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There are nearly a million homes abandoned in the UK just | 0:00:02 | 0:00:04 | |
waiting for someone to come along and breathe life back into them. | 0:00:04 | 0:00:08 | |
Whether it's a tired semi or a rambling mansion, we're on the search for Britain's empty homes. | 0:00:08 | 0:00:12 | |
Wherever you live in the UK, chances are you are | 0:00:23 | 0:00:26 | |
living pretty close to a property that is lying empty and unloved. | 0:00:26 | 0:00:30 | |
But these abandoned houses can be turned into homes again, and we are going to show you how. | 0:00:30 | 0:00:35 | |
First I will be taking a couple of property hunters round two vacant | 0:00:35 | 0:00:39 | |
houses waiting to be turned back into homes. | 0:00:39 | 0:00:41 | |
If you could knock through this wall, potentially make it larger, it makes it very interesting. | 0:00:41 | 0:00:46 | |
We find out why some of these places are lying empty, | 0:00:46 | 0:00:48 | |
and meet the people on a mission to change all that. | 0:00:48 | 0:00:51 | |
I want answers as to why he has got three properties like that empty. I am going to do something about it. | 0:00:51 | 0:00:57 | |
And we will be checking out the successful restoration of two formerly forgotten dwellings. | 0:00:58 | 0:01:03 | |
Now, a property that has been left empty and abandoned for a while may indeed have lost its allure | 0:01:05 | 0:01:10 | |
for many buyers, but with a bit of imagination, some courage and a lot | 0:01:10 | 0:01:14 | |
of hard graft, they can be turned back into stunning family homes. | 0:01:14 | 0:01:19 | |
Martin Worsley and Louise Allhusen currently rent a two-bed flat in | 0:01:21 | 0:01:24 | |
south-west London, and are looking to buy their first place together. | 0:01:24 | 0:01:28 | |
We have been officially going out for about 18 months, but we have known each other for nearer eight years. | 0:01:28 | 0:01:36 | |
I have been a firm believer in charity cases, supporting the needy, and looking after Lou is one of | 0:01:36 | 0:01:42 | |
those opportunities to give back to society. | 0:01:42 | 0:01:44 | |
When love blossomed, Louise moved from the country with her dog Meg into Martin's bachelor pad. | 0:01:44 | 0:01:50 | |
Which is absolutely gorgeous, but it is underneath the flight path, which makes it a little bit noisy. | 0:01:50 | 0:01:56 | |
4.30 in the morning, they start. | 0:01:56 | 0:01:59 | |
Louise works mainly from home, but Martin works in the City, so | 0:01:59 | 0:02:02 | |
they are also looking for something close to London, putting them in expensive commuter-belt territory. | 0:02:02 | 0:02:08 | |
Not that this has lowered their sights. | 0:02:08 | 0:02:11 | |
I have always been a fan of Victorian and Georgian houses, | 0:02:11 | 0:02:15 | |
similar to the ones in Pride and Prejudice. | 0:02:15 | 0:02:17 | |
Something that has a lot of character. | 0:02:17 | 0:02:19 | |
The main thing is space. We both love just big, open-plan houses. | 0:02:19 | 0:02:23 | |
And either have a big garden, or have a small garden but access straight into fields. | 0:02:23 | 0:02:30 | |
OK, so they want a period property, lots of space inside and out, and within an hour's commute of London. | 0:02:30 | 0:02:36 | |
Which means even with their generous budget, | 0:02:36 | 0:02:39 | |
it is going to be a challenge. | 0:02:39 | 0:02:41 | |
I am hoping to convince them that an abandoned property | 0:02:41 | 0:02:44 | |
they can spend money turning into their dream home is the way to go. Which is why I've brought them here. | 0:02:44 | 0:02:50 | |
Crossways House is a rather dilapidated property in the idyllic Hampshire village of Grayshott. | 0:02:50 | 0:02:55 | |
It is Victorian, and at just under an hour from London by train, it is perfect for Martin's commute. | 0:02:55 | 0:03:02 | |
This place is one of the oldest buildings in the village, about 200 years old. | 0:03:02 | 0:03:07 | |
That aside, it hasn't really been touched since the '30s. | 0:03:07 | 0:03:11 | |
So there are loads and loads and loads of beautiful original features in here. | 0:03:11 | 0:03:15 | |
The previous occupant was a protected tenant who lived here all their life. | 0:03:15 | 0:03:20 | |
It has now been standing empty for seven months, and is on the market | 0:03:20 | 0:03:23 | |
for £300,000, exactly half Martin and Louise's budget. | 0:03:23 | 0:03:28 | |
So I am hoping its potential and its colourful history will be enough to win them over. | 0:03:28 | 0:03:34 | |
In terms of history, the Post Office right next door was frequented by Arthur Conan Doyle. | 0:03:34 | 0:03:39 | |
Bernard Shaw used to live just down the road. So you would be following in some quite | 0:03:39 | 0:03:43 | |
illustrious footsteps if you became residents of Grayshott, there is no doubt about that. | 0:03:43 | 0:03:48 | |
I like it. I like the features in particular, the fireplace. | 0:03:48 | 0:03:51 | |
It is bigger than it looks from the outside. | 0:03:51 | 0:03:54 | |
And it is great seeing the natural light coming in. | 0:03:54 | 0:03:57 | |
High ceilings. On the right tracks. | 0:03:57 | 0:04:00 | |
On the right tracks, brilliant! There is lots more to explore. | 0:04:00 | 0:04:03 | |
Come and have a look through here. | 0:04:03 | 0:04:05 | |
Now, back through the hallway, a very interesting cellar down there, guys. That is quite interesting. | 0:04:05 | 0:04:10 | |
Very damp, but full height. | 0:04:10 | 0:04:12 | |
Come into here, Louise, because I am thinking this would be the kitchen. | 0:04:12 | 0:04:16 | |
You have lovely brick reveals around the doorway here. | 0:04:16 | 0:04:19 | |
This place has been all kinds of things. | 0:04:19 | 0:04:21 | |
It has been a laundry, it's been a cafe, it's been a B&B. | 0:04:21 | 0:04:26 | |
This goes through to a kind of utility area. | 0:04:26 | 0:04:30 | |
I do like the features, but if you could knock through this wall, make it larger, very interesting. | 0:04:30 | 0:04:36 | |
The upstairs is currently split into two entirely separate areas. | 0:04:36 | 0:04:40 | |
The main section is reached by the stairs in the hallway, which lead up into three bedrooms. | 0:04:40 | 0:04:46 | |
Then there are the stairs at the back. | 0:04:46 | 0:04:49 | |
We plans which will make sense of this | 0:04:49 | 0:04:51 | |
weird geography. Come and have a look up here. | 0:04:51 | 0:04:53 | |
'At the top of these stairs is the second area, containing a loo, a bathroom and this.' | 0:04:53 | 0:05:00 | |
-Wow. -This is enormous, isn't it? | 0:05:00 | 0:05:03 | |
It just goes on and on and on. | 0:05:03 | 0:05:06 | |
This is, of course, now separate to the rest of the upstairs that we've seen, | 0:05:06 | 0:05:10 | |
next door through that wall. | 0:05:10 | 0:05:12 | |
To make sense of it, have a look at these. | 0:05:12 | 0:05:15 | |
These plans we've had drawn up to describe what could happen | 0:05:15 | 0:05:18 | |
if you were to reconfigure the whole thing. | 0:05:18 | 0:05:21 | |
'OK, so, we are currently here, and the wall that separates the two areas is here. | 0:05:21 | 0:05:26 | |
'By removing it, the whole of the upstairs would become connected by a single corridor, | 0:05:26 | 0:05:31 | |
'and they will end up with a pretty substantial four-bedroom house.' | 0:05:31 | 0:05:35 | |
-Still interesting? -Yes. -Definitely. | 0:05:35 | 0:05:38 | |
A challenge. | 0:05:38 | 0:05:39 | |
You're going to be in London paying for it! | 0:05:39 | 0:05:41 | |
You're going to be here working. | 0:05:41 | 0:05:43 | |
We have got a perfect little office space for you. | 0:05:43 | 0:05:45 | |
Come with me. Come and have a look outside. | 0:05:45 | 0:05:48 | |
OK, in fairness to you, Louise, it is not the acres that you perhaps | 0:05:54 | 0:05:57 | |
might have dreamt of, but in the context of a village location, it does offer something that | 0:05:57 | 0:06:01 | |
could be quite private and again, very, very pretty. | 0:06:01 | 0:06:04 | |
But there's the rear elevation, Martin. | 0:06:04 | 0:06:06 | |
-I wasn't expecting the corrugated iron. -No, there is something of a tin shed about it. | 0:06:06 | 0:06:11 | |
But I did bring you out here to promise you somewhere to work, and what I am suggesting is this. | 0:06:11 | 0:06:16 | |
It is an old laundry, but it would offer you somewhere to actually go to work. | 0:06:16 | 0:06:20 | |
My commute! | 0:06:20 | 0:06:22 | |
Let's do the commute, shall we? Come on. Follow me through here. | 0:06:22 | 0:06:26 | |
I think this is quite a useful little space, really. | 0:06:26 | 0:06:30 | |
I mean, it would be a really cosy place to work. | 0:06:30 | 0:06:35 | |
Obviously it needs a new roof and a few other bits and pieces, probably a damp course. | 0:06:35 | 0:06:39 | |
At least it's separate from home. | 0:06:39 | 0:06:41 | |
Before taking on a project like this, | 0:06:43 | 0:06:45 | |
you should always get a building expert to have a good look around. | 0:06:45 | 0:06:49 | |
We asked a local architect to work up plans and figures for everything, including combining the utility area | 0:06:49 | 0:06:54 | |
with the kitchen, renovating the large cellar, removing a staircase | 0:06:54 | 0:06:59 | |
and uniting the two upstairs areas, making good the exterior and turning the old laundry into an office. | 0:06:59 | 0:07:05 | |
All in all, he reckoned the whole lot could be done for £150,000. | 0:07:05 | 0:07:11 | |
Given the basic cost of the building, which is currently on the market for £300,000, for £450,000 | 0:07:11 | 0:07:18 | |
you could end up with something quite interesting, and you have still | 0:07:18 | 0:07:22 | |
got 150 grand left over from your proposed maximum spend of 600 grand. | 0:07:22 | 0:07:27 | |
-Excellent. -Interesting? -Yes, very. | 0:07:27 | 0:07:30 | |
-Very much so. -Good. Worth coming? | 0:07:30 | 0:07:32 | |
-Definitely. -Excellent! | 0:07:32 | 0:07:34 | |
I am glad Martin and Louise aren't put off by the prospect | 0:07:34 | 0:07:37 | |
of breathing new life back into this lovely old house. | 0:07:37 | 0:07:40 | |
It may seem daunting, but the rewards can be immense. | 0:07:40 | 0:07:43 | |
Across the country are some spectacular homes crumbling slowly into ruins. | 0:07:45 | 0:07:50 | |
Two years ago, Julie Levack and husband Alastair stumbled across one such place just outside Tunbridge | 0:07:50 | 0:07:57 | |
Wells, and saw their chance to preserve a piece of heritage whilst creating an incredible home. | 0:07:57 | 0:08:03 | |
When I first viewed the house, you have to appreciate it was in a terrible state. | 0:08:03 | 0:08:07 | |
But you just had this huge emotional feeling that this could be home. | 0:08:07 | 0:08:11 | |
Built in 1720, Holden House was once home to Jane Austen's uncle. | 0:08:11 | 0:08:17 | |
But by the time Julie discovered it, it had been lying empty for six years. | 0:08:17 | 0:08:21 | |
It was obvious in its day it had been this fabulous, wonderful house, and had just been left. | 0:08:21 | 0:08:26 | |
I could see right through the dirt, the mess, | 0:08:26 | 0:08:30 | |
everything that was broken, and just for a moment, just one moment, you could just imagine it finished. | 0:08:30 | 0:08:38 | |
Just that tiny glimpse of what the house could be was enough, | 0:08:38 | 0:08:41 | |
and Julie took on a massive year-long renovation project. | 0:08:41 | 0:08:45 | |
We had several surveyors look at this property, and every single one came back with the same thing, that there | 0:08:45 | 0:08:50 | |
was no way that this property would have survived more than two years. | 0:08:50 | 0:08:53 | |
The whole structure of the property was just falling apart. | 0:08:53 | 0:08:56 | |
And it wouldn't be here today if we hadn't bought it. | 0:08:56 | 0:09:00 | |
We purchased it for £1.3 million, and have spent about a million pounds renovating it. | 0:09:03 | 0:09:08 | |
We recently had the property valued at £4 million, so over £1.5 million for a year's work. | 0:09:08 | 0:09:15 | |
It's worth a few grey hairs and split nails, I would say! | 0:09:15 | 0:09:20 | |
It is hard work, and it is stressful, but it is something special, not just | 0:09:20 | 0:09:24 | |
for yourself, for your family, but for the future. | 0:09:24 | 0:09:27 | |
It is a piece of history that you have kept, and you have restored, and that is something special. | 0:09:27 | 0:09:32 | |
Properties like Holden House are part of the nation's heritage, | 0:09:32 | 0:09:35 | |
and stopping them from falling into rack and ruin is a constant battle against the rigours of time. | 0:09:35 | 0:09:41 | |
Fortunately, every abandoned home in the country, large or small, has a champion in the shape of the Empty | 0:09:41 | 0:09:47 | |
Property Officers, whose job it is to investigate abandoned buildings and get them occupied again. | 0:09:47 | 0:09:53 | |
Paul Palmer's beat is the most expensive | 0:09:53 | 0:09:55 | |
piece of real estate in Britain, the eight square miles of Westminster. | 0:09:55 | 0:10:00 | |
Here we are in the heart of glamorous Mayfair. | 0:10:00 | 0:10:02 | |
This is really the home of London's most expensive properties. | 0:10:02 | 0:10:07 | |
It's a very glamorous area, not just in London, but worldwide. | 0:10:07 | 0:10:11 | |
Everybody's heard of it. And yet here we still have the problem of empty properties. | 0:10:11 | 0:10:15 | |
Today he's investigating a block of derelict properties that have | 0:10:15 | 0:10:19 | |
been left to fall into a tragic state of disrepair. | 0:10:19 | 0:10:22 | |
These are four beautiful, period mews properties in the heart of Pimlico. | 0:10:22 | 0:10:27 | |
They were bought about 12 years ago by a very large property developer, | 0:10:27 | 0:10:31 | |
but about ten years ago they became vacant. | 0:10:31 | 0:10:34 | |
Over that ten-year period there's been a whole mixture of stopping and starting. | 0:10:34 | 0:10:38 | |
There's been squatters in the properties. | 0:10:38 | 0:10:41 | |
Planning permission's been put in place but then not acted upon. | 0:10:41 | 0:10:44 | |
The latest complaint is to do with rubbish. | 0:10:44 | 0:10:47 | |
The site is being used as an illegal dump, which can attract vermin, so Paul has issued an official warning | 0:10:47 | 0:10:53 | |
to make the owners clean it up, and is now heading off to make sure they've complied. | 0:10:53 | 0:10:57 | |
As you can see, there's still rubbish lying around, which is | 0:10:57 | 0:11:01 | |
symptomatic of empty properties, a shame. | 0:11:01 | 0:11:03 | |
About three years ago, they came along and absolutely ruined these properties. | 0:11:03 | 0:11:08 | |
They came in, they stripped out everything inside. | 0:11:08 | 0:11:10 | |
All the internal walls, partitions, the roofs have gone. | 0:11:10 | 0:11:14 | |
They're literally just shells, almost ready to fall down. It's tragic, what they've done. | 0:11:14 | 0:11:18 | |
It really is awful and it's a real eyesore, and it's such a shame for the neighbours. | 0:11:18 | 0:11:22 | |
I moved in ten years ago and the mews had just been purchased and | 0:11:22 | 0:11:26 | |
we were all excited it was going to be restored for people to live in. | 0:11:26 | 0:11:29 | |
We're ten years on, it's deteriorated to this condition. | 0:11:29 | 0:11:33 | |
About three years ago, they ripped off the roofs. | 0:11:33 | 0:11:36 | |
They angled the corrugated roof so all the water comes down onto the | 0:11:36 | 0:11:40 | |
wall and my conservatory, water leaks into my study. | 0:11:40 | 0:11:43 | |
And as Paul slips into his role of detective, | 0:11:43 | 0:11:46 | |
he spots someone else who might shed new light on his investigation. | 0:11:46 | 0:11:49 | |
Hi. I'm the empty property officer for Westminster. | 0:11:49 | 0:11:53 | |
I've just come down to have a look at these properties because there's been fly-tipping of rubbish. | 0:11:53 | 0:11:58 | |
-Have you seen anybody round here lately? -No, not at all. -Right. | 0:11:58 | 0:12:01 | |
-I haven't seen anybody working on it for I don't know how long. -Really? | 0:12:01 | 0:12:06 | |
And people are going to come here and fling stuff over the side there and everything, you know. | 0:12:06 | 0:12:11 | |
-Which is what's happened. -Yeah. -A lot of the neighbours | 0:12:11 | 0:12:14 | |
have complained to us and we are now looking to take compulsory purchase action. | 0:12:14 | 0:12:17 | |
Something's got to be done. | 0:12:17 | 0:12:19 | |
It's disgusting, it really is. | 0:12:19 | 0:12:22 | |
It sounds like the absent owners may have ignored Paul's official | 0:12:22 | 0:12:26 | |
warning, but there's only one way he can find out for sure. | 0:12:26 | 0:12:30 | |
It's fairly well secure. | 0:12:30 | 0:12:32 | |
They've put this boarding up all the way around, which makes it difficult to see in. | 0:12:32 | 0:12:37 | |
The only way to get access to see if they complied with the notice | 0:12:37 | 0:12:41 | |
and got rid of the rubbish is by talking to a neighbour, | 0:12:41 | 0:12:44 | |
see if I can gain access and have a look over their balcony. | 0:12:44 | 0:12:47 | |
That's what I'm going to do now. | 0:12:47 | 0:12:49 | |
Good news is the rubbish has gone. They've complied with our notice, which is fantastic news. | 0:12:51 | 0:12:56 | |
For the residents at least. | 0:12:56 | 0:12:57 | |
The problem of the empty buildings still remains, so we're still pursuing a compulsory purchase, | 0:12:57 | 0:13:02 | |
so there will be a happy conclusion. When these properties get brought back to their former glory | 0:13:02 | 0:13:09 | |
and are occupied, that will be a fantastically happy day for everybody. | 0:13:09 | 0:13:13 | |
Paul's ultimate goal is to free lovely old properties like these from their cycle of neglect, | 0:13:13 | 0:13:18 | |
so they can be matched with new owners willing to breathe new life into them. | 0:13:18 | 0:13:22 | |
So if you think there's a property lying empty near you, why not contact your local council, who in | 0:13:22 | 0:13:27 | |
turn can notify the empty property officer, who can look into it. | 0:13:27 | 0:13:30 | |
Martin and Louise and their dog Meg want to escape from London and into the country. | 0:13:36 | 0:13:41 | |
They're looking for a period property | 0:13:41 | 0:13:43 | |
with plenty of space and within an hour's commute from London. | 0:13:43 | 0:13:46 | |
They've got a total budget of £600,000 | 0:13:46 | 0:13:49 | |
and I'm hoping to convince them that a vacant property will give them much more bang for their buck. | 0:13:49 | 0:13:54 | |
The first house I showed them had a price tag of £300,000 and it's certainly whetted their appetite. | 0:13:54 | 0:13:59 | |
Definitely potential here. | 0:13:59 | 0:14:02 | |
But I have another gem up my sleeve just begging for new owners to come along and fall in love with it. | 0:14:02 | 0:14:08 | |
This three-bedroom semi-detached cottage is right in the heart of the Hampshire countryside. | 0:14:10 | 0:14:15 | |
It's six miles from a station and handy for Martin's commute to London. | 0:14:15 | 0:14:19 | |
It's only been empty for a month, since the previous owner relocated | 0:14:19 | 0:14:23 | |
for work, so it's in a far better condition than the first property. | 0:14:23 | 0:14:26 | |
It's also well within their 600 grand total budget. | 0:14:26 | 0:14:31 | |
This is on the market for £475,000. | 0:14:31 | 0:14:34 | |
-Wow! -The setting is stunning. Right in the middle of the woods. | 0:14:34 | 0:14:38 | |
-Yeah. -Very rural. | 0:14:38 | 0:14:40 | |
And unlike our earlier property, this one you could actually kind of move into. | 0:14:40 | 0:14:45 | |
-Oh, right. -And you do get an awful lot with it. Come with me. | 0:14:45 | 0:14:49 | |
Larger neighbouring properties can sell for well over £700,000, | 0:14:49 | 0:14:54 | |
so at 475, this one is a bit of a bargain. | 0:14:54 | 0:14:57 | |
Built in 1850, then extended in the 1950s, this semi-detached cottage is | 0:14:57 | 0:15:02 | |
a little on the small side, but I think there's plenty more room here for expansion. | 0:15:02 | 0:15:07 | |
It's very airy. It's very light. | 0:15:07 | 0:15:09 | |
Lots of bright light coming in, which is great, and once again, the ceilings are surprisingly tall. | 0:15:09 | 0:15:14 | |
What we're standing in now is effectively a 1950s extension, hence the greater proportions. | 0:15:14 | 0:15:21 | |
As we go through, the old bit, well, it's all there too. Come and have a look at this. | 0:15:21 | 0:15:25 | |
So, you can see by the height of the ceilings that this is the old cottagey bit. | 0:15:25 | 0:15:30 | |
Here's your diner bit and in there, | 0:15:30 | 0:15:32 | |
not a badly appointed galley kitchen. | 0:15:32 | 0:15:36 | |
Certainly, you could walk in and just get on with it if you wanted to. | 0:15:36 | 0:15:39 | |
It's a nice, once again, airy space. | 0:15:39 | 0:15:41 | |
I like the idea that we can just walk straight out into the garden, having the little back door there. | 0:15:41 | 0:15:46 | |
Upstairs, there's a new bathroom, | 0:15:49 | 0:15:52 | |
three reasonable-size bedrooms, | 0:15:52 | 0:15:57 | |
and a shower room, all of which are perfectly liveable, | 0:15:57 | 0:16:00 | |
but it's the garden that's the real jewel in this property's crown. | 0:16:00 | 0:16:04 | |
So, as you can see, it is technically a semi-detached. | 0:16:04 | 0:16:09 | |
Right? Your bit is the white bit and the neighbours are the cream bit. | 0:16:09 | 0:16:12 | |
But you also get an acre with it. | 0:16:12 | 0:16:18 | |
Of that woodland, OK? | 0:16:18 | 0:16:21 | |
So you've got a garden with quite an interesting topology to it and geography. So it's not all flat. | 0:16:21 | 0:16:27 | |
You do get an acre of fun for Meg, a bit of garden for you and a very, very quiet spot. | 0:16:27 | 0:16:34 | |
And with so much land, the great thing about this house is there's plenty of room to extend. | 0:16:35 | 0:16:40 | |
Our local architect came to measure up and give us an idea of exactly how far and for how much. | 0:16:40 | 0:16:46 | |
Now, in terms of size, you can extend this again. | 0:16:46 | 0:16:50 | |
You see that gable there, projecting out? | 0:16:50 | 0:16:53 | |
Imagine that alongside what you're looking at. | 0:16:53 | 0:16:56 | |
That's would you could get away with in terms of extending it. | 0:16:56 | 0:17:00 | |
Does it already have permission? | 0:17:00 | 0:17:01 | |
It's subject to the relevant planning permissions, | 0:17:01 | 0:17:04 | |
but I wouldn't think it would be a problem. | 0:17:04 | 0:17:06 | |
-And the estimated cost for that, somewhere in the region of about 75,000. -OK. | 0:17:06 | 0:17:13 | |
So for 550, | 0:17:13 | 0:17:16 | |
you would end up with a very substantial house in an acre within an hour of London. | 0:17:16 | 0:17:20 | |
Absolutely amazing. Especially the acre of woodland put on to this is just huge. | 0:17:20 | 0:17:24 | |
And very exciting with such a great garden. | 0:17:24 | 0:17:28 | |
Potential for the planning permission for extra space within the building. Very exciting. | 0:17:28 | 0:17:33 | |
It's a difficult fit, getting people that want to be so close to | 0:17:33 | 0:17:36 | |
the capital for obvious reasons, because we're up against commuter-belt territory. | 0:17:36 | 0:17:41 | |
But because it's empty, because it needs a bit doing to it, | 0:17:41 | 0:17:44 | |
-yours, well within budget and all this land. -And the woodland. -Yes. | 0:17:44 | 0:17:49 | |
Martin and Louise seem just as enthusiastic about this property as | 0:17:49 | 0:17:53 | |
the first, so are they convinced an empty property is for them? | 0:17:53 | 0:17:57 | |
We'll find out later. In the meantime, back in the borough of Westminster, our empty | 0:17:57 | 0:18:02 | |
property officer Paul Palmer is on his tireless mission to turn empty properties back into homes again. | 0:18:02 | 0:18:08 | |
He's heading off to an upmarket mews in Belgravia, after residents' reports of a property | 0:18:10 | 0:18:15 | |
that appears to be unoccupied and is starting to deteriorate. | 0:18:15 | 0:18:18 | |
So, first impressions, it's a lovely little mews, but unfortunately this | 0:18:18 | 0:18:22 | |
property, well, it looks very sorry for itself. | 0:18:22 | 0:18:24 | |
Neglected, probably hasn't been maintained for quite some time. | 0:18:26 | 0:18:30 | |
Very untidy, very much empty and very much unloved. | 0:18:30 | 0:18:33 | |
First, despite what they look like, you always have to give it a knock just in case. | 0:18:37 | 0:18:41 | |
You never know, we have had a few incidents where | 0:18:41 | 0:18:44 | |
properties much worse than this had somebody in them, so you have to be careful. | 0:18:44 | 0:18:47 | |
But that sounded hollow, so I don't think there's anybody in. | 0:18:47 | 0:18:50 | |
There's quite a build-up of post, | 0:18:50 | 0:18:52 | |
which I shall push through, because it's a security issue if nothing else. | 0:18:52 | 0:18:58 | |
It doesn't look like they do much maintenance judging by the peeling paint here. | 0:18:58 | 0:19:03 | |
The lead is coming away from the top of the bay there, which is obviously | 0:19:05 | 0:19:08 | |
going to have an impact on the property. | 0:19:08 | 0:19:11 | |
Paint's peeling away off | 0:19:11 | 0:19:14 | |
what look like the original windows, which isn't very attractive. | 0:19:14 | 0:19:18 | |
Good grief! | 0:19:21 | 0:19:23 | |
It's just jammed full inside here of plastic chairs and boxes and all sorts of junk. | 0:19:23 | 0:19:30 | |
So, clearly not used for living in. | 0:19:30 | 0:19:33 | |
Nice little garden growing at the front here. | 0:19:34 | 0:19:37 | |
All in all, it's a bit of a mess. | 0:19:37 | 0:19:40 | |
As I suspected, clearly empty for a while, not very nice, not very well-maintained. | 0:19:41 | 0:19:47 | |
And if I was a neighbour, I wouldn't be too happy. | 0:19:47 | 0:19:51 | |
Satisfied that the property is unoccupied, Paul takes some | 0:19:51 | 0:19:54 | |
-up-to-date photos for the file. -That's a nice one. | 0:19:54 | 0:19:57 | |
Keep looking at this one next door. | 0:19:57 | 0:19:59 | |
But as he does so, he notices something suspicious. | 0:19:59 | 0:20:02 | |
I've got a funny feeling about this. | 0:20:02 | 0:20:04 | |
In fact... | 0:20:04 | 0:20:07 | |
It's got the same alarm company as next door. | 0:20:07 | 0:20:11 | |
It looks a bit rough. I think what I ought to do is | 0:20:19 | 0:20:22 | |
put a call in back to the office, see if somebody can have a look for me. | 0:20:22 | 0:20:27 | |
I'm just down in that mews in Belgravia I was going to. | 0:20:27 | 0:20:30 | |
But I'm a bit suspicious about 32 next door. | 0:20:30 | 0:20:33 | |
Would you do me a huge favour and just quickly look on Land Registry for me, see who owns it? | 0:20:33 | 0:20:38 | |
Yes. That's the same owner. | 0:20:38 | 0:20:40 | |
Oh, right, OK. Well I thought as much. | 0:20:40 | 0:20:43 | |
Well, as he's got the two properties, would you do me another huge favour? | 0:20:43 | 0:20:47 | |
Just quickly check on planning for me, see if there's anything there, if he's got any plans for the property? | 0:20:47 | 0:20:52 | |
Yes, he has got planning and it also includes number 28. | 0:20:52 | 0:20:56 | |
-28? -Yes, yes. | 0:20:56 | 0:20:59 | |
So, this guy now actually owns three properties down this mews and they all appear to be empty. | 0:20:59 | 0:21:05 | |
-That's unbelievable. -Yes, it appears so. | 0:21:05 | 0:21:07 | |
Brilliant. Lucy, thanks very much. | 0:21:07 | 0:21:09 | |
That's useful information. | 0:21:09 | 0:21:12 | |
I came here expecting to find one. | 0:21:12 | 0:21:13 | |
I've now got three. These must be a million pounds each. It's just a criminal waste. | 0:21:13 | 0:21:17 | |
So that changes everything. | 0:21:17 | 0:21:19 | |
It escalates the whole situation for me, and whilst I wouldn't normally do | 0:21:19 | 0:21:23 | |
it, as I know he lives locally, I'm going to go and knock on his door. | 0:21:23 | 0:21:27 | |
Shocked by his discovery and armed with the owner's home address, | 0:21:29 | 0:21:32 | |
Paul heads round the corner for a showdown. | 0:21:32 | 0:21:36 | |
Sadly, all he finds is another empty house, as there's no one at home. | 0:21:40 | 0:21:46 | |
Not deterred, obviously. Straight back to the office, get the file going on all three properties now. | 0:21:46 | 0:21:51 | |
Nice, stiff letter to him straight away, possibly trying to arrange | 0:21:51 | 0:21:54 | |
a meeting because of the scale. | 0:21:54 | 0:21:56 | |
I want answers as to why he's got three properties like that empty. | 0:21:56 | 0:21:59 | |
It's really made me angry. I'm going to prioritise it for action. | 0:21:59 | 0:22:03 | |
I owe it to the neighbours. | 0:22:03 | 0:22:05 | |
They're not happy, neither am I. I'm going to do something about it. | 0:22:05 | 0:22:08 | |
With nearly a million vacant homes, empty property officers like Paul | 0:22:08 | 0:22:14 | |
have a constant battle on their hands to keep the numbers down. | 0:22:14 | 0:22:17 | |
But occasionally, they do get a break. | 0:22:17 | 0:22:19 | |
When Jane Peck was searching for her dream home in Somerset, | 0:22:21 | 0:22:24 | |
she ended up taking on not one restoration project, but two. | 0:22:24 | 0:22:28 | |
I bought the property 17 years ago with the house and the barn together. | 0:22:28 | 0:22:32 | |
I renovated the house next door, but then ran out of money because it was such a huge renovation. | 0:22:32 | 0:22:37 | |
And then Simon met me and the first time he came round here, he was, I think, more impressed with the barn. | 0:22:37 | 0:22:43 | |
-And the potential of the building plot. -Not quite! | 0:22:43 | 0:22:46 | |
And Simon sure had some vision because at the time, the barn looked like this. | 0:22:46 | 0:22:53 | |
I thought, ooh, this would be a nice project to work on. | 0:22:55 | 0:22:59 | |
So we kind of put our heads together and made some models, | 0:22:59 | 0:23:04 | |
did some drawings and nine months down the line, it was finished. | 0:23:04 | 0:23:08 | |
Determined not to go down the traditional barn conversion route, Jane and Simon worked hard | 0:23:10 | 0:23:15 | |
to maintain the building's original feel, whilst adding a modern twist. | 0:23:15 | 0:23:19 | |
We wanted to keep an agricultural feel, because it was an agriculture building. | 0:23:22 | 0:23:26 | |
And keep it very, very raw and simple. So we've used rough | 0:23:26 | 0:23:29 | |
sawn timber, galvanised metal, concrete for the work surfaces. | 0:23:29 | 0:23:34 | |
We got some local guys to knock up a mould. | 0:23:34 | 0:23:37 | |
-We did think the units might collapse under the weight but they haven't so far. -Not yet. | 0:23:37 | 0:23:41 | |
The end result is a stunningly modern, yet thoroughly complementary | 0:23:44 | 0:23:48 | |
renovation that's given them exactly the home they wanted at a price they could afford. | 0:23:48 | 0:23:52 | |
When I bought the property 17 years ago, the barn was valued at £5,000. | 0:23:52 | 0:23:58 | |
We thought we'd spend about 100,000 but we ended up spending 87. | 0:23:58 | 0:24:02 | |
And now I reckon we could get about 390 for it. | 0:24:02 | 0:24:05 | |
So that's a pretty good profit margin. | 0:24:05 | 0:24:08 | |
Had they just gone out and bought a finished barn conversion, | 0:24:08 | 0:24:12 | |
instead of £5,000, it would have cost them more like 250,000, and it would not have looked like this. | 0:24:12 | 0:24:19 | |
We definitely feel that if we tried to buy this | 0:24:22 | 0:24:24 | |
on the open market, it would have been a very difficult act to find. | 0:24:24 | 0:24:29 | |
Somewhere out there is an empty property just waiting to become your next home. | 0:24:31 | 0:24:36 | |
So here is how you might find it. | 0:24:36 | 0:24:38 | |
Your local estate agent can let you know the moment these | 0:24:38 | 0:24:41 | |
gems come to their attention, as they often go to auction. | 0:24:41 | 0:24:44 | |
If a property is on the local council's list of empties and the owner is known to them, they may | 0:24:44 | 0:24:49 | |
be willing to approach them on your behalf to see if they want to sell. | 0:24:49 | 0:24:53 | |
Martin and Louise have been looking for a decent-size period home that's commutable from London. | 0:24:58 | 0:25:03 | |
Love the bath. | 0:25:03 | 0:25:05 | |
I've shown them two very different properties both with bags of potential. | 0:25:05 | 0:25:09 | |
The question is, have I convinced them that a vacant house is for them? | 0:25:09 | 0:25:14 | |
So, can you cast your minds back to our first property in the village? | 0:25:14 | 0:25:19 | |
Lots of open-planned areas that you could work with. | 0:25:19 | 0:25:22 | |
Loved the walls, period features. | 0:25:22 | 0:25:24 | |
Garden had a lot of stuff to do with it, but at the same time, definitely | 0:25:24 | 0:25:29 | |
something that you could make your own. | 0:25:29 | 0:25:32 | |
You know, good price. £300,000. | 0:25:32 | 0:25:34 | |
But for an extra 150 or so, you'd have got somewhere to work. | 0:25:34 | 0:25:38 | |
I thought it was an interesting proposition. | 0:25:38 | 0:25:41 | |
I really liked it. The period features, equally, was my | 0:25:41 | 0:25:44 | |
real big selling feature on it, so definite, a possibility. | 0:25:44 | 0:25:49 | |
OK, and our final property. Very different setting. | 0:25:49 | 0:25:53 | |
Much more rural. | 0:25:53 | 0:25:54 | |
Not as much character in it, in fairness. | 0:25:54 | 0:25:57 | |
But on the other hand, not as dilapidated either. What did you think of that one? | 0:25:57 | 0:26:01 | |
Great to have so much green space around. | 0:26:01 | 0:26:04 | |
The woods, the garden, absolutely amazing. | 0:26:04 | 0:26:06 | |
The house had some character in it from the old cottage that had been extended on. | 0:26:06 | 0:26:11 | |
But the potential of extending further was something I'd not thought of. | 0:26:11 | 0:26:15 | |
-You're painting a very plausible picture. It sounds like you've moved in! -Something there | 0:26:15 | 0:26:20 | |
-to really consider, but just loved the setting. -So what happens now? -We have a big discussion. | 0:26:20 | 0:26:25 | |
I think you're armed with a very good budget. | 0:26:25 | 0:26:28 | |
£600,000 is going to allow you to buy something that is in itself | 0:26:28 | 0:26:32 | |
substantial, with plenty left over to, as you say, make it your own. | 0:26:32 | 0:26:36 | |
So maybe you will rescue an empty property. | 0:26:36 | 0:26:39 | |
So, there are bargains out there waiting to be found, | 0:26:41 | 0:26:44 | |
though tracking them down might not be quite so easy. | 0:26:44 | 0:26:47 | |
That's the thing about trying to find your dream | 0:26:47 | 0:26:49 | |
house amongst what's available, in terms of the empty property market. | 0:26:49 | 0:26:53 | |
It can be frustrating but the good news is that if you do keep looking, they are out there somewhere. | 0:26:53 | 0:26:58 | |
You just have to know where to look. | 0:26:58 | 0:27:01 | |
And while this woodland idyll didn't tick all of Martin and Louise's | 0:27:01 | 0:27:05 | |
boxes, it certainly did for another buyer, as the house sold shortly after our visit. | 0:27:05 | 0:27:10 | |
Subtitles by Red Bee Media Ltd | 0:27:15 | 0:27:18 | |
E-mail [email protected] | 0:27:18 | 0:27:21 |