
Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
I can't say this is my choice for the most fashionable look | :00:36. | :00:38. | |
But as we saw yesterday with Joe Swift, I'm about to enter a building | :00:39. | :00:44. | |
site, so high visibility jackets are de rigour here at the grounds | :00:45. | :00:48. | |
And what a sight as both garden designers and floral | :00:49. | :00:52. | |
exhibitors are battling against the clock to get ready for next week's | :00:53. | :00:55. | |
show, the 101st Royal Horticultural Society's Chelsea Flower Show. | :00:56. | :01:04. | |
In this edition we'll see the latest progress and pitfalls | :01:05. | :01:07. | |
Yesterday we had some rain, which meant everything was covered in | :01:08. | :01:22. | |
tarpaulin. We are trying to waterproof things in the rain. But | :01:23. | :01:26. | |
we've cracked on and back on schedule. | :01:27. | :01:28. | |
We re-visit some of the craziest creations ever to | :01:29. | :01:31. | |
And we profile the Clematis family going for gold. | :01:32. | :01:43. | |
It's going to be a terrible disappointment for us and everybody | :01:44. | :01:49. | |
else if one year we don't achieve that. | :01:50. | :01:52. | |
Having designed a garden here, I know what the atmosphere is | :01:53. | :01:55. | |
like at this point in the race to get everything ready. | :01:56. | :02:03. | |
This is the first day the Artisan gardens are moving in, so we will | :02:04. | :02:07. | |
see how they are getting on later. We'll be following all | :02:08. | :02:11. | |
of the progress as the show unfolds I first came to Chelsea with | :02:12. | :02:14. | |
my parents when I was a youngster, Unlike a lot of children, | :02:15. | :02:23. | |
I always found plants and gardening exciting, so for me | :02:24. | :02:28. | |
coming to Chelsea was thrilling. I remember the sense | :02:29. | :02:31. | |
of anticipation and how impatient I felt as we joined the stream of | :02:32. | :02:34. | |
people walking from the Tube station at Sloane Square to the show, | :02:35. | :02:37. | |
which seemed to take an eternity. Somehow in my mind, Chelsea in the | :02:38. | :02:40. | |
late 60s and early 70s was always dominated by the large gardens on | :02:41. | :02:45. | |
the rock bank with their dramatic They made me feel as | :02:46. | :02:49. | |
though I'd been transported out My dad was mad about alpine plants, | :02:50. | :02:55. | |
which he loved seeing at the show and then introduced | :02:56. | :03:03. | |
into our rockery at home. When I moved in to gardening | :03:04. | :03:07. | |
professionally one of my ultimate ambitions was to design | :03:08. | :03:10. | |
a garden for Chelsea, so in 2008 I entered the fray and brought my own | :03:11. | :03:14. | |
ideas for a show garden here. Although it was one | :03:15. | :03:18. | |
of the smaller gardens, I can't I reckon I was sleepwalking | :03:19. | :03:22. | |
by the time it come to I really didn't think I was going to | :03:23. | :03:26. | |
make it in time We've been here since the crack of | :03:27. | :03:46. | |
dawn and it now ten to ten, when not finished. It is tweaking and trying | :03:47. | :03:49. | |
to make everything perfect. What was incredibly encouraging, | :03:50. | :03:54. | |
though, was the reaction of some of my fellow Chelsea presenters, | :03:55. | :03:56. | |
like Carol Klein. She's made these terraces made of | :03:57. | :04:05. | |
slate, inspired by paddy fields. It's a beautiful idea to copy if | :04:06. | :04:09. | |
you've got a small garden and you love growing roses but have no space | :04:10. | :04:12. | |
at all. I think it works wonderfully. | :04:13. | :04:16. | |
That was particularly generous because the spring of 2008 was | :04:17. | :04:19. | |
so cold that roses were incredibly late getting into bloom. | :04:20. | :04:22. | |
I was desperate for more flower colour, | :04:23. | :04:24. | |
so in the end, as others have before me and doubtless will continue to | :04:25. | :04:28. | |
do, I begged and borrowed a few extra plants from fellow designers | :04:29. | :04:31. | |
and exhibitors, experiencing the incredible camaraderie at the show. | :04:32. | :04:33. | |
And, exhausted as I was, I was pleased with the results | :04:34. | :04:36. | |
You won a silver. It did, I'm really pleased with that. For my first | :04:37. | :04:50. | |
attempt, I am so pleased and have learnt so much. | :04:51. | :04:56. | |
So would I do another Chelsea design garden? | :04:57. | :05:05. | |
We imagine Chelsea often as the place to come for gentle | :05:06. | :05:08. | |
Controversy and wild 'n' whacky surprises are not often | :05:09. | :05:15. | |
experimentation with bringing unusual, sometimes even shocking | :05:16. | :05:17. | |
But recent years have seen more and more experimentation with | :05:18. | :05:20. | |
back at some of the most talked about and challenging design ideas | :05:21. | :05:23. | |
We've been looking back at some of the most talked about | :05:24. | :05:37. | |
Design ideas that really set tongues wagging. Don't be constrained by | :05:38. | :05:48. | |
convention. This is a shipping container. The perfume Garden also | :05:49. | :05:53. | |
got a gold, and charts the history of perfume in this country right | :05:54. | :05:58. | |
back to Elizabethan days. But it has this futuristic nerve centre, it can | :05:59. | :06:02. | |
be seen right across the showground. The idea is steam is. Through the | :06:03. | :06:07. | |
rose petals and then drips down into distilled rose oil. | :06:08. | :06:15. | |
We wanted to try and create something a bit more leather. Here | :06:16. | :06:24. | |
it is, rock 'n' roll! This got not only got a gold but it got the most | :06:25. | :06:29. | |
creative garden award. Whether it is recycled shipping containers or, as | :06:30. | :06:35. | |
in this example, a heavy metal garden made out of old spades, | :06:36. | :06:40. | |
Chelsea has never been a stranger to controversial ideas. Take this | :06:41. | :06:41. | |
ground-breaking moment in 2009. I have a letter. It is essentially | :06:42. | :06:58. | |
saying that the judges applied the normal criteria but because I don't | :06:59. | :07:02. | |
have any flowers and this is a horticultural show, I'd | :07:03. | :07:05. | |
automatically got a 30% handicap. As a result of that, the garden has | :07:06. | :07:10. | |
failed to achieve the minimum required to make an award. They | :07:11. | :07:13. | |
don't have a category for being original or cocky. I thought they | :07:14. | :07:21. | |
might have been clever and given me a plasticine award. And the first | :07:22. | :07:24. | |
time a garden that landed at Chelsea featured no flowers, it didn't stop | :07:25. | :07:30. | |
it eventually scooping gold. Well, sort of. It's a one-off, specially | :07:31. | :07:37. | |
commissioned overnight medal for you. The best plasticine garden in | :07:38. | :07:47. | |
the world. It's the only plasticine RHS Gold medal. Fantastic, thank | :07:48. | :07:55. | |
you. You've made me feel really bad now. But when it comes to | :07:56. | :08:00. | |
revolutionaries, there's only one prime contender. Is a generation of | :08:01. | :08:08. | |
garden designers, we have to find something new to say all different | :08:09. | :08:11. | |
levels. There's no point being here just painting a pretty picture that | :08:12. | :08:15. | |
I've seen a million times before. It would be utterly pointless. Guess, | :08:16. | :08:23. | |
Irish designer Diarmuid Gavin, a man whose ambition it is to make us | :08:24. | :08:27. | |
think again about garden design. This was his seventh design in 2011, | :08:28. | :08:33. | |
the Irish sky garden. It is easy to see them as pure showmanship, but | :08:34. | :08:38. | |
his execution both in structure, planting and landscaping takes the | :08:39. | :08:42. | |
breath away. And this was the year it all changed for him. He's tried | :08:43. | :08:49. | |
seven times and at last it came. His Irish Sky god and finally brought | :08:50. | :08:54. | |
him that elusive gold. Such was its recognition, it also scooped the | :08:55. | :08:58. | |
public vote for the People's choice. I'm delighted to say it's Diarmuid | :08:59. | :09:07. | |
Gavin for his sky garden. Where else all who else would bring a flying | :09:08. | :09:11. | |
garden to Chelsea? Only he could do that. It has captured everybody's | :09:12. | :09:16. | |
imagination. The other thing that's important for us is the wonderful | :09:17. | :09:20. | |
garden he has put it into. He went on the following year to go one | :09:21. | :09:24. | |
better. An 80 foot pyramid garden complete with its own lift, shower | :09:25. | :09:30. | |
room, vegetable floor with greenhouse and a helter-skelter for | :09:31. | :09:35. | |
a fast escape. Was it just ego waving? It's about doing something | :09:36. | :09:41. | |
different, pushing boundaries and exploring possibilities. The message | :09:42. | :09:45. | |
is, can we in the future plan in an innovative way to have Gardens in an | :09:46. | :09:52. | |
increasingly urbanised society? Can we make every use of our space and | :09:53. | :09:58. | |
resource to create escapes for people? Even Chelsea pensioners | :09:59. | :10:03. | |
fancied a look, as it was awarded silvergilt and most creative. | :10:04. | :10:07. | |
Everyone was talking about it. It looks like Trumpton has gone crazy, | :10:08. | :10:12. | |
it's fantastic. The question is, will anyone ever trump that? Those | :10:13. | :10:23. | |
gardens had a lot of people talking. There is no Diarmuid Gavin garden at | :10:24. | :10:29. | |
this event, but one has been inspired by the stars and | :10:30. | :10:33. | |
constellations. It's been put together by newcomers storming Main | :10:34. | :10:37. | |
Avenue this year, Harry and David Rich. Talk me through the design of | :10:38. | :10:43. | |
it. Daily it's based on the stars, the constellation in the night sky. | :10:44. | :10:48. | |
We've got dry stone walls, Dapple birch trees throughout, and then | :10:49. | :10:52. | |
they open up to prevail stargazing bowl in the back. The planting, it's | :10:53. | :11:01. | |
predominantly white, it will echo the feeling of the Milky Way. How do | :11:02. | :11:06. | |
you feel it's going so far? We have really enjoyed it. Every day we | :11:07. | :11:09. | |
learn something new and something pops up, it is part of it. How do | :11:10. | :11:14. | |
you manage to conveying the inspiration of the stars in this | :11:15. | :11:21. | |
garden? Black. In the daytime you need to show its night. We've got a | :11:22. | :11:27. | |
dramatic backdrop, to shine and show off the starry night. Reflection | :11:28. | :11:32. | |
pools which will be still black, rippling black hole. So it doesn't | :11:33. | :11:35. | |
matter too much that the garden is being seen during the day? No, we've | :11:36. | :11:40. | |
got features in the benches where we've strolled holes in different | :11:41. | :11:44. | |
constellations. At night time there's a box light, but they should | :11:45. | :11:49. | |
shine and you should see the constellations picking up. Any | :11:50. | :11:55. | |
challengers so far, is it all going perfectly smoothly? Apart from | :11:56. | :12:00. | |
Harry, no. Many thanks a very good luck. We will see the completed | :12:01. | :12:08. | |
garden next week. You might be surprised at the | :12:09. | :12:12. | |
lengths people go to in order to find just the right elements for a | :12:13. | :12:16. | |
garden here. Yesterday we introduced you to another Chelsea first time | :12:17. | :12:19. | |
designer, Matthew Childs, on his journey in preparation for his debut | :12:20. | :12:22. | |
here on Main Avenue. At the centre of his garden will be two birch | :12:23. | :12:26. | |
trees. Sounds simple, but tracking down the perfect specimens was more | :12:27. | :12:29. | |
tricky. It is mid January, it's coming up to | :12:30. | :12:52. | |
630 p.m.. It's freezing cold and we are off to Germany to find my | :12:53. | :12:55. | |
elusive river birch for the garden at Chelsea this year. I've been | :12:56. | :13:00. | |
looking all over the place, the UK, lots of places around Europe and we | :13:01. | :13:04. | |
still haven't yet found the right specimens. So we are meeting Mark, a | :13:05. | :13:11. | |
colleague of mine that I've worked with before. He is my tree man. He | :13:12. | :13:16. | |
has found the trees, given me the tip off and hopefully we've found | :13:17. | :13:19. | |
the right field of trees in Germany which will do the job, so that's | :13:20. | :13:20. | |
where we are going today. We've just arrived at Eindhoven. | :13:21. | :13:37. | |
We're now on our way to the tree nursery in Germany, so we are | :13:38. | :13:43. | |
crossing over the Dutch border. It is really quite grim out and rainy. | :13:44. | :13:49. | |
But we are hoping that these are going to be the trees. They are | :13:50. | :13:55. | |
going to be the trees. If they look good on a day like this, they will | :13:56. | :14:01. | |
look great in May! It's not very long now until Chelsea. We are | :14:02. | :14:05. | |
mid-January, a few months, just starting to dawn on me how quickly | :14:06. | :14:09. | |
time is flying. This is a really important trip today for the trees, | :14:10. | :14:13. | |
because it's such an important part of the garden. If I'm honest, I'm | :14:14. | :14:17. | |
just full of butterflies. Great stuff. | :14:18. | :14:37. | |
has been 300 extraordinaire! He has been looking through all of his | :14:38. | :14:44. | |
contacts for me. It is Chelsea, so you have to go as far as you can to | :14:45. | :14:48. | |
make sure that you have got the perfect plant. I have been doing all | :14:49. | :14:56. | |
I can. Looking at bark detail. Chelsea is the pinnacle of | :14:57. | :14:59. | |
horticulture. That is how far you have to go. Hopefully we will find | :15:00. | :15:10. | |
them! Let's go! Hopefully these are going to be the trees. We could not | :15:11. | :15:14. | |
find the streets in the UK. We looked all over. We looked in other | :15:15. | :15:20. | |
countries around Europe as well. I suppose I have got high standards of | :15:21. | :15:24. | |
what I am looking for. I want to achieve the best possible specimens | :15:25. | :15:29. | |
we can. It is just so happens that maybe they are here in this | :15:30. | :15:32. | |
particular field in Germany. What we are trying to do at the moment is | :15:33. | :15:36. | |
look at the whole role that we have got here of the river birch. We want | :15:37. | :15:42. | |
to pick out the ones that have the best shape and have got a good | :15:43. | :15:52. | |
number of stems. I will also You want something like this? | :15:53. | :15:55. | |
Definitely. That is beautiful. That is perfect. And that one there. That | :15:56. | :16:03. | |
has got nice narrow stems at the base as well. These early ones. | :16:04. | :16:12. | |
Perfect. I think these are absolutely amazing. Look at the | :16:13. | :16:18. | |
bark. Yes, you have got a beautiful maturity on the stems which gives | :16:19. | :16:25. | |
you a beautiful peeling bark. The amount of peeling is just fantastic. | :16:26. | :16:31. | |
It is great. It will only get better as we get closer to Chelsea. Size | :16:32. | :16:37. | |
wise, they are great. Absolutely perfect. And a good height as well. | :16:38. | :16:51. | |
Brilliant! High-5! Those early ones. Now we need to tag them. Let's tag | :16:52. | :16:57. | |
what we want. We have got five trees for the garden but we have tagged | :16:58. | :17:00. | |
seven. That gives us a few more options close to the time of Chelsea | :17:01. | :17:09. | |
in case we get any major gales. About today, I am this happy. | :17:10. | :17:13. | |
Really, really happy. I can sleep tonight. | :17:14. | :17:20. | |
Well, that was back in the depths of winter. | :17:21. | :17:23. | |
I am with Matthew now here in his garden. | :17:24. | :17:25. | |
Where in the plan are they going to go? There is going to be one right | :17:26. | :17:38. | |
where you are. Around the edges so they form a sense of enclosure. We | :17:39. | :17:42. | |
wanted to get the best we possibly could. I looked everywhere. It was | :17:43. | :17:49. | |
worth going to those lengths. Some people may say that is extraordinary | :17:50. | :17:53. | |
lengths to go to to find some trees. Are they perfect specimens? This is | :17:54. | :17:59. | |
Chelsea, so we are trying to put the best specimens we can into the | :18:00. | :18:04. | |
garden. Just to see them here now with their foliage on, is fantastic. | :18:05. | :18:10. | |
They looked like prize specimens. They are perfect. About everything | :18:11. | :18:18. | |
else? How is going? We are right on target. Yesterday we had some rain, | :18:19. | :18:24. | |
which made everything was covered. We are trying to waterproof things | :18:25. | :18:28. | |
in the rain. Today the guys have cracked on and we're right on | :18:29. | :18:32. | |
schedule. We are back with you tomorrow to see how you are getting | :18:33. | :18:33. | |
on. This is the most exciting place for | :18:34. | :18:41. | |
me at Chelsea, the floral pavilion Coming here as a child, | :18:42. | :18:45. | |
I loved the sound of the canvas flapping and beams creaking like a | :18:46. | :18:50. | |
ship in full sail, combined with the And those heady aromas will be back | :18:51. | :18:53. | |
next week when the show opens. Every exhibitor spends months | :18:54. | :19:01. | |
planning and preparing for the show. Then there's often quite a bit | :19:02. | :19:05. | |
of praying that Big blooms always deliver | :19:06. | :19:07. | |
a fabulous splash of colour, but can they be relied upon when Mother | :19:08. | :19:13. | |
Nature may not be co-operating? We've been out to see preparations | :19:14. | :19:16. | |
for one Essential. Tea and coffee first | :19:17. | :19:41. | |
thing in the morning. The day does not start until you of that tea and | :19:42. | :19:43. | |
coffee! This time of the year as we head | :19:44. | :19:53. | |
towards Chelsea, it takes over our life. It is actually starting to get | :19:54. | :19:59. | |
a little nerve wracking now. Lovely to have the sunshine. We do not want | :20:00. | :20:06. | |
the Clematis to flour until the week of Chelsea. We are trying | :20:07. | :20:14. | |
desperately to hold things back. We are full of boards and we are just | :20:15. | :20:18. | |
over five weeks to press day when we need the plants at their absolute | :20:19. | :20:20. | |
peak. It is quite a challenge. We started the nursery really | :20:21. | :20:35. | |
because my dad was a hobby gardener. Dad had seen this Clematis | :20:36. | :20:40. | |
and was just so overwhelmed. It started the whole thing. I grew up | :20:41. | :20:48. | |
here working with my grandparents and my parents, but my grandparents | :20:49. | :20:53. | |
especially. The plants are what brought us together. To me, they are | :20:54. | :20:59. | |
not just a planned. Our lives are calamitous. That is a lovely way to | :21:00. | :21:06. | |
be. -- Clement is. Our first Chelsea was 2001. Dad was helping with the | :21:07. | :21:14. | |
show plans. To be invited to exhibit at Chelsea was just amazing, | :21:15. | :21:20. | |
really. Scary, quite scary. We started with a silver medal and in | :21:21. | :21:26. | |
2007 we won our first gold medal. We have had gold medals ever since. The | :21:27. | :21:31. | |
problem is there is only one place to go after that. People often ask | :21:32. | :21:37. | |
me which is my favourite. You cannot have favourites. You just look at | :21:38. | :21:43. | |
each flower and they are so beautiful. One of the joys is that | :21:44. | :21:48. | |
all the people we meet, the places we go, each time you see that | :21:49. | :21:57. | |
flower, it reminds you of the people and the places on your trip. It is a | :21:58. | :22:02. | |
very personal memory. It is always difficult to pick one favourite. I | :22:03. | :22:07. | |
tend to think of Louise Roe as my favourite, because of the delicate | :22:08. | :22:12. | |
flavour. It is a beautiful frilly flower as well. Both of my parents | :22:13. | :22:18. | |
have got a Clematis named after them. My mum, Dorothy told her, her | :22:19. | :22:28. | |
as flowers really well through September and October. The one named | :22:29. | :22:35. | |
after dad is a beautiful purple one. They are very special, yes. And I | :22:36. | :22:41. | |
can usually get mum, Dorothy, into flour for Chelsea. Although mummy is | :22:42. | :22:46. | |
not here any more, her plant can come to Chelsea with us. She would | :22:47. | :22:55. | |
be so pleased. We are in the hothouse know where we | :22:56. | :22:58. | |
keep the temperature higher. Less ventilation. That brings on the | :22:59. | :23:06. | |
later flowering clematis. I am pretty confident we will be all | :23:07. | :23:09. | |
right with some. Others, it is too early to tell. Will there be enough | :23:10. | :23:16. | |
to make a reasonable display? We end up using around roundabout six to | :23:17. | :23:23. | |
700 plans during Chelsea week. -- 600 to 700 plans. You have worked so | :23:24. | :23:33. | |
hard, having had seven gold medals in succession. It would be our | :23:34. | :23:41. | |
absolute joy to get an A. It would mean a lot to us. It will be a | :23:42. | :23:48. | |
terrible disappointment for us and everybody else if one year we do not | :23:49. | :23:51. | |
achieve that. People just really expected. Even if we did not get a | :23:52. | :23:57. | |
medal at all, as long as the visitors came to our exhibit and | :23:58. | :24:01. | |
just stood there and looked and admired the flowers, that is worth | :24:02. | :24:13. | |
all the work. It really is. We will be looking out for that | :24:14. | :24:15. | |
display next week. As well | :24:16. | :24:17. | |
as the high profile gardens on main avenue there are just as captivating | :24:18. | :24:20. | |
but smaller artisan gardens being created on Ranelagh Avenue on the | :24:21. | :24:23. | |
bandstand side of the show ground. It's where some | :24:24. | :24:26. | |
of the freshest ideas can emerge. A few years ago, a keen interest was | :24:27. | :24:29. | |
taken in a garden inspired by a wild landscape familiar to many of | :24:30. | :24:32. | |
us from days of childhood reading. In our spotlight on | :24:33. | :24:36. | |
Inspirational Spaces for Designers, we followed Tracy Foster | :24:37. | :24:40. | |
as she went on her quest back in 2012 to create a corner of | :24:41. | :24:43. | |
Chelsea inspired by Bronte country. I would say three of the great loves | :24:44. | :25:06. | |
of my life are Yorkshire, gardening and literature. So I am really, | :25:07. | :25:12. | |
really excited to be able to produce a garden at Chelsea based on that. | :25:13. | :25:26. | |
The Brontes lived in that direction, probably about two and a half miles | :25:27. | :25:32. | |
from here. They lived in the Parsonage, which is now the the | :25:33. | :25:36. | |
Bronte Parsonage Museum. When I come up here, I feel a real sense of how | :25:37. | :25:41. | |
wild it is. It is incredibly beautiful scenery. But then at the | :25:42. | :25:46. | |
same time it is very bleak and there is a kind of tension between the | :25:47. | :25:51. | |
beauty and the bleakness. I think it was very special to them. I think | :25:52. | :25:56. | |
this was their escape. Life at home must have been very difficult and I | :25:57. | :26:00. | |
think this is where they came for their freedom and to let their | :26:01. | :26:09. | |
imaginations run riot. There isn't just the literature that the family | :26:10. | :26:13. | |
have left. There is a legacy of other things. That includes the | :26:14. | :26:17. | |
paintings they did. They were quite accomplished painters and did | :26:18. | :26:23. | |
studies of all sorts of things, including botanical studies, which | :26:24. | :26:27. | |
are very useful. This is a painting that Charlotte did of a pansy. I am | :26:28. | :26:34. | |
hoping that I will be able to include this in the garden at | :26:35. | :26:39. | |
Chelsea. It shows really that as well as observing the landscape, | :26:40. | :26:45. | |
Charlotte has homed in on the detail. I have also selected some | :26:46. | :26:50. | |
books to indicate the sort of books that the judge would have read. I | :26:51. | :26:56. | |
have picked out two volumes along with a pair of Victorian spectacle | :26:57. | :26:59. | |
of the time similar to the one that Charlotte would have worn. There may | :27:00. | :27:07. | |
be no flowers out at this time of the year but it is still absolutely | :27:08. | :27:12. | |
stunning scenery. It has a certain magic. It is the sort of place woody | :27:13. | :27:21. | |
vegetation -- where the vegetation gives it a certain smell, a certain | :27:22. | :27:27. | |
feel. It is completely unique to this place. These days I am getting | :27:28. | :27:35. | |
so close to landscape, I have been leaning over and photographing. | :27:36. | :27:38. | |
People have been asking me what I am doing. I am looking for a level of | :27:39. | :27:43. | |
detail. Coming here again and again is helping me to soak that up and | :27:44. | :27:48. | |
get that feeling. Hopefully when I am at Chelsea, I will be able to | :27:49. | :27:54. | |
recreate the of being here. -- the feeling. And that idea came | :27:55. | :28:04. | |
to fruition for Tracey in 2012 as we saw on the programme when Toby took | :28:05. | :28:07. | |
a tour. Tracy, you have made it? Yes, I'm | :28:08. | :28:13. | |
here. I have built it. Everything went really well and I am really | :28:14. | :28:18. | |
pleased with it. It is a bit of a moody garden, I think. It seems to | :28:19. | :28:22. | |
have picked up that moodiness, which is absolutely brilliant. The | :28:23. | :28:27. | |
atmosphere in the garden very much depends on the weather. | :28:28. | :28:35. | |
No gardens inspired by the Bronte 's this year. Amongst this year 's art | :28:36. | :28:39. | |
Gardens is a different celebration of Yorkshire. It is designed by | :28:40. | :28:47. | |
Alistair Baldwin. It is called to add a Yorkshire. That suggests a | :28:48. | :28:51. | |
cycling connection Kilmer --? Yellow macro yes, you're right. The Tour de | :28:52. | :28:56. | |
France starts in Yorkshire for the first time this year. We are looking | :28:57. | :29:01. | |
to represent that. What are you homing in on what these aspects of | :29:02. | :29:04. | |
Yorkshire? What are you looking to capture? So many people know the | :29:05. | :29:11. | |
rugged countryside of Yorkshire, particularly new North Yorkshire, | :29:12. | :29:14. | |
the mourners. So part of the garden will be rugged and wild in its | :29:15. | :29:19. | |
field. By contrast, the rest of the garden will interject into the rural | :29:20. | :29:23. | |
landscape and be more engineered and polished. You've just come on site | :29:24. | :29:37. | |
to date, how is it going so far? Very good. I'm in safe hands, it is | :29:38. | :29:43. | |
the lads' fifth or sixth garden. We've had it planned for months, | :29:44. | :29:47. | |
it's a question of bringing the path down and assembling them into the | :29:48. | :29:52. | |
garden. That sounds good in theory. I'm sure it will be good in practice | :29:53. | :29:56. | |
as well. I hope it goes well and I will keep a sharp eye on you. | :29:57. | :30:01. | |
Every day we are following the backstage team who are | :30:02. | :30:03. | |
From the caterers who will be pouring thousands of cups | :30:04. | :30:07. | |
of tea next week, to the drivers delivering delicate plants to the | :30:08. | :30:10. | |
show, there are hundreds of people we are calling Chelsea Champions. | :30:11. | :30:13. | |
We are about to join one of the unsung heroes. | :30:14. | :30:17. | |
It's Gemma Price, she manages an all-female team in managing the | :30:18. | :30:22. | |
construction and building of the site. My name is Gemma Price and I'm | :30:23. | :30:31. | |
the operations manager for the RHS Chelsea Flower Show. I'm ultimately | :30:32. | :30:35. | |
responsible for the build of this show, the tents, making sure they | :30:36. | :30:40. | |
are built to schedules on time, the likes of the catering arriving. I | :30:41. | :30:44. | |
generally catch up with all my contractors, plumbers and | :30:45. | :30:47. | |
electricians. It's reacting to any problems and issues as and when | :30:48. | :30:53. | |
things crop up. No day is the same. What is your location, and after a | :30:54. | :30:57. | |
progress update? We are down here every day from 7am until 8pm or | :30:58. | :31:03. | |
9pm. It's quite intense, but there are three of us, myself, my deputy, | :31:04. | :31:10. | |
Joey, and Rachel, my assistant. It's very exciting. I don't think people | :31:11. | :31:14. | |
understand that when we first come in there are just a couple of | :31:15. | :31:17. | |
fields. We have to build a little town and then we put the flower show | :31:18. | :31:22. | |
in the town. It doesn't appear spontaneously. It's lovely to see it | :31:23. | :31:25. | |
being built and the finished product. The width of the slats on | :31:26. | :31:36. | |
the stepping are a bit worrying. When you see them in situ, my finger | :31:37. | :31:43. | |
can go down that. Someone in high heels will go straight through that. | :31:44. | :31:48. | |
And we will have high heels here because it's a corporate space. Are | :31:49. | :31:57. | |
you thinking the same? Absolutely. We are troubleshooters. We are | :31:58. | :32:01. | |
responding to problems as they arise. General snapping, picking up | :32:02. | :32:05. | |
on any small issues we can rectify now as it is in build, because once | :32:06. | :32:09. | |
it's built we can't always rectify every single problem. We are still | :32:10. | :32:18. | |
halfway through the build phase, but so far so good. We've had some good | :32:19. | :32:23. | |
weather behind us, apart from today when it rained. We've got a leak in | :32:24. | :32:27. | |
the roof, so we are going to try and find out where the problem is and | :32:28. | :32:31. | |
how long it's going to take to fix. I'm looking for Gavin, he's possibly | :32:32. | :32:39. | |
up on the roof. Gavin, are you all right? How long is that going to | :32:40. | :32:51. | |
take? Five minutes. Cheers, guys. Looking at my watch, it's just past | :32:52. | :32:57. | |
4pm, we missed our tea slot. The best part of the day! One of the | :32:58. | :33:04. | |
stands want to bring three hedgehogs. They are arriving at 11 | :33:05. | :33:12. | |
and leaving at 230. Health and safety, they had hedgehogs at | :33:13. | :33:15. | |
Hampton Court Stakes tour, we need to check the regulations. We get | :33:16. | :33:20. | |
some really odd requests, we couldn't even dream them up | :33:21. | :33:25. | |
sometimes. Lulu has sent an e-mail over asking for a ticket. Shall we | :33:26. | :33:29. | |
ask her to sing for it on the bandstand? We are going over to our | :33:30. | :33:38. | |
hospitality area, our private catering. There's been an incident, | :33:39. | :33:41. | |
so I'm going to see what's happening. Last night there was some | :33:42. | :33:49. | |
damage to the wall up near the Royal Hospital. It was probably done by | :33:50. | :33:53. | |
one of the forklift drivers. We are having a look at what damage there | :33:54. | :33:57. | |
is, because we need to let the hospital note there is damage to | :33:58. | :34:01. | |
their property. What happened? It's clearly done by a forklift with a | :34:02. | :34:09. | |
big wheel. It's totally annihilated. Gemma to Ken. Can you get him to | :34:10. | :34:15. | |
meet us by the wall that's damaged? It's not that straightforward of a | :34:16. | :34:19. | |
job to fix, it's not like a brick wall. These things do happen, we | :34:20. | :34:23. | |
just need to make it safe. We just need to make sure we find out who's | :34:24. | :34:27. | |
done it and have a word with them about safe driving. There are so | :34:28. | :34:31. | |
many forklifts on site that these things do happen, but it is to take | :34:32. | :34:36. | |
care and respect to the hospital because it is part of their garden. | :34:37. | :34:40. | |
This is a pretty typical day. Things like this happen all the time. I'm | :34:41. | :34:43. | |
hoping there's going to be nothing major to date, so this is a normal | :34:44. | :34:49. | |
day for me. OK, guys, we are going to make a start. Thank you everyone | :34:50. | :34:53. | |
for coming today. It's been quite a busy day, so we've got a couple of | :34:54. | :34:58. | |
reminders for you from myself, Joey and Rachel. There has been some | :34:59. | :35:02. | |
damage to the wall last night on a wall. It will require one of Ken's | :35:03. | :35:07. | |
guys have the data fix the wall again. If there is an accident, it's | :35:08. | :35:12. | |
much better that you tell us. It's not a witch hunt, but the sooner we | :35:13. | :35:15. | |
know about the problem, the sooner we can fix it. I absolutely love my | :35:16. | :35:23. | |
job. I'm very lucky to be in this role but now I think I've reached | :35:24. | :35:27. | |
the peak of my career with this show, because where can you go from | :35:28. | :35:38. | |
here? It's pretty special. We mustn't forget that this place is a | :35:39. | :35:42. | |
home to the hundreds of Chelsea pensioners resident in the Royal | :35:43. | :35:45. | |
Hospital, just a stones throw from here. | :35:46. | :35:48. | |
They're always keen visitors to the show, as we saw earlier | :35:49. | :35:51. | |
when they climbed Diarmuid's towering triangular triumph. | :35:52. | :35:53. | |
Some of them are pretty keen gardeners too, as we discovered when | :35:54. | :35:56. | |
we followed them to their nearby allotment a couple of years back. | :35:57. | :36:04. | |
everything up and start again. But how could I? | :36:05. | :37:12. | |
IM higgledy-piggledy. I have got no pattern. I just stick things in and | :37:13. | :37:20. | |
they seem to grow. I love my roses. My special ones, Royal William. What | :37:21. | :37:30. | |
do you think of my sweet peas? Don't forget the weeding. Look at all the | :37:31. | :37:42. | |
parts. When you get perfectionists like Lee, everything has to be | :37:43. | :37:48. | |
perfect. The others grow things for vegetables which they can give to | :37:49. | :37:53. | |
the nurses if they wish. It is nice to give the nurses some flowers. The | :37:54. | :37:58. | |
girls who look after us so well. A bunch of flowers goes a long way. | :37:59. | :38:09. | |
Rosemary for remembrance, of course. My jasmine smells nice. That is my | :38:10. | :38:16. | |
Glenfiddich rose, the colour of my whiskey. | :38:17. | :38:25. | |
If I pick them, I give them to the first pretty girl I made. They are | :38:26. | :38:38. | |
gorgeous, Paddy. Thanks. I wish I could talk about football something | :38:39. | :38:43. | |
else. But my topic of conversation is Army, and perhaps a bit of | :38:44. | :38:51. | |
gardening. That's me. And with me now is Paddy Fox, who | :38:52. | :38:55. | |
lives here at the Royal Chelsea Hospital. What was your reaction to | :38:56. | :39:02. | |
the film? Yellow macro is fantastic. I have never been filmed before. To | :39:03. | :39:09. | |
show my beautiful flowers in my allotment... I had the most | :39:10. | :39:14. | |
wonderful dahlias and irises. How is it looking good? I have moved to a | :39:15. | :39:21. | |
smaller allotment now. I have transferred everything over. Again | :39:22. | :39:26. | |
it is looking very good. My camellias are looking better over | :39:27. | :39:29. | |
there than they were in the other one. What does the Chelsea Flower | :39:30. | :39:35. | |
Show mean to you? It is one of the highlights of the year to see it go | :39:36. | :39:38. | |
up from nothing, and to meet people from all over the world and see the | :39:39. | :39:42. | |
most fantastic floral arrangements. And then to see it all come down to | :39:43. | :39:48. | |
nothing. What is it like almost -- having such a big event almost | :39:49. | :39:50. | |
landing in your own garden having such a big event almost | :39:51. | :39:53. | |
landing in your own every year? It keeps us busy. If you come you will | :39:54. | :39:59. | |
see Chelsea pensioners wondering around. It is a great interest to | :40:00. | :40:04. | |
all of us. Do you like the traditional gardens are the modern | :40:05. | :40:12. | |
designs? All, yes. Traditional. I hope you getting free? We do. Just | :40:13. | :40:18. | |
like this? That is wonderful, Paddy. Thank you very much. We will be | :40:19. | :40:22. | |
watching out to see if the residents bring any their own products to the | :40:23. | :40:26. | |
show next week. I cannot wait until the show gets underway. We will be | :40:27. | :40:30. | |
on air in this time slot next Monday. There is a preview the | :40:31. | :40:36. | |
finished show on Monday -- Sunday. Wildie Gardens live up to | :40:37. | :40:40. | |
expectation? Join us to find out. If I were choosing some of my favourite | :40:41. | :40:44. | |
gardens from Chelsea's past, here are some caucus. | :40:45. | :40:52. | |
-- corkers. Hats off to top designer Andy Sturgeon. His 2010 garden was | :40:53. | :40:59. | |
exceptionally well deserving of its best in show award. I am absolutely | :41:00. | :41:06. | |
thrilled that I have won it finally. It was a powerfully masculine | :41:07. | :41:07. | |
garden. in 2009 made me admire her canny use | :41:08. | :41:27. | |
of a tiny budget. The total cost | :41:28. | :41:30. | |
of three gardens was just ?15,000, which is minimal compared to the | :41:31. | :41:32. | |
six figure budgets on Main Avenue. The first was the Banker's Garden | :41:33. | :41:36. | |
that borrowed ideas from a well-known board game, | :41:37. | :41:43. | |
like water works which represented Then there was the Offshore Garden | :41:44. | :41:46. | |
representing attempts by some to conceal assets away | :41:47. | :41:50. | |
from the tax man. How have the public reacted to this | :41:51. | :42:02. | |
garden? They love it and see it as great fun. | :42:03. | :42:05. | |
And the Overdrawn Artists Garden completed the trilogy featuring | :42:06. | :42:10. | |
materials gleaned from scrapyards and borrowed planting. | :42:11. | :42:16. | |
And Andy Sturgeon will be with us this time tomorrow for his own take | :42:17. | :42:23. | |
on Chelsea. I hope you've enjoyed the behind-the-scenes tour. It looks | :42:24. | :42:27. | |
set to be an interesting year. We will bow out in musical style with a | :42:28. | :42:30. | |
celebration of something we are all hoping to see next week... Sunshine! | :42:31. | :43:19. | |
A new era blooms at the RHS Chelsea Flower Show, | :43:20. | :43:42. | |
with a fresh crop of exciting young designers. | :43:43. | :43:52. | |
And you must be the famous Dr Quirke. | :43:53. | :43:54. |