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Hello and welcome to DIY SOS, coming to you from Ottery St Mary in the Devonshire countryside. | 0:00:02 | 0:00:08 | |
We have just 10 days for me and these guys...and these guys | 0:00:08 | 0:00:13 | |
to turn a wreck of a house into a home for a family that really need it. | 0:00:13 | 0:00:19 | |
This is DIY SOS: The Big Build! | 0:00:19 | 0:00:22 | |
'And when I say big, I mean huge!' | 0:00:22 | 0:00:25 | |
To have these floors down tonight, that's not a five-minute job. | 0:00:25 | 0:00:30 | |
'Can this really be turned around in just nine days?' | 0:00:30 | 0:00:34 | |
Total structural change? You can't. | 0:00:34 | 0:00:38 | |
-'This family needs a miracle and a home.' -We have to hold together | 0:00:38 | 0:00:42 | |
because if we fall apart and let the house fall apart, our lives are ruined. | 0:00:42 | 0:00:47 | |
We're here to help the Wright family - music teacher Ian, mum Morny, and their three kids, | 0:00:57 | 0:01:04 | |
Isaac, Alfie and Casper. | 0:01:04 | 0:01:07 | |
Four years ago, their eldest son Isaac was diagnosed with learning difficulties | 0:01:08 | 0:01:14 | |
and had to move to a school more suited to his needs. | 0:01:14 | 0:01:19 | |
He has an audio processing disorder which means he has had difficulties at school. | 0:01:19 | 0:01:25 | |
We moved to Ottery as we knew there were good schools | 0:01:25 | 0:01:28 | |
in terms of dealing with this type of difficulty. | 0:01:28 | 0:01:32 | |
All they could afford was this cramped two-bedroom bungalow. | 0:01:32 | 0:01:37 | |
With three growing lads crammed into one room, this was never going to work for long. | 0:01:37 | 0:01:43 | |
I sleep there, he sleeps there and he sleeps there. | 0:01:43 | 0:01:47 | |
I sleep here. | 0:01:47 | 0:01:50 | |
All the boys have is their beds. That's their personal space. | 0:01:50 | 0:01:53 | |
There's an awful lot of tension and aggro. | 0:01:53 | 0:01:57 | |
We don't get on in the same room. | 0:01:57 | 0:02:00 | |
Desperate for space, the family decided to extend. | 0:02:03 | 0:02:07 | |
Ian and Morny borrowed as much as they could to do the work themselves to keep costs down. | 0:02:07 | 0:02:13 | |
After we took out the loan, we thought we could get on with it, | 0:02:13 | 0:02:18 | |
but, as it happened, | 0:02:18 | 0:02:20 | |
family matters took over. | 0:02:20 | 0:02:22 | |
My mother became very ill with cancer. | 0:02:22 | 0:02:26 | |
Also, at the same time, my father died. | 0:02:26 | 0:02:30 | |
Morny took a year out to care for her mother, | 0:02:30 | 0:02:35 | |
but having battled with ME all of her adult life, her own health soon began to suffer. | 0:02:35 | 0:02:41 | |
Having ME is like having a very short battery life. | 0:02:41 | 0:02:45 | |
Because you have so little energy to deal with day to day things, | 0:02:45 | 0:02:50 | |
as soon as things start to go wrong, there's not much energy left. | 0:02:50 | 0:02:54 | |
So it sounds really stupid, | 0:02:54 | 0:02:57 | |
but I found myself on a downward spiral. | 0:02:57 | 0:03:01 | |
The stress it has put onto my wife has meant that Morny | 0:03:03 | 0:03:07 | |
can't work, hasn't worked for a while. She's felt very bad about it. | 0:03:07 | 0:03:12 | |
And that's put more strain on us. | 0:03:12 | 0:03:16 | |
With his family falling apart and the borrowed money draining away, | 0:03:16 | 0:03:20 | |
Ian's only choice was to continue with the build alone, | 0:03:20 | 0:03:24 | |
but on top of his hectic teaching job, it all became too much for him. | 0:03:24 | 0:03:29 | |
I've been under a lot of stress and it's shown at work and it's shown here. | 0:03:29 | 0:03:35 | |
I feel very wound up, really wound up. | 0:03:35 | 0:03:38 | |
The whole thing has taken its toll. | 0:03:38 | 0:03:41 | |
It's no small thing. It's there 24 hours a day. | 0:03:41 | 0:03:45 | |
24 hours a day. And it affects everything. | 0:03:45 | 0:03:49 | |
We've had terrible arguments about mistakes we've made, | 0:03:49 | 0:03:53 | |
but at the end of the day we know we have to pull together | 0:03:53 | 0:03:57 | |
because if we fall apart and let the house completely fall apart, our lives are ruined. | 0:03:57 | 0:04:03 | |
And that's the boys' lives ruined. | 0:04:03 | 0:04:05 | |
I can remember years ago we used to play football | 0:04:05 | 0:04:10 | |
and run around. | 0:04:10 | 0:04:13 | |
That never happens now. It hasn't happened for the last five years. | 0:04:13 | 0:04:18 | |
You see other children with their dads and it just makes you feel a bit depressed. | 0:04:18 | 0:04:24 | |
After it's all done, I can spend my time with my mum and dad. | 0:04:24 | 0:04:29 | |
The impact on the boys has been huge. | 0:04:30 | 0:04:35 | |
There are times you do feel you're letting your family down. | 0:04:35 | 0:04:39 | |
The thing that's most upsetting is you realise you'll run out of time. The priorities are all wrong here. | 0:04:39 | 0:04:46 | |
We've ended up with a house that's half-built, a family that's grown up | 0:04:46 | 0:04:51 | |
and you've lost those vital years. | 0:04:51 | 0:04:54 | |
It overwhelmed me. It really overwhelmed me, the thought of what these people are going to do for us. | 0:04:54 | 0:05:01 | |
And, um... | 0:05:01 | 0:05:03 | |
just how much it will change... everything. It really will. | 0:05:03 | 0:05:08 | |
It's, um... | 0:05:09 | 0:05:11 | |
Well, I... I'm lost for words, really. | 0:05:13 | 0:05:16 | |
I don't think words are adequate to describe the difference it will make to our lives. | 0:05:16 | 0:05:23 | |
Sometimes life can get the better of you and at these moments it's OK to ask for help | 0:05:23 | 0:05:28 | |
and hope that someone will answer your call. Today, that's us - DIY SOS. | 0:05:28 | 0:05:35 | |
-This isn't normal. -No. -But everybody that we ever go to see gets used to it. | 0:05:35 | 0:05:41 | |
There's a term, institutionalisation, if you spend time in prison or the army. | 0:05:41 | 0:05:47 | |
In any given circumstance, what you live in, you get used to. This isn't normal. | 0:05:47 | 0:05:53 | |
Every single aspect of our life has suffered in the last year or so | 0:05:53 | 0:05:58 | |
and you get used to living in a certain way. It would be different if I could work. | 0:05:58 | 0:06:03 | |
The plan had been when Casper started school, we hoped that I would be able to work in some respect, | 0:06:03 | 0:06:10 | |
but I'm just not able to do that. | 0:06:10 | 0:06:12 | |
The position we've got to now, Nick, | 0:06:12 | 0:06:15 | |
is that this has put so much pressure on the family, on Morny, and affected Morny's health, | 0:06:15 | 0:06:21 | |
the whole thing just... We're in a bit of a spiral, to be honest. | 0:06:21 | 0:06:26 | |
You have plainly carried the world on your shoulders and worked your backside off, | 0:06:26 | 0:06:32 | |
but if the result is another three years without time with your kids... | 0:06:32 | 0:06:37 | |
What's important? Family's important. My wife and the children. | 0:06:37 | 0:06:41 | |
-This is going to have such an impact on us. A massive impact. -Time to hand it over to us for a while | 0:06:41 | 0:06:48 | |
-and let us play with it for 10 days and see what we can do. -Absolutely. -We'll do a really good job for you. | 0:06:48 | 0:06:54 | |
The Wrights have hit rock bottom and Ian's realised he needs help. | 0:06:56 | 0:07:00 | |
There's no point in being so proud that you let your family fall apart. | 0:07:00 | 0:07:06 | |
-Is that the sea? -Where? I think it jolly well is, Matthew. | 0:07:06 | 0:07:10 | |
Ease up on the sightseeing and get to work, please. | 0:07:10 | 0:07:15 | |
Ian has placed his family's future in the hands of our team and the local Devon trades. Thankfully... | 0:07:15 | 0:07:21 | |
We've got plumbers, carpenters, plasterers, all in this area. In real life there would be a fight. | 0:07:21 | 0:07:28 | |
'A friendly fight. Pillows, maybe.' | 0:07:28 | 0:07:31 | |
-Shall we let the dog see the rabbit? -Yeah, let's get in and get at it. | 0:07:31 | 0:07:36 | |
'Helping is architectural designer Charlie Luxton, with one eye on style, one on the environment.' | 0:07:37 | 0:07:43 | |
-I don't suppose there's much to talk about, environmental-wise. -No, lots. | 0:07:43 | 0:07:48 | |
Oh. | 0:07:48 | 0:07:49 | |
'Charlie's career has been built on blending sustainable design with intelligent design | 0:07:52 | 0:07:57 | |
'that maximises space and light. With space here at a premium, | 0:07:57 | 0:08:02 | |
'his architectural expertise will be vital in turning this dreary, cramped 1960s bungalow | 0:08:02 | 0:08:08 | |
'into a beautiful home.' | 0:08:08 | 0:08:10 | |
-We're doing some good stuff. -Right. -A really interesting, innovative heating system with solar panels. | 0:08:10 | 0:08:16 | |
-Low-energy carpets... -Low-energy carpets?! -Yeah. | 0:08:16 | 0:08:20 | |
-What?! What?! -Healthy carpets. -You don't get worn out on them. | 0:08:20 | 0:08:25 | |
'So how do you turn a two-bedroom bungalow into a four-bedroom house? This is Charlie's vision. | 0:08:26 | 0:08:32 | |
'We'll start with a loft conversion, creating two bedrooms and a homework space for the boys. | 0:08:32 | 0:08:38 | |
'Downstairs, there's two rooms we're leaving alone - Mum and Dad's bedroom and the lounge. | 0:08:38 | 0:08:44 | |
'We have plenty to do already, like putting in stairs and a new kitchen. | 0:08:44 | 0:08:48 | |
'Then we'll finish off the extension and create a beautiful long dining room that extends into the garden. | 0:08:48 | 0:08:54 | |
'Finally, we'll transform the downstairs bedroom, leaving a warm and comfortable home | 0:08:54 | 0:09:00 | |
'with no holes or missing walls.' As lofts go, this is a big one. | 0:09:00 | 0:09:05 | |
-Really big. -Lots of height, but by the time your insulation is in... -It'll be tiny! | 0:09:05 | 0:09:12 | |
It's quite a good space. For a house that was way too small for the family, | 0:09:12 | 0:09:19 | |
-it suddenly has everything they need. -Bungalows are great to buy. | 0:09:19 | 0:09:24 | |
You can do so much with them. They've often got big roof spaces, | 0:09:24 | 0:09:29 | |
really good space, and normally they have really good-sized gardens. | 0:09:29 | 0:09:34 | |
I couldn't help overhearing, because I was listening, | 0:09:34 | 0:09:39 | |
-that you're creating a vaulted atrium to get more light from the skylight into here. -Yeah. | 0:09:39 | 0:09:45 | |
This is the real heart of the house. | 0:09:45 | 0:09:47 | |
We're pulling that back and putting a big skylight in here. | 0:09:47 | 0:09:52 | |
You'll get nice top light into that, the stair comes up and lands here. | 0:09:52 | 0:09:57 | |
It's been an utter nightmare working with this space to get the stairs working. | 0:09:57 | 0:10:02 | |
We're so constrained by that shape. | 0:10:02 | 0:10:05 | |
A normal job is like steering a car. I want to go this way, you go this way and can steer it. | 0:10:05 | 0:10:11 | |
This is more like a rocket that you sit on and lean a bit! | 0:10:11 | 0:10:16 | |
I'm slightly worried that you see working with us as being sat on a giant rocket. | 0:10:16 | 0:10:21 | |
-How do you see it? -Out of control. | 0:10:21 | 0:10:25 | |
'I love the first day. Everywhere you look, somebody's doing something, bringing something in, | 0:10:25 | 0:10:32 | |
'taking something out, carrying something, climbing over each other. | 0:10:32 | 0:10:36 | |
'You need good backing music. It's about to get worse.' | 0:10:36 | 0:10:41 | |
PICKS OUT A FALTERING TUNE | 0:10:41 | 0:10:43 | |
Cliff Richard. | 0:10:49 | 0:10:51 | |
-# Got myself a walking, talking... # -Don't encourage him! It's nothing like anything! | 0:10:51 | 0:10:57 | |
# Living doll... # | 0:10:58 | 0:11:00 | |
-It's in tune with my voice! -That's like me going... -That's good. -Jazz. | 0:11:02 | 0:11:08 | |
-That's jazz! -That's jazz. | 0:11:08 | 0:11:11 | |
-Let's get the piano out. -Yeah. | 0:11:11 | 0:11:14 | |
'Do you know the piano's on my foot? "You him it, son, I'll play it."' | 0:11:14 | 0:11:18 | |
-You all right up there? You're allowed to speak and say hello. -Hello. | 0:11:18 | 0:11:24 | |
There's quality entertainment on BBC1(!) | 0:11:24 | 0:11:27 | |
-Nobody knows who you are. -If you need a cup of tea, ask me. | 0:11:27 | 0:11:32 | |
-Tea boy. -No, I'll ask someone else. | 0:11:32 | 0:11:36 | |
# Oh-oh-oh | 0:11:38 | 0:11:40 | |
-# Oh-oh... # -Would it be fair to say you're in a happy, singy mood because we're in...the county? | 0:11:40 | 0:11:47 | |
-It's pretty impressive, Devon. -Despite what you've always said, | 0:11:47 | 0:11:52 | |
when I drove in past the Devon border sign, there weren't people with pitchforks waiting. | 0:11:52 | 0:11:58 | |
-They was there in the afternoon. -Was they? -When it was light. They don't stay out after dark. | 0:11:58 | 0:12:04 | |
As soon as it starts getting dark, get rumped upside the fire. | 0:12:06 | 0:12:11 | |
-Get what? -Rumped upside the fire. | 0:12:11 | 0:12:13 | |
-Right. So a bit of music later on this week, perhaps? -Yeah. | 0:12:15 | 0:12:20 | |
-I want an honest opinion whether I can play the guitar or not. -Yeah. | 0:12:20 | 0:12:26 | |
'I could give you an honest opinion now, but let's wait and I'll lie. | 0:12:26 | 0:12:31 | |
'Shall we meet the builders?' | 0:12:31 | 0:12:33 | |
-What are you doing for us? -To insulate. | 0:12:33 | 0:12:37 | |
-Working with my mate here. -Why did you decide to help out? | 0:12:37 | 0:12:41 | |
I understand this family's got kids at school where I've got my kids. | 0:12:41 | 0:12:45 | |
Friends of friends have heard the story, so I've come down to help out, basically. | 0:12:45 | 0:12:51 | |
I put the roof on the extension over there with a mate months ago and we looked across at this | 0:12:51 | 0:12:57 | |
and it hadn't really moved since then, so we thought they could probably do with a hand. | 0:12:57 | 0:13:03 | |
They could, too. Thank you. Aren't they nice, eh? | 0:13:03 | 0:13:08 | |
'Got to be impressed, haven't you? As well as poaching most of Devon's tradesmen, | 0:13:08 | 0:13:13 | |
'Ian and Morny's friends have come. Neighbour Sue and family friend Chris.' | 0:13:13 | 0:13:18 | |
In the short time I've got to know the family, it looks like he's really at the end of his tether. | 0:13:18 | 0:13:26 | |
-Have you seen a change in him? -I've seen him look more worn out and more stressed. -Yeah. | 0:13:26 | 0:13:32 | |
-He's got a full-time job as well. -And she's not been well, either. Morny's not been so well. -No, no. | 0:13:32 | 0:13:38 | |
ME's been hitting her hard, especially through the winter months | 0:13:38 | 0:13:42 | |
with water pouring in through various rooms. | 0:13:42 | 0:13:46 | |
-It's been open to the elements. -Since about April. | 0:13:46 | 0:13:49 | |
-There's a lot of rain coming in. -Getting on for a year. | 0:13:49 | 0:13:53 | |
Yeah, I think she got that distraught one day that she didn't know what else to do | 0:13:53 | 0:13:59 | |
and she said she literally sobbed into her computer and wrote to you. | 0:13:59 | 0:14:04 | |
You get the impression he feels that somehow he's letting them down if he doesn't do it himself, | 0:14:04 | 0:14:10 | |
-but it's too much. It's huge. -It's taken a lot longer than he thought | 0:14:10 | 0:14:15 | |
-plus other things have cropped up along the way... -Family illnesses. | 0:14:15 | 0:14:19 | |
-Three kids in one room is not easy. -No. -No. | 0:14:19 | 0:14:23 | |
-So this will sort it? -I think it will be a big therapy for them. | 0:14:23 | 0:14:28 | |
Once they can sit and enjoy it, rather than rushing around... | 0:14:28 | 0:14:32 | |
It'll be nice to come for a glass of wine without the roof coming down! | 0:14:32 | 0:14:36 | |
'It's always nice to enjoy a glass of wine without the fear of the roof falling on top of you. | 0:14:36 | 0:14:42 | |
'Hey, look, the stairs have arrived. They've been made off-site and can be slotted into place, | 0:14:42 | 0:14:49 | |
'but now they're here, Charlie's brain is whirring away. This can only mean trouble.' | 0:14:49 | 0:14:55 | |
The floors have to go in today. The walls have to be insulated tomorrow, skimmed on Thursday. | 0:14:55 | 0:15:03 | |
The problems are we've only, in the whole building, got this much space to put the stair in. | 0:15:03 | 0:15:09 | |
It's also the front hall where all these routes come in. | 0:15:09 | 0:15:13 | |
We've been absolutely constrained to put a stair in here. | 0:15:13 | 0:15:17 | |
It's not really where I'd put it if I had started from scratch. | 0:15:17 | 0:15:22 | |
I wouldn't put it there, so it's all a bit of a compromise, which is a bit frustrating. | 0:15:22 | 0:15:28 | |
It's lovely and open now, but not when it's finished. Disappointing. | 0:15:28 | 0:15:33 | |
Charlie, I think, is guilty of changing his mind a few times. | 0:15:33 | 0:15:38 | |
The golden rule for builders is, "Designers, don't change your mind. Have an idea and stick with it." | 0:15:38 | 0:15:45 | |
You've got to, especially in this environment when we're here for ten days with the whole community. | 0:15:45 | 0:15:52 | |
We can't turn around and say, "I don't like that." Can't do it. | 0:15:52 | 0:15:56 | |
In this game, plan it, do it and give it back. | 0:15:56 | 0:16:00 | |
You can't halfway through say, "I want a total structural change." You just can't do it. | 0:16:00 | 0:16:06 | |
-Good bunch of lads? -There's two electricians and their apprentice. | 0:16:06 | 0:16:11 | |
They're very good. Lovely boys. | 0:16:11 | 0:16:14 | |
-There's one of them! I call him LA. His name's Laszlo. -He has an LA look. | 0:16:14 | 0:16:19 | |
Like somebody out of The Breakfast Club in 1985. | 0:16:19 | 0:16:23 | |
'Time check, then. It's 7pm on Day One, and after a long 12-hour day | 0:16:29 | 0:16:35 | |
'Charlie wants to make some big changes.' | 0:16:35 | 0:16:38 | |
-You've thought about this, have you? -Yeah. -So you must know what you want, then. | 0:16:38 | 0:16:44 | |
'Basically, Mr Luxton wants to open up the space in the hall | 0:16:44 | 0:16:49 | |
'to allow light to come down from the skylight without being blocked by the current ceiling. | 0:16:49 | 0:16:54 | |
'Mark is concerned about the time and how it affects support beams, | 0:16:54 | 0:16:59 | |
'but Charlie won't be put off. He has a vision.' | 0:16:59 | 0:17:03 | |
-We can do it! -What are you blethering on about?! | 0:17:03 | 0:17:08 | |
-If we pull these cables and pipes onto the back of this beam... -So you can view all the way up? -Yes. | 0:17:08 | 0:17:15 | |
So it would just rise up all the way up. | 0:17:15 | 0:17:18 | |
Your stairs come in 900 here, | 0:17:18 | 0:17:21 | |
so it's nice and open and light now. When you've got a stair, bang, that's gone. It's stairs coming up. | 0:17:21 | 0:17:27 | |
One of the great difficulties is that whole vaulted thing disappears and you don't have that light, | 0:17:27 | 0:17:34 | |
-whereas if you took that out... -He might be right. That's not a five-minute job. | 0:17:34 | 0:17:39 | |
Ceilings out, restrengthen... We've got to have these floors down tonight and plasterers in on Day Three. | 0:17:39 | 0:17:46 | |
-Have a wee look around you. -What? | 0:17:46 | 0:17:49 | |
-Look at the state of this house. -Yeah. -We're late in the evening of Day One. -Yeah. | 0:17:49 | 0:17:54 | |
-All these gentlemen are sweating their doodahs off... -Yeah. | 0:17:54 | 0:17:58 | |
You're just adding... That's not five... Oh! I tell you what, | 0:17:58 | 0:18:03 | |
I'd thump you! You're pushing it, mate. | 0:18:03 | 0:18:07 | |
-Have a vote on it. -No! -That's a fair way of doing it. | 0:18:07 | 0:18:11 | |
-Everybody in favour of ceiling out, hands up. -I'll go with Charlie on that one. | 0:18:11 | 0:18:17 | |
-Everybody in favour... -One, two, three, four...five. | 0:18:17 | 0:18:20 | |
-Six. -Everybody in favour of leaving it as it is. | 0:18:20 | 0:18:25 | |
-One, two, three, four, five, six, seven, eight. -Sorry, Charlie. | 0:18:25 | 0:18:30 | |
And to be honest, Chris had already voted on both sides. | 0:18:31 | 0:18:36 | |
LAUGHTER | 0:18:36 | 0:18:38 | |
-So we're just confused now. -Can we carry on? -Sorry, yeah. | 0:18:38 | 0:18:42 | |
'That's disappointing. I'm with Charlie on this. The payoff will be worth the extra graft. | 0:18:42 | 0:18:49 | |
'Local builder Mark Mann is onside, too, and he's happy to work into the night.' | 0:18:49 | 0:18:55 | |
-It's just the moment when they walk in. That's what I'm thinking about. -I agree. -And they go, "Wow!" | 0:18:55 | 0:19:02 | |
-I think you're absolutely right. -The ceiling joists run all the way to the front. -Yes. -Take that out | 0:19:02 | 0:19:09 | |
and you must board underneath that. | 0:19:09 | 0:19:12 | |
But if you took this out, it's open, so you don't have to board it. | 0:19:12 | 0:19:16 | |
It's just open. You run straight up to the ceiling, which you have to make good anyway. | 0:19:16 | 0:19:22 | |
I agree that, architecturally, it would look fantastic. | 0:19:22 | 0:19:26 | |
I'm slightly worried about how long it's going to take to achieve this. | 0:19:26 | 0:19:31 | |
The only person standing in the way and being obtuse... Your camp is now down to you and Billy. | 0:19:31 | 0:19:37 | |
-Do you really want to be in that camp? -Right, do it. -Do it? -Do it. | 0:19:37 | 0:19:42 | |
But there's two people doing this. Mark and Charlie. | 0:19:42 | 0:19:46 | |
So by tomorrow morning we'll be able to show you what we've been talking about. | 0:19:46 | 0:19:52 | |
I don't think it's clear to you. Tomorrow it will be, thanks to Charlie for staying up all night. | 0:19:52 | 0:19:59 | |
Ha! I'm off. | 0:19:59 | 0:20:01 | |
'I thought Charlie would go all designer and let someone else get their hands dirty, | 0:20:06 | 0:20:11 | |
'but he's actually doing it himself. | 0:20:11 | 0:20:14 | |
'And this means the hand-made stairs can now go in. They'll form the centrepiece to our new hall | 0:20:14 | 0:20:21 | |
'and will make getting into the loft a bit easier for the boys, too. | 0:20:21 | 0:20:25 | |
# I've got a brand new combine harvester... # 'It's a beautiful Devonian morning. | 0:20:28 | 0:20:33 | |
'We have the big boys' toys in today to tear up the garden. It's for a good reason, not just for fun.' | 0:20:33 | 0:20:41 | |
We're putting a new water main trench in. At the moment, | 0:20:41 | 0:20:45 | |
the lead pipe is completely furred up with a tiny hole in the middle. | 0:20:45 | 0:20:51 | |
We're putting a big poly pipe in with loads of flow, loads of pressure. | 0:20:51 | 0:20:55 | |
Everything will work lovely. | 0:20:55 | 0:20:58 | |
'The eco-boiler is coming later and can be hooked up when the new pipe is connected to the mains. | 0:21:00 | 0:21:07 | |
'Simple. Morning, Matt! Morning! All right. | 0:21:07 | 0:21:11 | |
'It's not good for builder/designer relations when we have last-minute changes, but Charlie was spot on.' | 0:21:11 | 0:21:18 | |
Well done, mate. You got it all cut out overnight. | 0:21:18 | 0:21:23 | |
-I think it was worth it. -It WAS the right thing to do. | 0:21:23 | 0:21:27 | |
You need to speak to Billy to get an electrical contact on it | 0:21:27 | 0:21:31 | |
so when the door opens it goes... ba-ba-ra-bah! | 0:21:31 | 0:21:35 | |
It's taken until we do a bungalow to get a two-storey entrance. | 0:21:35 | 0:21:40 | |
-I've worked out how to get my way now. I get you on my side... -Is that it? -..and then I walked off! | 0:21:40 | 0:21:46 | |
It wasn't happening, but I could see you were like a dog with a bone. | 0:21:46 | 0:21:51 | |
I just left you. I came back and we were doing it. | 0:21:51 | 0:21:55 | |
-I owe you one, mate. -The trick is, I got him onside. | 0:21:55 | 0:21:59 | |
-He didn't give up. -Once he wanted to do it, and he's doing the work, our Mark couldn't say no. | 0:21:59 | 0:22:06 | |
'Thank you, Mark Mann. This vaulted entrance is ambitious and already making a massive difference. | 0:22:06 | 0:22:12 | |
'It's gone from cramped to spacious in just one day. | 0:22:12 | 0:22:16 | |
'The Wright family were pushed to the limit in this wreck of a house. The strain's affected everyone | 0:22:17 | 0:22:24 | |
-'and the family have been teetering on the edge.' -We have had times | 0:22:24 | 0:22:29 | |
when we've just sat and said, "What the hell have we done?" We can't move, | 0:22:29 | 0:22:34 | |
we can't get this finished in time to stop more damage being done. | 0:22:34 | 0:22:39 | |
Just what can we do? | 0:22:39 | 0:22:41 | |
And you can't do anything but just carry on. | 0:22:41 | 0:22:45 | |
That's what we've done. We've each had our moments where we crumbled. | 0:22:45 | 0:22:50 | |
We're very fortunate that we have each other to support. | 0:22:50 | 0:22:55 | |
Even if you're not feeling good, you can be the strong one for the other person. | 0:22:55 | 0:23:00 | |
-It would be very easy to split apart. -Yes. -With this pressure. | 0:23:00 | 0:23:06 | |
When I was talking to him, he was very... | 0:23:06 | 0:23:09 | |
very outspoken about how grateful he was that you support him and stand by him. | 0:23:09 | 0:23:15 | |
I could say the same the other way. Partly because of my illness, the burden falls on him really. | 0:23:15 | 0:23:21 | |
A huge burden. | 0:23:21 | 0:23:24 | |
And I think he feels that he cannot stop, that if he stops it will fall apart. | 0:23:24 | 0:23:30 | |
Normally I don't tell anybody anything about the house, | 0:23:30 | 0:23:34 | |
-but it looks like a home. -Oh... -A real house to bring up the boys. | 0:23:34 | 0:23:38 | |
It looks like a house where you and Ian can remember why you got together in the first place. | 0:23:38 | 0:23:45 | |
-Oh, I can't wait. -Your house. -Oh, it'll be lovely. | 0:23:45 | 0:23:49 | |
Oh, thank you so much. | 0:23:50 | 0:23:52 | |
'Turning their unfinished house into a home will be the first step in getting them back on track.' | 0:23:54 | 0:24:00 | |
-What changes will happen? Maybe a date night? -Lovely. You plant the seed with him. | 0:24:00 | 0:24:06 | |
-He probably won't think of it. -You'll have the time now. | 0:24:06 | 0:24:11 | |
'There's an often-forgotten rule of building work - you're only one digger scoop from disaster.' | 0:24:12 | 0:24:19 | |
Well spotted, lads. Well spotted! | 0:24:19 | 0:24:22 | |
Thank God we didn't break into it. This is the main pumping main to the reservoir. | 0:24:22 | 0:24:28 | |
If that had burst, if we had... I shouldn't be laughing. | 0:24:28 | 0:24:33 | |
We'd have had a swimming pool here! | 0:24:33 | 0:24:36 | |
-Oh, dear. -There's a water main here, so be careful. -We just found it! | 0:24:36 | 0:24:40 | |
Oh! BEEP! Is that right enough? | 0:24:40 | 0:24:43 | |
'Yeah, that was a close call. Let's hope the new boiler is worth it.' | 0:24:43 | 0:24:48 | |
-Are you putting the boiler in? -Yeah. -Is it new, fandangled...? | 0:24:48 | 0:24:52 | |
-It's technology we developed here. -You're involved? -I'm the developer. -I thought you were the plumber! | 0:24:52 | 0:24:58 | |
I'm working with the plumber. | 0:24:58 | 0:25:01 | |
-He's the man who designed it all! -You designed it? -Yeah. | 0:25:01 | 0:25:05 | |
Charlie's very excited. He says it saves an enormous amount of gas on your fuel bill. | 0:25:05 | 0:25:12 | |
-Probably about 40% over and above what an A rate boiler would give. -Really? | 0:25:12 | 0:25:16 | |
Honestly and truly, how simple is this to fit? | 0:25:16 | 0:25:20 | |
Dead simple. Quite easy, yeah. | 0:25:20 | 0:25:23 | |
Do you need to say this works? | 0:25:23 | 0:25:25 | |
-I think it's a good idea. -Really? -It saves money, energy. It's fantastic. | 0:25:25 | 0:25:30 | |
'None of Charlie's enviro-projects ever runs totally to plan, | 0:25:31 | 0:25:36 | |
'but the new water main is going in so at least we're making progress.' | 0:25:36 | 0:25:41 | |
-How tall are you? -6'11" in my socks, so 7 foot in my shoes. | 0:25:44 | 0:25:49 | |
-What height are you, Nick? -Just under 6'2". | 0:25:49 | 0:25:53 | |
-Go on, you stand next to him. -What's so funny about that? | 0:25:53 | 0:25:58 | |
NICK CACKLES | 0:25:59 | 0:26:01 | |
So are you happier to be doing a bit in Devon, as opposed to being off round the country? | 0:26:03 | 0:26:09 | |
I am. I do feel happy to be in Devon, yes. | 0:26:09 | 0:26:12 | |
-It was pasties for lunch. -I didn't have a pasty. | 0:26:12 | 0:26:16 | |
I had several last week, so I'm trying to ease off of them. | 0:26:16 | 0:26:20 | |
-We found a lovely little shop that sells... -Oh, sweet corn, cheese and broccoli. -Pasties. | 0:26:20 | 0:26:28 | |
-Beef and Stilton. -Did you have one? -I ate three! | 0:26:28 | 0:26:33 | |
He had one on the way back from the shop before we had one. | 0:26:33 | 0:26:37 | |
I popped down the shop to get the pasties... Little bit peckish. | 0:26:37 | 0:26:42 | |
So I thought I'd pull a fast one. I bought three pasties. I ate one on the way back to the job. | 0:26:42 | 0:26:48 | |
I said, "Here's your pasty." I ate one, then he spotted the extra wrapper. | 0:26:48 | 0:26:54 | |
Yeah, still warm it was as well. | 0:26:54 | 0:26:57 | |
Couldn't get it past 'ee! | 0:26:57 | 0:27:00 | |
'Working on this house took over Ian's life and overwhelmed him, | 0:27:00 | 0:27:06 | |
'but it would have been far worse without the help of his friend, John.' | 0:27:06 | 0:27:11 | |
Hello, John. So, basically, you've sacrificed your weekends | 0:27:11 | 0:27:15 | |
-to come round and help him get this whole building finished. -Tried to, yeah. -Tried to. | 0:27:15 | 0:27:22 | |
It just... It's so much to be doing, to take on. | 0:27:22 | 0:27:26 | |
He just doesn't stop. | 0:27:26 | 0:27:29 | |
-The project will be the end of him on its own. -Yeah? | 0:27:29 | 0:27:33 | |
How much does this mean to him? | 0:27:33 | 0:27:35 | |
It's just going to be such a relief for him to be able to come home | 0:27:35 | 0:27:40 | |
without having to start again when he gets home. | 0:27:40 | 0:27:44 | |
There's so much for him to be doing the whole time, | 0:27:44 | 0:27:48 | |
you know, a person can't keep going flat out all the time. | 0:27:48 | 0:27:53 | |
'You know, I think I'm proudest on these jobs of the community spirit that we see. | 0:27:53 | 0:27:59 | |
'The hard work of all these trades means Ian will have more freedom for his musical work with local kids, | 0:27:59 | 0:28:06 | |
'not just at school, but throughout the area with free music workshops.' | 0:28:06 | 0:28:11 | |
Hello! | 0:28:11 | 0:28:13 | |
-BLOWS WHISTLE -Hello! | 0:28:13 | 0:28:15 | |
-Grab a seat. We'll go through the parts. -Here? Is that all right? | 0:28:15 | 0:28:20 | |
-Thank you very much. -Go through the parts, the sections. | 0:28:20 | 0:28:24 | |
Strike with the right hand. Very simple. Perfect. | 0:28:24 | 0:28:29 | |
# Give me a biscuit, cup of tea Give me a biscuit, cup of tea | 0:28:29 | 0:28:34 | |
-# Give me a biscuit... # -When you're doing the music, you've got their full attention. -Yeah. | 0:28:34 | 0:28:40 | |
It's music you can do that with. What I love about this is it's all about families, communities. | 0:28:40 | 0:28:47 | |
This is what music's about. | 0:28:47 | 0:28:49 | |
# Thunderbirds are go! One, two... # Yeah! | 0:28:49 | 0:28:53 | |
-We've got little ones here, one or two years old. -It lets off some pressure. | 0:28:53 | 0:28:59 | |
You must feel a bit more refreshed after coming along. | 0:28:59 | 0:29:03 | |
I was just talking to the mums and they all say it's a release. | 0:29:03 | 0:29:08 | |
It blows the cobwebs away. It's a good, social thing to do. | 0:29:08 | 0:29:12 | |
What do you think of this drumming? Is this your third, fourth week? | 0:29:12 | 0:29:16 | |
-First. -Your first, is it? | 0:29:16 | 0:29:19 | |
-My fourth, I think. -Will you come back again? -Yeah. | 0:29:19 | 0:29:24 | |
-So you guys, like, are going to form a band when...? -I don't know. | 0:29:24 | 0:29:28 | |
-And become mega-famous and mega-rich? -The Otter Rockers. -The Otter Rockers? -Yeah. | 0:29:28 | 0:29:33 | |
-Hi! Sorry. -Who are you waving to? | 0:29:33 | 0:29:35 | |
-The camera. -That'll be you at home watching this. You'll be waving to yourself now. | 0:29:35 | 0:29:41 | |
Hi, Will! LAUGHTER | 0:29:41 | 0:29:43 | |
WHISTLE BLOWS | 0:29:43 | 0:29:45 | |
OK, that's good. Well done, everyone. Brilliant. | 0:29:45 | 0:29:49 | |
'I like to think we got in amongst it and probably ruined it, but there you go. | 0:29:49 | 0:29:54 | |
'Bringing music into the community is Ian's way of saying thank you. | 0:29:54 | 0:29:58 | |
'He might be inspiring the next big thing.' | 0:29:58 | 0:30:00 | |
-Are there any famous musicians that have come from Devon or Cornwall? -The Wurzels? -No, Somerset. | 0:30:00 | 0:30:06 | |
James Blunt? He's from down this way, isn't he? | 0:30:06 | 0:30:10 | |
But you'll find all these superstars and musicians end up living in Devon because they know how cool it is. | 0:30:10 | 0:30:16 | |
What's matey called out of Coldplay? | 0:30:16 | 0:30:18 | |
-Chris Martin? -Lives in Exmouth. John's just Artexed his flat. -Artexed his flat?! | 0:30:18 | 0:30:23 | |
-He's just Artexed... This is THE Chris Martin? -Yeah. | 0:30:23 | 0:30:27 | |
-I will take you there. -He is having a flat in Exmouth... -Artexed? -Artexed? | 0:30:27 | 0:30:32 | |
No, no. Sorry, the coving. | 0:30:32 | 0:30:34 | |
Right... He probably didn't want anyone to know that. | 0:30:34 | 0:30:38 | |
But now they do! | 0:30:38 | 0:30:40 | |
But he's got two of 'em. | 0:30:40 | 0:30:42 | |
# Come on in | 0:30:42 | 0:30:45 | |
# I've got to tell you what a state I'm in... # | 0:30:46 | 0:30:52 | |
It's amazing how much you can get done in just a few days if you have the right people. | 0:30:52 | 0:30:57 | |
You can turn the whole of a loft into proper living space. Down here we can start a similar place up. | 0:30:57 | 0:31:04 | |
The window's already in the back, so it's not open to the elements, | 0:31:04 | 0:31:08 | |
apart from here which was a big yawning hole because there's a door going to cover it up. That's good. | 0:31:08 | 0:31:14 | |
It is amazing, but we have the right people and that's all you need. | 0:31:14 | 0:31:18 | |
A lot of love and a lot of attention to detail. Talking of which, where's my dinner? | 0:31:18 | 0:31:23 | |
It's busy today. There's, um... | 0:31:32 | 0:31:35 | |
..about 12 plasterers turned up this morning. | 0:31:36 | 0:31:39 | |
We've got the boys in. Army of plasterers. | 0:31:39 | 0:31:43 | |
Hopefully, there'll be some pink on the walls tonight. | 0:31:43 | 0:31:46 | |
You show these boys an empty ceiling, they're in there straight away. | 0:31:46 | 0:31:50 | |
Why is it always me that gets the wallpaper stripping? | 0:31:57 | 0:32:01 | |
Four jobs - four lots of wallpaper stripping. | 0:32:01 | 0:32:05 | |
We've got new windows and doors all the way round the ground floor here. | 0:32:06 | 0:32:10 | |
-That's nice. What's that? -That's for the cat. Cat flap. -No? -Yeah. | 0:32:10 | 0:32:15 | |
-Is that for a cat, really? -Have you seen the cat? It's just like a barrel. -Is it? -Yeah. -That's amazing. | 0:32:15 | 0:32:21 | |
I've never seen one of those before. The thing that people will take away from this programme is, | 0:32:21 | 0:32:27 | |
-"Did you know they can put cat flaps in double glazing?" -We're going to put that up here though! | 0:32:27 | 0:32:33 | |
Imagine the cat at night. | 0:32:33 | 0:32:35 | |
-Very good. -That is quite exciting, isn't it? | 0:32:36 | 0:32:40 | |
'There's our new-fangled boiler going in. | 0:32:41 | 0:32:44 | |
'But outside, we're having issues with our plumbing.' | 0:32:44 | 0:32:48 | |
He's been on his hands and knees or on his belly since this morning. | 0:32:49 | 0:32:53 | |
-Have you found anything yet? -Have I heck! | 0:32:53 | 0:32:56 | |
"Have I heck!" Nothing down there at all? | 0:32:56 | 0:33:00 | |
Is this the only water main that's ever been, like, not connected to anything? | 0:33:00 | 0:33:05 | |
-I think so. -How can it not go in there? -Do you need longer arms? -It's down there somewhere. | 0:33:05 | 0:33:11 | |
Normally, in this way, stopcock, meter, out that way and you connect on. It's not looking very good. | 0:33:11 | 0:33:18 | |
'Luckily, things are going better inside.' | 0:33:18 | 0:33:22 | |
Blimey, the boards are up already down here! They're over the ceiling already. That's very impressive. | 0:33:22 | 0:33:28 | |
-The boys have done a good job here. -They're going to be dot and dabbing. They'll be eating this room up. | 0:33:28 | 0:33:34 | |
-They've already chucked the boards on. -They're Devon boys, you see. | 0:33:34 | 0:33:38 | |
-They haven't come here to drink tea. -They've had a few teas. | 0:33:38 | 0:33:42 | |
They've had to because they've been waiting for us, waiting for the electricians. Oh, look, they're here! | 0:33:42 | 0:33:49 | |
Just take that into the van and we'll cut that. | 0:33:50 | 0:33:53 | |
'Under our new stairs, we'll put in a toughened glass wall to let light flow through the house. | 0:33:53 | 0:33:58 | |
'Let's just hope he has his measurements right.' | 0:33:58 | 0:34:01 | |
We're cutting the template for the glass here, send it off to the glazier. | 0:34:01 | 0:34:06 | |
'The plasterers are going great guns and very soon we'll be ready to get some paint on those walls. | 0:34:06 | 0:34:12 | |
'The family's three boys have been stuck sharing a tiny room for the past four years, | 0:34:12 | 0:34:18 | |
'but finally, they'll have bedrooms of their own. What do they want them to look like? | 0:34:18 | 0:34:23 | |
'We've set the boys the task of designing their dream rooms | 0:34:23 | 0:34:27 | |
'and Gabrielle from our design team has gone to check out what they've come up with.' | 0:34:27 | 0:34:32 | |
-I'd quite like my drum kit by my bed. -Yeah. -A cupboard in which I can store my clothes. | 0:34:32 | 0:34:38 | |
Let's have a look at yours, Casper. Let's see what you've come up with. | 0:34:38 | 0:34:42 | |
You seem to have three drawings which I like. | 0:34:42 | 0:34:45 | |
That goes down and my bed tips up. | 0:34:45 | 0:34:48 | |
-Yeah. -I go down the slide, which is really mental. | 0:34:48 | 0:34:51 | |
-So is that like a sort of plunge pool at the end of a wiggly slide? -Yeah. | 0:34:51 | 0:34:56 | |
-Would it be quite nice for you to have a place to put your own stuff away from your brothers? -Yeah. | 0:34:56 | 0:35:04 | |
I don't really get much room and privacy, | 0:35:04 | 0:35:07 | |
so I can't do stuff that I want to in it. | 0:35:07 | 0:35:11 | |
How do you think it will be different with your mum and dad when the house is a bit...? | 0:35:11 | 0:35:17 | |
I'll just get to spend some more time with them. | 0:35:17 | 0:35:20 | |
If I was them, I just couldn't cope because Dad's got his work and Mum, with her illness, | 0:35:20 | 0:35:25 | |
it's basically impossible. She probably couldn't do it for another year or so. | 0:35:25 | 0:35:31 | |
'If you ask children what they want, they'll tell you - space to be apart | 0:35:31 | 0:35:35 | |
'and time to be together with their parents as a family. | 0:35:35 | 0:35:39 | |
'That's what makes a house a home.' | 0:35:39 | 0:35:41 | |
Beep, beep! Coming through, glass, glass! | 0:35:41 | 0:35:44 | |
You're always slightly twitchy when you've cut the template and sent it off to the glazier to cut, | 0:35:44 | 0:35:50 | |
-whether you've got it right or not. -On your head be it. | 0:35:50 | 0:35:53 | |
'Perfect fit. He must have got someone else to measure it.' | 0:35:56 | 0:36:00 | |
-Why have you decided to come in and join in with us? -My kids go to school with the kids that live here. | 0:36:08 | 0:36:15 | |
They're friends anyway and my missus knows the woman that lives here, so I just thought I'd give a hand. | 0:36:15 | 0:36:21 | |
The spreads have been on fire and every wall is covered in glorious pink plaster. | 0:36:22 | 0:36:28 | |
This is my way of saying thank you, guys, because my shoulder after the last job is dead. | 0:36:30 | 0:36:36 | |
Personally, I couldn't do it without you. Honestly, it's phenomenal. | 0:36:36 | 0:36:41 | |
'There's a lot of love in the room, isn't there? And there's good news for our plumber too.' | 0:36:41 | 0:36:46 | |
Success at last! | 0:36:46 | 0:36:48 | |
'Now we can finally plumb the boiler in, let's find out how it works.' | 0:36:50 | 0:36:55 | |
What we've got here is an A-rate boiler. | 0:36:55 | 0:36:57 | |
We've got the flue gas heat recovery unit. | 0:36:57 | 0:37:00 | |
-So although the gases come out when the chimney on your boiler gets hot, you use that to re-warm water. -Yeah. | 0:37:00 | 0:37:06 | |
And we've got the solar pre-heat, so in the summer we've got an element of pre-heat. | 0:37:06 | 0:37:11 | |
-That panel on the roof is helping to warm it. -That will save 15 to 20% of your hot water for the summer, | 0:37:11 | 0:37:17 | |
but without the consequence of having to heat a big cylinder in the winter. | 0:37:17 | 0:37:22 | |
-That's more efficient than a combi? -This is about 30% more efficient than an A-rate boiler on its own. | 0:37:22 | 0:37:29 | |
It uses any extra waste heat that you produce to pre-heat the water, so you don't use so much energy. | 0:37:29 | 0:37:35 | |
'The saving here in terms of cash is over £350 a year | 0:37:35 | 0:37:40 | |
'on the fuel bill of an average home. | 0:37:40 | 0:37:42 | |
'Although it's more expensive to fit than an A-rate boiler, | 0:37:42 | 0:37:46 | |
'you'll be able to cover the difference in only three years. At least that's what they say.' | 0:37:46 | 0:37:52 | |
-These boys are off. -Are you off? Thanks very much. -Nice to meet you. | 0:37:52 | 0:37:57 | |
Thank you ever so much. Couldn't have done it without you. | 0:37:57 | 0:38:00 | |
That's just really pushed it on. Excellent. | 0:38:00 | 0:38:04 | |
'The inside is shaping up nicely, but with only three days left, the outside is a different story.' | 0:38:04 | 0:38:10 | |
-This is their garden. -Yeah. -And it was very nice when we turned up. | 0:38:10 | 0:38:15 | |
But we've had to put in a new water main and we've had a digger and dumpers in here. | 0:38:15 | 0:38:20 | |
-We've completely thrashed it. To be honest with you, we don't really know how to sort it out. -I've seen worse. | 0:38:20 | 0:38:26 | |
-You've seen worse? -Yeah. It would be nice to separate it into different areas, | 0:38:26 | 0:38:32 | |
rather than having it all as one concrete mass, if you like. | 0:38:32 | 0:38:36 | |
Something like decking would be quite nice and the retaining wall could be sleepers, timber rounds. | 0:38:36 | 0:38:42 | |
-We could be quite creative. -Do you know how much time you've got? | 0:38:42 | 0:38:46 | |
-I guess not a lot? -Your artistic flair was flowing away there. -Yeah. | 0:38:46 | 0:38:50 | |
-You've got three days. -I've got a team of four. | 0:38:50 | 0:38:53 | |
Could you create all that for us in three days? | 0:38:53 | 0:38:57 | |
-I'm sure we could do something very close to it. -The clock's ticking. | 0:38:57 | 0:39:01 | |
'I have a good feeling about our landscaper Lawrence. | 0:39:01 | 0:39:04 | |
'He sounds like the right man for an impossible task. | 0:39:04 | 0:39:08 | |
'All volunteers, mind. And Ian's loyal mate John has given up every weekend for the past two years | 0:39:08 | 0:39:14 | |
'to try and get this house in shape, but finally, his work is done.' | 0:39:14 | 0:39:18 | |
-What about your family time? -Don't tell the wife I've finished cos I'll have to work at home now. | 0:39:18 | 0:39:24 | |
-You know what it's like. -There isn't a builder in the country that doesn't recognise that! | 0:39:24 | 0:39:29 | |
'John's happy and so are the painters as they can finally get colour on the walls. | 0:39:29 | 0:39:34 | |
'The only person who isn't smiling is Billy. The boiler's plumbed in, but he still needs to wire it up.' | 0:39:34 | 0:39:41 | |
Bill, you're on the verge of retirement. | 0:39:41 | 0:39:43 | |
This stuff is never going to bother you, really. | 0:39:43 | 0:39:47 | |
-Step aside for the young man behind you. Literally. -Tell him nothing. | 0:39:47 | 0:39:51 | |
It's a young and new generation. Their minds are so quick. | 0:39:51 | 0:39:54 | |
-It is though, innit, really? -It is. | 0:39:54 | 0:39:57 | |
All this new system... Electrics have been the same for a long time. | 0:39:57 | 0:40:01 | |
-Now it's going from electrics into electronics. -I've done circuit boards and that's electronics. | 0:40:01 | 0:40:07 | |
-But that's where it's going now. -I don't mind. Bring it on. | 0:40:07 | 0:40:11 | |
For all of us old dinosaurs taking the mick out of it, that's where it's going. | 0:40:11 | 0:40:16 | |
-Look, he's loving it, chatting away to Charlie. -I'm going to kill him! | 0:40:16 | 0:40:20 | |
This is the difference about the industry over the last 30 years. | 0:40:20 | 0:40:24 | |
-Jurassic Park... -Don't volunteer for anything, don't tell 'em anything. | 0:40:24 | 0:40:28 | |
'This system is so cutting edge that the Wrights will be the first people in the world to have this set-up. | 0:40:28 | 0:40:34 | |
'Impressive, eh? And that's not the only revolutionary bit of technology on show.' | 0:40:34 | 0:40:41 | |
Johnny's actually here to fit the surround in the shower, | 0:40:41 | 0:40:45 | |
but he's making the inside of the shower down here in the living room. | 0:40:45 | 0:40:50 | |
It's happening down here because it needs to be bent into shape. | 0:40:50 | 0:40:54 | |
-It's a flat sheet and we bend it and cut it on site. -You come along with sheets | 0:40:54 | 0:40:58 | |
-and form them to form the inside of a shower, so it can't leak. -Exactly. | 0:40:58 | 0:41:02 | |
Tiles, the grout goes yellow, water can get in. Water cannot get in behind these sheets. | 0:41:02 | 0:41:07 | |
It's a lot faster than tiling. | 0:41:07 | 0:41:10 | |
It's bent on this thermoformer over here. It takes 30 seconds to bend it and about 20 seconds later, it's set. | 0:41:10 | 0:41:16 | |
-You only get one go at it? -One go, yeah, and we've only got one sheet this colour. | 0:41:16 | 0:41:21 | |
-You're doing it on telly and you didn't bring a spare just in case? -Exactly, yeah. | 0:41:21 | 0:41:26 | |
'But then, if you're good at something, stick to your guns. That's what Charlie Luxton did.' | 0:41:26 | 0:41:32 | |
If you step back a bit and look at it, then follow me in and look up as you go in. | 0:41:32 | 0:41:38 | |
This is what this whole process has been about. | 0:41:38 | 0:41:41 | |
It's beautiful, isn't it, really? It just gives the whole house a whole new aspect. | 0:41:41 | 0:41:46 | |
-Can you cast your mind back to our argument about whether we should open that up? -Yes. | 0:41:46 | 0:41:51 | |
You said you shouldn't do it. Actually, it is beautiful. | 0:41:51 | 0:41:55 | |
This is a real piece of architecture. You've got angles, squares, lines, light and curves. | 0:41:55 | 0:42:01 | |
-It's a big disco on the eyes. It's lovely. -A disco on the eyes. | 0:42:01 | 0:42:05 | |
Our friend's in there doing the... This is the other bit of it, the view all the way through. | 0:42:05 | 0:42:11 | |
Now, the great trick for him is to make sure that those boards which are a darker colour... | 0:42:11 | 0:42:16 | |
How are you going to make the end ones look like these ones? | 0:42:16 | 0:42:20 | |
With some stained hard wax oil. | 0:42:20 | 0:42:24 | |
-Can you match them or will they just be...? -Similar. -Similar. | 0:42:24 | 0:42:27 | |
-I hate this job. I get covered in filth. -These machines I use are just fantastic. -What are you listening to? | 0:42:27 | 0:42:34 | |
-The Hitchhiker's Guide To The Galaxy. -Are you? | 0:42:34 | 0:42:37 | |
I thought it was music. In fact, he's listening to The Hitchhiker's Guide To The Galaxy. | 0:42:37 | 0:42:43 | |
Obviously, there's still a lot to do. | 0:42:46 | 0:42:49 | |
We've done a brilliant job of getting ahead with the wet trades, which is the most astounding job, | 0:42:49 | 0:42:55 | |
considering this was a wreck five, six days ago. | 0:42:55 | 0:42:59 | |
-But... There is a "but". -There always is with you. | 0:42:59 | 0:43:02 | |
-You can never just keep the joy up. -No, no. There's still a lot of work to do outside on the building. | 0:43:02 | 0:43:09 | |
Look at the state of this, look. | 0:43:09 | 0:43:12 | |
How to turn the Somme into a usable garden. | 0:43:12 | 0:43:15 | |
He's trying to move it around. You can't get it to do anything but lump up because of the weather. | 0:43:15 | 0:43:20 | |
These lads have worked so hard in the worst weather. They're digging the bank here, gravel over there. | 0:43:20 | 0:43:26 | |
Look at the huge, great sleepers. | 0:43:26 | 0:43:29 | |
It's wet and miserable and horrible. All we can do is provide tea. | 0:43:29 | 0:43:33 | |
Tea and coffee is much appreciated. It's nice to give something back and do a good job. | 0:43:33 | 0:43:38 | |
'It's late on day nine and everyone's still going strong. See, Devon boys! | 0:43:42 | 0:43:49 | |
'You know you're close to the end when the carpets go in, but these aren't just any carpets, are they?' | 0:43:49 | 0:43:55 | |
A few years ago, these guys who make these carpets were spending nearly a quarter of a million quid a year | 0:43:55 | 0:44:02 | |
sending their waste sort of wool to landfill. What they started doing is making an underlay with it. | 0:44:02 | 0:44:08 | |
This felt is made up of their waste products and in this is lorry tyres. | 0:44:08 | 0:44:12 | |
They only use local sheep around Devon, | 0:44:12 | 0:44:15 | |
then they work out all the emissions associated with manufacture and sale | 0:44:15 | 0:44:20 | |
and they offset it by investing in renewable energy technologies in China, India and places like that. | 0:44:20 | 0:44:26 | |
-So it's a completely carbon-neutral product and it's lovely. It's proper wool. -It's lovely. | 0:44:26 | 0:44:32 | |
-It doesn't have any of those stinky chemicals. -It smells beautiful. -Doesn't it? -Almost lanolin. -Yeah. | 0:44:32 | 0:44:38 | |
-It smells nice, it feels nice. -Yeah. -Another step closer to closing the ozone layer. | 0:44:39 | 0:44:44 | |
LAUGHTER | 0:44:44 | 0:44:47 | |
It's been nice actually, refreshing, | 0:44:47 | 0:44:49 | |
-bringing your environmental slant to the thing which we've all embraced very enthusiastically. -Yes, yes. | 0:44:49 | 0:44:56 | |
Generally, you're quite well respected when you turn up on shows. | 0:44:56 | 0:45:00 | |
I was! | 0:45:00 | 0:45:02 | |
-I think it's been quite educational myself. -Yeah, yeah. | 0:45:02 | 0:45:06 | |
-I think that one day he is actually going to be outstanding in his field. -Yeah. | 0:45:06 | 0:45:11 | |
With his digger. LAUGHTER | 0:45:11 | 0:45:14 | |
'We love Charlie. Whilst the design team put final touches on our new family home, | 0:45:15 | 0:45:20 | |
'I have a gift for Jules because I love Jules too.' | 0:45:20 | 0:45:24 | |
-What did you say to me the other day? -I said that I would like to try and learn how to play the guitar. | 0:45:24 | 0:45:31 | |
-What did you need in order to achieve that goal? -A guitar. | 0:45:31 | 0:45:35 | |
May I present to you, as a gift from me, your first guitar? | 0:45:37 | 0:45:41 | |
-Oh, thank you very much. -For you to learn on. | 0:45:41 | 0:45:44 | |
Thank you. He's a lovely man, isn't he? | 0:45:44 | 0:45:47 | |
-Shall I give it a bash? -Do you want to have a go? | 0:45:48 | 0:45:51 | |
Just simply, if you go... Play that one open, | 0:45:51 | 0:45:54 | |
then put your finger on there. | 0:45:54 | 0:45:57 | |
And then up to there. | 0:45:58 | 0:46:00 | |
Then do it again. Open... Then go with that one. Yeah. | 0:46:00 | 0:46:05 | |
Then that one. | 0:46:05 | 0:46:07 | |
And then open. | 0:46:07 | 0:46:09 | |
You just played Smoke On The Water very, very slowly. | 0:46:09 | 0:46:13 | |
-LAUGHTER Did I really? -Yeah. | 0:46:13 | 0:46:17 | |
'Just ten days ago, the Wright family from Ottery St Mary were living in a shell of a house. | 0:46:21 | 0:46:27 | |
'It was cold, cramped and open to the elements. | 0:46:27 | 0:46:31 | |
'They moved to Ottery to allow their eldest son to attend a school to help with his learning difficulties, | 0:46:31 | 0:46:38 | |
'but could only afford this two-bedroom bungalow. | 0:46:38 | 0:46:41 | |
'With everyone squeezed in together, Dad Ian tried to convert the bungalow himself, | 0:46:41 | 0:46:47 | |
'but with a hectic teaching job and a big loan to repay, | 0:46:47 | 0:46:50 | |
'he was soon overwhelmed and the whole family began to suffer.' | 0:46:50 | 0:46:54 | |
The boys didn't take this on. I did. You realise you're running out of time and the priorities are wrong. | 0:46:54 | 0:47:00 | |
You've ended up with a house that's half-built and a family that's grown up | 0:47:00 | 0:47:06 | |
and you've lost those vital years. | 0:47:06 | 0:47:08 | |
'Mum Morny has struggled with ME all her adult life and her health was being severely affected, | 0:47:09 | 0:47:15 | |
'staying in this tiny, leaking house. To make matters worse, | 0:47:15 | 0:47:19 | |
'their three boys were constantly fighting. | 0:47:19 | 0:47:22 | |
'And living on top of each other was impacting on their behaviour. | 0:47:22 | 0:47:26 | |
'The family were falling apart and needed our help. | 0:47:26 | 0:47:29 | |
'We couldn't have managed such a big task on our own. | 0:47:29 | 0:47:33 | |
'Thankfully, a Devon horde of local trades came to our rescue | 0:47:33 | 0:47:38 | |
'and in just nine days helped us transform a tiny, dilapidated, two-bedroom bungalow | 0:47:38 | 0:47:43 | |
'into a beautiful four-bedroom home. | 0:47:43 | 0:47:47 | |
'With an average of 30 people a day turning up to help, we clocked up 3,600 man hours. | 0:47:47 | 0:47:54 | |
'If Ian had carried on working at the speed he was, | 0:47:54 | 0:47:57 | |
'it would have taken him over seven years to finish the house. | 0:47:57 | 0:48:01 | |
'When we first arrived, the central hallway was open to the loft | 0:48:01 | 0:48:05 | |
'and the loft was in turn open to the world. | 0:48:05 | 0:48:09 | |
'This is now the heart of the new home | 0:48:09 | 0:48:11 | |
'and our designer Charlie went all out, creating a truly magnificent vaulted entrance. | 0:48:11 | 0:48:17 | |
'Charlie fought to push the ceiling back and open up the space and the result speaks for itself. | 0:48:17 | 0:48:23 | |
'Light pours down from the new skylight on to the oak-capped staircase | 0:48:23 | 0:48:27 | |
'and into a now spacious and welcoming hall. | 0:48:27 | 0:48:31 | |
'From here, the light travels through our toughened glass door and into the extended dining room. | 0:48:31 | 0:48:37 | |
'This used to be where the family would sit and eat, | 0:48:37 | 0:48:40 | |
'but it was dark, dank and the ceiling leaked every time it rained. | 0:48:40 | 0:48:44 | |
'Now it's a truly fantastic space with sanded floorboards throughout and a calming decor. | 0:48:44 | 0:48:50 | |
'The room now extends to bi-folding doors that lead out on to a two-tier garden. | 0:48:50 | 0:48:56 | |
'The old dining table has been lengthened and is now the centre piece to the room, | 0:48:56 | 0:49:01 | |
'giving the Wrights a perfect place to sit, eat, relax and spend time together. | 0:49:01 | 0:49:06 | |
'The old kitchen has been completely refitted with brand-new units and a gas stove. | 0:49:06 | 0:49:12 | |
'Stunning Moroccan tiles add much needed colour to what was once a damp and dreary room. | 0:49:12 | 0:49:18 | |
'Add in our eco-boiler and the family will at last be warm and cosy through the winter months. | 0:49:18 | 0:49:24 | |
'The loft was our biggest challenge. | 0:49:24 | 0:49:26 | |
'We've created two extra bedrooms for the boys | 0:49:27 | 0:49:31 | |
'and a shower room. | 0:49:31 | 0:49:33 | |
'And there's a big landing where the kids can do their homework without getting on each other's nerves. | 0:49:33 | 0:49:39 | |
'The three boys have been sharing a tiny bedroom for four years and were desperate for their own space. | 0:49:39 | 0:49:46 | |
'13-year-old Emo fan Isaac has the rock'n'roll space he's always wanted. | 0:49:46 | 0:49:52 | |
'He can play his drums and hang out with the friends he's been embarrassed to ask over. | 0:49:52 | 0:49:57 | |
'Sensitive soul Alfie is the family's little artist | 0:49:58 | 0:50:02 | |
'and he suffered the most from sharing with his brothers. | 0:50:02 | 0:50:06 | |
'But he now has a room of his own too. | 0:50:06 | 0:50:08 | |
'It's colourful and bright | 0:50:08 | 0:50:11 | |
'with very cool wallpaper that he can colour in himself. | 0:50:11 | 0:50:15 | |
'And seven-year-old Casper might not have a water slide, | 0:50:18 | 0:50:22 | |
'but instead has a floating bed. | 0:50:22 | 0:50:24 | |
'He'll have the space to run riot in his own room with no-one telling him to quieten down. | 0:50:24 | 0:50:30 | |
'So this family house is complete. | 0:50:30 | 0:50:33 | |
'It's calming, light and spacious, | 0:50:33 | 0:50:35 | |
'the perfect place for a family to start enjoying life and each other once again.' | 0:50:35 | 0:50:40 | |
What's wrong with the house? | 0:50:40 | 0:50:43 | |
Where to begin? Missing part of the roof, missing an outside wall, a big hole in the hallway. | 0:50:43 | 0:50:49 | |
We need some plasterboard, some plastering, some insulation, some stairs and we're missing a wall. | 0:50:49 | 0:50:55 | |
-And a home, really. -Essentially a home, yeah. | 0:50:55 | 0:50:58 | |
There were only three rooms that we didn't need to touch - | 0:50:58 | 0:51:02 | |
the living room, a downstairs bathroom and your bedroom. | 0:51:02 | 0:51:05 | |
-The rest of the house needed doing. -Yes, that's true. | 0:51:05 | 0:51:09 | |
We really hope you like what we've done. | 0:51:09 | 0:51:12 | |
Open your eyes. | 0:51:13 | 0:51:15 | |
-GASPS -Wow! -Oh, my God! | 0:51:15 | 0:51:19 | |
Oh! | 0:51:25 | 0:51:26 | |
-Not in my wildest dreams... -Oh! | 0:51:32 | 0:51:34 | |
Oh, that is stunning! | 0:51:39 | 0:51:41 | |
-It's quite something, isn't it? -It really, really is just... | 0:51:41 | 0:51:45 | |
I could never have imagined this. | 0:51:45 | 0:51:47 | |
I could never have thought that it would end up like this. | 0:51:48 | 0:51:53 | |
-It's just, um... -It is remarkable. You've done a fantastic job. | 0:51:53 | 0:51:57 | |
What an amazing group of people that have helped out this week! | 0:51:57 | 0:52:01 | |
The amount of construction work that's been done in the time is astounding. | 0:52:01 | 0:52:06 | |
-You've been embarrassed about inviting people round before. -Just a bit. | 0:52:06 | 0:52:11 | |
How about now when people come through your front door? | 0:52:11 | 0:52:15 | |
I shall feel very, very proud. I can't wait to have people round. | 0:52:15 | 0:52:19 | |
-Would you like to have a stroll through and take a look? -Yeah. | 0:52:19 | 0:52:23 | |
The whole thing is this glass you see takes the eye line all the way through the length of the house. | 0:52:25 | 0:52:31 | |
Oh! | 0:52:36 | 0:52:37 | |
This is where your home stopped and your sort of derelict bit started. | 0:52:39 | 0:52:44 | |
-This was it, this was my insulation, my wall here. -Your wall only made of insulation! -Yeah. | 0:52:44 | 0:52:50 | |
-Beautiful flow to it all. -I think it's wonderful. It's a family home. | 0:52:50 | 0:52:55 | |
This is what we dreamt of, really. | 0:52:55 | 0:52:57 | |
It's such a good space, isn't it? | 0:52:57 | 0:53:00 | |
Would you like to have a little seat? | 0:53:01 | 0:53:03 | |
-The other great thing is, I don't know whether you've noticed... -Wow! | 0:53:03 | 0:53:08 | |
-What do you think? -Oh! -Decking! | 0:53:09 | 0:53:12 | |
It's superb. | 0:53:12 | 0:53:14 | |
Absolutely superb. And the retaining wall. | 0:53:14 | 0:53:17 | |
-You were dreading doing that. -I know. And the bedding, the plants. | 0:53:17 | 0:53:22 | |
Thanks to the hard work of the guys who volunteered and said, "Can we help out and do the garden?" | 0:53:22 | 0:53:28 | |
The local people who you'll meet. | 0:53:28 | 0:53:30 | |
-They've worked through monsoon conditions. -Haven't they? | 0:53:30 | 0:53:34 | |
You now have probably twice the size of house you had before | 0:53:34 | 0:53:38 | |
because in the summer, this will all become part of your inside outside. | 0:53:38 | 0:53:42 | |
The bi-folding doors open right the way through. | 0:53:42 | 0:53:45 | |
Oh, yes! | 0:53:46 | 0:53:49 | |
Living rooms and gardens. | 0:53:54 | 0:53:56 | |
This is just unreal. It really is. I can't believe this is our home. | 0:53:56 | 0:54:01 | |
-I can see us sitting here at night. -I can't believe it's our home. | 0:54:01 | 0:54:05 | |
-I really couldn't have dreamt this. -It's wonderful. -But there's more, as they say. | 0:54:05 | 0:54:10 | |
-Do you want to see the next bit? -Yes, please. -Yeah. | 0:54:10 | 0:54:14 | |
You'll need a kitchen to cook for all your new guests who'll be coming and sitting round the table. | 0:54:14 | 0:54:20 | |
Would you like to have a little stroll through? | 0:54:20 | 0:54:23 | |
Oh, they are beautiful! | 0:54:23 | 0:54:26 | |
-Do you like it? -I love it, I love it. | 0:54:26 | 0:54:29 | |
New windows as well. This place will be wonderfully warm. | 0:54:29 | 0:54:33 | |
-Happy with the kitchen? -I couldn't be happier. | 0:54:33 | 0:54:37 | |
I think it's the most beautiful kitchen I've ever seen. I'm absolutely overjoyed. | 0:54:37 | 0:54:42 | |
-The other thing you needed was bedrooms because the boys have been sleeping in one room. -Yes. | 0:54:42 | 0:54:47 | |
It hasn't been ideal, with them growing up and they need a bit of space. | 0:54:47 | 0:54:52 | |
-We'll start downstairs, then we'll have a look at the upstairs space. -That'd be great. -Come on. | 0:54:52 | 0:54:58 | |
Whoa! | 0:55:00 | 0:55:02 | |
-This is your room. -It's cool. It's awesome. | 0:55:02 | 0:55:05 | |
I've got my drums over there. It's cool. | 0:55:07 | 0:55:10 | |
-Marks out of ten? -I'd say ten out of ten. -Really? Very good. -Yeah. | 0:55:10 | 0:55:15 | |
It's so good! | 0:55:22 | 0:55:25 | |
It's amazing. | 0:55:25 | 0:55:27 | |
What do you think? | 0:55:27 | 0:55:29 | |
-It's really good. -Is it? -Yeah. -You like the artwork? -It's so cool. | 0:55:29 | 0:55:34 | |
-Do you know what the coolest thing about that is? -What? -You're allowed to colour it in. | 0:55:34 | 0:55:39 | |
It's black and white like that, so you can colour in. Your friends can come round and colour in. | 0:55:39 | 0:55:45 | |
-Each of your friends can colour in one of the monsters on there. -Wow, it's so cool! | 0:55:45 | 0:55:50 | |
This is yours. | 0:55:51 | 0:55:53 | |
Yours and only yours. | 0:55:53 | 0:55:55 | |
It looks so... | 0:55:55 | 0:55:57 | |
I didn't imagine that it would be like this, but it just looks so good. | 0:55:57 | 0:56:02 | |
Do you want to try out the bed, see whether it's comfortable? | 0:56:02 | 0:56:06 | |
-That is really good. -What we could do is get your two brothers in | 0:56:07 | 0:56:11 | |
and you can share this room together or you can have it all to yourself. | 0:56:11 | 0:56:15 | |
-What do you reckon? -All to myself! | 0:56:15 | 0:56:17 | |
LAUGHTER | 0:56:17 | 0:56:19 | |
This is your own room, Casper. | 0:56:22 | 0:56:26 | |
-Look at this, mate. Look at your bed. -SHOUTS EXCITEDLY | 0:56:26 | 0:56:30 | |
What do you think of the bedroom, compared to your other bedroom? | 0:56:30 | 0:56:34 | |
Extra-perfect. | 0:56:34 | 0:56:36 | |
Extra-perfect? | 0:56:36 | 0:56:38 | |
It's incredible. Perfect. | 0:56:38 | 0:56:40 | |
-I'll take that. -Yeah. | 0:56:42 | 0:56:44 | |
The other day, you said you needed a family home. | 0:56:48 | 0:56:52 | |
-Hmm. -And you've been trying for the last three years. Have you got it? | 0:56:52 | 0:56:56 | |
Oh, and more. | 0:56:56 | 0:56:58 | |
It is... I just find it... I do find it very, very hard... | 0:56:58 | 0:57:02 | |
..to put into words just what it's going to mean | 0:57:04 | 0:57:08 | |
because it's not just having this beautifully done, | 0:57:08 | 0:57:12 | |
it's how it's going to enable us to live, isn't it? | 0:57:12 | 0:57:16 | |
This is so much more than just a makeover. This is a full-on building project. | 0:57:16 | 0:57:21 | |
It's taken a huge amount of pressure off me and off us. A huge amount. | 0:57:21 | 0:57:26 | |
I mean, it's changed our lives. | 0:57:26 | 0:57:28 | |
It's given us our lives back, | 0:57:28 | 0:57:32 | |
but a quality of life that I think we haven't had for years. | 0:57:32 | 0:57:37 | |
APPLAUSE | 0:57:39 | 0:57:41 | |
I'm slightly overwhelmed, just the number of people here. | 0:57:43 | 0:57:47 | |
All of you are just absolutely amazing people. | 0:57:47 | 0:57:51 | |
It's just been a life-changing experience, so I can't thank all of you enough. Really, I can't. | 0:57:51 | 0:57:56 | |
Wonderful. Thank you so much. | 0:57:56 | 0:57:59 | |
-Thank you. -John! | 0:57:59 | 0:58:02 | |
Hi, mate. This is my mate John who kept me going. | 0:58:02 | 0:58:06 | |
Pride is a funny thing, especially in a man. It drives you on when times get tough. | 0:58:06 | 0:58:12 | |
It's the thing that makes you stand up against adversity, | 0:58:12 | 0:58:15 | |
but it can sometimes be the thing that makes you so concentrated on what you're doing | 0:58:15 | 0:58:21 | |
that you forget to look at the world around you. | 0:58:21 | 0:58:24 | |
Ian was so determined to finish, he couldn't see what was happening to his kids and to his family. | 0:58:24 | 0:58:31 | |
He couldn't see light at the end of the tunnel. | 0:58:31 | 0:58:33 | |
It's all right sometimes to say, "I can't handle this. I don't know how to go any further." | 0:58:33 | 0:58:39 | |
Because when you do and you put your hand up, people turn up to help. | 0:58:39 | 0:58:43 | |
It's what makes this special. | 0:58:43 | 0:58:46 | |
Maybe you could help someone in your community. | 0:58:46 | 0:58:49 | |
Hi. Thank you so much. | 0:58:54 | 0:58:57 | |
Subtitles by Subtext for Red Bee Media Ltd 2011 | 0:59:09 | 0:59:13 | |
Email [email protected] | 0:59:13 | 0:59:15 |