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Across the country, empty properties that could be homes are just | 0:00:00 | 0:00:03 | |
waiting to be brought back into use. | 0:00:03 | 0:00:06 | |
I'll be finding out why, | 0:00:06 | 0:00:07 | |
and what YOU need to do to rescue a house for yourself. | 0:00:07 | 0:00:11 | |
And along the way we'll be following the property detectives, | 0:00:11 | 0:00:14 | |
who track down the owners of these forgotten houses | 0:00:14 | 0:00:17 | |
and help breathe new life into the communities blighted by them. | 0:00:17 | 0:00:20 | |
And I'll be doing some digging of my own to find out more | 0:00:20 | 0:00:23 | |
about our housing stock, | 0:00:23 | 0:00:25 | |
our heritage and why we should be both preserving and reinventing | 0:00:25 | 0:00:28 | |
Britain's Empty Homes. | 0:00:28 | 0:00:30 | |
Buying a property is probably the most expensive purchase most of us | 0:00:38 | 0:00:41 | |
will ever make, so of course it's really important to get it right. | 0:00:41 | 0:00:45 | |
By investing in the renovation of a derelict building, | 0:00:45 | 0:00:49 | |
you can not just rescue an empty property, but you can also transform a wreck | 0:00:49 | 0:00:53 | |
into a unique home that you'll never want to leave. | 0:00:53 | 0:00:56 | |
On today's show, I'll be exploring an empty home with a woman | 0:00:56 | 0:01:00 | |
who wants to take on the renovation of a disused house. | 0:01:00 | 0:01:05 | |
It'd be really nice to do that and bring something back to life. | 0:01:05 | 0:01:08 | |
And we'll be following an empty property officer, | 0:01:08 | 0:01:12 | |
working to get vacant buildings back into use. | 0:01:12 | 0:01:14 | |
It's clearly very dangerous. There's broken glass all the way round. | 0:01:14 | 0:01:17 | |
Anybody getting in or out could potentially cut themselves on that. | 0:01:17 | 0:01:20 | |
Joanne Warren has recently moved | 0:01:20 | 0:01:22 | |
from Birmingham to West Yorkshire for a new job, | 0:01:22 | 0:01:25 | |
and is looking to make the most of her budget in her new location. | 0:01:25 | 0:01:28 | |
I think a derelict property really appeals to me, | 0:01:28 | 0:01:31 | |
because then I might be able to get more for my money | 0:01:31 | 0:01:33 | |
and afford a better area than I could with a brand-new property. | 0:01:33 | 0:01:38 | |
And then I can make it exactly how I want it to be, | 0:01:38 | 0:01:41 | |
and have that wood burner... go in the kitchen, or whatever it is. | 0:01:41 | 0:01:45 | |
With a modest £150,000, Joanne's been scouring the property pages | 0:01:45 | 0:01:49 | |
for a two- or three-bedroom home | 0:01:49 | 0:01:51 | |
with the potential to extend, | 0:01:51 | 0:01:52 | |
and she's become increasingly drawn to the idea of renovating a wreck. | 0:01:52 | 0:01:58 | |
I can paint a wall and I can decorate... | 0:01:58 | 0:02:00 | |
I'm quite willing to get my hands dirty. | 0:02:00 | 0:02:02 | |
I can knock things down. I am probably quite good at knocking | 0:02:02 | 0:02:05 | |
things down, but the idea of dealing with damp and those kind of things, | 0:02:05 | 0:02:11 | |
and rewiring, I would probably just have to get the professionals in for. | 0:02:11 | 0:02:15 | |
As a first-time renovator with a limited budget, | 0:02:15 | 0:02:18 | |
Joanne naturally has some big concerns. | 0:02:18 | 0:02:21 | |
I am a bit worried that my budget won't stretch quite as far | 0:02:21 | 0:02:26 | |
as my dreams will. | 0:02:26 | 0:02:28 | |
I'd really like to do X, Y and Z and have all the different things, | 0:02:28 | 0:02:31 | |
but if I could just get the old property | 0:02:31 | 0:02:34 | |
and have some nice fittings in it, and make it really cosy, | 0:02:34 | 0:02:38 | |
that would be really good. | 0:02:38 | 0:02:40 | |
To help Joanne work out how big a project she's really up for, | 0:02:40 | 0:02:43 | |
I'm taking her to an example of the sort of property she might buy. | 0:02:43 | 0:02:47 | |
This is the property I want to show you. First impressions? | 0:02:47 | 0:02:50 | |
-Wow! -Wow! It's probably late 18th, early 19th century, | 0:02:50 | 0:02:54 | |
so this has bundles of character. | 0:02:54 | 0:02:57 | |
I suggest we go inside and have a look, shall we? | 0:02:57 | 0:02:59 | |
Formerly a gatehouse for Brockwell House near Halifax, this place | 0:03:01 | 0:03:05 | |
has been empty for two years and is on the market for £140,000. | 0:03:05 | 0:03:09 | |
So, through the front door and straight into the main living room. | 0:03:10 | 0:03:16 | |
-Wow! -Clearly quite dated. | 0:03:16 | 0:03:19 | |
Yes. You can still see all of the original features. | 0:03:19 | 0:03:22 | |
-Yeah. -You could work back the wood and make everything nice. | 0:03:22 | 0:03:25 | |
What do you make of the wood panelling around the window? | 0:03:25 | 0:03:28 | |
Brilliant. You could put a window seat there, | 0:03:28 | 0:03:30 | |
which would be lovely with some cushions on. | 0:03:30 | 0:03:33 | |
You seem to like what you see here. | 0:03:33 | 0:03:35 | |
When it comes to taking on a project, | 0:03:35 | 0:03:38 | |
are you up for a bit of a challenge? | 0:03:38 | 0:03:40 | |
Hmm...yes, I think so. I might need some help with SOME things. | 0:03:40 | 0:03:44 | |
I'm definitely up for the odd knocking down of something | 0:03:44 | 0:03:48 | |
or definitely redecorating. | 0:03:48 | 0:03:50 | |
I would happily have a go at taking plaster off | 0:03:50 | 0:03:53 | |
and tiles off and things like that, so you could re-do it. | 0:03:53 | 0:03:56 | |
OK. So you would like to roll your sleeves up | 0:03:56 | 0:03:58 | |
and get stuck in yourself? | 0:03:58 | 0:03:59 | |
The more I can do, the less I would have to spend on trades | 0:03:59 | 0:04:02 | |
and things like that, | 0:04:02 | 0:04:03 | |
so if I could learn how to do it and do it myself, | 0:04:03 | 0:04:05 | |
that would save me some money. | 0:04:05 | 0:04:07 | |
OK. As you're looking round, | 0:04:07 | 0:04:08 | |
I know you're on the hunt for property at the moment, | 0:04:08 | 0:04:11 | |
why an empty property? | 0:04:11 | 0:04:12 | |
Why would you consider something like this? | 0:04:12 | 0:04:14 | |
Erm... Well, you can see from the outside, | 0:04:14 | 0:04:17 | |
it almost looks like a bit of a blight, even though it has a charm | 0:04:17 | 0:04:21 | |
to it, and people must walk past it and think, | 0:04:21 | 0:04:23 | |
"Oh, I wish somebody would buy that and do it up." | 0:04:23 | 0:04:25 | |
So it would be really nice to do that and bring something back to life. | 0:04:25 | 0:04:30 | |
I mean, this needs everything doing to it. | 0:04:30 | 0:04:31 | |
It would need rewiring. It hasn't been touched for decades. | 0:04:31 | 0:04:35 | |
This would really need to be taken by the scruff of the neck. | 0:04:35 | 0:04:39 | |
But that means it's a really great blank canvas for me... | 0:04:39 | 0:04:42 | |
Great. I'm pleased. Let's continue having a look round. | 0:04:42 | 0:04:45 | |
-I'll show you upstairs first, shall I? -OK. Thanks. | 0:04:45 | 0:04:48 | |
On the first floor, | 0:04:49 | 0:04:50 | |
there's a double bedroom and a smaller single room. | 0:04:50 | 0:04:54 | |
Right, Joanne, so this is the second bedroom. | 0:04:54 | 0:04:56 | |
It's... It matches the layout of the house, actually, | 0:04:56 | 0:04:58 | |
which is you get a big room at the front | 0:04:58 | 0:05:01 | |
and a smaller, thinner room at the back. This funny little sort of boxroom. | 0:05:01 | 0:05:05 | |
Would you put a bathroom there? | 0:05:05 | 0:05:07 | |
-No. I'm quite happy to leave the bathroom downstairs. -OK. | 0:05:07 | 0:05:10 | |
So I'd probably just make that part of the bedroom | 0:05:10 | 0:05:13 | |
or even a dressing room. | 0:05:13 | 0:05:14 | |
All right. Let's go down to the kitchen, shall we? | 0:05:14 | 0:05:17 | |
'This place is in a pretty poor state of repair, | 0:05:17 | 0:05:19 | |
'but you can just see it COULD be a lovely home.' | 0:05:19 | 0:05:22 | |
Now, this is the kitchen. It very much mirrors the thin second bedroom | 0:05:23 | 0:05:28 | |
we saw upstairs. Could you work with a space like this for your kitchen? | 0:05:28 | 0:05:32 | |
Oh, definitely. You can have a table in the corner...yeah. | 0:05:32 | 0:05:35 | |
It would definitely work for me. | 0:05:35 | 0:05:36 | |
Some people get very particular, | 0:05:36 | 0:05:38 | |
especially with modern living | 0:05:38 | 0:05:40 | |
and the way families tend to live is that they want | 0:05:40 | 0:05:42 | |
a big open-plan kitchen. | 0:05:42 | 0:05:44 | |
Actually, this seems perfect for you, cos you're happy to deal with | 0:05:44 | 0:05:47 | |
what the building gives you. | 0:05:47 | 0:05:48 | |
Yes. I mean, it would be nice if you could fit a small table in | 0:05:48 | 0:05:51 | |
so you can eat in the kitchen, that would be nice, | 0:05:51 | 0:05:54 | |
but it's not essential for me. | 0:05:54 | 0:05:56 | |
Because the ceilings are so high, it doesn't actually feel that small. | 0:05:56 | 0:06:00 | |
You seem very positive, very optimistic. | 0:06:00 | 0:06:02 | |
But any worries? Would this be your first big renovation? | 0:06:02 | 0:06:06 | |
It definitely would be. I've only owned one house up to now. | 0:06:06 | 0:06:10 | |
That was a reasonable 1920s semi. | 0:06:10 | 0:06:13 | |
So, yeah, it's quite a daunting thing, | 0:06:13 | 0:06:16 | |
to think about doing such a lot of work and all those kind of things. | 0:06:16 | 0:06:20 | |
But it's worth it when you could imagine what the end would be like. | 0:06:20 | 0:06:23 | |
And keeping all those original features. | 0:06:23 | 0:06:27 | |
It would be your first-time renovation. You're looking for this project now, | 0:06:27 | 0:06:30 | |
so I think it's going to be really good for you to meet someone who's been through it all before. | 0:06:30 | 0:06:34 | |
I'll take you to see a couple who've got a renovation, | 0:06:34 | 0:06:36 | |
and I think there's a lot you can learn from them, | 0:06:36 | 0:06:38 | |
and a lot of help and advice they can give you. How does that sound? | 0:06:38 | 0:06:41 | |
That sounds really good. I'm really excited. | 0:06:41 | 0:06:44 | |
Well, I really like this place. | 0:06:46 | 0:06:48 | |
It's not for everyone. It's not the sort of place you can rip the heart | 0:06:48 | 0:06:51 | |
and guts out of it, make it really contemporary and open-plan. | 0:06:51 | 0:06:54 | |
You have to appreciate the history of the character, | 0:06:54 | 0:06:56 | |
and I think Joanne does. This is the sort of place she is looking for. | 0:06:56 | 0:06:59 | |
And I'm also pleased to hear she's keen to learn new skills and go on courses | 0:06:59 | 0:07:03 | |
so she can apply her handiwork to a place like this. | 0:07:03 | 0:07:06 | |
That said, clearly, it's a very big undertaking. | 0:07:06 | 0:07:09 | |
It'll be really good for her to meet a couple | 0:07:09 | 0:07:11 | |
who have been though all this, | 0:07:11 | 0:07:12 | |
they've completed their own renovation successfully | 0:07:12 | 0:07:15 | |
and can hopefully give her some top tips to get started. | 0:07:15 | 0:07:18 | |
Up and down the country there are many disused houses, | 0:07:20 | 0:07:23 | |
that are crying out to be rescued. | 0:07:23 | 0:07:25 | |
It's the job of empty property officers | 0:07:25 | 0:07:28 | |
to seek out these abandoned buildings, | 0:07:28 | 0:07:31 | |
and turn them into much-needed homes. | 0:07:31 | 0:07:34 | |
In the Waveney area of north-east Suffolk, Jason Hall's the man | 0:07:34 | 0:07:37 | |
who is charged with that task. | 0:07:37 | 0:07:38 | |
Today he's off to a house which is one of his long-term cases. | 0:07:38 | 0:07:42 | |
Erm, we've had reports from the police that it's been broken into | 0:07:42 | 0:07:45 | |
and accessed by a number of children in the area. | 0:07:45 | 0:07:47 | |
At the moment, it's open for the public to gain access to. | 0:07:47 | 0:07:50 | |
So we're here today to just make sure that it gets boarded up | 0:07:50 | 0:07:54 | |
and it's made secure, so no-one can get in and hurt themselves. | 0:07:54 | 0:07:57 | |
The house is already boarded up at the front, | 0:07:58 | 0:08:01 | |
but round the back, it appears people have been gaining access. | 0:08:01 | 0:08:06 | |
It's just a general dumping ground for household waste | 0:08:06 | 0:08:09 | |
by the looks of it. It could either be coming from neighbouring properties | 0:08:09 | 0:08:12 | |
or just people who've been throwing things over the wall. | 0:08:12 | 0:08:15 | |
Obviously having household waste dumped | 0:08:15 | 0:08:18 | |
in a rear of a property like this, | 0:08:18 | 0:08:20 | |
it's got harbourage for rodents, for rats in the back garden here. | 0:08:20 | 0:08:24 | |
Got nappies, we've got food waste, everything. | 0:08:24 | 0:08:28 | |
It's sort of...it's heaven for rats. | 0:08:28 | 0:08:31 | |
It's not just the garden that's been attracting anti-social behaviour. | 0:08:31 | 0:08:35 | |
Clearly the rear window has been the point of access, | 0:08:36 | 0:08:39 | |
where kids have got in. | 0:08:39 | 0:08:42 | |
It's very dangerous. There's broken glass. | 0:08:42 | 0:08:44 | |
Anybody getting in or out... if it was kids, | 0:08:44 | 0:08:46 | |
could potentially cut themselves on that. | 0:08:46 | 0:08:48 | |
So what I really need to do is get in, see if there's any problems | 0:08:48 | 0:08:52 | |
on the inside, see if anyone is actually on the inside, | 0:08:52 | 0:08:55 | |
and then we'll get it boarded up. | 0:08:55 | 0:08:58 | |
Generally, in here, it's just been smashed up. | 0:08:58 | 0:09:00 | |
We've got areas of the floor which are completely rotten | 0:09:00 | 0:09:04 | |
and quite unstable. | 0:09:04 | 0:09:05 | |
It's quite important that we get this made secure | 0:09:05 | 0:09:08 | |
as soon as possible. | 0:09:08 | 0:09:10 | |
As with any case like this, before boarding up the house, | 0:09:11 | 0:09:14 | |
Jason must ensure no-one is living here at the moment. | 0:09:14 | 0:09:17 | |
It's empty so we know there's no-one in it. | 0:09:17 | 0:09:19 | |
So it's time to get it all boarded up and made secure. | 0:09:19 | 0:09:23 | |
While the work gets going on securing the house, | 0:09:23 | 0:09:26 | |
Jason visits a neighbour to reassure them about the progress made today. | 0:09:26 | 0:09:30 | |
-Hiya, Jason Hall from the council. -Hello. | 0:09:31 | 0:09:34 | |
Just to let you know that the property across the road, | 0:09:34 | 0:09:37 | |
obviously we know it's been broken into, | 0:09:37 | 0:09:39 | |
it's now in the process of being boarded up, | 0:09:39 | 0:09:41 | |
but if you do have any other problems, be sure to give us a call. | 0:09:41 | 0:09:45 | |
I certainly will. Thank God it's been boarded up. | 0:09:45 | 0:09:47 | |
-OK. -Cheers. Thank you very much indeed. | 0:09:47 | 0:09:50 | |
What we'll do now is serve a notice on the owner of the property | 0:09:51 | 0:09:54 | |
to make sure that the garden is cleared. | 0:09:54 | 0:09:57 | |
If the garden isn't cleared, we'll carry out works in default | 0:09:57 | 0:10:00 | |
and clear it ourselves, and place a charge against the property. | 0:10:00 | 0:10:03 | |
Jason will continue to work with the owner to get this house | 0:10:03 | 0:10:06 | |
lived in again. | 0:10:06 | 0:10:08 | |
Buying an empty property can be a trip into the unknown. | 0:10:08 | 0:10:12 | |
Years of neglect can sometimes lead to unforeseen problems, | 0:10:12 | 0:10:15 | |
but, if you plan carefully, and have the tenacity to see it through, | 0:10:15 | 0:10:19 | |
you could find yourself the proud owner of a stunning home. | 0:10:19 | 0:10:23 | |
Which is what Teresa Collonette did when she and her family decided | 0:10:23 | 0:10:27 | |
to tackle the renovation of a Georgian townhouse | 0:10:27 | 0:10:31 | |
in West London in 2005. | 0:10:31 | 0:10:32 | |
As soon I saw it, it was a terrible, terrible mess. | 0:10:32 | 0:10:35 | |
But I did get the feeling it had great potential, | 0:10:35 | 0:10:38 | |
and I knew this area was really nice. I liked the feel of it. | 0:10:38 | 0:10:41 | |
The house was laid out as four flats | 0:10:41 | 0:10:43 | |
and it was a major job to reconfigure it as a family home, | 0:10:43 | 0:10:46 | |
with the project taking more than two years to complete. | 0:10:46 | 0:10:49 | |
What attracted me to the property in the first place | 0:10:49 | 0:10:52 | |
was the fact it did have high ceilings, and I could see | 0:10:52 | 0:10:55 | |
that if you opened it up there would be quite a lot of space. | 0:10:55 | 0:10:58 | |
I had been looking at other properties in our price range | 0:10:58 | 0:11:01 | |
and they were nice, but they felt really cramped | 0:11:01 | 0:11:04 | |
and we've collected all sorts of weird and wonderful objects. | 0:11:04 | 0:11:07 | |
It's quite nice to have somewhere to kind of exhibit them all, in a way. | 0:11:07 | 0:11:12 | |
So it's fun having them all out. | 0:11:12 | 0:11:15 | |
The renovation wasn't without its problems and, throughout the build, | 0:11:15 | 0:11:18 | |
Teresa made alterations to the plans whilst work was ongoing. | 0:11:18 | 0:11:22 | |
It kind of evolved in a way. We didn't always do things in the logical way, | 0:11:22 | 0:11:25 | |
and we kind of changed our minds along the way, and so that kind of made it a bit complicated. | 0:11:25 | 0:11:29 | |
For example, | 0:11:29 | 0:11:30 | |
we only decided quite late in the day to put an extra floor on top. | 0:11:30 | 0:11:33 | |
We should have obviously started off thinking that way, | 0:11:33 | 0:11:36 | |
so that was a bit complicated. | 0:11:36 | 0:11:38 | |
But, to be honest, it's a constantly evolving process... | 0:11:38 | 0:11:41 | |
I think there's still things to be done, | 0:11:41 | 0:11:43 | |
or things that need to be redone, and decorating I'd like to do to change things, | 0:11:43 | 0:11:47 | |
but that's half the fun of it. | 0:11:47 | 0:11:49 | |
By taking on a house that needed work, Teresa's not only saved money, | 0:11:49 | 0:11:53 | |
she's also been able to mould the design to create | 0:11:53 | 0:11:55 | |
a distinctive look for her home. | 0:11:55 | 0:11:57 | |
One of the most important features of things that I like | 0:11:57 | 0:12:00 | |
in my house is the kitchen and, as soon as we bought this house, | 0:12:00 | 0:12:03 | |
and I knew I had the chance to completely renovate it, | 0:12:03 | 0:12:06 | |
I knew that I wanted a 1950s kitchen, | 0:12:06 | 0:12:09 | |
so that very much kind of informed how we designed the kitchen area. | 0:12:09 | 0:12:12 | |
For a family it's great because it's quite social, | 0:12:12 | 0:12:16 | |
because we've got this open space, people shouting down, shouting up. | 0:12:16 | 0:12:19 | |
It feels very kind of alive. | 0:12:19 | 0:12:21 | |
Tackling an abandoned house is always a challenge, | 0:12:23 | 0:12:26 | |
but if you decide to take on a building | 0:12:26 | 0:12:28 | |
of architectural significance that's in need of preservation, | 0:12:28 | 0:12:32 | |
there are some extra issues to be aware of. | 0:12:32 | 0:12:34 | |
Renovating and restoring an empty listed property | 0:12:34 | 0:12:38 | |
can be a painstakingly slow process. | 0:12:38 | 0:12:41 | |
These types of properties can be full of surprises | 0:12:41 | 0:12:44 | |
and throw up all manner of problems that take time to work through. | 0:12:44 | 0:12:48 | |
For the owners, it can be a very emotional and frustrating journey. | 0:12:48 | 0:12:52 | |
'Two years ago, we visited Chris Harris and Miriam Maxim,' | 0:12:53 | 0:12:57 | |
who were in the midst of renovating this 16th-century listed cottage. | 0:12:57 | 0:13:00 | |
Now, as they know too well, when taking on a historic property, | 0:13:00 | 0:13:03 | |
it's essential to consult your local conservation officer to ensure | 0:13:03 | 0:13:07 | |
that any work complies with the listed status. | 0:13:07 | 0:13:10 | |
How has progress been going on your beautiful home here? | 0:13:10 | 0:13:14 | |
It's been a long haul, I have to tell you. | 0:13:14 | 0:13:16 | |
Has it felt like you've been making process, | 0:13:16 | 0:13:18 | |
or do you feel like you're wading through treacle sometimes? | 0:13:18 | 0:13:21 | |
It's been planning and re-planning because, as you open something up, | 0:13:21 | 0:13:24 | |
you find something completely different. | 0:13:24 | 0:13:26 | |
You have to completely change your ideas, and everybody else's ideas, | 0:13:26 | 0:13:30 | |
get everyone on board, and then you can move forward again. | 0:13:30 | 0:13:34 | |
You have to get the right permissions to do it... | 0:13:34 | 0:13:37 | |
so that does... It all adds to expense, getting the right materials, | 0:13:37 | 0:13:40 | |
sourcing the right materials, | 0:13:40 | 0:13:42 | |
and that's been quite a challenge in itself, actually. | 0:13:42 | 0:13:46 | |
In terms of the process of it, where are you now? | 0:13:46 | 0:13:48 | |
How far from the end, would you say, if there IS an end? | 0:13:48 | 0:13:52 | |
-Is there a light? -I think it's a never-ending project, | 0:13:52 | 0:13:56 | |
because it is a labour of love, I have to tell you. | 0:13:56 | 0:13:59 | |
We're just right at the end now, | 0:13:59 | 0:14:00 | |
and we're just got to re-do the front of the house. | 0:14:00 | 0:14:03 | |
We had to remove a greenhouse from the front of the house, | 0:14:03 | 0:14:06 | |
and we're going to re-do that, and that's going to look... | 0:14:06 | 0:14:09 | |
That will just finish the job, I think. | 0:14:09 | 0:14:11 | |
Marvellous. Shall we go around and look at what you still have to do? | 0:14:11 | 0:14:14 | |
Yeah. | 0:14:14 | 0:14:15 | |
Chris and Miriam have done a fantastic job. | 0:14:17 | 0:14:19 | |
But even the finishing touches must be signed off - | 0:14:19 | 0:14:22 | |
and with just a veranda left to do, they've called on Martin Higgins, | 0:14:22 | 0:14:25 | |
historic buildings officer from Surrey County Council, who they're hoping will give them | 0:14:25 | 0:14:29 | |
the go-ahead for the final stage in their extensive restoration. | 0:14:29 | 0:14:32 | |
Martin, you're an historic buildings officer. | 0:14:34 | 0:14:36 | |
I suppose some councils will also call your role conservation officer. | 0:14:36 | 0:14:39 | |
What does it mean? What do you do? | 0:14:39 | 0:14:41 | |
I deal with the historic environment, all areas of the historic environment, | 0:14:41 | 0:14:44 | |
especially buildings, so I would advise on how to alter them, | 0:14:44 | 0:14:47 | |
how to maintain their character. | 0:14:47 | 0:14:50 | |
So when people taken on, I suppose, in extreme cases, | 0:14:50 | 0:14:53 | |
a Grade 1 listed building or, in other cases, | 0:14:53 | 0:14:57 | |
just a good historic building that you've got some interest in, | 0:14:57 | 0:15:00 | |
would they have to run everything by you first? How does it work? | 0:15:00 | 0:15:03 | |
If they're listed, they should always speak to the local conservation officer first, | 0:15:03 | 0:15:07 | |
because he or she will know about the building | 0:15:07 | 0:15:09 | |
and know what can and can't be done to it without needing permission. | 0:15:09 | 0:15:13 | |
Chris, I know you have Martin here, | 0:15:13 | 0:15:15 | |
you have the historic buildings officer on site, | 0:15:15 | 0:15:18 | |
anything you'd like to ask him? | 0:15:18 | 0:15:20 | |
Cos this is the area that's still to do, isn't it? | 0:15:20 | 0:15:22 | |
That's correct. | 0:15:22 | 0:15:23 | |
We want to put those columns up into the front of the house | 0:15:23 | 0:15:27 | |
and build a canopy that reflects what was done in 1850, | 0:15:27 | 0:15:30 | |
and we just want to replicate that. | 0:15:30 | 0:15:32 | |
Some buildings can take a nice, modern extension, | 0:15:32 | 0:15:34 | |
some buildings you need to extend in keeping. | 0:15:34 | 0:15:36 | |
Here, what you are doing is very good, because you are putting back | 0:15:36 | 0:15:39 | |
something we know was here in the past, so that's a very worthwhile enterprise. | 0:15:39 | 0:15:42 | |
And with these plans, you're favourable because | 0:15:42 | 0:15:46 | |
this was originally done in the 1850s | 0:15:46 | 0:15:48 | |
when there was quite a lot of work done on the property. But, in my mind, | 0:15:48 | 0:15:51 | |
does that mean that anything that's done historically is good? | 0:15:51 | 0:15:54 | |
Cos it just... why stamp a certain date on it? | 0:15:54 | 0:15:58 | |
Why not say the Victorians made a mistake | 0:15:58 | 0:16:00 | |
and that was an awful thing to do, and we shouldn't repeat it now? | 0:16:00 | 0:16:04 | |
That is...that CAN be the case. In this instance, | 0:16:04 | 0:16:07 | |
this was previously a rather mundane conservatory where we are standing. | 0:16:07 | 0:16:12 | |
It was linked to a horticultural business that was run from the site. | 0:16:12 | 0:16:15 | |
So we're returning it back | 0:16:15 | 0:16:16 | |
to something which is better and suits the current users more. | 0:16:16 | 0:16:19 | |
Martin, thank you for coming by. Great to get the reassurance. | 0:16:19 | 0:16:22 | |
Good also to know that people do have to take this very seriously. | 0:16:22 | 0:16:25 | |
If it's a listed property, it's a criminal offence not to involve | 0:16:25 | 0:16:28 | |
the conservation officer or the historic building officer. | 0:16:28 | 0:16:33 | |
-Great you've given the approval here, so thank you very much. -Thank you. | 0:16:33 | 0:16:36 | |
Chris and Miriam's cottage perfectly demonstrates | 0:16:36 | 0:16:40 | |
that even with restrictions in place to protect our architectural heritage, | 0:16:40 | 0:16:45 | |
it's possible to reinvent period homes | 0:16:45 | 0:16:46 | |
while still preserving them for generations to come. | 0:16:46 | 0:16:50 | |
Back in Yorkshire, I'm with Joanne Warren, | 0:16:52 | 0:16:55 | |
'who hopes that renovating an abandoned building | 0:16:55 | 0:16:57 | |
'could be the route to help her achieve her dream home. | 0:16:57 | 0:17:00 | |
'I'm taking her to meet a couple who've done just that' | 0:17:00 | 0:17:03 | |
and should have advice and inspiration for her. | 0:17:03 | 0:17:06 | |
Joanne, this is the property I want to show you. | 0:17:06 | 0:17:09 | |
Can you tell from looking at it what it used to be? | 0:17:09 | 0:17:12 | |
No. It just looks polished and finished now - like a house. | 0:17:12 | 0:17:15 | |
It does look very nice, doesn't it? The clue is down there on that sign. | 0:17:15 | 0:17:18 | |
The Old School. So this was a Victorian schoolhouse. | 0:17:18 | 0:17:21 | |
Now, don't be put off by the size and scale of this. | 0:17:21 | 0:17:24 | |
I know it's certainly bigger than you're looking at on your budget. | 0:17:24 | 0:17:27 | |
The point here is that Stewart and Katie inside were first-time renovators, | 0:17:27 | 0:17:31 | |
yet they took on this project and did it incredibly well. | 0:17:31 | 0:17:33 | |
So I really think they'll have | 0:17:33 | 0:17:35 | |
a lot of information they can share with you, | 0:17:35 | 0:17:37 | |
and I think it will be really useful. | 0:17:37 | 0:17:39 | |
-Shall we go and say hello? -Yeah. | 0:17:39 | 0:17:41 | |
When Stewart Bankier | 0:17:41 | 0:17:43 | |
and his wife Kate came across this disused Victorian primary school | 0:17:43 | 0:17:47 | |
in North Yorkshire, it really sparked their imagination. | 0:17:47 | 0:17:50 | |
It just looked unloved, derelict | 0:17:50 | 0:17:52 | |
and in need of a lot of work and attention. | 0:17:52 | 0:17:55 | |
But a lovely building. | 0:17:55 | 0:17:57 | |
It had lovely barge boards and a really solid building. | 0:17:57 | 0:18:00 | |
Great stonework. So we could see that it could be something again. | 0:18:00 | 0:18:05 | |
Inside, I suppose, it was the height. | 0:18:05 | 0:18:08 | |
It makes the house feel a lot bigger than it is. | 0:18:08 | 0:18:10 | |
And also, we loved the big, long windows. | 0:18:10 | 0:18:12 | |
The school had stood empty for 50 years | 0:18:12 | 0:18:15 | |
until Stewart and Kate bought it for £250,000 in 2009. | 0:18:15 | 0:18:19 | |
They were keen to convert it sympathetically | 0:18:19 | 0:18:22 | |
into a four-bedroom house. | 0:18:22 | 0:18:23 | |
We're both quite practical people, so a lot of it is common sense | 0:18:23 | 0:18:28 | |
and watching the professionals and then just copying them. | 0:18:28 | 0:18:31 | |
It's amazing what you can do if you put your mind to it | 0:18:31 | 0:18:33 | |
and if the enthusiasm's there. | 0:18:33 | 0:18:36 | |
We learned to do all sorts of things that you wouldn't imagine. | 0:18:36 | 0:18:39 | |
As first-time renovators, Stewart and Kate's project | 0:18:39 | 0:18:42 | |
was a very steep learning curve for them both. | 0:18:42 | 0:18:45 | |
Anyone who tackles something like this with the right approach | 0:18:45 | 0:18:48 | |
would get a lot out of it, as we did. | 0:18:48 | 0:18:51 | |
You need to do into it with your eyes open, I think... | 0:18:51 | 0:18:54 | |
Accept that there probably will be things you're not expecting, | 0:18:54 | 0:18:57 | |
it WILL cost more than you think, | 0:18:57 | 0:18:59 | |
and it might take a little bit longer. | 0:18:59 | 0:19:02 | |
But I think, if you're keen and interested in the whole process, | 0:19:02 | 0:19:06 | |
then it's very worthwhile. | 0:19:06 | 0:19:07 | |
This is a great chance for Joanne to get some first-hand advice | 0:19:09 | 0:19:12 | |
from people who've done something similar to what she hopes to do. | 0:19:12 | 0:19:16 | |
As you come in here, it's a lovely front room/sitting room. | 0:19:16 | 0:19:19 | |
It's beautiful. It feels like it's always been a sitting room. | 0:19:19 | 0:19:22 | |
It wasn't always like this. What was the state of this building when you took it on? | 0:19:22 | 0:19:26 | |
It was one big dilapidated room, | 0:19:26 | 0:19:28 | |
and with a nasty stove at that end and a big old fireplace at that end, | 0:19:28 | 0:19:32 | |
which we've ripped out and changed it beyond recognition, really. | 0:19:32 | 0:19:36 | |
Joanne, as you walk in here, what do you make of the room as you come in? | 0:19:36 | 0:19:39 | |
I think it's a really lovely space. | 0:19:39 | 0:19:41 | |
Even though it's a BIG space, it still feels warm and cosy | 0:19:41 | 0:19:45 | |
and welcoming. And the original doors gives it a real sense of history | 0:19:45 | 0:19:50 | |
and quality. | 0:19:50 | 0:19:52 | |
And, to what extent were you guided by the historical features, | 0:19:52 | 0:19:55 | |
doors, windows, those kinds of things, | 0:19:55 | 0:19:57 | |
in keeping the right feel for the building? | 0:19:57 | 0:19:59 | |
Well, we wanted to be sympathetic | 0:19:59 | 0:20:01 | |
because it was such a part of the village. | 0:20:01 | 0:20:04 | |
We didn't want to upset the villagers | 0:20:04 | 0:20:05 | |
by ripping all the features out and making it look unrecognisable. | 0:20:05 | 0:20:09 | |
We've kept the doors, we've kept the windows... | 0:20:09 | 0:20:11 | |
Even in the kitchen, we've moved the windows to the end of the extension. | 0:20:11 | 0:20:14 | |
They're the same shape as they were. | 0:20:14 | 0:20:16 | |
So what advice do you have about how you go about finding | 0:20:16 | 0:20:19 | |
people who really understand the nature of the building and | 0:20:19 | 0:20:22 | |
can work with the vision you've got? | 0:20:22 | 0:20:24 | |
I think you need to talk to local people. | 0:20:24 | 0:20:28 | |
Find somebody who has already done it and ask who they used. | 0:20:28 | 0:20:32 | |
And you've got to go and look at it, you've got to go and talk to them. | 0:20:32 | 0:20:35 | |
-You've really got to do your research. -That is really helpful, actually. | 0:20:35 | 0:20:39 | |
-You talked about the kitchen, which you've had extended. Shall we go and have a look? -Yeah. -Sure. | 0:20:39 | 0:20:44 | |
Joanne, as you come through here, | 0:20:49 | 0:20:50 | |
this really is a kitchen/dining/living area | 0:20:50 | 0:20:53 | |
with a bit of a wow factor, isn't it? What do you make of it? | 0:20:53 | 0:20:55 | |
It's really amazing. The fact that they've managed | 0:20:55 | 0:20:59 | |
to keep the ceiling height and the feeling of the old building, | 0:20:59 | 0:21:01 | |
and the fireplace and everything like that, and sort of made it fresh | 0:21:01 | 0:21:05 | |
and clean and vibrant is really clever. | 0:21:05 | 0:21:08 | |
Did you always know you were going to do this? | 0:21:08 | 0:21:10 | |
-Did you know how it would look at the end? -Even when it was dilapidated | 0:21:10 | 0:21:13 | |
and it was an old institutionalised kitchen, it was still, "Wow, look at the space up there." | 0:21:13 | 0:21:17 | |
So...yeah... When we did the extension, | 0:21:17 | 0:21:19 | |
we knew that we just wanted to replicate it and keep the space. | 0:21:19 | 0:21:21 | |
-We love it. -Now, I know you want to get as involved as possible | 0:21:21 | 0:21:26 | |
in your project. So, how much did you guys get involved? | 0:21:26 | 0:21:29 | |
Cos this was a first renovation for you, wasn't it? | 0:21:29 | 0:21:32 | |
We did a lot of demolishing | 0:21:32 | 0:21:34 | |
and Stewart dug the foundations for the extension, | 0:21:34 | 0:21:36 | |
so we managed to save a bit of money there. | 0:21:36 | 0:21:38 | |
And really enjoyed mucking in and doing it ourselves. | 0:21:38 | 0:21:41 | |
Plus it gives you ownership over the building at the end. | 0:21:41 | 0:21:44 | |
You don't feel as if you've just sent somebody in to do the lot and | 0:21:44 | 0:21:47 | |
then you come back and it's not necessarily | 0:21:47 | 0:21:49 | |
what you expected it to be. | 0:21:49 | 0:21:51 | |
If you've done some bits here and some bits there, | 0:21:51 | 0:21:53 | |
you can look back on it in years to come and go, "I did that." | 0:21:53 | 0:21:56 | |
Any advice on how to stretch a renovation budget? | 0:21:56 | 0:21:58 | |
How to make the most of it? | 0:21:58 | 0:22:00 | |
I think...probably the first place to start | 0:22:00 | 0:22:03 | |
is re-use some of the materials that you already have | 0:22:03 | 0:22:06 | |
and talk to your builder and see where he can use | 0:22:06 | 0:22:11 | |
some of that material and... That's a good start. | 0:22:11 | 0:22:15 | |
We used a lot of the slates from the roof again - | 0:22:15 | 0:22:17 | |
80% that we took off we were able to re-use. | 0:22:17 | 0:22:19 | |
Presumably, if you can spend some time planning, | 0:22:19 | 0:22:21 | |
and keeping an eye out for bargains, there's a few savings there. | 0:22:21 | 0:22:24 | |
Definitely savings to be had. | 0:22:24 | 0:22:25 | |
The prices are so different, so shop around and take a note, | 0:22:25 | 0:22:29 | |
and don't just rush into buying the first load of tiles you see. | 0:22:29 | 0:22:32 | |
They may be great, | 0:22:32 | 0:22:33 | |
but there may be the same at a slightly better price down the road, | 0:22:33 | 0:22:36 | |
so if you've got the time, put it into that, and save some money. | 0:22:36 | 0:22:40 | |
It's been lovely to see your home. | 0:22:40 | 0:22:42 | |
Thank you so much for showing us round. | 0:22:42 | 0:22:44 | |
I can't believe how well it's turned out. It's amazing, isn't it? | 0:22:44 | 0:22:46 | |
It's got the character of the old school, | 0:22:46 | 0:22:48 | |
yet a very comfortable family home. | 0:22:48 | 0:22:50 | |
It's a pleasure to have you. We wish you all the best with your project. | 0:22:50 | 0:22:53 | |
-Thank you. -Great advice, thanks. | 0:22:53 | 0:22:55 | |
Back in Waveney, in northeast Suffolk, | 0:22:56 | 0:22:58 | |
empty property officer Jason Hall is heading to a house | 0:22:58 | 0:23:01 | |
that's been in his sights for some time. | 0:23:01 | 0:23:04 | |
The property I'm visiting today is a long-time empty property. | 0:23:04 | 0:23:07 | |
It's quite an unsightly place in a very busy area. | 0:23:07 | 0:23:11 | |
It's been heavily overgrown and had a section 215 notice served upon it | 0:23:11 | 0:23:16 | |
with regards to the untidiness of the site. | 0:23:16 | 0:23:19 | |
And basically, I am here today to check that notice has been complied with | 0:23:19 | 0:23:22 | |
because the notice period has now expired. | 0:23:22 | 0:23:25 | |
When the council serves this type of notice, the owner of a property is | 0:23:26 | 0:23:30 | |
required to improve the appearance of the land facing the road. | 0:23:30 | 0:23:34 | |
He's started to comply with the section 215 notice... | 0:23:34 | 0:23:37 | |
because he's cleared most of the overgrown vegetation, | 0:23:37 | 0:23:40 | |
he's stripped the roof down like he's going to do something, | 0:23:40 | 0:23:44 | |
either take the whole roof off or put a new one on. | 0:23:44 | 0:23:47 | |
But my main points of concern now are the fact that | 0:23:47 | 0:23:50 | |
we've got a number of access points to the property. | 0:23:50 | 0:23:53 | |
At the back, we've got a door that's wide open. | 0:23:53 | 0:23:56 | |
To the side, we've got a window that's accessible to the front. | 0:23:56 | 0:23:59 | |
Most worrying of all is that there's quite a deep drop | 0:23:59 | 0:24:04 | |
into an open cellar. | 0:24:04 | 0:24:07 | |
I think the section 215 notice is the least of my worries at the moment. | 0:24:07 | 0:24:10 | |
I think the most important thing is to make sure all of the areas | 0:24:10 | 0:24:14 | |
are made safe and secure. | 0:24:14 | 0:24:16 | |
Clearly a blight on the neighbourhood, this house is | 0:24:16 | 0:24:19 | |
still in a poor state of repair | 0:24:19 | 0:24:20 | |
so Jason needs to get the owner to bring it back | 0:24:20 | 0:24:23 | |
into a habitable condition and get people living there. | 0:24:23 | 0:24:26 | |
What I need to do now is go back to the office, | 0:24:26 | 0:24:28 | |
contact the owner as quick as possible. | 0:24:28 | 0:24:30 | |
I'll try by telephone. If I can't get hold of him, | 0:24:30 | 0:24:32 | |
I'll serve a notice on the property today | 0:24:32 | 0:24:34 | |
to make sure that it's boarded up as soon as possible. | 0:24:34 | 0:24:38 | |
Long-running cases like these | 0:24:38 | 0:24:40 | |
often require the empty property officer to make repeated efforts to contact owners, | 0:24:40 | 0:24:44 | |
and work with them to bring buildings back into use. | 0:24:44 | 0:24:47 | |
Fantastic, so just make sure that you get it secured. | 0:24:47 | 0:24:49 | |
Get the back door, especially, secured, | 0:24:49 | 0:24:51 | |
so no-one can get into the building. And cover that area with the cellar, | 0:24:51 | 0:24:55 | |
that needs to be securely covered as well. | 0:24:55 | 0:24:57 | |
Thanks ever so much. I'll speak to you soon. | 0:24:57 | 0:24:59 | |
OK. That's the owner of the site, and he's aware of what's going on | 0:24:59 | 0:25:05 | |
on the site. He's going to go down today | 0:25:05 | 0:25:08 | |
to make sure that it's made secure. | 0:25:08 | 0:25:10 | |
So, all in all, that's a good conclusion. | 0:25:10 | 0:25:14 | |
The day after Jason's visit, the owner boarded up the house | 0:25:14 | 0:25:17 | |
and erected a perimeter fence to make it secure. | 0:25:17 | 0:25:20 | |
Jason will continue to monitor progress | 0:25:20 | 0:25:22 | |
and hopes to get this place lived in again soon. | 0:25:22 | 0:25:26 | |
In West Yorkshire, I'm with Joanne, who's been getting | 0:25:27 | 0:25:29 | |
advice from a couple who've carried out a renovation | 0:25:29 | 0:25:32 | |
similar to the one she's planning when she buys her next home. | 0:25:32 | 0:25:37 | |
Joanne, how are you feeling after seeing this property today? | 0:25:37 | 0:25:39 | |
It's been really, really useful actually. | 0:25:39 | 0:25:42 | |
The tips that they've given me have given me | 0:25:42 | 0:25:44 | |
quite a bit of confidence, I think, to have a go and try something. | 0:25:44 | 0:25:47 | |
Considering they're first-time renovators, | 0:25:47 | 0:25:49 | |
and they've been able to take on and so something on this level, | 0:25:49 | 0:25:52 | |
does that encourage you? | 0:25:52 | 0:25:54 | |
Yeah, when they talked about ripping up floorboards | 0:25:54 | 0:25:56 | |
and knocking walls down and things like that, | 0:25:56 | 0:25:59 | |
it sounds like my sort of thing, actually. | 0:25:59 | 0:26:01 | |
They've kept the character of the building. | 0:26:01 | 0:26:03 | |
You really want to live in a historic building as well, | 0:26:03 | 0:26:05 | |
so some good tips there. Making the best use of features, | 0:26:05 | 0:26:08 | |
and using sympathetic materials and those kinds of things. | 0:26:08 | 0:26:11 | |
Yes, and reclaimed materials from your own site and things like that, | 0:26:11 | 0:26:15 | |
being able to re-use stone and slate and things like that. | 0:26:15 | 0:26:18 | |
That sounds like a really good idea. | 0:26:18 | 0:26:19 | |
Well, look, I'm sure you'll find something very soon. | 0:26:19 | 0:26:22 | |
You've got all the energy and the enthusiasm, | 0:26:22 | 0:26:24 | |
loads of knowledge, and then some really helpful tips from these guys, | 0:26:24 | 0:26:27 | |
so good luck with it, and I'm sure you'll soon have your dream home. | 0:26:27 | 0:26:30 | |
Thank you very much. | 0:26:30 | 0:26:32 | |
Well, I really think Joanne's got a lot out of today. | 0:26:33 | 0:26:36 | |
Everyone has to start somewhere. | 0:26:36 | 0:26:38 | |
If you're a first-time renovator, | 0:26:38 | 0:26:40 | |
you shouldn't necessarily be put off taking on an empty property, | 0:26:40 | 0:26:43 | |
you just have to plan, do your research and take expert advice. | 0:26:43 | 0:26:47 | |
There's been some wonderful tips for Joanne today. | 0:26:47 | 0:26:50 | |
I think it's really given her the confidence to go out there | 0:26:50 | 0:26:53 | |
and get started. | 0:26:53 | 0:26:54 | |
Subtitles By Red Bee Media Ltd | 0:27:01 | 0:27:04 |