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Across the UK, there are nearly a million homes lying unloved and unlived in, | 0:00:02 | 0:00:05 | |
ready for someone to come along and give them a bright new future. | 0:00:05 | 0:00:09 | |
So whether it's a tired semi or a rambling mansion, | 0:00:09 | 0:00:12 | |
we're on a mission to rescue Britain's empty homes. | 0:00:12 | 0:00:15 | |
Now, in buying a new home, there is nothing more rewarding | 0:00:25 | 0:00:28 | |
than taking on an empty building and breathing new life into it. | 0:00:28 | 0:00:32 | |
Tackling a major renovation allows you to tailor the property | 0:00:32 | 0:00:35 | |
to your individual needs and, with any luck, | 0:00:35 | 0:00:38 | |
you could both save and make money along the way. | 0:00:38 | 0:00:41 | |
On the show today, I'm giving the benefit of my experience | 0:00:41 | 0:00:44 | |
renovating a disused house to a couple who are looking for their next home. | 0:00:44 | 0:00:49 | |
And introducing them to other homeowners | 0:00:49 | 0:00:52 | |
who have done amazing things with formerly vacant houses. | 0:00:52 | 0:00:55 | |
It's absolutely superb. I'd never have thought of doing something like this. | 0:00:55 | 0:00:59 | |
We'll also be joining an empty property officer | 0:00:59 | 0:01:01 | |
on a mission to bring dilapidated buildings back into use. | 0:01:01 | 0:01:05 | |
I don't like boarding properties up, | 0:01:05 | 0:01:07 | |
cos it advertises the fact that this is an empty house, | 0:01:07 | 0:01:10 | |
but it's something we've been forced to do. | 0:01:10 | 0:01:13 | |
The decision to take on an empty property | 0:01:13 | 0:01:16 | |
is not one to be taken lightly, but there's no two ways about it, | 0:01:16 | 0:01:19 | |
transforming something that's unloved and unlived in | 0:01:19 | 0:01:22 | |
into your new home can be incredibly rewarding - | 0:01:22 | 0:01:25 | |
but you do have to be up for something of a challenge. | 0:01:25 | 0:01:28 | |
Finance director Suki Cavendish and banker Carl Newman | 0:01:30 | 0:01:33 | |
are expecting their first baby and want to move from London to Godalming in Surrey. | 0:01:33 | 0:01:37 | |
Ah, that's really cute. | 0:01:37 | 0:01:39 | |
They want to find a house they can feather into a perfect family nest. | 0:01:39 | 0:01:42 | |
We're looking to move because we've got a baby on the way in a couple of months, | 0:01:42 | 0:01:47 | |
and we don't want to raise our baby in London, | 0:01:47 | 0:01:50 | |
so we're trying to move out into the sticks. | 0:01:50 | 0:01:52 | |
A bit of fresh air and find a house rather than a flat. | 0:01:52 | 0:01:55 | |
The pair have decided they want to buy an abandoned house | 0:01:55 | 0:01:58 | |
they can breathe new life into and for Suki, it's a lifelong ambition. | 0:01:58 | 0:02:02 | |
I've always wanted to do some kind of property renovation work | 0:02:02 | 0:02:06 | |
and an empty property, you've got the ability to do that. | 0:02:06 | 0:02:09 | |
Something that is an empty shell and a blank canvas | 0:02:09 | 0:02:12 | |
is something that I think will be ideal. | 0:02:12 | 0:02:15 | |
But where they're looking, even with their £450,000 budget, | 0:02:15 | 0:02:20 | |
they'll struggle to tick all their boxes, | 0:02:20 | 0:02:22 | |
which could be why they've looked at a whopping 40 properties | 0:02:22 | 0:02:26 | |
and are yet to see one they like. | 0:02:26 | 0:02:27 | |
Now sometimes when people can't find a house they're happy with, | 0:02:27 | 0:02:30 | |
it's because they're looking at the wrong type of property, | 0:02:30 | 0:02:34 | |
so to find out where they've been going wrong, | 0:02:34 | 0:02:36 | |
I sent Carl and Suki to have a look at a classic empty building | 0:02:36 | 0:02:39 | |
to try and highlight some of the issues they've been grappling with. | 0:02:39 | 0:02:43 | |
I want to see if Suki and Carl can spot the potential | 0:02:43 | 0:02:46 | |
in this 19th century, semi-detached house in the village of Compton. | 0:02:46 | 0:02:50 | |
Looks lovely. | 0:02:50 | 0:02:51 | |
With two bedrooms and the potential to add a third in the loft, | 0:02:53 | 0:02:57 | |
there's a good-size garden and plenty of period features. | 0:02:57 | 0:03:00 | |
Lots of character, lots of charm. Can't discount anything yet. | 0:03:00 | 0:03:04 | |
The previous owners relocated for work six months ago, | 0:03:04 | 0:03:07 | |
so it's been empty ever since and it's on the market for £365,000. | 0:03:07 | 0:03:12 | |
This would leave Suki and Carl 85 grand | 0:03:12 | 0:03:15 | |
to make any alterations. | 0:03:15 | 0:03:17 | |
And, with a bit of imagination, this place could be fantastic. | 0:03:18 | 0:03:22 | |
-It's small though, isn't it? -Yeah. -It is a bit small. | 0:03:22 | 0:03:25 | |
Oh, dear! It looks like these two have spotted a problem | 0:03:25 | 0:03:28 | |
within seconds of stepping inside. | 0:03:28 | 0:03:31 | |
I'm a bit concerned about coming straight in, | 0:03:31 | 0:03:34 | |
no real hallway or anything, straight into the lounge. | 0:03:34 | 0:03:37 | |
-There's nowhere to put... -Coats or wellies or...buggies. | 0:03:37 | 0:03:41 | |
Well, let's hope things improve in the kitchen. | 0:03:41 | 0:03:44 | |
May be able to get a washing machine or something in there, at a squeeze. | 0:03:44 | 0:03:48 | |
I don't think there's much space, though. | 0:03:48 | 0:03:50 | |
If you take out the units, there's only about three cupboard spaces. | 0:03:50 | 0:03:55 | |
Not a tremendous amount of space, with the stuff we've got. | 0:03:55 | 0:03:57 | |
-Yeah. Not big enough. -Not big enough on the storage. | 0:03:57 | 0:04:00 | |
But there's plenty of square footage in here | 0:04:00 | 0:04:03 | |
and potentially, it could be a great family kitchen. | 0:04:03 | 0:04:06 | |
Let's see if the upstairs can fire up their imagination. | 0:04:06 | 0:04:10 | |
They'll find a reasonable-size bathroom and two bedrooms, | 0:04:10 | 0:04:13 | |
with plenty of room to extend into the loft. | 0:04:13 | 0:04:16 | |
-I don't know whether you could go into the loft. -If you put stairs in, | 0:04:16 | 0:04:19 | |
-you'd lose half a room. -That's even if you get planning permission. | 0:04:19 | 0:04:23 | |
It's a shame, cos it's a lovely house, but slightly too small. | 0:04:23 | 0:04:26 | |
The house is what it is. It's six rooms in total. | 0:04:26 | 0:04:30 | |
With clever planning, they could get a staircase in, | 0:04:30 | 0:04:33 | |
but I don't think they yet have the vision | 0:04:33 | 0:04:35 | |
to see what big changes can be made to an empty house. | 0:04:35 | 0:04:39 | |
Suki, very nice to see you. Carl. | 0:04:39 | 0:04:41 | |
'So let's convince them to look beyond any negative first impressions | 0:04:41 | 0:04:45 | |
'to see what they can achieve with an empty property.' | 0:04:45 | 0:04:48 | |
We sent you off to look at what I thought | 0:04:48 | 0:04:51 | |
was a very interesting empty property, | 0:04:51 | 0:04:53 | |
full of period charm and character. What did you make of that one? | 0:04:53 | 0:04:57 | |
It was very, very pretty and exactly the type of character we wanted, | 0:04:57 | 0:05:00 | |
but ultimately, it was a bit too small | 0:05:00 | 0:05:03 | |
and there didn't seem the opportunity to extend into a third bedroom. | 0:05:03 | 0:05:07 | |
What about going up into the loft? | 0:05:07 | 0:05:09 | |
It would be too difficult. | 0:05:09 | 0:05:11 | |
The space is big enough, but we'd have to chop into the bathroom | 0:05:11 | 0:05:14 | |
and build the stairs and we'd lose some space on the first floor. | 0:05:14 | 0:05:19 | |
You'll lose space with stairs, | 0:05:19 | 0:05:20 | |
but that's where your architect comes in to do that | 0:05:20 | 0:05:23 | |
as creatively as possible | 0:05:23 | 0:05:25 | |
to minimise the impact on the existing floor plan. | 0:05:25 | 0:05:28 | |
But my worry with you two is that you've looked at 40-odd houses and not one of them you've signed up to. | 0:05:28 | 0:05:33 | |
We've been looking at lots and lots of houses to see what styles we like and where the locations are. | 0:05:33 | 0:05:39 | |
-40's a lot though! -40 is a lot. | 0:05:39 | 0:05:41 | |
-We've had some pretty busy weekends. -I bet you have. Indeed. | 0:05:41 | 0:05:44 | |
I mean, what is it that you think you haven't found? | 0:05:44 | 0:05:48 | |
Quite a few have been done up to someone else's specifications. | 0:05:48 | 0:05:51 | |
We walk in and go, "Oh, I wouldn't have put the bathroom there", | 0:05:51 | 0:05:54 | |
or, "I don't like the way they've done the kitchen", or we want to move rooms around. | 0:05:54 | 0:05:58 | |
So there's always one or two things that don't quite tick all the boxes. | 0:05:58 | 0:06:02 | |
So what can we do for you, do you think, to inspire you to take this on? | 0:06:02 | 0:06:06 | |
What do you need to know and learn? | 0:06:06 | 0:06:07 | |
Just to see what's possible. | 0:06:07 | 0:06:09 | |
And the space. A lot of the properties we've looked at are in really good locations - | 0:06:09 | 0:06:13 | |
obviously more expensive - and don't have the space and that worries us a bit. | 0:06:13 | 0:06:17 | |
-So if we can do something in a smaller space... -Get creative with the space. | 0:06:17 | 0:06:20 | |
What we're trying to do, I think, is to give you | 0:06:20 | 0:06:23 | |
some ideas and some confidence to take on something that's empty, to give you what you want precisely. | 0:06:23 | 0:06:29 | |
Because I suspect that only if you two create it, will it work. | 0:06:29 | 0:06:33 | |
Right. It's the bespoke nature that we want. | 0:06:33 | 0:06:35 | |
I think you've come to the right place. | 0:06:35 | 0:06:37 | |
We can introduce you to some interesting builds and | 0:06:37 | 0:06:40 | |
some interesting owners who can share their experience with you | 0:06:40 | 0:06:43 | |
and, hopefully, give you a few key pointers as to how you can make an empty property your new dream home. | 0:06:43 | 0:06:50 | |
-Excellent. -That sounds fantastic. -They shouldn't be put off by a lack of space or a building's appearance. | 0:06:50 | 0:06:55 | |
Great things can be achieved with a little imagination. | 0:06:55 | 0:07:00 | |
When Dominique Brown and William Walsh bought their narrow boat in Bath in 2009, | 0:07:00 | 0:07:05 | |
they saw beyond its rundown state and cramped proportions. | 0:07:05 | 0:07:09 | |
We drove for two hours to get there to have a look at it. | 0:07:09 | 0:07:12 | |
-Fell in love with it. -I don't know how, cos it was a state. | 0:07:12 | 0:07:15 | |
Yeah, we fell in love with the dream of having that... | 0:07:15 | 0:07:18 | |
-I think that's what it was. -..that boat. | 0:07:18 | 0:07:20 | |
Although they paid a mere £11,000 for the boat, things weren't all plain sailing. | 0:07:20 | 0:07:25 | |
We had a survey done on it after we'd bought it, which wasn't the best idea. | 0:07:25 | 0:07:30 | |
-We should have done that before. -Yeah. | 0:07:30 | 0:07:32 | |
And found that the entire bottom, the hull of the boat, | 0:07:32 | 0:07:36 | |
-needed completely re-plating, which was a lot of money. -Yeah. | 0:07:36 | 0:07:40 | |
Looking back on it, we should have done a bit more research than we actually did. | 0:07:40 | 0:07:44 | |
-We should have done, yes. -This may not be a conventional property, but Dominique | 0:07:44 | 0:07:48 | |
and William's vision meant they created their perfect home. | 0:07:48 | 0:07:51 | |
The design, the things in a small space, was so much fun | 0:07:51 | 0:07:54 | |
because everything has to be multi-functional, multi-purpose. | 0:07:54 | 0:07:57 | |
The dining table and desk folds away. | 0:07:57 | 0:08:01 | |
Folding the bed up and putting it as a sofa, it's nice because | 0:08:01 | 0:08:05 | |
you instantly change from one room to another. | 0:08:05 | 0:08:08 | |
That's what we love, having the same space but it changes. | 0:08:08 | 0:08:11 | |
In the evening, we'll be having dinner | 0:08:11 | 0:08:13 | |
and think, "We quite fancy a change of scenery." | 0:08:13 | 0:08:15 | |
And so we literally move our entire home, our entire belongings, and then off we go. There you go, then. | 0:08:15 | 0:08:22 | |
We wanted the city centre lifestyle and we've got that, | 0:08:22 | 0:08:25 | |
but we've managed to have it on a very inexpensive budget. | 0:08:25 | 0:08:29 | |
We don't have a huge mortgage, which is very nice. | 0:08:29 | 0:08:32 | |
They've achieved all this for £45,000 | 0:08:32 | 0:08:36 | |
and it's giving them the passion to do more renovations in the future. | 0:08:36 | 0:08:39 | |
The investment that we've put into this, we'll take into other boats. | 0:08:39 | 0:08:43 | |
So everything we've learned from here will then go on and we can do | 0:08:43 | 0:08:47 | |
another boat a lot quicker and a lot more efficiently. | 0:08:47 | 0:08:49 | |
-Cos funnily enough, we haven't been put off, for some odd reason! -No. | 0:08:49 | 0:08:53 | |
It just makes you want to do it more. | 0:08:53 | 0:08:55 | |
And it's so nice to bring an older boat back to life as well. | 0:08:55 | 0:08:58 | |
Yeah. It's really sad to see one rusting away. | 0:08:58 | 0:09:01 | |
And it's quite an emotional thing doing a boat, | 0:09:01 | 0:09:04 | |
because it's not like a house. It feels like it has more personality. | 0:09:04 | 0:09:08 | |
Yeah, and history within it. | 0:09:08 | 0:09:11 | |
And it's constantly moving by itself, so I think it's nice to bring it back to life. | 0:09:11 | 0:09:17 | |
All over the country, there are teams of empty property officers | 0:09:17 | 0:09:20 | |
whose job it is to spot unoccupied homes and, hopefully, get somebody living in them again. | 0:09:20 | 0:09:26 | |
And in Enfield, north-east London, it's Dave Carter who deals with the borough's vacant buildings. | 0:09:27 | 0:09:33 | |
You've got to use your housing skills, your surveying skills, your investigation skills. | 0:09:33 | 0:09:39 | |
There's so many aspects to the job which appeal to me. | 0:09:39 | 0:09:43 | |
His patch covers an area of 30 square miles in the capital | 0:09:43 | 0:09:48 | |
and in the last five years he's brought 250 properties back into use. | 0:09:48 | 0:09:51 | |
Today we're off to a property which has been on my books for at least eight years. | 0:09:51 | 0:09:59 | |
The house, which has attracted antisocial behaviour, | 0:09:59 | 0:10:03 | |
was eventually the subject of a compulsory purchase order by Enfield Council. | 0:10:03 | 0:10:07 | |
Now it will be sold at auction, but before it is, Dave needs to make sure it's secure. | 0:10:07 | 0:10:11 | |
-Hi, there. -All right. -How are you doing? | 0:10:11 | 0:10:14 | |
Re-nailing this window at the moment. | 0:10:14 | 0:10:16 | |
-All right. -Just to put the board back on and that. | 0:10:16 | 0:10:18 | |
I don't like boarding properties up cos it advertises | 0:10:18 | 0:10:21 | |
the fact that this is an empty house, but in this case we've been forced to | 0:10:21 | 0:10:25 | |
cos there's the chance squatters may attempt to break in. | 0:10:25 | 0:10:28 | |
So until we dispose of the house at auction, this is a temporary measure. | 0:10:28 | 0:10:32 | |
Hopefully, it won't put off too many buyers. | 0:10:32 | 0:10:35 | |
After eight years of work on this case, it's a crucial time for Dave. | 0:10:35 | 0:10:39 | |
It's the day of the auction, but several lots haven't met their reserve. | 0:10:39 | 0:10:43 | |
Third and final time. | 0:10:43 | 0:10:45 | |
All three of you are just a margin away on that one. | 0:10:45 | 0:10:49 | |
I'm always worried before the sale. | 0:10:49 | 0:10:52 | |
You know, you always think the worst. | 0:10:52 | 0:10:54 | |
Fingers crossed. | 0:10:54 | 0:10:56 | |
Lot number 14. So vacant property here, requires modernisation. | 0:10:56 | 0:11:00 | |
Being sold by Enfield Council. I'd invite your bids. | 0:11:00 | 0:11:03 | |
Where would you like to start me on this? | 0:11:03 | 0:11:06 | |
Where do you want to be? | 0:11:08 | 0:11:10 | |
I can see you, sir. What's that? | 0:11:10 | 0:11:12 | |
That's £300,000. | 0:11:12 | 0:11:14 | |
Fortunately, the empty house Dave's dealing with has attracted some keen bidding. | 0:11:14 | 0:11:19 | |
-375. -375. Thank you. | 0:11:19 | 0:11:21 | |
At 375,000 for the second, | 0:11:21 | 0:11:23 | |
third and final time. At £375,000. | 0:11:23 | 0:11:30 | |
Your house, sir, at 375. | 0:11:30 | 0:11:31 | |
The successful bidder is called Mr Kann. | 0:11:31 | 0:11:34 | |
Dave's eager to meet him and find out his intentions for one of his most problematic properties. | 0:11:34 | 0:11:39 | |
-Hello there. Nice to meet you. -I'm fine thank you. How are you doing? | 0:11:39 | 0:11:43 | |
-Not too bad at all. So you were the successful bidder then? -I am. | 0:11:43 | 0:11:46 | |
-How do you feel? -I feel great. | 0:11:46 | 0:11:48 | |
I would have gone a little bit more than what I already bid. | 0:11:48 | 0:11:51 | |
Don't tell me that! DAVE LAUGHS | 0:11:51 | 0:11:54 | |
So the big question is, what are you going to do with it? | 0:11:54 | 0:11:56 | |
I'm not sure yet. I haven't made my mind up yet, because obviously it depends on the background... | 0:11:56 | 0:12:03 | |
You'll need advice from builders and surveyors? | 0:12:03 | 0:12:05 | |
-Usually, I take my advice from my wife. -THEY LAUGH | 0:12:05 | 0:12:10 | |
Don't we all? I'm just pleased that it's gone to somebody who we can work with. | 0:12:10 | 0:12:14 | |
-Cheers. -Thank you very much for your help. | 0:12:14 | 0:12:16 | |
I'm very, very pleased. The sale went through, that was the main thing. | 0:12:16 | 0:12:20 | |
It's not the end. It's sort of the beginning of the end. | 0:12:20 | 0:12:24 | |
But I can see light at the end of the tunnel | 0:12:24 | 0:12:26 | |
and, hopefully, in another three to six months, somebody will be living there. | 0:12:26 | 0:12:31 | |
Although it's been sold, Dave will keep his eye on the house to make sure it comes back into use. | 0:12:31 | 0:12:36 | |
We'll catch up with him later as he hands over the keys. | 0:12:36 | 0:12:39 | |
Suki Cavendish and Carl Newman's plans to renovate an empty home are on ice, | 0:12:45 | 0:12:49 | |
as they keep rejecting properties on the basis of things like cupboard space. | 0:12:49 | 0:12:53 | |
-Yeah. It's not big enough. -Not big enough on the storage. | 0:12:53 | 0:12:57 | |
I want them to realise all these things can be changed if they use their imagination. | 0:12:57 | 0:13:02 | |
We've come here to something you probably wouldn't have considered - | 0:13:02 | 0:13:06 | |
classic, post-war, 1950s housing estate. | 0:13:06 | 0:13:08 | |
The great thing about these kind of builds is that they are absolutely blank. | 0:13:08 | 0:13:13 | |
-You can do pretty much whatever you like to them. -Mm. | 0:13:13 | 0:13:16 | |
So we're going to introduce you to one of these properties | 0:13:16 | 0:13:19 | |
that is halfway through a very extensive rebuild | 0:13:19 | 0:13:22 | |
and let's see if that gives you a few ideas | 0:13:22 | 0:13:24 | |
as to what to do with a property that, on the face of it, may not be full of charm, | 0:13:24 | 0:13:28 | |
but could still be turned into a really interesting family home for you two. | 0:13:28 | 0:13:32 | |
-Great. -Yeah. -Come on. | 0:13:32 | 0:13:34 | |
From the front this three-bed house looks like a small, uninspiring box | 0:13:35 | 0:13:39 | |
and that's exactly what it was when owners Alistair and Alison Alexander | 0:13:39 | 0:13:44 | |
found it after it had been standing empty for months. | 0:13:44 | 0:13:47 | |
It was a bit shabby. Decor wasn't very good, I must admit. | 0:13:47 | 0:13:50 | |
Really old-fashioned, needed a good tidy up, needed a good clean. | 0:13:50 | 0:13:54 | |
But it had just that something about it that we knew... Well, I knew... | 0:13:54 | 0:13:58 | |
it could be a nice family home. | 0:13:58 | 0:14:00 | |
They're now halfway through a dramatic transformation, | 0:14:00 | 0:14:04 | |
having knocked down almost every wall | 0:14:04 | 0:14:07 | |
and added a large extension to the rear, | 0:14:07 | 0:14:09 | |
providing more space for them and their three children. | 0:14:09 | 0:14:12 | |
Alistair's doing an amazing job with a house most people wouldn't have given a second look | 0:14:12 | 0:14:17 | |
and he's creating a stunning five-bedroom family home. | 0:14:17 | 0:14:20 | |
-As you can see, still very much kind of work in progress, but that's the neighbour... -Yeah. | 0:14:20 | 0:14:27 | |
-Yeah. -And that is the new addition. | 0:14:27 | 0:14:29 | |
-It's a big extension, isn't it? -It's quite a big extension. That's really impressive. | 0:14:29 | 0:14:34 | |
-In terms of scope and size, this is a different property from the back. -Yeah. | 0:14:34 | 0:14:37 | |
-Very much so. -You wouldn't expect this from the front. -No. | 0:14:37 | 0:14:40 | |
'It's an ambitious project with builder Alistair doing most of the work himself.' | 0:14:40 | 0:14:46 | |
-It's amazing. -It's a nice house, isn't it? -It's got good space | 0:14:46 | 0:14:49 | |
-for a table and family living. -Absolutely. | 0:14:49 | 0:14:52 | |
How did you go about creating this space, | 0:14:52 | 0:14:54 | |
because I presume most of these internal walls were not like this? | 0:14:54 | 0:14:58 | |
You're right. None of them were like this. | 0:14:58 | 0:15:00 | |
We knocked down this wall here through the brick. | 0:15:00 | 0:15:04 | |
So you've completely transformed the floor plan. | 0:15:04 | 0:15:07 | |
Absolutely taken everything out. Gutted it. | 0:15:07 | 0:15:10 | |
Is there anything in here that survives from the original house? | 0:15:10 | 0:15:13 | |
There is only one wall that survives. | 0:15:13 | 0:15:15 | |
The original exterior wall. | 0:15:15 | 0:15:17 | |
So presumably then, above us there are several steel beams taking all the load? | 0:15:17 | 0:15:22 | |
-About ten different steel beams... -Ten steel beams? | 0:15:22 | 0:15:25 | |
-Gosh. -Wow. -..holding it up. -You make it sound very straightforward. | 0:15:25 | 0:15:29 | |
Just give us a sense of some of the challenges that you've had to overcome. | 0:15:29 | 0:15:33 | |
Well, number one, living in it while doing it. That was a challenge in its own right. | 0:15:33 | 0:15:37 | |
The dust was absolutely horrendous. | 0:15:37 | 0:15:39 | |
When the kitchen went, it was a case of, "Right, OK, a few takeaways." | 0:15:39 | 0:15:45 | |
This has been a major job, which required a lot of careful planning. | 0:15:45 | 0:15:50 | |
What would be your top tips in terms of easing the passage of an application through the planners? | 0:15:50 | 0:15:55 | |
-I would always go larger than what you want to go. -Yeah. -So if you want to go two metres out, | 0:15:55 | 0:16:00 | |
go bigger, cos if you do get knocked back by the council, | 0:16:00 | 0:16:03 | |
you know, you've already got in mind what your minimum would be. | 0:16:03 | 0:16:07 | |
-That's a great tip - a very, very sensible way of doing it. -Yeah. | 0:16:07 | 0:16:10 | |
It is a rewarding process rebuilding your own home. I think it is. I've done it. | 0:16:10 | 0:16:14 | |
It's really nice to know at the end of the day, you're just going to sit down, | 0:16:14 | 0:16:19 | |
just go, "Oh, just what I wanted! Just what I wanted!" | 0:16:19 | 0:16:22 | |
See, that's the trick. | 0:16:22 | 0:16:24 | |
What we've got to get you guys to do | 0:16:24 | 0:16:26 | |
is to see similar sorts of potential in a wide range of buildings. | 0:16:26 | 0:16:30 | |
They've looked at 40 properties and not been persuaded to buy one yet. | 0:16:30 | 0:16:34 | |
This is what we're thinking. This is what you need to do. | 0:16:34 | 0:16:37 | |
-You need to create your own space in exactly the same way that Alistair's done. -Exactly. | 0:16:37 | 0:16:42 | |
'Later, I'll be showing Suki and Carl | 0:16:42 | 0:16:44 | |
'an outstanding finished project that I hope will blow them away.' | 0:16:44 | 0:16:49 | |
But first, we're heading back to north-east London, | 0:16:49 | 0:16:52 | |
where empty property officer Dave Carter is meeting up with | 0:16:52 | 0:16:55 | |
the gentleman who successfully bid at auction for the vacant house | 0:16:55 | 0:16:59 | |
which had been empty for eight years. | 0:16:59 | 0:17:01 | |
It's been a month now since we went to the auction, so I'm going to see what plans he's got for the house. | 0:17:01 | 0:17:07 | |
Before Dave can hand over the keys to Mr Kann, there's just one final check for him to make. | 0:17:07 | 0:17:13 | |
Hi, Elizabeth. Has the money gone through? | 0:17:13 | 0:17:16 | |
Right, lovely. | 0:17:16 | 0:17:18 | |
How are you doing? | 0:17:18 | 0:17:19 | |
-Fine, thank you. -Are you all set? -Yes, I am. | 0:17:19 | 0:17:21 | |
-Your big adventure. -Yes. | 0:17:21 | 0:17:24 | |
-Thank you very much. -All right. -Shall we have a look inside? | 0:17:24 | 0:17:27 | |
By all means. I believe you've had an architect round. | 0:17:27 | 0:17:31 | |
A condition of the sale is that Mr Kann, | 0:17:31 | 0:17:33 | |
as the new owner, has to bring this four-bedroom house back into use within 12 months. | 0:17:33 | 0:17:38 | |
What have you sold me? | 0:17:38 | 0:17:39 | |
-I've sold you a nice four-bed family house. -Well... | 0:17:39 | 0:17:44 | |
-It's all yours now. -A lot to do. | 0:17:44 | 0:17:46 | |
Having been home to squatters, the house is now in a terrible state, | 0:17:46 | 0:17:51 | |
so there's a lot of work to be done before it's back to a liveable standard. | 0:17:51 | 0:17:54 | |
First thing we have to do is clear up. I've ordered a skip for tomorrow. | 0:17:54 | 0:17:58 | |
Take all the rubbish out from the rooms. | 0:17:58 | 0:18:01 | |
Four skips, five skips. | 0:18:01 | 0:18:03 | |
Yeah. A fresh start completely. | 0:18:03 | 0:18:05 | |
Yeah, yeah. I mean, to be honest, no shortcuttings. | 0:18:05 | 0:18:09 | |
Just do everything properly. | 0:18:09 | 0:18:11 | |
Any thoughts about the boarding? | 0:18:11 | 0:18:14 | |
-Are you leaving the boarding up for now? -I'll put security cameras in. -Good. And then take the boards down? | 0:18:14 | 0:18:19 | |
Eventually I will take the boards down, but I won't rush taking the boards down immediately... | 0:18:19 | 0:18:24 | |
Given the history, I think it would be... | 0:18:24 | 0:18:26 | |
It would be silly to do that. | 0:18:26 | 0:18:28 | |
Any thoughts about what you're going to do with it once it's all fixed up? | 0:18:28 | 0:18:31 | |
I think we'll live here for a little while ourselves. | 0:18:31 | 0:18:34 | |
-That's the plan. -We won't ask for the boards back. You can keep them. | 0:18:34 | 0:18:38 | |
-Oh, thank you very much! -THEY LAUGH | 0:18:38 | 0:18:40 | |
Still a lot of work to do. | 0:18:42 | 0:18:44 | |
Obviously I've got to monitor it for the next 12 months, | 0:18:44 | 0:18:47 | |
but I'm confident it will be occupied well before that. | 0:18:47 | 0:18:49 | |
Since Dave handed over ownership of the house to Mr Kann, work has been under way to renovate it | 0:18:49 | 0:18:54 | |
and it should be lived in again within six months. | 0:18:54 | 0:18:58 | |
If you think you've got what it takes to transform an empty property, | 0:19:00 | 0:19:03 | |
there are various ways to find one. | 0:19:03 | 0:19:05 | |
You can contact your local estate agent and see if they've got anything vacant, | 0:19:05 | 0:19:10 | |
or try your local auction house. You might even find a bargain of a repossession. | 0:19:10 | 0:19:14 | |
Or, of course, you can also contact your local empty property officer. | 0:19:14 | 0:19:18 | |
Adventurous buyers looking to pick up a piece of history | 0:19:18 | 0:19:21 | |
should look at the English Heritage website. | 0:19:21 | 0:19:24 | |
Here you'll find a list of buildings registered as "at risk", some of which may be up for sale. | 0:19:24 | 0:19:29 | |
Suki Cavendish and Carl Newman have rejected 40 properties | 0:19:34 | 0:19:37 | |
in their hunt for a home for them and their soon-to-be-born baby. | 0:19:37 | 0:19:42 | |
They think an empty place may be the answer, | 0:19:42 | 0:19:44 | |
but so far this 19th-century semi just didn't have the right layout for them. | 0:19:44 | 0:19:48 | |
A bit concerned about coming straight in the front door and there's no hallway. | 0:19:48 | 0:19:53 | |
'I'm trying to persuade them to be more open-minded about the kind of properties they look at. | 0:19:53 | 0:19:57 | |
'They were impressed by what the owners were doing to this formerly empty house.' | 0:19:57 | 0:20:02 | |
It's a big extension, really impressive. | 0:20:02 | 0:20:04 | |
But now I've shown them what CAN be done, | 0:20:04 | 0:20:06 | |
I want to show them a transformation that I think will really amaze them. | 0:20:06 | 0:20:11 | |
-Well, it's not that one. -Mm-hm. -OK. | 0:20:11 | 0:20:13 | |
-It's not that one. -Yeah. | 0:20:13 | 0:20:15 | |
-It's that one. -Blimey! -That is amazing. | 0:20:15 | 0:20:20 | |
-Well, it used to... -Did they knock it down and start again? -Almost. | 0:20:20 | 0:20:23 | |
That looks nothing like it! | 0:20:23 | 0:20:25 | |
But the core of that building is still within | 0:20:25 | 0:20:27 | |
that seemingly brand-new, very contemporary structure. | 0:20:27 | 0:20:30 | |
-It's amazing. -That looks really good. | 0:20:30 | 0:20:32 | |
Hugo and Jude Tugman bought this three-bedroom, one-bathroom, | 0:20:32 | 0:20:37 | |
detached house in Twickenham back in 2003. | 0:20:37 | 0:20:40 | |
When I first walked into the house, | 0:20:40 | 0:20:42 | |
it was pretty ordinary in all sorts of ways. | 0:20:42 | 0:20:45 | |
It was really shabby and dog-eared and the kitchen was really grotty. | 0:20:45 | 0:20:49 | |
But the moment we saw it I got really excited | 0:20:49 | 0:20:51 | |
because I could see instantly the possibilities that we could do to change this. | 0:20:51 | 0:20:55 | |
Both architects by trade, they've taken a 1970s carbuncle | 0:20:55 | 0:21:00 | |
that had been empty for more than a year | 0:21:00 | 0:21:02 | |
and given it an 18-month extreme face-lift. | 0:21:02 | 0:21:05 | |
In you come. | 0:21:05 | 0:21:06 | |
-Wow! -How about that for a staircase? | 0:21:06 | 0:21:08 | |
Yeah, that's nice, isn't it? | 0:21:08 | 0:21:11 | |
The Tugmans have managed to transform their abandoned house into a contemporary home | 0:21:11 | 0:21:15 | |
with three bedrooms on the first floor | 0:21:15 | 0:21:18 | |
and a master suite in a newly created loft conversion. | 0:21:18 | 0:21:22 | |
-Hi. How are you? -Hi. -Now we are all rightly wowed by this property. | 0:21:22 | 0:21:27 | |
-Good. -Congratulations. -Thank you. | 0:21:27 | 0:21:29 | |
-It is quite something. -It's superb. -Amazing. | 0:21:29 | 0:21:31 | |
When you first saw this place, before you tackled it, what did you think? | 0:21:31 | 0:21:35 | |
-Because it's a pretty uninspiring picture. -No, I thought, "Spot-oh!" | 0:21:35 | 0:21:40 | |
I thought this is absolutely... | 0:21:40 | 0:21:42 | |
Immediately I could see loads of opportunity to do things. | 0:21:42 | 0:21:46 | |
I mean, I look around me and I cannot recognise the building that you bought. | 0:21:46 | 0:21:51 | |
There are some original features. Some external walls are there, aren't they? | 0:21:51 | 0:21:55 | |
The four outside walls are the same four walls. | 0:21:55 | 0:21:57 | |
The windows are in different positions, there's been extensions, | 0:21:57 | 0:22:01 | |
but the four walls are basically the same. | 0:22:01 | 0:22:03 | |
Even though it's not a massive square footage, footprint, it actually looks much bigger. | 0:22:03 | 0:22:10 | |
Essentially it was a 7.5 metre square plan | 0:22:10 | 0:22:13 | |
and we've still got that plus a couple of extensions. | 0:22:13 | 0:22:16 | |
It's not a huge footprint, but you have created this illusion | 0:22:16 | 0:22:20 | |
of a much bigger property. How have you done it? | 0:22:20 | 0:22:22 | |
What we've tried to do here | 0:22:22 | 0:22:24 | |
is create zones, create clear zones, so it's open. | 0:22:24 | 0:22:26 | |
We've got a study zone, kitchen zone, living zone, dining zone. | 0:22:26 | 0:22:30 | |
The dining room, if it were surrounded by walls, | 0:22:30 | 0:22:32 | |
would feel like a dining room, but because it overlaps into there and there, it feels bigger. | 0:22:32 | 0:22:37 | |
We've talked about your search for a period property and storage is a problem. | 0:22:37 | 0:22:41 | |
No, storage is absolutely key. Everyone has loads of stuff, there's no getting away from it. | 0:22:41 | 0:22:47 | |
If you want a clutter-free environment, you need loads of storage. | 0:22:47 | 0:22:50 | |
This is inspirational. Whether we modernise a period property like this is another matter, | 0:22:50 | 0:22:55 | |
but we do need to get creative and create storage in a period property if we ever went that way. | 0:22:55 | 0:23:00 | |
Perhaps the most incredible thing about this building is that Hugo | 0:23:00 | 0:23:03 | |
has achieved all of it without having to get planning permission. | 0:23:03 | 0:23:07 | |
Instead, he's done all the work using something called Permitted Development. | 0:23:07 | 0:23:11 | |
Tell us a bit about Permitted Development, | 0:23:11 | 0:23:13 | |
because it's a black art to some people, but, clearly, everyday to you. | 0:23:13 | 0:23:17 | |
Yeah, it's an incredibly useful thing. | 0:23:17 | 0:23:19 | |
Every house has Permitted Development rights - | 0:23:19 | 0:23:22 | |
automatic planning permission for things up to certain limits | 0:23:22 | 0:23:25 | |
without needing a planning application. | 0:23:25 | 0:23:28 | |
-For example? -You can do a ground-floor extension | 0:23:28 | 0:23:30 | |
up to a certain number of metres from the back wall. | 0:23:30 | 0:23:33 | |
You can do loft dormers as long as you don't go higher than | 0:23:33 | 0:23:36 | |
the highest point of the roof. All these sorts of limits. | 0:23:36 | 0:23:39 | |
If you know the limits, you can go TO the limits and we pretty much did here. | 0:23:39 | 0:23:43 | |
Potentially now worth £1.1 million, | 0:23:43 | 0:23:45 | |
Hugo and Jude have maximised the space available, | 0:23:45 | 0:23:49 | |
creating a cutting-edge, four-bedroom family home. | 0:23:49 | 0:23:52 | |
-This is terrific! -Wow! That's pretty good! -It's amazing, isn't it? | 0:23:52 | 0:23:56 | |
An en suite with a difference, Hugo. | 0:23:56 | 0:23:58 | |
What an earth gave you the idea for that? I have to say, I love it. | 0:23:58 | 0:24:01 | |
Well, essentially, it is just a loft conversion and it's not all that big. | 0:24:01 | 0:24:06 | |
So trying to maximise the effect of the space, it made sense | 0:24:06 | 0:24:09 | |
-not to sub-divide the bathroom from the bedroom space and just have them all as one. -It's superb! | 0:24:09 | 0:24:14 | |
-It's very different. -I'd never have thought of something like this. | 0:24:14 | 0:24:18 | |
We met a builder today. Now we've introduced you to an architect. | 0:24:18 | 0:24:21 | |
This is all stacking up to really facilitate your next project, | 0:24:21 | 0:24:26 | |
but what would be your parting words of advice to Carl and Suki? | 0:24:26 | 0:24:30 | |
Well, first of all, I'd say don't think anything's impossible. | 0:24:30 | 0:24:33 | |
You can do pretty much anything. | 0:24:33 | 0:24:35 | |
Yes, of course, there are realities. There are limitations to budgets, | 0:24:35 | 0:24:39 | |
limitations in practical terms left, right and centre, | 0:24:39 | 0:24:42 | |
but don't restrict your thinking. | 0:24:42 | 0:24:44 | |
I guess it's a sign of the physical and creative ambition that you've brought to this property | 0:24:44 | 0:24:49 | |
that you've been able to tear up the assumptions that most of make about buildings? | 0:24:49 | 0:24:54 | |
That's right. It's important to be free with the way you think about what's possible. | 0:24:54 | 0:24:58 | |
I really hope the Tugman's place has finally convinced Suki and Carl | 0:24:58 | 0:25:02 | |
that regardless of a property's appearance, anything can be turned into a unique home. | 0:25:02 | 0:25:07 | |
So, you two, we've shown you two quite different properties - | 0:25:07 | 0:25:10 | |
-one in progress, one spectacularly finished, I think we'd agree. -Yeah. | 0:25:10 | 0:25:16 | |
What are the key lessons that you'll take away from today's experience? | 0:25:16 | 0:25:20 | |
That you don't need to keep the look of the house. | 0:25:20 | 0:25:22 | |
What you buy doesn't have to look the same once you've done it up. | 0:25:22 | 0:25:26 | |
It can look completely different and overhaul the whole property. | 0:25:26 | 0:25:29 | |
Well, for me, I think it would be the confidence to actually give something a go. | 0:25:29 | 0:25:34 | |
Beforehand, you might have had a crazy idea | 0:25:34 | 0:25:36 | |
but not necessarily the confidence to speak to people and see how feasible it was. | 0:25:36 | 0:25:40 | |
So do you think we've been able to help unlock your imagination, Suki? | 0:25:40 | 0:25:46 | |
I think so, definitely. Particularly with the last property, | 0:25:46 | 0:25:49 | |
because what they purchased doesn't look anything like what's there at the end of the whole process. | 0:25:49 | 0:25:55 | |
So what happens next? | 0:25:55 | 0:25:57 | |
My parting question for you. | 0:25:57 | 0:25:59 | |
Well, we have to have a baby first! THEY LAUGH | 0:25:59 | 0:26:01 | |
I think initially we wanted to try and do something before the baby arrived, | 0:26:01 | 0:26:06 | |
but it was taking time and I think we'll have to wait until after the baby's arrived and reassess. | 0:26:06 | 0:26:11 | |
-But it hasn't put me off, personally, or I think you either... -No. | 0:26:11 | 0:26:15 | |
..to tackle this in the near future. | 0:26:15 | 0:26:17 | |
Let us know how you get on, but in the meantime, | 0:26:17 | 0:26:20 | |
very best of luck with the birth and here's to your new home and new family. | 0:26:20 | 0:26:24 | |
-Cheers! -Cheers! -Thank you. | 0:26:24 | 0:26:26 | |
You know, I'm always surprised at the range and number of empty properties that are out there | 0:26:29 | 0:26:34 | |
and, of course, by what people are able to do with them. | 0:26:34 | 0:26:37 | |
We've had the chance to show Carl and Suki two very inspiring properties | 0:26:37 | 0:26:41 | |
at differing ends of the financial and creative spectrum, | 0:26:41 | 0:26:45 | |
but, importantly, I think they've armed them with a new sense of confidence | 0:26:45 | 0:26:49 | |
to tackle a project of their own. | 0:26:49 | 0:26:51 | |
And when eventually they do, I think they're going to go about it with a great sense of fun. | 0:26:51 | 0:26:57 | |
Subtitles by Red Bee Media Ltd | 0:27:16 | 0:27:19 | |
E-mail [email protected] | 0:27:19 | 0:27:22 |