 | 0:16:52 | |
-The whole place needs gutting. -Yeah. | 0:16:52 | 0:16:55 | |
This is the sort of house where you'd say to a builder, "Give it back in six months' time." | 0:16:55 | 0:17:00 | |
Yes, exactly. I don't think you'd move in and do this on the hoof. | 0:17:00 | 0:17:04 | |
I think you'd have to trust the builder - really, really trust him. | 0:17:04 | 0:17:08 | |
Well, come through here. | 0:17:08 | 0:17:10 | |
Well, last but not least down here, we've got this - it's obviously been knocked through at some point. | 0:17:12 | 0:17:18 | |
This, I think, is hiding a timber beam. | 0:17:18 | 0:17:23 | |
-Don't knock it too hard! -I think the beam's all right - it's the ceiling I'm worried about! | 0:17:23 | 0:17:29 | |
You've really got to empty all of this. | 0:17:29 | 0:17:32 | |
-But, you know, it's a project! -It's a project. | 0:17:32 | 0:17:36 | |
There are ways of extending this, very similar to what we saw in our first property, | 0:17:36 | 0:17:40 | |
that is to create a kind of a two-storey wing on it. | 0:17:40 | 0:17:45 | |
You would push through that wall, there. | 0:17:45 | 0:17:47 | |
Outside, the garden is big enough to give scope for extending the house | 0:17:48 | 0:17:52 | |
and there is a garage which could become a therapy room for Angela. | 0:17:52 | 0:17:56 | |
To get an idea of how to tap into the potential here, | 0:17:56 | 0:17:59 | |
we asked a local architect to give it the once over. | 0:17:59 | 0:18:02 | |
She measured up to see just how much work and cash would be necessary | 0:18:02 | 0:18:06 | |
to get the place just how Martin and Angela would want it. | 0:18:06 | 0:18:09 | |
There are two ways of looking at this place. | 0:18:09 | 0:18:12 | |
One - you could look at pricing it up to just simply renovate what's here. | 0:18:12 | 0:18:17 | |
That's going to cost you somewhere in the order of £60,000-£80,000. | 0:18:17 | 0:18:23 | |
On top of the £175,000 also. | 0:18:25 | 0:18:27 | |
If one was to turn it round a little further and look at bringing this out to about here, | 0:18:27 | 0:18:34 | |
-so the wall would be about there. -OK, right. | 0:18:34 | 0:18:37 | |
Two-storey gable, like that, | 0:18:37 | 0:18:39 | |
running back into there to give you a third bedroom and potentially an en suite. | 0:18:39 | 0:18:45 | |
You're probably talking about an additional £80,000. | 0:18:45 | 0:18:48 | |
-Mm. -So, about £160,000 odd, which combined with the asking price, puts you pretty much at your 350-ish... | 0:18:48 | 0:18:56 | |
-if you were going to take it on but you probably aren't! -I don't think so! | 0:18:56 | 0:18:59 | |
-OK. -It's a lot of money for a small property. -It's a small plot, um... | 0:18:59 | 0:19:07 | |
I think, you know, I take on board what you said | 0:19:07 | 0:19:10 | |
and I know I've been quite negative, | 0:19:10 | 0:19:13 | |
but I can see you could do something with it. | 0:19:13 | 0:19:15 | |
Angela and Martin have toured two empty properties. | 0:19:16 | 0:19:20 | |
Both offered massive scope to become their dream home. | 0:19:20 | 0:19:22 | |
We'll find out later if they're up to taking on one of them. | 0:19:22 | 0:19:26 | |
Meanwhile in Exeter, empty property officer, Sue Hague, | 0:19:30 | 0:19:34 | |
is back on the trail of vacant homes in need of residents. | 0:19:34 | 0:19:37 | |
This morning we're going to see a little two-bed terraced property | 0:19:37 | 0:19:42 | |
that we've known about for about four years now | 0:19:42 | 0:19:45 | |
but only actually within the last two years managed to find out who the owner was | 0:19:45 | 0:19:51 | |
and actually managed to work with him to bring this property back into use. | 0:19:51 | 0:19:55 | |
Getting a grant from Exeter Council means the owner of this terrace is now able to renovate it | 0:19:57 | 0:20:01 | |
on the condition he then lets it to tenants on the housing waiting list. | 0:20:01 | 0:20:05 | |
Today, Sue's meeting a council-approved builder to assess what work needs to be done. | 0:20:05 | 0:20:10 | |
-We need the windows and doors in first to secure the property. -OK. | 0:20:12 | 0:20:16 | |
Then we'll need the electrics in and the central heating pipework to be done, | 0:20:16 | 0:20:22 | |
-so we can start putting the floors down and get everything secure, so we can walk around safely in it. -OK. | 0:20:22 | 0:20:27 | |
So, once we get to the stage where we've got the floors down, | 0:20:27 | 0:20:31 | |
-how long would you envisage then for plastering and...? -Within a week. | 0:20:31 | 0:20:36 | |
-Really? As quick as that? -Once the floor's down, yeah. | 0:20:36 | 0:20:40 | |
It's going to need a complete renovation from the ground up. | 0:20:42 | 0:20:45 | |
Oh, good grief! | 0:20:47 | 0:20:49 | |
It's going to look very, very different, isn't it? | 0:20:49 | 0:20:52 | |
But it needs to! | 0:20:52 | 0:20:54 | |
-We can't get much worse than this. -No. | 0:20:54 | 0:20:57 | |
It's a relief to see it cleared. | 0:20:57 | 0:21:01 | |
Now you can see the framework of the house, you can see what it's going to become. | 0:21:01 | 0:21:05 | |
Sue's next port of call is with the landlord of a flat at the other end of the process. | 0:21:08 | 0:21:12 | |
The main problems here were that the property was suffering from damp. | 0:21:12 | 0:21:17 | |
There was only a gas fire in the main lounge, with a free-standing heater in the bedroom | 0:21:17 | 0:21:22 | |
and the old doors at the back were wooden ones, they weren't really helping the situation at all. | 0:21:22 | 0:21:28 | |
Lovely lounge area and a nice garden area out the back, as well. | 0:21:28 | 0:21:32 | |
It is lovely, the garden, isn't it? | 0:21:32 | 0:21:35 | |
Getting help from the council with finance and building work | 0:21:35 | 0:21:39 | |
means this place is ready to be occupied once again. | 0:21:39 | 0:21:41 | |
'I would hope that we could be looking at tenanting the property next week or the week after. | 0:21:41 | 0:21:48 | |
'You get a really big boost from it when you consider you see the property right at the beginning' | 0:21:48 | 0:21:53 | |
and it can be in as severe a state as the one we saw before that was nearly derelict, | 0:21:53 | 0:21:58 | |
and then you suddenly see them being brought back into use | 0:21:58 | 0:22:01 | |
and you see a family move in and start a happy life in a home that they can afford. | 0:22:01 | 0:22:06 | |
There can't be anything better than that. | 0:22:06 | 0:22:08 | |
Bringing an unloved house back into use can reap both emotional and financial rewards. | 0:22:12 | 0:22:18 | |
And sometimes it's not what you know but who you know, as Adrianne Brewer discovered | 0:22:18 | 0:22:23 | |
when a friend of hers put this Georgian farmhouse on the market in South Devon in 2004. | 0:22:23 | 0:22:29 | |
We were in Devon visiting them and he said, "Come and have a look at it." | 0:22:29 | 0:22:34 | |
So we went over and it was an October day and the rain was horizontal and it was dark and miserable | 0:22:34 | 0:22:41 | |
and the house was... It was a sight, just completely derelict, broken windows, the roof was broken | 0:22:41 | 0:22:47 | |
but there was just something about it. | 0:22:47 | 0:22:49 | |
When you see a house like that, there's an element of wanting to turn those houses back into family homes. | 0:22:49 | 0:22:55 | |
Coombe House hadn't been lived in for two years when she bought it and began a twelve-month renovation. | 0:22:55 | 0:23:02 | |
Once we owned it and we started really doing the design work and the planning | 0:23:02 | 0:23:08 | |
then I think it got a bit scary because you realised how much there was to do. | 0:23:08 | 0:23:12 | |
In fact, I brought my father over from Canada and had him start the project for us. | 0:23:12 | 0:23:16 | |
I just didn't know where to begin - it was so huge. | 0:23:16 | 0:23:20 | |
Her father's experience in the construction industry certainly helped at the start | 0:23:20 | 0:23:25 | |
and Adrianne knew she wanted to create a look that was sympathetic to the period of the house. | 0:23:25 | 0:23:30 | |
We've left a lot of the original stone on the walls and the flagstones in the floors. | 0:23:31 | 0:23:37 | |
In some of the rooms, we've revealed the original stonework and I love that we've done it like that. | 0:23:37 | 0:23:42 | |
When we bought the house, it had been on the market for about £500,000. | 0:23:44 | 0:23:48 | |
Our budget had been around £350,000-£400,000 to bring it back to a family standard. | 0:23:48 | 0:23:54 | |
Hopefully, it's still worth more than that now, finished, if one wanted to sell it again, | 0:23:54 | 0:23:59 | |
which, at the moment, we don't. | 0:23:59 | 0:24:00 | |
If you buy something that needs work doing to it, | 0:24:00 | 0:24:03 | |
then you probably can afford a little more than if you were buying it already done. | 0:24:03 | 0:24:08 | |
It gives you a lot more house in the end | 0:24:08 | 0:24:10 | |
than if you're buying something somebody else has done the work to. | 0:24:10 | 0:24:14 | |
And she's clear that taking on an abandoned place was the right thing for her and her family. | 0:24:14 | 0:24:19 | |
We love being in the house - it's really calm and peaceful and it's full of light. | 0:24:19 | 0:24:24 | |
It suits the family beautifully so we enjoy the house very much. | 0:24:24 | 0:24:28 | |
And if you're keen to make an empty house your next home, here is how you can start your search. | 0:24:35 | 0:24:40 | |
Once you've chosen your location, | 0:24:40 | 0:24:43 | |
make sure you let local estate agents know precisely what you're looking for | 0:24:43 | 0:24:47 | |
and to notify you the moment suitable properties hit their books | 0:24:47 | 0:24:50 | |
but you may have to act fast as they're often highly sought after. | 0:24:50 | 0:24:54 | |
If you're prepared to cast your net wide for your ideal house, | 0:24:54 | 0:24:57 | |
auction houses often have vacant buildings for sale, | 0:24:57 | 0:25:00 | |
so why not check out their catalogues on line? | 0:25:00 | 0:25:03 | |
Martin and Angela James want to move somewhere semi rural. | 0:25:05 | 0:25:08 | |
They'd like three bedrooms, a large kitchen/diner | 0:25:08 | 0:25:11 | |
and a garden where Angela can create a holistic therapy room. | 0:25:11 | 0:25:14 | |
I've shown them two houses well inside their £350,000 budget | 0:25:14 | 0:25:18 | |
but has either convinced them a disused dwelling is the right choice? | 0:25:18 | 0:25:23 | |
I'm going to start slightly back to front and deal with our last property first. | 0:25:23 | 0:25:28 | |
-It's not for us. -It's not for you - clearly too much of a project - but could you see its merits? | 0:25:28 | 0:25:33 | |
I can only see some merit in doing up what's there. | 0:25:34 | 0:25:39 | |
In other words, putting a two up, two down in good order on that plot. | 0:25:39 | 0:25:44 | |
The plot's too small for doing anything else. | 0:25:44 | 0:25:47 | |
Well, let's revisit what I hope are somewhat happier pastures! | 0:25:47 | 0:25:51 | |
Our first property with that extraordinary outbuilding. | 0:25:51 | 0:25:54 | |
We gave you quite a lot to think about in terms of how you might knock it around. | 0:25:54 | 0:25:58 | |
What did you make of that? | 0:25:58 | 0:26:00 | |
I thought it was very good - a lot of potential there for doing different things with. | 0:26:00 | 0:26:04 | |
We talked about the barn or the old washroom, that's what it was. | 0:26:04 | 0:26:09 | |
There are a lot of options that need re-looking at. | 0:26:09 | 0:26:13 | |
But it would certainly give you the space that you're looking for in terms of a therapy room | 0:26:13 | 0:26:18 | |
-and the retreat that you're craving. -Yes, definitely, that fitted the bill. | 0:26:18 | 0:26:22 | |
And I could see what we could do with that place. | 0:26:22 | 0:26:26 | |
So, what happens next? | 0:26:26 | 0:26:27 | |
I think we need to look again. We need to have another look at it. | 0:26:27 | 0:26:31 | |
-I think so, yeah. -It's definitely an interesting proposition | 0:26:31 | 0:26:34 | |
and it's not something I'd have looked at if I'd just seen it on paper. | 0:26:34 | 0:26:38 | |
Brilliant. We've inspired you to take on an empty property | 0:26:38 | 0:26:41 | |
-and may have found something you wouldn't have considered in the first place. -Definitely. | 0:26:41 | 0:26:46 | |
-Well, I'm delighted. Thank you very much indeed and very best of luck. -Thank you very much. | 0:26:46 | 0:26:52 | |
Like any kind of prospecting, it takes time to find your diamond in the rough. | 0:26:52 | 0:26:56 | |
Once you've found it, of course, you can cut and polish it to fit your very own exacting requirements. | 0:26:56 | 0:27:02 | |
Subtitles by Red Bee Media Ltd | 0:27:17 | 0:27:20 | |
E-mail [email protected] | 0:27:20 | 0:27:23 |