Browse content similar to The Big Build - Epsom. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Ben and Sam Laws are a couple who have dedicated their working lives | 0:00:02 | 0:00:05 | |
to others, without asking for anything back. | 0:00:05 | 0:00:08 | |
I really like helping people, I really get a buzz out of it | 0:00:08 | 0:00:11 | |
and I really don't like it when people help me - I'm terrible. | 0:00:11 | 0:00:15 | |
At work, they're paramedics, out saving lives, | 0:00:15 | 0:00:18 | |
but at home the caring doesn't stop. | 0:00:18 | 0:00:21 | |
No-one ever thinks they're going to end up with a disabled child, | 0:00:22 | 0:00:26 | |
it's just not what you think, | 0:00:26 | 0:00:28 | |
and then you've just got to deal with that. | 0:00:28 | 0:00:31 | |
For years they've battled on without complaint to provide a loving home | 0:00:31 | 0:00:34 | |
for their children, but in a house totally unsuitable for their needs. | 0:00:34 | 0:00:39 | |
With everything that they've faced, you know, | 0:00:39 | 0:00:41 | |
they can't let Ewan and Olivia see...see their troubles, | 0:00:41 | 0:00:45 | |
see their struggles, and it's always tears behind closed doors. | 0:00:45 | 0:00:48 | |
I think sometimes it's easier to pretend there's not a problem, | 0:00:48 | 0:00:51 | |
or that you are coping and that this is just the way life is. | 0:00:51 | 0:00:56 | |
Well, life shouldn't be like that for ANY family. | 0:00:56 | 0:00:59 | |
And with a bit of help from the trades... | 0:00:59 | 0:01:02 | |
-Are you happy? -I'm very happy, mate. | 0:01:02 | 0:01:04 | |
..we're going to build them a house fit for a family of heroes. | 0:01:04 | 0:01:07 | |
They're local paramedics, I'm pretty sure they've probably helped me out | 0:01:07 | 0:01:11 | |
at some point, peeling me off the street somewhere, | 0:01:11 | 0:01:13 | |
so I thought, yeah, you know, it would be good to help out. | 0:01:13 | 0:01:16 | |
DIY... SOS. | 0:01:16 | 0:01:19 | |
C'mon, boys. | 0:01:19 | 0:01:20 | |
We have just nine days to pull off this important build. | 0:01:20 | 0:01:22 | |
What we need is an army of helpers, | 0:01:22 | 0:01:24 | |
good-looking ones, like these people here. | 0:01:24 | 0:01:26 | |
-Aren't you all gorgeous? -ALL: -Yes! | 0:01:26 | 0:01:29 | |
This is DIY SOS: The Big Build! | 0:01:29 | 0:01:31 | |
Ben and Sam Laws both work as paramedics | 0:01:41 | 0:01:44 | |
for the London Ambulance Service. | 0:01:44 | 0:01:46 | |
It's kind of a privilege to be in people's lives and... | 0:01:47 | 0:01:50 | |
there's this kind of acceptance that they just trust you implicitly. | 0:01:50 | 0:01:53 | |
You obviously call 999 because you're at your wits' end | 0:01:53 | 0:01:56 | |
with something, and being able to turn it around for somebody | 0:01:56 | 0:02:00 | |
is so amazing. | 0:02:00 | 0:02:02 | |
It's long hours and it can be quite draining emotionally, | 0:02:02 | 0:02:05 | |
but it is very rewarding. | 0:02:05 | 0:02:07 | |
As everyday heroes, | 0:02:07 | 0:02:08 | |
the couple are used to dealing with life-changing events | 0:02:08 | 0:02:11 | |
on a daily basis. | 0:02:11 | 0:02:12 | |
On the front line, we see everything, | 0:02:12 | 0:02:14 | |
so from delivering babies to traumatic event - a car crash | 0:02:14 | 0:02:18 | |
or someone falling from a height - to, er, to sick children. | 0:02:18 | 0:02:22 | |
It makes you more grounded as a person, | 0:02:22 | 0:02:24 | |
how you deal with things that affect you. | 0:02:24 | 0:02:27 | |
Ben and Sam met at work and married in 2007, | 0:02:27 | 0:02:29 | |
and with baby daughter Olivia in tow, | 0:02:29 | 0:02:32 | |
family life was bundling along nicely. | 0:02:32 | 0:02:34 | |
So nicely, in fact, that soon they were expecting a second child. | 0:02:34 | 0:02:38 | |
Yes, little Olivia was going to have a little brother, | 0:02:38 | 0:02:42 | |
but when he was born, | 0:02:42 | 0:02:43 | |
it became apparent things were not as they should be. | 0:02:43 | 0:02:46 | |
So Ewan was born at 31 weeks, | 0:02:48 | 0:02:50 | |
and at three weeks old | 0:02:50 | 0:02:52 | |
they did a brain scan and found the damaged brain matter. | 0:02:52 | 0:02:55 | |
They said to us, "Ewan's got a catastrophic brain injury. | 0:02:55 | 0:03:01 | |
"He's going to be disabled for the rest of his life. | 0:03:01 | 0:03:04 | |
"Your marriage will probably break down and... | 0:03:04 | 0:03:07 | |
"and it's going to be the hardest thing you've ever done." | 0:03:07 | 0:03:11 | |
Ewan was diagnosed with quadriplegic cerebral palsy, | 0:03:11 | 0:03:15 | |
which drastically limits all his movements, speech and development. | 0:03:15 | 0:03:19 | |
I remember just feeling like I was going to fall off the chair. | 0:03:19 | 0:03:22 | |
I just couldn't take it all in, | 0:03:22 | 0:03:24 | |
and then when I went over to his cot I didn't know whether to pick him up | 0:03:24 | 0:03:27 | |
and hug him or...just walk away - I just didn't know what to feel. | 0:03:27 | 0:03:32 | |
As a parent, you just want to hug your kids and protect them, | 0:03:33 | 0:03:36 | |
and we couldn't. And even doing what we do at work, | 0:03:36 | 0:03:40 | |
it wasn't any easier... | 0:03:40 | 0:03:42 | |
I think it was worse in a way, wasn't it? | 0:03:42 | 0:03:44 | |
I think we just realised early on what it was... | 0:03:44 | 0:03:47 | |
what was ahead of us. | 0:03:47 | 0:03:49 | |
Even though they understood the challenges ahead, | 0:03:49 | 0:03:52 | |
problems started just weeks after Ewan came home. | 0:03:52 | 0:03:56 | |
He was having apnoea, so he kept stopping breathing at home | 0:03:56 | 0:03:59 | |
and the retrieval team came, | 0:03:59 | 0:04:01 | |
took him up to St Thomas' Hospital in London. | 0:04:01 | 0:04:04 | |
As Ewan's condition got worse, he was put on life support, | 0:04:04 | 0:04:08 | |
and Ben and Sam faced the hardest decision they've ever had to take. | 0:04:08 | 0:04:12 | |
They told us there that his injury was so severe | 0:04:12 | 0:04:16 | |
that we should consider literally turning the switch off | 0:04:16 | 0:04:20 | |
and saying goodbye, and, um, that's what we were going to have to do. | 0:04:20 | 0:04:26 | |
And they did one last brain scan | 0:04:26 | 0:04:27 | |
and it wasn't quite what they thought it was going to be | 0:04:27 | 0:04:30 | |
and they told us he might have some cognitive function, | 0:04:30 | 0:04:33 | |
so they couldn't ethically turn the machine off. | 0:04:33 | 0:04:35 | |
I couldn't work out how to feel, I didn't... | 0:04:35 | 0:04:37 | |
let alone how to kind of manage my feelings. It was, it was hard. | 0:04:37 | 0:04:43 | |
Ewan survived his brush with death | 0:04:45 | 0:04:47 | |
and today he's a bright and happy six-year-old. | 0:04:47 | 0:04:50 | |
-Ready? -Yes. -High fives. | 0:04:52 | 0:04:54 | |
He loves watching sport on the telly. | 0:04:54 | 0:04:56 | |
Who is playing? | 0:04:56 | 0:04:58 | |
England versus Wales. Who do you want to win? | 0:04:58 | 0:05:01 | |
-England. -Oh, OK. | 0:05:01 | 0:05:03 | |
And he regularly joins Dad, who takes part in triathlons | 0:05:03 | 0:05:08 | |
and Ironman challenges to raise money to help Ewan. | 0:05:08 | 0:05:11 | |
Go on, Dad! | 0:05:11 | 0:05:13 | |
But Ewan's life expectancy is reduced | 0:05:13 | 0:05:16 | |
and he faces a lifetime of doctors' appointments. | 0:05:16 | 0:05:19 | |
'I think we worked out that, since he was born,' | 0:05:19 | 0:05:23 | |
he's had 363 days' worth of appointments in six years. | 0:05:23 | 0:05:27 | |
And, of course, all this rubs off on big sister Olivia. | 0:05:27 | 0:05:31 | |
I feel rotten for Olivia sometimes. | 0:05:31 | 0:05:34 | |
It's nobody's fault, really, | 0:05:34 | 0:05:35 | |
it's just the way that it is, it's just really hard | 0:05:35 | 0:05:37 | |
when you've got to do so much for Ewan to spend the time with her. | 0:05:37 | 0:05:42 | |
Is it nice, Ewan? | 0:05:42 | 0:05:43 | |
Yeah. | 0:05:43 | 0:05:45 | |
She's always known him to be disabled | 0:05:45 | 0:05:47 | |
and he can't run around, he can't sit up on his own, | 0:05:47 | 0:05:50 | |
he can't crawl, he can't hold anything, | 0:05:50 | 0:05:53 | |
so to her it's almost normal. | 0:05:53 | 0:05:55 | |
Family life has become a team effort, | 0:05:55 | 0:05:57 | |
but made so much harder by living in a place | 0:05:57 | 0:06:00 | |
that falls woefully short of fulfilling their needs. | 0:06:00 | 0:06:04 | |
I can't wait to see the rugby. | 0:06:04 | 0:06:07 | |
It isn't conducive to having a child who can't walk - | 0:06:08 | 0:06:11 | |
he's got no mobility at all. | 0:06:11 | 0:06:14 | |
Ewan likes to spend a lot of time in that front room. | 0:06:14 | 0:06:17 | |
Every time I leave the room, he starts shouting at me. | 0:06:17 | 0:06:20 | |
-Mummy! -He just wants me to be there with him. | 0:06:20 | 0:06:23 | |
He really makes me feel imprisoned, it's horrible. | 0:06:23 | 0:06:26 | |
Because he can't do anything on his own, | 0:06:26 | 0:06:28 | |
he needs that kind of constant reassurance that we're there, | 0:06:28 | 0:06:31 | |
and visually he hasn't got that, because of the walls. | 0:06:31 | 0:06:34 | |
It's not just the house, | 0:06:34 | 0:06:36 | |
the good-sized garden COULD be an escape, | 0:06:36 | 0:06:38 | |
but with no wheelchair access, | 0:06:38 | 0:06:40 | |
this outdoor space may as well not be here for Ewan. | 0:06:40 | 0:06:43 | |
We should be out here more, you always feel better, don't you, | 0:06:43 | 0:06:46 | |
when you go out? | 0:06:46 | 0:06:48 | |
Just experience...the outdoors and the elements and nature. | 0:06:48 | 0:06:53 | |
Ready? Let's go upstairs. | 0:06:54 | 0:06:56 | |
Night. | 0:06:56 | 0:06:58 | |
Now, any parent will tell you bedtime can be hard work. | 0:06:58 | 0:07:01 | |
With Ewan, it's a herculean effort. | 0:07:01 | 0:07:03 | |
I think we're getting to that point with Ewan where he's too heavy, | 0:07:03 | 0:07:07 | |
it's not going to be possible to just keep lugging him | 0:07:07 | 0:07:09 | |
around all the time. | 0:07:09 | 0:07:11 | |
And to reassure him at night, Ewan sleeps in with Sam or Ben. | 0:07:11 | 0:07:15 | |
What do we do when we go to bed? | 0:07:15 | 0:07:17 | |
Mummy gets in with you. | 0:07:18 | 0:07:20 | |
'So Ewan sleeps in the double bed and one of us sleeps in with him.' | 0:07:22 | 0:07:27 | |
And what have you done today? Where have you been? | 0:07:27 | 0:07:29 | |
And the other one sleeps in the single bed on their own. | 0:07:29 | 0:07:33 | |
The last time we did share a bed was probably six years ago. | 0:07:33 | 0:07:36 | |
That's not right, is it? | 0:07:36 | 0:07:37 | |
Along with the demands of juggling night shifts | 0:07:37 | 0:07:40 | |
and full-time care of a severely disabled little boy, | 0:07:40 | 0:07:43 | |
they barely function on a few hours' sleep a night. | 0:07:43 | 0:07:47 | |
I don't think people truly understand, when you... | 0:07:47 | 0:07:49 | |
If you say to a friend that you've had a bad day... | 0:07:49 | 0:07:52 | |
A bad day to one of my friends who don't have a child with special needs | 0:07:52 | 0:07:56 | |
isn't a bad day in my book - that's a day | 0:07:56 | 0:07:59 | |
I can only dream of. And having a bad day here with Ewan is bad. | 0:07:59 | 0:08:05 | |
I just... There has to be more to life than what we have now. | 0:08:05 | 0:08:10 | |
So what is it you need this house to do | 0:08:12 | 0:08:15 | |
that it's not doing at the moment? | 0:08:15 | 0:08:17 | |
Make Ewan a downstairs bedroom to help them, | 0:08:17 | 0:08:19 | |
so that Mum and Dad don't have to keep carrying him upstairs. | 0:08:19 | 0:08:23 | |
OK, all right, that's fairly important. Anything else? | 0:08:23 | 0:08:26 | |
It is a house and not a home for us. | 0:08:26 | 0:08:27 | |
I wanted to find out a little bit more about you | 0:08:27 | 0:08:30 | |
because you like your sport. Have you been watching the Olympics? | 0:08:30 | 0:08:34 | |
-Yes. -Yeah? Who is your favourite athlete? | 0:08:34 | 0:08:38 | |
Um... | 0:08:38 | 0:08:39 | |
-The German... -Any of the family German? -No. -No? | 0:08:41 | 0:08:45 | |
In the Olympics, he just started going, "C'mon, Germany!" | 0:08:45 | 0:08:50 | |
He was going, "England, England!" | 0:08:50 | 0:08:52 | |
And then he suddenly went, "Germany! Germany!" all the way through it. | 0:08:52 | 0:08:55 | |
Somebody told me that you want to be an architect? Is that right? | 0:08:55 | 0:08:58 | |
-What sort of things do you want to design then? -Disabled houses. | 0:08:58 | 0:09:02 | |
Oh, do you? That would be quite handy. | 0:09:02 | 0:09:04 | |
Olivia very kindly wants to design a house for us all to live in, | 0:09:04 | 0:09:08 | |
especially for Ewan, which is so sweet. | 0:09:08 | 0:09:11 | |
So you're both paramedics - as people who cope | 0:09:11 | 0:09:13 | |
and deal with things every day, how do you feel about the fact | 0:09:13 | 0:09:16 | |
that, um, that people have sort of put you forward for this...? | 0:09:16 | 0:09:19 | |
I should imagine it doesn't come easy to you? | 0:09:19 | 0:09:22 | |
I think people who are helpers, though, | 0:09:22 | 0:09:24 | |
aren't generally very good at accepting it themselves, are they? | 0:09:24 | 0:09:27 | |
Well, they better start getting used to the idea | 0:09:27 | 0:09:29 | |
because, outside, a small army has started to form. | 0:09:29 | 0:09:33 | |
We might need a few more yet, though. | 0:09:33 | 0:09:35 | |
Let's get them outside and meet who is here. | 0:09:35 | 0:09:37 | |
No matter how many there are, | 0:09:37 | 0:09:39 | |
we have a job to do. We need to get the family away. | 0:09:39 | 0:09:41 | |
Here we go! And some of the builders | 0:09:41 | 0:09:42 | |
-who've turned up to help. -Hi, guys. -Hi! | 0:09:42 | 0:09:45 | |
Morning, everybody. I can see happy, smiley faces - most of them! | 0:09:45 | 0:09:48 | |
Most of them! | 0:09:48 | 0:09:49 | |
So this is the family. They're a bit weirded-out because | 0:09:49 | 0:09:52 | |
they're paramedics so they spend most of their lives scraping | 0:09:52 | 0:09:54 | |
the likes of you and me off the street and putting us back together, | 0:09:54 | 0:09:57 | |
and are finding it a bit weird that people are helping them this time. | 0:09:57 | 0:10:00 | |
-That's true to say, isn't it? -Very strange, yeah. | 0:10:00 | 0:10:02 | |
So, listen, we'll get you off so we can get started. | 0:10:02 | 0:10:04 | |
-Cool. -And start making a mess of your house, if that's all right. | 0:10:04 | 0:10:07 | |
-See you, guys! -Bye, Ewan. | 0:10:07 | 0:10:10 | |
'So, as the family get set for nine days away, | 0:10:10 | 0:10:13 | |
'we get set for battle with one totally inadequate house.' | 0:10:13 | 0:10:16 | |
We're still going to need a big army, though - | 0:10:16 | 0:10:19 | |
hence the totally vacant expression. | 0:10:19 | 0:10:21 | |
Well, it's a bit of a disaster, isn't it? | 0:10:21 | 0:10:24 | |
-We've got to... -This is a disaster. | 0:10:24 | 0:10:26 | |
It's the first time we've been caught like this, isn't it? | 0:10:26 | 0:10:29 | |
First time in the history of doing the Big Build that I can remember | 0:10:29 | 0:10:32 | |
that we've had some 19 people turn up on the first day - | 0:10:32 | 0:10:35 | |
we normally expect somewhere between 65 and 85 people on the first day. | 0:10:35 | 0:10:38 | |
We've got to reconfigure the whole house, we've got the garden to do, | 0:10:38 | 0:10:40 | |
we've got to put a new driveway in. | 0:10:40 | 0:10:42 | |
-There's no way we can complete this job in 8 days with 19 people. -No. | 0:10:42 | 0:10:45 | |
He always makes me feel better, | 0:10:45 | 0:10:46 | |
but this is DIY SOS, and in trades we trust. | 0:10:46 | 0:10:49 | |
In the next hour or so, they come in. | 0:10:49 | 0:10:51 | |
So we've got these electricians... | 0:10:51 | 0:10:53 | |
We've got a few boys going to come over and give you a hand | 0:10:53 | 0:10:56 | |
-with some plastering and other bits you need. -Thank you very much. | 0:10:56 | 0:10:59 | |
The main objective today is we've got to remove all | 0:10:59 | 0:11:02 | |
the walls on the ground floor of the property, so we have to hit it hard. | 0:11:02 | 0:11:05 | |
Thank you very much for joining us and, um, so glad to see you. | 0:11:05 | 0:11:09 | |
I'd like to kiss yous all but... | 0:11:09 | 0:11:11 | |
Fancy a kiss, boys? | 0:11:11 | 0:11:13 | |
-All right to go in? -Go for it. -Obviously not. | 0:11:13 | 0:11:15 | |
That's what happens on these jobs all the time - you think, | 0:11:15 | 0:11:18 | |
"It's not happening, we haven't got the people here," | 0:11:18 | 0:11:20 | |
they start coming in, they start coming in, | 0:11:20 | 0:11:24 | |
and we're going to build a house! | 0:11:24 | 0:11:26 | |
It may have been a false start, | 0:11:26 | 0:11:28 | |
but, inside, the old walls are coming down | 0:11:28 | 0:11:30 | |
and, outside, a load of new walls have arrived | 0:11:30 | 0:11:32 | |
for a timber-frame extension. | 0:11:32 | 0:11:34 | |
It's funny how you can get a building delivered | 0:11:34 | 0:11:36 | |
on a back of a lorry, innit? | 0:11:36 | 0:11:38 | |
It's like sort of giant Jenga with a building. | 0:11:38 | 0:11:42 | |
So who's gaffer on the timber frame? | 0:11:42 | 0:11:43 | |
-I am. -You are. Where's piece number one? | 0:11:43 | 0:11:46 | |
Piece number one, erm, don't know yet. | 0:11:46 | 0:11:51 | |
-At the bottom. -Probably, I don't know! | 0:11:53 | 0:11:55 | |
That's a bit worrying, isn't it? If they can sort it out, | 0:11:55 | 0:11:58 | |
this pre-made timber frame could help us make up a bit of lost time. | 0:11:58 | 0:12:02 | |
And Jules is trying his best too, bless him. | 0:12:02 | 0:12:06 | |
All right there? You're looking a little bit puffed. | 0:12:06 | 0:12:08 | |
Not the man I used to be. | 0:12:08 | 0:12:10 | |
-Who is? -I've not thought about... I'm waiting to meet him. | 0:12:10 | 0:12:14 | |
Yeah. There's boys behind you stood waiting to take over in a shift, | 0:12:14 | 0:12:17 | |
don't take it all on yourself. | 0:12:17 | 0:12:19 | |
Here you go, look. | 0:12:19 | 0:12:22 | |
-Medic! -I'm going to take him... | 0:12:22 | 0:12:26 | |
See, there was a day when he'd do that all on his own, | 0:12:30 | 0:12:32 | |
stand there all day - not any more. | 0:12:32 | 0:12:34 | |
Old and knackered, see? If he was a farm animal we'd be putting him down | 0:12:34 | 0:12:38 | |
about now, put him out of his misery. | 0:12:38 | 0:12:41 | |
So why are we taking out all these walls? | 0:12:41 | 0:12:44 | |
The one with the answers, we hope, will be nature boy himself, | 0:12:44 | 0:12:47 | |
the aptly named herald of hope, health and harmony - Oliver Heath. | 0:12:47 | 0:12:52 | |
And knowing Oliver he'll probably have some long-winded | 0:12:52 | 0:12:55 | |
kind of theme up his sleeve. | 0:12:55 | 0:12:56 | |
We're thinking circadian rhythms, nature...nature...nature... | 0:12:56 | 0:12:59 | |
De-stress to create happier, healthier spaces to live in. | 0:12:59 | 0:13:03 | |
'Brace yourselves.' What about nature, Oliver? | 0:13:03 | 0:13:06 | |
Well, that's the thing, how do you get a sense of nature | 0:13:06 | 0:13:11 | |
into the house? And Sam said that's really, really important to her, | 0:13:11 | 0:13:15 | |
and she's described this house as a virtual prison for her. | 0:13:15 | 0:13:18 | |
I think what we need to do is bring the outside in. | 0:13:18 | 0:13:20 | |
No! I hate that expression so much because actually... | 0:13:20 | 0:13:24 | |
What do you mean? You used it on the last job, you said to me! | 0:13:24 | 0:13:27 | |
No, no, no, YOU used that expression. | 0:13:27 | 0:13:29 | |
No, no, in the description I told you we were going to use biophilia, | 0:13:29 | 0:13:33 | |
and you said, "Bringing the outside in," | 0:13:33 | 0:13:35 | |
and it's not that - it's a whole lot more than that. | 0:13:35 | 0:13:37 | |
So what you're going to do is get some reclaimed timber | 0:13:37 | 0:13:39 | |
-and make a wall of it? -That's exactly what we're going to do. | 0:13:39 | 0:13:43 | |
And then here in the middle, as a real centre point for this room | 0:13:43 | 0:13:46 | |
and the other one, is an open fireplace | 0:13:46 | 0:13:48 | |
that connects the two spaces. | 0:13:48 | 0:13:50 | |
-Like a pub. -A bit like a pub, | 0:13:50 | 0:13:53 | |
or like a room with a fireplace that's open on both sides. | 0:13:53 | 0:13:56 | |
Just a room, and not necessarily just a pub. | 0:13:56 | 0:14:00 | |
But that's where you see them, innit, when you walk round | 0:14:00 | 0:14:02 | |
and on one side there's a chimney with an open side | 0:14:02 | 0:14:04 | |
on both sides, it's a pub. | 0:14:04 | 0:14:06 | |
You see them in nicely designed Scandinavian homes quite a lot. | 0:14:06 | 0:14:09 | |
Yeah, that too, but mostly in the pub. | 0:14:09 | 0:14:11 | |
Maybe it's a bit like a pub, OK. | 0:14:11 | 0:14:13 | |
'So what will Oliver's Nordic-style house with a pub fireplace | 0:14:13 | 0:14:17 | |
'look like?' | 0:14:17 | 0:14:18 | |
Well, removing most of the downstairs walls will leave | 0:14:18 | 0:14:22 | |
an open-plan kitchen/diner | 0:14:22 | 0:14:23 | |
and a living area around a double-sided fireplace, | 0:14:23 | 0:14:26 | |
providing better access, sightlines and light, | 0:14:26 | 0:14:29 | |
and banish any sense of imprisonment. | 0:14:29 | 0:14:32 | |
Replacing the garage with a downstairs bedroom | 0:14:32 | 0:14:35 | |
and wet room for Ewan, he'll be able to sleep without Mum or Dad | 0:14:35 | 0:14:38 | |
for the first time in six years. | 0:14:38 | 0:14:39 | |
Upstairs Ben and Sam will be reunited | 0:14:39 | 0:14:42 | |
with their own brand-new bedroom, | 0:14:42 | 0:14:43 | |
and the old boxroom will become a valuable quiet study. | 0:14:43 | 0:14:46 | |
And the well-deserving Olivia will get a bedroom | 0:14:46 | 0:14:50 | |
fit for an aspiring young architect. | 0:14:50 | 0:14:54 | |
Outside is equally important for the family, | 0:14:54 | 0:14:56 | |
where Oliver has designed a whole new living space. | 0:14:56 | 0:14:58 | |
Under a covered deck will be | 0:14:58 | 0:15:00 | |
an outdoor kitchen with a sink and cooking area. | 0:15:00 | 0:15:02 | |
A ramp for Ewan will lead down to a flat play area | 0:15:02 | 0:15:05 | |
with level access to the lawn, and the old shed will be moved across | 0:15:05 | 0:15:09 | |
and remodelled to create a garden room, where the kids can hang out. | 0:15:09 | 0:15:13 | |
All we have to do is shift it. | 0:15:14 | 0:15:16 | |
What's your current plan for lifting this and moving it over there? | 0:15:16 | 0:15:19 | |
We get loads of guys to pick it up and just move it. | 0:15:19 | 0:15:23 | |
-LAUGHTER -What did you just say?! | 0:15:23 | 0:15:26 | |
-Get loads of guys to lift it, carry it over...?! -Come here, come here. | 0:15:26 | 0:15:30 | |
Actually, we've got a plan, haven't we, what did you say? | 0:15:30 | 0:15:33 | |
Hold on, hold on, I just mentioned something a minute ago. | 0:15:33 | 0:15:36 | |
No, you mentioned a really good plan - a lift. | 0:15:36 | 0:15:38 | |
I'd like you to get down that side of the shed, | 0:15:38 | 0:15:40 | |
show us how you get down that side of the shed to lift it. | 0:15:40 | 0:15:42 | |
We're going to jack it up, | 0:15:42 | 0:15:43 | |
put, like, rollers underneath it and push it. | 0:15:43 | 0:15:47 | |
Like Stonehenge. | 0:15:47 | 0:15:49 | |
-Have you never been to Stonehenge? -Like Stonehenge? | 0:15:49 | 0:15:51 | |
-Yeah, that was all moved on rollers, wasn't it? -Apparently! | 0:15:51 | 0:15:54 | |
-I wasn't here, mate. -Ask Billy - | 0:15:54 | 0:15:55 | |
he was around at that stage, he'll know. | 0:15:55 | 0:15:57 | |
MUSIC: O Fortuna from Carmina Burana | 0:15:57 | 0:16:00 | |
Yes, we're going with big music, which means it's a big job. | 0:16:00 | 0:16:03 | |
Up a bit more, bit more. | 0:16:04 | 0:16:07 | |
Really helping, really helping(!) | 0:16:07 | 0:16:09 | |
I don't think it's enough people. | 0:16:15 | 0:16:17 | |
Even with the know-how of the ancient Britons, | 0:16:17 | 0:16:19 | |
this shed ain't going to budge without a bit more muscle power, | 0:16:19 | 0:16:22 | |
and here it comes. | 0:16:22 | 0:16:25 | |
Look at the enthusiastic expressions. | 0:16:25 | 0:16:27 | |
Let's do it. Right, where do you want us? | 0:16:27 | 0:16:30 | |
-One, two, three! -All hands on deck. | 0:16:30 | 0:16:32 | |
Whoa! | 0:16:34 | 0:16:36 | |
And, of course, a bit of Irish wisdom never goes amiss. | 0:16:36 | 0:16:39 | |
Hang on, just to make it much easier for you, | 0:16:39 | 0:16:41 | |
let's make it a bit lighter. | 0:16:41 | 0:16:43 | |
If you take that off... | 0:16:45 | 0:16:46 | |
You've got to think about these things. | 0:16:46 | 0:16:49 | |
One, two, three! | 0:16:49 | 0:16:52 | |
MUSIC CRESCENDOS | 0:16:52 | 0:16:54 | |
APPLAUSE | 0:16:58 | 0:17:00 | |
-Look at the smile on your face. -It's good to see that, isn't it? | 0:17:01 | 0:17:05 | |
They would never have managed that on their own, would they? | 0:17:05 | 0:17:08 | |
No, no, no, it was a good job you were there. | 0:17:08 | 0:17:10 | |
Got to crack on again. Inside, there's more general destruction | 0:17:10 | 0:17:14 | |
to make way for the new wiring and plumbing. | 0:17:14 | 0:17:16 | |
And the extension for Ewan's new room is all laid out. | 0:17:17 | 0:17:20 | |
I was very worried this morning, | 0:17:20 | 0:17:22 | |
but it's really taking shape now. They're not shy, are they? | 0:17:22 | 0:17:25 | |
They're going to have this up to the roof tonight. | 0:17:25 | 0:17:27 | |
With the giant Jenga all sorted, putting it up is child's play. | 0:17:27 | 0:17:32 | |
In barely an afternoon, Ewan will have his own space. | 0:17:32 | 0:17:35 | |
To help him cope with his disability, | 0:17:38 | 0:17:40 | |
Sam and the family take Ewan to intensive physiotherapy near Oxford. | 0:17:40 | 0:17:44 | |
Just getting him here is a mission in itself. | 0:17:44 | 0:17:47 | |
'It's an absolute nightmare getting to Footsteps every day, | 0:17:47 | 0:17:52 | |
'and it's for three weeks, so it's 15 trips in a row, | 0:17:52 | 0:17:55 | |
'backwards and forwards to get here, but it's well worth it.' | 0:17:55 | 0:17:59 | |
It's a mother's love that puts Ewan through his paces, | 0:17:59 | 0:18:02 | |
but as a medic and a mother, Sam sees the benefits more than anyone. | 0:18:02 | 0:18:07 | |
Ready to go. Can we do some bounces? | 0:18:07 | 0:18:09 | |
I'm ready for everything. | 0:18:09 | 0:18:11 | |
OK! Fantastic. | 0:18:11 | 0:18:13 | |
I come here because it offers us | 0:18:13 | 0:18:15 | |
such an opportunity to improve Ewan's outcome | 0:18:15 | 0:18:18 | |
and, um, some of the stuff that they do here is really unique | 0:18:18 | 0:18:22 | |
so the Spider puts him | 0:18:22 | 0:18:24 | |
in positions that he couldn't get in at home or with his other physios. | 0:18:24 | 0:18:28 | |
OK, have you got enough energy to do a few more? | 0:18:28 | 0:18:31 | |
It is such hard work for him coming here, | 0:18:31 | 0:18:33 | |
-but he gets so much out of it. -Very good. | 0:18:33 | 0:18:36 | |
Mummy will be so proud. | 0:18:36 | 0:18:40 | |
Mummy will be so proud, yes. | 0:18:40 | 0:18:43 | |
Treatment like this will help make Ewan's future so much brighter. | 0:18:43 | 0:18:48 | |
Ewan, here is your certificate to say well done, super-superstar, | 0:18:49 | 0:18:54 | |
you've been brilliant. You've worked so well, we're very proud of you. | 0:18:54 | 0:18:58 | |
That's a lovely certificate, isn't it? | 0:18:58 | 0:19:01 | |
Are you going to shake Fiona's hand? | 0:19:01 | 0:19:03 | |
Well done, I'm so proud. | 0:19:07 | 0:19:09 | |
I think it's extraordinary as a parent to see what Ewan goes through | 0:19:09 | 0:19:14 | |
to improve his mobility - in fact, | 0:19:14 | 0:19:16 | |
what the whole family goes through to improve his mobility. | 0:19:16 | 0:19:19 | |
So we should give him the space he needs to move about in. | 0:19:19 | 0:19:23 | |
That's why everyone's working so hard. | 0:19:23 | 0:19:25 | |
That's why there's plumbers, electricians, plasterers | 0:19:25 | 0:19:28 | |
and landscapers - even firemen turning up to help. | 0:19:28 | 0:19:31 | |
-Is that what you do for a living? -Yeah, I'm on annual leave this week. | 0:19:31 | 0:19:34 | |
Mate, you spend your whole life being a hero, | 0:19:34 | 0:19:37 | |
-walking into the flames. Are you on a desk job, is it? -No, no! | 0:19:37 | 0:19:40 | |
THEY LAUGH | 0:19:40 | 0:19:42 | |
-Is that right? You're a fireman, and you'll do your week off here? -Yeah. | 0:19:42 | 0:19:45 | |
-Why would you want to do that? -It's just, um, that's what I do - | 0:19:45 | 0:19:48 | |
that's what I get a kick out of doing is helping people out. | 0:19:48 | 0:19:51 | |
Much like...cos they're paramedics, aren't they? | 0:19:51 | 0:19:54 | |
They're local paramedics. | 0:19:54 | 0:19:55 | |
I'm pretty sure they've probably helped me out at some point | 0:19:55 | 0:19:58 | |
peeling me off the street somewhere, | 0:19:58 | 0:19:59 | |
so I thought, yeah, you know, it would be good to help out, so, yeah. | 0:19:59 | 0:20:02 | |
-Obviously the lunch is very good as well so that always helps. -Yeah. | 0:20:02 | 0:20:05 | |
A different view there - you're doing this to help out | 0:20:05 | 0:20:08 | |
because they're paramedics, local people giving something back | 0:20:08 | 0:20:11 | |
to the community. He's interested in the lunch. | 0:20:11 | 0:20:14 | |
Asking the trades to help this family of heroes was never | 0:20:14 | 0:20:16 | |
going to be a tough sell, even though Sam and Ben | 0:20:16 | 0:20:20 | |
are the kind of people who would never ask for help themselves. | 0:20:20 | 0:20:24 | |
So, what did you make of the family when you met them | 0:20:24 | 0:20:26 | |
just at the start of the job? | 0:20:26 | 0:20:28 | |
Genuinely, they looked embarrassed | 0:20:28 | 0:20:31 | |
for letting...giving us the keys to the house. | 0:20:31 | 0:20:34 | |
That's how I looked at them. I thought they looked | 0:20:34 | 0:20:36 | |
-really uncomfortable. -Well, let's face it, ambulance drivers | 0:20:36 | 0:20:40 | |
and paramedics do a great job, but it's not as if they do it | 0:20:40 | 0:20:43 | |
for the money - they're not really well paid, it's a vocation. | 0:20:43 | 0:20:46 | |
And they were never going to be able to get this done for Ewan | 0:20:46 | 0:20:49 | |
on their own, so why shouldn't they...? | 0:20:49 | 0:20:51 | |
Especially those kind of people who do so much for the community. | 0:20:51 | 0:20:54 | |
Well, unfortunately, Nick, there's two types of people in life - | 0:20:54 | 0:20:56 | |
there's givers and there's takers, | 0:20:56 | 0:20:59 | |
and this couple here have got themselves behind a wall | 0:20:59 | 0:21:02 | |
where they think, "Well, we can't possibly ask for help." | 0:21:02 | 0:21:05 | |
-"Because we'll manage." -"Because we'll get by | 0:21:05 | 0:21:07 | |
-"cos that's what we do." -That's not right, though, is it? | 0:21:07 | 0:21:09 | |
It's not right, no. | 0:21:09 | 0:21:11 | |
Struggling on in silence is no way for a family to live. | 0:21:11 | 0:21:16 | |
With the right changes, though, just maybe this house can be | 0:21:16 | 0:21:19 | |
turned into a home in which they can all thrive. | 0:21:19 | 0:21:22 | |
Well, it has been a very successful day, I think. We've completely | 0:21:22 | 0:21:25 | |
changed the downstairs of this house. This wall has come out, | 0:21:25 | 0:21:28 | |
we've made a flipping great hole here which we're going to fill | 0:21:28 | 0:21:30 | |
with concrete so that we can put a box-beam effect in here. | 0:21:30 | 0:21:33 | |
You might like to go the other side of the fireplace, | 0:21:33 | 0:21:35 | |
which you couldn't do earlier, and join me in the backroom, | 0:21:35 | 0:21:38 | |
where we have taken out yet another wall | 0:21:38 | 0:21:40 | |
and the ceiling's down everywhere, of course, | 0:21:40 | 0:21:43 | |
electrics and plumbing starting to go in. | 0:21:43 | 0:21:45 | |
Come and look at the extension, cos that's really substantial, | 0:21:45 | 0:21:47 | |
and you've got like an atrium, a wet room and bedroom | 0:21:47 | 0:21:51 | |
all in here eventually - you can see it's starting to take shape. | 0:21:51 | 0:21:54 | |
All we've got to do tomorrow is put a roof on and we're done. | 0:21:54 | 0:21:57 | |
Not bad for the first day, don't you think? | 0:21:57 | 0:21:59 | |
It might well be on its way, but we are only on day two, | 0:22:03 | 0:22:06 | |
so we can't stand around resting on our laurels - | 0:22:06 | 0:22:08 | |
that way you get crumpled laurels. | 0:22:08 | 0:22:10 | |
We've clearly not managed to put any of the trades off, | 0:22:10 | 0:22:13 | |
and with the heavy stuff out of the way, it's sparks to their marks. | 0:22:13 | 0:22:17 | |
In this house more than any other, Billy, lighting is really important, | 0:22:17 | 0:22:20 | |
and I'll tell you why. | 0:22:20 | 0:22:22 | |
Because they're shift workers, they have these really irregular hours | 0:22:22 | 0:22:25 | |
and their circadian rhythms get out of sync. | 0:22:25 | 0:22:28 | |
Now, circadian rhythms, have you heard of this term? | 0:22:28 | 0:22:31 | |
-Cavian rhythms? -Not cavian - circadian. -Circadian. | 0:22:31 | 0:22:35 | |
-Circadian rhythms are... -Are you listening? -It's the impact of light | 0:22:35 | 0:22:40 | |
and dark on our mental, physical and behaviour over 24 hours. | 0:22:40 | 0:22:44 | |
Now, you know when you go... | 0:22:44 | 0:22:46 | |
I'm got to lean against this in case this lasts a long time. | 0:22:46 | 0:22:48 | |
-No, you know when you travel and you get jet-lagged... -Yeah, oh, yeah. | 0:22:48 | 0:22:52 | |
That's a kind of symptom of your body clock going out of sync. | 0:22:52 | 0:22:55 | |
The system that we've got, it's a remote-controlled lighting system, | 0:22:55 | 0:22:58 | |
and I know it's complicated. | 0:22:58 | 0:23:00 | |
-I'm Jurassic Spark, you're a young spark. -That's it. | 0:23:00 | 0:23:02 | |
What do you think about being in this house with the way | 0:23:02 | 0:23:05 | |
-the family are? -I'm all for it, to be honest. | 0:23:05 | 0:23:08 | |
You can do it from the comfort of your own bed or sofa, | 0:23:08 | 0:23:11 | |
turn the light on and off, dimming - that's important, dimming. | 0:23:11 | 0:23:14 | |
I think that seems to be two versus one. | 0:23:14 | 0:23:17 | |
No, no, no, you've got it all wrong... | 0:23:17 | 0:23:19 | |
You've just got to move with the times, I think. | 0:23:19 | 0:23:22 | |
No, no, Oliver, you've got it all wrong... | 0:23:22 | 0:23:25 | |
You think I'm automatically against it, I'm not! | 0:23:25 | 0:23:28 | |
I'm asking about the maintaining. I'm asking, | 0:23:28 | 0:23:30 | |
when we've gone and done our pretty colours and our pretty lighting | 0:23:30 | 0:23:34 | |
and we're not there to support them, because they're not electricians. | 0:23:34 | 0:23:38 | |
But I know that what you do, Billy, is really important. | 0:23:38 | 0:23:41 | |
He's a rat, ain't he?! What can you say | 0:23:41 | 0:23:43 | |
when he butters up to you like that?! | 0:23:43 | 0:23:46 | |
I'm just saying that what you're doing here is much | 0:23:46 | 0:23:48 | |
more important than just a complicated lighting system. | 0:23:48 | 0:23:51 | |
I'm not talking about the complicated lighting system | 0:23:51 | 0:23:54 | |
because you can throw anything at my sparks and myself | 0:23:54 | 0:23:56 | |
and we can do it, we can do it. | 0:23:56 | 0:23:58 | |
I think it's a great idea to have the dimming lights and stuff. | 0:23:58 | 0:24:01 | |
No, it will work for them. | 0:24:01 | 0:24:02 | |
Mentally and physically it will make them feel better. | 0:24:02 | 0:24:05 | |
That was two minds not quite meeting - well, one-and-a-half. | 0:24:05 | 0:24:08 | |
Building a bespoke home fit for Ewan is something big sister Olivia | 0:24:08 | 0:24:12 | |
has always wanted to do. | 0:24:12 | 0:24:13 | |
Only eight, she's already said she wants to be an architect. | 0:24:13 | 0:24:16 | |
If you had that house, | 0:24:16 | 0:24:18 | |
would you take the walls out? What would you do? | 0:24:18 | 0:24:21 | |
I would take that wall, | 0:24:21 | 0:24:24 | |
that wall... | 0:24:24 | 0:24:26 | |
-..and that wall. -You'd take those three walls out? | 0:24:29 | 0:24:31 | |
Yeah, like, when you go to cook tea, Ewan panics that you've gone. | 0:24:31 | 0:24:35 | |
Because he can't see them. | 0:24:35 | 0:24:36 | |
Yeah, Ewan thinks that cos he can't see you, | 0:24:36 | 0:24:38 | |
he thinks you've left him in the house, so he starts screaming | 0:24:38 | 0:24:41 | |
and then he screams so much, he slips and falls off the sofa. | 0:24:41 | 0:24:44 | |
Oh, does he, he gets that upset, does he? | 0:24:44 | 0:24:46 | |
Do you get sad about the fact that, you know, | 0:24:46 | 0:24:49 | |
Mum and Dad have to concentrate so much on Ewan all the time? | 0:24:49 | 0:24:51 | |
-I mean, I guess you understand why, but... -Yeah, sometimes, | 0:24:51 | 0:24:54 | |
sometimes they get a bit cross | 0:24:54 | 0:24:56 | |
because Ewan starts crying and blame it on me and I get sent | 0:24:56 | 0:24:58 | |
to my bedroom, and then I get a bit irritated because he gets all | 0:24:58 | 0:25:01 | |
the attention and then sometimes I start winding him up by accident. | 0:25:01 | 0:25:04 | |
-So when you wind him up, it's by accident... -Yeah. | 0:25:04 | 0:25:07 | |
-..but when he winds you up it's on purpose? -Yeah. | 0:25:07 | 0:25:09 | |
I thought I got the hang of that. | 0:25:09 | 0:25:11 | |
I think things will get a bit easier once the house is sorted out. | 0:25:11 | 0:25:14 | |
It's weird to have people from the TV to do your house. | 0:25:14 | 0:25:16 | |
I mean, it's not something normal. | 0:25:16 | 0:25:18 | |
Do our friends think it's a bit weird? | 0:25:18 | 0:25:20 | |
Yeah, I went to my friends yesterday and they said | 0:25:20 | 0:25:23 | |
it's like intruders coming to your house and start knocking it down. | 0:25:23 | 0:25:26 | |
Yeah, but good intruders. | 0:25:26 | 0:25:28 | |
It's like the fairy tales when they say the fairies came overnight | 0:25:28 | 0:25:31 | |
and change things around or made a set of shoes | 0:25:31 | 0:25:33 | |
or did things like that? It's like that, they're building fairies. | 0:25:33 | 0:25:36 | |
MUSIC: Dance of the Sugar Plum Fairy from The Nutcracker | 0:25:36 | 0:25:39 | |
I'm not lying about those building fairies. | 0:25:39 | 0:25:41 | |
They're busy fitting the steelwork that will hold up the ceilings. | 0:25:41 | 0:25:44 | |
And to help rid Sam of her feelings of imprisonment, | 0:25:44 | 0:25:47 | |
they've brought a huge roof light for the extension. | 0:25:47 | 0:25:50 | |
-Go on, mate! -Right. | 0:25:50 | 0:25:51 | |
In one. | 0:25:54 | 0:25:56 | |
Well done. | 0:25:58 | 0:26:00 | |
But, with all this exertion one of the fairies has hurt himself, | 0:26:00 | 0:26:04 | |
or do they all walk like that? | 0:26:04 | 0:26:05 | |
It's quite strange. It's like deep muscular thing. | 0:26:07 | 0:26:11 | |
What happens I'm walking along and me leg just gives way... | 0:26:11 | 0:26:14 | |
-Gives way under you? -Yeah. | 0:26:14 | 0:26:16 | |
Even to a point where the roofer's picked up on it | 0:26:16 | 0:26:18 | |
and he's offered to rub a gel into his inner thigh. | 0:26:18 | 0:26:20 | |
He's worried about my limp | 0:26:20 | 0:26:22 | |
so he's going to rub cream into my inner thigh. | 0:26:22 | 0:26:24 | |
You think we're messing around, don't you? Seriously, we had this | 0:26:24 | 0:26:27 | |
conversation with the roofer where he's offered to rub gel and I said | 0:26:27 | 0:26:31 | |
"Would you have been so assertive if it was an elbow or his shoulder?" | 0:26:31 | 0:26:34 | |
and he went, "Nah, he can do that himself", | 0:26:34 | 0:26:36 | |
but his inner thigh, he's quite prepared to rub it in. | 0:26:36 | 0:26:38 | |
MUSIC: Bump N' Grind by R Kelly | 0:26:38 | 0:26:41 | |
It's always so impressive | 0:26:41 | 0:26:42 | |
that the trades are willing to go that extra mile. | 0:26:42 | 0:26:46 | |
Down a little bit. | 0:26:46 | 0:26:47 | |
It's like a horrific fascination. | 0:26:48 | 0:26:50 | |
You know, like when you drive past a car crash or something | 0:26:50 | 0:26:53 | |
and you can't help but look. | 0:26:53 | 0:26:54 | |
-You've done that before, haven't you, big boy? -I have, yeah. | 0:26:58 | 0:27:01 | |
What exactly is wrong with him, then? | 0:27:01 | 0:27:04 | |
He's got a bad leg definitely. Definitely got a bad leg. | 0:27:04 | 0:27:08 | |
Oh, me helmet's just fell off. | 0:27:11 | 0:27:13 | |
Oh, Jesus, I didn't touch that. I went nowhere near it, guv'nor. | 0:27:13 | 0:27:18 | |
Hats off to Dave, literally, | 0:27:18 | 0:27:20 | |
but there's precious little time for R&R. | 0:27:20 | 0:27:23 | |
We're only just into this build. | 0:27:23 | 0:27:24 | |
Inside, the plasterers are boarding out and Billy | 0:27:24 | 0:27:27 | |
and his boys are trying to get to grips with the lighting system. | 0:27:27 | 0:27:30 | |
What we're doing here is, | 0:27:30 | 0:27:32 | |
the way this thing is working you can get cables trapped, | 0:27:32 | 0:27:35 | |
but if we're behind the boys and they put up the boards up | 0:27:35 | 0:27:38 | |
and we drill our holes, bring our cables down, | 0:27:38 | 0:27:40 | |
we can all sleep tonight. | 0:27:40 | 0:27:42 | |
The boys are lovely, they're happy with me following them | 0:27:42 | 0:27:45 | |
-round with a drill and it's all worked out, innit, lads? -Yeah. | 0:27:45 | 0:27:48 | |
Hopefully, the hi-tech lighting will help | 0:27:51 | 0:27:53 | |
to make Ben and Sam's hectic lives a bit easier. | 0:27:53 | 0:27:56 | |
As paramedics, they're used to staring adversity in the face, | 0:27:56 | 0:27:59 | |
but nothing could prepare them for the prospect | 0:27:59 | 0:28:02 | |
of having to turn off their own son's life-support six years ago. | 0:28:02 | 0:28:05 | |
Yeah, that was tough. That was the point at which I realised | 0:28:06 | 0:28:10 | |
it was all pretty serious and they tell you that you have to do it. | 0:28:10 | 0:28:13 | |
You have to say goodbye, in case... | 0:28:13 | 0:28:15 | |
Yeah, so all our families came up, my mum, my dad, my sister, | 0:28:15 | 0:28:17 | |
my brother, Sam's family all went up and said goodbye. | 0:28:17 | 0:28:21 | |
What did you say to him? | 0:28:22 | 0:28:23 | |
I didn't, I didn't think I needed to say anything. | 0:28:23 | 0:28:26 | |
I just wanted to... | 0:28:26 | 0:28:28 | |
be there and, it's kind of letting him go, | 0:28:28 | 0:28:30 | |
that's what you didn't want to do. | 0:28:30 | 0:28:32 | |
Where do you go from one minute he's there | 0:28:33 | 0:28:35 | |
and the next minute he's not and I didn't want that to happen. | 0:28:35 | 0:28:38 | |
So, is that why you manage everyday afterwards | 0:28:38 | 0:28:41 | |
because every day away from that point is... | 0:28:41 | 0:28:44 | |
Is better than it was. | 0:28:44 | 0:28:46 | |
It can never be that bad. | 0:28:46 | 0:28:47 | |
It's bad sometimes | 0:28:47 | 0:28:49 | |
and sometimes you really do kind of question | 0:28:49 | 0:28:53 | |
is it going to get any better. | 0:28:53 | 0:28:55 | |
Given all the things that you're dealing with, | 0:28:55 | 0:28:57 | |
you do appear to be very relaxed. | 0:28:57 | 0:28:59 | |
Are you putting a brave face on seething emotions? | 0:28:59 | 0:29:04 | |
Probably. | 0:29:04 | 0:29:05 | |
I think there's that element of not wanting to be known | 0:29:05 | 0:29:08 | |
as the person who can't cope at home, | 0:29:08 | 0:29:09 | |
the person who finds things difficult. | 0:29:09 | 0:29:11 | |
And it's just this balancing act | 0:29:11 | 0:29:13 | |
and Sam seems to do that better than anyone that I know. | 0:29:13 | 0:29:16 | |
To be fair, she's helped me through it just by the way she's been. | 0:29:16 | 0:29:21 | |
So when you get to the point where you think, | 0:29:22 | 0:29:24 | |
"Oh, I can't deal with this any more," she just carries on. | 0:29:24 | 0:29:27 | |
She's an extraordinary woman. | 0:29:27 | 0:29:29 | |
Yeah...very strong. | 0:29:29 | 0:29:32 | |
Do you not miss her? | 0:29:32 | 0:29:33 | |
You haven't been together properly since Ewan came along. | 0:29:33 | 0:29:36 | |
You don't get a chance to sleep together, | 0:29:36 | 0:29:37 | |
one of you is always with Ewan, it's just... | 0:29:37 | 0:29:39 | |
Yeah, different bedrooms and... | 0:29:39 | 0:29:41 | |
That man and wife thing has sort of gone away a bit, hasn't it? | 0:29:41 | 0:29:45 | |
It's become normal though which is wrong. It shouldn't be that way. | 0:29:45 | 0:29:49 | |
So there's a balance to be struck, something's gotta give | 0:29:49 | 0:29:53 | |
and it won't be anything for the kids - it can't be. | 0:29:53 | 0:29:55 | |
Ben and Sam have always put the children | 0:29:57 | 0:29:59 | |
above their own relationship. | 0:29:59 | 0:30:01 | |
Maybe we can give them the chance | 0:30:01 | 0:30:03 | |
to be a bit more of a normal couple again. | 0:30:03 | 0:30:06 | |
-Look at that, what do you think? -It's very nice actually. | 0:30:06 | 0:30:08 | |
So which floor are you putting this on? | 0:30:08 | 0:30:10 | |
-No this is going on the wall. -Oh, this is the wall stuff. | 0:30:10 | 0:30:12 | |
This is the wall in the dining room and then we've got a TV cabinet. | 0:30:12 | 0:30:15 | |
And then in the bedroom I'm going to do | 0:30:15 | 0:30:18 | |
this wonderful little romantic canopy over their bed. | 0:30:18 | 0:30:21 | |
You see, I think this is interesting, | 0:30:21 | 0:30:23 | |
when designers say, "I'm going to do this wonderful thing." | 0:30:23 | 0:30:25 | |
And chefs do this, "I'm going to make this wonderful..." | 0:30:25 | 0:30:28 | |
I'll be the judge of that. | 0:30:28 | 0:30:29 | |
You can't say I'm going to do something wonderful. | 0:30:29 | 0:30:31 | |
Surely it's up to you and me to decide at the end of the programme | 0:30:31 | 0:30:34 | |
-if it's wonderful. -That's where science steps in, Nick. | 0:30:34 | 0:30:36 | |
You can scientifically prove it's wonderful? | 0:30:36 | 0:30:39 | |
That people actually sleep better with natural materials in rooms. | 0:30:39 | 0:30:42 | |
So you are saying you don't need us to decide | 0:30:42 | 0:30:44 | |
whether it's wonderful or not, | 0:30:44 | 0:30:45 | |
it will be wonderful whether we like it or not. | 0:30:45 | 0:30:48 | |
I'm not concerned if you think it's wonderful, | 0:30:48 | 0:30:50 | |
what I'm most concerned about, I'm sorry, Nick... | 0:30:50 | 0:30:52 | |
Probably a healthy way to go about being a designer on this programme. | 0:30:52 | 0:30:55 | |
What I'm most concerned about is that for Sam, Ben and Olivia | 0:30:55 | 0:30:58 | |
and Ewan we've got a wonderful house that makes them feel good, | 0:30:58 | 0:31:01 | |
makes them feel calm, relaxed, helps them sleep well | 0:31:01 | 0:31:04 | |
and is good for their health. | 0:31:04 | 0:31:06 | |
This is actually research by doctors | 0:31:06 | 0:31:08 | |
and researchers in Denmark who have been studying hospitals. | 0:31:08 | 0:31:12 | |
Well, that's very laudable, very laudable, | 0:31:12 | 0:31:14 | |
leaves me almost with nowhere to go in terms of taking the mickey | 0:31:14 | 0:31:17 | |
because it appears that you're being empathetic and caring, medically... | 0:31:17 | 0:31:21 | |
-Sensitive. -Sensitive. | 0:31:21 | 0:31:23 | |
With a proven record based on research. | 0:31:23 | 0:31:25 | |
Which leaves me almost nowhere to go. | 0:31:25 | 0:31:27 | |
-Well, shall I get on with it? -Yeah, I'm going to step away. | 0:31:27 | 0:31:29 | |
Maybe there is some truth | 0:31:32 | 0:31:34 | |
in the health-enhancing qualities of these natural materials. | 0:31:34 | 0:31:37 | |
Unfortunately, that's not going to make Oliver's plans | 0:31:37 | 0:31:40 | |
any easier to achieve, especially with no tilers on-site | 0:31:40 | 0:31:43 | |
We've got a bit of a challenge for you, | 0:31:45 | 0:31:47 | |
now that you've plumbed the house for us. | 0:31:47 | 0:31:49 | |
Would you be interested in tiling this chimneybreast? | 0:31:49 | 0:31:51 | |
-I've seen those tiles. -Have you seen them? | 0:31:51 | 0:31:54 | |
Those horrible slate effect... | 0:31:54 | 0:31:56 | |
Yeah, the ones that are all over the place and stuff. | 0:31:56 | 0:31:58 | |
This is going to be the main feature in the house | 0:31:58 | 0:32:00 | |
and you're going to do it. | 0:32:00 | 0:32:02 | |
We'll have a look at it. | 0:32:02 | 0:32:04 | |
We'll take that as a yes, cos he didn't say no. | 0:32:04 | 0:32:06 | |
Everyone's mucking in, but then none of us would be here at all | 0:32:06 | 0:32:09 | |
if it wasn't for Jess Smith, | 0:32:09 | 0:32:11 | |
Sam's best friend, who could see them struggling. | 0:32:11 | 0:32:13 | |
There is always people worse off than you, | 0:32:13 | 0:32:15 | |
but that's their mentality, that's how they see it. | 0:32:15 | 0:32:18 | |
But that's why we help people like that because they just don't | 0:32:18 | 0:32:21 | |
feel they deserve it and are slightly embarrassed by it. | 0:32:21 | 0:32:23 | |
Yeah, and that's why I contacted you. | 0:32:23 | 0:32:25 | |
All through Ewan's life they were told he wouldn't survive, | 0:32:26 | 0:32:29 | |
turn off the machine and he carried on breathing. | 0:32:29 | 0:32:31 | |
He will never talk, he will never walk, he will never sit, | 0:32:31 | 0:32:34 | |
he will never function as he will be in a vegetative state | 0:32:34 | 0:32:37 | |
and every little milestone that he's made, he's proved everybody wrong. | 0:32:37 | 0:32:42 | |
He's almost at his maximum now. You know, | 0:32:42 | 0:32:45 | |
he's not going to get significantly better. | 0:32:45 | 0:32:47 | |
Both of them have got so used to just keeping a stiff upper lip, | 0:32:47 | 0:32:51 | |
very British, very... just getting on with it. | 0:32:51 | 0:32:55 | |
-Determined. -Yeah, just determined, | 0:32:55 | 0:32:57 | |
and with everything that they've faced, | 0:32:57 | 0:32:59 | |
you know, they can't let Olivia and Ewan see their trouble, | 0:32:59 | 0:33:02 | |
see their struggles and so it's always tears behind closed doors. | 0:33:02 | 0:33:07 | |
Do you know I think some of that steely determination | 0:33:07 | 0:33:09 | |
has rubbed off on the volunteers? | 0:33:09 | 0:33:11 | |
As we said, no tilers on site so it's a plumber | 0:33:11 | 0:33:13 | |
and a couple of builders who are doing the job. | 0:33:13 | 0:33:15 | |
I was quite happily painting the shed at the bottom, walked through | 0:33:18 | 0:33:21 | |
and got a tile put in my hand so... | 0:33:21 | 0:33:22 | |
What can you do? I'll be here until the top. | 0:33:22 | 0:33:25 | |
Not ideal really, but they're quite happy to get stuck-in | 0:33:25 | 0:33:27 | |
and give it a go. | 0:33:27 | 0:33:29 | |
Taking on these jobs in just nine days | 0:33:29 | 0:33:31 | |
is all a matter of man-management, | 0:33:31 | 0:33:32 | |
communication, and everyone speaking exactly the same language. | 0:33:32 | 0:33:37 | |
What are we doing with the water coming off this roof? | 0:33:37 | 0:33:39 | |
You can probably run down to that culvert down there. | 0:33:39 | 0:33:42 | |
Well, if we bring it down in the corner that will drain over | 0:33:42 | 0:33:44 | |
here and let it go straight... | 0:33:44 | 0:33:46 | |
And this is the accent that built half of London. | 0:33:46 | 0:33:48 | |
-Keep it in line. -Keep it in line. | 0:33:48 | 0:33:49 | |
Keep it in line with the front of the house | 0:33:49 | 0:33:51 | |
and run it all the way across, we can dig... | 0:33:51 | 0:33:53 | |
-I love this. -That's fine, yeah. | 0:33:53 | 0:33:54 | |
Just get all the hardcore you need. | 0:33:54 | 0:33:56 | |
-What are you doing paving, block paving? -Yeah. | 0:33:56 | 0:33:58 | |
We're pouring the hardcore in today and get it compacted. | 0:33:58 | 0:34:00 | |
They are fantastic. | 0:34:00 | 0:34:02 | |
Luckily, these boys can lay down a driveway | 0:34:03 | 0:34:06 | |
as quickly as they can talk. | 0:34:06 | 0:34:07 | |
He's like a croupier of block paving. | 0:34:08 | 0:34:11 | |
He makes them look like firing out a pack of cards. | 0:34:11 | 0:34:13 | |
It's unbelievable, isn't it? | 0:34:15 | 0:34:16 | |
And out the back, it's all hands on deck too. | 0:34:16 | 0:34:19 | |
And the next one. | 0:34:19 | 0:34:20 | |
Come on, stick it on. | 0:34:23 | 0:34:25 | |
I've never seen decking go down this quick in my life. | 0:34:25 | 0:34:28 | |
It's fantastic, between the decking in the back | 0:34:28 | 0:34:30 | |
and the block work in the front, you'd be forgiven for thinking | 0:34:30 | 0:34:33 | |
we might just finish in nine days. | 0:34:33 | 0:34:36 | |
Working in harmony and having a good laugh. Thank you, gentlemen. | 0:34:36 | 0:34:39 | |
Bloody superstars you are, superstars. | 0:34:41 | 0:34:44 | |
Terry's still going. | 0:34:45 | 0:34:46 | |
But then it's easy to work hard | 0:34:46 | 0:34:48 | |
when you know the family you're working for | 0:34:48 | 0:34:51 | |
do so much to help others. | 0:34:51 | 0:34:53 | |
So I think what you do for a living is extraordinary in itself. | 0:34:54 | 0:34:57 | |
I go to work and make TV programmes. | 0:34:57 | 0:34:59 | |
People go to work and make cars, people go to work and sell insurance | 0:34:59 | 0:35:02 | |
you go to work to scrape people off the streets, is that not terrifying? | 0:35:02 | 0:35:05 | |
Yeah, sometimes you've just got people's lives in your hands, | 0:35:05 | 0:35:09 | |
literally, and whatever you do it's... | 0:35:09 | 0:35:12 | |
That's their future, you're going to make or break it. | 0:35:12 | 0:35:16 | |
It's something you just come to deal with and it's never as stressful | 0:35:16 | 0:35:20 | |
as being at home with two kids. I can deal with people, | 0:35:20 | 0:35:23 | |
the most cantankerous people for hours on end | 0:35:23 | 0:35:26 | |
and it's never as hard as dealing with Ewan | 0:35:26 | 0:35:28 | |
with one of his little temper tantrums that goes on for hours. | 0:35:28 | 0:35:31 | |
He needs a lot of reassurance. | 0:35:31 | 0:35:33 | |
A lot of kids with special needs do. They just can't accept things and... | 0:35:33 | 0:35:37 | |
Hence him having to see you and you having to be in the kitchen | 0:35:37 | 0:35:40 | |
and see him and all those things, it's... | 0:35:40 | 0:35:42 | |
Yeah, so if he's having one of those days | 0:35:42 | 0:35:43 | |
and he needs his reassurance, he just wants you there all the time. | 0:35:43 | 0:35:46 | |
If there are people out there now who have just had a child | 0:35:46 | 0:35:50 | |
and are dealing with these issues | 0:35:50 | 0:35:52 | |
at this point, what would you say to them, | 0:35:52 | 0:35:55 | |
what's the first process? | 0:35:55 | 0:35:57 | |
I think the first part is the grieving process. | 0:35:57 | 0:36:00 | |
No-one ever thinks they're going to end up with a disabled child. | 0:36:00 | 0:36:03 | |
It's just not what you think, I don't know... | 0:36:03 | 0:36:07 | |
And then you've just got to deal with that | 0:36:07 | 0:36:10 | |
and you do a lot of crying and... | 0:36:10 | 0:36:13 | |
Not always in public, a lot of it is just sort of crying all on your own. | 0:36:13 | 0:36:17 | |
I remember the consultant saying to me | 0:36:17 | 0:36:19 | |
you will reach a point of acceptance | 0:36:19 | 0:36:21 | |
and I remember real tears running down my face and that and going, | 0:36:21 | 0:36:25 | |
"I'll never accept this." | 0:36:25 | 0:36:27 | |
I was really like, "I'm going to physio this child out of it." | 0:36:27 | 0:36:31 | |
You're never going to physio a child out of quadriplegic cerebral palsy, | 0:36:31 | 0:36:36 | |
but I just couldn't accept it at that point. | 0:36:36 | 0:36:38 | |
I think it would be fair to say | 0:36:38 | 0:36:40 | |
that you're not somebody who likes to be helped? | 0:36:40 | 0:36:42 | |
Actually, of all the people that we've ever gone to help, | 0:36:42 | 0:36:45 | |
you're the person most conflicted about us coming to help. | 0:36:45 | 0:36:48 | |
Really? Ever, ever? | 0:36:48 | 0:36:50 | |
Yeah, I think so, probably. | 0:36:50 | 0:36:52 | |
I really like helping people, I really get a buzz out of it | 0:36:52 | 0:36:55 | |
and I really don't like it when people help me. I'm terrible at it. | 0:36:55 | 0:36:58 | |
I did actually cry | 0:36:58 | 0:37:00 | |
when I found out that you guys were coming, it was just such a relief. | 0:37:00 | 0:37:02 | |
You know, home should be a place to unwind. | 0:37:05 | 0:37:07 | |
Not the stress-filled prison that it has become for Sam. | 0:37:07 | 0:37:11 | |
But with new bedrooms to look forward to, | 0:37:11 | 0:37:13 | |
at least the kids should be well catered for. | 0:37:13 | 0:37:15 | |
Olivia is getting a room to suit her highest architectural aspirations | 0:37:16 | 0:37:20 | |
and in Ewan's room Oliver is in playful mood | 0:37:20 | 0:37:22 | |
and commissioned a special print based on the Olympics. | 0:37:22 | 0:37:25 | |
I liked it because I knew what it was, I got it right. | 0:37:26 | 0:37:29 | |
The Olympic rings and we had a great Olympics, didn't we? | 0:37:31 | 0:37:34 | |
Two years ago, fabulous Olympics. | 0:37:34 | 0:37:36 | |
And it turns out that Billy has a bit of form for the Olympics. | 0:37:36 | 0:37:40 | |
Listen, in my day, when I was a cyclist for Whelan Wheelers | 0:37:40 | 0:37:43 | |
it was a choice between me | 0:37:43 | 0:37:45 | |
and Brendan McKeown to represent Great Britain | 0:37:45 | 0:37:48 | |
at the Rome Olympics... in Tokyo. | 0:37:48 | 0:37:50 | |
The Rome Olympics in Tokyo? | 0:37:50 | 0:37:52 | |
I remember them both. And who got chosen? | 0:37:52 | 0:37:56 | |
-Brendan. -Did he? | 0:37:56 | 0:37:58 | |
Yeah, and he won a bronze medal. | 0:37:58 | 0:38:00 | |
See, I was going to go | 0:38:00 | 0:38:01 | |
and meet the family this afternoon up at the velodrome. | 0:38:01 | 0:38:03 | |
I thought you might like to go along and meet instead. | 0:38:03 | 0:38:06 | |
-You could demonstrate you know... -My skills. -Yeah. | 0:38:06 | 0:38:09 | |
When I started riding, drop handlebars come in. | 0:38:09 | 0:38:12 | |
-Yes. -And, instead of having a little gear stick like that, | 0:38:12 | 0:38:15 | |
you had a special gears that went five gears in a big hub like that. | 0:38:15 | 0:38:19 | |
That's right and like you had one big wheel at the front | 0:38:19 | 0:38:21 | |
-and one little wheel at the back, didn't you? -That was my grandad. | 0:38:21 | 0:38:24 | |
Was it? While Billy gets kitted up, | 0:38:24 | 0:38:26 | |
Oliver has got his work cut-out with the tiling. | 0:38:26 | 0:38:29 | |
The chimneybreast is all done, | 0:38:29 | 0:38:31 | |
but there's more fiddly tiles in Ewan's wet room and now the kitchen. | 0:38:31 | 0:38:35 | |
OK, so basically these tiles can go in all sorts of directions, | 0:38:36 | 0:38:41 | |
so they can go a bit like that | 0:38:41 | 0:38:43 | |
so you have a bit of a starburst, or like that. | 0:38:43 | 0:38:47 | |
I think it's one of the problems on this job | 0:38:47 | 0:38:48 | |
is that we seem to have a lot of tiling now. | 0:38:48 | 0:38:50 | |
We've got chippies, we've got plumbers... | 0:38:50 | 0:38:53 | |
Why have we got a lot of tiling, Oliver? | 0:38:53 | 0:38:55 | |
Because normally, we have loads of tilers just | 0:38:55 | 0:38:57 | |
sitting around going, "What shall I do?" | 0:38:57 | 0:38:59 | |
and we get them all on the plasterwork. | 0:38:59 | 0:39:01 | |
-I guess it's the design, is it? -Yeah, yeah, that's right. | 0:39:01 | 0:39:04 | |
That's why we've got a lot of tiling. | 0:39:04 | 0:39:06 | |
Yeah, well, we've got that fireplace wall which is... What do you think? | 0:39:06 | 0:39:10 | |
Oh, it's fantastic and whoever did it did an absolutely smashing job. | 0:39:10 | 0:39:15 | |
We've got tiles on the kitchen. | 0:39:15 | 0:39:16 | |
Oi, oi, oi! Don't be dissing the bloody trades. | 0:39:16 | 0:39:18 | |
"It's because we haven't got enough tilers." | 0:39:18 | 0:39:20 | |
-It's you've designed too much tiling. -My design. -Yeah. | 0:39:20 | 0:39:23 | |
Yeah, but normally, we have a tiler in here. | 0:39:23 | 0:39:25 | |
-How many tilers have we got? -None. | 0:39:25 | 0:39:27 | |
-But, c'mon, one... -We've got none. No, we've got none. | 0:39:27 | 0:39:30 | |
We surely need at least one. | 0:39:30 | 0:39:32 | |
-No, he's not a... -But you've got every bloody room with tiles in it. | 0:39:34 | 0:39:37 | |
Look at that there, | 0:39:37 | 0:39:39 | |
look, now that's not just a simple everyday bit of tiling, is it? | 0:39:39 | 0:39:41 | |
-No, exactly. -Right, that took three blokes two days. | 0:39:41 | 0:39:45 | |
That's fantastic. | 0:39:45 | 0:39:46 | |
Yeah, so don't be dissing the trades. It's the amount of tiling. | 0:39:46 | 0:39:51 | |
And this isn't your Joe standard splash back, is it to be fair? | 0:39:51 | 0:39:55 | |
Am I the Joe standard designer? | 0:39:55 | 0:39:56 | |
-Plainly, you're not. -Thank... Thankfully. | 0:39:56 | 0:39:59 | |
But don't dis the trades and we're going to get over this all right, | 0:39:59 | 0:40:02 | |
so you just get your head around the design | 0:40:02 | 0:40:04 | |
and leave the tiling to the tilers. | 0:40:04 | 0:40:06 | |
-No, no, I'm not dissing anybody. -You were. | 0:40:06 | 0:40:08 | |
If they're not here, I'm not dissing them. | 0:40:08 | 0:40:09 | |
-Can I get on with it now? -I think you better. | 0:40:09 | 0:40:13 | |
Chris was quite emotional there, wasn't he? | 0:40:13 | 0:40:15 | |
Avoiding the heat in the kitchen, | 0:40:15 | 0:40:17 | |
we're taking the chance to give the family a day out. | 0:40:17 | 0:40:20 | |
Ben is a keen triathlete. He's even been known to team up with Ewan, | 0:40:20 | 0:40:23 | |
but with Billy's cycling pedigree, Herne Hill Velodrome | 0:40:23 | 0:40:27 | |
seemed the obvious place to put them head-to-head. | 0:40:27 | 0:40:29 | |
We've got our very own champion to take you on. | 0:40:29 | 0:40:32 | |
Look at that fine figure of a man. | 0:40:32 | 0:40:34 | |
Most people have got a six pack. I've got a keg. | 0:40:36 | 0:40:40 | |
It's a few years since I've done this, sausage, | 0:40:40 | 0:40:43 | |
-but are you ready to eat dirt? -Yeah, I'm ready. | 0:40:43 | 0:40:46 | |
Come on then, Ben. Bill and Ben, you're a weed! | 0:40:46 | 0:40:49 | |
Here we go, are you ready? | 0:40:49 | 0:40:52 | |
Is that kid clear over there? | 0:40:52 | 0:40:54 | |
He's gone, he's gone. | 0:40:57 | 0:40:59 | |
Oh, he's caught him already. | 0:41:03 | 0:41:04 | |
No, I didn't know we was racing. | 0:41:04 | 0:41:06 | |
MUSIC: I'm An Easy Rider by Johnny Cash | 0:41:06 | 0:41:08 | |
Yeah, it's a bit like the tortoise and the hare really. | 0:41:12 | 0:41:15 | |
No prizes for guessing which is which. | 0:41:15 | 0:41:17 | |
Go one more lap and see if you can lap him. | 0:41:24 | 0:41:27 | |
After Easy Rider, here's our queasy rider. | 0:41:27 | 0:41:30 | |
We thought a two lap race would be enough for Billy. | 0:41:30 | 0:41:32 | |
On reflection, maybe we should have stuck to just the one. | 0:41:32 | 0:41:34 | |
Where is he then? | 0:41:37 | 0:41:39 | |
He finished, went home and had a cup of tea. | 0:41:39 | 0:41:41 | |
He said he'd see you after he's had a shower. | 0:41:41 | 0:41:44 | |
Bill, you all right? What you need is a paramedic. | 0:41:44 | 0:41:48 | |
-You haven't lost it, have you? -Did you notice? | 0:41:48 | 0:41:51 | |
Yeah, you just left it in the car. I saw it on the front seat. | 0:41:51 | 0:41:54 | |
Did you notice the skill when I was on the inside I took the... | 0:41:54 | 0:41:58 | |
I was slightly worried by the technique, | 0:41:58 | 0:42:00 | |
where instead of your knees going forward your knees appeared | 0:42:00 | 0:42:03 | |
to be going out the side like that which was an interesting... | 0:42:03 | 0:42:06 | |
Things have changed since I did it. It's more aerodynamic now. | 0:42:06 | 0:42:10 | |
Here he comes. Listen, we better give him a big cheer | 0:42:10 | 0:42:12 | |
when he comes in because he won by, he won by three laps, | 0:42:12 | 0:42:15 | |
so given it was only a two lap race it was quite... | 0:42:15 | 0:42:18 | |
Yes, it was a walkover or a ride over maybe. | 0:42:18 | 0:42:20 | |
Back on site the race is still on to get the house finished. | 0:42:20 | 0:42:23 | |
The end of the tiling is almost in sight. | 0:42:23 | 0:42:25 | |
So all of the builders have jumped on the tiling and Julian is pulling | 0:42:25 | 0:42:28 | |
his weight and doing the grouting, grabbing the glory, aren't you? | 0:42:28 | 0:42:32 | |
-Yeah. -Oliver's reclaimed timber walls are going up | 0:42:32 | 0:42:34 | |
and the decorators are storming on. | 0:42:34 | 0:42:38 | |
You sit at home and you think they're never going to do | 0:42:38 | 0:42:40 | |
it in nine days and you moan at the television | 0:42:40 | 0:42:43 | |
if they're going to do it, and now I'm going to be proved wrong. | 0:42:43 | 0:42:45 | |
The lads have taken Oliver's reclaimed timber idea a step further | 0:42:45 | 0:42:48 | |
and crafted an outdoor kitchen from a load of old scaffold planks. | 0:42:48 | 0:42:52 | |
This goes to show the fantastic creativity, | 0:42:52 | 0:42:54 | |
not just dedication, of the people we've got working here. | 0:42:54 | 0:42:58 | |
Look at this. This is actually a thing of beauty. | 0:42:58 | 0:43:01 | |
Of course, it's about so much more than looking good. | 0:43:01 | 0:43:04 | |
It's about providing all the practical needs | 0:43:04 | 0:43:06 | |
for a family who've struggled. | 0:43:06 | 0:43:08 | |
As the last minutes of the final day tick away, | 0:43:10 | 0:43:12 | |
our willing army of trades make the big push. | 0:43:12 | 0:43:15 | |
I just heard about the little disabled boy | 0:43:16 | 0:43:18 | |
and thought I'd come over here and do some work for charity | 0:43:18 | 0:43:21 | |
for a change instead of taking everyone's money. | 0:43:21 | 0:43:24 | |
Are you off to Ascot? | 0:43:24 | 0:43:26 | |
-Hat, does it suit me? -Yeah. | 0:43:26 | 0:43:28 | |
-Nice, innit? Green's my colour, innit? -It is. | 0:43:28 | 0:43:31 | |
Suits his complexion. | 0:43:31 | 0:43:33 | |
The place is unrecognisable | 0:43:33 | 0:43:34 | |
as the home that was working against the family | 0:43:34 | 0:43:37 | |
and holding Ewan's progress back. | 0:43:37 | 0:43:39 | |
So how do you think you're going to feel at the end | 0:43:39 | 0:43:41 | |
when the family get this back? | 0:43:41 | 0:43:42 | |
It's going to be emotional for most of the guys, | 0:43:42 | 0:43:44 | |
because they've put a lot of blood, sweat and tears into this. | 0:43:44 | 0:43:48 | |
And when they see the reaction of the family, | 0:43:48 | 0:43:50 | |
I think it's going to be...quite emotional to be honest. | 0:43:50 | 0:43:53 | |
Nine days ago, we met two paramedics | 0:43:56 | 0:43:58 | |
who had spent their working lives helping others. | 0:43:58 | 0:44:02 | |
It's long hours and it can be quite draining emotionally. | 0:44:02 | 0:44:06 | |
But when Ewan, their second child, | 0:44:06 | 0:44:08 | |
was born with cerebral palsy, their home lives were turned upside-down. | 0:44:08 | 0:44:12 | |
They said to us Ewan's got a catastrophic brain injury. | 0:44:12 | 0:44:17 | |
He's going to be disabled for the rest of his life. | 0:44:17 | 0:44:19 | |
Your marriage will probably break down | 0:44:19 | 0:44:22 | |
and it's going to be the hardest thing you've ever done. | 0:44:22 | 0:44:25 | |
You do a lot of sort of crying, not always in public. | 0:44:25 | 0:44:29 | |
A lot of it is just sort of crying on your own. | 0:44:29 | 0:44:32 | |
Though they've made the best of things, | 0:44:32 | 0:44:34 | |
life has been a constant struggle | 0:44:34 | 0:44:36 | |
in a house totally inappropriate for a child with a disability. | 0:44:36 | 0:44:39 | |
He needs that constant reassurance that we're there, | 0:44:39 | 0:44:42 | |
and visually he hasn't got that because of the walls. | 0:44:42 | 0:44:45 | |
-Every time I leave the room he starts shouting at me. -Mummy! | 0:44:45 | 0:44:48 | |
He just wants me to be there with him. | 0:44:48 | 0:44:50 | |
He really makes me feel imprisoned. It's horrible. | 0:44:50 | 0:44:53 | |
But as people who help others every day, | 0:44:53 | 0:44:56 | |
they've been strangely reluctant to accept help themselves. | 0:44:56 | 0:45:00 | |
I think sometimes it's easier to pretend there's not a problem | 0:45:00 | 0:45:04 | |
or that you are coping and this is just the way life is. | 0:45:04 | 0:45:09 | |
Well, not any more. | 0:45:09 | 0:45:11 | |
To return the favour they give to others every day, | 0:45:11 | 0:45:14 | |
we've made a few changes. | 0:45:14 | 0:45:15 | |
Downstairs we removed the walls to make an open-plan space | 0:45:15 | 0:45:19 | |
where the family can see each other and feel secure. | 0:45:19 | 0:45:22 | |
Filled with life-enhancing natural materials | 0:45:22 | 0:45:25 | |
around a beautiful slate fireplace, | 0:45:25 | 0:45:27 | |
it's where Ewan can develop to his full potential. | 0:45:27 | 0:45:31 | |
Replacing the garage we built a modern extension | 0:45:33 | 0:45:36 | |
with a bedroom for Ewan inspired by his love for sport, | 0:45:36 | 0:45:40 | |
and with a wet room, | 0:45:40 | 0:45:41 | |
Mum and Dad will no longer have to carry him upstairs. | 0:45:41 | 0:45:44 | |
After six years sharing their bed with Ewan, | 0:45:46 | 0:45:48 | |
we can now reunite Ben and Sam in their own room | 0:45:48 | 0:45:51 | |
with its reclaimed timber bed and floor-to-ceiling wardrobes. | 0:45:51 | 0:45:55 | |
Beautiful, isn't it? | 0:45:57 | 0:45:59 | |
And Olivia's room has become an architect-inspired bedroom | 0:45:59 | 0:46:03 | |
for a girl who has sacrificed so much for her little brother. | 0:46:03 | 0:46:06 | |
In the garden, we've created a space that is accessible, | 0:46:08 | 0:46:11 | |
functional and fun with a covered deck to use in all weathers. | 0:46:11 | 0:46:16 | |
An outdoor kitchen will allow them to cook and eat here, | 0:46:16 | 0:46:19 | |
and with access via a ramp for Ewan, | 0:46:19 | 0:46:22 | |
they'll be able to hang out and play. | 0:46:22 | 0:46:24 | |
So, after a life helping others, | 0:46:24 | 0:46:26 | |
now it's time to be on the receiving end. | 0:46:26 | 0:46:28 | |
This is a big moment after all this time of making do | 0:46:28 | 0:46:31 | |
and getting on with it yourselves to see what everyone's managed | 0:46:31 | 0:46:35 | |
to achieve for you, so, if you're ready, | 0:46:35 | 0:46:38 | |
we need you to open your eyes. | 0:46:38 | 0:46:41 | |
Wow. | 0:46:44 | 0:46:45 | |
Wow. | 0:46:45 | 0:46:46 | |
Amazing. | 0:46:48 | 0:46:49 | |
-Oh, I love it. -I'm shaking. | 0:46:52 | 0:46:54 | |
We can cook and see him. | 0:46:55 | 0:46:58 | |
Wow. | 0:46:58 | 0:47:00 | |
Are you sure this is our house? You've not... | 0:47:00 | 0:47:02 | |
Yes, this used to be the little square room where your kitchen was | 0:47:02 | 0:47:04 | |
and this used to be your little square room | 0:47:04 | 0:47:07 | |
where your dining room was. | 0:47:07 | 0:47:09 | |
If we move through then you'll see that it's very open-plan, | 0:47:09 | 0:47:12 | |
we've taken the walls out just as we were told to by your daughter | 0:47:12 | 0:47:14 | |
to create all this extra space and also give Ewan the room to manoeuvre | 0:47:14 | 0:47:18 | |
around in the space so he can be part of the family the whole time. | 0:47:18 | 0:47:22 | |
It's perfect. | 0:47:22 | 0:47:23 | |
This is your tablet. | 0:47:25 | 0:47:27 | |
And if we go on here and we look at the lights | 0:47:27 | 0:47:29 | |
and you fade all the lights up, fade all the lights down. | 0:47:29 | 0:47:32 | |
-Wow. -And in fact you can control all of the lights | 0:47:32 | 0:47:35 | |
throughout the building from your tablet. | 0:47:35 | 0:47:37 | |
The only difficulty is it also means that if Ewan hacks into it, | 0:47:37 | 0:47:42 | |
he can be in his room | 0:47:42 | 0:47:44 | |
and turn all the lights down for you and do a disco in here for you. | 0:47:44 | 0:47:48 | |
Oh, my God, look at the wallpaper. | 0:47:52 | 0:47:54 | |
You are very clever. | 0:47:56 | 0:47:58 | |
Now, you mentioned the wallpaper straight away. | 0:47:58 | 0:48:00 | |
There's an artist called Rachel Whiteread, | 0:48:00 | 0:48:03 | |
she came up with design for the Olympics | 0:48:03 | 0:48:07 | |
and has personally given her permission | 0:48:07 | 0:48:10 | |
for us to put it up because we told them | 0:48:10 | 0:48:12 | |
that Ewan was really interested in the Paralympics and stuff. | 0:48:12 | 0:48:15 | |
Oh, do you know the Paralympics was such a change in our lives. | 0:48:15 | 0:48:18 | |
It was such an amazing event and it came just at the right time, | 0:48:18 | 0:48:22 | |
just at the time he was just really struggling and it just showed you | 0:48:22 | 0:48:25 | |
what disabled people can accomplish. It was amazing. | 0:48:25 | 0:48:28 | |
Oh, that's lovely, thank you. | 0:48:28 | 0:48:32 | |
It obviously means a lot this. | 0:48:32 | 0:48:34 | |
It's life-changing, it's massive. Do you want a tissue? | 0:48:35 | 0:48:39 | |
Thank you. | 0:48:39 | 0:48:40 | |
-Wow. -Wait until he sees it. He's going to love it, isn't he? | 0:48:42 | 0:48:47 | |
-His first bedroom at six. -Yeah. | 0:48:47 | 0:48:49 | |
-Oh, wow. -Wow. | 0:48:52 | 0:48:55 | |
It's so big, isn't it? | 0:48:58 | 0:49:00 | |
-It's just amazing, and you can get his chair under here? -Yes. | 0:49:00 | 0:49:05 | |
Wash his hands, he loves washing his hands, turning the taps on and off. | 0:49:05 | 0:49:10 | |
He will sit there for hours now and do that. | 0:49:10 | 0:49:12 | |
He's going to get water everywhere. | 0:49:12 | 0:49:14 | |
He's never going to come out, that's the problem. | 0:49:14 | 0:49:16 | |
It's just nice that he's got his own space and at last. | 0:49:16 | 0:49:21 | |
Also, for us very important | 0:49:21 | 0:49:23 | |
that Olivia had something a little special too. | 0:49:23 | 0:49:26 | |
Oh, wow. | 0:49:28 | 0:49:30 | |
And if you look at the wall there's all the buildings | 0:49:30 | 0:49:32 | |
cos she wants to be an architect, | 0:49:32 | 0:49:35 | |
and the design of the bed has been bespoke made for her. | 0:49:35 | 0:49:37 | |
That is so different, isn't it? | 0:49:37 | 0:49:39 | |
She deserved this as much as anyone. She puts up with an awful lot. | 0:49:39 | 0:49:44 | |
She's been a little rock, hasn't she? | 0:49:44 | 0:49:47 | |
She keeps us grounded sometimes, and when it's tough, she just... | 0:49:47 | 0:49:50 | |
..makes everything all right. | 0:49:52 | 0:49:53 | |
With the kids sorted, what about something for the parents | 0:49:53 | 0:49:57 | |
who haven't shared a bed for six years? | 0:49:57 | 0:49:59 | |
Step in. In you go. | 0:49:59 | 0:50:00 | |
Wow. | 0:50:02 | 0:50:03 | |
-That's amazing. -Cool, isn't it? | 0:50:05 | 0:50:08 | |
-Is it all right? -Yeah a proper grown-up... -An adult room. | 0:50:08 | 0:50:11 | |
Let's make a sign for the door, "No kids!" | 0:50:13 | 0:50:16 | |
And, of course, the difficulty has always been that one of you has | 0:50:18 | 0:50:20 | |
had to be with Ewan at all times, so what we've done instead is | 0:50:20 | 0:50:23 | |
if we go onto your tablet press this button here. | 0:50:23 | 0:50:28 | |
Wow. | 0:50:28 | 0:50:29 | |
And as you can see there, | 0:50:29 | 0:50:30 | |
there's a really clear picture of Ewan's bed, | 0:50:30 | 0:50:32 | |
but it means that you have it constantly here, | 0:50:32 | 0:50:34 | |
you prop it up in here and... | 0:50:34 | 0:50:36 | |
-I would worry otherwise. -Yeah. | 0:50:36 | 0:50:38 | |
Can you see that life should get easier in a lot of different ways | 0:50:38 | 0:50:43 | |
because of the way the house has been re-designed? | 0:50:43 | 0:50:46 | |
It's like a new life, isn't it? It's just going to change so much. | 0:50:46 | 0:50:49 | |
-As much as that, as much as a different as that? -Yeah. | 0:50:49 | 0:50:52 | |
To be fair it has been a hell of a hill to climb. | 0:50:52 | 0:50:54 | |
We were talking and you were saying that | 0:50:54 | 0:50:55 | |
there was a point that you were actually told that you had to go up | 0:50:55 | 0:50:58 | |
and say goodbye to him in hospital | 0:50:58 | 0:51:00 | |
because the machine was going to be switched off. It's just... | 0:51:00 | 0:51:03 | |
If that was the low point, maybe this is the change-over point. | 0:51:03 | 0:51:08 | |
Yeah, this is definitely a turning point. It's lovely. | 0:51:08 | 0:51:11 | |
-You are allowed to hug by the way. -But I never see her. | 0:51:14 | 0:51:18 | |
Well, this might be the moment when everyone's so emotional. | 0:51:18 | 0:51:22 | |
If you don't, I'm going to. | 0:51:22 | 0:51:23 | |
Well, that's Mum and Dad happy. | 0:51:27 | 0:51:29 | |
Now it's time for Ewan to see his very first bedroom. | 0:51:29 | 0:51:32 | |
Whose room is this? | 0:51:42 | 0:51:43 | |
Me. | 0:51:44 | 0:51:46 | |
-Do you like it? -Yeah. | 0:51:46 | 0:51:48 | |
Can you see your bed? | 0:51:48 | 0:51:49 | |
Wait, where's the other gone? | 0:51:51 | 0:51:53 | |
Ewan, how much do you like it? What number would you give it? | 0:51:55 | 0:52:01 | |
Eight or nine. | 0:52:01 | 0:52:02 | |
Right, we've got something else to show you though. | 0:52:02 | 0:52:05 | |
Go and have a look at your new bathroom. This is just for you. | 0:52:05 | 0:52:07 | |
Look at that! Is it good? | 0:52:10 | 0:52:14 | |
And judging by Ewan's reaction, the wet room scores even more. | 0:52:16 | 0:52:19 | |
Well, about time we showed you what we've done for you, I suppose. | 0:52:19 | 0:52:23 | |
Obviously, we've mainly being doing the house | 0:52:23 | 0:52:25 | |
with the living room and dining room. | 0:52:25 | 0:52:27 | |
We haven't had much time to do extra stuff upstairs, but... | 0:52:27 | 0:52:30 | |
Do you want to come and see the house? Yeah? Come with me. | 0:52:30 | 0:52:33 | |
This is your room. | 0:52:36 | 0:52:37 | |
-What do you think? -It's cool. | 0:52:40 | 0:52:42 | |
You just spend so much of your time | 0:52:44 | 0:52:45 | |
looking after Ewan and everybody else, | 0:52:45 | 0:52:48 | |
it's important that you have your own space, isn't it? | 0:52:48 | 0:52:50 | |
I genuinely, I don't think I've ever seen you this quiet. | 0:52:52 | 0:52:55 | |
-It's because it's so amazing. -Is it really? | 0:52:55 | 0:52:58 | |
I don't know what to say. | 0:52:58 | 0:53:00 | |
-Ah. -And what do you think of the whole house, | 0:53:01 | 0:53:03 | |
the whole house for the family? | 0:53:03 | 0:53:06 | |
It's just the best house. | 0:53:06 | 0:53:07 | |
Of course, none of them have a clue what we've done outside. | 0:53:09 | 0:53:12 | |
Wow! | 0:53:13 | 0:53:15 | |
Wow. | 0:53:20 | 0:53:21 | |
Everyone's gone quiet again. | 0:53:24 | 0:53:25 | |
Wow, that's amazing. | 0:53:25 | 0:53:27 | |
Nice and gentle. | 0:53:27 | 0:53:28 | |
This is awesome. | 0:53:30 | 0:53:32 | |
Let's play ball. | 0:53:36 | 0:53:38 | |
-Do you want to play basketball? -Yes. | 0:53:38 | 0:53:41 | |
-What's this? -It's an outdoor kitchen, | 0:53:41 | 0:53:43 | |
so you've got hot and cold running water, sink and a cooker. | 0:53:43 | 0:53:47 | |
I can clean my bikes here, can't I? | 0:53:49 | 0:53:51 | |
Would you clean your bike on the inside kitchen? | 0:53:51 | 0:53:53 | |
Yes, he would. | 0:53:53 | 0:53:54 | |
-Here they come. -Show the basketball. | 0:53:56 | 0:53:58 | |
He wants you to show you the basketball. | 0:53:58 | 0:54:00 | |
-Show me the basketball. -Go and have a wander through the garden. | 0:54:00 | 0:54:03 | |
I'll go down the steps. | 0:54:03 | 0:54:04 | |
Ready. | 0:54:06 | 0:54:08 | |
-Did it go in? -Yes. | 0:54:12 | 0:54:14 | |
I think it's safe to say the garden's a success, don't you? | 0:54:14 | 0:54:17 | |
How on earth did they move that? | 0:54:17 | 0:54:19 | |
-How? -Yeah. | 0:54:19 | 0:54:20 | |
Yeah, yeah, you don't want to know. | 0:54:20 | 0:54:22 | |
Oh, my goodness, Olivia. | 0:54:26 | 0:54:29 | |
Better than the old den? | 0:54:29 | 0:54:31 | |
-Yeah. -Brilliant, innit? | 0:54:31 | 0:54:32 | |
It's a family home now, | 0:54:32 | 0:54:34 | |
as opposed to just being a place where you come home | 0:54:34 | 0:54:36 | |
and sleep and get up. | 0:54:36 | 0:54:39 | |
And for the kids, as well, just so much better. | 0:54:39 | 0:54:41 | |
Life going to be easier now? | 0:54:43 | 0:54:45 | |
Yeah, a lot and happier. | 0:54:45 | 0:54:47 | |
This one here? | 0:54:47 | 0:54:48 | |
-I just feel less stressed already. -Really? | 0:54:49 | 0:54:53 | |
Yeah. I just feel less like it's a drag to come home. | 0:54:53 | 0:54:57 | |
It's not the kids, it's just the environment, | 0:54:57 | 0:54:59 | |
it wasn't conducive to... Everything was difficult from day-in-day-out | 0:54:59 | 0:55:03 | |
it's that kind of constant grind that I feel is gone. | 0:55:03 | 0:55:07 | |
You do what you do to help people | 0:55:07 | 0:55:09 | |
and this is what builders and suppliers do. | 0:55:09 | 0:55:12 | |
Do you want to meet some of the people that did it? | 0:55:13 | 0:55:15 | |
We should really, shouldn't we? | 0:55:17 | 0:55:18 | |
APPLAUSE | 0:55:22 | 0:55:25 | |
Wow, there's so many of you. | 0:55:36 | 0:55:38 | |
I just think, | 0:55:38 | 0:55:40 | |
all you guys have given up all your time for free for us | 0:55:40 | 0:55:44 | |
and it just seems a bit, it's quite overwhelming to be honest. | 0:55:44 | 0:55:49 | |
We're quite humbled so we can't thank you enough. | 0:55:49 | 0:55:51 | |
It's incredible. Thank you. | 0:55:51 | 0:55:52 | |
Nick kept saying to us you don't look like you want our help | 0:55:52 | 0:55:55 | |
and there's so much pride in sort of doing everything yourself | 0:55:55 | 0:55:58 | |
and surviving but I think that's what we have been doing. | 0:55:58 | 0:56:01 | |
We've been surviving really and just getting through, | 0:56:01 | 0:56:05 | |
but now this beautiful place | 0:56:05 | 0:56:06 | |
is really going to make such a difference to our lives | 0:56:06 | 0:56:10 | |
and I think it's going to make so much progress now in his new place. | 0:56:10 | 0:56:13 | |
It will be our sanctuary, thank you so much. | 0:56:15 | 0:56:17 | |
You should applaud yourselves. | 0:56:17 | 0:56:19 | |
You've done an amazing thing this week | 0:56:19 | 0:56:20 | |
and we're very proud of you, thank you very much. | 0:56:20 | 0:56:23 | |
How are you? | 0:56:34 | 0:56:35 | |
You all right? You've got an army of helpers here, all this lot. | 0:56:35 | 0:56:38 | |
You know, I was thinking you wouldn't be much good as a paramedic | 0:56:38 | 0:56:41 | |
if you were an overly emotional type, | 0:56:41 | 0:56:43 | |
if you burst into tears every time you saw something upsetting. | 0:56:43 | 0:56:46 | |
They have to deal with the most difficult circumstances | 0:56:46 | 0:56:49 | |
and so as a result... | 0:56:49 | 0:56:51 | |
..they find it difficult | 0:56:52 | 0:56:53 | |
to accept that people would want to come forward and help them. | 0:56:53 | 0:56:56 | |
We rely on paramedics. Some people can be paramedics, | 0:56:56 | 0:56:59 | |
some people can make a lot of money and give it to charity | 0:56:59 | 0:57:02 | |
and some people can build. | 0:57:02 | 0:57:03 | |
What these builders have done is come and changed life around | 0:57:03 | 0:57:06 | |
for young Ewan, future-proofed the house for the family. | 0:57:06 | 0:57:09 | |
The next few years are looking a lot brighter | 0:57:11 | 0:57:13 | |
because of the efforts that they've made. | 0:57:13 | 0:57:15 | |
Maybe you know somebody who could use your help - | 0:57:15 | 0:57:18 | |
whatever help that is. | 0:57:18 | 0:57:19 | |
There are so many people, aren't there? | 0:57:27 | 0:57:29 | |
-What to you think of your shed? -Really nice. | 0:57:29 | 0:57:31 | |
Thank you so much. | 0:57:33 | 0:57:36 | |
-Hello, darling. How are you? -Do you like it? | 0:57:37 | 0:57:40 | |
Did an awful lot of tiling. | 0:57:41 | 0:57:43 | |
Paul's been here right from the start. | 0:57:46 | 0:57:48 | |
I like the basketball net best. | 0:57:48 | 0:57:51 |