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Hello, and welcome to DIY SOS, this week coming to you | 0:00:02 | 0:00:04 | |
from Stoke, with my team, but also with a huge army of people. | 0:00:04 | 0:00:07 | |
Yes, every single person here | 0:00:07 | 0:00:09 | |
has volunteered to help us make a difference to a family | 0:00:09 | 0:00:12 | |
who, to be honest, have had a tough time of it. | 0:00:12 | 0:00:14 | |
This is DIY SOS - The Big Build. | 0:00:14 | 0:00:19 | |
This house has not been looked after for years. | 0:00:21 | 0:00:24 | |
The house is dying. | 0:00:24 | 0:00:26 | |
It's one of the biggest jobs we've ever attempted. | 0:00:26 | 0:00:30 | |
I'm going to go and get a hard hat. | 0:00:30 | 0:00:32 | |
We don't have problems, we have solutions. Don't we, boys? | 0:00:35 | 0:00:39 | |
When this came out, I took a second look and thought, "We've been living in this!" | 0:00:39 | 0:00:43 | |
It's months of work. | 0:00:43 | 0:00:45 | |
One, two, three. | 0:00:45 | 0:00:49 | |
But we've got just nine days to transform this house into a home. | 0:00:49 | 0:00:53 | |
I can't believe the difference this will make to this family. | 0:00:53 | 0:00:57 | |
We're here today to help Haydn, Jenny and their three daughters, Sarah, Sophie and youngest Sasha. | 0:01:06 | 0:01:14 | |
They live here, in this three-bedroom terraced house in Stoke-on-Trent. | 0:01:15 | 0:01:22 | |
Well, we bought this house as an investment opportunity originally. | 0:01:22 | 0:01:26 | |
We definitely wanted to buy some more. | 0:01:26 | 0:01:28 | |
Yeah, we saw ourselves in the future | 0:01:28 | 0:01:31 | |
as being some sort of property tycoon. | 0:01:31 | 0:01:33 | |
Wow, how we have dreams! | 0:01:33 | 0:01:35 | |
But their dreams were shattered when Haydn started to suffer severe | 0:01:35 | 0:01:39 | |
bouts of stomach pain and had to give up work as a skipper of ships. | 0:01:39 | 0:01:45 | |
Doctors discovered Haydn was suffering from a rare abdominal cancer. | 0:01:47 | 0:01:51 | |
A neuroendocrine tumour is unfortunately what they found, | 0:01:51 | 0:01:55 | |
and instead of it being like a lump it's like a spattering through the cells. | 0:01:55 | 0:02:01 | |
It's a hormonal cancer, and it's very difficult to detect. It's untreatable. | 0:02:01 | 0:02:06 | |
We don't like to think about the inevitability, of course. | 0:02:10 | 0:02:14 | |
Does anybody? | 0:02:14 | 0:02:15 | |
But if we can prolong it and be as happy as possible | 0:02:15 | 0:02:19 | |
in the in-between bits, that's what we're aiming for, really. | 0:02:19 | 0:02:23 | |
With money very tight and none to invest in the house, Haydn tried | 0:02:23 | 0:02:26 | |
to fill the holes in the brickwork using expandable foam just to try and make everything watertight. | 0:02:26 | 0:02:32 | |
Needless to say, it hasn't worked very well. | 0:02:33 | 0:02:36 | |
And inside, two of the three bedrooms are still uninhabitable. | 0:02:38 | 0:02:41 | |
The family are all forced to sleep together in just one room. | 0:02:41 | 0:02:45 | |
This is Mum and Dad's bed. | 0:02:45 | 0:02:47 | |
This one's Sophie's. | 0:02:49 | 0:02:51 | |
This one's my bed. | 0:02:54 | 0:02:56 | |
And then this one here is Sasha's bed. | 0:02:56 | 0:03:00 | |
It's not just the sleeping arrangements that are causing this family of five stress. | 0:03:00 | 0:03:05 | |
They all share this dingy bathroom, which is not ideal considering Haydn is battling abdominal cancer. | 0:03:05 | 0:03:12 | |
My dad's not very well, | 0:03:12 | 0:03:13 | |
and he needs a bathroom in the morning, | 0:03:13 | 0:03:18 | |
and then we can share one downstairs or upstairs, it doesn't matter, and he can have one to himself. | 0:03:18 | 0:03:25 | |
Eventually, we thought we'd just tell | 0:03:27 | 0:03:29 | |
the kids so they'd get used to it, so when it happens it's not a shock which might make it worse for them. | 0:03:29 | 0:03:36 | |
And sometimes it hits them the same. They wake up, especially Sophie, | 0:03:36 | 0:03:39 | |
I think - she'll wake up and she'll say something like, "I hate that cancer," | 0:03:39 | 0:03:45 | |
and gives her dad a hug and weeps. | 0:03:45 | 0:03:47 | |
And then instantly gets over it. | 0:03:47 | 0:03:51 | |
-With Sarah, it's inspired her to want to be a doctor. -Yeah! | 0:03:51 | 0:03:55 | |
She really wants to be a doctor, go to university and find a cure for it. | 0:03:55 | 0:03:59 | |
There's tremendous love. | 0:03:59 | 0:04:01 | |
I find out while I'm in the bathroom they give me so much time, they've tiddled in a bucket | 0:04:01 | 0:04:07 | |
rather than disturb me. And it's quite touching | 0:04:07 | 0:04:09 | |
when you find out they didn't moan about that sort of thing. | 0:04:09 | 0:04:13 | |
It's so sweet. | 0:04:13 | 0:04:15 | |
Where are they? Oh, here they are. | 0:04:19 | 0:04:22 | |
The trouble is you've had to stay in one room, haven't you? | 0:04:22 | 0:04:24 | |
You're living at the moment pretty much in one room because of the state of the house. | 0:04:24 | 0:04:28 | |
So what are you hoping for? | 0:04:28 | 0:04:30 | |
What's the most important thing? if we could only do one thing... | 0:04:30 | 0:04:34 | |
-The most important is that Sarah's now coming up to 12... -Right. | 0:04:34 | 0:04:38 | |
..and I'm awkward in the night, so this timing is fantastic, | 0:04:38 | 0:04:44 | |
cos I was starting to think, "It's not right." | 0:04:44 | 0:04:47 | |
So bedrooms for the girls. | 0:04:47 | 0:04:49 | |
Bedrooms for the girls is the key thing. | 0:04:49 | 0:04:51 | |
We're going to do as much as we possibly can, obviously, cos despite the fact | 0:04:51 | 0:04:55 | |
that you weren't aware, or really aware, of the situation you were in, | 0:04:55 | 0:04:59 | |
-this isn't a home. -We've made it home, | 0:04:59 | 0:05:01 | |
but because we've actually ignored the state of the walls, | 0:05:01 | 0:05:04 | |
-the state of the windows, because if we looked at them, I'd be tearing my hair out every day. -Yeah. | 0:05:04 | 0:05:09 | |
I mean, when this all came out, I really did take a second look | 0:05:09 | 0:05:12 | |
and think, "Oh, my God, we've been living in this." | 0:05:12 | 0:05:15 | |
And we have only tackled, as you are well aware, the bits of the house that are liveable. | 0:05:15 | 0:05:20 | |
And if you worry about that all the time, it does make you ill. | 0:05:20 | 0:05:23 | |
I was sort of pretty close to a nervous breakdown a couple of years ago | 0:05:23 | 0:05:26 | |
with all this kicking off, and I had to let something go. | 0:05:26 | 0:05:30 | |
And one must not worry about it as long as we're well and happy. | 0:05:30 | 0:05:34 | |
We'll do as much as we can, but we can't promise where we'll get to... | 0:05:34 | 0:05:37 | |
-Of course. -..because it depends who turns up. | 0:05:37 | 0:05:40 | |
Looks like we're going to need an army to get this house sorted. | 0:05:40 | 0:05:44 | |
Just as well it looks like an army's turning up. | 0:05:44 | 0:05:46 | |
The tradespeople of Stoke have done us proud. | 0:05:46 | 0:05:51 | |
OK, thanks, everyone. Bye! | 0:05:51 | 0:05:53 | |
It's amazing. | 0:05:53 | 0:05:54 | |
-Thanks, everyone. -See you later. | 0:05:54 | 0:05:57 | |
A pretty good turnout, isn't it? | 0:05:57 | 0:05:58 | |
It is, isn't it? | 0:05:58 | 0:06:00 | |
It's the most we've ever seen on the first day. | 0:06:00 | 0:06:02 | |
-How will we get them all in? -I don't know! | 0:06:02 | 0:06:04 | |
And we've got one more person to jam in as well. Our designer this week is Charlie Luxton. | 0:06:04 | 0:06:09 | |
From designing pavilions for the Olympics to suburban semis, he's done the lot. | 0:06:09 | 0:06:14 | |
Charlie's background is in architecture, | 0:06:14 | 0:06:17 | |
and his ethos is to create simple, beautiful, timeless buildings underpinned by sustainability, | 0:06:17 | 0:06:23 | |
and it's the fusion of architecture and design that we need on this job. | 0:06:23 | 0:06:26 | |
We're completely redesigning the space inside to make the house more family friendly. | 0:06:26 | 0:06:33 | |
So, what can you do on a semidetached in the middle of Stoke? | 0:06:35 | 0:06:38 | |
A lot of what we're doing here is about space planning | 0:06:38 | 0:06:41 | |
and making the building work for the family. They're cramped into very few rooms. | 0:06:41 | 0:06:45 | |
A lot of it's about trying to get them the bedrooms they need, | 0:06:45 | 0:06:48 | |
about extending the building on the two floors here, | 0:06:48 | 0:06:51 | |
but also, in doing that, | 0:06:51 | 0:06:52 | |
we've also tried to try and keep it | 0:06:52 | 0:06:54 | |
with as small a surface area as possible. | 0:06:54 | 0:06:56 | |
If you think about seals that live in the Arctic, they're kind of fat | 0:06:56 | 0:07:02 | |
and round, so they've got a small surface area so they keep warmer. | 0:07:02 | 0:07:05 | |
At the moment this building's got a big outrigger at the back | 0:07:05 | 0:07:08 | |
and it's got lots of surface area, so we'll make it more boxy | 0:07:08 | 0:07:11 | |
and, in doing that, add some more rooms and then wrap the whole thing in insulation. | 0:07:11 | 0:07:16 | |
-Ah, I knew we'd get to insulation! -We'll get there somewhere. | 0:07:16 | 0:07:20 | |
So you're going to turn this house into an Arctic seal? | 0:07:20 | 0:07:23 | |
HE LAUGHS | 0:07:23 | 0:07:24 | |
The same strategy as a seal, yeah, the same thinking as goes with a seal and a tea cosy. | 0:07:24 | 0:07:29 | |
Beautiful. | 0:07:29 | 0:07:30 | |
Charlie's got some big plans for this house. | 0:07:32 | 0:07:34 | |
Along with wrapping a thermal layer or tea cosy all around the exterior of this property, | 0:07:34 | 0:07:39 | |
we're knocking through downstairs | 0:07:39 | 0:07:41 | |
to make a large contemporary kitchen/diner cum family room. | 0:07:41 | 0:07:44 | |
Upstairs, we're completely changing the layout so the three girls will each have a bedroom of their own. | 0:07:46 | 0:07:52 | |
Mum and Dad will have their own room, too, | 0:07:52 | 0:07:54 | |
with the en-suite bathroom that Haydn so desperately needs. | 0:07:54 | 0:07:57 | |
To do all this, we're going to have to increase the footprint of the whole house | 0:07:57 | 0:08:01 | |
by adding a two-storey extension, yes, two-storey extension, at the rear. | 0:08:01 | 0:08:05 | |
To keep the build on schedule, this extension has to be up in the next two days. | 0:08:05 | 0:08:10 | |
-You are...? -Jas. | 0:08:10 | 0:08:11 | |
-And you're doing the extension bit, the sip erection? -Yeah. -What's that? | 0:08:11 | 0:08:16 | |
We're going to erect your extension up here, ground floor, first floor, roof on. | 0:08:16 | 0:08:21 | |
How long do you reckon that'll take? | 0:08:21 | 0:08:22 | |
With luck, we'll be done today. | 0:08:22 | 0:08:24 | |
Why is it so quick? Is it a prefabby kind of thing? | 0:08:24 | 0:08:28 | |
It's all off-site manufacturing. | 0:08:28 | 0:08:29 | |
It's all being prefabricated in the factory to drawing. | 0:08:29 | 0:08:32 | |
Just lift it off one piece at a time. | 0:08:33 | 0:08:35 | |
-Up you go. -Nice. And what do you do on the team? | 0:08:35 | 0:08:37 | |
-I own the company. -Oh, it's your company? Is that right? -Yeah. | 0:08:37 | 0:08:40 | |
Oh, that's nice! That's good. | 0:08:40 | 0:08:42 | |
-Thank you. But you've donated this, haven't you? -Yeah. -Why's that? | 0:08:42 | 0:08:46 | |
Erm, a bit of a difficult one. | 0:08:46 | 0:08:48 | |
I saw my surgeon last night, and... | 0:08:48 | 0:08:51 | |
-Oh! -..I haven't got a lot of time left, either. | 0:08:51 | 0:08:55 | |
So it was a bit of a synergy between | 0:08:55 | 0:08:57 | |
the householder and me. | 0:08:57 | 0:08:59 | |
Yeah, so that's... | 0:08:59 | 0:09:03 | |
So you're in trouble with cancer as well? | 0:09:03 | 0:09:05 | |
Yeah, I've got a tumour. I saw my surgeon last night, so they're | 0:09:05 | 0:09:10 | |
getting me in for surgery. What will be will be. | 0:09:10 | 0:09:12 | |
-Should you be at work at the moment, then? -Well, what am I going to do? | 0:09:12 | 0:09:15 | |
Sit at home and do nothing and climb the wall? | 0:09:15 | 0:09:18 | |
No, you've got to do what you've got to do. | 0:09:18 | 0:09:20 | |
Life goes on, doesn't it? And if I can help, well, why not? | 0:09:20 | 0:09:23 | |
Well, we'll try and have a laugh over the next couple of days, shall we? | 0:09:23 | 0:09:27 | |
I'm only going to be here today, maybe tomorrow, | 0:09:27 | 0:09:29 | |
-and then I'll pop back on Friday. -We'd love you to. | 0:09:29 | 0:09:32 | |
What an amazing woman, and I genuinely didn't realise Jasmine's situation was quite so serious. | 0:09:32 | 0:09:38 | |
Yet she's here to lend a hand. | 0:09:38 | 0:09:40 | |
The family's predicament seems to have touched a nerve with the local trades, | 0:09:41 | 0:09:45 | |
and they're continuing to turn up in their droves. | 0:09:45 | 0:09:48 | |
Do you know we've got 50 people on site today? | 0:09:48 | 0:09:51 | |
-50. -50. -Is it 50? | 0:09:51 | 0:09:54 | |
-It's 50. -How many is it? | 0:09:54 | 0:09:55 | |
There's about 50 people on site today. | 0:09:55 | 0:09:57 | |
I've counted it up. It's got to be nearly 50. | 0:09:57 | 0:09:59 | |
I gathered that myself. I counted them up. | 0:09:59 | 0:10:02 | |
-And how many was it? -I got about 50. | 0:10:02 | 0:10:04 | |
'Hold on a minute, seriously, if we've got over 50 people | 0:10:04 | 0:10:07 | |
'in this house - let me do a quick calculation. | 0:10:07 | 0:10:09 | |
'50 x 12 x 14,' | 0:10:09 | 0:10:11 | |
carry the 6. That's over four tonnes of people in there, and Jules hasn't even had his lunch yet! | 0:10:11 | 0:10:16 | |
Don't want to prop nothing up in case it goes. | 0:10:16 | 0:10:19 | |
I think it may be an idea to strengthen it, | 0:10:19 | 0:10:22 | |
cos there's a lot of blokes upstairs. | 0:10:22 | 0:10:24 | |
There's a few cracks in the house, isn't there? Yeah. | 0:10:24 | 0:10:27 | |
It just looks a bit like a bag of biscuits. | 0:10:27 | 0:10:29 | |
It just looks like it could crumble at any point. | 0:10:29 | 0:10:32 | |
And the banging of the jackhammer, the vibrations, it's all working its way down. | 0:10:32 | 0:10:38 | |
The scale of this job is ridiculous. | 0:10:41 | 0:10:44 | |
A roof light could go in here, which is why I want | 0:10:44 | 0:10:46 | |
to get this as high as possible, so that we can get as much light as possible down through there. | 0:10:46 | 0:10:50 | |
Charlie's changing just about every internal wall in the whole house, | 0:10:50 | 0:10:55 | |
which means we're going to be making one hell of a mess. | 0:10:55 | 0:10:58 | |
You think that's better than keeping that one, do you? | 0:10:58 | 0:11:01 | |
If people have got to nip up and down stairs because Haydn's in bed, it's just a shorter route. | 0:11:01 | 0:11:05 | |
He's also overseeing the more designery stuff for us, | 0:11:05 | 0:11:08 | |
so that means cushions, colour charts and fluffy things, | 0:11:08 | 0:11:11 | |
all the things that will make this house a home. | 0:11:11 | 0:11:13 | |
-You're quite in touch with your feminine side, aren't you? -Yeah. | 0:11:13 | 0:11:16 | |
-I don't know how to take that, but I'll take it as a compliment. -I mean it as a compliment. | 0:11:16 | 0:11:20 | |
-OK. -A lot of men think they have to be... | 0:11:20 | 0:11:23 | |
I think the thing is that the more you do design, you don't design for yourself, you should design | 0:11:23 | 0:11:28 | |
for other people, and therefore it's about stepping into other people's heads and sort of picking up | 0:11:28 | 0:11:33 | |
on the little things that you notice about them and the way they live that you can then design for them. | 0:11:33 | 0:11:40 | |
We design for the people, not ourselves. | 0:11:40 | 0:11:42 | |
-Exactly. -You're not trying to show off here? -No. | 0:11:42 | 0:11:44 | |
You're very confident in what you do. You don't need to show off. | 0:11:44 | 0:11:48 | |
This man's expensive. He's difficult to book. | 0:11:48 | 0:11:50 | |
"Book early to avoid disappointment" Charlie | 0:11:50 | 0:11:53 | |
That's what they call him! | 0:11:53 | 0:11:54 | |
It's clear Charlie's got some big ideas, | 0:11:54 | 0:11:57 | |
but is this worn-out building simply too far gone to handle the change? | 0:11:57 | 0:12:02 | |
With all the bashing and banging we're doing inside and out, a huge crack has appeared, | 0:12:02 | 0:12:07 | |
and it looks like one of the end walls is starting to come away from the house. | 0:12:07 | 0:12:11 | |
Hang on a sec. | 0:12:11 | 0:12:13 | |
It's looking a little bit loose through here, so that crack goes all the way up. | 0:12:13 | 0:12:17 | |
So much movement, and if you put your head against the house here... Oh, my goodness. | 0:12:19 | 0:12:24 | |
You can feel that, can't you? That is extraordinary. | 0:12:24 | 0:12:27 | |
All the work going on in the house is literally shaking it to bits. | 0:12:27 | 0:12:30 | |
Whoa. Whoa, whoa! | 0:12:30 | 0:12:34 | |
What moved up there? | 0:12:34 | 0:12:37 | |
Right, OK, move away from the corners. | 0:12:37 | 0:12:39 | |
Can you get the camera out, everything? | 0:12:39 | 0:12:41 | |
Oh, my God. | 0:12:41 | 0:12:44 | |
It's blowing the gable out. | 0:12:44 | 0:12:46 | |
It's blowing the gable out. | 0:12:46 | 0:12:48 | |
Tell them to steady. | 0:12:48 | 0:12:50 | |
If the end wall of the house falls down, that will be it, game over. | 0:12:50 | 0:12:54 | |
-Where was that movement, mate? -This really is as bad as we've ever seen. | 0:12:54 | 0:12:57 | |
We've got to solve this problem before we can carry on. | 0:12:57 | 0:13:00 | |
This house has not been looked after for years. The house is dying, | 0:13:00 | 0:13:06 | |
it's basically dying on its feet. | 0:13:06 | 0:13:08 | |
Everybody's on edge, including Simon, the structural engineer, and that's worrying. | 0:13:08 | 0:13:13 | |
There's been a subsidence problem in the corner in the past | 0:13:13 | 0:13:16 | |
and the gable wall has peeled out | 0:13:16 | 0:13:18 | |
-and that's caused the vertical cracks between the two windows. -Yes. | 0:13:18 | 0:13:21 | |
So there's now nothing holding that corner back. | 0:13:21 | 0:13:24 | |
So when we're working in that area, the corner's wobbling and there's a danger that it leans out. | 0:13:24 | 0:13:28 | |
-Yes. -So if we don't do anything, it could be a big problem. | 0:13:28 | 0:13:31 | |
We should consult our own genius. | 0:13:31 | 0:13:33 | |
Are you worried about the end of the building falling off? | 0:13:33 | 0:13:36 | |
No, no-one's said anything. | 0:13:36 | 0:13:38 | |
-'He's either fearless or stupid.' -That won't fall off! | 0:13:38 | 0:13:42 | |
Answers on a postcard. I know what I'm going with. | 0:13:42 | 0:13:45 | |
See ya later. | 0:13:45 | 0:13:47 | |
Work on the dodgy end of the house has had to stop until we solve the problem, | 0:13:47 | 0:13:51 | |
but the crane is up and running, so we can start putting up the two-storey extension. | 0:13:51 | 0:13:55 | |
It's basically like a flat-pack piece of furniture, but on a far bigger scale. | 0:13:55 | 0:14:00 | |
We should be able to knock it up in no time, or at least I know a lady who can. | 0:14:00 | 0:14:04 | |
That's my lunch box! | 0:14:04 | 0:14:06 | |
It's funny, cos people look at timber frame and go, "Oh, yeah, but timber, it's not like brick." | 0:14:06 | 0:14:12 | |
But then, some of the Elizabethan houses, | 0:14:12 | 0:14:15 | |
they're all timber framed, and they've been around 400, 500 years. | 0:14:15 | 0:14:18 | |
Saxons were using it. That's what they built with. | 0:14:18 | 0:14:21 | |
-They're still finding the remains of them. -Yeah. | 0:14:21 | 0:14:23 | |
Now, you might be asking yourself why are we building an extension | 0:14:23 | 0:14:27 | |
onto a bit of house that appears to be falling off. | 0:14:27 | 0:14:30 | |
Well, my Rubenesque Devonian friend can explain all that. | 0:14:30 | 0:14:33 | |
This trying to hold the house together has held us back quite a bit, hasn't it? | 0:14:33 | 0:14:37 | |
It has, cos the extension will help, and that will obviously give it... | 0:14:37 | 0:14:41 | |
Once the floor joists are in and the roof's on, that'll give all this corner more stability. | 0:14:41 | 0:14:47 | |
That's one part of the solution. | 0:14:47 | 0:14:49 | |
The other part is clever, too. | 0:14:49 | 0:14:51 | |
What we're going to do is strengthen the end wall that's falling down with small steel bars. | 0:14:51 | 0:14:56 | |
These bars are held in place with epoxy resin, | 0:14:56 | 0:14:59 | |
which is basically incredibly strong glue which is used to stick wings onto aeroplanes. | 0:14:59 | 0:15:04 | |
Luckily for us, it works on brick as well. | 0:15:04 | 0:15:07 | |
It's similar to coopering a barrel, when you get a timber barrel, you wrap steel cables round it. | 0:15:07 | 0:15:12 | |
We're giving this building that's collapsing and sagging tensile strength. It's a brilliant system. | 0:15:12 | 0:15:17 | |
Very clever. | 0:15:17 | 0:15:18 | |
That's the great thing about this job. There's always someone, | 0:15:20 | 0:15:23 | |
out of all these people, has a way round something. | 0:15:23 | 0:15:25 | |
That's the thing, getting round things, not running away, | 0:15:25 | 0:15:28 | |
getting round it, getting over it and getting it finished. | 0:15:28 | 0:15:31 | |
At long last, it looks like we're actually getting somewhere. | 0:15:31 | 0:15:34 | |
The foundations are going in, ready for the extension | 0:15:37 | 0:15:40 | |
and we're holding that gable end of the house on | 0:15:40 | 0:15:44 | |
with resin fixings and steel straps. | 0:15:44 | 0:15:46 | |
Then we can drop the big, insulative tea cosy over the top and make it nice and warm. | 0:15:46 | 0:15:51 | |
-What are you up to? -Hiya, mate. Organising the labourers. | 0:15:54 | 0:15:57 | |
We're getting the architraves and skirting boards, all the old stuff from downstairs out. | 0:15:57 | 0:16:01 | |
Why don't you go and see what Martin's up to? | 0:16:01 | 0:16:04 | |
What we've got going on in here | 0:16:04 | 0:16:06 | |
is we're sticking a new steel structure in here, | 0:16:06 | 0:16:08 | |
which is going to do two jobs. | 0:16:08 | 0:16:10 | |
It's going to put strength back into the building and make this an all-open-plan living space. | 0:16:10 | 0:16:15 | |
Julian's over there, and Chris. Find out what they're up to. | 0:16:18 | 0:16:21 | |
Ripping all the skirting boards and the architraves off, | 0:16:21 | 0:16:24 | |
so as soon as the electrics are done, we can start plastering, get these walls plastered. | 0:16:24 | 0:16:28 | |
And this is going to be a hallway. | 0:16:29 | 0:16:31 | |
There'll be an opening through there | 0:16:31 | 0:16:33 | |
and an opening through there to free up the bedrooms. | 0:16:33 | 0:16:36 | |
And finally, my little electrician friend. | 0:16:36 | 0:16:40 | |
I've got loads of electricians all round the house. | 0:16:40 | 0:16:43 | |
We're rewiring it, all the old stuff's coming out and all the new stuff's going in. | 0:16:43 | 0:16:49 | |
Just goes to show, miracles can happen. Billy just made sense. | 0:16:49 | 0:16:53 | |
After a scary day of things almost falling down, | 0:16:54 | 0:16:58 | |
it's a relief to see the first floor of the extension starting to go up. | 0:16:58 | 0:17:02 | |
That's quite handy, isn't it? That's the first one, Jas. | 0:17:02 | 0:17:06 | |
It's all cranes and construction. I love it. | 0:17:06 | 0:17:09 | |
Impressive, isn't she? | 0:17:09 | 0:17:10 | |
Compared to the time it would take to build a conventional brick extension, this is remarkable. | 0:17:10 | 0:17:16 | |
The thing is that the Americans have basically been building buildings | 0:17:16 | 0:17:19 | |
in a very similar way for years and years and years. | 0:17:19 | 0:17:23 | |
They call it balloon framing, so they'd make a timber frame on the floor | 0:17:23 | 0:17:27 | |
and then just pull it upright and nail it together. | 0:17:27 | 0:17:30 | |
It's an impressive system, | 0:17:30 | 0:17:32 | |
especially with the speed with which it goes up. | 0:17:32 | 0:17:35 | |
It's amazing. | 0:17:35 | 0:17:36 | |
That was last night. This is today. | 0:17:36 | 0:17:39 | |
Morning! Yes, a new day and almost a new house. | 0:17:39 | 0:17:42 | |
The extension's coming along and I've got no reason to be grumpy. | 0:17:42 | 0:17:46 | |
I'm going to make a concerted effort to be less offensive today, whatever the boys throw at me. | 0:17:46 | 0:17:50 | |
It was a good catch, that, wasn't it? | 0:17:50 | 0:17:52 | |
Ah! Morning! How are you? | 0:17:52 | 0:17:55 | |
-What's that?! -Gloves. | 0:17:55 | 0:17:57 | |
They're not gloves! They're women's gloves! Look at them! | 0:17:57 | 0:18:01 | |
Where did you get them, a little backstreet shop in Rome, did you, down by the Spanish Steps? | 0:18:01 | 0:18:05 | |
I thought you might be in a better mood today. | 0:18:05 | 0:18:07 | |
I am. That's cheered me up no end, that. | 0:18:07 | 0:18:10 | |
Or at least, I thought it had. | 0:18:10 | 0:18:12 | |
Overnight, some windows have been smashed in the house. | 0:18:12 | 0:18:15 | |
It's not the first time the family have been victims of vandalism. | 0:18:15 | 0:18:18 | |
It must be terrifying for them, especially the girls. | 0:18:18 | 0:18:21 | |
They were the victim of criminal damage, I believe, last year, in November. | 0:18:21 | 0:18:24 | |
But overall, in the electoral ward which this house falls into, | 0:18:24 | 0:18:28 | |
of which there are about 14,000 residents, | 0:18:28 | 0:18:31 | |
you know, we average one, maybe two damages a week. | 0:18:31 | 0:18:35 | |
What happened is they're worried the area will get a bad name | 0:18:35 | 0:18:38 | |
cos we're here when something horrible's happened! | 0:18:38 | 0:18:41 | |
I can tell you straight away, it's a lovely area. | 0:18:41 | 0:18:43 | |
The people have been so supportive. | 0:18:43 | 0:18:46 | |
People say, "It's a rough area, it'll be difficult." | 0:18:46 | 0:18:49 | |
It's fine. Most of the people are really nice round here. | 0:18:49 | 0:18:51 | |
It has a strong sense of community spirit. | 0:18:51 | 0:18:54 | |
We really had that come through. | 0:18:54 | 0:18:55 | |
They're decent, hard-working people. | 0:18:55 | 0:18:57 | |
Well, you can see that by the number who've turned out to join in here. | 0:18:57 | 0:19:01 | |
Do you know much about the family? | 0:19:01 | 0:19:04 | |
No, only what I've read. | 0:19:04 | 0:19:05 | |
He's very ill and he's only got a little bit of time left. | 0:19:05 | 0:19:11 | |
Got to be hard for the family, you know what I mean? | 0:19:11 | 0:19:13 | |
-But also, living in this... -I know! | 0:19:13 | 0:19:15 | |
Well, it's mind-boggling to me. | 0:19:15 | 0:19:17 | |
I just can't see as they've lived in it. | 0:19:17 | 0:19:19 | |
Extraordinary that they lived in this environment. | 0:19:19 | 0:19:22 | |
-So you're happy come along and help out? -No problem at all, yeah. | 0:19:22 | 0:19:26 | |
Jump at the chance, really, y'know? Just to help somebody out who... | 0:19:26 | 0:19:31 | |
needs it more than us, y'know? | 0:19:31 | 0:19:34 | |
Things happen, don't they? | 0:19:36 | 0:19:38 | |
But it's nice that there's a lot of the local builders | 0:19:38 | 0:19:41 | |
who can just jump on this and help out, isn't it? | 0:19:41 | 0:19:44 | |
-And the tradespeople of Stoke just keep coming. -There's three kids. | 0:19:44 | 0:19:47 | |
-They need the rooms. -And a local fencing company turned up | 0:19:47 | 0:19:50 | |
to see what they can do to stop this mindless vandalism from happening again. | 0:19:50 | 0:19:55 | |
What we're going to do to give them this bit of privacy is to run a timber fence on the top of this wall. | 0:19:55 | 0:20:02 | |
All these people have volunteered their time to help out | 0:20:02 | 0:20:06 | |
but none of them would be here had it not been for one person, the family's health visitor, Sheila. | 0:20:06 | 0:20:13 | |
Tell us why you decided to write in to us. | 0:20:13 | 0:20:14 | |
I happened to say to Jennifer, "How's your house coming on?", | 0:20:14 | 0:20:17 | |
because I knew they'd come up here and I knew that they were trying to do this house up. | 0:20:17 | 0:20:23 | |
She just kind of said what had been going on, | 0:20:23 | 0:20:27 | |
how poorly Haydn had become and the house had come to a standstill. | 0:20:27 | 0:20:32 | |
And when she showed me what the house was like, | 0:20:32 | 0:20:35 | |
it was acceptance - "This is what we've got and we'll work our way through it." | 0:20:35 | 0:20:39 | |
I came to Jennifer and said, "Would you mind if I referred you to DIY SOS?" | 0:20:39 | 0:20:43 | |
And she said, "Would you do that for me?" "Yeah!" | 0:20:43 | 0:20:47 | |
And it just snowballed from there. | 0:20:47 | 0:20:49 | |
So, having come up with that idea and done it, were you expecting this much to be going on? | 0:20:49 | 0:20:53 | |
I feel quite humbled, really, I suppose! | 0:20:53 | 0:20:55 | |
I just can't believe the difference this is going to make to this family. | 0:20:55 | 0:20:59 | |
And all these people are volunteering and doing all this work. | 0:20:59 | 0:21:03 | |
I think they're going to be excited. I can't think of another word. | 0:21:03 | 0:21:08 | |
It seems not a big enough word for how they're going to feel! | 0:21:08 | 0:21:14 | |
What's happening here is a local miracle, thanks to all the amazing people who've turned up to help. | 0:21:14 | 0:21:19 | |
This transformation is going to mean the world to the Spice family, | 0:21:19 | 0:21:23 | |
making a dream a reality. | 0:21:23 | 0:21:26 | |
Part of Charlie's design is an open-plan kitchen/diner. | 0:21:26 | 0:21:29 | |
To do this, these steel beams are going in so the upstairs | 0:21:29 | 0:21:32 | |
won't fall into the downstairs when we take the kitchen walls out. | 0:21:32 | 0:21:37 | |
All we've got to do now is put them in. | 0:21:37 | 0:21:39 | |
They'll be resting on the last two structurally sound walls left in the kitchen. | 0:21:39 | 0:21:43 | |
At least, they were until we turned up. | 0:21:43 | 0:21:47 | |
The problem is that this morning... | 0:21:47 | 0:21:50 | |
I saw a pencil line on the wall, thinking it was the opening size. | 0:21:50 | 0:21:55 | |
-Yeah... -So I got Mat to stitch-drill a line down. | 0:21:55 | 0:21:59 | |
-So YOU did it! -Yeah! | 0:21:59 | 0:22:02 | |
No-one's pointing any fingers but Mat and Jules have just made a mistake | 0:22:03 | 0:22:07 | |
and they've started to knock down the part of the wall that the beam will to sit on. | 0:22:07 | 0:22:11 | |
This means the wall is now too weak to support the beam. | 0:22:11 | 0:22:16 | |
This is a serious problem and we need to sort it out fast. | 0:22:17 | 0:22:21 | |
If only someone were on hand to come up with a genius solution. | 0:22:21 | 0:22:25 | |
Oh, I hate Knowles, right? | 0:22:25 | 0:22:29 | |
Outside, we were quietly trying to have a conversation about the wall | 0:22:29 | 0:22:32 | |
being stitch-drilled, and old Super Lugs walked up | 0:22:32 | 0:22:35 | |
and he said to me, "Oh, look, there is an easy way to get round it. | 0:22:35 | 0:22:38 | |
"You know the resin they're using at the back of the house? | 0:22:38 | 0:22:41 | |
"Why don't we inject the holes with that?" | 0:22:41 | 0:22:43 | |
I said, "Don't be ridiculous." | 0:22:43 | 0:22:45 | |
The guy from the company walked in and said, "Why don't we pump resin into it? | 0:22:45 | 0:22:48 | |
"It'll be stronger than the brick wall originally was." | 0:22:48 | 0:22:52 | |
This is hurting him so much! | 0:22:52 | 0:22:54 | |
-Not just a pretty face, is he? -Not even. | 0:22:54 | 0:22:56 | |
Not even a pretty face. | 0:22:56 | 0:22:58 | |
It's the very same epoxy resin system we're using to hold up the wall outside. | 0:22:58 | 0:23:02 | |
It worked there, so why wouldn't it work in here? It's a good job I'm here, really. | 0:23:02 | 0:23:07 | |
That'll to be it now. All night, he's going to be going, "Check me out. that was my idea." | 0:23:09 | 0:23:13 | |
Take the camera off of him. | 0:23:13 | 0:23:16 | |
I can't stick that smug look on his face any longer. | 0:23:16 | 0:23:21 | |
I think since I've reached the point of 40 years old, | 0:23:22 | 0:23:27 | |
one mistake in 40 years isn't bad going, is it? | 0:23:27 | 0:23:30 | |
Very good, Jules! | 0:23:30 | 0:23:32 | |
After a few setbacks, to say the least - no names mentioned, Julian... | 0:23:33 | 0:23:37 | |
Chip it out some more, please. | 0:23:37 | 0:23:39 | |
..it's good to see the second floor of the extension going in. | 0:23:39 | 0:23:42 | |
That's the way to build an extension, isn't it? | 0:23:42 | 0:23:45 | |
And amazingly, at the end of day two, the roof is on! | 0:23:45 | 0:23:50 | |
Fabulous. | 0:23:53 | 0:23:55 | |
Let's go home. | 0:23:55 | 0:23:56 | |
Morning, ladies! I must commend you on your roast pork last night, ladies. | 0:24:03 | 0:24:07 | |
It was probably the best roast dinner I had... | 0:24:07 | 0:24:10 | |
Apart from what your wife cooks. | 0:24:10 | 0:24:13 | |
No, it's got to be said. You've got to say it when it's meant. | 0:24:13 | 0:24:17 | |
-Oh, good luck, mate! -She's been easing off on the roasties. | 0:24:17 | 0:24:20 | |
Do you believe he's actually dissing his wife's cooking in front of six million people across the country? | 0:24:20 | 0:24:25 | |
-I'm not dissing it. -Claire, I'm saying to you... -Her cooking is phenomenal. -Right. | 0:24:25 | 0:24:29 | |
It's just the quantity of the roast dinners that we're lacking of. | 0:24:29 | 0:24:33 | |
Spread out over the year... | 0:24:33 | 0:24:35 | |
She does a mean roast | 0:24:35 | 0:24:38 | |
but I'd like one every Sunday, and they're not there. They're not happening. | 0:24:38 | 0:24:41 | |
-Remember, as a kid, you always had a roast dinner. -Every Sunday. | 0:24:41 | 0:24:45 | |
-Do you get a roast dinner every Sunday now? -Yeah. | 0:24:45 | 0:24:48 | |
See, Claire? See?! The rest of 'em do! I'm not! | 0:24:48 | 0:24:52 | |
I have a feeling the only roast dinner he's likely to see is the one that Claire dumps over his head. | 0:24:52 | 0:24:57 | |
Charlie, quick, change the subject. Please, talk about insulation or something. | 0:24:57 | 0:25:01 | |
What's really good about this system is, increasingly what we're realising | 0:25:01 | 0:25:05 | |
is that it's not just how well insulated a building is, | 0:25:05 | 0:25:08 | |
it's about how much draughts you get into it, so by sticking this insulation | 0:25:08 | 0:25:12 | |
over the outside of the building, not only does it make it much warmer, | 0:25:12 | 0:25:15 | |
but it stops all of that air leaking into it. | 0:25:15 | 0:25:18 | |
The critical thing is, our energy costs are going through the roof, | 0:25:18 | 0:25:22 | |
so all of this stuff will be happening all over the country, all the time. | 0:25:22 | 0:25:26 | |
You and I and everyone around here will be doing it | 0:25:26 | 0:25:29 | |
over time, because as energy goes up, it gets more and more affordable. | 0:25:29 | 0:25:33 | |
Charlie, proving that insulation can be fun. | 0:25:33 | 0:25:37 | |
But not as much fun as this... | 0:25:37 | 0:25:39 | |
That's Christopher with a pre-emptive strike, a phone call home to the missus, | 0:25:39 | 0:25:42 | |
saying, "I've done this hilarious thing, I was only joking, love. | 0:25:42 | 0:25:46 | |
"I didn't mean anything by it." | 0:25:46 | 0:25:47 | |
He knows how much trouble he's in about the roast dinner thing now. | 0:25:47 | 0:25:51 | |
Pre-emptive strike for the missus, was it? | 0:25:51 | 0:25:53 | |
"Just having a bit of a laugh with the guys, don't worry when it comes out." | 0:25:53 | 0:25:56 | |
She's moved my bed into the garage. | 0:25:58 | 0:26:01 | |
Has she!? | 0:26:01 | 0:26:03 | |
No. Like I said, you can't knock her cooking, | 0:26:03 | 0:26:06 | |
she's a very good traditional... The best traditional cook. It's just, I think... | 0:26:06 | 0:26:12 | |
she's worn out on a Sunday and the last thing on her little mind...or on her huge... | 0:26:12 | 0:26:15 | |
Oh, dear! Oh, God no. | 0:26:15 | 0:26:17 | |
I'm just digging... | 0:26:17 | 0:26:19 | |
-The last thing on my beautiful... -I'm not even going to stand by you now. | 0:26:19 | 0:26:22 | |
-It's nothing to do with me, he's on his own. -The last thing on her mind... | 0:26:22 | 0:26:26 | |
Do you want to move in with me? | 0:26:26 | 0:26:27 | |
-A couple of months moving in with me in London. -Could I? -I think you'll have to, mate. | 0:26:27 | 0:26:31 | |
Probably best not to think about it, Chris, just bury yourself in work. | 0:26:31 | 0:26:35 | |
Then, there's plenty to do, upstairs walls for a start. I'm slightly lost up here, now. | 0:26:35 | 0:26:39 | |
Everything's changed. | 0:26:39 | 0:26:42 | |
Over there you've two bedrooms, two little bedrooms. | 0:26:42 | 0:26:46 | |
-Yeah. Then you've got a hallway. -A hallway here. | 0:26:46 | 0:26:49 | |
So that becomes the en suite to this major bedroom, which is mum's, | 0:26:49 | 0:26:54 | |
leaving you one, two, three girls' bedrooms. | 0:26:54 | 0:26:57 | |
It's flying up, isn't it? | 0:26:57 | 0:26:59 | |
These internal walls are being put up to create the separate bedrooms the family needs. | 0:26:59 | 0:27:04 | |
The problem with walls is - you can't see through them. | 0:27:04 | 0:27:07 | |
Luckily for us, Charlie's come up with an ingenious solution | 0:27:07 | 0:27:10 | |
to make the new rear corridor bright and airy. | 0:27:10 | 0:27:13 | |
I need to get a roof light into here, and what I'd like to do is, see that whole opening up there, | 0:27:13 | 0:27:18 | |
I'd like to make that a light...funnel, | 0:27:18 | 0:27:22 | |
funnel, tunnel thing up to a rooflight to drop natural daylight in there, | 0:27:22 | 0:27:26 | |
so then it comes down into the stairs and lights this whole area. | 0:27:26 | 0:27:29 | |
-But, to do that, I think we're going to have to move the loft hatch. -Two, three, lift! | 0:27:29 | 0:27:34 | |
Meanwhile, downstairs, things are really coming on and the first steel beam is going in. | 0:27:34 | 0:27:39 | |
This is going to completely open up the kitchen/dining area. | 0:27:39 | 0:27:44 | |
-You happy? -Yeah, spot on, that. | 0:27:44 | 0:27:48 | |
The extension is up to two floors | 0:27:48 | 0:27:50 | |
and we've got patio doors here. We're going to have to build some kind of step down here, aren't we? | 0:27:50 | 0:27:55 | |
Otherwise it'll be a big jump for them to get out. | 0:27:55 | 0:27:57 | |
Come into the old kitchen, where we've now created a utility room in there, | 0:27:57 | 0:28:01 | |
and where Julian is in there, what'll that be? | 0:28:01 | 0:28:03 | |
-Bathroom. -Thank you very much. The acro props are holding up the ceilings here and in there, | 0:28:03 | 0:28:08 | |
because the beam has now been dropped | 0:28:08 | 0:28:10 | |
and is now going to add a piece on there which will go through here. | 0:28:10 | 0:28:14 | |
Complicated steelwork, but it will hold up the whole of the middle of the house, | 0:28:14 | 0:28:18 | |
so it's important. Duck through here. | 0:28:18 | 0:28:20 | |
Back off a bit, not too far, and come with me up the stairs. | 0:28:20 | 0:28:23 | |
Sorry, coming through. That's going to become a bathroom and small dressing room area. | 0:28:23 | 0:28:27 | |
Used to be able to go through here but it's been boxed in and will be plastered over. | 0:28:27 | 0:28:31 | |
You'll noticed if you look past Vic, the wall's been knocked down | 0:28:31 | 0:28:34 | |
to create a balcony that you can look over to the stairwell. | 0:28:34 | 0:28:37 | |
-My buddy, Christopher! -Hello, mate, all right? | 0:28:37 | 0:28:40 | |
Yeah, who is... You tell them, what are you doing? | 0:28:40 | 0:28:42 | |
Getting this room ready so the plasterers have something to do. | 0:28:42 | 0:28:46 | |
We can crack on downstairs boarding. | 0:28:46 | 0:28:48 | |
-Failing that, me, George and Mat will have to do it. -The whole house? -Yeah. | 0:28:48 | 0:28:51 | |
And all this in just a few days. | 0:28:51 | 0:28:54 | |
Extraordinary, isn't it? | 0:28:54 | 0:28:57 | |
Why are these people working so hard? | 0:28:57 | 0:28:59 | |
They're here to help a family whose financial and medical problems | 0:28:59 | 0:29:03 | |
have led them to living in a semi-derelict house. | 0:29:03 | 0:29:07 | |
When a family has money troubles, the kids are hardest hit | 0:29:07 | 0:29:10 | |
but despite all that Jenny and Haydn have been through, | 0:29:10 | 0:29:13 | |
they've worked hard to find inventive ways to keep their girls entertained on pocket change. | 0:29:13 | 0:29:19 | |
Explain to me what it is you do. I don't understand what overpainting is. | 0:29:19 | 0:29:23 | |
The flowers here look kind of white and not very colourful. | 0:29:23 | 0:29:26 | |
We get a pink or a red and maybe go over them and make them look brighter and more prettier. | 0:29:26 | 0:29:32 | |
I can imagine the kids love it, don't they? Painting over original paintings, a couple of quid a go... | 0:29:35 | 0:29:40 | |
-That's right. -Exactly, and it's a bit nicer than painting by numbers. | 0:29:40 | 0:29:43 | |
So, while it's obviously been tough, financially, | 0:29:43 | 0:29:47 | |
at the same time it's sort of meant other opportunities, and... | 0:29:47 | 0:29:51 | |
It's quite delightful, really. We have enough time to go and pick damsons, to pick blackberries, | 0:29:51 | 0:29:57 | |
and to have that much time to be able to do that, that's a luxury in our days. | 0:29:57 | 0:30:01 | |
You're taking a very positive view towards your illness. | 0:30:01 | 0:30:03 | |
Not many people, I think, who had the diagnosis you had would say, "It's great because I get more time | 0:30:03 | 0:30:08 | |
"to spend with the kids and go and pick damsons." | 0:30:08 | 0:30:10 | |
I'm a millionaire, the time with the children now. | 0:30:10 | 0:30:12 | |
Tell you what, I like this idea of the over-painting. | 0:30:12 | 0:30:14 | |
I was wondering if the girls, now that we've chosen one, will you show my friend Charlie how to do it? | 0:30:14 | 0:30:20 | |
If we meet up and show him how to do an over-painting? | 0:30:20 | 0:30:24 | |
I'd love to, it would be really fun. | 0:30:24 | 0:30:25 | |
I think this one. | 0:30:25 | 0:30:27 | |
£4. And then £1.79 for the other one. | 0:30:27 | 0:30:30 | |
Talk to the lady, have a negotiation, see if you can get a couple of quid off. | 0:30:30 | 0:30:34 | |
-It's always good to negotiate. -It is a charity shop. | 0:30:34 | 0:30:36 | |
You know, you're right, I'm sorry, it is a charity shop, I'm sorry, you're quite right. | 0:30:36 | 0:30:43 | |
See you later. | 0:30:43 | 0:30:44 | |
Wow, what an inspirational family. | 0:30:44 | 0:30:46 | |
It's amazing to see such a positive take on life, considering | 0:30:46 | 0:30:49 | |
the rough times they're going through, and that lie ahead. | 0:30:49 | 0:30:54 | |
Back on site, we're all working hard to get Jenny, Haydn and the girls back home. | 0:30:54 | 0:30:58 | |
The only way we can do this with just a few days to go | 0:30:58 | 0:31:01 | |
is to use brute force and cutting-edge building techniques. | 0:31:01 | 0:31:05 | |
Like this new roofing system, that's gone on in less than four hours. | 0:31:05 | 0:31:09 | |
That is nice. | 0:31:09 | 0:31:12 | |
And we crimp the bottom so there's no raw edges there, and on this side it's crimped as well. | 0:31:12 | 0:31:17 | |
So, it's a very neat-looking system, but the beauty of it is, this will be on very, very quickly. | 0:31:17 | 0:31:24 | |
It's really nice. | 0:31:24 | 0:31:26 | |
And it does look superb, it looks like a zinc roof, but it's about half the price. | 0:31:26 | 0:31:30 | |
-It's half the price of a zinc roof, is it? -At least. | 0:31:30 | 0:31:34 | |
New roof, new walls, the upstairs is coming on leaps and bounds. | 0:31:34 | 0:31:37 | |
Good, right then, last trowel and then it's fine-filling these rooms, | 0:31:37 | 0:31:42 | |
ready for the decorators tomorrow morning. | 0:31:42 | 0:31:45 | |
Whereas, downstairs, with only three days to go, | 0:31:45 | 0:31:48 | |
the boys are still knocking through into the new extension to create the open-plan kitchen. | 0:31:48 | 0:31:54 | |
Morning! Time is running out, and this two-storey house is a house of two stories. See what I did there? | 0:32:07 | 0:32:13 | |
Two stories, you see, like in... Never mind. | 0:32:13 | 0:32:17 | |
Upstairs is getting its first lick of paint, but downstairs we're a long way from colour and cushions. | 0:32:17 | 0:32:22 | |
What I'm worried about, we've got to pull up all upstairs, we're going to | 0:32:24 | 0:32:28 | |
pull the kitchen and the family room and that room together. | 0:32:28 | 0:32:31 | |
We'll probably end up losing the front room, because we just haven't got the time. | 0:32:31 | 0:32:34 | |
We ain't going to be finished building by Tuesday. | 0:32:34 | 0:32:38 | |
Yeah, that's how it's looking at the moment. | 0:32:38 | 0:32:40 | |
If this is your house, and you had an outside exterior light, | 0:32:40 | 0:32:45 | |
would you have it centre of that wall or centre of the door? | 0:32:45 | 0:32:50 | |
I think, to be honest, if that's all you've got to worry about, you're in a good place, | 0:32:50 | 0:32:54 | |
-to be honest. -All right, that's it, I'm not worried no more! | 0:32:54 | 0:32:57 | |
At least on the outside things seem to be going to plan. | 0:32:57 | 0:33:00 | |
The thermal underlayer or tea cosy is almost in place, and the lads can | 0:33:00 | 0:33:03 | |
start to apply the render on top. All the way up the side, there. | 0:33:03 | 0:33:06 | |
It needs a bit of paint now and it'll look lovely, it'll look like a properly, normally rendered house. | 0:33:06 | 0:33:14 | |
This is a pretty big project, isn't it, to wrap an entire house and extension and all the rest of it? | 0:33:14 | 0:33:18 | |
From our point of view, you've done an enormous amount for us here. | 0:33:18 | 0:33:22 | |
I'm just interested to know why you decided to join in and help out? | 0:33:22 | 0:33:25 | |
I think it's just a worthy cause. | 0:33:25 | 0:33:27 | |
We heard the story about the family, and obviously the gentleman | 0:33:27 | 0:33:30 | |
with his cancer has three young daughters, and it's a fantastic project to get involved in. | 0:33:30 | 0:33:35 | |
It is a fantastic project, and downstairs we're really cracking on with the plastering. | 0:33:35 | 0:33:41 | |
Do you know, my missus is the cleverest person I've ever met, do you know that? | 0:33:41 | 0:33:45 | |
She's lovely, your missus. | 0:33:45 | 0:33:48 | |
Does a mean roast dinner, as well. | 0:33:48 | 0:33:50 | |
Yeah, nice one, Chris, nice to see you climbing out of that enormous hole you dug yourself earlier. | 0:33:50 | 0:33:55 | |
While the boys are making the downstairs pink, Charlie's nipped off | 0:33:55 | 0:33:58 | |
to find his inner artist and help the girls paint the pictures we bought at the charity shop. | 0:33:58 | 0:34:04 | |
I'm interested in what...what is the idea, what are we going to do? | 0:34:04 | 0:34:07 | |
I don't really know what we're going to do. | 0:34:07 | 0:34:09 | |
I know we've got some paintings and some paint, and no-one told me much more than that. | 0:34:09 | 0:34:15 | |
What we're going to do is paint over it. | 0:34:15 | 0:34:19 | |
You paint over that? And what's the point, why are you painting over them? | 0:34:19 | 0:34:22 | |
Well, because you see how dull this one is, and the dresses and the colours? | 0:34:22 | 0:34:27 | |
I know it shows detail, but it doesn't show that much bright colours, it looks pale. | 0:34:27 | 0:34:32 | |
You hang it up and it looks a lot better than it did before. | 0:34:32 | 0:34:34 | |
Because you're the biggest, you can have the biggest paint brush. | 0:34:34 | 0:34:39 | |
So it's a print of a painting. | 0:34:39 | 0:34:42 | |
Nice blue sky. | 0:34:42 | 0:34:44 | |
Tell me, how do you enjoy school? | 0:34:47 | 0:34:49 | |
Yeah, school's great, because I would like to be a doctor when I'm older. | 0:34:49 | 0:34:52 | |
-Would you? -Yeah. | 0:34:52 | 0:34:54 | |
That's fantastic. How long have you wanted to be a doctor? | 0:34:54 | 0:34:57 | |
Since I was little. | 0:34:59 | 0:35:01 | |
Really? I think this is such a brilliant idea. | 0:35:01 | 0:35:05 | |
I've so enjoyed this. | 0:35:05 | 0:35:07 | |
I'm going to have to go home and get some paintings | 0:35:07 | 0:35:10 | |
from the local charity shop and get my kids to do this. | 0:35:10 | 0:35:14 | |
I think they'd really enjoy it. | 0:35:14 | 0:35:15 | |
So you're looking forward to, what, | 0:35:19 | 0:35:21 | |
you've got two days now until you get to see the new house. | 0:35:21 | 0:35:25 | |
I know, it's really exciting. | 0:35:25 | 0:35:28 | |
Are you really excited? | 0:35:28 | 0:35:29 | |
My little girl always says, how many sleepovers until something? | 0:35:31 | 0:35:34 | |
-So you've got two sleepovers until you see the house. -I know. | 0:35:34 | 0:35:39 | |
Really exciting because you don't know what it's going to look like. | 0:35:39 | 0:35:42 | |
And there are a lot of people working on it, a lot of very generous people giving up their time. | 0:35:42 | 0:35:47 | |
We're very, very grateful. | 0:35:47 | 0:35:50 | |
For Haydn, I just feel enormously sorry for him that he's not going to see his kids grow up, | 0:35:56 | 0:36:01 | |
which is an absolute tragedy, but also for those little girls not to have their dad around | 0:36:01 | 0:36:06 | |
and also to sort of know that he's not going to be around to see him getting iller, | 0:36:06 | 0:36:11 | |
it must just be very, very difficult. | 0:36:11 | 0:36:15 | |
It really gives you the sort of motivation | 0:36:15 | 0:36:17 | |
to try and get it right for them, to try and get their bills down, because they're really struggling. | 0:36:17 | 0:36:22 | |
They don't have any money. | 0:36:22 | 0:36:23 | |
Everything that we can do to make their life | 0:36:23 | 0:36:25 | |
less expensive, to make it warmer, to make it more comfortable, to give Haydn a nice bath that he can get to | 0:36:25 | 0:36:30 | |
easily from his bed when he's really feeling bad, that's going to make the quality of their life so much better. | 0:36:30 | 0:36:37 | |
It's an amazing thing to be involved in. | 0:36:37 | 0:36:40 | |
I know what you're thinking, ladies. | 0:36:40 | 0:36:42 | |
Attractive, good heart, good with kids... | 0:36:42 | 0:36:44 | |
Sickening, isn't it? | 0:36:44 | 0:36:47 | |
We're on track to finish the house on schedule, but disaster! | 0:36:47 | 0:36:50 | |
Of all days for us to get heavy rain. | 0:36:50 | 0:36:52 | |
Really quite bad news, this, isn't it? Trying to get | 0:36:52 | 0:36:55 | |
the front of the house finished, and you can see it's running | 0:36:55 | 0:36:58 | |
around the back of it, just off the back of the roof there, running down the face of the building. | 0:36:58 | 0:37:03 | |
It's just going to wash everything off. | 0:37:03 | 0:37:05 | |
Until it stops raining, all we can really do is plug the leaks, blow hot air onto the side of this house | 0:37:05 | 0:37:12 | |
and hope the render doesn't wash off. | 0:37:12 | 0:37:15 | |
Looking on the bright side, we've hit a plastering milestone. | 0:37:15 | 0:37:18 | |
The boys have been working like demons. | 0:37:18 | 0:37:20 | |
It's been a mammoth task and the downstairs is almost done. | 0:37:20 | 0:37:25 | |
Incredible. | 0:37:25 | 0:37:27 | |
-Hello, Nicholas. -How are you, Julian? | 0:37:28 | 0:37:30 | |
I haven't had a chance to chat to you very much - you've been so busy. | 0:37:30 | 0:37:33 | |
-This is the last of it, though, now, this room? -Last room, last room. | 0:37:33 | 0:37:36 | |
Because your chosen trade is general builder, but you're a plasterer, aren't you? | 0:37:36 | 0:37:41 | |
But you're not really in love with plastering, are you? | 0:37:41 | 0:37:43 | |
I haven't got a chosen trade. | 0:37:43 | 0:37:45 | |
You don't get the joy out of plastering that, say, Chris does. | 0:37:45 | 0:37:48 | |
-He seems to get a joy from it. -I do it for a couple of days, but then I've had enough. | 0:37:48 | 0:37:52 | |
I want to move onto something else. | 0:37:52 | 0:37:54 | |
I didn't really choose to be a builder, to be honest. | 0:37:54 | 0:37:56 | |
When I left school with no qualifications, my dad just happened to be building a house. | 0:37:56 | 0:38:01 | |
So I just went to work with him. | 0:38:01 | 0:38:03 | |
Then we got caught in the first recession, so then we went jobbing building from that point. | 0:38:03 | 0:38:09 | |
We just recently built five more houses. | 0:38:09 | 0:38:12 | |
That's gone Pete Tong because of this recession. | 0:38:12 | 0:38:16 | |
You've bought perfectly for both recessions. | 0:38:16 | 0:38:18 | |
Yes, yes! It's the planning side of it that's the downfall. | 0:38:18 | 0:38:22 | |
And the timings. | 0:38:22 | 0:38:24 | |
Logistics, possibly. | 0:38:24 | 0:38:25 | |
-So, get into building. -And lose £250,000. -Yeah! -Yeah, great. | 0:38:25 | 0:38:31 | |
That's cheered him up. | 0:38:34 | 0:38:36 | |
It makes you think, though, doesn't it, really? | 0:38:36 | 0:38:38 | |
We really need to try and pull together to help people who often, through no fault of their own, | 0:38:38 | 0:38:42 | |
have found themselves in difficult circumstances and are struggling with day-to-day life. | 0:38:42 | 0:38:47 | |
While a lot of people are finding it financially difficult at the moment, | 0:38:47 | 0:38:50 | |
because of what has happened, it's been a bit more than financially difficult for you. | 0:38:50 | 0:38:54 | |
I think the finance is really secondary, if you know what I mean. | 0:38:54 | 0:38:58 | |
We've turned from a family that we thought we were doing OK | 0:38:58 | 0:39:01 | |
to virtually destitution, which is a bit of a shock. | 0:39:01 | 0:39:06 | |
And then with illness in the family so heavily... | 0:39:06 | 0:39:10 | |
prevalent and dominating life, it's... | 0:39:10 | 0:39:12 | |
How are you doing with it? | 0:39:12 | 0:39:14 | |
You've got to be strong for the girls, but how are you doing with the announcement suddenly | 0:39:14 | 0:39:20 | |
-that your partner has a terminal illness? -It really, really hit me hard to start with. | 0:39:20 | 0:39:25 | |
Very tearful. Every time I saw Haydn, it was terrible. | 0:39:25 | 0:39:29 | |
I'd just, like, burst into tears and give him a hug. | 0:39:29 | 0:39:31 | |
Then he said, "You know, | 0:39:31 | 0:39:33 | |
"you can't live like that. We've got to get on with it." | 0:39:33 | 0:39:36 | |
How do you begin to prepare the children for that? | 0:39:36 | 0:39:40 | |
How much do they know? | 0:39:40 | 0:39:42 | |
They know it all. We've been totally honest with them from the word go. | 0:39:42 | 0:39:46 | |
They've really had a lot of their tears already. | 0:39:46 | 0:39:48 | |
Occasionally it hits them. | 0:39:48 | 0:39:50 | |
Something triggers it and they go, "Oh, Daddy, I don't want you to die. We love you." | 0:39:50 | 0:39:55 | |
That really hits us both. | 0:39:55 | 0:39:57 | |
Their dad has said there's no way you've got to spend time mourning me. | 0:39:57 | 0:40:01 | |
Life is for living. | 0:40:01 | 0:40:03 | |
Remember me. I'll live on in your memories. | 0:40:03 | 0:40:06 | |
Doesn't bear thinking about, really, does it? | 0:40:11 | 0:40:13 | |
Jenny and Haydn's situation has really struck a chord with everyone on site | 0:40:13 | 0:40:17 | |
and they're pulling out all the stops to do the best they can possibly do for the family. | 0:40:17 | 0:40:23 | |
Alan from the local fencing company has really done the business. | 0:40:23 | 0:40:26 | |
We've had a lot of people do amazing things all over the building. | 0:40:26 | 0:40:29 | |
I have to say, this has been one of the things that has worried me | 0:40:29 | 0:40:32 | |
because of the incident that happened on the first day and the family going forward. | 0:40:32 | 0:40:36 | |
-Have you got kids? -I have, yeah. I've got two kids of me own, so it... | 0:40:36 | 0:40:40 | |
hits home when you've got your own children and you think you wouldn't like to see it happen to your own. | 0:40:40 | 0:40:45 | |
No, well, hopefully people, | 0:40:45 | 0:40:46 | |
now that they know what the situation is with this family, will just leave them alone | 0:40:46 | 0:40:51 | |
to try and get things together and start their lives properly, really. | 0:40:51 | 0:40:55 | |
-That's good, that's good. -Thank you. | 0:40:55 | 0:40:57 | |
The house is really starting to take shape now. The sun is shining and things are looking up. | 0:40:57 | 0:41:02 | |
For the first time this week it's actually warm in Stoke, which means two things - | 0:41:02 | 0:41:07 | |
the walls have at long last got a chance to dry and the weather is causing havoc for our cameramen. | 0:41:07 | 0:41:12 | |
I'll tell you what's happening is, we're in Stoke, right, | 0:41:12 | 0:41:16 | |
and this camera was actually hired in Stoke and it's warm today and it can't cope. | 0:41:16 | 0:41:21 | |
Southern softies, coming up here, criticising everybody. | 0:41:23 | 0:41:27 | |
Hang on, hang on a sec. I've got to ask you, does no one ever say to you, | 0:41:27 | 0:41:32 | |
maybe a change of hairstyle? How long have you had that hairstyle? | 0:41:32 | 0:41:36 | |
53 years. | 0:41:37 | 0:41:39 | |
I'm never going to be bald. | 0:41:39 | 0:41:41 | |
-That's the kind of question you think but don't ask. -Is it really? | 0:41:41 | 0:41:45 | |
'Yeah, maybe he's got a point.' | 0:41:45 | 0:41:47 | |
Perhaps I should leave the talking to the others for a bit. | 0:41:47 | 0:41:50 | |
The roof's been insulated, this amazing two-storey extension has gone up, | 0:41:50 | 0:41:53 | |
we're putting the finishing touches to the big insulation tea cosy we've wrapped the whole building in. | 0:41:53 | 0:42:00 | |
Hello, mate. All the plastering, all the woodwork, everything painted out, looking nice. | 0:42:00 | 0:42:05 | |
Here we go, we've created this lovely aperture. We've put the steels in | 0:42:05 | 0:42:09 | |
and we've got a complete walkthrough from the family room into the new kitchen. | 0:42:09 | 0:42:13 | |
Bathroom out the back. Utility room around there. | 0:42:13 | 0:42:15 | |
Absolutely fantastic. | 0:42:15 | 0:42:17 | |
This was the window that looked through to the back garden. | 0:42:17 | 0:42:20 | |
Now it's a walkthrough into the new extension en suite. | 0:42:20 | 0:42:25 | |
The skylight window is throwing light onto the balcony overlooking the stairwell. | 0:42:25 | 0:42:29 | |
Beautiful, isn't it? | 0:42:29 | 0:42:32 | |
With a workforce of well over 50 trades turning up on most days, | 0:42:32 | 0:42:36 | |
it's pretty impressive to see what we have achieved already. | 0:42:36 | 0:42:39 | |
I'm very pleased to be doing the work. | 0:42:39 | 0:42:42 | |
It's very nice to contribute. | 0:42:42 | 0:42:45 | |
It's really good to be able to come and help out. | 0:42:45 | 0:42:47 | |
It's a real good feel-good factor about the place, everybody | 0:42:47 | 0:42:51 | |
working really hard, trying to get it done for the family. Fantastic. | 0:42:51 | 0:42:54 | |
-You've has been in here, doing this. It's your team, isn't it? -Yes. | 0:42:54 | 0:42:57 | |
That's been helping us out? | 0:42:57 | 0:42:59 | |
What's the trick to good papering? | 0:42:59 | 0:43:01 | |
So many people try papering and make a mess of it. | 0:43:01 | 0:43:04 | |
-Specifically, me. -Read your instructions. | 0:43:04 | 0:43:08 | |
There are instructions, are there? I've never known that. I've never even looked. What, on the wallpaper? | 0:43:08 | 0:43:13 | |
Which paste, repeats, soaking time, adhesives. | 0:43:13 | 0:43:18 | |
-Really? -All the information. | 0:43:18 | 0:43:21 | |
So I've never once looked at the wrapping on a roll of paper. | 0:43:21 | 0:43:24 | |
I didn't even know there were instructions. Isn't that typical? | 0:43:24 | 0:43:27 | |
It's the final push. Charlie really has played a blinder. | 0:43:34 | 0:43:38 | |
He's gone on a bit about insulation, I know, but that's his thing. | 0:43:38 | 0:43:40 | |
This house will save the family money on their energy bills, | 0:43:40 | 0:43:43 | |
it looks brilliant, and even our site rubbish is going to be recycled. | 0:43:43 | 0:43:48 | |
So you can take any timber off a building site and turn that into fuel? | 0:43:48 | 0:43:53 | |
Yeah, providing it's biodegradable, it can all be recycled and re-used to provide power. | 0:43:53 | 0:43:59 | |
So it actually reduces waste down by about one to seven. | 0:43:59 | 0:44:04 | |
So for every seven skips you have, you'd only have one if you use that machine. | 0:44:04 | 0:44:08 | |
Let's talk about the interesting bit. Let's talk about the tractor! | 0:44:08 | 0:44:12 | |
Love tractors, me. | 0:44:14 | 0:44:15 | |
He really does love tractors. | 0:44:15 | 0:44:18 | |
Come on, Jules, stop messing about. We've got a house to finish. | 0:44:18 | 0:44:22 | |
Looking pretty good, though, isn't it? The scaffolding is coming down and the end is in sight. | 0:44:22 | 0:44:27 | |
I can almost see it. Nothing is going to stop us now. | 0:44:27 | 0:44:30 | |
I shouldn't have said anything, should I, really? | 0:44:30 | 0:44:34 | |
Good job we found it, though, before the plumbers come down really, isn't it? | 0:44:35 | 0:44:40 | |
It's not bad when you think we've had subsidence, the corner of the house nearly fell off, | 0:44:40 | 0:44:44 | |
the wall plates in the roof moved, | 0:44:44 | 0:44:48 | |
we had to rewire the building back in and we had to underpin the building. | 0:44:48 | 0:44:53 | |
And we've had one leaking pipe. | 0:44:53 | 0:44:55 | |
You've got to stop picking these easy jobs, that's why. | 0:44:55 | 0:44:59 | |
Just nine days ago, we arrived in Stoke to find a family with nowhere else to turn. | 0:45:09 | 0:45:15 | |
Because of Haydn's ongoing battle with terminal illness | 0:45:18 | 0:45:21 | |
and the financial pressures this brought with it, | 0:45:21 | 0:45:23 | |
there was simply no way the family could undertake the work to fix up the home they so desperately needed. | 0:45:23 | 0:45:29 | |
We've actually ignored the state of the walls and the windows. | 0:45:34 | 0:45:38 | |
If we looked at them, I'd think, "Oh, my God, we've been living in this." | 0:45:38 | 0:45:43 | |
It was a situation we could never have solved on our own. | 0:45:45 | 0:45:50 | |
And it was only with the help of an army - and I mean an army - of local trades giving their time to us, | 0:45:53 | 0:45:59 | |
that we've managed it. | 0:45:59 | 0:46:02 | |
Amazingly, in just over a week, we've put up a two-storey extension, | 0:46:02 | 0:46:06 | |
firmly insulated and rendered the outside, | 0:46:06 | 0:46:10 | |
and fitted new windows and doors throughout, making the house extremely energy efficient. | 0:46:10 | 0:46:17 | |
Downstairs has been transformed beyond recognition. | 0:46:21 | 0:46:24 | |
We've knocked through to create a stunning kitchen-diner come family room, | 0:46:24 | 0:46:29 | |
which will become the heart of this home. | 0:46:29 | 0:46:32 | |
This elegant space has been designed with simplicity in mind. | 0:46:45 | 0:46:50 | |
Charlie's primary aim here was to give this family a functional yet beautiful kitchen-diner | 0:46:50 | 0:46:56 | |
that will help to see them through the tough times ahead. | 0:46:56 | 0:46:59 | |
The front room is now a bright, happy play area, somewhere for the girls to relax and hopefully | 0:47:12 | 0:47:17 | |
be inspired to fulfil their creative ambitions in the future. | 0:47:17 | 0:47:22 | |
Outside we've managed to stop the end wall falling off the house, | 0:47:26 | 0:47:30 | |
and we've built an extension to increase the space on the ground floor and the first. | 0:47:30 | 0:47:36 | |
For me, it's the upstairs that was the real revelation of this build. | 0:47:39 | 0:47:43 | |
We've completely redesigned the layout, dividing the front bedroom into two, | 0:47:43 | 0:47:47 | |
to give each of the younger girls a room of their own. | 0:47:47 | 0:47:50 | |
We've created a hallway to give independent access to the back bedroom, which will give Sarah, | 0:47:56 | 0:48:02 | |
the eldest, her own room for the first time in her life. | 0:48:02 | 0:48:06 | |
Haydn and Jenny have now got their own bedroom, too. | 0:48:12 | 0:48:15 | |
We've continued the theme of timeless elegance | 0:48:15 | 0:48:18 | |
with the addition of simple cornicing and a beautiful antique bed. | 0:48:18 | 0:48:23 | |
But the real difference for Haydn is the en-suite bathroom, | 0:48:23 | 0:48:28 | |
giving him the privacy he'll need in the difficult months ahead. | 0:48:28 | 0:48:32 | |
Although we can't solve this family's problems, we can at least | 0:48:43 | 0:48:47 | |
help make the time they all have left together as stress-free and happy as possible. | 0:48:47 | 0:48:54 | |
I hope you like what we and all the amazing tradesmen of Stoke | 0:48:56 | 0:49:03 | |
have done for you. | 0:49:03 | 0:49:05 | |
Open your eyes. | 0:49:05 | 0:49:06 | |
SHE GASPS | 0:49:06 | 0:49:08 | |
It's the most beautiful... | 0:49:09 | 0:49:12 | |
-Isn't it big? -I couldn't believe it would be changed... | 0:49:12 | 0:49:17 | |
-so dramatically. -Wow. | 0:49:17 | 0:49:19 | |
It's clean, it's flat-walled, it's beautiful. | 0:49:19 | 0:49:23 | |
-Nick! -Don't thank me, honestly. | 0:49:27 | 0:49:28 | |
I've done the least of it. | 0:49:28 | 0:49:32 | |
God, thank you, everybody. | 0:49:32 | 0:49:34 | |
The generosity has knocked us for six. Just look at this. | 0:49:34 | 0:49:38 | |
So that's the front room. | 0:49:40 | 0:49:41 | |
THEY LAUGH | 0:49:41 | 0:49:44 | |
-It's beautiful! -The dining room, somewhere you can sit. -What a dining room! | 0:49:46 | 0:49:50 | |
-Go on, have a wander through. -After you, darling. | 0:49:52 | 0:49:55 | |
The kitchen! | 0:49:58 | 0:49:59 | |
Look at this kitchen! | 0:49:59 | 0:50:02 | |
This house looks so modern now! | 0:50:02 | 0:50:05 | |
Whose house is it?! | 0:50:05 | 0:50:07 | |
What happens to this derelict we lived in? | 0:50:07 | 0:50:09 | |
Gosh, what a posh cooker. | 0:50:09 | 0:50:11 | |
You got it all in and it all works. | 0:50:14 | 0:50:17 | |
That's really a lovely living space. | 0:50:19 | 0:50:21 | |
-You like it? -I can't believe... | 0:50:24 | 0:50:26 | |
..I can't believe that other people could do this for us. | 0:50:28 | 0:50:31 | |
I'm astounded. that somebody could paint the wall, or do the outside, | 0:50:31 | 0:50:36 | |
fabulous. | 0:50:36 | 0:50:38 | |
-Oh, my goodness! -Wow. | 0:50:45 | 0:50:46 | |
Gosh, a vanity unit. The girls will love that! | 0:50:56 | 0:50:59 | |
Gosh, it's fantastic. | 0:51:01 | 0:51:05 | |
You've got to look over your shoulder as well... | 0:51:08 | 0:51:10 | |
Oh, wow! That's so cool! | 0:51:10 | 0:51:14 | |
Goodness. | 0:51:14 | 0:51:15 | |
-Wow! -Whoa! | 0:51:23 | 0:51:26 | |
-What's that? -In there? | 0:51:26 | 0:51:29 | |
The first part is a dressing room... | 0:51:29 | 0:51:33 | |
A little en-suite. | 0:51:33 | 0:51:34 | |
New house then? | 0:51:36 | 0:51:39 | |
It's all new house, it didn't exist before. | 0:51:39 | 0:51:41 | |
It didn't exist... nine-and-a-half days ago. | 0:51:41 | 0:51:44 | |
-The idea is that this can be your area so on your bad days... -I can get out of everybody's way. | 0:51:49 | 0:51:54 | |
-Fantastic. Oh, thanks. -You can look after yourself in the bath, | 0:51:54 | 0:51:57 | |
take your time in here, the rest of the family can operate out there. | 0:51:57 | 0:52:00 | |
There's another bathroom downstairs they can use | 0:52:00 | 0:52:03 | |
without having to come and interrupt. | 0:52:03 | 0:52:05 | |
That makes it so easy for me. | 0:52:05 | 0:52:07 | |
And I don't get in the way either. | 0:52:07 | 0:52:11 | |
Now that we've shown it to you, how has it changed for you? | 0:52:16 | 0:52:20 | |
I can just say it's like a soothing armchair in the mind, my mind sits in now, going into the future. | 0:52:23 | 0:52:31 | |
Thank you, everybody. Thank you, everybody, that chipped in and gave so generously. | 0:52:31 | 0:52:36 | |
What do you think, Sasha? | 0:52:42 | 0:52:43 | |
This is your room. | 0:52:43 | 0:52:45 | |
You don't know a bed until you've bounced it, do you? | 0:52:47 | 0:52:51 | |
SHE LAUGHS | 0:52:52 | 0:52:56 | |
I like pink! I do! | 0:53:06 | 0:53:10 | |
-Wow. -Isn't it wonderful that when you're a child you can go, "This is how happy I am"?! | 0:53:10 | 0:53:16 | |
-What do you like most about your new bedroom? -Everything. | 0:53:29 | 0:53:34 | |
-SHE SQUEALS -Would you be happy with that one? | 0:53:37 | 0:53:39 | |
Yes! | 0:53:39 | 0:53:41 | |
That's not yours, either. Do you want to come and see yours? | 0:53:41 | 0:53:45 | |
Yours is at the end of the corridor here, past the balcony, past the skylight window which you missed. | 0:53:45 | 0:53:52 | |
Down past all the pretty lights. | 0:53:52 | 0:53:54 | |
Oh, my God! | 0:53:57 | 0:53:59 | |
You're allowed to try out the bed, it's yours now. | 0:54:04 | 0:54:07 | |
It's really comfy and bouncy. | 0:54:09 | 0:54:11 | |
It's more than I have dreamed of. | 0:54:12 | 0:54:15 | |
All right? You like it? | 0:54:19 | 0:54:23 | |
Yeah. | 0:54:23 | 0:54:25 | |
It's a bit different, isn't it? | 0:54:25 | 0:54:27 | |
It's a lot to take in. | 0:54:37 | 0:54:40 | |
It's a big change, I know. | 0:54:40 | 0:54:42 | |
I know it's a big change. | 0:54:42 | 0:54:44 | |
Doesn't it make your heart flutter? | 0:54:47 | 0:54:49 | |
Isn't it just fantastic? | 0:54:49 | 0:54:51 | |
It's all quite grown-up and arty, isn't it? | 0:54:54 | 0:54:56 | |
It's the best ever. | 0:54:56 | 0:54:59 | |
-Are these happy tears, or sad tears? -Happy tears! | 0:54:59 | 0:55:02 | |
A big change, isn't it? | 0:55:04 | 0:55:07 | |
-This going to be a nice place to live now? -Yeah! | 0:55:07 | 0:55:11 | |
You're the best. | 0:55:11 | 0:55:13 | |
Yeah, you are the best, thanks. | 0:55:13 | 0:55:15 | |
-It's all right. -Thank you so much for all of you. | 0:55:15 | 0:55:20 | |
Oh, wow! | 0:55:22 | 0:55:24 | |
The picture you did, girls. | 0:55:26 | 0:55:28 | |
-And that! -It's wonderful! | 0:55:28 | 0:55:32 | |
-How did we do? -Brilliant! | 0:55:32 | 0:55:35 | |
Beyond wildest expectations. | 0:55:35 | 0:55:38 | |
Thank you! | 0:55:39 | 0:55:41 | |
Actually, not me, | 0:55:41 | 0:55:43 | |
what I'd like to do is take to outside and introduce you to some of the people - not all of them, | 0:55:43 | 0:55:47 | |
because some days we had 60 people here | 0:55:47 | 0:55:49 | |
and not all of them have been able to come back - | 0:55:49 | 0:55:51 | |
but some of the people that have been working on this, you can say hello | 0:55:51 | 0:55:55 | |
'and maybe even say a few words to them because they don't get to hear this.' | 0:55:55 | 0:55:59 | |
APPLAUSE | 0:55:59 | 0:56:02 | |
-YOU guys deserve the clap! Thank you. -Yeah, you guys do. | 0:56:11 | 0:56:16 | |
I don't know what to say. | 0:56:16 | 0:56:18 | |
Everybody, and all the hours that have clearly gone into this, it's absolutely overwhelming. | 0:56:18 | 0:56:24 | |
You've made our family a dream home. | 0:56:24 | 0:56:27 | |
Thank you, all of you. | 0:56:27 | 0:56:28 | |
Each and every one of you. | 0:56:28 | 0:56:30 | |
And everybody that's not here that's also helped. | 0:56:30 | 0:56:33 | |
I've heard there have been hundreds of you and thank you. | 0:56:33 | 0:56:37 | |
We are absolutely blown away by people's generosity. | 0:56:37 | 0:56:40 | |
We heard there were more volunteers in Stoke-on-Trent to help than anywhere else. | 0:56:40 | 0:56:45 | |
CHEERING AND APPLAUSE | 0:56:45 | 0:56:48 | |
They even like the thermal stuff, they're excited about that, too! | 0:56:50 | 0:56:53 | |
-It's an absolute transformation. -It's a difficult question to ask | 0:56:56 | 0:56:59 | |
but I have to ask it because the guys here know the situation of family is in. | 0:56:59 | 0:57:04 | |
But the weight it takes off your shoulders given the circumstances you are in... | 0:57:04 | 0:57:08 | |
I was going to leave these guys an old... | 0:57:08 | 0:57:11 | |
and apparently that wall nearly fell down when you were fixing it! | 0:57:11 | 0:57:15 | |
So any dad, or mum out there knows exactly how freeing that is. | 0:57:15 | 0:57:21 | |
Thank you so much. There's nothing greater. | 0:57:21 | 0:57:24 | |
Thank you, everybody. | 0:57:24 | 0:57:26 | |
-The truth is at this stage I normally make a speech but I can't. -VOICE CRACKS | 0:57:26 | 0:57:30 | |
I know this lady. | 0:57:35 | 0:57:38 | |
You going to hospital soon? | 0:57:38 | 0:57:40 | |
-Very good luck. -What will be will be. | 0:57:40 | 0:57:44 | |
At least you guys are sorted, that's what matters. | 0:57:46 | 0:57:49 | |
This is the lady that started it all. | 0:57:51 | 0:57:54 | |
Our health visitor, Sheila. | 0:57:54 | 0:57:56 | |
We wouldn't have any of this if she hadn't filled out the form. Thank you, darling. | 0:57:56 | 0:58:01 | |
Haydn said to me earlier, "I don't believe there can be | 0:58:02 | 0:58:05 | |
"generosity on this scale" - but it doesn't come in one big lump, it comes in small slices. | 0:58:05 | 0:58:10 | |
It all adds up, though, to one big snowball of good will and that's helped Haydn and the family | 0:58:10 | 0:58:17 | |
look forward to a future, although still uncertain, at least safe and secure. | 0:58:17 | 0:58:22 | |
It's amazing what you can do, isn't it? | 0:58:22 | 0:58:24 | |
Subtitles by Red Bee Media Ltd | 0:58:51 | 0:58:54 | |
E-mail [email protected] | 0:58:54 | 0:58:57 |