Browse content similar to Alan and Katy Jackson. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Across the country, empty properties that could be homes | 0:00:03 | 0:00:06 | |
are waiting to be brought back into use. | 0:00:06 | 0:00:09 | |
I'll be finding out why, and what YOU need to do | 0:00:09 | 0:00:12 | |
to rescue a house for yourself. | 0:00:12 | 0:00:14 | |
And along the way, I'll be doing some digging of my own, | 0:00:14 | 0:00:17 | |
to find out more about our housing stock, our heritage, | 0:00:17 | 0:00:21 | |
and why we should be reinventing and preserving Britain's empty homes. | 0:00:21 | 0:00:24 | |
Empty properties left in a state of disrepair can blight | 0:00:29 | 0:00:33 | |
an otherwise picturesque street. | 0:00:33 | 0:00:35 | |
But for people with energy vision and ambition, | 0:00:35 | 0:00:39 | |
these empty buildings have huge potential. | 0:00:39 | 0:00:42 | |
Not only affordable, these empty shells allow buyers | 0:00:42 | 0:00:46 | |
to put their own unique stamp onto their future home. | 0:00:46 | 0:00:49 | |
Today, I'll be meeting a father and daughter team who're about to | 0:00:51 | 0:00:55 | |
take a leap of faith by tackling a conversion of their own. | 0:00:55 | 0:00:59 | |
-Space, air, light. -What a space. Lovely. -Masses of space. | 0:00:59 | 0:01:03 | |
We'll be joining the UK's Empty Property Officers | 0:01:03 | 0:01:06 | |
as they battle to save our forgotten homes. | 0:01:06 | 0:01:09 | |
Crikey, Martin, it's bad, isn't it? | 0:01:09 | 0:01:11 | |
If we end up on top of that, we're going to be | 0:01:11 | 0:01:13 | |
-in all sorts of problems, aren't we? -Yes. | 0:01:13 | 0:01:15 | |
'And I'll be heading to the Sussex coast to do some investigating of my own.' | 0:01:15 | 0:01:19 | |
You get a really good view of these arches and some of the tiles at that end. | 0:01:23 | 0:01:27 | |
It's really beautiful, but incredibly run down. | 0:01:27 | 0:01:30 | |
'Civil engineer Alan Jackson and his daughter, actress Katy, | 0:01:33 | 0:01:37 | |
'think they've got what's needed to take on an empty property. | 0:01:37 | 0:01:41 | |
'Alan lost his wife after a long battle with cancer. | 0:01:44 | 0:01:47 | |
'Now he wants to start a new life by swapping London's suburbia | 0:01:47 | 0:01:51 | |
'for the countryside of the south east.' | 0:01:51 | 0:01:54 | |
I have an opportunity now, without any responsibilities. | 0:01:54 | 0:01:57 | |
The children are grown up, so I have no ties to be anywhere. | 0:01:57 | 0:02:00 | |
And I would love the opportunity to take a property on and be able | 0:02:00 | 0:02:05 | |
to put it into a style of my own. | 0:02:05 | 0:02:08 | |
It's very much an opportunity to express myself | 0:02:08 | 0:02:11 | |
and some of the things that I would like to do. | 0:02:11 | 0:02:15 | |
Katy had a big win on a TV game show, | 0:02:16 | 0:02:18 | |
and has decided to invest her cash in a house with her dad. | 0:02:18 | 0:02:22 | |
I think a big project for him would be really good, | 0:02:22 | 0:02:24 | |
especially after the last couple of years that he's had, | 0:02:24 | 0:02:27 | |
and everything else. | 0:02:27 | 0:02:29 | |
I think something to get absorbed into is something good for him. | 0:02:29 | 0:02:32 | |
Yes, I agree. | 0:02:32 | 0:02:33 | |
I'm going to take them to see an example of the type of property that they might buy, | 0:02:37 | 0:02:41 | |
which should provide them with some food for thought. | 0:02:41 | 0:02:45 | |
I'm meeting them in the picturesque village of West Hoathly in West Sussex | 0:02:45 | 0:02:49 | |
to help them work out just how ambitious a project | 0:02:49 | 0:02:52 | |
they're prepared to take on. | 0:02:52 | 0:02:54 | |
-Morning, guys. I'm Joe. -Hello, Joe. How you doing? -Hi, Joe. -Katy. -Yup. | 0:02:54 | 0:02:57 | |
What is it you're after? What are you looking for? | 0:02:57 | 0:03:00 | |
I love the idea of renovating a property that is in some distress or empty | 0:03:00 | 0:03:04 | |
because, for a start, I can put my own stamp on it as to what I would like it to be. | 0:03:04 | 0:03:09 | |
Other than that, the house is less important to me | 0:03:09 | 0:03:12 | |
than some of the things I'd like to put in the outbuildings, | 0:03:12 | 0:03:15 | |
if there are such things. I do have a couple of old MG cars | 0:03:15 | 0:03:18 | |
which I've had for a while, and a ridiculously large train set | 0:03:18 | 0:03:21 | |
which I've been itching to get out since my 5th birthday. | 0:03:21 | 0:03:23 | |
So those are important features as well. | 0:03:23 | 0:03:27 | |
I think, without more ado, | 0:03:27 | 0:03:28 | |
we should take a wander down the road and see this property. | 0:03:28 | 0:03:31 | |
-Yeah. -I'd love to see it. Take us there. -Let's go! | 0:03:31 | 0:03:35 | |
West Hoathly offers all the charms of village life, | 0:03:35 | 0:03:38 | |
but is a mere 38 miles outside London. | 0:03:38 | 0:03:41 | |
You've got the lovely church, you've got a pub. | 0:03:43 | 0:03:47 | |
-Here it is. -Wow! -Hey! | 0:03:47 | 0:03:49 | |
Welcome to West Hoathly chapel. | 0:03:49 | 0:03:53 | |
-Wow. -Gosh. | 0:03:53 | 0:03:55 | |
Now, as you can see from up there, 1904, that's the date | 0:03:55 | 0:03:58 | |
of the brick structure on the left. | 0:03:58 | 0:04:00 | |
The building on the right, which is clad in wood, | 0:04:00 | 0:04:03 | |
-actually goes back to 1820. -Wow. -Gosh. -So, much older. -Yeah. | 0:04:03 | 0:04:07 | |
-Unusual. Definitely unusual. -Uh-huh. -Yes. Not many of these. | 0:04:09 | 0:04:12 | |
No, there aren't. Well, there's no traffic, so let's cross over | 0:04:12 | 0:04:15 | |
-and have a closer look. -Let's have a go. | 0:04:15 | 0:04:17 | |
The pair have a combined budget of £500,000 to spend on the property and the renovation, | 0:04:19 | 0:04:25 | |
and I'm keen to find out just how much work they're willing to undertake. | 0:04:25 | 0:04:28 | |
-So, here we are. -Wow! -I suppose this is the main chapel. | 0:04:28 | 0:04:33 | |
-It's huge. -It is huge. Look at that! | 0:04:33 | 0:04:36 | |
Space, air, light. | 0:04:36 | 0:04:39 | |
-What a space. -Masses of space. | 0:04:39 | 0:04:41 | |
Lovely. Gosh, that is wonderful. | 0:04:41 | 0:04:44 | |
Before falling vacant, Hoathly Chapel was the heart of the community. | 0:04:44 | 0:04:48 | |
-You get a little glimpse of daylight, don't you? -Yeah. | 0:04:48 | 0:04:52 | |
It was built in honour of the former Countess of Huntingdon, | 0:04:52 | 0:04:55 | |
a local hero and radical figure in the area in the 1800s, | 0:04:55 | 0:04:58 | |
who opened private chapels attached to her residences. | 0:04:58 | 0:05:02 | |
What are your initial thoughts? | 0:05:02 | 0:05:05 | |
It's in better condition than it might have been. | 0:05:05 | 0:05:07 | |
Doesn't smell damp. Perfectly restorable. | 0:05:07 | 0:05:10 | |
And you mentioned blank canvas when we spoke. This does reek of blank canvas. | 0:05:10 | 0:05:15 | |
There isn't even a canvas, so there's no canvas to be blank. | 0:05:15 | 0:05:19 | |
It's a fabulously interesting project. | 0:05:19 | 0:05:21 | |
The layout of the floor, how you make it all work would be interesting. | 0:05:21 | 0:05:25 | |
How open plan you want it. | 0:05:25 | 0:05:26 | |
What's really nice about it is, I always have this image of old, uninhabited properties | 0:05:26 | 0:05:31 | |
not being very light or spacious or bright, and there's so much light in here. | 0:05:31 | 0:05:35 | |
OK, well, don't worry about dividing it up just yet. | 0:05:36 | 0:05:39 | |
-Keep it all open in your mind and we'll have a look at the other areas. -Yeah, definitely. | 0:05:39 | 0:05:43 | |
-Right. -So, here we have the kitchen area, there. | 0:05:47 | 0:05:50 | |
Would've been where people made tea and coffee for the chapel, I suppose. | 0:05:50 | 0:05:54 | |
-And then down the stairs. -There's a big hole in the roof, here, Joe. | 0:05:54 | 0:05:58 | |
-Yeah, that might contribute to damp. -LAUGHTER | 0:05:58 | 0:06:01 | |
-Architectural feature. -A bit of rain water in. -Yeah. | 0:06:01 | 0:06:05 | |
Gets a bit damp down here. | 0:06:05 | 0:06:07 | |
-Wow. -So, here you have another, actually quite unusual space. | 0:06:07 | 0:06:11 | |
-You don't expect this when you first come in to the chapel up there. -No. | 0:06:11 | 0:06:16 | |
There's a possibility of changing headroom and bringing other levels. | 0:06:16 | 0:06:20 | |
-It may be possible to get three floors here. -So there we go. | 0:06:20 | 0:06:25 | |
-This could be a study, or utility room. -Absolutely, absolutely. -Yeah. | 0:06:25 | 0:06:28 | |
The chapel is on the market for £250,000. | 0:06:28 | 0:06:32 | |
Developers bought it in its current state | 0:06:32 | 0:06:35 | |
and secured planning permission to turn it into a residential dwelling. | 0:06:35 | 0:06:39 | |
They're now looking for someone to snap it up and reinvent it. | 0:06:39 | 0:06:42 | |
Interestingly, the chapel isn't a listed building, | 0:06:44 | 0:06:47 | |
which means Alan and Katy would have free rein to convert it in any way they choose. | 0:06:47 | 0:06:51 | |
It's a wonderful space. | 0:06:51 | 0:06:53 | |
We've had some fabulous ideas as to what you could do with that. | 0:06:53 | 0:06:56 | |
-And the ideas you've had, have you been of one mind on that? -Yes. | 0:06:56 | 0:07:01 | |
-Mm. Basically. -Basically. | 0:07:01 | 0:07:03 | |
So it's a starting point. Seems to have got you going. It's got the ideas flowing, has it? | 0:07:03 | 0:07:08 | |
-Yeah. Great idea. I love it. -Mm. -Brilliant! | 0:07:08 | 0:07:10 | |
It'll take a lot of hard work and dedication | 0:07:12 | 0:07:15 | |
to turn the chapel into a modern home. | 0:07:15 | 0:07:17 | |
And Alan and Katy have to be aware of what they would be taking on. | 0:07:17 | 0:07:20 | |
But it could just be the labour of love that Alan is looking for. | 0:07:20 | 0:07:26 | |
Later, I'll take them to see a property of a similar scale, | 0:07:26 | 0:07:29 | |
which I hope will inspire them to see the chapel's potential. | 0:07:29 | 0:07:32 | |
Many empty properties remain in a sort of no-man's land | 0:07:32 | 0:07:36 | |
where they can sit abandoned for years, | 0:07:36 | 0:07:38 | |
simply because the owners won't or can't bring them into use. | 0:07:38 | 0:07:42 | |
Now, it's the job of the Empty Property Officers | 0:07:42 | 0:07:45 | |
up and down the UK to try to change the fortunes | 0:07:45 | 0:07:49 | |
of those forgotten homes. | 0:07:49 | 0:07:52 | |
Thanet's Empty Property Officer, | 0:07:53 | 0:07:55 | |
Mike Thompson is on a quest to resurrect Kent's derelict homes. | 0:07:55 | 0:07:59 | |
Off to Clifftonville today to check on the structural stability | 0:07:59 | 0:08:03 | |
of a property we've just acquired through compulsory purchase powers. | 0:08:03 | 0:08:07 | |
It's a long-term empty, been a thorn in our side for many years, | 0:08:07 | 0:08:11 | |
and I've got a colleague meeting me there from our building control section | 0:08:11 | 0:08:15 | |
to give me a professional opinion on what the state of the building is. | 0:08:15 | 0:08:19 | |
This neglected house has been left empty for eight years, | 0:08:20 | 0:08:23 | |
and the council have now taken possession | 0:08:23 | 0:08:26 | |
in a last-ditch attempt to save it from total ruin. | 0:08:26 | 0:08:29 | |
Today is crunch time for the Victorian terrace. | 0:08:29 | 0:08:33 | |
Mike is meeting up with Building Control Officer, Martin Parnell, | 0:08:33 | 0:08:37 | |
to decide its fate. | 0:08:37 | 0:08:39 | |
Can it be saved, or is it beyond repair and heading for demolition? | 0:08:39 | 0:08:42 | |
-Hello, Martin. -Hello, Mike. -Nice to see you again. | 0:08:42 | 0:08:46 | |
-Gosh, that looks sad, doesn't it? -That's why I've asked you here. | 0:08:46 | 0:08:49 | |
Want your professional opinion on what the problems are in there | 0:08:49 | 0:08:53 | |
and whether we can save it. We're desperate to save it if we can. | 0:08:53 | 0:08:56 | |
I rather suspect there may be more behind that than we can first see. | 0:08:56 | 0:09:00 | |
-OK, then. -Take a look? -Have a look round, shall we? Fine. | 0:09:00 | 0:09:03 | |
Thank you very much. | 0:09:03 | 0:09:05 | |
Round the back of the property, | 0:09:05 | 0:09:07 | |
the tell-tale signs of neglect are clearly visible. | 0:09:07 | 0:09:10 | |
This is the problems you get with a long-term empty property. | 0:09:10 | 0:09:13 | |
-The state of it. -All and sundry dump. | 0:09:13 | 0:09:15 | |
From the passageway, we can look up through that top window | 0:09:15 | 0:09:19 | |
and see sky. Straight through the roof. It's fully exposed. | 0:09:19 | 0:09:23 | |
Looking at it externally, there's nothing giving me major concerns. | 0:09:23 | 0:09:28 | |
Appearances can be deceptive, though. | 0:09:30 | 0:09:32 | |
Mike and Martin need to get inside | 0:09:32 | 0:09:34 | |
to see the true extent of the damage. | 0:09:34 | 0:09:37 | |
-This board comes off. -Right. -This one stays attached to the window | 0:09:37 | 0:09:41 | |
-and it'll open and give us access. -OK. | 0:09:41 | 0:09:43 | |
We've seen the picture from the outside. | 0:09:46 | 0:09:48 | |
That comes away nicely. | 0:09:48 | 0:09:50 | |
Down there. Out the way. | 0:09:50 | 0:09:52 | |
-Right. -OK, it's the moment of truth, then. -It is indeed. | 0:09:55 | 0:09:59 | |
See if we can get some indication of what we've got. | 0:09:59 | 0:10:03 | |
-Oh, dear! -Crikey! That's pretty dire, isn't it? | 0:10:03 | 0:10:09 | |
-All right to jump down there? -Yeah, should be OK. | 0:10:13 | 0:10:15 | |
-Cheers. -Good. | 0:10:15 | 0:10:16 | |
-Crikey, Martin, it's bad, isn't it? -It is. -All forms of water ingress. | 0:10:16 | 0:10:21 | |
-We got wet rot in here, dry rot. -Good heavens, look at that. | 0:10:21 | 0:10:24 | |
You can't tell how bad these things are | 0:10:24 | 0:10:26 | |
until you get inside the buildings. | 0:10:26 | 0:10:28 | |
Well, that's structural. So if we were to end up on top of that, | 0:10:28 | 0:10:32 | |
-we'd be in all sorts of problems. -Yes. | 0:10:32 | 0:10:34 | |
Cos that's not fit for carrying anything, is it? | 0:10:34 | 0:10:37 | |
Let alone us on top of the floor. | 0:10:37 | 0:10:38 | |
Isn't it a shame how people let these properties go? It's got everything. | 0:10:38 | 0:10:42 | |
I don't think we need to venture further. | 0:10:42 | 0:10:45 | |
No, that's bad enough. | 0:10:45 | 0:10:48 | |
With the structure so unsound, it isn't safe for Mike and Martin | 0:10:48 | 0:10:52 | |
to go any further without the expert advice of an engineer. | 0:10:52 | 0:10:55 | |
Even I can see there's serious problems there. | 0:10:56 | 0:10:59 | |
It's a great shame, isn't it? | 0:10:59 | 0:11:02 | |
I hope it doesn't jeopardise the building's future. | 0:11:02 | 0:11:04 | |
I hope it's salvageable, saveable. Even with problems like that. | 0:11:04 | 0:11:08 | |
I think it can be salvaged, certainly, | 0:11:08 | 0:11:10 | |
but the work that's necessary is going to be more extensive | 0:11:10 | 0:11:13 | |
than perhaps we at first thought or hoped. | 0:11:13 | 0:11:15 | |
Which, of course, means more time and consequent expense. | 0:11:15 | 0:11:18 | |
Expense, yeah. So, worst fears in here, not so bad outside. | 0:11:18 | 0:11:24 | |
Perhaps we should've stayed outside. | 0:11:24 | 0:11:26 | |
Well, that might not have been quite the news I was hoping for, | 0:11:28 | 0:11:31 | |
but it wasn't all bad. I'm still very hopeful, | 0:11:31 | 0:11:34 | |
ever the optimist, that we can save it. | 0:11:34 | 0:11:37 | |
I'm going to go back to the office now and engage the services | 0:11:37 | 0:11:39 | |
of a structural engineer to give us an informed opinion, now. | 0:11:39 | 0:11:42 | |
And I'm still hopeful we can save it. | 0:11:42 | 0:11:45 | |
The work of the Empty Property Officers makes a huge difference | 0:11:46 | 0:11:49 | |
in the preservation and regeneration of our communities. | 0:11:49 | 0:11:53 | |
But clearly the battle to rescue Britain's empty homes can't be won | 0:11:53 | 0:11:56 | |
without the people brave enough to renovate the properties themselves. | 0:11:56 | 0:12:01 | |
In the more remote corners of the country, | 0:12:05 | 0:12:07 | |
there are plenty of empty buildings up for grabs. | 0:12:07 | 0:12:10 | |
But in areas of outstanding natural beauty, like West Wales' Llyn Peninsula, | 0:12:10 | 0:12:14 | |
you often need to think creatively to get your building project | 0:12:14 | 0:12:18 | |
signed off by the local planners. | 0:12:18 | 0:12:20 | |
Michelin-starred chef and hotelier Chris Chown and his wife Gunna | 0:12:20 | 0:12:24 | |
did just that when they renovated this spectacular cottage. | 0:12:24 | 0:12:28 | |
When we saw this, it just seemed kind of cute. | 0:12:30 | 0:12:34 | |
Inside, it was a timber frame and it was painted in pinks and turquoises. | 0:12:34 | 0:12:40 | |
We just thought, inside, it's actually really homely, | 0:12:40 | 0:12:44 | |
despite the fact, outside, | 0:12:44 | 0:12:45 | |
it just looks like a rusty, corrugated iron shed. | 0:12:45 | 0:12:49 | |
In its former life as an old tin shed, | 0:12:49 | 0:12:52 | |
this property had been on the market for over four years, | 0:12:52 | 0:12:55 | |
despite interest from a number of potential buyers. | 0:12:55 | 0:12:59 | |
Several other people had tried to get planning | 0:12:59 | 0:13:03 | |
to demolish the original tin shed and put a new build on, | 0:13:03 | 0:13:07 | |
but the local planning laws are very tight indeed. | 0:13:07 | 0:13:11 | |
But having fallen in love with the place and its location, | 0:13:11 | 0:13:15 | |
Chris and Gunna were determined to come up with an innovative solution. | 0:13:15 | 0:13:19 | |
The challenge was to keep the footprint of the original building, | 0:13:19 | 0:13:24 | |
but get a decent size out of it. | 0:13:24 | 0:13:26 | |
And so our solution to that was to | 0:13:26 | 0:13:29 | |
dig into the mountainside behind | 0:13:29 | 0:13:32 | |
and put what is, effectively, a separate building, | 0:13:32 | 0:13:35 | |
which then has a turf roof on it. | 0:13:35 | 0:13:37 | |
So when you stand on the road behind, | 0:13:37 | 0:13:40 | |
you can't actually see that there is an extension to this building at all. | 0:13:40 | 0:13:43 | |
The planners were happy to accept that. | 0:13:43 | 0:13:46 | |
But it's given us a three-bedroom house. | 0:13:46 | 0:13:48 | |
This ambitious renovation project was a real labour of love. | 0:13:48 | 0:13:54 | |
It took a while to do. | 0:13:54 | 0:13:55 | |
It took maybe two-and-a-half years in all. | 0:13:55 | 0:13:58 | |
Because a lot of it was seeing how we went. | 0:13:58 | 0:14:02 | |
It wasn't really designed, if you like. Sort of a design evolved | 0:14:02 | 0:14:07 | |
as we discovered how much space was available. | 0:14:07 | 0:14:09 | |
Despite the many complications they experienced, | 0:14:09 | 0:14:12 | |
Chris and Gunna wouldn't have had it any other way. | 0:14:12 | 0:14:15 | |
If you've got a bit of vision and you're prepared to persevere | 0:14:15 | 0:14:19 | |
with planning, with building regs | 0:14:19 | 0:14:22 | |
and all the things attached to that nowadays, | 0:14:22 | 0:14:25 | |
then I think it's fantastically rewarding to do your own thing, | 0:14:25 | 0:14:29 | |
and I would recommend it like a shot. | 0:14:29 | 0:14:32 | |
In Brighton, East Sussex, like so many coastal towns, | 0:14:38 | 0:14:41 | |
new housing is in great demand, particularly on the seafront. | 0:14:41 | 0:14:45 | |
Which is, of course, prime location. | 0:14:45 | 0:14:48 | |
But should the need for new homes | 0:14:48 | 0:14:49 | |
lead to the demise of some of the UK's architectural treasures? | 0:14:49 | 0:14:53 | |
For developers, the seaside means great views | 0:14:53 | 0:14:55 | |
and the perfect place to put up modern high-rise apartments. | 0:14:55 | 0:14:59 | |
So councils have a tough choice - | 0:14:59 | 0:15:01 | |
go with such developments and help ease the housing shortage, | 0:15:01 | 0:15:05 | |
or try to safeguard some of the beautiful old buildings | 0:15:05 | 0:15:09 | |
that make up our seaside heritage? | 0:15:09 | 0:15:11 | |
And Medina House is a case in point. | 0:15:13 | 0:15:16 | |
Originally part of the Medina Baths complex | 0:15:16 | 0:15:19 | |
which was built in 1893 by Hove Bath And Laundry Company, | 0:15:19 | 0:15:22 | |
it was at the forefront of the movement that gave Brighton its nickname - Queen Of Bathing. | 0:15:22 | 0:15:28 | |
Empty since 1997 when its owners sold up and moved to London, | 0:15:28 | 0:15:33 | |
the current owner bought the property with a view to knocking down | 0:15:33 | 0:15:36 | |
what's left of the baths and building a new development of flats. | 0:15:36 | 0:15:40 | |
I suppose to some people, this building might be a bit of an eyesore. | 0:15:40 | 0:15:44 | |
Others will see the beauty that's still within it. | 0:15:44 | 0:15:46 | |
I've arranged to meet some people | 0:15:46 | 0:15:49 | |
with a keen interest in exactly what happens next. | 0:15:49 | 0:15:51 | |
I'm meeting Robert Edwards, a member of the Regency Society Of Brighton And Hove, | 0:15:51 | 0:15:57 | |
who lobbies to save the city's defining architecture. | 0:15:57 | 0:16:00 | |
-Hi, Robert. How you doing? -Hi, lovely. -Nice to meet you. | 0:16:00 | 0:16:03 | |
Thanks for meeting me here. Now, we have Medina House behind us. | 0:16:03 | 0:16:08 | |
What's so special about it? What is Medina House? | 0:16:08 | 0:16:11 | |
Well, it's all that remains | 0:16:11 | 0:16:13 | |
of Hove's and Brighton's Victorian bathing heritage. | 0:16:13 | 0:16:17 | |
1890s, it was built. | 0:16:17 | 0:16:20 | |
The Turkish baths, which it's quite well known for, were added in 1911. | 0:16:20 | 0:16:24 | |
-OK. -It's been used for all sorts of things over the years, though. | 0:16:24 | 0:16:27 | |
It is in a state of disrepair now. How long has it been in that state? | 0:16:27 | 0:16:30 | |
It's been... Around 15 years it's sat there doing nothing. | 0:16:30 | 0:16:34 | |
So not adding anything to Brighton and Hove, | 0:16:34 | 0:16:37 | |
just sitting there as a mess, yeah. | 0:16:37 | 0:16:39 | |
But it is owned by someone, there's no question there is an owner? | 0:16:39 | 0:16:42 | |
Yep, there's an owner. | 0:16:42 | 0:16:43 | |
They've put forward all sorts of planning applications. | 0:16:43 | 0:16:46 | |
They're proposing knocking it down and starting again | 0:16:46 | 0:16:50 | |
-and using the land to build something? -Yep, afraid so. -Right. | 0:16:50 | 0:16:53 | |
The developer has since said he wishes to carry out a sympathetic development, | 0:16:53 | 0:16:57 | |
building to a lower height than proposed in previous applications. | 0:16:57 | 0:17:01 | |
But I'm curious to find out how local residents feel about Medina House. | 0:17:01 | 0:17:05 | |
-Do you know much about this building? -I do, I've lived here for quite a long time, | 0:17:05 | 0:17:09 | |
and I've seen this go from a beautiful property to the state it is now. | 0:17:09 | 0:17:13 | |
-It was occupied by a lot of kids at one point. -Squatters? | 0:17:13 | 0:17:16 | |
Squatters, they were, but they had a little gallery | 0:17:16 | 0:17:19 | |
and they had loads of artwork and stuff inside. | 0:17:19 | 0:17:22 | |
But you could see the architectural beauty of the building inside, | 0:17:22 | 0:17:26 | |
-which hadn't been touched. -So did you go inside? | 0:17:26 | 0:17:29 | |
Yes, I went inside, I was welcomed in, I was shown through, | 0:17:29 | 0:17:32 | |
and I couldn't believe how beautiful it was inside. | 0:17:32 | 0:17:35 | |
With squatters currently in residence, I can't get in. | 0:17:35 | 0:17:38 | |
You can just see beautiful, kind of ornate | 0:17:38 | 0:17:44 | |
blue tiles in an arch. | 0:17:44 | 0:17:46 | |
But I'm really keen to see some of the architecture. | 0:17:46 | 0:17:49 | |
You get a really good view of these arches | 0:17:49 | 0:17:51 | |
and some of the tiles at that end. | 0:17:51 | 0:17:55 | |
It's really beautiful, but incredibly run down. | 0:17:55 | 0:17:58 | |
And I think that's only in the last decade or so | 0:17:58 | 0:18:01 | |
that it's got into that state. Which is so sad, really. | 0:18:01 | 0:18:05 | |
I suppose if this was just another villa in Brighton or a terraced house, | 0:18:05 | 0:18:08 | |
there wouldn't be such a fuss. | 0:18:08 | 0:18:10 | |
But this is Medina House. It's the only one of its kind. | 0:18:10 | 0:18:14 | |
Of course there's a problem, a quandary here, but hopefully | 0:18:14 | 0:18:17 | |
there is a compromise in this that local residents and the developer involved can come to | 0:18:17 | 0:18:22 | |
whereby, yes, they provide some accommodation, | 0:18:22 | 0:18:25 | |
but they also preserve a slice of this very special British heritage. | 0:18:25 | 0:18:30 | |
'Back in West Sussex, Alan Jackson and his daughter Katy | 0:18:32 | 0:18:35 | |
'are trying to decide if taking on an empty property is for them. | 0:18:35 | 0:18:38 | |
'They've already viewed a disused chapel, | 0:18:38 | 0:18:41 | |
'but I want to show them a fantastic example | 0:18:41 | 0:18:44 | |
'of just what can be achieved with a once-derelict building.' | 0:18:44 | 0:18:48 | |
Ahead of us, Hooklands Farm Barns. | 0:18:48 | 0:18:50 | |
'And who better to get advice from than professional barn builder Steve Brewer | 0:18:50 | 0:18:55 | |
'and his partner Sarah | 0:18:55 | 0:18:56 | |
'who are close to finishing the transformation of old barns into a beautiful home.' | 0:18:56 | 0:19:01 | |
When we first viewed the property, | 0:19:01 | 0:19:03 | |
it was very overgrown, very ramshackle. | 0:19:03 | 0:19:05 | |
Two of the buildings were immanent of collapse | 0:19:05 | 0:19:08 | |
and had to be shored up immediately. | 0:19:08 | 0:19:11 | |
But held no big surprises, no scares. | 0:19:11 | 0:19:14 | |
Over the last 18 months, Steve and Sarah have painstakingly | 0:19:14 | 0:19:17 | |
renovated one of the larger barns and the small milking parlour, | 0:19:17 | 0:19:21 | |
and have joined the two with a new-build extension. | 0:19:21 | 0:19:24 | |
For anybody considering taking on a project of any size, | 0:19:24 | 0:19:29 | |
don't underestimate the amount of effort that it will take, | 0:19:29 | 0:19:33 | |
both physically, financially. | 0:19:33 | 0:19:36 | |
It will highlight any weaknesses in any relationships | 0:19:36 | 0:19:40 | |
because you're working together on the project. | 0:19:40 | 0:19:43 | |
You're both there all the time. It's not always easy. | 0:19:43 | 0:19:49 | |
I think to bring any empty property back into usage | 0:19:49 | 0:19:55 | |
and turn it into a home is the most rewarding thing you can do. | 0:19:55 | 0:19:59 | |
-Come on in. -Thanks. -Thank you. | 0:20:02 | 0:20:03 | |
-Wow! -Wow. | 0:20:06 | 0:20:08 | |
How satisfying is it when you've got these old timbers, | 0:20:10 | 0:20:14 | |
and it was a hayloft, to now make a room out of it | 0:20:14 | 0:20:17 | |
and to, kind of, bring it to life in a new way? | 0:20:17 | 0:20:20 | |
Satisfying? Yeah, absolutely. | 0:20:20 | 0:20:22 | |
I mean, my aim with these barns | 0:20:22 | 0:20:25 | |
is to retain as much of the original as you can. | 0:20:25 | 0:20:28 | |
And even if you have to take bits out, | 0:20:28 | 0:20:30 | |
they can always be re-used within the build. | 0:20:30 | 0:20:34 | |
-So we've used all the original bricks we dismantled. -Yep. | 0:20:34 | 0:20:37 | |
Every bit of oak that comes out gets re-introduced somewhere else, | 0:20:37 | 0:20:40 | |
so it stays within the building. | 0:20:40 | 0:20:43 | |
-So this is something you're happy with, it's finished. -Mm-hm. | 0:20:43 | 0:20:46 | |
On the other side, it's still a work in progress, is that fair? | 0:20:46 | 0:20:49 | |
-Very much so, yes. -Yes, shall we go through and have a look? | 0:20:49 | 0:20:52 | |
Yeah, show us through. | 0:20:52 | 0:20:53 | |
'Just like the chapel that Alan and Katy looked at earlier, | 0:20:53 | 0:20:56 | |
'this was originally one big area, and I hope it might give them an idea | 0:20:56 | 0:21:00 | |
'of how a large space could be made into liveable rooms.' | 0:21:00 | 0:21:05 | |
You can really see how it's piecing together here. | 0:21:05 | 0:21:07 | |
Clearly you want to be as sympathetic to the building as possible and re-use bits of it. | 0:21:07 | 0:21:12 | |
Is that what you've done in here as well? | 0:21:12 | 0:21:14 | |
We've kept the character within the building. | 0:21:14 | 0:21:17 | |
And I think it makes for a more sympathetic build. | 0:21:17 | 0:21:20 | |
But what this enables you to do, is to live in a house | 0:21:20 | 0:21:23 | |
absolutely cram-packed full of character, | 0:21:23 | 0:21:25 | |
and add character, but you get the mod cons. | 0:21:25 | 0:21:27 | |
We're going to have underfloor heating through here, we're going to have solar power. | 0:21:27 | 0:21:31 | |
So you can get the lovely old character, | 0:21:31 | 0:21:33 | |
but you can have all the brand-new stuff. | 0:21:33 | 0:21:35 | |
ALAN: The oak is superb. Is it particularly expensive, the oak? | 0:21:35 | 0:21:39 | |
So far we've been very, very clever, I would say, | 0:21:39 | 0:21:42 | |
with finding a decent priced product for whatever we were doing. | 0:21:42 | 0:21:46 | |
Obviously, stuff like the oak, it's integral to the build - shop around. | 0:21:46 | 0:21:49 | |
Don't take the first price, cos the difference in price | 0:21:49 | 0:21:52 | |
that we got back from the cutting list was absolutely incredible. | 0:21:52 | 0:21:57 | |
-200%. -200%. | 0:21:57 | 0:21:58 | |
If you guys had to sum up your final advice in a few words, | 0:21:58 | 0:22:02 | |
the things you've learned from this, | 0:22:02 | 0:22:04 | |
what would be the key things that stand out? | 0:22:04 | 0:22:07 | |
Plan everything. | 0:22:07 | 0:22:09 | |
Erm, and just don't underestimate it, | 0:22:09 | 0:22:13 | |
and just keep going. | 0:22:13 | 0:22:15 | |
Later, I'll be finding out how Alan and Katy feel | 0:22:15 | 0:22:19 | |
after seeing the barn renovation. | 0:22:19 | 0:22:22 | |
But first, it's back to Margate, where Empty Property Officer, | 0:22:22 | 0:22:25 | |
Mike Thompson, is on a mission to save Kent's architecture. | 0:22:25 | 0:22:29 | |
Mike's on his way to the former Arcadian Hotel, | 0:22:29 | 0:22:32 | |
a favourite with holiday makers during its Victorian heyday, | 0:22:32 | 0:22:36 | |
but in recent years, it's been left empty and abandoned. | 0:22:36 | 0:22:39 | |
I'm here in Margate today to come and visit Geoffrey Berger, | 0:22:41 | 0:22:44 | |
the developer of a building known as the Arcadian, on the seafront here. | 0:22:44 | 0:22:48 | |
This is a long-term empty property | 0:22:48 | 0:22:49 | |
that's been a thorn in the council's side for many years. | 0:22:49 | 0:22:52 | |
But Geoffrey's taken ownership of the building now, with the council's assistance, | 0:22:52 | 0:22:56 | |
and has transformed the exterior into something quite remarkable. | 0:22:56 | 0:23:00 | |
Much more like it would've looked in Victorian times. | 0:23:00 | 0:23:03 | |
The plan is to turn the building into private flats. | 0:23:03 | 0:23:06 | |
-Morning, chaps! -Oh, hello! -Hi, Geoffrey. | 0:23:07 | 0:23:10 | |
How are you? Nice to see you again. | 0:23:10 | 0:23:12 | |
Tony, nice to see you. What a difference! | 0:23:12 | 0:23:15 | |
-Yes. -It's fantastic outside, isn't it? You've made a brilliant job. | 0:23:15 | 0:23:18 | |
And this is a bit different from last time I saw it. | 0:23:18 | 0:23:20 | |
-We're getting there. -Many problems? | 0:23:20 | 0:23:23 | |
Not recently. I think most of the problems were overcome | 0:23:23 | 0:23:27 | |
when we did the exterior. And internally it's been fine. | 0:23:27 | 0:23:31 | |
This is becoming a show flat, as you know, so it's taking shape. | 0:23:31 | 0:23:35 | |
So this'll be the first to be completed, then? | 0:23:35 | 0:23:37 | |
Yes, that's right. | 0:23:37 | 0:23:38 | |
-Time frame for the show flat? -Should be next week. -About a week. | 0:23:38 | 0:23:41 | |
Next week? Good. | 0:23:41 | 0:23:43 | |
-Let me show you what's happening in the rest. -Thanks, Geoffrey. OK. | 0:23:43 | 0:23:46 | |
When the project's completed, | 0:23:48 | 0:23:50 | |
there will be 14 luxury seafront apartments. | 0:23:50 | 0:23:53 | |
The view from here, we all agree, is tremendous. | 0:23:53 | 0:23:57 | |
What a fantastic room! Double aspect. | 0:23:57 | 0:24:00 | |
-Lovely high ceilings. -And full of light. | 0:24:00 | 0:24:02 | |
Going to be a superb flat, isn't it? | 0:24:02 | 0:24:04 | |
Wow! | 0:24:04 | 0:24:06 | |
What fantastic views! Aren't they superb? | 0:24:09 | 0:24:13 | |
Absolutely brilliant. Takes you back a few years. | 0:24:13 | 0:24:15 | |
That's what the Victorians must've felt like. | 0:24:15 | 0:24:18 | |
The building is in Margate's conservation area, | 0:24:18 | 0:24:21 | |
and the developers have gone to great lengths to ensure it's restored to its former glory. | 0:24:21 | 0:24:26 | |
You've got the right detail on the roof, | 0:24:26 | 0:24:28 | |
the double roll. Corrugated, as well. | 0:24:28 | 0:24:30 | |
Finding somebody to do that is not easy. | 0:24:30 | 0:24:32 | |
It was difficult. And it's been mitred on that corner | 0:24:32 | 0:24:35 | |
and the opposite corner. So it was quite difficult. | 0:24:35 | 0:24:38 | |
-Don't you admire the Victorians? They were doing things like that all the time. -Yes. | 0:24:38 | 0:24:42 | |
-Never had to search for someone to do it. Incredible. -Quite a skill. | 0:24:42 | 0:24:45 | |
That has to be one of the most rewarding aspect of my job. | 0:24:49 | 0:24:52 | |
Going in and seeing a complete transformation like that. | 0:24:52 | 0:24:55 | |
From a pigeon-infested long-term empty, | 0:24:55 | 0:24:58 | |
named and shamed by the local civic society as a town shame. | 0:24:58 | 0:25:03 | |
To see it transformed like that into homes for people, | 0:25:03 | 0:25:06 | |
and everybody locally will soon forget how bad that used to look. | 0:25:06 | 0:25:10 | |
And they'll sing its praises, I'm sure. | 0:25:10 | 0:25:12 | |
Credit to the developer, and to the contractor. | 0:25:12 | 0:25:15 | |
It's a great job, and I've been proud to be involved with that one. | 0:25:15 | 0:25:18 | |
Back in West Sussex, | 0:25:19 | 0:25:21 | |
Alan and daughter Katy are on the hunt for an empty home. | 0:25:21 | 0:25:24 | |
After viewing a converted barn, | 0:25:24 | 0:25:26 | |
I'm keen to find out what conclusions they've drawn. | 0:25:26 | 0:25:29 | |
So, guys. Having seen Steve and Sarah's project here, | 0:25:29 | 0:25:34 | |
what do you make of it? | 0:25:34 | 0:25:36 | |
They're doing a fantastic job. It's great. I really love the inside. | 0:25:36 | 0:25:39 | |
And seeing the pictures of where it was to where it is now, | 0:25:39 | 0:25:42 | |
and hearing how they've recycled a lot of things, | 0:25:42 | 0:25:46 | |
I find that quite appealing and really nice. | 0:25:46 | 0:25:48 | |
-In terms of the scale of this and the finances and everything... -Yes. | 0:25:48 | 0:25:52 | |
..has it given you a good perspective on what your thoughts are? | 0:25:52 | 0:25:56 | |
It's probably given me a feeling that this is a bit more | 0:25:56 | 0:25:59 | |
than I would want to undertake. | 0:25:59 | 0:26:01 | |
The chapel we saw ticked quite a few boxes. | 0:26:01 | 0:26:04 | |
I think it certainly wouldn't work as a family home for us, I don't think. | 0:26:04 | 0:26:08 | |
Not quite. I think there might be other properties than that that we would look for. | 0:26:08 | 0:26:12 | |
The chapel maybe isn't right for various reasons, but the scale is right. | 0:26:12 | 0:26:16 | |
The scale is right, absolutely. | 0:26:16 | 0:26:18 | |
So we know that properties are out there like that, so hopefully | 0:26:18 | 0:26:21 | |
we've helped get you started, put some thoughts in motion. | 0:26:21 | 0:26:24 | |
You have, and there's an expression which is "the longest journey starts with the first step," | 0:26:24 | 0:26:29 | |
and you've helped us make that step today, so we're looking to get going, and I'm ready. My bags'll be packed. | 0:26:29 | 0:26:34 | |
It's been a pleasure. I'm pleased we could help with the first step. | 0:26:34 | 0:26:38 | |
-Thanks, Joe. -Thank you very much. | 0:26:38 | 0:26:39 | |
Anyone can buy a house, but clearly not everyone has what it takes | 0:26:42 | 0:26:46 | |
to tackle a full-scale renovation like this one. | 0:26:46 | 0:26:49 | |
Now, what I like about Alan and Katy is clearly they have vision, | 0:26:49 | 0:26:53 | |
they have a creative streak | 0:26:53 | 0:26:55 | |
and hopefully they've got the determination to see this through | 0:26:55 | 0:26:58 | |
and find an empty property with room for two cars and a train set | 0:26:58 | 0:27:02 | |
which they can turn into their dream home. | 0:27:02 | 0:27:05 | |
Subtitles by Red Bee Media Ltd. | 0:27:09 | 0:27:13 | |
Email [email protected] | 0:27:13 | 0:27:16 |