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Across the country, empty properties that could be homes are just waiting to be brought back into use. | 0:00:03 | 0:00:10 | |
I'll be finding out why, and what you need to do to rescue a house for yourself. | 0:00:10 | 0:00:13 | |
And I'll be doing some digging of my own to find out more about our housing stock, | 0:00:13 | 0:00:18 | |
our heritage, and why we should be both reinventing and preserving Britain's empty homes. | 0:00:18 | 0:00:24 | |
There are thousands of empty properties in the UK waiting to be brought back into use. | 0:00:29 | 0:00:35 | |
When you see a house that's clearly neglected and boarded up, | 0:00:35 | 0:00:38 | |
it's easy to forget that someone used to live there. | 0:00:38 | 0:00:41 | |
But don't be put off by overgrowing, shabby exteriors, | 0:00:41 | 0:00:44 | |
because with a clear plan and simple vision, | 0:00:44 | 0:00:46 | |
you can have the pleasure of bringing a house back into use. | 0:00:46 | 0:00:50 | |
But, also, creating your dream home. | 0:00:50 | 0:00:53 | |
Today, I'll meet a couple of first-time buyers | 0:00:53 | 0:00:56 | |
who are looking for an unusual property to renovate. | 0:00:56 | 0:01:00 | |
What do you think? | 0:01:00 | 0:01:01 | |
-Wow. -Impressive. | 0:01:01 | 0:01:02 | |
It's a big space, isn't it? | 0:01:02 | 0:01:04 | |
'We'll find out about the remarkable regeneration of an iconic empty building in Sheffield.' | 0:01:04 | 0:01:10 | |
This is a grade 2-star listed building. It can't remain unoccupied. | 0:01:10 | 0:01:15 | |
And we'll join one of the UK's empty-property officers | 0:01:15 | 0:01:18 | |
on her crusade to rescue unloved and abandoned homes. | 0:01:18 | 0:01:22 | |
It's just a mess. It could be a really nice property. You can see the potential. | 0:01:22 | 0:01:27 | |
Offshore mechanical technician Luke and his girlfriend Sophie think buying an empty building to do up | 0:01:30 | 0:01:35 | |
could be the best way to achieve their ideal first home together. | 0:01:35 | 0:01:40 | |
They're living with Luke's parents in Hull | 0:01:40 | 0:01:42 | |
while they hunt for a property they can make their own. | 0:01:42 | 0:01:45 | |
We're looking for something with character. | 0:01:45 | 0:01:48 | |
We don't want your standard two-up, two-down terrace, | 0:01:48 | 0:01:51 | |
we want something detached, | 0:01:51 | 0:01:53 | |
something that we can put a stamp on and make unique. | 0:01:53 | 0:01:57 | |
As first-time buyers, Sophie and Luke are on a tight budget. | 0:01:57 | 0:02:01 | |
The budget for the house itself, | 0:02:01 | 0:02:04 | |
I'd go up to 140,000 for just the right place, for everything we want. | 0:02:04 | 0:02:10 | |
For the cost of renovation, I'll be pumping my wages into that. | 0:02:10 | 0:02:14 | |
They plan to do the majority of the work themselves and whilst they've bags of enthusiasm, | 0:02:14 | 0:02:20 | |
they've little knowledge of DIY. | 0:02:20 | 0:02:22 | |
-My experience on renovating property is none. -Little to none! -Nothing. | 0:02:22 | 0:02:25 | |
We've never had to do it. | 0:02:25 | 0:02:28 | |
I'm fairly handy at fixing things and building things, | 0:02:28 | 0:02:31 | |
so I'm just going to wing it. | 0:02:31 | 0:02:33 | |
-Enlist the help of friends and family and anyone we can drag in. -We're definitely up for a challenge. | 0:02:33 | 0:02:40 | |
'I'm meeting up with Luke and Sophie to show them a Victorian chapel | 0:02:44 | 0:02:47 | |
'in North Frodingham in East Yorkshire.' | 0:02:47 | 0:02:49 | |
'The building has been empty for eight years, | 0:02:49 | 0:02:52 | |
'but has the potential to be a truly unique home.' | 0:02:52 | 0:02:55 | |
Right, this is the property I want you to see. | 0:02:55 | 0:02:57 | |
We are in a really nice part of the country. | 0:02:57 | 0:03:00 | |
It's a village surrounded by open countryside, which is something you're looking for. | 0:03:00 | 0:03:04 | |
And this is a Victorian chapel dating back to 1891. | 0:03:04 | 0:03:09 | |
-First impressions? -Fantastic. -Yes. It's great. | 0:03:09 | 0:03:12 | |
It's a unique-looking property. Just what we're looking for. | 0:03:12 | 0:03:15 | |
I suggest we go inside and have a look. | 0:03:15 | 0:03:19 | |
-Yes. -Great. Come on, then. | 0:03:19 | 0:03:20 | |
'This former Methodist chapel is on the market for £135,000 | 0:03:20 | 0:03:25 | |
'and comes with planning permission to create a four-bedroom house.' | 0:03:25 | 0:03:29 | |
'It's within Luke and Sophie's budget, | 0:03:29 | 0:03:31 | |
'but is currently uninhabitable and in need of total renovation.' | 0:03:31 | 0:03:35 | |
Right, here we are. | 0:03:35 | 0:03:37 | |
-What do you think? -Wow. | 0:03:37 | 0:03:40 | |
-Impressive. -It's a big space, isn't it? -It is a very big space. | 0:03:40 | 0:03:45 | |
One of the key problems, | 0:03:45 | 0:03:46 | |
but also an amazing opportunity, is the space of a chapel. | 0:03:46 | 0:03:51 | |
How do you divide it up? Have you any thoughts on that? | 0:03:51 | 0:03:55 | |
Put a split level in. A second floor. | 0:03:55 | 0:03:58 | |
All kinds of things. The options are endless at the moment. | 0:03:58 | 0:04:02 | |
Pretty keen on doing an open-plan, kind of living area - | 0:04:02 | 0:04:05 | |
-kitchen-diner and things - with the space. Keep it light. -Yeah. | 0:04:05 | 0:04:11 | |
Does it excite you, or do you find it daunting, the idea of this open, big hall? | 0:04:11 | 0:04:15 | |
It definitely excites us. | 0:04:15 | 0:04:16 | |
-Definitely. -We wanted a big space like this to work with. | 0:04:16 | 0:04:20 | |
Yeah. There's nothing daunting about it, I don't think. | 0:04:20 | 0:04:24 | |
You like it? I thought it might scare you off. | 0:04:24 | 0:04:26 | |
-You seem to have a lot of enthusiasm. -We genuinely do love it. | 0:04:26 | 0:04:29 | |
So even though it doesn't have any floors, | 0:04:29 | 0:04:31 | |
-it's definitely seen better days, that doesn't put you off? -No. | 0:04:31 | 0:04:35 | |
Not at all. BOTH: We can see the potential. | 0:04:35 | 0:04:38 | |
What gives you confidence you'd be able to take this on? | 0:04:38 | 0:04:40 | |
We've got the support of friends who are in the trade, builders, | 0:04:40 | 0:04:44 | |
electricians, plumbers, a lot of them are friends. | 0:04:44 | 0:04:46 | |
So, do things like that. | 0:04:46 | 0:04:48 | |
Both of our parents have taken on certain degrees of renovation | 0:04:48 | 0:04:52 | |
and they're more than willing to help us. | 0:04:52 | 0:04:55 | |
'Luke and Sophie seem to have the confidence | 0:04:55 | 0:04:57 | |
'and drive for a project like this, but it's vital they're realistic | 0:04:57 | 0:05:01 | |
'when it comes to budgeting for a renovation on this scale.' | 0:05:01 | 0:05:04 | |
It is within the budget you told me about, 140. | 0:05:04 | 0:05:07 | |
This is 135 and has been on the market for some time, | 0:05:07 | 0:05:10 | |
so there might be a possibility of a lower offer, I don't know. | 0:05:10 | 0:05:14 | |
It still needs a lot of money being spent on it. | 0:05:14 | 0:05:17 | |
Have you got a budget for renovation? | 0:05:17 | 0:05:20 | |
No. Not as such. | 0:05:20 | 0:05:21 | |
Just every bit of spare cash I've got will be getting pumped into it. | 0:05:21 | 0:05:26 | |
We've got family who are willing to help with whatever is needed. | 0:05:26 | 0:05:29 | |
Even financially, they're willing to help, so... | 0:05:29 | 0:05:33 | |
We don't have a timeline we have to stick to, or anything. | 0:05:33 | 0:05:37 | |
We're not in a rush to renovate. We want a nice place for us to live in. | 0:05:37 | 0:05:40 | |
You still need to know what the big jobs will cost you... | 0:05:40 | 0:05:44 | |
-Yeah. -..and how you'd afford that. | 0:05:44 | 0:05:46 | |
I will be bringing in my builder friends to take a look | 0:05:46 | 0:05:49 | |
and see what they estimate and what they think we would need | 0:05:49 | 0:05:52 | |
to get it habitable, and then take it from there. | 0:05:52 | 0:05:55 | |
That's gone very well. | 0:06:00 | 0:06:01 | |
I love the enthusiasm, the energy and the fact they can visualise how to use this space. | 0:06:01 | 0:06:08 | |
Of course, the big worry is they don't have experience. | 0:06:08 | 0:06:11 | |
This is a heck of a project to take on for your first renovation. | 0:06:11 | 0:06:14 | |
I think they need a reality check | 0:06:14 | 0:06:16 | |
and that's what I'll try to give them later. | 0:06:16 | 0:06:18 | |
I'll take them to see someone who has taken on a building just like this, | 0:06:18 | 0:06:23 | |
renovated it, and, hopefully, he'll have really good hints, tips and advice | 0:06:23 | 0:06:28 | |
as to how they should proceed. | 0:06:28 | 0:06:31 | |
Just like the chapel, there are many vacant buildings across Britain | 0:06:32 | 0:06:36 | |
waiting to be discovered and brought back to life. | 0:06:36 | 0:06:39 | |
I'm going out on site. See you a bit later. | 0:06:39 | 0:06:41 | |
Zainul Pirmohamed is the empty property officer for Stoke, | 0:06:41 | 0:06:45 | |
where she works around the clock to get the city's derelict houses back into use. | 0:06:45 | 0:06:50 | |
We make a difference. Because we're passionate and we want to change the look of the city, | 0:06:50 | 0:06:54 | |
we can make a difference to people's lives day in day out. | 0:06:54 | 0:06:57 | |
Today, Zainul is on her way to a semi-detached house which has been empty | 0:06:57 | 0:07:01 | |
for around six months and was brought to her attention | 0:07:01 | 0:07:05 | |
when neighbours complained about the state of the property. | 0:07:05 | 0:07:08 | |
She's spoken to the owner and managing agents, who are keen to work with her, | 0:07:08 | 0:07:13 | |
but needs to find out more about the condition of the house. | 0:07:13 | 0:07:16 | |
Being a new case, I don't know what I'm going to find when I get here, so it's interesting. | 0:07:16 | 0:07:21 | |
Sometimes, a story can unfold which is different to what your initial expectations will be. | 0:07:21 | 0:07:27 | |
So we'll go and see. | 0:07:27 | 0:07:28 | |
It's clear there has been vandalism. There's glass all over the place. | 0:07:29 | 0:07:34 | |
There's fly tipping, bricks have been kicked off, | 0:07:34 | 0:07:38 | |
so it could be a really nice property. You can see the potential. | 0:07:38 | 0:07:42 | |
Obviously, something has gone on in the very recent past. | 0:07:44 | 0:07:48 | |
And it doesn't get much better at the side of the house, either. | 0:07:48 | 0:07:52 | |
There's broken glass everywhere. | 0:07:52 | 0:07:54 | |
There's pointed glass in the window and the boarding looks like it was ripped off. | 0:07:54 | 0:07:58 | |
So we need to make sure that gets organised and get that boarded up. | 0:07:58 | 0:08:02 | |
I've gathered a picture by looking at the front and the side. | 0:08:03 | 0:08:06 | |
I now need to speak to neighbours and get a lot more information. | 0:08:06 | 0:08:10 | |
So I'll go and knock on a few doors. | 0:08:10 | 0:08:12 | |
-Hi, there I'm Zainul from Stoke City Council. -Hello. | 0:08:16 | 0:08:20 | |
I've come to talk about that property across the road. | 0:08:20 | 0:08:22 | |
If you can tell me a little about the background and what happened there. | 0:08:22 | 0:08:26 | |
Originally, it was a doctor's surgery, | 0:08:26 | 0:08:29 | |
then it started been let out as bedsits, or apartments. | 0:08:29 | 0:08:33 | |
How come it's been boarded? | 0:08:33 | 0:08:35 | |
There was a bit of a riot. There were two rival gangs and it was smashed up. | 0:08:35 | 0:08:39 | |
The police arrived and it was sorted out. | 0:08:39 | 0:08:42 | |
But they smashed all the windows. | 0:08:42 | 0:08:44 | |
It's a shame, because it is blighted and it needs to be sorted. | 0:08:44 | 0:08:49 | |
I've had a chat with the owner. She's asking me to deal with the managing agent, | 0:08:49 | 0:08:53 | |
who rang me yesterday and seemed very on board, wanting to get it sorted. | 0:08:53 | 0:08:58 | |
So I'm going to sit with the two of them | 0:08:58 | 0:09:00 | |
and really look at the future of the property. | 0:09:00 | 0:09:03 | |
So we're on board. Don't worry. I will give you an update. | 0:09:03 | 0:09:06 | |
That's very reassuring. Thank you very much. | 0:09:06 | 0:09:09 | |
Having looked at that property, it's clear that some things | 0:09:10 | 0:09:14 | |
we need to get sorted straight away so I need to ring the managing agent. I want it tidied up, | 0:09:14 | 0:09:18 | |
but also, more importantly, I want the glass removed and that fly tipping removed. | 0:09:18 | 0:09:23 | |
The good news is we have a responsive owner so we'll work with the owner | 0:09:23 | 0:09:27 | |
and help them give advice they need. | 0:09:27 | 0:09:29 | |
Hopefully, at the end of that, the property will make a home for a family. | 0:09:29 | 0:09:35 | |
The glorious thing about renovating an empty property | 0:09:42 | 0:09:45 | |
is not just that you're rescuing a forgotten house, | 0:09:45 | 0:09:48 | |
but also starting from scratch | 0:09:48 | 0:09:50 | |
and creating a home with your own stamp on it. | 0:09:50 | 0:09:54 | |
Chris Jones had spent years searching for a holiday home | 0:09:54 | 0:09:57 | |
for his family in the village of Woolacombe in Devon. | 0:09:57 | 0:10:01 | |
When this 1920s build came on the market, he snapped it up, | 0:10:01 | 0:10:03 | |
despite its tired appearance. | 0:10:03 | 0:10:07 | |
Hadn't really been changed much since the '20s. | 0:10:07 | 0:10:09 | |
It wasn't really much to look at. Really small windows everywhere. | 0:10:09 | 0:10:13 | |
So we walked up the drive and looked back along the beach | 0:10:13 | 0:10:16 | |
and were absolutely knocked out by the view. | 0:10:16 | 0:10:18 | |
We thought, "This was got great potential." | 0:10:18 | 0:10:21 | |
It had a really nice feel and we wanted to work with that and bring it up to date. | 0:10:21 | 0:10:28 | |
Novice Chris project-managed every step of the six-month build. | 0:10:28 | 0:10:33 | |
It was actually on budget and on schedule, despite my project management! | 0:10:33 | 0:10:38 | |
Starting from scratch meant he was able to remodel the house into the perfect seaside retreat. | 0:10:38 | 0:10:45 | |
Buying it and doing it up gave us the opportunity to think what we wanted | 0:10:45 | 0:10:50 | |
and to personalise it for us, rather than take on somebody else's ideas. | 0:10:50 | 0:10:55 | |
We wanted a section where you have a drying room, | 0:10:55 | 0:10:58 | |
so you have an area to stick all the clutter and the wet stuff and the dog! | 0:10:58 | 0:11:03 | |
But it wasn't all plain sailing. | 0:11:03 | 0:11:06 | |
It was the middle of August and one of the wettest Augusts on record. | 0:11:06 | 0:11:09 | |
The roofers hasn't turned up that day. They had another appointment. | 0:11:09 | 0:11:13 | |
There was water pouring in. I was stood here on my own. | 0:11:13 | 0:11:18 | |
I thought, "What have we done?" But that was Black Tuesday. | 0:11:18 | 0:11:22 | |
And, yeah, it got better after that. | 0:11:22 | 0:11:26 | |
We had a wobble for about a week, I reckon. | 0:11:26 | 0:11:28 | |
The spacious family home has five luxurious bedrooms and breathtaking sea views throughout. | 0:11:28 | 0:11:35 | |
It's a really sociable house, a really sociable family home. | 0:11:35 | 0:11:38 | |
The views from the bedrooms are pretty good. We love the living room. | 0:11:38 | 0:11:43 | |
One big, open space and sitting on the settee looking out over the sea is just amazing. | 0:11:43 | 0:11:51 | |
This stunning home is now the perfect base for the family to enjoy all that seaside living offers. | 0:11:51 | 0:11:57 | |
You can go out walking, surfing and swimming. | 0:11:57 | 0:12:00 | |
It's brilliant. It just really ticks all the boxes for us. | 0:12:00 | 0:12:06 | |
There are an estimated 6,500 empty homes in Sheffield | 0:12:10 | 0:12:15 | |
and one of the city's most iconic landmarks, | 0:12:15 | 0:12:17 | |
the Park Hill estate, makes up over 900 of them. | 0:12:17 | 0:12:21 | |
Designed in the late 1950s, | 0:12:21 | 0:12:23 | |
this estate married social housing with cutting-edge design. | 0:12:23 | 0:12:27 | |
The deck access scheme was seen as revolutionary. | 0:12:27 | 0:12:31 | |
Described famously as resembling streets in the sky. | 0:12:31 | 0:12:36 | |
But the love affair with the modernist vision was short-lived | 0:12:36 | 0:12:39 | |
and, by the 1980s, Park Hill had earned a reputation as a no-go area. | 0:12:39 | 0:12:44 | |
Falling into decline, it was on the brink of demolition | 0:12:44 | 0:12:47 | |
until English Heritage stepped in to save it. It was granted a grade 2-star listing, | 0:12:47 | 0:12:52 | |
making it one of the largest listed buildings in Europe. | 0:12:52 | 0:12:55 | |
Now, it's undergoing an impressive £100 million renovation. | 0:12:55 | 0:12:59 | |
The first 20 apartments went on sale last month | 0:12:59 | 0:13:02 | |
and I'm on the estate to see the transformation for myself. | 0:13:02 | 0:13:07 | |
I'm meeting Mark Latham from developers Urban Splash, | 0:13:07 | 0:13:09 | |
who are working with Sheffield City Council on the regeneration. | 0:13:09 | 0:13:13 | |
Mark, Park Hill fell into decline, why wasn't it just knocked down? | 0:13:14 | 0:13:20 | |
That happened in so many other modernist housing developments? | 0:13:20 | 0:13:23 | |
I think, principally, it was recognised as being a special example of this kind of building. | 0:13:23 | 0:13:29 | |
It's a landmark. It's something that's unique in the world to Sheffield | 0:13:29 | 0:13:33 | |
and people travel from all over the world to come here and see it. | 0:13:33 | 0:13:37 | |
Everybody can see they might not like it in its current state, | 0:13:37 | 0:13:41 | |
but, if you talk to people who lived here, there are key things they talk about. | 0:13:41 | 0:13:48 | |
One being fantastic views, another being great space standards, so they're generous inside. | 0:13:48 | 0:13:54 | |
The other key thing is this place creates a sense of community. | 0:13:54 | 0:13:58 | |
And that this place is too important to let fall away somehow. | 0:13:58 | 0:14:03 | |
Tell me about the renovation. | 0:14:03 | 0:14:06 | |
I know it's in phases, but how long is it going for and how far have you got? | 0:14:06 | 0:14:10 | |
Well, the block that you see behind us, which is all the coloured panels, | 0:14:10 | 0:14:13 | |
that's more or less a third of the physical space of the entire estate | 0:14:13 | 0:14:18 | |
and we've completed the full envelope of that. | 0:14:18 | 0:14:20 | |
So, the walls are all on and it's all watertight | 0:14:20 | 0:14:24 | |
and we're beginning, then, to fill up the inside | 0:14:24 | 0:14:26 | |
with fitting out the flats themselves | 0:14:26 | 0:14:28 | |
and we'll just move on phase by phase, block by block. | 0:14:28 | 0:14:31 | |
And they're on sale? I mean that's the point... | 0:14:31 | 0:14:33 | |
They are, yes, absolutely, the first flats now on sale | 0:14:33 | 0:14:37 | |
and, indeed, they are selling, which is, you know, fabulous. | 0:14:37 | 0:14:40 | |
I mean, this is a grade 2-star listed building, | 0:14:40 | 0:14:43 | |
it can't remain unoccupied. | 0:14:43 | 0:14:44 | |
The total redevelopment will bring over 900 flats back into use, | 0:14:46 | 0:14:50 | |
two thirds of which will be for sale and one third for social housing. | 0:14:50 | 0:14:54 | |
One of the major changes has been to make the walkways, | 0:14:54 | 0:14:56 | |
or, "streets in the sky," residents only. | 0:14:56 | 0:14:58 | |
Previously, with no security or surveillance, | 0:14:58 | 0:15:02 | |
they were used as rat runs by criminal gangs, | 0:15:02 | 0:15:04 | |
just one cause of the estate's decline. | 0:15:04 | 0:15:07 | |
So, yes, so, these are the famous streets in the sky, | 0:15:07 | 0:15:10 | |
one of the defining features of Park Hill. | 0:15:10 | 0:15:13 | |
It will actually be closed to the general public | 0:15:13 | 0:15:16 | |
but there'll still will be, you know, plenty of people coming and going, other residents, | 0:15:16 | 0:15:20 | |
so that you get a sense of public and then private, sort of, space. | 0:15:20 | 0:15:25 | |
And in this tall block you have three of those streets, each have different names | 0:15:25 | 0:15:29 | |
and they've remained, really, a centrepiece of the vision here, haven't they? | 0:15:29 | 0:15:32 | |
Absolutely, yes, and it's actually essential anyway | 0:15:32 | 0:15:34 | |
because it's how the building is, sort of, put together. | 0:15:34 | 0:15:37 | |
It's part of the pleasure of it and what makes it unique, | 0:15:37 | 0:15:39 | |
so, we were very keen to keep it. | 0:15:39 | 0:15:41 | |
Well, it really is wonderful to see the progress being made here | 0:15:45 | 0:15:48 | |
and it's incredibly exciting because if this works, | 0:15:48 | 0:15:53 | |
and I mean, really works and it once again has a full, functioning, happy community based here, | 0:15:53 | 0:15:59 | |
then it really does show the rest of the UK and the world | 0:15:59 | 0:16:02 | |
that regeneration of these empty properties, | 0:16:02 | 0:16:06 | |
even on a huge scale like this, is viable alternative to demolition. | 0:16:06 | 0:16:12 | |
First-time buyers Luke and Sophie | 0:16:14 | 0:16:17 | |
are searching for an unusual building with lots of character | 0:16:17 | 0:16:20 | |
to turn into their ideal home. | 0:16:20 | 0:16:22 | |
Earlier, I showed them a dilapidated former Methodist chapel | 0:16:23 | 0:16:26 | |
that is in need of total renovation. | 0:16:26 | 0:16:28 | |
'Did you genuinely like this, I thought this might scare you off.' | 0:16:28 | 0:16:31 | |
You seemed to have a lot of enthusiasm. | 0:16:31 | 0:16:32 | |
Yeah, we genuinely, do love it. | 0:16:32 | 0:16:34 | |
Now, I'm taking them to meet an architect | 0:16:34 | 0:16:36 | |
whose own home has been impressively restored | 0:16:36 | 0:16:39 | |
from empty shell to stunning residence. | 0:16:39 | 0:16:42 | |
Right, guys, here we are, this is the place I want you to see. | 0:16:42 | 0:16:45 | |
-Can you see the similarities with earlier? -I certainly can. -Yeah. | 0:16:45 | 0:16:49 | |
-It's nice. -It's lovely. | 0:16:49 | 0:16:50 | |
It is Victorian and it was also empty for quite a while | 0:16:50 | 0:16:54 | |
before John, who you will meet, took it on. | 0:16:54 | 0:16:56 | |
-So be going say hello? -BOTH: Yes. -Come on then. | 0:16:56 | 0:16:59 | |
In 2004, John Foreman bought this dilapidated chapel in North Yorkshire for £87,000. | 0:16:59 | 0:17:06 | |
Despite its neglected state, | 0:17:06 | 0:17:08 | |
he knew immediately that it could make a fantastic home. | 0:17:08 | 0:17:12 | |
Opening the door for the very first time and seeing inside, | 0:17:12 | 0:17:16 | |
I knew straight away it had a massive amount of potential, | 0:17:16 | 0:17:19 | |
despite it appearing like a very tiny space. | 0:17:19 | 0:17:23 | |
To me, it just felt like going into the TARDIS. | 0:17:23 | 0:17:26 | |
Empty for eight years and open to the elements | 0:17:26 | 0:17:28 | |
it had been plagued by damp | 0:17:28 | 0:17:30 | |
and needed considerable work to make it habitable. | 0:17:30 | 0:17:33 | |
It was just riddled with penetrating damp, | 0:17:33 | 0:17:36 | |
rising damp, rotten floors, the roof was very poor. | 0:17:36 | 0:17:41 | |
So, we had to rip out the floor, rip out all the timber work | 0:17:41 | 0:17:45 | |
and replace it with more modern materials. | 0:17:45 | 0:17:47 | |
The build cost £90,000 | 0:17:49 | 0:17:51 | |
and involved installing a new roof, walls and floor. | 0:17:51 | 0:17:54 | |
It took a year to convert into the cosy and contemporary three-bedroom residence it is today. | 0:17:54 | 0:18:00 | |
It's immensely satisfying being able | 0:18:00 | 0:18:03 | |
to breathe new life into a structure that some people can't see, | 0:18:03 | 0:18:08 | |
and feel as if it's completely decayed | 0:18:08 | 0:18:10 | |
and beyond any possible restoration. | 0:18:10 | 0:18:13 | |
And it's a lovely, warm, friendly environment | 0:18:13 | 0:18:17 | |
and a lovely home and a lovely family home as well, really. | 0:18:17 | 0:18:21 | |
I hope Luke and Sophie will be inspired by the transformation that John has brought about | 0:18:21 | 0:18:25 | |
but I also want to give them a bit of a reality check | 0:18:25 | 0:18:28 | |
about what a restoration like this can involve. | 0:18:28 | 0:18:31 | |
Right, well, John, this is absolutely lovely. | 0:18:31 | 0:18:35 | |
Very cosy, very snug. | 0:18:35 | 0:18:37 | |
I'm guessing it wasn't always this way, | 0:18:37 | 0:18:39 | |
what state was it when you took it on? | 0:18:39 | 0:18:41 | |
Well, it was pretty dilapidated, to say the least. | 0:18:41 | 0:18:44 | |
It had to be taken back to the bare bones of the structure. | 0:18:44 | 0:18:47 | |
So, where do you start then? | 0:18:47 | 0:18:49 | |
When you start on something like this, | 0:18:49 | 0:18:51 | |
you've got to really have a great vision | 0:18:51 | 0:18:53 | |
of how you want to space to be initially. | 0:18:53 | 0:18:56 | |
So, your starting point is getting a good design | 0:18:56 | 0:18:59 | |
and resolving that absolutely down to the minutest detail. | 0:18:59 | 0:19:03 | |
So, what you make of it all? What are your first impressions when you come in here? | 0:19:03 | 0:19:06 | |
This seems to match a lot of what you've talked about so far. | 0:19:06 | 0:19:09 | |
-Fantastic, absolutely fantastic. -Yeah, it's lovely. | 0:19:09 | 0:19:12 | |
I think, erm, yeah, we'll take this one! THEY LAUGH | 0:19:12 | 0:19:16 | |
Luke, here, really wants to get involved | 0:19:16 | 0:19:18 | |
and do as much work as possible without any particular experience. | 0:19:18 | 0:19:21 | |
Is that naive or is that a possible way forward? | 0:19:21 | 0:19:25 | |
In terms of providing some of the labouring work that's fine | 0:19:25 | 0:19:28 | |
but you need to employ people who are skilled at the various jobs | 0:19:28 | 0:19:31 | |
of putting in floors, and brick work, and putting in steel work, | 0:19:31 | 0:19:36 | |
and if you don't do that you could run into all sorts of problems. | 0:19:36 | 0:19:41 | |
-Do you find it daunting? Is that putting you off? -Not for me, no. | 0:19:41 | 0:19:45 | |
We know there's a lot of planning involved in it | 0:19:45 | 0:19:49 | |
and a lot more research we need to do beforehand. | 0:19:49 | 0:19:51 | |
Yeah, we wouldn't just jump in, | 0:19:51 | 0:19:54 | |
we wouldn't just go to the estate agents and say, "We'll buy it," | 0:19:54 | 0:19:57 | |
and then go in with some hammers, and chisels, and some plaster | 0:19:57 | 0:20:00 | |
and give it a shot ourselves. | 0:20:00 | 0:20:02 | |
We'll be seeking advice before we go for anything. | 0:20:02 | 0:20:05 | |
I suppose there are budget implications though | 0:20:05 | 0:20:07 | |
cos you don't want to do something and not quite finish or have to redo it. | 0:20:07 | 0:20:11 | |
Yes, and that's why if you get your good advice to start off with | 0:20:11 | 0:20:14 | |
and manage that budget very tightly and carefully, | 0:20:14 | 0:20:17 | |
there are ways of handling it into small packages of work. | 0:20:17 | 0:20:21 | |
That's what we need, really, | 0:20:21 | 0:20:22 | |
being the first project we will have ever have taken on. | 0:20:22 | 0:20:25 | |
Erm, a step-by-step guide, as it were, to what we can do | 0:20:25 | 0:20:28 | |
-and what we'll need help with. -Hmm. | 0:20:28 | 0:20:30 | |
Although it's a smaller building, the design is strikingly similar | 0:20:31 | 0:20:35 | |
to the chapel Luke and Sophie viewed earlier | 0:20:35 | 0:20:37 | |
but I want them to look upstairs | 0:20:37 | 0:20:38 | |
to see how John has achieved the layout of the first floor. | 0:20:38 | 0:20:42 | |
-Lovely, so this, I guess, John, is the master bedroom, is it? -Yes. | 0:20:42 | 0:20:47 | |
My eyes are immediately drawn to the window because, of course, this is a great problem, isn't it? | 0:20:47 | 0:20:51 | |
Putting first floors in chapels, you have to cut windows and half | 0:20:51 | 0:20:54 | |
but, actually, up here it feels very natural. | 0:20:54 | 0:20:58 | |
Yeah, it works really well and what we've done is, | 0:20:58 | 0:21:00 | |
we've taken the floor into the windows | 0:21:00 | 0:21:03 | |
and we've narrowed and sculpted the floor round | 0:21:03 | 0:21:06 | |
so that the sliding sash window floats past the first floor. | 0:21:06 | 0:21:09 | |
What do you make of that, guys? | 0:21:09 | 0:21:10 | |
Cos that seems like a pretty good solution. | 0:21:10 | 0:21:12 | |
That's a very, yeah, very smart solution | 0:21:12 | 0:21:15 | |
to what might otherwise be a bit of a problem. | 0:21:15 | 0:21:17 | |
Yeah, it looks really good, I think it's a really good height. | 0:21:17 | 0:21:21 | |
-See out the window from lying in bed. -Yeah. -It's lovely. | 0:21:21 | 0:21:23 | |
What are the most important things for these guys to bear in mind? | 0:21:23 | 0:21:26 | |
They're at the start of a journey, | 0:21:26 | 0:21:28 | |
you know, it's going to be extremely exciting, quite challenging, what do they need to stay true to? | 0:21:28 | 0:21:33 | |
Well, without doubt, the planning of the building | 0:21:33 | 0:21:37 | |
and the way you orientate your rooms. | 0:21:37 | 0:21:40 | |
-I mean, this is a dream home, you've got to get it right, haven't you? -You do, it's absolutely crucial | 0:21:40 | 0:21:44 | |
but design it well initially | 0:21:44 | 0:21:47 | |
-and THEN the rest of it will take care of itself. -Yeah, good advice. | 0:21:47 | 0:21:50 | |
So, there's a sense then that, yes, maybe you can save money by a doing certain amount of work yourself | 0:21:50 | 0:21:55 | |
but you've just got to get that initial design right. | 0:21:55 | 0:21:57 | |
You've got to really carefully plan and be very clear about what you want. | 0:21:57 | 0:22:01 | |
We've got a blank canvas to work with and make the most of it. | 0:22:01 | 0:22:05 | |
We want it to be OUR home, not just somebody else's idea of a home. | 0:22:05 | 0:22:08 | |
It is going to be our home. | 0:22:08 | 0:22:10 | |
Well, thank you, John. | 0:22:10 | 0:22:12 | |
Look, it's been a pleasure to look around your house, | 0:22:12 | 0:22:15 | |
it's absolutely beautiful, I think it's great what you've done here. | 0:22:15 | 0:22:17 | |
It's a lovely match with what we saw earlier, | 0:22:17 | 0:22:19 | |
-so very grateful to you for opening it up for us, thank you very much. -Yeah, thank you. | 0:22:19 | 0:22:24 | |
Back in Stoke, empty property officer Zainul Pirmohamed | 0:22:24 | 0:22:28 | |
is on her way to a property in Fenton | 0:22:28 | 0:22:30 | |
that's been standing empty for nine years. | 0:22:30 | 0:22:33 | |
It belongs to a chappie whose father passed away several years ago. | 0:22:33 | 0:22:38 | |
He didn't know what to do with the property, | 0:22:38 | 0:22:40 | |
when we got complaints we intervened. | 0:22:40 | 0:22:42 | |
So, we worked with him on this one, we've managed to get it in to auction. | 0:22:42 | 0:22:45 | |
It's due on auction tonight. | 0:22:45 | 0:22:47 | |
The house is in a poor state of repair inside and out, | 0:22:47 | 0:22:51 | |
and as a condition of the sale | 0:22:51 | 0:22:53 | |
-Zainul's insisting it has to be renovated by the purchaser. -Today I'm going to take some photographs, | 0:22:53 | 0:22:57 | |
really, just to get a base for what the property looks like on the day of sale. | 0:22:57 | 0:23:01 | |
I can then measure the progress with the new owner. | 0:23:01 | 0:23:04 | |
This property is a mess. | 0:23:06 | 0:23:08 | |
Totally open. Obviously, the gate's been taken off. | 0:23:08 | 0:23:13 | |
Somebody's been and tried to strip the back addition roof, taken the tiles off. | 0:23:13 | 0:23:17 | |
It needs a whole, whole refurbishment. | 0:23:17 | 0:23:21 | |
Satisfied she has the photographic evidence, | 0:23:22 | 0:23:25 | |
Zainul wants to update a neighbour on the state of play. | 0:23:25 | 0:23:29 | |
Hello, there, I'm Zainul from Stoke City Council. | 0:23:32 | 0:23:35 | |
-I work for the Empty Homes team and I've come about the property next door. -Right. | 0:23:35 | 0:23:40 | |
-I've been round the back and seen what a mess that is. -It is, isn't it? | 0:23:40 | 0:23:42 | |
Well, I'm glad that somebody's taken an interest in the property. | 0:23:42 | 0:23:45 | |
It's turned into such an eyesore, it needs something done about it. | 0:23:45 | 0:23:49 | |
So, I've been working with the owner, | 0:23:49 | 0:23:50 | |
I've been helping him, assisting him to get it into auction. | 0:23:50 | 0:23:53 | |
I don't know if you've noticed but it's on auction tonight, so I'm hoping that it's going to sell | 0:23:53 | 0:23:58 | |
and hopefully will get rid of this eyesore from the community here. | 0:23:58 | 0:24:01 | |
-Thank you very much for your time. -Thank you. | 0:24:01 | 0:24:03 | |
'This property's being marketed at a reasonable price, £25,000. | 0:24:03 | 0:24:06 | |
'It's had a lot of viewers, a lot of interest in it,' | 0:24:06 | 0:24:09 | |
so, hopefully, as it's a good deal, it's going to go at auction tonight. | 0:24:09 | 0:24:13 | |
So, fingers crossed, really. | 0:24:13 | 0:24:14 | |
The house eventually sold for £36,000, well over the guide price. | 0:24:15 | 0:24:20 | |
It was bought by a developer with local connections. | 0:24:20 | 0:24:23 | |
Me grandad had the fruit and veg shop at the bottom of Bell Street, | 0:24:23 | 0:24:27 | |
which is only 100 yards away from this property. | 0:24:27 | 0:24:31 | |
I own the large property next door, and a couple of shops there, | 0:24:31 | 0:24:34 | |
and it's a shame to see them properties run down, left empty in Fenton. | 0:24:34 | 0:24:38 | |
Once we've renovated it I'll look for a new tenant, | 0:24:38 | 0:24:40 | |
perhaps a small family from the area. | 0:24:40 | 0:24:43 | |
It's a good investment, I think it's a good investment all-round. | 0:24:43 | 0:24:46 | |
That's all good news for us | 0:24:46 | 0:24:47 | |
because when you know you've got somebody who lives in the area, | 0:24:47 | 0:24:50 | |
somebody who's got an investment in the area, | 0:24:50 | 0:24:52 | |
so, somebody who's actually got a REASON to renovate the property. | 0:24:52 | 0:24:57 | |
For us, that's really good news. | 0:24:57 | 0:24:58 | |
So, yeah, a good result. | 0:24:58 | 0:25:00 | |
Back in Yorkshire, Luke and Sophie have been visiting a chapel | 0:25:03 | 0:25:06 | |
that's been converted from a derelict shell into a stunning home. | 0:25:06 | 0:25:10 | |
So, how do they now feel about buying and renovating an empty property | 0:25:10 | 0:25:15 | |
in light of what I've shown them today? | 0:25:15 | 0:25:17 | |
So, you've seen the disused chapel earlier, | 0:25:18 | 0:25:20 | |
You've now seen one that has been converted, | 0:25:20 | 0:25:23 | |
how are yare you feeling about everything you've experienced and witnessed today? | 0:25:23 | 0:25:27 | |
-I'm really up for it! -Even more excited than before. | 0:25:27 | 0:25:29 | |
It's given us a much clearer vision of what can be achieved. | 0:25:29 | 0:25:33 | |
Well, I suppose you had a bit of the vision, | 0:25:33 | 0:25:36 | |
you CERTAINLY had the energy and enthusiasm, and still do, | 0:25:36 | 0:25:39 | |
and it was just that reality check, maybe, | 0:25:39 | 0:25:41 | |
-that you needed to see what's involved in taking a project like this forward. -Yeah. | 0:25:41 | 0:25:44 | |
Really helpful to hear from John | 0:25:44 | 0:25:47 | |
about just how, how important it is to just plan everything. | 0:25:47 | 0:25:52 | |
-Even when you think you've planned enough, to plan some more! -Yeah. | 0:25:52 | 0:25:55 | |
Brilliant, so you are determined, this is what you want to do, | 0:25:55 | 0:25:57 | |
-you definitely want to take on an empty property? -Oh, for sure. | 0:25:57 | 0:26:00 | |
Yeah, there's no doubt about that. | 0:26:00 | 0:26:02 | |
And the chapel you saw earlier is now in the running? | 0:26:02 | 0:26:05 | |
-It's definitely on the radar? -Yeah, I like it a lot. | 0:26:05 | 0:26:08 | |
It's definitely something we're going to look into a bit more, I think. | 0:26:08 | 0:26:11 | |
Good. Well, guys, I wish you the very best of luck with it, | 0:26:11 | 0:26:13 | |
whether it is that property you take on or another, | 0:26:13 | 0:26:16 | |
I'm sure, especially with everything you've heard and learned here today, | 0:26:16 | 0:26:19 | |
-you'll make a fantastic job of it. So, all the best. -BOTH: Thank you. | 0:26:19 | 0:26:23 | |
I'm delighted that Luke and Sophie could see this converted chapel today. | 0:26:25 | 0:26:29 | |
I think it's come at just the right time | 0:26:29 | 0:26:31 | |
to give them the reality check and a sense, really, of how complicated | 0:26:31 | 0:26:35 | |
and tricky converting old empty properties can be. | 0:26:35 | 0:26:39 | |
Particularly when they've sat disused for many years | 0:26:39 | 0:26:43 | |
but it certainly hasn't put them off, | 0:26:43 | 0:26:44 | |
they are not daunted in the slightest. | 0:26:44 | 0:26:47 | |
If anything, they're very excited, they're inspired | 0:26:47 | 0:26:50 | |
and I've got no doubts now, they're going to go ahead, | 0:26:50 | 0:26:53 | |
take an empty property and turn it into their dream home. | 0:26:53 | 0:26:57 | |
Subtitles by Red Bee Media Ltd | 0:27:13 | 0:27:16 | |
E-mail [email protected] | 0:27:16 | 0:27:19 |