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Today, I'm part of the country as popular with tourists | 0:00:02 | 0:00:04 | |
as with house-hunters, spanning no less than six counties. | 0:00:04 | 0:00:07 | |
And this big fella here, Claudius, he's one of the main reasons why this area of England is so coveted. | 0:00:07 | 0:00:13 | |
With his forefathers' wool providing the foundations | 0:00:13 | 0:00:16 | |
for remarkable architectural legacy, his backyard is one of the most sought after escapes to the country. | 0:00:16 | 0:00:23 | |
In today's show I'll be helping an interior designer and her partner escape London life for | 0:00:35 | 0:00:40 | |
a breath of fresh air in the country, and immediately practical concerns emerge. | 0:00:40 | 0:00:45 | |
I'm just thinking how expensive it's going to be in curtains! | 0:00:45 | 0:00:49 | |
And I'll be showing them some fantastic country homes with a few surprises. | 0:00:49 | 0:00:54 | |
That is just the icing on the cake. | 0:00:54 | 0:00:58 | |
And, of course, there's the mystery house, | 0:00:58 | 0:01:00 | |
but will any of the properties match their country dream? | 0:01:00 | 0:01:04 | |
Today, I'm in the Cotswolds and, in medieval times, | 0:01:05 | 0:01:09 | |
this fella's ancestors were well known throughout Europe for their heavy fleeces and high quality wool. | 0:01:09 | 0:01:16 | |
With Cotswold wool commanding the very best prices, wealthy traders were able to invest in | 0:01:16 | 0:01:21 | |
the local area, building beautiful houses and stunning churches, known as wool churches, made from Cotswold | 0:01:21 | 0:01:28 | |
limestone, another characteristic of this area nearly as much as my four-legged friend here. | 0:01:28 | 0:01:35 | |
The largest of the 40 areas of outstanding natural beauty | 0:01:35 | 0:01:39 | |
in England and Wales, the Cotswolds lie across several counties. | 0:01:39 | 0:01:43 | |
On the western outskirts is the Cotswold's edge, a steep slope leading down to the Severn Valley. | 0:01:43 | 0:01:49 | |
It's one of the most desirable places to live in the country with property prices to match. | 0:01:49 | 0:01:54 | |
From modest cottages to grand houses, | 0:01:54 | 0:01:56 | |
it's the honey-coloured limestone that defines the local architecture. | 0:01:56 | 0:02:00 | |
But discerning residents are well served by the plentiful selection | 0:02:00 | 0:02:03 | |
of enticing shops and eateries spread across the attractive small towns and villages. | 0:02:03 | 0:02:09 | |
It's also a hot spot on the tourist map, bringing in millions of visitors every year. | 0:02:09 | 0:02:14 | |
As the new playground for celebrities such as Elizabeth Hurley, Kate Moss and Kate Winslet, | 0:02:21 | 0:02:27 | |
you'd be forgiven for thinking that the Cotswolds was out of the financial reach of mere mortals, | 0:02:27 | 0:02:33 | |
but although this is a very expensive part of the country, the good news is there's never been | 0:02:33 | 0:02:38 | |
a better time to move here, with house prices dropping 19% since they peaked in the summer of 2007. | 0:02:38 | 0:02:47 | |
To you and me that means a country cottage would | 0:02:47 | 0:02:50 | |
cost around £440,000 at the peak, and has now dropped to around 350. | 0:02:50 | 0:02:57 | |
So, what should you buy? | 0:02:57 | 0:02:59 | |
Have a look at some of these. | 0:02:59 | 0:03:03 | |
If your budget is £1.95 million you could be viewing this three bedroom converted dovecote in South Rock. | 0:03:03 | 0:03:10 | |
The stylish refurbishment has been sympathetic to the original | 0:03:10 | 0:03:13 | |
building, retaining many of its appealing features. | 0:03:13 | 0:03:16 | |
Alternatively, this typical Cotswold stone cottage in Temple Guiting is up for grabs at £550,000. | 0:03:16 | 0:03:23 | |
The heart of the three-bedroom home is 18th-century with all | 0:03:23 | 0:03:26 | |
the features you might expect, and the modern extension provides extra space for family living. | 0:03:26 | 0:03:32 | |
And, finally, how about this two bedroom cottage in Bourton-on-the- Hill on the market at £396,000? | 0:03:32 | 0:03:39 | |
The interior incorporates a mix of modern design with more traditional | 0:03:39 | 0:03:42 | |
features and the garden was certainly no afterthought. | 0:03:42 | 0:03:48 | |
Today's buyers may well be house-hunting here at the right time, | 0:03:48 | 0:03:52 | |
but will their budget match their expectations? Let's find out. | 0:03:52 | 0:03:56 | |
Our buyers today are interior designer Karen and accountant Gary, | 0:03:56 | 0:04:00 | |
who live in a three-bedroom maisonette in London's Little Venice. | 0:04:00 | 0:04:04 | |
When they bought the property seven years ago the layout didn't work for them so, with a keen eye for design, | 0:04:04 | 0:04:09 | |
they undertook a mammoth renovation project. | 0:04:09 | 0:04:13 | |
It was a six-month project and Gary tried to keep me away from the flat because it was such a hellhole. | 0:04:13 | 0:04:20 | |
Six months later, it was the home of their dreams. | 0:04:20 | 0:04:23 | |
We have the big through lounge upstairs, which is our lounge and | 0:04:23 | 0:04:27 | |
kitchen and dining area, and the downstairs area has three bedrooms which leads out on to our garden. | 0:04:27 | 0:04:34 | |
Originally, it was £400,000. The refurbishment cost was what? | 0:04:34 | 0:04:39 | |
-70,000. -70,000. -It's been a labour of love. | 0:04:39 | 0:04:41 | |
We've loved really doing it. | 0:04:41 | 0:04:43 | |
But like anything in life, you know, sometimes it reaches a point where you've got to move on. | 0:04:43 | 0:04:48 | |
I would hope in the current market a realistic valuation would probably be about £850,000 to £900,000. | 0:04:48 | 0:04:54 | |
But, for Karen, the move may be harder than she thinks. | 0:04:54 | 0:04:58 | |
I have lived in this road for 26 years. | 0:04:58 | 0:05:00 | |
Two of my best friends live in this road and it's very much a community. | 0:05:00 | 0:05:04 | |
I have very mixed emotions. | 0:05:04 | 0:05:06 | |
As much as I love London, I'm finding it too fast now and too polluted. | 0:05:06 | 0:05:12 | |
I want to be able to open up my doors and just breathe the country air. | 0:05:12 | 0:05:16 | |
This escape to the country is driven by Karen's growing interior design business. | 0:05:16 | 0:05:22 | |
This is currently what I'm using as an office base-stroke-studio, come work room, and an office for Gary. | 0:05:22 | 0:05:29 | |
I need to be able to have shelving floor to ceiling, bales of fabric, wallpaper banks. | 0:05:29 | 0:05:35 | |
I've so outgrown this. | 0:05:35 | 0:05:37 | |
I'm desperate for a big space. | 0:05:37 | 0:05:39 | |
And Gary has designs all of its own. | 0:05:39 | 0:05:42 | |
Yeah, as you can see, it's a nice-sized garden, but we've got neighbours | 0:05:42 | 0:05:45 | |
either side and whilst they're very nice and we get on with them, you know, it is nice to come out | 0:05:45 | 0:05:50 | |
and sit down and just hear nothing and we're hoping that that's what a country house is going to give us. | 0:05:50 | 0:05:54 | |
So, what does their shortlist comprise of? | 0:05:54 | 0:05:57 | |
I think it's a minimum of three bedrooms, a nice-sized living room, | 0:05:57 | 0:05:59 | |
kitchen or kitchen and dining room, it doesn't really matter. | 0:05:59 | 0:06:03 | |
Something with character. | 0:06:03 | 0:06:05 | |
-The only modern build we would look is... -Lots of glass. | 0:06:05 | 0:06:08 | |
A big unusual building with lots of glass and lots of light. | 0:06:08 | 0:06:11 | |
We haven't really done too much research. | 0:06:11 | 0:06:13 | |
18 months ago we went to visit some friends that were staying | 0:06:13 | 0:06:16 | |
in the Cotswolds and we both really loved it. | 0:06:16 | 0:06:19 | |
We thought it was a really, you know, quite special place, really. | 0:06:19 | 0:06:23 | |
Karen and Gary have put their heart and soul into their maisonette, | 0:06:23 | 0:06:26 | |
now it's time to find out if it's paid off. | 0:06:26 | 0:06:29 | |
I think this flat's in an enviable position. | 0:06:29 | 0:06:31 | |
It's white stucco, it's right on Little Venice, it's a garden maisonette which everybody wants. | 0:06:31 | 0:06:36 | |
I would value this property at £900,000. | 0:06:36 | 0:06:39 | |
It's a very decent valuation. | 0:06:41 | 0:06:43 | |
We're happy, very happy. | 0:06:43 | 0:06:44 | |
Yeah, our budget for looking for this property is going to be in and around between £700,000 to £800,000. | 0:06:44 | 0:06:51 | |
As Karen and Gary are looking for a house to replace the home they've spent the last seven years | 0:06:56 | 0:07:01 | |
pouring their love into, I think they're going to be quite difficult to please. | 0:07:01 | 0:07:05 | |
However, they're both the creative type, so hopefully they're going to be quite flexible. | 0:07:05 | 0:07:10 | |
Essentially what they're after is a detached house with bags of character and three bedrooms, | 0:07:10 | 0:07:17 | |
bright, airy reception rooms with high ceilings and definitely no beams, enough | 0:07:17 | 0:07:22 | |
space for their beautiful furniture and the knick-knacks they've collected from around the world, | 0:07:22 | 0:07:27 | |
and ideally an outbuilding which they can convert into an office, keeping work and play separate. | 0:07:27 | 0:07:33 | |
Karen and Gary are flexible regarding location so we're | 0:07:36 | 0:07:39 | |
concentrating our search close to Stroud. | 0:07:39 | 0:07:42 | |
Over two days, I'll be taking them on a tour of three desirable homes, but, as ever, I'll be leaving them | 0:07:42 | 0:07:47 | |
in the dark as to the prices until after the viewings. | 0:07:47 | 0:07:51 | |
The last of the three will be the mystery house, which always aims | 0:07:51 | 0:07:55 | |
to offer something a little bit unusual. | 0:07:55 | 0:07:58 | |
Hi, Karen and Gary. | 0:08:00 | 0:08:01 | |
-Hi, Nikki. -Pleased to meet you. -Hi, Nikki. Nice to meet you. | 0:08:01 | 0:08:03 | |
-Welcome to the Cotswolds! -Thank you. | 0:08:03 | 0:08:05 | |
So, are you looking forward to it? | 0:08:05 | 0:08:07 | |
-Really excited. -Really excited. -You don't want chocolate box, do you? | 0:08:07 | 0:08:12 | |
And the Cotswolds is known for its chocolate-box beauty. | 0:08:12 | 0:08:16 | |
Then we need to find the other side of the Cotswolds. | 0:08:16 | 0:08:19 | |
I'm sure there's lots of other beautiful houses that are not too chocolate box. | 0:08:19 | 0:08:23 | |
And ideally, Karen, you want to use it as your office, as well? | 0:08:23 | 0:08:26 | |
It would be great to have either garages that I could | 0:08:26 | 0:08:29 | |
potentially convert or an outhouse or a granny annexe, anything like that that I could use for a studio. | 0:08:29 | 0:08:35 | |
Now, Gary, I hear you're quite laid back. | 0:08:35 | 0:08:39 | |
Are you going to be getting excited about these properties? | 0:08:39 | 0:08:41 | |
Let's hope so! I'm not going to say I'm going to jump up and down | 0:08:41 | 0:08:44 | |
and wave my arms in the air, but you will see some emotion and if I like it you'll know I like it. | 0:08:44 | 0:08:49 | |
And who's going to make the final decision if we find your ideal dream property in the country? | 0:08:49 | 0:08:54 | |
-We both do. -Oh, we both will, yeah. -I like to think I wear the pants, but | 0:08:54 | 0:08:59 | |
-in truth... -It's a joint effort? | 0:08:59 | 0:09:01 | |
-It is. -It is, yeah. -Yeah, it has to be. | 0:09:01 | 0:09:03 | |
That's good. We've got some amazing properties for you to see over the next few days and, | 0:09:03 | 0:09:08 | |
-of course, we've got the mystery property, so lots to consider, all on a budget of £800,000? -Yes. | 0:09:08 | 0:09:15 | |
-Correct. -OK, so, shall we get started? -Great. | 0:09:15 | 0:09:19 | |
Let's get started. | 0:09:19 | 0:09:21 | |
Armed with a generous budget of £800,000, Karen and Gary are looking for a property with | 0:09:21 | 0:09:26 | |
plenty of period character, although a typical Cotswold cottage is definitely not on their wish list. | 0:09:26 | 0:09:32 | |
They would like a good sized living room, a minimum of three bedrooms | 0:09:32 | 0:09:36 | |
and an outbuilding to house Karen's growing interior design business. | 0:09:36 | 0:09:40 | |
So, both of you, especially Karen, over 25 years living in the same road. | 0:09:40 | 0:09:46 | |
-Surely making this move is going to be a huge wrench? -It's... | 0:09:46 | 0:09:49 | |
It's going to be a very big wrench and it's a decision that we've been | 0:09:49 | 0:09:54 | |
mulling over for quite some time now and the reality of it is that my business is growing and I need space. | 0:09:54 | 0:10:03 | |
We're starting our property search in Chalford, a small village four miles from Stroud. | 0:10:03 | 0:10:10 | |
This beautiful village is typical of the area with | 0:10:10 | 0:10:12 | |
many houses built in the warm honey tones of the local stone. | 0:10:12 | 0:10:16 | |
The village lies beside the Thames & Severn Canal, which dates back | 0:10:16 | 0:10:20 | |
to 1789 and played an important role in the local cloth trade. | 0:10:20 | 0:10:24 | |
Today, the paths offer the perfect place for a relaxing stroll. | 0:10:24 | 0:10:28 | |
So, here is your first property. | 0:10:30 | 0:10:33 | |
This is a house and a half! This is absolutely beautiful. | 0:10:33 | 0:10:37 | |
-Very nice, very nice. -Really? -I said I wasn't going to use that word. | 0:10:37 | 0:10:40 | |
-That's the last time you're going to use nice. -The first and last time. | 0:10:40 | 0:10:43 | |
Are you a big fan of the sash windows, the original sash windows? | 0:10:43 | 0:10:46 | |
I love the sash windows. I'm just thinking how expensive it's going to be in curtains! | 0:10:46 | 0:10:50 | |
Practical, I like that! | 0:10:51 | 0:10:53 | |
-Yes, but you're the perfect... -You see, I'm normally the practical person. | 0:10:53 | 0:10:57 | |
That's the first time she's been practical in years! | 0:10:57 | 0:10:59 | |
-Are you intrigued to have a look inside? -Oh, can't wait. -Absolutely. -Let's go. | 0:10:59 | 0:11:03 | |
So, here's the entrance hall. | 0:11:11 | 0:11:13 | |
For such an imposing front, I didn't expect stairs to be right here and quite a small staircase, | 0:11:13 | 0:11:19 | |
so immediately I feel everything is kind of closing down once you get inside, but I want an open mind. | 0:11:19 | 0:11:26 | |
Well, let me take you through to the main reception room. | 0:11:26 | 0:11:28 | |
Well, lovely neutral colours. | 0:11:28 | 0:11:30 | |
-I love that. -A good size. | 0:11:30 | 0:11:32 | |
-It makes it bright and, you know, airy. I love the fireplace. -Yeah. | 0:11:32 | 0:11:35 | |
The fireplace is lovely. It's big. | 0:11:35 | 0:11:37 | |
It gives it space, which is really nice. | 0:11:37 | 0:11:39 | |
I like the feel in this room. | 0:11:39 | 0:11:41 | |
I feel I could sit down, have a cup of tea and relax. It's homely. | 0:11:41 | 0:11:44 | |
You can sit down and have a cup of tea anywhere! | 0:11:44 | 0:11:46 | |
Well, I suppose. | 0:11:46 | 0:11:47 | |
Great, and things are getting better, but Gary's going to need somewhere to make the tea, | 0:11:47 | 0:11:52 | |
so will that homely feel continue in the kitchen? | 0:11:52 | 0:11:56 | |
Instinctively, I feel a bit let down by the kitchen. It's quite small. | 0:11:56 | 0:12:01 | |
And what do you think of the splash backs? | 0:12:01 | 0:12:03 | |
They're funky. I like them. | 0:12:03 | 0:12:05 | |
-It just feels small. -It seems | 0:12:05 | 0:12:08 | |
not quite big enough for a dining table and the kitchen as one here. | 0:12:08 | 0:12:13 | |
I like a really big refectory table. | 0:12:13 | 0:12:16 | |
It will be interesting to see if there's any other workable space | 0:12:16 | 0:12:18 | |
in here that we could actually use as a dining room. | 0:12:18 | 0:12:22 | |
Before we leave, there's an extra pocket of space at the end of the kitchen which is currently used | 0:12:22 | 0:12:27 | |
as the utility room and just next door off the hall is the second of the three reception rooms. | 0:12:27 | 0:12:32 | |
It might be a bit of a squeeze for their dining table, but it's light | 0:12:32 | 0:12:36 | |
and bright, so could make a good study. And there's more to come. | 0:12:36 | 0:12:42 | |
-You've got a downstairs cloakroom there. -OK. | 0:12:42 | 0:12:45 | |
-But through here this might answer your problem. -Oh, I love this room. | 0:12:45 | 0:12:51 | |
Oh, this is... This is... Yeah. | 0:12:51 | 0:12:53 | |
This is... This is so far, I think, my favourite room, yeah. | 0:12:53 | 0:12:56 | |
-That's a fabulous bay window, isn't it? -Gorgeous. | 0:12:56 | 0:12:58 | |
Potentially, you could have this as a dining room. | 0:12:58 | 0:13:02 | |
We could. I think it would work really well as a dining room. | 0:13:02 | 0:13:05 | |
I think the lovely thing here is that you could move in, for me, and I could just put down | 0:13:05 | 0:13:11 | |
my furniture without putting paint on the wall and getting rid of carpets. | 0:13:11 | 0:13:16 | |
It's all really neutral, it's all liveable. | 0:13:16 | 0:13:18 | |
Overall, that's quite a positive response for the downstairs and there's two more floors to go. | 0:13:18 | 0:13:24 | |
At the top of the stairs is the family bathroom and then | 0:13:24 | 0:13:28 | |
there are three double bedrooms of various sizes, enough to accommodate their visiting friends and family, | 0:13:28 | 0:13:33 | |
but I'm hoping they'll like the fourth bedroom I've saved for them. | 0:13:33 | 0:13:38 | |
So, here's your master bedroom. | 0:13:39 | 0:13:41 | |
It's a very nice space, a very good space. | 0:13:41 | 0:13:44 | |
-And high ceilings. -Yes. | 0:13:44 | 0:13:46 | |
I noticed that as we came in. And you've got the views. | 0:13:46 | 0:13:49 | |
-That is a fantastic view to wake up to every morning. -Yeah. -That's beautiful. | 0:13:49 | 0:13:53 | |
-And then just through that door, take a look, Gary. -Oh, a secret. | 0:13:53 | 0:13:56 | |
-Go on. -Go on, it won't bite. | 0:13:56 | 0:13:58 | |
-Yay! -The en suite. -The en suite. | 0:14:01 | 0:14:03 | |
So, again, not the largest en suite in the world, but workable. | 0:14:03 | 0:14:07 | |
Yeah, functionable. It's got everything you need up here. | 0:14:07 | 0:14:10 | |
I mean, you've got good light, you've got a great-sized room. I'm happy. | 0:14:10 | 0:14:16 | |
-Good. -I like it. -Excellent. | 0:14:16 | 0:14:18 | |
All that remains, then, is space for Karen's business. | 0:14:18 | 0:14:21 | |
-So, although this isn't an outbuilding, it is quite separate to the rest of the house. -Wow! | 0:14:23 | 0:14:30 | |
And just look at that space. | 0:14:30 | 0:14:32 | |
I'm thinking that could be an office, but this is what I'm excited about, because if you want room | 0:14:32 | 0:14:38 | |
for swatches and samples of cloth you've got this room, and then | 0:14:38 | 0:14:42 | |
through there you've got an identical room the same size. | 0:14:42 | 0:14:45 | |
Oh, my goodness! That is a big space. | 0:14:45 | 0:14:48 | |
Cor, and it's light again. They do like their windows, but | 0:14:48 | 0:14:50 | |
-it's good. -It's a fantastic space. It's exactly what I need. | 0:14:52 | 0:14:56 | |
The only downside for me is that I so desperately wanted to have it away from the main house. | 0:14:56 | 0:15:03 | |
-Is that for a mindset... -It is. -So you can separate the two? -Yes. | 0:15:03 | 0:15:06 | |
I feel that I definitely need that dividing line. | 0:15:06 | 0:15:09 | |
That's a fair point, but to get everything | 0:15:09 | 0:15:12 | |
they want, they may need to make some compromises along the way. | 0:15:12 | 0:15:16 | |
All that's left is the outdoor space. | 0:15:16 | 0:15:19 | |
-Who's the gardener in the relationship? -Me. -Are you? | 0:15:19 | 0:15:22 | |
This is about probably as much as I... I would manage. | 0:15:22 | 0:15:26 | |
And you still have that wonderful panoramic view, which is spectacular. | 0:15:26 | 0:15:31 | |
We couldn't do an outbuilding for you for your business, but we have got you a little cave in there. | 0:15:31 | 0:15:38 | |
That's as much as we could muster! | 0:15:38 | 0:15:40 | |
And you've also got the garage there, which is big enough for a small car. | 0:15:40 | 0:15:45 | |
You've got the space above it. | 0:15:45 | 0:15:46 | |
-You could build up. -So, you could have a studio there, in fact. -Yeah. | 0:15:46 | 0:15:50 | |
-It has loads of options, actually. -Yeah. -It certainly does. | 0:15:50 | 0:15:52 | |
Let's look from the vantage point | 0:15:52 | 0:15:54 | |
-looking back at the house, because that's all food for thought. -It is. | 0:15:54 | 0:15:59 | |
So, all is not lost with this house, but how much will a property like this cost? It's now crunch time. | 0:15:59 | 0:16:08 | |
How much do you think this is on the market for? | 0:16:08 | 0:16:10 | |
Well, I had a thought earlier on and I'm going to stick with my original thought. I'm going to say 750. | 0:16:10 | 0:16:15 | |
750,000. Karen? | 0:16:15 | 0:16:18 | |
I would say slightly lower. No outhouses, 695. | 0:16:18 | 0:16:22 | |
-You're going to say a lot more. -I'm going to slightly disappoint you on this one, I think. | 0:16:22 | 0:16:29 | |
It's actually on the market for 800,000. | 0:16:29 | 0:16:31 | |
-Is it? -Really? | 0:16:31 | 0:16:33 | |
I'm slightly surprised it's that much, I have to be honest. | 0:16:33 | 0:16:37 | |
Do you fancy having one last look around the property? | 0:16:37 | 0:16:39 | |
That would be really good, if we could just, on our own, just have a little mooch around. | 0:16:39 | 0:16:44 | |
Have a good explore and I'll catch up with you in a minute. | 0:16:44 | 0:16:46 | |
-Lovely, thank you. -Thanks. | 0:16:46 | 0:16:48 | |
Karen may be shocked by the £800,000 price tag, which is at the top of their budget, but this | 0:16:48 | 0:16:54 | |
handsome property does have three reception rooms, four bedrooms, three attic rooms and a garage | 0:16:54 | 0:17:01 | |
that could be converted or extended to accommodate the business. | 0:17:01 | 0:17:06 | |
I like the kitchen. I think there's certainly enough work space. | 0:17:06 | 0:17:10 | |
I just envisaged having a big refectory table like we have at home. | 0:17:10 | 0:17:14 | |
I suppose there's nothing to stop us using the room there, | 0:17:14 | 0:17:16 | |
as I think that would be... the room next door would be the best one to have as a dining room. | 0:17:16 | 0:17:21 | |
Where the house is situated is really lovely. It's... | 0:17:21 | 0:17:24 | |
It's peaceful, it's tranquil, I'm surrounded by greenery, | 0:17:24 | 0:17:28 | |
it's all the things that I'm looking for in the country. | 0:17:28 | 0:17:30 | |
It is very much, I think, what we're looking for. | 0:17:30 | 0:17:33 | |
It's got character, it's got some space inside. | 0:17:33 | 0:17:36 | |
I suppose the only thing is for us, obviously, was a bit more space around the whole house would | 0:17:36 | 0:17:41 | |
have been really nice, but you can't always have everything in life. | 0:17:41 | 0:17:45 | |
I love this room. This is probably one of my favourite rooms. | 0:17:45 | 0:17:48 | |
I love the way the light streams in and the views. | 0:17:48 | 0:17:52 | |
The downside for me is you put everything in here that you need to use, you're going to crowd | 0:17:52 | 0:17:56 | |
the room in and spoil the lovely feel and space that you've got now. | 0:17:56 | 0:17:59 | |
There are options within the house if we wanted to change a few things around. | 0:17:59 | 0:18:03 | |
The rooms were a good size. | 0:18:03 | 0:18:06 | |
I think it's a very good first property. | 0:18:06 | 0:18:09 | |
Yes, I think Nikki's definitely on the right track. | 0:18:09 | 0:18:11 | |
-Have you seen enough? -We have. | 0:18:12 | 0:18:14 | |
We had a really good look around and, yeah. | 0:18:14 | 0:18:18 | |
-Food for thought. -Excellent. | 0:18:18 | 0:18:19 | |
Well, there's plenty more beautiful properties to see in the Cotswolds, so let's keep going. Great. | 0:18:19 | 0:18:23 | |
Karen and Gary are looking forward to the slower pace of life in | 0:18:30 | 0:18:34 | |
the Cotswolds and are keen to soak up as much of this area as possible. | 0:18:34 | 0:18:37 | |
So during their visit they took a trip to Bourton-on-the-Water. | 0:18:37 | 0:18:42 | |
Regarded as one of the prettiest villages in England, | 0:18:42 | 0:18:45 | |
it straddles the River Windrush, and with its series of attractive | 0:18:45 | 0:18:48 | |
low bridges and neat riverbank, it's certainly the picture of elegance. | 0:18:48 | 0:18:52 | |
This is beautiful, we wouldn't miss the water at Little Venice. | 0:18:52 | 0:18:56 | |
We'd have our own Little Venice in the country. | 0:18:56 | 0:18:59 | |
-It is like a mini Venice in the Cotswolds. -It is. | 0:18:59 | 0:19:01 | |
-And all the ducks as well. -Really pretty. | 0:19:01 | 0:19:04 | |
The Cotswolds enjoy an architectural style all of its own, | 0:19:07 | 0:19:10 | |
noted for its characteristic steeply pitched roofs and dormer windows. | 0:19:10 | 0:19:15 | |
Many of the pristine buildings in the distinctive yellow stone date back 300 years. | 0:19:15 | 0:19:20 | |
It's an affluent, stylish area, and the well-heeled residents, including | 0:19:20 | 0:19:24 | |
some famous faces, could provide Karen with a new customer base. | 0:19:24 | 0:19:28 | |
I think it's absolutely stunning. | 0:19:28 | 0:19:30 | |
I don't know if it's viable for us to have a business here. | 0:19:30 | 0:19:33 | |
We just need to investigate it a bit more. | 0:19:33 | 0:19:35 | |
But I could certainly, certainly, certainly, 100% live here. | 0:19:35 | 0:19:39 | |
We continue our journey, | 0:19:43 | 0:19:45 | |
heading towards the outskirts of Nailsworth, four miles from Stroud. | 0:19:45 | 0:19:49 | |
The town grew up around the 18th-century cloth trade. | 0:19:49 | 0:19:53 | |
Today, it's a thriving hub with a wide selection of shops, | 0:19:53 | 0:19:56 | |
cafes and pubs, popular with the locals and the tourist trade. | 0:19:56 | 0:19:59 | |
Our next property is grade-II listed, | 0:20:01 | 0:20:03 | |
so let's see what they make of it. | 0:20:03 | 0:20:05 | |
Let's go up onto the patio, | 0:20:05 | 0:20:07 | |
cos I think this is the way to see this impressive house. | 0:20:07 | 0:20:10 | |
It's lovely. Gorgeous windows. Lovely stonework. | 0:20:10 | 0:20:15 | |
-It's got lots of character, bags of character. -Nice first impressions. | 0:20:15 | 0:20:19 | |
And this is all south facing, | 0:20:19 | 0:20:21 | |
so you get all the light in the afternoon and the evening as well. | 0:20:21 | 0:20:26 | |
-This could be a good entertaining space. -Definitely. | 0:20:26 | 0:20:31 | |
-Keen to look inside? -Really! -Very. -Let's take a look. | 0:20:31 | 0:20:35 | |
The exterior has grabbed their attention, | 0:20:35 | 0:20:38 | |
but how will the entrance hall fare this time? | 0:20:38 | 0:20:41 | |
Come on in. | 0:20:41 | 0:20:42 | |
I'm looking at your face, but I'm not sure I'm reading it right! | 0:20:48 | 0:20:52 | |
Karen, talk to me. | 0:20:52 | 0:20:54 | |
Um, straightaway, instinctively dark. | 0:20:54 | 0:20:57 | |
I just would have expected a wider, bigger space here with more light. | 0:20:57 | 0:21:03 | |
-Gary? -At this stage, I'd say, let's look around and see what it's got to offer. | 0:21:03 | 0:21:07 | |
If you said to me now, let's go, and not look around the house, | 0:21:07 | 0:21:11 | |
I'd be off. | 0:21:11 | 0:21:13 | |
-I've got my work cut out. -I'm not, I'm going to be positive. | 0:21:13 | 0:21:17 | |
I'd like to see the rest of the house. | 0:21:17 | 0:21:19 | |
Stay with me, Karen, because this property does have lots to offer. | 0:21:19 | 0:21:25 | |
-So you want quite a large kitchen/diner. -Yes. Good space. | 0:21:25 | 0:21:30 | |
Nice, through, open, entertaining, cooking. Lovely. | 0:21:30 | 0:21:34 | |
-Nice floor. -Gorgeous. The parquet floor. -Yes, lovely. | 0:21:34 | 0:21:37 | |
-You've got the range there for your cooking. A double butler sink. -Hmm. | 0:21:37 | 0:21:43 | |
Size wise and layout, it's lovely. | 0:21:43 | 0:21:45 | |
You've got nice big windows which is good. | 0:21:45 | 0:21:47 | |
This is better, this is much lighter | 0:21:47 | 0:21:49 | |
and I feel like I'm no longer in a basement. | 0:21:49 | 0:21:51 | |
That's a relief. | 0:21:51 | 0:21:53 | |
At the back of the kitchen there's a utility room | 0:21:53 | 0:21:56 | |
and a cloakroom with the bonus of a shower. | 0:21:56 | 0:21:58 | |
Next for us is the sitting room. | 0:21:58 | 0:22:01 | |
I love the room. It's a good size. | 0:22:01 | 0:22:04 | |
-It's a airy feel in here. -You have the oak floor. -Yes. | 0:22:04 | 0:22:10 | |
I like a bit of natural flooring. | 0:22:10 | 0:22:12 | |
That actually is a Georgian grate in the fireplace. | 0:22:12 | 0:22:15 | |
-I don't actually like the surround of that fireplace... -Busy. | 0:22:15 | 0:22:18 | |
-It's too busy, but I love the inside of it. -You like the grate. | 0:22:18 | 0:22:22 | |
I do, just for detail in the room. | 0:22:22 | 0:22:24 | |
Let me take you to the other reception room through here. | 0:22:24 | 0:22:27 | |
It's currently being used as a den. | 0:22:28 | 0:22:31 | |
It seems strange to have this room off the main lounge. | 0:22:31 | 0:22:33 | |
It's not really working for me, it's not one thing or another. | 0:22:33 | 0:22:38 | |
One thing you could consider, obviously you'd need planning | 0:22:38 | 0:22:41 | |
permission because it's grade II listed, | 0:22:41 | 0:22:44 | |
is actually take that wall down and have all | 0:22:44 | 0:22:47 | |
of this as a huge reception space. | 0:22:47 | 0:22:49 | |
Then it would be really impressive. | 0:22:49 | 0:22:51 | |
You'd get all that light coming through. | 0:22:51 | 0:22:53 | |
And the other windows, that would be beautiful. | 0:22:53 | 0:22:55 | |
So there are ways to improve this space. | 0:22:55 | 0:22:58 | |
Back off the hall is access to a wine cellar, | 0:22:58 | 0:23:02 | |
but I'm not sure it comes fully stocked! | 0:23:02 | 0:23:04 | |
Upstairs there are six bedroom over two floors. | 0:23:04 | 0:23:07 | |
On the first floor there are three doubles each with fabulous | 0:23:07 | 0:23:11 | |
large windows allowing plenty of natural light to flood in. | 0:23:11 | 0:23:15 | |
So this is the largest of the three double bedrooms on this floor. | 0:23:15 | 0:23:19 | |
Lovely proportions because it is Georgian. | 0:23:19 | 0:23:22 | |
Lovely double aspect window. | 0:23:22 | 0:23:26 | |
There isn't an en suite in this bedroom, | 0:23:26 | 0:23:28 | |
I know you really wanted one. | 0:23:28 | 0:23:31 | |
-That door is a cupboard space. -You know I'm not jumping up and down. | 0:23:31 | 0:23:34 | |
-You're very good at letting me know straightaway. -It's body language. | 0:23:34 | 0:23:38 | |
I can see it straightaway. | 0:23:38 | 0:23:39 | |
I think it's just, so far, the house doesn't flow for me, | 0:23:39 | 0:23:45 | |
I can't imagine us, our things, our friends, our family in this house. | 0:23:45 | 0:23:49 | |
I'm getting the idea they want a character property | 0:23:49 | 0:23:53 | |
but with a more urban interior. | 0:23:53 | 0:23:55 | |
I wonder what they'll make of the bathroom across the landing. | 0:23:55 | 0:23:58 | |
-I love the old-fashioned roll-top bath. -Love it, free standing. | 0:23:58 | 0:24:02 | |
For me, it's the nicest room so far, which is a bit bizarre to say that of a bathroom. | 0:24:02 | 0:24:06 | |
I'd second that. I would say this would be my favourite room. | 0:24:06 | 0:24:10 | |
Well, that's great news! I've found a room that you really like. | 0:24:10 | 0:24:14 | |
It is the bathroom. | 0:24:14 | 0:24:15 | |
All we need is a telly on the wall and a fridge down there and we could live in here. | 0:24:15 | 0:24:19 | |
That would be one way of living, Gary, | 0:24:19 | 0:24:22 | |
but there are three more bedrooms on the next floor. | 0:24:22 | 0:24:25 | |
One of them is a double and there are two singles, | 0:24:25 | 0:24:28 | |
one of which has an en suite. | 0:24:28 | 0:24:31 | |
Finally, on our tour is the outdoor space. | 0:24:31 | 0:24:34 | |
So the property stands in about an acre. So this is all your land here. | 0:24:35 | 0:24:41 | |
You do have views of the factory, | 0:24:41 | 0:24:43 | |
but in the summer those trees would probably cover it up. | 0:24:43 | 0:24:47 | |
But the one thing you can't get away from is the main road down there. | 0:24:47 | 0:24:51 | |
What's that? The what?! | 0:24:51 | 0:24:53 | |
That road and the factory over here has clinched it for me really. | 0:24:53 | 0:24:58 | |
-Doesn't quite work. OK. There's one more thing I want to show you. -OK. | 0:24:58 | 0:25:02 | |
Which I think you're going to like. | 0:25:02 | 0:25:04 | |
-I now have my doubts, but I'm going to show you anyway. -I love you! | 0:25:04 | 0:25:09 | |
Karen seems to have made up her mind but I still want to show them | 0:25:09 | 0:25:13 | |
the space I had in mind for the business. | 0:25:13 | 0:25:15 | |
Come on through. | 0:25:16 | 0:25:18 | |
So as an office space does this actually work for you? | 0:25:18 | 0:25:23 | |
This as the concept of what we said is spot on. | 0:25:23 | 0:25:26 | |
Stand alone, it's fantastic. I think you've got this exactly right. | 0:25:26 | 0:25:30 | |
The huge downside is that we are not in love with that house. | 0:25:30 | 0:25:36 | |
I really thought this beautiful, | 0:25:36 | 0:25:38 | |
well-proportioned house with its large windows would do the trick, | 0:25:38 | 0:25:42 | |
but nevertheless, we need to talk price. | 0:25:42 | 0:25:46 | |
How much do you think a house like this is currently on the market for? | 0:25:46 | 0:25:49 | |
-I would say 749. -749. OK, Gary? | 0:25:49 | 0:25:55 | |
I think it's going to be more like...785. | 0:25:55 | 0:25:59 | |
-Gary, you are closer, it's £1 under £800,000. -Really? | 0:26:01 | 0:26:08 | |
I know it's not the house of your dreams, | 0:26:08 | 0:26:10 | |
but take a final wander round | 0:26:10 | 0:26:12 | |
and I'll catch up with you in a minute. | 0:26:12 | 0:26:15 | |
-Sure. -We'll have a quick look. -Off you go. | 0:26:15 | 0:26:17 | |
At just under 800,000, this house is a pound shy of their maximum budget. | 0:26:20 | 0:26:25 | |
It has three reception rooms, six bedrooms | 0:26:25 | 0:26:29 | |
and a double garage with office space for the business. | 0:26:29 | 0:26:33 | |
-For somebody looking for a B&B this would be absolutely perfect. -Perfect. | 0:26:33 | 0:26:37 | |
All the rooms and the sizes, | 0:26:37 | 0:26:38 | |
-you could probably lose one or two rooms, they'd be en suite. -Sure. | 0:26:38 | 0:26:42 | |
It does have lots of pluses, the flagstone floor, | 0:26:42 | 0:26:44 | |
the original Georgian fireplace was exquisite. | 0:26:44 | 0:26:48 | |
For the right person it will be a wonderful house. | 0:26:48 | 0:26:51 | |
First impressions of the property were really positive. | 0:26:51 | 0:26:55 | |
I liked the facade, I loved the Georgian windows | 0:26:55 | 0:26:57 | |
and the fact it was a Georgian building. | 0:26:57 | 0:26:59 | |
The disappointment came as we walked through the front door. | 0:26:59 | 0:27:03 | |
I expected something perhaps a bit grander. | 0:27:03 | 0:27:05 | |
The configuration of the house means you need to use this as your lounge. | 0:27:05 | 0:27:09 | |
To me the two options are the wall there comes down | 0:27:09 | 0:27:12 | |
and makes one big, long lounge this way. | 0:27:12 | 0:27:15 | |
Or you knock the wall through from the kitchen | 0:27:15 | 0:27:18 | |
into the other small lounge area. | 0:27:18 | 0:27:19 | |
The outbuildings were very good. You have the office space, | 0:27:19 | 0:27:23 | |
which is a separate entrance which is really good. | 0:27:23 | 0:27:27 | |
The room that lit my fire was the bathroom. | 0:27:27 | 0:27:30 | |
I'd be quite happy sitting in there, glass of champagne, | 0:27:30 | 0:27:33 | |
whiling away the hours. | 0:27:33 | 0:27:34 | |
OK, ready? Save it for later. | 0:27:37 | 0:27:40 | |
We'll discuss this in more detail, | 0:27:40 | 0:27:43 | |
-but now let's continue our search. -OK. | 0:27:43 | 0:27:45 | |
Visitors flock to the Cotswolds for its architecture and landscape, but Bourton-on-the-Water is | 0:27:51 | 0:27:58 | |
also home to a perfumery that has created fragrances for the Queen. | 0:27:58 | 0:28:02 | |
Owner John Stevens is hoping to appeal to our creative nature | 0:28:02 | 0:28:05 | |
and is going to show us how to make our own scent. | 0:28:05 | 0:28:08 | |
-His aromatic garden is the place to get in touch with our sense of smell. -Have a smell of this. | 0:28:08 | 0:28:13 | |
Try to ignore what it looks like. | 0:28:13 | 0:28:16 | |
-Does that remind you of anything that's... -Peppery. | 0:28:16 | 0:28:19 | |
Close. | 0:28:19 | 0:28:21 | |
-I'd say curry it smells like to me. -You're right. -Really? -It's curry. | 0:28:21 | 0:28:25 | |
When you said pepper, I could smell peppery, definitely, but now you say curry... | 0:28:25 | 0:28:29 | |
So, how many fragrances do think there is in this courtyard garden? | 0:28:29 | 0:28:33 | |
There's quite a few smells here, of course, depending | 0:28:33 | 0:28:36 | |
on the time of year, but we've got over 1,000 materials in the lab. | 0:28:36 | 0:28:40 | |
1,000! Cor! That's a lot of smells for us to consider. | 0:28:40 | 0:28:43 | |
Do you fancy making your own personal aftershave? | 0:28:43 | 0:28:46 | |
-Yeah, it would be quite interesting. -Well, we'd love to have a go. -OK. | 0:28:46 | 0:28:50 | |
Great. Shall we follow you? Thank you. | 0:28:50 | 0:28:52 | |
Only the highest quality ingredients make it into John's lab. | 0:28:52 | 0:28:56 | |
It can take three tonnes of rose petals to make just over a litre of rose oil and it's the quality | 0:28:56 | 0:29:01 | |
of these oils that are key to creating a fine fragrance. | 0:29:01 | 0:29:04 | |
We split it up into base, middle and top notes. | 0:29:04 | 0:29:08 | |
So, the top notes evaporate fastest, base notes evaporate slowest and perfume is a blend | 0:29:08 | 0:29:14 | |
of those three types of notes and that makes the perfume balanced. | 0:29:14 | 0:29:18 | |
After a quick demonstration, we set to work to create our own unique blend. | 0:29:18 | 0:29:23 | |
It's all a bit of trial and error, getting the balance of notes right | 0:29:23 | 0:29:26 | |
is a question of skill, creativity and judgement. | 0:29:26 | 0:29:30 | |
-That one's really nice. -I think I'll try them two. | 0:29:33 | 0:29:36 | |
That final drop, that was orange oil. | 0:29:39 | 0:29:42 | |
So, hopefully, that's the perfect fragrance for me. | 0:29:42 | 0:29:46 | |
But what will John's expert nose make of our attempts? | 0:29:46 | 0:29:49 | |
I haven't named it yet. I might call it Escape To. | 0:29:49 | 0:29:53 | |
That's very nice. Quite subtle. | 0:29:53 | 0:29:56 | |
I like the wood notes coming out through well. Very nice. | 0:29:56 | 0:29:59 | |
So, how has Karen done? | 0:29:59 | 0:30:01 | |
Geranium and the lavender | 0:30:01 | 0:30:03 | |
-are clashing a bit. -Yes. -I think if you took those out, I think the rest is OK. | 0:30:03 | 0:30:09 | |
And, finally, Gary. | 0:30:09 | 0:30:10 | |
That's subtle again. | 0:30:10 | 0:30:12 | |
Yeah, I tried to keep it a bit subtle. | 0:30:12 | 0:30:14 | |
Yes. And a good citrus topnote. | 0:30:14 | 0:30:16 | |
That's a close one between you. I think probably Gary's just got it. | 0:30:16 | 0:30:20 | |
Nicely blended, a well-balanced fragrance. | 0:30:20 | 0:30:22 | |
-There we are. Congratulations! -Thank you. | 0:30:22 | 0:30:25 | |
Thank you. Can we keep this as a memento? | 0:30:25 | 0:30:27 | |
-You can. -Thank you very much. -OK. | 0:30:27 | 0:30:29 | |
-Cheers. Bye-bye. -Thank you, it's been great. | 0:30:29 | 0:30:31 | |
As the afternoon sun dips away, Karen and Gary take stock of the property search so far. | 0:30:38 | 0:30:44 | |
Chalford house that we saw, lovely, flowed nicely, light airy rooms. | 0:30:48 | 0:30:54 | |
Obviously the negative side was not having... | 0:30:54 | 0:30:57 | |
No outbuildings. I don't think the space in the loft | 0:30:57 | 0:31:00 | |
would be sufficient for what we want. | 0:31:00 | 0:31:02 | |
We definitely need an outbuilding. | 0:31:02 | 0:31:05 | |
Just to be away from the house, | 0:31:05 | 0:31:07 | |
to feel like you're going somewhere else to work. | 0:31:07 | 0:31:11 | |
OK, what about the Nailsworth house? The outbuilding was great. | 0:31:11 | 0:31:15 | |
That was great to have the garage separate, that was perfect, | 0:31:15 | 0:31:19 | |
that was ideal. | 0:31:19 | 0:31:21 | |
But the house, I have to say, | 0:31:21 | 0:31:23 | |
really didn't work for me from just walking in. | 0:31:23 | 0:31:27 | |
It was nice having the eaves upstairs and that bathroom was really nice, | 0:31:27 | 0:31:31 | |
that was my favourite room in the whole house. | 0:31:31 | 0:31:34 | |
So the ideal scenario would be to take the house from Chalford | 0:31:34 | 0:31:41 | |
and the out space from... | 0:31:41 | 0:31:44 | |
-Nailsworth. -And put them together somewhere else. | 0:31:44 | 0:31:47 | |
With a bit of space of land, a nice garden with that, that would be perfect. | 0:31:47 | 0:31:51 | |
Karen and Gary from London are looking to escape the Big Smoke | 0:31:57 | 0:32:01 | |
and find a new home in the Cotswolds with an outbuilding for Karen's interior design business. | 0:32:01 | 0:32:06 | |
They renovated their flat to their exacting standards and Karen has lived in the same road for 26 years, | 0:32:06 | 0:32:12 | |
so there's a good reason why this search is proving to be a challenge. | 0:32:12 | 0:32:16 | |
So far they've viewed two properties but having not done much research | 0:32:16 | 0:32:20 | |
before they're beginning to realise just how expensive this area of the country is. | 0:32:20 | 0:32:24 | |
And coming up: | 0:32:24 | 0:32:26 | |
Looking around this garden, it's really... It's just breathtaking. | 0:32:26 | 0:32:30 | |
We also find a space perfect for Gary. | 0:32:30 | 0:32:32 | |
I just want to sit down and have a drink and watch the world go by. | 0:32:32 | 0:32:35 | |
It's a new day on our house hunt here in the Cotswolds and I think | 0:32:38 | 0:32:42 | |
it's fair to say that Gary and Karen have very exacting demands. | 0:32:42 | 0:32:46 | |
Nevertheless, I'm going to be showing them | 0:32:46 | 0:32:48 | |
two very different properties today, both oozing character, | 0:32:48 | 0:32:52 | |
so hopefully one of them's going to hit the spot. | 0:32:52 | 0:32:55 | |
Our first house this morning is in Selsley, two miles south of Stroud. | 0:32:58 | 0:33:02 | |
The village lies in beautiful countryside | 0:33:02 | 0:33:05 | |
where the pace of life is slow. | 0:33:05 | 0:33:07 | |
Nearby Stroud would offer Karen and Gary a greater range of independent shops and cafes. | 0:33:07 | 0:33:12 | |
The next house is approached via a long gravel drive. | 0:33:12 | 0:33:15 | |
It's much more contemporary, so fingers crossed they're going to like it. | 0:33:15 | 0:33:19 | |
So, here's your property. What's your immediate reaction? | 0:33:20 | 0:33:24 | |
It's just different. It's sort of a Cotswold stone | 0:33:24 | 0:33:27 | |
with a contemporary twist. | 0:33:27 | 0:33:29 | |
That's exactly what it is. I couldn't have put it better myself! | 0:33:29 | 0:33:33 | |
I'm loving that wall. It really is very me. | 0:33:33 | 0:33:36 | |
No, I like it. I'm intrigued to get inside, actually. | 0:33:36 | 0:33:39 | |
Yeah? A new day has brought a fresh start, so let's hope this positivity continues inside. | 0:33:39 | 0:33:45 | |
Come on in. | 0:33:48 | 0:33:49 | |
I like this entrance. | 0:33:49 | 0:33:51 | |
Yeah, it feels open. It feels light. | 0:33:51 | 0:33:54 | |
I like the fact that you can see the garden. | 0:33:54 | 0:33:56 | |
-I like the floor. -And it's a bit... | 0:33:56 | 0:33:59 | |
-It's nice to have something unexpected. You don't expect to see the garden. -Yes. | 0:33:59 | 0:34:03 | |
-That's a nice little feature. -I can't tell you how happy I am! | 0:34:03 | 0:34:07 | |
I literally had my fingers crossed. | 0:34:07 | 0:34:09 | |
-We're on a winner so far. -We're on a winner. | 0:34:09 | 0:34:12 | |
On that note, we're going to keep moving forward into the kitchen... | 0:34:12 | 0:34:16 | |
..which is an impressive size, I think you'll agree. | 0:34:18 | 0:34:21 | |
Oh! And look at that view. Wow! | 0:34:21 | 0:34:25 | |
That is beautiful. | 0:34:25 | 0:34:26 | |
It's got everything you want. How could you not like this kitchen? | 0:34:26 | 0:34:30 | |
And I've noticed behind us, a sneaky look... | 0:34:30 | 0:34:33 | |
-Yes. -Somewhere for our big refectory table. | 0:34:33 | 0:34:36 | |
So you've got plenty of space there. | 0:34:36 | 0:34:38 | |
It's a nice practical island in the middle, not just for the sake of it being there. | 0:34:38 | 0:34:42 | |
-So, you'd happily sit on these stools for breakfast? -Gosh, yes. | 0:34:42 | 0:34:46 | |
-Could you imagine that? -A few croissants, a cup of tea. | 0:34:46 | 0:34:49 | |
-Yeah. -I don't think I'd ever get up and go to work. | 0:34:49 | 0:34:52 | |
That's it, I would just sit there for the whole day just staring out at that view. | 0:34:52 | 0:34:57 | |
It would just be absolutely fantastic. | 0:34:57 | 0:34:59 | |
Jackpot! A kitchen they like! In addition there's a utility room to | 0:34:59 | 0:35:03 | |
hide away the white goods and, next, something a little bit unusual. | 0:35:03 | 0:35:08 | |
So, it's not often you can say come through to the music room, | 0:35:08 | 0:35:12 | |
but today, come through to your music room. | 0:35:12 | 0:35:14 | |
You've got, like, 180 degree view of your gardens. | 0:35:14 | 0:35:18 | |
-It's like a conservatory. I mean, I'm presuming this is not the lounge lounge? -No, no. -OK. | 0:35:18 | 0:35:24 | |
I've got another reception room to show you but I think you're right, it is like a conservatory, | 0:35:24 | 0:35:29 | |
although it's incorporated into the main body of the house. | 0:35:29 | 0:35:32 | |
So, you could... | 0:35:32 | 0:35:34 | |
have a dining table or something and have this actually has an entertaining space. | 0:35:34 | 0:35:38 | |
-I think it would work fantastically well. -It would look wicked. | 0:35:38 | 0:35:42 | |
I really do like this space. I love all the glass. | 0:35:42 | 0:35:44 | |
It really works for me. | 0:35:44 | 0:35:46 | |
Great. Well, you want to know where the sitting room is, it's actually | 0:35:46 | 0:35:50 | |
on another level and I know you like your stairs so follow me. | 0:35:50 | 0:35:53 | |
To the left there's a small study office and in here. | 0:35:55 | 0:35:59 | |
Here's your sitting room. | 0:35:59 | 0:36:01 | |
Our sofas and big pieces of furniture would work really well. | 0:36:01 | 0:36:07 | |
-I really like that fireplace. -Working fireplace. | 0:36:07 | 0:36:09 | |
-That's local stone, as well. -OK. | 0:36:09 | 0:36:11 | |
I like that. It's really simple but very elegant. I'm just not sure... | 0:36:11 | 0:36:15 | |
I don't know what it is, I just... | 0:36:15 | 0:36:17 | |
It's my... My immediate reaction is just that there's something to do | 0:36:17 | 0:36:20 | |
just with that wall that's just sort of bothering me slightly. | 0:36:20 | 0:36:24 | |
It almost feels that it's sort of coming down on you. | 0:36:24 | 0:36:27 | |
Oppressive for you? | 0:36:27 | 0:36:29 | |
A little bit but it could be my claustrophobia. | 0:36:29 | 0:36:31 | |
I probably need to go in and out a few times just to see if I... | 0:36:31 | 0:36:35 | |
if I feel the same. | 0:36:35 | 0:36:37 | |
Moving swiftly on, it's time to start the tour of the five bedrooms in this house. | 0:36:37 | 0:36:42 | |
So, up here you have the guest bedroom and it's also an en suite. | 0:36:42 | 0:36:47 | |
-OK. -Just through there. And through here is the master bedroom. | 0:36:47 | 0:36:51 | |
You've got a little en suite there, which works well. | 0:36:51 | 0:36:56 | |
-So, this would be yours. -My initial reaction is I think this ceiling's too low... | 0:36:56 | 0:37:03 | |
-OK. -For me. | 0:37:03 | 0:37:05 | |
-Yeah. -I quite like the shape of this section here. | 0:37:05 | 0:37:09 | |
You've got some storage there and I've got to mention the shutters, | 0:37:09 | 0:37:13 | |
I mean, beautifully done all the way around. | 0:37:13 | 0:37:17 | |
I like that sort of colonial feel up here. | 0:37:17 | 0:37:20 | |
Well, the shutters are approved but the ceiling is too low. | 0:37:20 | 0:37:24 | |
Will the rest of the house be able to win Karen over? | 0:37:24 | 0:37:27 | |
The quirky nature of this property means the remaining three bedrooms are on the lower ground floor. | 0:37:27 | 0:37:33 | |
So, we're now in the lower part of the house. | 0:37:33 | 0:37:36 | |
You've got a family bathroom there, | 0:37:36 | 0:37:38 | |
another bedroom, but what I was originally thinking was this part could actually be | 0:37:38 | 0:37:44 | |
-converted into your office stroke storage room but having seen the negativity upstairs... -Yes. | 0:37:44 | 0:37:49 | |
You could actually convert this part into a master bedroom and put your guests upstairs. | 0:37:49 | 0:37:56 | |
It would be nice to go out from your bedroom into a little patio area. | 0:37:56 | 0:38:00 | |
That could be a nice feature. | 0:38:00 | 0:38:01 | |
So, there are options and it doesn't end there. | 0:38:01 | 0:38:05 | |
Outside, the carport and garage could be converted | 0:38:05 | 0:38:08 | |
for a large office and storage area for all Karen's materials. | 0:38:08 | 0:38:12 | |
Round the corner, the walled garden has been beautifully landscaped. | 0:38:12 | 0:38:16 | |
There's a manicured carpet of grass, a patio for alfresco dining and a little water feature too. | 0:38:16 | 0:38:23 | |
Looking around this garden, it's really... | 0:38:23 | 0:38:26 | |
It's just breathtaking and it's very rare that you see a garden of this standard. | 0:38:26 | 0:38:31 | |
The garden is quite magnificent and it is a stunning house, | 0:38:31 | 0:38:36 | |
which leads me to ask you how much is currently on the market for? | 0:38:36 | 0:38:40 | |
I'm going to take a flyer and say it's on at about... | 0:38:40 | 0:38:45 | |
-..825. -I'll stick, I'll say about 820. | 0:38:46 | 0:38:51 | |
Well, Gary, you're closer | 0:38:51 | 0:38:54 | |
but it is actually on the market for £795,000. | 0:38:54 | 0:38:59 | |
so £5,000 under budget. | 0:38:59 | 0:39:01 | |
-OK. -I'm surprised. | 0:39:01 | 0:39:04 | |
-Are you, why? -I am. | 0:39:04 | 0:39:06 | |
I think because of the garden, because of... | 0:39:06 | 0:39:10 | |
The driveway's fantastic. It's got lots of unique features. | 0:39:10 | 0:39:13 | |
And the space, there's an awful lot of space outside. | 0:39:13 | 0:39:17 | |
Do you want to go and have another look and I'll catch up with you in a minute? | 0:39:17 | 0:39:21 | |
-Great. -OK. -Thank you. | 0:39:21 | 0:39:22 | |
This time, Karen and Gary over estimated the £795,000 price tag | 0:39:22 | 0:39:27 | |
that accompanies this immaculate house. | 0:39:27 | 0:39:31 | |
It has a large kitchen/diner, five bedrooms, a carport and garage | 0:39:31 | 0:39:36 | |
that could be converted into a business premises and a beautifully maintained landscaped garden. | 0:39:36 | 0:39:42 | |
I keep coming in and out of this room and that wall is still perturbing me slightly, the way it slopes down. | 0:39:42 | 0:39:49 | |
It's just not doing it for me. | 0:39:49 | 0:39:51 | |
The entrance is phenomenal. | 0:39:51 | 0:39:53 | |
I mean, it's pretty impressive as you drive down with the old wall | 0:39:53 | 0:39:56 | |
and the long drive, so first impressions are very, very good. | 0:39:56 | 0:40:00 | |
When I walked into the house, I noticed the light just flooding in from all the windows. | 0:40:00 | 0:40:06 | |
I was pleasantly surprised. I liked it. | 0:40:06 | 0:40:09 | |
I think the kitchen is wow and obviously the sort of conservatory/room. | 0:40:09 | 0:40:14 | |
That will make a great dining room. | 0:40:14 | 0:40:17 | |
I absolutely love this space. | 0:40:17 | 0:40:19 | |
It brings the garden inside almost. | 0:40:19 | 0:40:21 | |
It does. I think this is by far my favourite space. | 0:40:21 | 0:40:24 | |
There's a double garage and the space next to the garage that hasn't actually been developed at the moment | 0:40:24 | 0:40:31 | |
and I could just see a really stunning glass fronted studio | 0:40:31 | 0:40:36 | |
with all my fabrics and wallpapers and paints and, yeah, I was very excited about that space. | 0:40:36 | 0:40:41 | |
-So, have you seen enough of the house? -We have, yeah. | 0:40:44 | 0:40:47 | |
We've had a good look round. | 0:40:47 | 0:40:48 | |
I've got more to show you, so let's get back on the road. | 0:40:48 | 0:40:51 | |
-Great. -OK. | 0:40:51 | 0:40:54 | |
With Karen and Gary's passion for design we couldn't let their trip | 0:40:58 | 0:41:01 | |
to the Cotswolds pass without visiting the Kelmscott summer house | 0:41:01 | 0:41:04 | |
of William Morris, the father figure of the arts and crafts movement. | 0:41:04 | 0:41:10 | |
So earlier in the week they took a guided tour | 0:41:10 | 0:41:13 | |
with property manager Tristan Molloy. | 0:41:13 | 0:41:15 | |
Arts and Crafts artists rejected the opulence of the Victorian era | 0:41:15 | 0:41:19 | |
and urged a return to medieval design and craftsmanship. | 0:41:19 | 0:41:22 | |
This house contains an outstanding collection of Morris's | 0:41:22 | 0:41:26 | |
possessions and works, including furniture, textiles and ceramics. | 0:41:26 | 0:41:30 | |
Here we are straight in to the old hall or the dining room, and | 0:41:30 | 0:41:34 | |
the dining room which the Morrises would have eaten in as well. | 0:41:34 | 0:41:37 | |
I don't think Morris himself would have sat | 0:41:37 | 0:41:39 | |
on these delicate chairs, which were a Sussex chair, | 0:41:39 | 0:41:42 | |
designed and produced by Morris and co. | 0:41:42 | 0:41:44 | |
These fabrics, are they all William Morris fabrics? | 0:41:44 | 0:41:47 | |
Yes, this is the Strawberry Thief design. | 0:41:47 | 0:41:50 | |
It's said that on one occasion staying here | 0:41:50 | 0:41:52 | |
he was waiting his turn to use the three-seater privy. | 0:41:52 | 0:41:55 | |
On the ground around him were the strawberry plants and he saw | 0:41:55 | 0:41:58 | |
a thrush come down and nick a strawberry in its beak and fly off. | 0:41:58 | 0:42:01 | |
Apparently, he was inspired to run in | 0:42:01 | 0:42:03 | |
and pencil out the design for Strawberry Thief. | 0:42:03 | 0:42:06 | |
-It's amazing what ideas can come to you in the most unusual places. -Yes! | 0:42:06 | 0:42:11 | |
The green room has a beautiful fireplace | 0:42:11 | 0:42:14 | |
complete with Morris's own tiles. | 0:42:14 | 0:42:16 | |
It also holds two of the printing blocks | 0:42:16 | 0:42:19 | |
he used to produce the kennet chintz design. | 0:42:19 | 0:42:21 | |
The house is full of treasures close to Morris's heart, | 0:42:21 | 0:42:24 | |
like the very bed in which he was born in 1834. | 0:42:24 | 0:42:29 | |
We're now into William Morris's bedroom. | 0:42:29 | 0:42:33 | |
Wow, what a tiny bed, it would make for a very cosy evening. | 0:42:33 | 0:42:37 | |
William himself loved it so much he wrote a poem about it, | 0:42:37 | 0:42:40 | |
For The Bed At Kelmscott. | 0:42:40 | 0:42:42 | |
May, his daughter, in the early 1890s, | 0:42:42 | 0:42:44 | |
took the text of the poem and embroidered that into the pelmet. | 0:42:44 | 0:42:47 | |
And then the bedspread is Jane Morris's work. | 0:42:47 | 0:42:51 | |
-Does it appeal to you as an interior designer? -There are aspects. | 0:42:51 | 0:42:54 | |
I love all the tapestries. | 0:42:54 | 0:42:56 | |
And for me I can definitely see, over the years, | 0:42:56 | 0:43:00 | |
I've taken ideas from William Morris. | 0:43:00 | 0:43:03 | |
The attic rooms hold striking tapestries | 0:43:03 | 0:43:06 | |
and simple furniture that add to this significant collection. | 0:43:06 | 0:43:10 | |
This house was dear to William Morris's heart. | 0:43:10 | 0:43:13 | |
I hope we can find a house that will make Karen and Gary just as happy. | 0:43:13 | 0:43:18 | |
I feel I've gotten pretty close but so far none of the properties | 0:43:20 | 0:43:25 | |
I've showed Karen and Gary have quite hit the mark. | 0:43:25 | 0:43:28 | |
So, I've decided to throw them a curveball. | 0:43:28 | 0:43:31 | |
Yes, it's the mystery property and knowing their fondness for quirks, I've decided to show them something | 0:43:31 | 0:43:37 | |
with plenty of Cotswold character and unique features in abundance. | 0:43:37 | 0:43:42 | |
So, we're on our way to the mystery property. | 0:43:44 | 0:43:47 | |
-This is where I always get very excited. -Dum dum dum! | 0:43:47 | 0:43:50 | |
-Dum dum dum! -So do we. -What would you love to see? | 0:43:50 | 0:43:53 | |
I'd love to see a nice detached property in the middle | 0:43:53 | 0:43:57 | |
of its own little bit of land, no-one overlooking us. | 0:43:57 | 0:44:00 | |
-Olympic size swimming pool. George Clooney living on one side, Brad Pitt on the other. -Fabulous! | 0:44:00 | 0:44:06 | |
It's time to reveal our mystery house. | 0:44:06 | 0:44:09 | |
It's in Kelmscott, a short drive from Kelmscott Manor. | 0:44:09 | 0:44:12 | |
Unfortunately, though, I'm not aware of celebrity neighbours. | 0:44:12 | 0:44:16 | |
It's a quiet, peaceful village where nature sits on the doorstep of the attractive housing stock. | 0:44:16 | 0:44:21 | |
It couldn't feel more different to their central London location. | 0:44:21 | 0:44:25 | |
Our mystery property is a converted schoolhouse that is packed to the rafters with quirky features | 0:44:25 | 0:44:30 | |
that hopefully will appeal to Karen and Gary's sense of fun. | 0:44:30 | 0:44:34 | |
BELL RINGS | 0:44:34 | 0:44:35 | |
I love that bell. | 0:44:35 | 0:44:37 | |
-That's a sound that takes me back. -Yeah. | 0:44:37 | 0:44:39 | |
Well, here is your mystery property. | 0:44:39 | 0:44:42 | |
What are your first impressions? | 0:44:42 | 0:44:44 | |
I like the Cotswold stone. It's... | 0:44:44 | 0:44:46 | |
It doesn't look too big but I've got a feeling | 0:44:46 | 0:44:49 | |
it's going to be bigger inside than it looks on the outside. One of those houses. | 0:44:49 | 0:44:52 | |
Yeah, first impressions, not too bad. | 0:44:52 | 0:44:55 | |
-So, you're ready to go inside and have a look? -Yeah, we are. -Yes, definitely. -Come on. | 0:44:55 | 0:45:00 | |
So, come through into the hallway. | 0:45:03 | 0:45:05 | |
Thank you. | 0:45:05 | 0:45:07 | |
-You can hang your coat up there, if you like. -Oh, thank you, yeah. | 0:45:07 | 0:45:10 | |
So, Gary, what are your first impressions? | 0:45:10 | 0:45:13 | |
It sort of looks a nice little cottage from outside and that's the feel you get when you come in here. | 0:45:13 | 0:45:18 | |
-Karen? -I don't like the entrance hall at all. | 0:45:18 | 0:45:21 | |
It feels very small and enclosed and quite dark. | 0:45:21 | 0:45:24 | |
It is dark. We've got the door open so we're getting a lot of light in | 0:45:24 | 0:45:28 | |
but normally it would be a lot darker than this. | 0:45:28 | 0:45:30 | |
And you've got the slate on the floor. | 0:45:30 | 0:45:32 | |
I love that. I do like that, yes. | 0:45:32 | 0:45:34 | |
Well, at least that's something. | 0:45:34 | 0:45:36 | |
Just off the hall to our right is the first of the four bedrooms | 0:45:36 | 0:45:40 | |
in this house and the family bathroom too. | 0:45:40 | 0:45:42 | |
Next stop is the lounge diner but what will they make of it? | 0:45:42 | 0:45:45 | |
Oh, no! No! My worst nightmare! I hate spiral staircases. | 0:45:47 | 0:45:51 | |
-Oh, do you? -I absolutely hate them. | 0:45:51 | 0:45:53 | |
So, what does a spiral staircase do for you? | 0:45:53 | 0:45:56 | |
It's just really... It just breaks up a room in the most unpositive way. | 0:45:56 | 0:46:03 | |
I'm going to have to hold your hand, aren't I? You're going to be going up there. | 0:46:03 | 0:46:07 | |
I'm going to take you away from that staircase, shield it with my body, | 0:46:07 | 0:46:12 | |
so we can look at the rest of this room. | 0:46:12 | 0:46:14 | |
I mean, it's a good reception room, isn't it? It's a good sitting room this side. | 0:46:14 | 0:46:19 | |
It's a nice size and, you know, plenty of windows and light coming in. | 0:46:19 | 0:46:23 | |
-Do you like the mullion windows, stone mullion? -I do. | 0:46:23 | 0:46:26 | |
-Lovely. -Yeah? -Very nice. | 0:46:26 | 0:46:28 | |
And you've got the wood burner there, | 0:46:28 | 0:46:30 | |
which is a bit of a feature but it could be a working fireplace | 0:46:30 | 0:46:33 | |
as well and it's obviously made of local stone. | 0:46:33 | 0:46:36 | |
I love the hearth. I love the stone around the hearth. I think that's... | 0:46:36 | 0:46:40 | |
-I'd sooner have it as a working fireplace, personally. -Yeah. | 0:46:40 | 0:46:43 | |
Immediately off the lounge is another bedroom which has the beauty | 0:46:43 | 0:46:47 | |
of dual aspect windows but now it's time for Karen to face her fears | 0:46:47 | 0:46:52 | |
and head up that spiral staircase. | 0:46:52 | 0:46:55 | |
Now, just mind your head as you come up | 0:46:55 | 0:46:59 | |
because this is the master bedroom | 0:46:59 | 0:47:03 | |
and also the en suite. | 0:47:03 | 0:47:07 | |
So, you've got the master bedroom through there | 0:47:07 | 0:47:09 | |
-and in here is your bathroom. -I love the bathroom. | 0:47:09 | 0:47:12 | |
This space is lovely. | 0:47:12 | 0:47:14 | |
It's a complete contrast to downstairs and this is something that I really like. | 0:47:14 | 0:47:20 | |
It really does have a lovely feel up here. | 0:47:20 | 0:47:22 | |
-I like the space very much. Great. -It works well. | 0:47:22 | 0:47:25 | |
Good, let's leave on a high. | 0:47:25 | 0:47:26 | |
Karen, after you. We'll go down and see the kitchen. | 0:47:26 | 0:47:29 | |
I thought this room couldn't fail to impress but will it be enough? | 0:47:29 | 0:47:34 | |
Quite... Quite a generous sized kitchen, no? | 0:47:38 | 0:47:43 | |
No? | 0:47:43 | 0:47:45 | |
-OK. -It's... -It's a fair size. | 0:47:45 | 0:47:47 | |
-It is a fair-sized kitchen, I'm not going to disagree with you. -In proportion to the house. -Yes. | 0:47:47 | 0:47:52 | |
-Yes. -Yeah. This kitchen just needs to be, in my opinion, just reconfigured to be... -Yeah. | 0:47:52 | 0:47:57 | |
-To be better utilised as a kitchen. -Yeah, I mean, it's not... I agree. | 0:47:57 | 0:48:01 | |
It's not the biggest kitchen but it's not a small kitchen. It's not that bad a size. | 0:48:01 | 0:48:05 | |
-Are you going to let me have that one? -I'll let you've that one. | 0:48:05 | 0:48:08 | |
Thank you. Well, at least Gary is coming round to my way of thinking. | 0:48:08 | 0:48:12 | |
Off the kitchen is the utility room which has access to the garage | 0:48:12 | 0:48:15 | |
and just to the side is a second staircase that leads up to the final bedroom. | 0:48:15 | 0:48:19 | |
Let's see what Karen thinks of it. | 0:48:19 | 0:48:22 | |
I hate the ceilings, too low, too cramped, too claustrophobic. | 0:48:22 | 0:48:26 | |
You could probably take this higher, actually, listening to it. | 0:48:26 | 0:48:29 | |
You've got a little en suite here and I tell you what they have put in which I think is fantastic, | 0:48:29 | 0:48:34 | |
the marble radiators, so it's a quirky radiator. | 0:48:34 | 0:48:37 | |
It's quite nice. No, it's quite a nice touch. | 0:48:37 | 0:48:40 | |
But again, if you have family to come to stay or friends and you wanted to keep them separately. | 0:48:40 | 0:48:45 | |
-You can hide them away! -You could hide them in here and just make sure they're not very tall. | 0:48:45 | 0:48:49 | |
And then because we are in the country and you have the most spectacular views, | 0:48:49 | 0:48:54 | |
they might decide they don't want to go for a walk. | 0:48:54 | 0:48:56 | |
They might decide they want to just appreciate it practically where they are | 0:48:56 | 0:49:01 | |
and if they did that they'd just have to go through this door. | 0:49:01 | 0:49:04 | |
How is that for a view? | 0:49:04 | 0:49:07 | |
-I love this. Oh, God! -It's lovely. | 0:49:07 | 0:49:10 | |
Nikki, you've surpassed yourself. | 0:49:10 | 0:49:14 | |
I mean, it's the perfect area for entertaining, for drinks in the evening. | 0:49:14 | 0:49:19 | |
No, there was always... I don't know what it is, there's something about | 0:49:19 | 0:49:22 | |
a balcony or terrace that just makes you want to sit down, have a drink and watch the world go by. | 0:49:22 | 0:49:27 | |
You've got the farmhouse there, you've got the cottages there and you can actually watch | 0:49:27 | 0:49:31 | |
the locals tending the vegetable patch there, that's all allotments. | 0:49:31 | 0:49:35 | |
It's great. When you just turn a corner and you find something in a house that is so unexpected... | 0:49:35 | 0:49:40 | |
-Yes. -It's just... It's great. | 0:49:40 | 0:49:42 | |
At last the tide has turned. | 0:49:42 | 0:49:45 | |
The view from up here is great but it's time to take a closer | 0:49:45 | 0:49:49 | |
look at the garden as I have a surprise in store for them. | 0:49:49 | 0:49:53 | |
Anybody for a sauna? | 0:49:55 | 0:49:58 | |
-No! -Yes! And it's even got a radio and CD player here. | 0:49:59 | 0:50:03 | |
That is just the icing on the cake. | 0:50:07 | 0:50:09 | |
-Well, that's put a smile on your face. -Oh, it has. | 0:50:09 | 0:50:14 | |
So, let's talk money now. | 0:50:14 | 0:50:16 | |
How much do you think it's currently on the market for? | 0:50:16 | 0:50:19 | |
I would probably say... 680. | 0:50:19 | 0:50:24 | |
I'll say 695. | 0:50:24 | 0:50:27 | |
695. Well, Gary, you're actually closer | 0:50:27 | 0:50:30 | |
-because this property is on the market for £750,000. -Really? | 0:50:30 | 0:50:36 | |
That's... Yeah, that's remarkable. | 0:50:36 | 0:50:38 | |
-It's an expensive part of the world. -Sure. -Yeah. | 0:50:38 | 0:50:41 | |
-But do you both want to go and have another look around and I'll join you on the way out? -OK. | 0:50:41 | 0:50:46 | |
-Yeah. -OK, I'll see you in a minute. | 0:50:46 | 0:50:48 | |
Karen and Gary substantially underestimated the value | 0:50:48 | 0:50:51 | |
of this converted schoolhouse, which is on the market for £750,000. | 0:50:51 | 0:50:56 | |
It has a kitchen-breakfast room, three to four bedrooms with a large | 0:50:56 | 0:51:00 | |
master en suite, a roof terrace for soaking up the views and a sauna. | 0:51:00 | 0:51:06 | |
At 50,000 under budget, there's plenty of spare cash | 0:51:06 | 0:51:09 | |
to move that spiral staircase and perhaps extend the kitchen. | 0:51:09 | 0:51:12 | |
It's a nice sized room. There's lots of nice little features to it, | 0:51:12 | 0:51:16 | |
but I know you can't live with the staircase. I don't think I could, in truth. | 0:51:16 | 0:51:20 | |
The setting is beautiful. I mean, really, really quite stunning. | 0:51:20 | 0:51:24 | |
The landscape, the countryside, it's quiet, it's tranquil. | 0:51:24 | 0:51:28 | |
It's everything you want for, you know, living in the country. | 0:51:28 | 0:51:32 | |
The whole cottage in a way is quite interesting, both in a positive and a negative way. | 0:51:32 | 0:51:36 | |
The lounge area had some great features with the stone windows. | 0:51:36 | 0:51:40 | |
I do agree with Karen. I think the spiral staircase spoils what is a lovely room. | 0:51:40 | 0:51:46 | |
It is such a lovely space and it's so interesting. | 0:51:46 | 0:51:49 | |
I love the marble radiator, the floor, this bath is fantastic. | 0:51:49 | 0:51:54 | |
It's a nice-sized garden, nice space, reasonably private | 0:51:54 | 0:51:57 | |
and you've got the great outlook over the fields. | 0:51:57 | 0:51:59 | |
Oh, Lord! | 0:51:59 | 0:52:01 | |
What they say about the sauna? Well, what more can anyone ask for? | 0:52:01 | 0:52:05 | |
-What are you up to? -I found a working pump! | 0:52:05 | 0:52:08 | |
-You don't get many of these in a garden. -No! | 0:52:08 | 0:52:11 | |
-So, have you seen enough of the mystery property? -Yeah. -Yes. | 0:52:11 | 0:52:15 | |
You've got a lot to think about. | 0:52:15 | 0:52:16 | |
It's time to head home and you can gather your thoughts. | 0:52:16 | 0:52:19 | |
-OK. -Let's get a drink. | 0:52:19 | 0:52:21 | |
Karen and Gary's £800,000 budget isn't stretching as far as they'd | 0:52:27 | 0:52:31 | |
imagined, so there are big decisions to be made. | 0:52:31 | 0:52:35 | |
Well, it's certainly been a rollercoaster few days with Karen and Gary. | 0:52:35 | 0:52:39 | |
Now, there have been some highs. | 0:52:39 | 0:52:41 | |
There have also been some spectacular lows but it's time now to find out what they think | 0:52:41 | 0:52:46 | |
about those properties and whether this part of the country is really going to be right for them. | 0:52:46 | 0:52:52 | |
So, Karen and Gary, what an entertaining few days we've had. | 0:52:58 | 0:53:02 | |
Now, the first property that we saw was in Chalford. | 0:53:02 | 0:53:05 | |
It was the Georgian house with the Victorian extension. | 0:53:05 | 0:53:09 | |
It was stunning. It was everything that you would imagine a house to be in the Cotswolds. | 0:53:09 | 0:53:13 | |
I think the entrance hall, for me, was a little bit of a letdown. | 0:53:13 | 0:53:17 | |
I was expecting something a lot grander because of the... | 0:53:17 | 0:53:20 | |
The front of the house was so wide and the building was so imposing. | 0:53:20 | 0:53:25 | |
Then you open the front door and it's just such a tiny hallway. It just... | 0:53:25 | 0:53:30 | |
It didn't seem to fit with the house at all. It flowed nicely, didn't it? | 0:53:30 | 0:53:34 | |
Yeah, it did flow. It had a feel of being a home, which was a big plus. | 0:53:34 | 0:53:38 | |
Let's talk about the property in Nailsworth. | 0:53:38 | 0:53:41 | |
Grade II listed Georgian house. How was that for you? | 0:53:41 | 0:53:44 | |
I think we both really liked the front of the building | 0:53:44 | 0:53:48 | |
and there was a very nice outbuilding. | 0:53:48 | 0:53:51 | |
But when we went through, I think we both felt | 0:53:51 | 0:53:54 | |
that the inside of the entrance just let the house down. | 0:53:54 | 0:53:58 | |
I almost have that instant like/dislike. | 0:54:00 | 0:54:03 | |
I think we got that! | 0:54:03 | 0:54:05 | |
We've looked at a lot of properties made of that stunning Cotswold stone. | 0:54:08 | 0:54:13 | |
This time we looked at a new build in Selsley. What did you think about that one? | 0:54:13 | 0:54:17 | |
Well, that was a new build. The entrance was pretty impressive | 0:54:17 | 0:54:21 | |
because it had that Grade II listed wall surrounding the whole property and the garden was fantastic. | 0:54:21 | 0:54:26 | |
-You really liked that house, didn't you? -I liked... | 0:54:26 | 0:54:29 | |
For a new build they've done a very good job. | 0:54:29 | 0:54:31 | |
Would it be fair to say that we got close with that property? | 0:54:31 | 0:54:35 | |
-Oh, gosh, yeah. -Yeah. -Definitely. -I think so, yeah. | 0:54:35 | 0:54:37 | |
It was beautifully done. | 0:54:37 | 0:54:39 | |
There was certainly enough space outside to make a very nice studio. | 0:54:39 | 0:54:44 | |
So, we have to finish with the mystery property in Kelmscott. | 0:54:44 | 0:54:47 | |
-It was a nice property but just not for us. -The staircase... | 0:54:47 | 0:54:51 | |
-The staircase! -The staircase! | 0:54:51 | 0:54:54 | |
The staircase, how can we forget the staircase? | 0:54:54 | 0:54:57 | |
We can't, really. | 0:54:57 | 0:54:59 | |
The sun deck was fantastic. | 0:54:59 | 0:55:01 | |
I loved that. And I also loved the bathroom. | 0:55:01 | 0:55:05 | |
It just seemed like it belonged somewhere else. | 0:55:05 | 0:55:07 | |
It would have been nice to have got the property from our perspective and got it in its raw state. | 0:55:07 | 0:55:14 | |
We have seen some stunning properties. | 0:55:14 | 0:55:16 | |
For various reasons they haven't been right but what's the next step for you two? | 0:55:16 | 0:55:21 | |
I think we'll have to go away and perhaps either rethink our budget | 0:55:21 | 0:55:25 | |
because the outside space is so very important to us. | 0:55:25 | 0:55:29 | |
Yeah, we've either got to rethink the budget or... | 0:55:29 | 0:55:33 | |
-Our requirements. -Change our requirements. | 0:55:33 | 0:55:36 | |
Or a bit of both. | 0:55:36 | 0:55:39 | |
-I am sorry we didn't manage to find your dream property. -You tried. | 0:55:39 | 0:55:43 | |
-We did try. -You probably have, it's just that they were all mixed up in different properties. | 0:55:43 | 0:55:48 | |
If you could have amalgamated two of them you probably would have had our dream house. | 0:55:48 | 0:55:52 | |
-Well, we've certainly got you thinking. -Mm, you have. | 0:55:52 | 0:55:54 | |
Thank you again and we wish you all the very best with your continued search. | 0:55:54 | 0:55:58 | |
-Thank you very much. -Thank you. | 0:55:58 | 0:56:00 | |
It's been an interesting journey and a real eye-opener with a few surprises along the way. | 0:56:06 | 0:56:13 | |
Clearly the Cotswolds is where Karen and Gary want to find their new home. | 0:56:13 | 0:56:17 | |
It's also a smart move for Karen's business. | 0:56:17 | 0:56:20 | |
Now, to find exactly what they're after I think they may have to up their budget but something tells | 0:56:20 | 0:56:25 | |
me with their vision they'll eventually find that dream home. | 0:56:25 | 0:56:30 | |
And the latest from Karen and Gary is that they have decided to stay put in London and rent | 0:56:30 | 0:56:35 | |
a studio space for Karen's business until they decide their next step. | 0:56:35 | 0:56:39 | |
If you would like to Escape To The Country and would like our help, please apply online at: | 0:56:39 | 0:56:46 | |
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