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When you have children, you want the very best for them and their future. | 0:00:02 | 0:00:07 | |
But sometimes life takes an unexpected turn. | 0:00:07 | 0:00:10 | |
To have your little girl in front of you, crying and saying, | 0:00:10 | 0:00:14 | |
' "Daddy, please help me," it is horrible. ' | 0:00:14 | 0:00:17 | |
I asked the doctor | 0:00:17 | 0:00:18 | |
if she was going to die. | 0:00:18 | 0:00:20 | |
And she said, "I don't know." | 0:00:20 | 0:00:22 | |
This is a family coming to terms with a devastating illness | 0:00:24 | 0:00:28 | |
and they're living on a construction site | 0:00:28 | 0:00:30 | |
that is tearing them away from each other. | 0:00:30 | 0:00:32 | |
She's trapped. She can't... | 0:00:34 | 0:00:37 | |
she can't get out and do what she needs to do and that's our fault. | 0:00:37 | 0:00:40 | |
I'm trying to slowly chip away. | 0:00:40 | 0:00:42 | |
It just seems to be such a long process to get...to get it done. | 0:00:42 | 0:00:46 | |
It's too long. We need to be spending this time with her. | 0:00:46 | 0:00:50 | |
That's why we're here. | 0:00:51 | 0:00:53 | |
We're going to build a home for a little girl | 0:00:56 | 0:00:58 | |
and bring this family back together. | 0:00:58 | 0:01:01 | |
This week, we have the wonderful, fragrant and creative | 0:01:01 | 0:01:04 | |
Laurence Llewelyn-Bowen. | 0:01:04 | 0:01:05 | |
There are, of course, the usual suspects | 0:01:05 | 0:01:07 | |
but we've only got nine days so we need a lot more people. | 0:01:07 | 0:01:10 | |
Can we find them? | 0:01:10 | 0:01:11 | |
CHEERING | 0:01:11 | 0:01:13 | |
It appears we can. This is DIY SOS: The Big Build. | 0:01:14 | 0:01:17 | |
CHEERING | 0:01:17 | 0:01:19 | |
Bury, near Manchester, is home to the Malone family. | 0:01:26 | 0:01:29 | |
There's dad Rod, little Maddie, mum Michelle, | 0:01:31 | 0:01:34 | |
Anais and Keelea, | 0:01:34 | 0:01:37 | |
and they live here, in this three-bedroom house. | 0:01:37 | 0:01:39 | |
Their lives were turned upside down four years ago. | 0:01:41 | 0:01:44 | |
At two and a half years old, Maddie was a happy and healthy little girl. | 0:01:44 | 0:01:48 | |
But the family started noticing signs that something was | 0:01:48 | 0:01:52 | |
seriously wrong. | 0:01:52 | 0:01:53 | |
Her right foot started to turn in | 0:01:56 | 0:01:59 | |
and she couldn't really walk properly. | 0:01:59 | 0:02:02 | |
Then her right arm suddenly went up. | 0:02:02 | 0:02:05 | |
So then there was... | 0:02:05 | 0:02:07 | |
Really worried then cos it was all down the right-hand side. | 0:02:07 | 0:02:10 | |
She couldn't walk, she couldn't talk, she couldn't feed. | 0:02:12 | 0:02:15 | |
It was just a massive uncertainty and it happened so quickly. | 0:02:15 | 0:02:19 | |
Consultants were extremely worried. | 0:02:19 | 0:02:22 | |
They performed tests but what concerned them most | 0:02:22 | 0:02:25 | |
were the results of a brain scan. | 0:02:25 | 0:02:27 | |
The doctor, at the time, showed us a normal brain scan | 0:02:27 | 0:02:31 | |
and then showed us Maddie's scan, | 0:02:31 | 0:02:33 | |
the issues were, which indicated damage in the brain... | 0:02:33 | 0:02:37 | |
and wasn't very optimistic, really. | 0:02:37 | 0:02:40 | |
The comment was, "I'm very worried. | 0:02:40 | 0:02:43 | |
"I've never seen one as bad as this before." It really upset me. | 0:02:43 | 0:02:47 | |
Really upset me. | 0:02:47 | 0:02:48 | |
-What's the deal? What do you want me to do? -Put it there. | 0:02:48 | 0:02:50 | |
Put this on here. | 0:02:50 | 0:02:53 | |
Doctors have done every imaginable test on Maddie | 0:02:53 | 0:02:56 | |
and they still don't know what it is. | 0:02:56 | 0:02:58 | |
But what is clear is that she has some sort of brain disease | 0:02:58 | 0:03:02 | |
and it's spreading. | 0:03:02 | 0:03:03 | |
I asked the doctor if she was going to die. | 0:03:03 | 0:03:05 | |
And she said, "I don't know." | 0:03:07 | 0:03:09 | |
At the moment, we haven't really got | 0:03:09 | 0:03:11 | |
any answers except she's gradually getting worse as time goes on. | 0:03:11 | 0:03:16 | |
We know that. | 0:03:16 | 0:03:18 | |
Every aspect of family life has had to change dramatically to | 0:03:18 | 0:03:21 | |
deal with Maddie's illness. | 0:03:21 | 0:03:24 | |
She struggles to talk. | 0:03:24 | 0:03:26 | |
Some days she's better than others, | 0:03:26 | 0:03:28 | |
some days her mouth'll droop to one side, her throat will become tight. | 0:03:28 | 0:03:33 | |
We've got all the feeding problems with her. | 0:03:33 | 0:03:36 | |
We have to use a wheelchair or a buggy if we take her out. | 0:03:36 | 0:03:39 | |
She doesn't sleep very well. | 0:03:39 | 0:03:42 | |
She needs us with her all the time. | 0:03:42 | 0:03:45 | |
You know, she'll probably never... | 0:03:47 | 0:03:50 | |
go to college, probably never have a family of her own. | 0:03:50 | 0:03:53 | |
You know, little things like... | 0:03:53 | 0:03:56 | |
never pass a driving test. | 0:03:56 | 0:03:58 | |
Just things that, you know, the other girls will probably do. | 0:03:58 | 0:04:01 | |
Maddie never will. | 0:04:01 | 0:04:03 | |
Look at the lights. | 0:04:06 | 0:04:07 | |
It's just the uncertainty of her life span, really. How long... | 0:04:08 | 0:04:15 | |
Four years on from being told by doctors | 0:04:19 | 0:04:21 | |
to enjoy the next six months, | 0:04:21 | 0:04:23 | |
Maddie is still fighting. | 0:04:23 | 0:04:25 | |
I want to play. | 0:04:27 | 0:04:29 | |
And her family are also fighting for her, | 0:04:29 | 0:04:31 | |
from researching her condition to taking on all her care. | 0:04:31 | 0:04:35 | |
Maddie's a big responsibility. | 0:04:35 | 0:04:37 | |
We've never been out, we've never left her, ever. | 0:04:37 | 0:04:40 | |
But if she is going to be poorly, it's going to be | 0:04:40 | 0:04:43 | |
when she's with me cos it's our responsibility. | 0:04:43 | 0:04:46 | |
Michelle and Rod were determined to prepare for Maddie's future. | 0:04:47 | 0:04:51 | |
15 months ago, they bought a new house they could adapt | 0:04:51 | 0:04:54 | |
and care for her in. | 0:04:54 | 0:04:55 | |
The idea was to get on and renovate the house. | 0:04:57 | 0:05:01 | |
We got the money, we got that together, | 0:05:01 | 0:05:04 | |
but we hit so many problems. | 0:05:04 | 0:05:05 | |
Dad Rod is a heating engineer and planned to build | 0:05:06 | 0:05:09 | |
a wheelchair-friendly two-storey extension | 0:05:09 | 0:05:12 | |
but unforeseen and incredibly expensive ground works | 0:05:12 | 0:05:15 | |
coupled with prolonged stays in London to see hospital consultants | 0:05:15 | 0:05:19 | |
sent their finances spiralling out of control. | 0:05:19 | 0:05:22 | |
As the scale of the project became clear, | 0:05:22 | 0:05:24 | |
the family lost all hope of ever completing the build. | 0:05:24 | 0:05:27 | |
The house itself, at the moment, is open to the elements | 0:05:30 | 0:05:33 | |
cos it's not finished so it's making it cold for the kids. | 0:05:33 | 0:05:36 | |
You know, everybody's suffering. | 0:05:36 | 0:05:39 | |
There's no kitchen and no family space. | 0:05:39 | 0:05:42 | |
Everybody is forced to live in their bedrooms. | 0:05:42 | 0:05:44 | |
The older girls spend all their time sat on their beds, | 0:05:44 | 0:05:47 | |
in cramped conditions. | 0:05:47 | 0:05:49 | |
Recently, I think it's just brought a massive drift in us all. | 0:05:51 | 0:05:55 | |
Like, it's just hard on us all, to be honest. | 0:05:55 | 0:05:58 | |
I don't think we're as close as we should be. | 0:05:58 | 0:06:01 | |
I wish it would just be done, quickly. | 0:06:01 | 0:06:05 | |
The ground floor is a building site and unsafe. | 0:06:07 | 0:06:10 | |
There's just one room downstairs with a floor | 0:06:10 | 0:06:12 | |
and it's freezing cold and acts as a temporary kitchen. | 0:06:12 | 0:06:16 | |
This house, at the moment, it's not safe. I can't do anything. | 0:06:16 | 0:06:20 | |
I can't cook, I can't clean. | 0:06:20 | 0:06:22 | |
Their only source of running water is the family bathroom. | 0:06:22 | 0:06:25 | |
Food is microwaved and eaten upstairs in the bedrooms. | 0:06:25 | 0:06:28 | |
Mum, Dad and Maddie also share a room. | 0:06:28 | 0:06:31 | |
She can't go to the toilet. She has to be carried to the toilet. | 0:06:33 | 0:06:37 | |
You know, there's no room for a wheelchair | 0:06:37 | 0:06:40 | |
so she's just really restricted in her mobility. | 0:06:40 | 0:06:44 | |
I think anybody can live like this for a couple of weeks but with | 0:06:44 | 0:06:47 | |
the added problem of having a special needs child as well, | 0:06:47 | 0:06:50 | |
you can't do it. | 0:06:50 | 0:06:51 | |
This family is fractured, forced to live in their own bedrooms | 0:06:51 | 0:06:55 | |
with no cooking facilities, no proper running water | 0:06:55 | 0:06:58 | |
and nowhere for the family to be together like they used to be. | 0:06:58 | 0:07:02 | |
We're so separated | 0:07:02 | 0:07:04 | |
and it's not fair on her to be sat in one room all the time. | 0:07:04 | 0:07:08 | |
So once we get other things for her to do I think it'll just | 0:07:08 | 0:07:12 | |
benefit everyone, not just Maddie. | 0:07:12 | 0:07:14 | |
Everyone. | 0:07:14 | 0:07:15 | |
They've tried to soldier on without asking help from anyone but they've | 0:07:17 | 0:07:21 | |
become cut off from friends and from each other in their own home. | 0:07:21 | 0:07:25 | |
We need to bring this family back together. | 0:07:25 | 0:07:28 | |
It's amazing. I mean, you've got a lot of space out there. | 0:07:30 | 0:07:32 | |
This is actually going to be a great house. | 0:07:32 | 0:07:34 | |
Well, you know, that was the idea, presumably. | 0:07:34 | 0:07:37 | |
The plan was to have everything on one level with all the doorways | 0:07:37 | 0:07:40 | |
widened so Madeline could get through quite easily in a wheelchair | 0:07:40 | 0:07:44 | |
so she would have the use of the full length of the downstairs. | 0:07:44 | 0:07:47 | |
You know, we talked about Maddie's situation. | 0:07:47 | 0:07:49 | |
It must be very frustrating for you | 0:07:49 | 0:07:51 | |
cos you actually went about things the right way. | 0:07:51 | 0:07:53 | |
You planned things out, planned the money ahead, | 0:07:53 | 0:07:55 | |
you bought the house to do the work and you had the money set out | 0:07:55 | 0:07:58 | |
to do it and yet now you find yourself in this situation. | 0:07:58 | 0:08:00 | |
Do you get frustrated that things have sort of drifted away from you? | 0:08:00 | 0:08:03 | |
Yeah. Cos obviously time is very important for us | 0:08:03 | 0:08:06 | |
as a family with Madeline's illness. | 0:08:06 | 0:08:08 | |
It's just not worked out how we planned. | 0:08:08 | 0:08:10 | |
So you need us to sort of level it all out, | 0:08:10 | 0:08:12 | |
make access to all the rooms and have some space presumably | 0:08:12 | 0:08:15 | |
where you can be a family cos at the moment you're all separated. | 0:08:15 | 0:08:17 | |
Yeah, we are, yeah. That would be fantastic, yeah. | 0:08:17 | 0:08:20 | |
As much as Maddie needs things on one level to aid her, | 0:08:20 | 0:08:23 | |
the kids themselves are being pushed out | 0:08:23 | 0:08:25 | |
cos they're just left in their own bedrooms | 0:08:25 | 0:08:27 | |
and they're getting no family time as well, so it's difficult for all of us. | 0:08:27 | 0:08:31 | |
-The other kids as well. -Where are the other two, by the way? | 0:08:31 | 0:08:34 | |
-One's at work and one's at school. -Is that right? -Yeah. | 0:08:34 | 0:08:37 | |
What does Maddie need? What do you want? | 0:08:37 | 0:08:39 | |
What sort of things would you like to have in this house? | 0:08:39 | 0:08:42 | |
-Dollies. -You like dollies and...? | 0:08:42 | 0:08:46 | |
Teddies. | 0:08:46 | 0:08:47 | |
-And teddies. -And teddies. | 0:08:47 | 0:08:49 | |
Right, so we've got to have room for dollies and teddies. | 0:08:49 | 0:08:52 | |
That's the main thing. We'll do our best here. | 0:08:52 | 0:08:54 | |
We'll get you on your way. We'll get as much done as possible to get you | 0:08:54 | 0:08:57 | |
back in charge of the house even if you have to do | 0:08:57 | 0:08:59 | |
-a little bit of decorating at the end. -Fantastic. -Cool. -Thank you. | 0:08:59 | 0:09:02 | |
Although this family have done their very best to complete this | 0:09:02 | 0:09:04 | |
house themselves, there are a few local tradesmen that thought | 0:09:04 | 0:09:07 | |
they could do with some help. | 0:09:07 | 0:09:09 | |
It's a bit intimidating, this. | 0:09:09 | 0:09:12 | |
Suddenly, this huge crowd has turned up. | 0:09:12 | 0:09:14 | |
-But come and say hello to everybody. -Hello, you. | 0:09:14 | 0:09:16 | |
Look, all these people are here to help you. | 0:09:16 | 0:09:18 | |
-All these people. -Big wave. | 0:09:18 | 0:09:19 | |
Come on, we better get you under way so we can get started. | 0:09:19 | 0:09:22 | |
-Thanks very much, everybody. Thanks very much. -Time to get cracking. | 0:09:22 | 0:09:26 | |
And, as usual, we've got just nine days | 0:09:29 | 0:09:31 | |
to rebuild this two-storey house. | 0:09:31 | 0:09:34 | |
CRASH! | 0:09:34 | 0:09:35 | |
Nothing going on in there. | 0:09:35 | 0:09:37 | |
That's being repainted. All the coping is staying. | 0:09:37 | 0:09:41 | |
Chris, leader of the slowest conga in the world, | 0:09:41 | 0:09:44 | |
is showing the boys what needs doing. | 0:09:44 | 0:09:46 | |
And there's a lot. | 0:09:46 | 0:09:47 | |
MUSIC: "Do The Conga" by Black Lace | 0:09:47 | 0:09:49 | |
# Doo, doo, doo Come on and do the conga | 0:09:49 | 0:09:51 | |
# Doo, doo, doo It's conga night for sure. # | 0:09:51 | 0:09:54 | |
It might be half-built | 0:09:54 | 0:09:55 | |
but we're rethinking the whole of the building. | 0:09:55 | 0:09:58 | |
It's quite exciting, really. Cos it's a building site now. | 0:09:59 | 0:10:02 | |
At the end of the week it's going to look lovely! | 0:10:02 | 0:10:04 | |
And speaking of lovely, our designer this week is none other | 0:10:04 | 0:10:08 | |
than Mr Laurence Llewelyn-Bowen. | 0:10:08 | 0:10:10 | |
He of the bespoke set, the boutique brigade, | 0:10:12 | 0:10:15 | |
and four years ago we even let him loose on a DIY SOS. | 0:10:15 | 0:10:18 | |
And, as you'd expect, he mucked right in and got his hands dirty. | 0:10:20 | 0:10:23 | |
That's it. Look at that. | 0:10:23 | 0:10:25 | |
Don't tell anyone, OK? Don't tell anyone. | 0:10:25 | 0:10:29 | |
Despite looking like a vampire slayer | 0:10:29 | 0:10:31 | |
who had a fight with a bagpipe - and lost - | 0:10:31 | 0:10:33 | |
we are expecting great things from Laurence. | 0:10:33 | 0:10:36 | |
What has he come as?! | 0:10:36 | 0:10:37 | |
We're not going to do one of those | 0:10:40 | 0:10:41 | |
-lime green and silver things, are we? -We're not using lime green! | 0:10:41 | 0:10:44 | |
In fact, we are using lime green. And purple. | 0:10:44 | 0:10:46 | |
And silver. Isn't that weird? It's like we're going back into my... | 0:10:46 | 0:10:50 | |
-HE CLEARS THROAT -Sorry. -You all right there? | 0:10:50 | 0:10:53 | |
This building environment's not good for you, really, is it? | 0:10:53 | 0:10:56 | |
I feel quite Dickensian. | 0:10:56 | 0:10:58 | |
It's kind of... This was meant to be their sort of dream home | 0:10:58 | 0:11:01 | |
and has turned into this dank, dark cave and something of | 0:11:01 | 0:11:04 | |
a prison for them, really, living in just two rooms of the house, | 0:11:04 | 0:11:07 | |
when it was supposed to be the place they could all be together and... | 0:11:07 | 0:11:10 | |
I think it's particularly sad because there's that sense of, | 0:11:10 | 0:11:13 | |
you know, trying to make everything work for them | 0:11:13 | 0:11:16 | |
and then just having the brakes put on it. | 0:11:16 | 0:11:19 | |
So what we are doing now, which is just to take them that last step. | 0:11:19 | 0:11:24 | |
Laurence's design provides a house that works for the family | 0:11:24 | 0:11:28 | |
and it's in his own inimitable style. | 0:11:28 | 0:11:31 | |
The whole of the ground floor will be levelled | 0:11:31 | 0:11:33 | |
so that it's wheelchair-friendly for Maddie. | 0:11:33 | 0:11:36 | |
On the ground-floor extension, there will be two new bedrooms. | 0:11:36 | 0:11:39 | |
One for Mum and Dad and one for Maddie, with a shared wet room. | 0:11:39 | 0:11:44 | |
There is a brand-new open plan kitchen and a comfortable family | 0:11:44 | 0:11:47 | |
lounge so that finally they'll be able to eat and spend time together. | 0:11:47 | 0:11:52 | |
Moving upstairs, we've kept the family bathroom | 0:11:52 | 0:11:55 | |
and created a spare room. | 0:11:55 | 0:11:58 | |
Anais gets a much bigger grown-up bedroom | 0:11:58 | 0:12:00 | |
and her old box room is being turned into a pamper room for the girls. | 0:12:00 | 0:12:04 | |
In the extension, there's a bedroom, dressing area | 0:12:05 | 0:12:08 | |
and ensuite bathroom for Keelea. | 0:12:08 | 0:12:10 | |
The thing that amuses me is that | 0:12:12 | 0:12:13 | |
an hour ago, this place looked a lot better. | 0:12:13 | 0:12:16 | |
Yes, well, that does happen any time we walk into a place. | 0:12:16 | 0:12:19 | |
I think there's an unstoppable tide of testosterone, which has meant | 0:12:19 | 0:12:22 | |
that everyone's decided they can't make an omelette without | 0:12:22 | 0:12:24 | |
breaking eggs so let's break something! | 0:12:24 | 0:12:27 | |
Excellent suggestion. | 0:12:27 | 0:12:29 | |
And, with over 80 people on site, | 0:12:29 | 0:12:31 | |
they're all over it like a rather nasty rash. | 0:12:31 | 0:12:35 | |
These guys are steaming ahead. Even Billy looks happy. | 0:12:35 | 0:12:38 | |
He should do - all the electrics are already in. | 0:12:38 | 0:12:40 | |
Whoever's done all this wiring has done it right, it's proper, | 0:12:40 | 0:12:43 | |
but there's so many changes, I've asked the boys | 0:12:43 | 0:12:46 | |
and we all put our heads together | 0:12:46 | 0:12:47 | |
and we're going to take everything out and restart again | 0:12:47 | 0:12:50 | |
so there's no confusion and at least we'll know what's gone on. | 0:12:50 | 0:12:53 | |
-Are we all for it, boys? ALL: -Yes. -There you go. | 0:12:53 | 0:12:57 | |
See, that's my idea. | 0:12:57 | 0:13:00 | |
Yes, typically, Billy's idea is to make an easy job more difficult. | 0:13:00 | 0:13:03 | |
Redoing all the electrics might mean that, for the first time ever, | 0:13:03 | 0:13:06 | |
we could miss our deadline | 0:13:06 | 0:13:08 | |
as this is going to push back every other trade. | 0:13:08 | 0:13:12 | |
Things can't be as bad on the outside, surely. | 0:13:12 | 0:13:14 | |
It turns out that all the drainage was wrong. | 0:13:14 | 0:13:17 | |
I stand corrected. | 0:13:17 | 0:13:18 | |
That's how they done the connection for the upstairs loo. | 0:13:18 | 0:13:21 | |
They've just put a pipe into the top of the manhole and dropped in. | 0:13:21 | 0:13:24 | |
So that's got to come out. I thought it was all done, the drainage. | 0:13:24 | 0:13:28 | |
That's another day's work, day and half's work. | 0:13:28 | 0:13:31 | |
OK, so we've barely started and that's a day behind on the drainage | 0:13:32 | 0:13:35 | |
and Billy's put us behind on the inside | 0:13:35 | 0:13:37 | |
but at least he's cracking on with stripping out the electrics. | 0:13:37 | 0:13:40 | |
Outside, Jules has more problems than he has mud. | 0:13:40 | 0:13:43 | |
And that's because we've got ambitious designs for the garden. | 0:13:43 | 0:13:47 | |
The entire area needs landscaping and decking and there will be | 0:13:47 | 0:13:51 | |
a Nordic cabin and Hydropool | 0:13:51 | 0:13:53 | |
so that Maddie can exercise her muscles. | 0:13:53 | 0:13:56 | |
It's crucial. | 0:13:56 | 0:13:57 | |
Hold on a minute, Kev, hold on. | 0:13:57 | 0:13:59 | |
'Yeah, hold on, Kev. We have more issues now.' | 0:13:59 | 0:14:03 | |
What's the problem with this extension roof? | 0:14:03 | 0:14:05 | |
It's been felt and battened wrong | 0:14:05 | 0:14:07 | |
so it's all pooling with water across the front above the gutter. | 0:14:07 | 0:14:09 | |
-So we've got to get all the tiles down. -Everything down. | 0:14:09 | 0:14:13 | |
Tiles down, roof stripped, re-laid. | 0:14:13 | 0:14:15 | |
Well, we kind of need this set by tomorrow | 0:14:15 | 0:14:17 | |
cos it's going to absolutely throw it down. | 0:14:17 | 0:14:19 | |
OK, so apart from the roof, the drainage and the electrics, | 0:14:19 | 0:14:22 | |
-we're doing really well. -Well, it's not bad. | 0:14:22 | 0:14:24 | |
'You can't rebuild an entire house | 0:14:24 | 0:14:26 | |
'without coming across a few problems. And we found a few.' | 0:14:26 | 0:14:29 | |
-I have a question for you, sir. -Yes, go on, go on. | 0:14:29 | 0:14:32 | |
-Ooh. Oh, I just stepped... Look at that. -Get your foot out of my moat. | 0:14:32 | 0:14:35 | |
This very nature of this drainage issue we're dealing with | 0:14:35 | 0:14:37 | |
-at the moment... -It's very soggy. | 0:14:37 | 0:14:39 | |
It is. And the land falls from here to here. | 0:14:39 | 0:14:41 | |
-At the moment, on our plans, we have the... -Hydrotherapy pool over there. | 0:14:41 | 0:14:45 | |
-Over in that corner. -Yeah. -We'd like to move it over to that corner. | 0:14:45 | 0:14:49 | |
-Definitely. Take it over there. -Beautiful. That's nice. | 0:14:49 | 0:14:51 | |
-Spoil yourselves. -That's the kind of decision-making we like. | 0:14:51 | 0:14:54 | |
Also it'll look nice under that tree. | 0:14:54 | 0:14:56 | |
How have you managed to survive on building sites | 0:14:56 | 0:14:58 | |
dressed like that without ending up...like me? | 0:14:58 | 0:15:00 | |
I have absolutely no idea | 0:15:00 | 0:15:01 | |
and I think I'm into my 30th year of surviving on building sites | 0:15:01 | 0:15:04 | |
dressed like this as well, but it just seems to work. | 0:15:04 | 0:15:06 | |
It's the way I roll. I don't know. | 0:15:06 | 0:15:07 | |
And you've gone a bit silver fox in the intervening years. | 0:15:07 | 0:15:10 | |
-I have. Oh, my God, I know. -Is the missus enjoying that? | 0:15:10 | 0:15:12 | |
I'm having that put in. | 0:15:12 | 0:15:14 | |
It's actually mink. | 0:15:14 | 0:15:16 | |
THEY LAUGH | 0:15:16 | 0:15:17 | |
Mink? Mink - isn't that a small ferrety animal? | 0:15:19 | 0:15:22 | |
Either way, I don't see Laurence liberating himself | 0:15:22 | 0:15:24 | |
out of the leather and getting down and dirty with this lot. | 0:15:24 | 0:15:28 | |
I used to get down and dirty all the time. | 0:15:28 | 0:15:30 | |
'Now it's mostly just weekends | 0:15:30 | 0:15:31 | |
'but I still occasionally do it when my knees allow it.' | 0:15:31 | 0:15:35 | |
We have a different viewpoint but we get to the same place. | 0:15:35 | 0:15:37 | |
You go the rough way, I go the smooth way. | 0:15:37 | 0:15:39 | |
Yes, "I go the smooth way." | 0:15:39 | 0:15:41 | |
Nothing smooth, however, about removing | 0:15:41 | 0:15:43 | |
over 1,500 metres of electric cables or the fact that Billy's team | 0:15:43 | 0:15:47 | |
will have to replace every single bit of it. | 0:15:47 | 0:15:50 | |
Still, he's taking it in his narrow stride. | 0:15:50 | 0:15:52 | |
Unlike Mark, who is still coming to terms with how difficult this | 0:15:52 | 0:15:56 | |
house is turning out to be. | 0:15:56 | 0:15:58 | |
So, what's going on here is we were going to have some scaffolding | 0:16:00 | 0:16:02 | |
up so the roofers could get up and felt and batten the roof. | 0:16:02 | 0:16:05 | |
We can get all that done but we can't do that cos | 0:16:05 | 0:16:08 | |
the scaffolding will block off the dig for the drainage being put in. | 0:16:08 | 0:16:13 | |
This is day one. What's day two going to be like? | 0:16:13 | 0:16:17 | |
Let's go to Trevor Brooking stating the obvious - | 0:16:17 | 0:16:19 | |
we know we're in trouble, let's just get on with it. | 0:16:19 | 0:16:22 | |
Soon we'll need to plaster, but first, plasterboard - | 0:16:22 | 0:16:25 | |
-all 320 square metres of it. -HE LAUGHS | 0:16:25 | 0:16:28 | |
We could just have built the downstairs - | 0:16:28 | 0:16:30 | |
that would have addressed Maddie's needs. | 0:16:30 | 0:16:32 | |
But we need everyone to benefit from this house | 0:16:32 | 0:16:34 | |
and that includes the older girls. | 0:16:34 | 0:16:36 | |
In a family like this, where you've got one child with such, | 0:16:36 | 0:16:40 | |
you know, huge needs, there is | 0:16:40 | 0:16:42 | |
always a worry about other children, other siblings. | 0:16:42 | 0:16:45 | |
About them feeling slightly disenfranchised, slightly left out. | 0:16:45 | 0:16:48 | |
But, you know, there is guilt attendant to all of this. | 0:16:48 | 0:16:51 | |
So it's really, really important that, actually, for Anais | 0:16:51 | 0:16:55 | |
and for Keelea that they feel as if they are, you know, as much part | 0:16:55 | 0:17:00 | |
of the build, as much part of the project as Maddie is, which I think | 0:17:00 | 0:17:02 | |
is, you know, par for the course - that's what we're here for. | 0:17:02 | 0:17:06 | |
He's got it, hasn't he? | 0:17:06 | 0:17:07 | |
Dealing with a serious illness can be a very isolating experience. | 0:17:07 | 0:17:11 | |
Everyone on site wants to show this family | 0:17:11 | 0:17:13 | |
they needn't go through things alone. Including the gas guys. | 0:17:13 | 0:17:17 | |
Dad Rod is a heating engineer and would be mucking in himself, | 0:17:17 | 0:17:21 | |
if we let him. | 0:17:21 | 0:17:22 | |
Luckily, his workmates have stepped in for him. | 0:17:22 | 0:17:24 | |
-Now, you're Rod's boss, aren't you? -I am, yeah. | 0:17:27 | 0:17:30 | |
To what extent has he talked about the difficulties that | 0:17:30 | 0:17:32 | |
he's been going through? | 0:17:32 | 0:17:33 | |
-It's obviously been really tough over the last year or so. -Not a lot. | 0:17:33 | 0:17:36 | |
Very private person, Rod. Keeps it to himself. | 0:17:36 | 0:17:39 | |
The lads knew nothing, if anything, about it. | 0:17:39 | 0:17:41 | |
How he's done what he does... We work long hours for the job he does. | 0:17:41 | 0:17:45 | |
He's coming home and he's torn between spending time with Maddie | 0:17:45 | 0:17:49 | |
or finishing off. | 0:17:49 | 0:17:50 | |
He's going to spend time with Maddie and, you know, that's why, | 0:17:50 | 0:17:53 | |
you know, it's like it is. | 0:17:53 | 0:17:54 | |
'Rod has taken on the entire burden of this build himself | 0:17:56 | 0:17:59 | |
'and I can't help feeling that's how he approaches everything. | 0:17:59 | 0:18:02 | |
'Including Maddie's illness.' | 0:18:02 | 0:18:04 | |
You've got a hell of a lot on your shoulders. | 0:18:05 | 0:18:07 | |
Are you not worried that, because you take it all on yourself | 0:18:07 | 0:18:10 | |
and want to deal with it yourself, | 0:18:10 | 0:18:11 | |
you're separating yourself from friends and family | 0:18:11 | 0:18:14 | |
who might want to help out? | 0:18:14 | 0:18:15 | |
Absolutely, yeah. Absolutely. But everyone looks at things differently. | 0:18:15 | 0:18:19 | |
I just believe that everybody in their own life, | 0:18:19 | 0:18:22 | |
they've got their own competitions, their own... | 0:18:22 | 0:18:25 | |
their own stresses and strains | 0:18:25 | 0:18:26 | |
and I try not to burden anybody with my situation. | 0:18:26 | 0:18:29 | |
I just try to get in from work, get on with the house | 0:18:29 | 0:18:34 | |
and chip away, hoping I get to the light at the end of the tunnel. | 0:18:34 | 0:18:38 | |
As a dad, you want to protect your children, that's your job. | 0:18:38 | 0:18:41 | |
It must be very hard, then, | 0:18:41 | 0:18:43 | |
to lose some of that control in hospitals and places. | 0:18:43 | 0:18:46 | |
To have your little girl in front of you, crying and saying, | 0:18:46 | 0:18:50 | |
"Daddy, please help me," it's... Yeah, there's nothing... | 0:18:50 | 0:18:55 | |
There's not many words that can describe that. | 0:18:55 | 0:18:57 | |
Each time she's been down for a certain test, I said, | 0:18:57 | 0:19:00 | |
"Given the opportunity, I would take that test tenfold times myself | 0:19:00 | 0:19:04 | |
"rather than put her in that situation." | 0:19:04 | 0:19:06 | |
Do you get that where you ever just want to, like... | 0:19:06 | 0:19:09 | |
Rip something up. Break something. | 0:19:09 | 0:19:11 | |
When I sit and think about the way she is and the way she was and | 0:19:11 | 0:19:14 | |
then I watch stuff back, I think, "Wow." | 0:19:14 | 0:19:16 | |
I feel she's been absolutely robbed. | 0:19:16 | 0:19:18 | |
'After four years of uncertainty and struggle,' | 0:19:18 | 0:19:21 | |
this family still won't ask for help. | 0:19:21 | 0:19:24 | |
But we think it's about time they had some. | 0:19:24 | 0:19:27 | |
And this lot are happy to do it. | 0:19:29 | 0:19:30 | |
In fact, they'll be working well into the night to catch up | 0:19:30 | 0:19:33 | |
on our schedule. And that should please Mark. | 0:19:33 | 0:19:36 | |
Now we're going to get on with the roof, | 0:19:37 | 0:19:39 | |
cos those big things we just carried in are our fall arrest bags | 0:19:39 | 0:19:42 | |
so if someone falls off the roof, | 0:19:42 | 0:19:44 | |
they can have a little rest when they land. | 0:19:44 | 0:19:46 | |
'He looks a little happier, doesn't he?' | 0:19:46 | 0:19:48 | |
Like a rugby...rugby tackle bag, isn't it? Ever play rugby? | 0:19:48 | 0:19:51 | |
-Want to go for a tackle? -Go on, Mark. | 0:19:51 | 0:19:54 | |
THEY LAUGH AND SHOUT | 0:19:57 | 0:19:59 | |
Well, they work. | 0:19:59 | 0:20:00 | |
MARK SCREAMS | 0:20:00 | 0:20:01 | |
When Mark stops screaming... | 0:20:01 | 0:20:03 | |
No? OK. | 0:20:03 | 0:20:05 | |
Well, when we've scraped him off the floor, | 0:20:05 | 0:20:07 | |
we need to get these safety bags in place so we can get to the roof. | 0:20:07 | 0:20:10 | |
It takes a couple of hours to make the house waterproof | 0:20:10 | 0:20:12 | |
but they've about ten minutes, as the weather is about to turn. | 0:20:12 | 0:20:15 | |
I thought, cos we had an extension already built, this would be easy, | 0:20:15 | 0:20:18 | |
but it hasn't really worked out that way, has it? | 0:20:18 | 0:20:20 | |
HE LAUGHS No way. | 0:20:20 | 0:20:22 | |
The trouble is unpicking other people's work. | 0:20:22 | 0:20:24 | |
We always spend a day or two going backwards before we start | 0:20:24 | 0:20:27 | |
-going forwards, don't we? -Yeah. -Generally. | 0:20:27 | 0:20:28 | |
But this is probably....we've unpicked all we need to unpick. Pretty much. | 0:20:28 | 0:20:32 | |
We've done a fair bit of unpicking, | 0:20:32 | 0:20:33 | |
-now it's time to start stitching up again. -Yeah. | 0:20:33 | 0:20:35 | |
So tomorrow's go to be a brighter day. | 0:20:35 | 0:20:37 | |
And I have a feeling the sun's going to shine. | 0:20:37 | 0:20:40 | |
Ah. Maybe not. | 0:20:43 | 0:20:45 | |
It's day two. There is no sun. | 0:20:45 | 0:20:48 | |
Just a lot of mud. | 0:20:48 | 0:20:50 | |
It's funny, really, isn't it? | 0:20:50 | 0:20:51 | |
When we arrived two days ago, that was quite a pleasant garden. | 0:20:51 | 0:20:54 | |
Do you like what we've done with it? | 0:20:54 | 0:20:56 | |
And with more due later, we've still got to finish the roof | 0:20:56 | 0:20:59 | |
and get all the windows in place to stop the wet outside getting in. | 0:20:59 | 0:21:03 | |
Today is about as busy as I've ever seen a DIY SOS. Like this. | 0:21:03 | 0:21:07 | |
The room's full of electricians and plasterers and chippies | 0:21:07 | 0:21:11 | |
and we've got a concrete pour going on here later today as well. | 0:21:11 | 0:21:14 | |
It's really manic. | 0:21:14 | 0:21:15 | |
There you go. Have a little look in there. Say good morning. | 0:21:17 | 0:21:20 | |
-Morning, everybody. -All right? -We've got decorators working in here. | 0:21:20 | 0:21:23 | |
Look. Plastering. | 0:21:23 | 0:21:24 | |
Hello. | 0:21:26 | 0:21:27 | |
What are you doing up there? | 0:21:27 | 0:21:29 | |
New boiler. | 0:21:29 | 0:21:30 | |
What do you make of this, looking round? | 0:21:30 | 0:21:32 | |
So many people in the place and working and all trying to get | 0:21:32 | 0:21:35 | |
-the thing done. -What can you say? | 0:21:35 | 0:21:37 | |
It's incredible, isn't it, really? | 0:21:37 | 0:21:38 | |
If you give people a chance, human nature will shine through and people | 0:21:38 | 0:21:41 | |
are prepared to give up their time and do the right thing, basically. | 0:21:41 | 0:21:46 | |
And Laurence is also doing the right thing. | 0:21:46 | 0:21:48 | |
He's found himself an artist's man cave. | 0:21:48 | 0:21:50 | |
No danger of muddy boots in here. | 0:21:50 | 0:21:52 | |
He might have the colour palette of a preening peacock | 0:21:52 | 0:21:55 | |
but I've a feeling that this family will love his ideas. | 0:21:55 | 0:21:59 | |
-This is very lovely. -Thank you. -Do you know, this reminds me | 0:22:01 | 0:22:04 | |
-a little of Chinese paintings of blossoms? -Exactly. Exactly. | 0:22:04 | 0:22:08 | |
And, in fact, that's a bit of a starting point | 0:22:08 | 0:22:10 | |
but also Art Deco, they did a lot of this kind of thing. | 0:22:10 | 0:22:14 | |
This is to go above Michelle and Rod's bed | 0:22:14 | 0:22:18 | |
as a kind of a fine art focus. | 0:22:18 | 0:22:21 | |
It's sort of going to look like a distressed mirror. | 0:22:21 | 0:22:24 | |
It's called verre eglomise. | 0:22:24 | 0:22:26 | |
You seem very engaged with this. | 0:22:26 | 0:22:27 | |
My mother was disabled. | 0:22:27 | 0:22:29 | |
She had MS for many, many years so basically, all the way | 0:22:29 | 0:22:33 | |
through my teenage years, and latterly, she was in a wheelchair. | 0:22:33 | 0:22:37 | |
My father died when I was very young as well. | 0:22:37 | 0:22:40 | |
And so, yes, it was something that I...you know, I had very, | 0:22:40 | 0:22:45 | |
very first-hand experience with. | 0:22:45 | 0:22:47 | |
I really, really like to do something for the parents. | 0:22:47 | 0:22:51 | |
As a parent, your empathy just goes so strongly to them | 0:22:51 | 0:22:56 | |
and I really want to make sure that there's some beautiful, | 0:22:56 | 0:22:59 | |
beautiful things for Michelle as a way of, you know, saying, | 0:22:59 | 0:23:02 | |
"For goodness' sake, | 0:23:02 | 0:23:03 | |
"you are incredible with what you're coping with." | 0:23:03 | 0:23:06 | |
He's a lovely man, isn't he? And we're not alone. | 0:23:08 | 0:23:10 | |
We've got 92 lovely builders who all think the same thing. | 0:23:10 | 0:23:13 | |
Inside, the rewiring has delayed Chris and the plastering and | 0:23:15 | 0:23:18 | |
nothing winds him up more. | 0:23:18 | 0:23:20 | |
So he's staying well out of the way of Billy. | 0:23:20 | 0:23:22 | |
Instead, he's watching paint dry. | 0:23:22 | 0:23:24 | |
You missed a bit there, mate. | 0:23:26 | 0:23:28 | |
-Good team? -Yeah, brilliant. -Well, you know, as much as painters... | 0:23:28 | 0:23:31 | |
Here we go. Billy's at it again. | 0:23:31 | 0:23:32 | |
Excellent. | 0:23:33 | 0:23:35 | |
LAUGHTER | 0:23:35 | 0:23:37 | |
-It is extraordinary, isn't it? -He is. | 0:23:37 | 0:23:41 | |
Bill says that he used to be a scuba diver, | 0:23:41 | 0:23:45 | |
working on submarines in Plymouth. | 0:23:45 | 0:23:47 | |
What do you reckon the chances are that he's actually a scuba diver? | 0:23:47 | 0:23:51 | |
-None. -He was saying, "Well, you'll never find anywhere to go scuba | 0:23:51 | 0:23:54 | |
-"diving around here." I've found somewhere. -Have you? | 0:23:54 | 0:23:56 | |
Tell me something painful's involved. | 0:23:56 | 0:23:58 | |
Something that's going to, I don't know, bite him or squish him. | 0:23:58 | 0:24:02 | |
-Might be. -Really? Oh, mate. | 0:24:02 | 0:24:05 | |
I'm not vindictive, I just like giving people what they want. | 0:24:05 | 0:24:08 | |
You know what they say - be careful what you wish for. | 0:24:08 | 0:24:11 | |
Downstairs, the guys are cracking on with what will be the kitchen - | 0:24:11 | 0:24:15 | |
something this family have been sadly lacking for months now. | 0:24:15 | 0:24:18 | |
So this area will make a huge difference to them. | 0:24:18 | 0:24:21 | |
Over on the extension side, | 0:24:23 | 0:24:24 | |
the plans are particularly important for Maddie. | 0:24:24 | 0:24:27 | |
She's been sharing a bed with her mum and dad, | 0:24:27 | 0:24:29 | |
which hasn't been great for her spine. | 0:24:29 | 0:24:31 | |
She also needs a wheelchair-friendly bathroom. | 0:24:31 | 0:24:33 | |
One of the things I do like about the way that the plan has | 0:24:35 | 0:24:38 | |
come together, and it's something we've actually inherited, | 0:24:38 | 0:24:40 | |
is the fact that you've got Mum and Dad there, | 0:24:40 | 0:24:43 | |
Maddie there and they're sharing this bathroom space. | 0:24:43 | 0:24:45 | |
I think that's really nice. I think it's very social. | 0:24:45 | 0:24:48 | |
I think, a lot of the time, I get a bit worried | 0:24:48 | 0:24:50 | |
cos, if you've got a severely disabled child, they feel as | 0:24:50 | 0:24:53 | |
if they're pushed to the periphery of the family or they're | 0:24:53 | 0:24:55 | |
pushed into a very, very special area. | 0:24:55 | 0:24:58 | |
Actually, Maddie is still very much part of the heart of the home. | 0:24:58 | 0:25:02 | |
-You're under-lit here. -Do I look a bit spooky? | 0:25:02 | 0:25:06 | |
HE LAUGHS CREEPILY | 0:25:06 | 0:25:07 | |
A little bit more Gothic than... | 0:25:07 | 0:25:09 | |
Yeah. Let's go to a different room. | 0:25:09 | 0:25:11 | |
Shall we move on where the lighting's better? | 0:25:11 | 0:25:14 | |
Really? Better lighting from Billy? | 0:25:14 | 0:25:16 | |
I wouldn't hold your breath. | 0:25:16 | 0:25:18 | |
Where are we at, gentlemen? How are the electrics doing? | 0:25:18 | 0:25:21 | |
Cos obviously we had the setback of having to take all the wiring out | 0:25:21 | 0:25:24 | |
and rewire it but we're day two now. How close are we? | 0:25:24 | 0:25:26 | |
-We're ahead again. It's nearly finished. -Is it? -Yes. | 0:25:26 | 0:25:30 | |
We've done very... | 0:25:30 | 0:25:31 | |
And then something's... | 0:25:31 | 0:25:32 | |
LAUGHTER | 0:25:32 | 0:25:34 | |
Then I spoke. | 0:25:34 | 0:25:35 | |
Amazing. Every time, it's you. | 0:25:37 | 0:25:40 | |
Despite the electrics delay, the upstairs is plastered. | 0:25:40 | 0:25:43 | |
Now, Chris can smell the need for it downstairs. | 0:25:43 | 0:25:46 | |
I want to get them in here in the morning | 0:25:46 | 0:25:48 | |
cos the kitchen's being fitted on Saturday so we can board | 0:25:48 | 0:25:50 | |
and skim and work our way that way, that way and into there. | 0:25:50 | 0:25:53 | |
The floor, here, is being concreted tonight in there | 0:25:53 | 0:25:57 | |
and in the other side so we can get on it first thing in the morning. | 0:25:57 | 0:26:00 | |
It's taken the entire day | 0:26:00 | 0:26:02 | |
but work on the back garden has progressed amazingly. | 0:26:02 | 0:26:05 | |
They've cleared an area ready for the concrete. | 0:26:05 | 0:26:07 | |
Maddie needs constant physio to strengthen her muscles | 0:26:08 | 0:26:11 | |
so we're installing a Nordic cabin and Hydropool so she can exercise. | 0:26:11 | 0:26:16 | |
And it's concrete-tastic today as the concrete is also | 0:26:16 | 0:26:19 | |
going down on the inside, which means there are now level floors | 0:26:19 | 0:26:23 | |
and that's exactly what Maddie needs to be able to move freely | 0:26:23 | 0:26:26 | |
around the ground floor, something she's never been able to do. | 0:26:26 | 0:26:30 | |
So in the morning it'll be like a concrete snooker table? | 0:26:30 | 0:26:33 | |
-Yeah. -Lovely job. | 0:26:33 | 0:26:34 | |
A concrete snooker table? | 0:26:35 | 0:26:37 | |
It's our third day on site. It might be grey skies | 0:26:40 | 0:26:43 | |
but we've started to break the back of this build. | 0:26:43 | 0:26:46 | |
Getting a whole house like this rebuilt in just nine days | 0:26:47 | 0:26:51 | |
requires elbow grease from absolutely everyone. | 0:26:51 | 0:26:54 | |
Well, all right, not everyone. | 0:26:54 | 0:26:56 | |
I'm hoping that the house is as fine as I feel. | 0:26:56 | 0:26:59 | |
Um...I hope you had a lot to drink last night. | 0:27:01 | 0:27:04 | |
-Right. -I'll see you in there. -You will. | 0:27:04 | 0:27:07 | |
See, I can talk builder! | 0:27:09 | 0:27:10 | |
Yeah. | 0:27:11 | 0:27:12 | |
The concrete on the inside has also set | 0:27:12 | 0:27:15 | |
but we're still behind schedule so we need everybody we can get | 0:27:15 | 0:27:18 | |
because Laurence doesn't really do part-finished. | 0:27:18 | 0:27:21 | |
Actually, you can start beginning to see rooms taking shape | 0:27:22 | 0:27:25 | |
now, which is really, really good. It's feeling less like Armageddon | 0:27:25 | 0:27:28 | |
and more like... more like a house again. | 0:27:28 | 0:27:30 | |
The rooms are beginning to develop their own personality. | 0:27:30 | 0:27:34 | |
As long as that personality is not Billy, I think we'll be fine. | 0:27:34 | 0:27:38 | |
With all the concrete set, | 0:27:38 | 0:27:39 | |
it's Chris's team that takes centre stage. | 0:27:39 | 0:27:42 | |
Considering that the floor only went down at seven o'clock last night, | 0:27:42 | 0:27:46 | |
it's coming on tremendously. | 0:27:46 | 0:27:48 | |
-All rewired in two days and a new floor down. -And plumbed. | 0:27:48 | 0:27:51 | |
-And plumbed. -New doorway. -And doors and windows. | 0:27:51 | 0:27:54 | |
That's pretty impressive, actually, isn't it, to be fair? | 0:27:54 | 0:27:56 | |
-Yeah. -These boys are throwing it on, aren't they? | 0:27:56 | 0:27:58 | |
It's what they do every day. We are actually in there... | 0:27:58 | 0:28:01 | |
-Anthony, you're being polite now. -I know. | 0:28:01 | 0:28:04 | |
THEY LAUGH | 0:28:04 | 0:28:06 | |
How come his is bigger than yours? | 0:28:08 | 0:28:11 | |
THEY ALL GROAN | 0:28:11 | 0:28:12 | |
Oh! Don't come that - that's personal! | 0:28:12 | 0:28:15 | |
You can't beat a big tool. Talking of which... | 0:28:15 | 0:28:18 | |
It's like ascending... | 0:28:18 | 0:28:19 | |
ascending into an environment that's a little bit more civilised. | 0:28:19 | 0:28:22 | |
Look at this. This is great. | 0:28:22 | 0:28:24 | |
Keelea's room looks as if it's almost there. | 0:28:24 | 0:28:28 | |
One of the problems we've got is that there's a lot of new | 0:28:28 | 0:28:31 | |
plaster happening, onto which I need to...I want to paint or paper. | 0:28:31 | 0:28:37 | |
He's certainly got the wafting down to a fine art, hasn't he? | 0:28:37 | 0:28:40 | |
But do the trade think he cuts the mustard? | 0:28:40 | 0:28:43 | |
Can we get Laurence to come and do a bedroom for you perhaps? | 0:28:43 | 0:28:46 | |
-Design something for you? -Yeah, yeah. I would. -Would you? -Yeah. | 0:28:46 | 0:28:50 | |
-Would you, really? -He's got good...fashion. | 0:28:50 | 0:28:53 | |
What do you make of Laurence? Have you seen him so far? | 0:28:53 | 0:28:55 | |
-Not chatted with him. Seen him. -And what do you make of him? | 0:28:55 | 0:28:57 | |
Seems all right. Nice guy. | 0:28:57 | 0:28:59 | |
We've come across him before on telly and we know what he does. | 0:28:59 | 0:29:02 | |
Let's see what it looks like. I bet it'll look good. | 0:29:02 | 0:29:04 | |
A bit of appreciation for the Bowen there. Very nice, too. | 0:29:04 | 0:29:08 | |
So this is Anais's room. | 0:29:08 | 0:29:10 | |
This is going to be a wonderful kind of soft greens and blues palette. | 0:29:10 | 0:29:16 | |
-So there we are. Mouth watering yet, gentlemen? -Oh, yes. | 0:29:16 | 0:29:19 | |
-I'm feeling hungry already. -Yes. Yes. Carry on. Carry on. | 0:29:19 | 0:29:24 | |
Top of the class. | 0:29:24 | 0:29:26 | |
There is only one Laurence Llewelyn-Bowen... | 0:29:26 | 0:29:29 | |
thankfully. | 0:29:29 | 0:29:30 | |
You know, this house hasn't been a proper home for a long time, now. | 0:29:31 | 0:29:35 | |
Maddie's so seriously ill, she needs her loving family around her. | 0:29:35 | 0:29:39 | |
Instead, her home is forcing them apart. | 0:29:39 | 0:29:41 | |
It's very, very stressful, because we're all in our bedrooms. | 0:29:44 | 0:29:48 | |
And the children don't want to bring any friends home. | 0:29:48 | 0:29:51 | |
They can't bring any friends home. | 0:29:51 | 0:29:53 | |
Noise brings on violent seizures in Maddie, so every night, | 0:29:53 | 0:29:57 | |
the house must fall into complete silence | 0:29:57 | 0:29:59 | |
as soon as she goes to bed. | 0:29:59 | 0:30:01 | |
They can't bring friends into their bedrooms, | 0:30:02 | 0:30:04 | |
cos they can't make noise after eight o'clock, | 0:30:04 | 0:30:06 | |
cos that will keep Maddie awake. | 0:30:06 | 0:30:08 | |
They're living the life they're living for their sister. | 0:30:09 | 0:30:13 | |
And it's been like this for four years, | 0:30:13 | 0:30:15 | |
where we've split the family in half. | 0:30:15 | 0:30:17 | |
Tell me all about the house - | 0:30:19 | 0:30:21 | |
do you actually like living there as it is at the moment? | 0:30:21 | 0:30:24 | |
-No. -No. Why? -No. I just go straight to my room. | 0:30:24 | 0:30:28 | |
That's what we've literally been doing - just in our rooms. | 0:30:28 | 0:30:31 | |
My mum and Maddie and Dad are in theirs, | 0:30:31 | 0:30:33 | |
Anais's in hers and I'm either just out anywhere... | 0:30:33 | 0:30:35 | |
How do you think it is for Maddie, what she's having to deal with? | 0:30:35 | 0:30:39 | |
She can't...she can't walk anywhere. | 0:30:39 | 0:30:41 | |
She needs her own space to do things or play out in the garden, or... | 0:30:41 | 0:30:45 | |
Just to have, like, a normal experience, just...play out, | 0:30:45 | 0:30:49 | |
if she wanted to, or... | 0:30:49 | 0:30:50 | |
She can't do anything, she's just stuck in her bedroom. | 0:30:50 | 0:30:54 | |
My mum doesn't really tell me anything about it, | 0:30:54 | 0:30:56 | |
because I try and be happy with her and try and ignore it | 0:30:56 | 0:30:59 | |
-and try and make her feel better, but... -Hm. | 0:30:59 | 0:31:02 | |
I don't know, I don't know how to deal with it, to be honest. | 0:31:02 | 0:31:05 | |
I think we just both get on with it. | 0:31:05 | 0:31:07 | |
-Yeah. -Why should we complain when it's her who's got...? | 0:31:07 | 0:31:09 | |
Why should we...? We don't have the right to complain | 0:31:09 | 0:31:12 | |
when it's her who's going through that. | 0:31:12 | 0:31:14 | |
We've got nothing to complain about, really. | 0:31:14 | 0:31:16 | |
Despite the brave words, | 0:31:16 | 0:31:17 | |
we want these girls to get their family time back. | 0:31:17 | 0:31:21 | |
We can't make Maddie's disease disappear, | 0:31:21 | 0:31:23 | |
but we can build a house that will ensure | 0:31:23 | 0:31:25 | |
nobody has to lock themselves in their room ever again. | 0:31:25 | 0:31:30 | |
Inside, the floor fitters are in | 0:31:30 | 0:31:31 | |
and we've widened the door so a wheelchair can fit through easily. | 0:31:31 | 0:31:35 | |
At the front of the house, | 0:31:36 | 0:31:38 | |
we're installing a brand-new drive with ramp | 0:31:38 | 0:31:40 | |
and the boys are pushing hard to get the job done | 0:31:40 | 0:31:42 | |
while the weather holds out. | 0:31:42 | 0:31:44 | |
Jules and his gang have been working in the back garden, | 0:31:47 | 0:31:50 | |
shovelling and levelling off a huge 25 tonnes of gravel. | 0:31:50 | 0:31:53 | |
We're out of the mud. | 0:31:55 | 0:31:56 | |
We've scraped all the mud out, put it in the skip, | 0:31:56 | 0:31:59 | |
hardcored everything, and we've got it clean to walk on - | 0:31:59 | 0:32:03 | |
it's such a wonderful feeling. | 0:32:03 | 0:32:06 | |
And it's wonderful to see his little face smiling, at last, | 0:32:06 | 0:32:10 | |
and know that others are smiling | 0:32:10 | 0:32:11 | |
as we make it to the end of another busy day on a Big Build. | 0:32:11 | 0:32:15 | |
Having started this job, we hit a number of problems, | 0:32:19 | 0:32:21 | |
and just over halfway through, we're just beginning to catch up. | 0:32:21 | 0:32:25 | |
The drainage at the back has now been replaced | 0:32:25 | 0:32:27 | |
and the new roof is felted and retiled. | 0:32:27 | 0:32:29 | |
Looking good, uh? | 0:32:31 | 0:32:32 | |
-Beautiful. Looking good, innit? -We're getting there. | 0:32:32 | 0:32:34 | |
I just said that. | 0:32:34 | 0:32:36 | |
Inside, Billy's delivered, as promised. | 0:32:36 | 0:32:38 | |
He and his boys have replaced all the electric cabling, | 0:32:38 | 0:32:42 | |
but can he deliver on his promise to scuba dive? | 0:32:42 | 0:32:45 | |
I've got a plan to flush old Bill out. | 0:32:45 | 0:32:47 | |
Of course, you did say that you had been a scuba diver, | 0:32:52 | 0:32:55 | |
working on submarines. | 0:32:55 | 0:32:57 | |
Yeah - gospel. I was down there, out there, | 0:32:57 | 0:32:59 | |
clearing all the barnacles off the submarines at sea. | 0:32:59 | 0:33:01 | |
That's why they called me Barnacle Bill. | 0:33:01 | 0:33:03 | |
If you want to pull out, and you were actually not telling the truth, | 0:33:03 | 0:33:06 | |
you can pull out at this stage, now. | 0:33:06 | 0:33:08 | |
Would I lie to you? | 0:33:08 | 0:33:09 | |
'For your sake, Bill, I hope not.' | 0:33:09 | 0:33:11 | |
Oh, he's a natural - I'm sure that kind lady is just helping him | 0:33:13 | 0:33:17 | |
because it's slippy. | 0:33:17 | 0:33:18 | |
Hello. How you doing? Nice to see you all. Are you enjoying it? | 0:33:20 | 0:33:23 | |
-Yeah, fantastic. -Great place, isn't it? | 0:33:23 | 0:33:25 | |
I thought we'd wander down - there's a tunnel you can walk through. | 0:33:25 | 0:33:28 | |
Don't know if you've been yet, but shall we go through the tunnel | 0:33:28 | 0:33:31 | |
and see what we can see? | 0:33:31 | 0:33:33 | |
How are we feeling at the moment? | 0:33:33 | 0:33:34 | |
Obviously, we're getting close to letting you have your house back. | 0:33:34 | 0:33:37 | |
What's the thing you're most hoping will be in the house? | 0:33:37 | 0:33:41 | |
-The floor being level downstairs. And Maddie's room. -Right. -Really. | 0:33:41 | 0:33:47 | |
The kitchen, so I can cook for the family - | 0:33:47 | 0:33:49 | |
it's the most important room for me. | 0:33:49 | 0:33:51 | |
-The living room. -Really? Why's that? | 0:33:51 | 0:33:54 | |
Cos, like, we can all just, like, watch TV together. | 0:33:54 | 0:33:58 | |
Just to do stuff together - has that been the toughest thing, | 0:33:58 | 0:34:01 | |
-that you've all had to be in different parts of the house? -Yeah. | 0:34:01 | 0:34:04 | |
-Aw! -Such a nice thing to say, that. So nice. It really is. | 0:34:04 | 0:34:08 | |
-It's lovely, that. -Very cool. | 0:34:08 | 0:34:10 | |
'Talking of cool, Billy must be feeling pretty cool, about now.' | 0:34:10 | 0:34:14 | |
-Oh, wow! -Look who's in here! Do you know who that is? | 0:34:14 | 0:34:17 | |
-That's Billy, our electrician. -It is. | 0:34:18 | 0:34:21 | |
Billy told me that he was a scuba diver | 0:34:21 | 0:34:25 | |
and he wanted to go scuba diving to prove it. | 0:34:25 | 0:34:28 | |
The thing I didn't tell him... | 0:34:28 | 0:34:29 | |
I didn't tell him there are sharks in there. | 0:34:29 | 0:34:32 | |
MUFFLED YELLING | 0:34:32 | 0:34:34 | |
As long as he doesn't make any noise, he'll be fine. | 0:34:35 | 0:34:38 | |
THEME FROM "JAWS" PLAYS | 0:34:38 | 0:34:40 | |
GURGLING | 0:34:42 | 0:34:44 | |
LAUGHTER | 0:34:48 | 0:34:49 | |
Well, I really think we should probably get Billy some help, | 0:34:49 | 0:34:52 | |
he's looking quite frightened. | 0:34:52 | 0:34:53 | |
Why don't we go and have some dinner in the cafe first? | 0:34:53 | 0:34:56 | |
Then we can tell people later. | 0:34:56 | 0:34:58 | |
BILLY GURGLES ANXIOUSLY | 0:35:01 | 0:35:03 | |
He really did go in the tank with a shark, I promise. | 0:35:03 | 0:35:06 | |
NICK LAUGHS | 0:35:06 | 0:35:08 | |
The Jacuzzi's here. If I had my way, it'd be steaming, now. | 0:35:08 | 0:35:14 | |
It'd be steaming, and I'd be lying in it, | 0:35:14 | 0:35:17 | |
stretched out in the bubble bath. | 0:35:17 | 0:35:19 | |
-You use bubble bath? -Yeah. Don't you? | 0:35:19 | 0:35:21 | |
No. I shower, mate. Don't do baths. | 0:35:21 | 0:35:23 | |
Well, I only have a bath once or twice a year, | 0:35:23 | 0:35:25 | |
-But when I do, I like to bubble. -Do you? -Yeah, in the bath. | 0:35:25 | 0:35:28 | |
Interesting. I know what to get you for Christmas, now. | 0:35:28 | 0:35:31 | |
Strawberry bubble bath. | 0:35:31 | 0:35:32 | |
There we are, a rare glimpse into the fragrant world of Mr Perryman. | 0:35:34 | 0:35:38 | |
Once they've chopped up all this wood, | 0:35:38 | 0:35:40 | |
they'll need to deck the entire area for our Nordic cabin | 0:35:40 | 0:35:43 | |
and that will house our Hydropool. | 0:35:43 | 0:35:46 | |
Inside, the kitchen is coming together | 0:35:47 | 0:35:49 | |
and Billy's back on site - and dry. | 0:35:49 | 0:35:51 | |
I wish I can say the same for the house. | 0:35:51 | 0:35:53 | |
We've got a wee bit of a problem up the stairs. | 0:35:53 | 0:35:55 | |
We've, eh, put a nail through a pipe | 0:35:55 | 0:35:57 | |
and we've got to try and discover where it is. | 0:35:57 | 0:35:59 | |
Jim and a couple of plumbers have gone up the stairs to try and rip the floor up. | 0:35:59 | 0:36:03 | |
Fingers crossed, we find it, | 0:36:03 | 0:36:04 | |
cos there's a lot of water coming through. | 0:36:04 | 0:36:06 | |
Doesn't look good. | 0:36:06 | 0:36:08 | |
With only three days to go, this is bad news. | 0:36:08 | 0:36:10 | |
If it's soaked through the walls, | 0:36:10 | 0:36:12 | |
it's going to unstick the plastering, | 0:36:12 | 0:36:14 | |
which would be, well...frankly, a disaster. | 0:36:14 | 0:36:16 | |
Yeah, it's a lot of water coming in there, eh? | 0:36:21 | 0:36:23 | |
Meanwhile, in Design World... | 0:36:24 | 0:36:26 | |
CLASSICAL MUSIC PLAYS | 0:36:26 | 0:36:29 | |
I think today feels as if we've turned a massive corner. | 0:36:29 | 0:36:33 | |
-It's a bit lilac, innit? -Ha! Not lilac. | 0:36:33 | 0:36:35 | |
That's lilac, innit? Isn't that...? That's purple. | 0:36:35 | 0:36:38 | |
-That's heather. That's heather... -That's lilac. | 0:36:38 | 0:36:41 | |
'This may take a while.' | 0:36:41 | 0:36:42 | |
Heather. Heather to heavy purple to black purple... | 0:36:42 | 0:36:47 | |
-Do you know what puce is? -Yes. | 0:36:47 | 0:36:48 | |
They're all shades of purple, | 0:36:48 | 0:36:49 | |
they're all from the purple spectrum. | 0:36:49 | 0:36:51 | |
-Lilac's much colder than that. -Heather's bluer than that. | 0:36:51 | 0:36:54 | |
No, no, no - heather... | 0:36:54 | 0:36:55 | |
Lilac is almost pink. | 0:36:55 | 0:36:57 | |
-That's definitely heather. -That is kind of pink. | 0:36:57 | 0:37:00 | |
It's that little, designer.. | 0:37:00 | 0:37:01 | |
What are you doing with your pants? | 0:37:01 | 0:37:03 | |
Checking to see if they're purple, | 0:37:03 | 0:37:05 | |
because everything's turned purple since I last looked. | 0:37:05 | 0:37:07 | |
Purple tiles in the kitchen. | 0:37:07 | 0:37:09 | |
How can you not know what colour your pants are? | 0:37:09 | 0:37:11 | |
I stagger out of bed, I grab whatever's first. | 0:37:11 | 0:37:13 | |
You achieved that look in the dark? | 0:37:13 | 0:37:14 | |
NICK LAUGHS | 0:37:14 | 0:37:16 | |
My job is obviously to take the edge... | 0:37:16 | 0:37:19 | |
What is your job, exactly? | 0:37:19 | 0:37:20 | |
It's to take the edge off Maddie's needs, | 0:37:20 | 0:37:24 | |
so that the whole scheme doesn't look as if it's a hospital ward. | 0:37:24 | 0:37:28 | |
He's right, you know. | 0:37:28 | 0:37:29 | |
And of course, there's been no place for luxury over the past year or so, | 0:37:29 | 0:37:32 | |
with Maddie's illness and the desperate state of the house. | 0:37:32 | 0:37:35 | |
One person who knows exactly how that's impacted everyone | 0:37:37 | 0:37:40 | |
is Michelle's sister, Cheryl. | 0:37:40 | 0:37:42 | |
As you can see, the place is still a bit of a mess, | 0:37:42 | 0:37:46 | |
but you can start to see the house that they need coming out of it. | 0:37:46 | 0:37:49 | |
It's fantastic. It's like a dream come true for the family. | 0:37:49 | 0:37:52 | |
-It's lovely. -It's seems to me that, | 0:37:52 | 0:37:54 | |
at a time when they needed the help of people around them, | 0:37:54 | 0:37:57 | |
they've actually got more and more closed in and kept it to themselves. | 0:37:57 | 0:38:01 | |
You know what I mean? | 0:38:01 | 0:38:02 | |
They've taken themselves away from their support network | 0:38:02 | 0:38:05 | |
because they're both people | 0:38:05 | 0:38:07 | |
who believe they need to get on with it themselves, but... | 0:38:07 | 0:38:09 | |
They could have done with, like, talking to people. | 0:38:09 | 0:38:12 | |
Well, I suppose with an illness as serious as that, | 0:38:12 | 0:38:15 | |
you shut yourself off from the world and you think, "I'll get on with it." | 0:38:15 | 0:38:18 | |
We all tried to help and wanted to be there to support, but it's so serious | 0:38:18 | 0:38:22 | |
and upsetting that you just try and do the day-to-day | 0:38:22 | 0:38:26 | |
and get on with it. | 0:38:26 | 0:38:27 | |
It's that very determination to deal with problems on their own | 0:38:29 | 0:38:33 | |
that is so isolating for the family. | 0:38:33 | 0:38:36 | |
We're told Maddie is currently the only child in the world | 0:38:36 | 0:38:38 | |
with this brain disease, | 0:38:38 | 0:38:40 | |
so doctors can only manage her symptoms | 0:38:40 | 0:38:42 | |
whilst they try and identify her illness. | 0:38:42 | 0:38:45 | |
'I wonder how mum Michelle copes with it.' | 0:38:45 | 0:38:47 | |
It's pressure from so many different angles, | 0:38:47 | 0:38:49 | |
there's so many demands on you. | 0:38:49 | 0:38:52 | |
Do you ever just get angry about it? | 0:38:52 | 0:38:54 | |
I'm not angry, because I'm a positive person, | 0:38:54 | 0:38:57 | |
but we have to make the best of the situation we're in, | 0:38:57 | 0:39:00 | |
because if you're not positive, | 0:39:00 | 0:39:02 | |
you couldn't get out of bed every day, you couldn't function. | 0:39:02 | 0:39:05 | |
If you get up every morning, thinking, | 0:39:05 | 0:39:07 | |
"My child's got a brain disease. What if it keeps growing? | 0:39:07 | 0:39:10 | |
"What if she keeps deteriorating? | 0:39:10 | 0:39:11 | |
"What if she can't even speak tomorrow?" | 0:39:11 | 0:39:13 | |
You do have days where you're really bad and you say, | 0:39:13 | 0:39:17 | |
"I'm not going out today, I can't cope." | 0:39:17 | 0:39:19 | |
Then you have days when you think, "I just have to get on with it." | 0:39:19 | 0:39:22 | |
You know - where does the future lie for any of us? | 0:39:22 | 0:39:25 | |
You are so strong, but do you ever think that maybe, | 0:39:25 | 0:39:28 | |
by refusing help from others...you know, | 0:39:28 | 0:39:31 | |
that you're missing out on an opportunity for someone else | 0:39:31 | 0:39:34 | |
to shoulder that burden? | 0:39:34 | 0:39:35 | |
We don't ask for any help, | 0:39:35 | 0:39:37 | |
because...that responsibility is mine and Rod's. | 0:39:37 | 0:39:41 | |
Maddie is a massive responsibility, so we don't ever... | 0:39:41 | 0:39:45 | |
Why does it have to be only yours? | 0:39:45 | 0:39:47 | |
Because if anything happens to her, it's going to be when she's with me. | 0:39:47 | 0:39:51 | |
And not with someone else. I'm strong for us all. | 0:39:51 | 0:39:53 | |
I'm the one that keeps it all together. | 0:39:54 | 0:39:56 | |
I just let Rod be him. | 0:39:56 | 0:39:58 | |
He doesn't really like to see her deteriorating the way she is, | 0:39:58 | 0:40:01 | |
so he tries to prop her up and help her walk. | 0:40:01 | 0:40:04 | |
You see that by the way he holds her - he doesn't just hold her... | 0:40:04 | 0:40:06 | |
Best friends, yeah. Best friends. But I take her to theatre. | 0:40:06 | 0:40:09 | |
I do the gas induction, not the doctor. | 0:40:09 | 0:40:11 | |
The face that she's going to see before she goes to sleep is me. | 0:40:11 | 0:40:14 | |
TEARFULLY: I can't have a doctor do that. I have to do it. | 0:40:14 | 0:40:18 | |
So I do it. | 0:40:20 | 0:40:22 | |
It is a hell of a burden. | 0:40:22 | 0:40:23 | |
Yeah, but you get used to whatever situation you're in. | 0:40:23 | 0:40:27 | |
As bad as it is, you do...you get used to it. | 0:40:27 | 0:40:30 | |
You just adapt to live with whatever situation you're put in. | 0:40:30 | 0:40:34 | |
What this family are dealing with takes a huge amount of courage. | 0:40:35 | 0:40:38 | |
Somewhere near site, Laurence is working hard to provide the family | 0:40:41 | 0:40:44 | |
with a design that works for them without it feeling overly medical, | 0:40:44 | 0:40:49 | |
and, in true Laurence style, it doesn't involve working outside. | 0:40:49 | 0:40:52 | |
I don't mind getting my hands dirty at all - don't forget, | 0:40:52 | 0:40:54 | |
I've got a classical fine art training, so...don't, uh... | 0:40:54 | 0:40:59 | |
Don't be seduced by the foppery. | 0:41:02 | 0:41:05 | |
I can roll my sleeves up | 0:41:05 | 0:41:07 | |
and cover a ceiling with cherubs like the best of them. | 0:41:07 | 0:41:11 | |
The best cherub ceiling-coverers, presumably. | 0:41:11 | 0:41:13 | |
But do we still have ceilings? That's the question. | 0:41:13 | 0:41:16 | |
For all the work that's gone into this house... | 0:41:16 | 0:41:19 | |
It's pretty amazing that we've had 93 guys in here - | 0:41:19 | 0:41:25 | |
all the plumbers, electricians, plasterers, boarders, | 0:41:25 | 0:41:28 | |
all the carpenters, the floor layers, the kitchen fitters, everything - | 0:41:28 | 0:41:32 | |
and we've had one little leak. | 0:41:32 | 0:41:34 | |
That's not bad going, really, is it? | 0:41:34 | 0:41:36 | |
That means we're working with professional people. | 0:41:39 | 0:41:41 | |
But there's one idiot who put a screw through a pipe. | 0:41:41 | 0:41:43 | |
I think that idiot was probably Mark. | 0:41:45 | 0:41:46 | |
With the leak finally fixed, we're out of the guts of the building | 0:41:46 | 0:41:49 | |
and into the details. | 0:41:49 | 0:41:50 | |
It's kinda getting there. I'm excited. | 0:41:50 | 0:41:52 | |
And we've got 24 hours to go to polish it off. | 0:41:52 | 0:41:54 | |
As long as the weather's nice. | 0:41:54 | 0:41:56 | |
-I think it will be. -If we have a dry day, it will be fine. | 0:41:56 | 0:41:58 | |
You've been good outside here, haven't you? | 0:41:58 | 0:42:00 | |
You're the man for outside, | 0:42:00 | 0:42:02 | |
because you've got that extra thermal blanket. | 0:42:02 | 0:42:04 | |
-Like a seal. -Yes. | 0:42:04 | 0:42:05 | |
Ever blown a seal? | 0:42:07 | 0:42:08 | |
Yeah, I had an old, um...Aston... | 0:42:08 | 0:42:11 | |
-Really? -..that blew a seal. Very expensive to fix. -Dreadful. | 0:42:11 | 0:42:14 | |
'I think we'll leave it there, shall we?' | 0:42:16 | 0:42:17 | |
Another new day. The last, in fact. | 0:42:22 | 0:42:24 | |
Not of the world - of this particular job. | 0:42:24 | 0:42:26 | |
And these guys just pick up where they left off. | 0:42:26 | 0:42:29 | |
They'd sleep here, if we let 'em. | 0:42:29 | 0:42:30 | |
Just take a look around. | 0:42:30 | 0:42:32 | |
This is probably four weeks of solid working, ordinarily. | 0:42:32 | 0:42:35 | |
These guys have eight hours | 0:42:35 | 0:42:37 | |
and there's not an unhappy face amongst them, | 0:42:37 | 0:42:39 | |
even though this house keeps spitting problems at us. | 0:42:39 | 0:42:43 | |
First day, we discovered that the roof on the back extension | 0:42:43 | 0:42:46 | |
was wrong and we had to redo it. | 0:42:46 | 0:42:48 | |
We only just noticed the roof on the front extension is wrong as well, | 0:42:48 | 0:42:51 | |
so we've had to take all that off and retile that. | 0:42:51 | 0:42:54 | |
A bit of a pain at this stage, but I'm sure we'll get on top of it. | 0:42:54 | 0:42:57 | |
However, it is going to take everyone for one final push | 0:42:57 | 0:43:01 | |
to get over the finishing line... | 0:43:01 | 0:43:03 | |
You have got to be kidding me! | 0:43:03 | 0:43:05 | |
Garden's looking nice. | 0:43:05 | 0:43:07 | |
WHISTLING AND CHEERING | 0:43:09 | 0:43:11 | |
And how exactly is this helping? | 0:43:13 | 0:43:15 | |
-What are you doing?! -Just making sure it's all right for the family. | 0:43:24 | 0:43:28 | |
We have to drain it now, and clean it. | 0:43:28 | 0:43:30 | |
We had showers this morning. | 0:43:30 | 0:43:32 | |
These bubbles are all mine. | 0:43:32 | 0:43:34 | |
-Oh, it's not switched on? -No. | 0:43:35 | 0:43:36 | |
LAUGHTER | 0:43:36 | 0:43:38 | |
Seriously - get out! | 0:43:39 | 0:43:41 | |
'I get no respect around here at all.' | 0:43:41 | 0:43:45 | |
At least someone's getting on with it. | 0:43:45 | 0:43:47 | |
Every inch of wall has been plastered | 0:43:47 | 0:43:49 | |
so it's the decorators' turn to buzz around. | 0:43:49 | 0:43:51 | |
There might be a lot to do, but they're still smiling. | 0:43:51 | 0:43:54 | |
As if Sean Connery and Bruce Forsyth had a love child. | 0:43:54 | 0:43:58 | |
Price is right. | 0:43:59 | 0:44:00 | |
HE IMITATES BRUCE FORSYTH | 0:44:00 | 0:44:01 | |
LAUGHTER | 0:44:01 | 0:44:03 | |
I have to say, I think Laurence has done a sterling job, here. | 0:44:04 | 0:44:08 | |
Maddie's wallpaper is bespoke, and the colours bold. | 0:44:08 | 0:44:11 | |
This is not just any old job for Laurence. | 0:44:13 | 0:44:15 | |
He's put his heart and soul into this design. | 0:44:15 | 0:44:17 | |
One, two, three, go. | 0:44:18 | 0:44:21 | |
And so, in homage, the entire build want to show a little love. | 0:44:21 | 0:44:24 | |
LAUGHTER | 0:44:24 | 0:44:26 | |
I really - I cannot say how touched I am that the entire site | 0:44:26 | 0:44:30 | |
has turned into a temple to me. | 0:44:30 | 0:44:33 | |
Je m'appelle Raquel. | 0:44:33 | 0:44:34 | |
All right, don't build your part, lad. | 0:44:34 | 0:44:37 | |
LAUGHTER | 0:44:37 | 0:44:38 | |
HAMMER BANGS | 0:44:41 | 0:44:42 | |
Laurence and his pointy phase, there - "I want this here, I want that there." | 0:44:44 | 0:44:47 | |
Down, down, down... | 0:44:47 | 0:44:49 | |
Done. Lovely. | 0:44:49 | 0:44:51 | |
It's all coming together. Very colourful. Unusual for us - | 0:44:51 | 0:44:54 | |
we do a lot of grey and green | 0:44:54 | 0:44:55 | |
and this is going to be a very colourful... | 0:44:55 | 0:44:58 | |
HE LAUGHS | 0:44:58 | 0:44:59 | |
He barged me, then? | 0:44:59 | 0:45:00 | |
ALL: Wahey! | 0:45:00 | 0:45:02 | |
'I won't bother getting up, it'll take too long.' | 0:45:02 | 0:45:04 | |
Just nine days ago, we arrived to find a broken family | 0:45:08 | 0:45:11 | |
living on a building site. | 0:45:11 | 0:45:13 | |
I'm trying to slowly chip away. | 0:45:14 | 0:45:17 | |
It just seems to be such a long process to get it done. | 0:45:17 | 0:45:20 | |
She was having to wash plates in the bath, | 0:45:20 | 0:45:22 | |
and...it was just like a derelict campsite. | 0:45:22 | 0:45:25 | |
I think anybody can live like this for a couple of weeks, | 0:45:25 | 0:45:28 | |
but the added problem of having a special needs child as well... | 0:45:28 | 0:45:31 | |
It's making it hard, because my little sister and my mum and dad, | 0:45:32 | 0:45:37 | |
they have to share a room. | 0:45:37 | 0:45:38 | |
Maddie's home had become like a prison. | 0:45:38 | 0:45:41 | |
Worse still, it was damaging her health. | 0:45:41 | 0:45:44 | |
She's really weak, she's got really poor muscle tone at the moment. | 0:45:45 | 0:45:49 | |
She's trapped. She can't get out and do what she needs to do | 0:45:49 | 0:45:53 | |
and that's our fault. | 0:45:53 | 0:45:54 | |
She's just not independent at all. | 0:45:54 | 0:45:56 | |
So she needs us with her all the time. | 0:45:58 | 0:46:01 | |
This family were in crisis - dealing with a serious illness | 0:46:01 | 0:46:05 | |
and living on a construction site. | 0:46:05 | 0:46:08 | |
They were determined to cope alone, | 0:46:08 | 0:46:10 | |
but in doing so, they were being torn apart. | 0:46:10 | 0:46:13 | |
Ready? | 0:46:13 | 0:46:14 | |
It's difficult for all of us - the older kids as well. | 0:46:14 | 0:46:17 | |
They're just left in their bedrooms and getting no family time as well. | 0:46:17 | 0:46:20 | |
I think we just both get on with it. | 0:46:22 | 0:46:23 | |
Why should we complain when it's her who's going through that? | 0:46:23 | 0:46:26 | |
We sent out a DIY SOS | 0:46:26 | 0:46:29 | |
and Bury and the Greater Manchester area responded | 0:46:29 | 0:46:33 | |
and just look at what they've built in just nine days. | 0:46:33 | 0:46:37 | |
At the front, there's a new driveway with wheelchair ramps, | 0:46:38 | 0:46:41 | |
so that Maddie no longer needs to be carried in and out of the house. | 0:46:41 | 0:46:44 | |
Inside, there's a brand-new kitchen with dining area. | 0:46:45 | 0:46:49 | |
This family will no longer have to eat in their bedrooms. | 0:46:49 | 0:46:51 | |
There's also a family lounge, | 0:46:53 | 0:46:55 | |
which means now they can spend time relaxing together. | 0:46:55 | 0:46:58 | |
Laurence has used their favourite sofa as the colour inspiration | 0:46:59 | 0:47:03 | |
and the whole space is bright, with luxurious pinks and purples. | 0:47:03 | 0:47:07 | |
All the doors have been widened and the floors levelled | 0:47:09 | 0:47:12 | |
so that Maddie can move more freely | 0:47:12 | 0:47:14 | |
across the whole of the ground floor. | 0:47:14 | 0:47:15 | |
Across in the extension, there are dramatic changes. | 0:47:17 | 0:47:20 | |
We've created a brand-new room for Mum and Dad. | 0:47:20 | 0:47:23 | |
And a stone's throw down the corridor is Maddie's room, | 0:47:25 | 0:47:28 | |
designed specifically for her, with her needs in mind. | 0:47:28 | 0:47:32 | |
And within easy reach, a superb wet room. | 0:47:33 | 0:47:37 | |
Upstairs, there's no more washing up in the old bathroom. | 0:47:38 | 0:47:41 | |
We've refreshed it and created a spare room. | 0:47:41 | 0:47:44 | |
There's also a fabulous pamper room - | 0:47:44 | 0:47:46 | |
something Michelle and the girls will love. | 0:47:46 | 0:47:48 | |
Mum, Dad and Maddie's old room that doubled as a kitchen, | 0:47:51 | 0:47:54 | |
is now a grown-up bedroom for Anais, | 0:47:54 | 0:47:57 | |
decorated in her favourite colours. | 0:47:57 | 0:47:59 | |
Across the hall, it's the extension | 0:48:02 | 0:48:04 | |
that's undergone the biggest transformation. | 0:48:04 | 0:48:06 | |
Where once there was just a shell, Keelea has her own bathroom, | 0:48:08 | 0:48:12 | |
bedroom and dressing area. | 0:48:12 | 0:48:14 | |
Outside no longer resembles a mud bath. | 0:48:17 | 0:48:20 | |
Instead, there's a cabin-protected Hydropool and decking area, | 0:48:20 | 0:48:24 | |
taking this house from a DIY disaster | 0:48:24 | 0:48:27 | |
to a home where a family can embrace their future together. | 0:48:27 | 0:48:30 | |
If you're ready... | 0:48:36 | 0:48:37 | |
..open your eyes. | 0:48:38 | 0:48:40 | |
-Oh! -Oh, my... | 0:48:40 | 0:48:41 | |
-Not like the same place, at all. -GASPING: Purple! | 0:48:47 | 0:48:51 | |
-It's brilliant, that. -Absolutely amazing. | 0:48:51 | 0:48:54 | |
GASPING: Look at the lights! | 0:48:54 | 0:48:57 | |
Pea's chair's set up there for a family meal - how nice. | 0:48:57 | 0:49:00 | |
-Good, innit? -How nice. How nice. | 0:49:00 | 0:49:02 | |
It's just lovely. It's just perfect. I just couldn't... | 0:49:02 | 0:49:05 | |
-I couldn't have planned it better myself. -No, never. | 0:49:05 | 0:49:08 | |
Also somewhere where the older girls can do some homework, | 0:49:08 | 0:49:11 | |
if they need to, and be part of the family, still. | 0:49:11 | 0:49:14 | |
Come through. | 0:49:14 | 0:49:15 | |
-We kept your sofa, because that was the key thing, obviously. -Yeah. | 0:49:16 | 0:49:19 | |
Oh, it's gorgeous. It's just so nice. | 0:49:19 | 0:49:22 | |
Have a little seat on your lovely sofa. | 0:49:22 | 0:49:24 | |
Everything just rolls through, just matches perfect. | 0:49:24 | 0:49:27 | |
-Really nice. -Perfect. Just can't believe it. | 0:49:27 | 0:49:29 | |
Was it what you were expecting? | 0:49:31 | 0:49:32 | |
No. No, didn't think it'd be this nice. | 0:49:32 | 0:49:36 | |
Thanks very much(!) | 0:49:36 | 0:49:37 | |
LAUGHTER | 0:49:37 | 0:49:39 | |
When we first opened our eyes, it didn't even - | 0:49:40 | 0:49:43 | |
let alone looking like the same house - | 0:49:43 | 0:49:45 | |
didn't even look the same room, the same space. | 0:49:45 | 0:49:48 | |
-Want to see some more, then? -Yeah, fantastic, absolutely. | 0:49:49 | 0:49:52 | |
Happy with just this. | 0:49:52 | 0:49:54 | |
Oh, wow! | 0:49:57 | 0:49:58 | |
All the colours, perfect for her. | 0:49:59 | 0:50:02 | |
You are allowed to hug, by the way. You don't have to stand on ceremony. | 0:50:05 | 0:50:09 | |
I...I'll get emotional, myself. | 0:50:09 | 0:50:11 | |
You all right, love? | 0:50:13 | 0:50:15 | |
-Can't believe it. She'll love it. -She will. | 0:50:16 | 0:50:19 | |
I thought that when we showed you the kitchen and dining room and living room | 0:50:20 | 0:50:25 | |
that you'd be emotional about it there, | 0:50:25 | 0:50:27 | |
-but in fact, this is the room... -Yeah. -Why's that? | 0:50:27 | 0:50:29 | |
Well, this is what it's all about. This is what she needs. | 0:50:30 | 0:50:34 | |
She likes to have sleepovers, but she can't go anywhere else. | 0:50:37 | 0:50:40 | |
-Yeah. -Well, there's a bed on here, so that she can now have sleepovers. | 0:50:40 | 0:50:46 | |
-It's just lovely, isn't it? -It's perfect. -Just lovely. | 0:50:46 | 0:50:49 | |
-Her little face, when she sees this. -She'll be... | 0:50:49 | 0:50:52 | |
She'll be blown away. | 0:50:53 | 0:50:54 | |
The trouble is that, so often, when you think about what she needs, | 0:50:54 | 0:50:58 | |
-you forget that it can look beautiful, too. -Yeah. | 0:50:58 | 0:51:01 | |
This is what she needs, but it's got all the fun built into it | 0:51:01 | 0:51:04 | |
that you would hope any...sort of, perfect little girl's room | 0:51:04 | 0:51:08 | |
-is going to have. -It is, yeah. | 0:51:08 | 0:51:10 | |
So you need a bathroom to go with it, don't you? Obviously. | 0:51:12 | 0:51:15 | |
So, let's go and have a look in here. | 0:51:15 | 0:51:16 | |
-So... -Oh! Gosh! | 0:51:16 | 0:51:19 | |
-Gorgeous! -Yeah. -Love it. | 0:51:19 | 0:51:22 | |
I would say that not everybody would love this, with the colour, but... | 0:51:22 | 0:51:25 | |
I love it. I love it, it's perfect. | 0:51:25 | 0:51:27 | |
-Maddie will love this, as well. -I'd pick it. | 0:51:27 | 0:51:29 | |
-So, happy with what we've done for Maddie's needs? -Yes. | 0:51:29 | 0:51:32 | |
Laurence was very keen that you had somewhere | 0:51:32 | 0:51:36 | |
that felt like a little holiday | 0:51:36 | 0:51:37 | |
every time you went into your bedroom - | 0:51:37 | 0:51:39 | |
somewhere you'd relax and take five minutes to recharge. | 0:51:39 | 0:51:42 | |
SHE GASPS | 0:51:42 | 0:51:43 | |
Oh, it's gorgeous. | 0:51:43 | 0:51:45 | |
-Oh, look - my girls. -Aw, that's nice. | 0:51:45 | 0:51:48 | |
You know, this is like a boutique hotel. | 0:51:48 | 0:51:51 | |
SHE GASPS | 0:51:51 | 0:51:52 | |
(Look!) | 0:51:52 | 0:51:53 | |
This is a specific type of French painting | 0:51:53 | 0:51:56 | |
where you paint on the back of glass, | 0:51:56 | 0:51:58 | |
and again, an original that Laurence did for you himself. | 0:51:58 | 0:52:02 | |
I love it. I just love it. | 0:52:02 | 0:52:05 | |
-We could never have done it, could we? -Never in a million years. | 0:52:05 | 0:52:08 | |
Now, we can just concentrate on the family. | 0:52:08 | 0:52:11 | |
-Just doing nice things together, as a family. -Which we used to do. | 0:52:11 | 0:52:15 | |
Yeah, which we used to do a few years ago, but... | 0:52:15 | 0:52:19 | |
Well, things changed. Her needs changed. | 0:52:19 | 0:52:22 | |
So you have to adapt to that. | 0:52:22 | 0:52:24 | |
At least, now, you won't have to work all weekend on the house | 0:52:24 | 0:52:28 | |
and every night. | 0:52:28 | 0:52:29 | |
-We can just spend time together. -Amazing. Yeah. | 0:52:30 | 0:52:33 | |
That's what we wanted to do. | 0:52:33 | 0:52:35 | |
That's what all the people in the area wanted to do. | 0:52:35 | 0:52:37 | |
Right, we haven't finished, yet, | 0:52:37 | 0:52:38 | |
cos we've only shown you the ground floor. | 0:52:38 | 0:52:41 | |
'And upstairs is just as impressive. | 0:52:41 | 0:52:43 | |
'Finally, the older girls get the space they deserve.' | 0:52:43 | 0:52:47 | |
Aw, little Anais will love it, won't she? | 0:52:47 | 0:52:50 | |
-So, she's grown up, hasn't she? -It's a very grown-up room for her. | 0:52:50 | 0:52:53 | |
I think she'll feel that as well. | 0:52:53 | 0:52:55 | |
She's the one, really, that's not had friends... | 0:52:55 | 0:52:57 | |
I think she will really, really appreciate a nice bedroom. | 0:52:57 | 0:53:01 | |
So, we've got Keelea to look after as well, | 0:53:01 | 0:53:03 | |
-who, again, has been through a lot, hasn't she? -Yeah. | 0:53:03 | 0:53:06 | |
So we wanted something properly grown up... | 0:53:06 | 0:53:08 | |
I'll stop talking about it. Why don't we have a look? | 0:53:08 | 0:53:10 | |
-Oh! -Wow! -Wow... | 0:53:10 | 0:53:13 | |
Yeah - so, welcome to the first area, the dressing room. | 0:53:14 | 0:53:17 | |
ROD LAUGHS Gosh! | 0:53:17 | 0:53:19 | |
Nice, having a dressing room, when you're a young lady, | 0:53:20 | 0:53:22 | |
an area where you can prepare yourself. | 0:53:22 | 0:53:24 | |
-It's very Keelea. -Is it? -Yeah. | 0:53:24 | 0:53:26 | |
Oh! | 0:53:26 | 0:53:28 | |
Yeah, and they have missed out, the last few years. | 0:53:30 | 0:53:32 | |
This is going to more than make up for it. | 0:53:32 | 0:53:34 | |
We're OK. We can cope with it. | 0:53:34 | 0:53:37 | |
It's just the other two girls... | 0:53:37 | 0:53:39 | |
SHE SNIFFS | 0:53:39 | 0:53:41 | |
You know, they've had to cope with it, | 0:53:41 | 0:53:43 | |
with everything that we've gone through. | 0:53:43 | 0:53:45 | |
So, at least now... | 0:53:47 | 0:53:48 | |
..we can say, "You can have somewhere nice." | 0:53:50 | 0:53:53 | |
Get to join in the fun, now. | 0:53:53 | 0:53:56 | |
-You get to show the girls. -Yeah. | 0:53:56 | 0:53:57 | |
What do you think? | 0:54:05 | 0:54:06 | |
What can you see on the wallpaper? | 0:54:06 | 0:54:09 | |
-Mermaids. -Mermaids. And what's this? | 0:54:09 | 0:54:12 | |
-My bed. -Your new bed. You like it? -Big girl's bedroom now, Pea. | 0:54:12 | 0:54:18 | |
-You're a big girl, now. -Your own room. | 0:54:18 | 0:54:21 | |
-Which bit do you like best? -All of it. -You like all of it. | 0:54:21 | 0:54:24 | |
Is this just how you imagined it, little Mads? | 0:54:26 | 0:54:28 | |
-Yeah? -Yeah. -Do you love it? | 0:54:29 | 0:54:32 | |
Oh, my gosh! | 0:54:41 | 0:54:42 | |
-This is really nice. -Like the colours? -Yeah. | 0:54:47 | 0:54:50 | |
You've spent a year in the box room, haven't you? | 0:54:50 | 0:54:53 | |
Not really much of a bed. | 0:54:53 | 0:54:55 | |
So now you can have your friends round, can't you? | 0:54:55 | 0:54:57 | |
-You deserve it, don't you? -Mm-hm! | 0:54:57 | 0:54:59 | |
Of your friends, who's got the coolest room now? | 0:54:59 | 0:55:02 | |
-Me. -Honestly? | 0:55:02 | 0:55:04 | |
-It's that good, is it? -Yeah. | 0:55:04 | 0:55:06 | |
KEELEA LAUGHS | 0:55:10 | 0:55:12 | |
-Oh, my goodness - it's just so nice. -It's amazing, isn't it? | 0:55:13 | 0:55:17 | |
Just, I wanted you... | 0:55:17 | 0:55:19 | |
This is - I'm happy that you've got your room, | 0:55:19 | 0:55:21 | |
because...it's been quite hard, hasn't it? | 0:55:21 | 0:55:24 | |
TEARFULLY: Yeah, we've had a hard few years, haven't we? | 0:55:29 | 0:55:32 | |
We don't have to worry about the house, now, do we? | 0:55:36 | 0:55:38 | |
At least we can spend time together now, can't we? | 0:55:38 | 0:55:41 | |
-Did we do OK in here? -Yeah. | 0:55:49 | 0:55:50 | |
-Thank you so much. -That's fine. You likely to be moving out, soon? | 0:55:50 | 0:55:54 | |
No. | 0:55:55 | 0:55:56 | |
LAUGHTER | 0:55:56 | 0:55:58 | |
We didn't think so. | 0:55:58 | 0:55:59 | |
-Happy with it all? Decent house? -Amazing. | 0:55:59 | 0:56:02 | |
OK, that's everything. | 0:56:02 | 0:56:03 | |
Well, it's not quite everything. | 0:56:03 | 0:56:04 | |
We've done a little bit more out the back. | 0:56:04 | 0:56:06 | |
Out you come. You can look up. | 0:56:07 | 0:56:09 | |
GASPING | 0:56:11 | 0:56:13 | |
Oh! | 0:56:13 | 0:56:14 | |
-KEELEA, GASPING: -Oh, my God! | 0:56:14 | 0:56:16 | |
This all-weather grass, artificial grass. | 0:56:16 | 0:56:19 | |
Really good one, actually - it's a soft play area. | 0:56:19 | 0:56:21 | |
Then obviously, we wanted the decking, | 0:56:21 | 0:56:23 | |
so that if need to be in a wheelchair, or anything, | 0:56:23 | 0:56:25 | |
you can go down the side of the building | 0:56:25 | 0:56:27 | |
and get over to what we're calling the hobbit house. | 0:56:27 | 0:56:29 | |
It's actually got a much posher name than that. | 0:56:29 | 0:56:31 | |
Oh, my gosh! | 0:56:31 | 0:56:33 | |
Oh! | 0:56:33 | 0:56:35 | |
Wow - this is just, like, the best thing. | 0:56:35 | 0:56:39 | |
It's unbelievable, isn't it? | 0:56:40 | 0:56:42 | |
Would it be OK if we introduced you | 0:56:42 | 0:56:43 | |
to some of the people - they can't all be here - | 0:56:43 | 0:56:46 | |
that have made this happen over the last nine days? | 0:56:46 | 0:56:48 | |
-Come and say a few words to them? -Yeah. | 0:56:48 | 0:56:50 | |
Yeah? Don't be frightened - they might not look much, | 0:56:50 | 0:56:53 | |
but they're the loveliest people. | 0:56:53 | 0:56:55 | |
Yeah, they truly are. | 0:56:55 | 0:56:57 | |
Here we go. Out you go. | 0:56:57 | 0:56:59 | |
APPLAUSE | 0:57:00 | 0:57:03 | |
SPEECH DROWNED OUT BY APPLAUSE | 0:57:04 | 0:57:06 | |
This kind of thing doesn't happen every day, does it? | 0:57:08 | 0:57:10 | |
No - it's just amazing. | 0:57:10 | 0:57:12 | |
I'm just really overwhelmed. It's just perfect. | 0:57:13 | 0:57:16 | |
It's an incredible transformation, it really is. | 0:57:16 | 0:57:18 | |
Thank you so much for all your efforts. | 0:57:18 | 0:57:21 | |
I'm totally humbled by the whole experience. | 0:57:21 | 0:57:23 | |
I felt like I should be here myself, digging deep. | 0:57:23 | 0:57:26 | |
We'll benefit from it so much, so, so much. | 0:57:26 | 0:57:29 | |
It's...it's a miracle. It's a modern-day miracle. | 0:57:29 | 0:57:32 | |
Go and say hello - come down, here you go. | 0:57:32 | 0:57:34 | |
-Oh, thank you, Laurence, thank you. -Such a pleasure. | 0:57:34 | 0:57:37 | |
This family decided they're going to be strong and determined | 0:57:41 | 0:57:44 | |
and just get through. | 0:57:44 | 0:57:46 | |
But that decision has put a shell up. | 0:57:46 | 0:57:47 | |
You can't blame them, but it removed them, slightly, | 0:57:47 | 0:57:50 | |
from the community around them - a community that was only too happy | 0:57:50 | 0:57:53 | |
to come and help when we asked them. | 0:57:53 | 0:57:55 | |
And now, they have a new home and a new future. | 0:57:55 | 0:57:58 | |
Genuinely, it's that important - | 0:57:58 | 0:58:00 | |
they can spend time together now, comfortably, as a family. | 0:58:00 | 0:58:03 | |
The girls can invite their friends round. | 0:58:03 | 0:58:05 | |
Maddie can have sleepovers | 0:58:05 | 0:58:07 | |
and she has all the medical needs without it looking medical. | 0:58:07 | 0:58:10 | |
The future's much brighter because of what these people have done. | 0:58:10 | 0:58:14 | |
Maybe you know somebody who could do with some help. | 0:58:14 | 0:58:17 |