Browse content similar to Wiltshire. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This incredible estate was paid for by a family fortune | 0:00:02 | 0:00:05 | |
made in the City of London. A family who not only founded | 0:00:05 | 0:00:08 | |
the country's oldest privately-owned bank, | 0:00:08 | 0:00:11 | |
but also came up with the concept of using paper as money. | 0:00:11 | 0:00:14 | |
I'm glad they did. So, where am I and will today's buyers be putting their money where their mouth is? | 0:00:14 | 0:00:19 | |
Find out as we escape to the country. | 0:00:19 | 0:00:21 | |
This week I'll be helping a couple de-camp from town living | 0:00:34 | 0:00:38 | |
and find their dream home in the country. | 0:00:38 | 0:00:41 | |
And it needs to be big enough to accommodate a whole army... | 0:00:41 | 0:00:44 | |
I wonder what you're getting at(!) | 0:00:44 | 0:00:46 | |
I don't know, Helen, what do you think? Could it be a war games room? | 0:00:46 | 0:00:50 | |
'..but I'm not sure it's going to plan.' | 0:00:50 | 0:00:52 | |
A conversation might be a bit difficult in here. Mind your head. | 0:00:52 | 0:00:55 | |
'However, there's always our mystery house which might just seal a victory.' | 0:00:55 | 0:01:00 | |
I'm in Wiltshire and this is Stourhead House. | 0:01:01 | 0:01:04 | |
It was built in the 18th century. | 0:01:04 | 0:01:06 | |
It's the ancestral home of the Hoare banking dynasty. | 0:01:06 | 0:01:09 | |
It was Richard Hoare who came up with the idea of using paper instead of gold for financial exchanges, | 0:01:09 | 0:01:15 | |
paving the way for the money that we use today. | 0:01:15 | 0:01:18 | |
But it's not just Stourhead that boasts a fascinating history. | 0:01:18 | 0:01:22 | |
You can bank on the fact that this county offers plenty of interest. | 0:01:22 | 0:01:26 | |
Landlocked Wiltshire borders | 0:01:28 | 0:01:30 | |
Hampshire and Oxfordshire to the east | 0:01:30 | 0:01:33 | |
and Somerset to the west. | 0:01:33 | 0:01:34 | |
Wiltshire's countryside is shaped by its rich history | 0:01:35 | 0:01:37 | |
of arable and livestock farming which stretches back thousands of years. | 0:01:37 | 0:01:43 | |
A working landscape it may be, but two-fifths of the county | 0:01:43 | 0:01:46 | |
is protected as an Area Of Outstanding Natural Beauty - | 0:01:46 | 0:01:49 | |
from the chalk grasslands in the south and central areas to the clay-rich vales in the north. | 0:01:49 | 0:01:54 | |
The Salisbury Plain is home to Stonehenge, | 0:01:54 | 0:01:57 | |
one of the most famous prehistoric sites in Britain, | 0:01:57 | 0:02:00 | |
and with eight white horses galloping across its slopes, | 0:02:00 | 0:02:03 | |
Wiltshire is quite the county of mysterious landmarks. | 0:02:03 | 0:02:06 | |
There's a rich assortment of attractive properties too, | 0:02:06 | 0:02:09 | |
thanks to the wealth of natural materials on offer - | 0:02:09 | 0:02:12 | |
from thatched and timber-framed houses | 0:02:12 | 0:02:14 | |
through to the locally quarried stone buildings found near the county borders. | 0:02:14 | 0:02:19 | |
Wiltshire has always been very popular | 0:02:22 | 0:02:25 | |
with city dwellers in search of an escape route. | 0:02:25 | 0:02:28 | |
From Marlborough in the north-east of the county you can be in London or Bristol in just under an hour. | 0:02:28 | 0:02:34 | |
But with property prices so high, | 0:02:34 | 0:02:36 | |
you'll be seriously stumping up for that privilege. | 0:02:36 | 0:02:39 | |
If you're willing to look elsewhere, maybe in the west of the county | 0:02:39 | 0:02:42 | |
away from the commuter hot spots, then property is about 35% cheaper. | 0:02:42 | 0:02:47 | |
Wherever you look around this county there's a wealth of property on offer. | 0:02:47 | 0:02:51 | |
Here's what's currently on the market. | 0:02:51 | 0:02:53 | |
For just shy of ?1.3 million, this four-bedroom Cotswold stone house | 0:02:53 | 0:02:58 | |
in Castle Combe blends the traditional features | 0:02:58 | 0:03:00 | |
of the inglenook and beams with the completely new. | 0:03:00 | 0:03:03 | |
Just look at that inventive en suite. | 0:03:03 | 0:03:06 | |
And why not take the plunge into this suntrap of a swimming pool? | 0:03:06 | 0:03:10 | |
On the market at ?725,000, this spacious, five-bedroom new build | 0:03:12 | 0:03:16 | |
in Worton may have a modern shell, but the interior | 0:03:16 | 0:03:18 | |
is very traditional, including a large, country-style kitchen. | 0:03:18 | 0:03:22 | |
Outside, the terrace leads to over 1.5 acres of mature landscape gardens. | 0:03:22 | 0:03:28 | |
Or perhaps you could be converted by this renovated four-bedroom chapel | 0:03:29 | 0:03:33 | |
in Great Cheverell, on at ?415,000? | 0:03:33 | 0:03:36 | |
Its large sitting room and separate kitchen have loads of character | 0:03:36 | 0:03:40 | |
still intact, but outside there's an attractive garden. | 0:03:40 | 0:03:43 | |
And if you like all that, just you wait until you see what we've uncovered for today's buyers. | 0:03:45 | 0:03:50 | |
First, let's meet them. | 0:03:50 | 0:03:52 | |
Our couple are Chris, a retired civil servant, and Helen, who downsized to their current | 0:03:52 | 0:03:57 | |
three-bedroom house outside Newbury, just five months ago | 0:03:57 | 0:04:00 | |
with their three tortoise companions. | 0:04:00 | 0:04:03 | |
After 20 years of happy marriage, | 0:04:03 | 0:04:04 | |
Chris retired and they've been pursuing | 0:04:04 | 0:04:07 | |
their dream of building a high-spec home in Madeira. | 0:04:07 | 0:04:10 | |
So why the sudden sea change to Wiltshire? | 0:04:10 | 0:04:15 | |
It was a couple of months ago we made the decision that because of the economic situation, | 0:04:15 | 0:04:20 | |
we weren't going to be able to move to Madeira and build the property we wanted NOW. | 0:04:20 | 0:04:25 | |
Living here is fine, but everything's in boxes and while we were supposed | 0:04:25 | 0:04:30 | |
to be building in Madeira it was OK, | 0:04:30 | 0:04:32 | |
but at the moment there's no end in sight. | 0:04:32 | 0:04:35 | |
So we want to move on, find something bigger, so we can live. | 0:04:35 | 0:04:39 | |
After designing their dream home, is there any style of property they really don't want? | 0:04:39 | 0:04:44 | |
Lived in a bungalow for 20 years. | 0:04:44 | 0:04:46 | |
We've done the bungalow, let's try something different. | 0:04:46 | 0:04:49 | |
And how do they hope to spend their time once they move? | 0:04:49 | 0:04:53 | |
We're looking for the lifestyle in the country where you can just stop | 0:04:53 | 0:04:58 | |
and have a chat to people and talk about country matters, | 0:04:58 | 0:05:02 | |
about growing seasons and where the best wildlife is and walks in the country. | 0:05:02 | 0:05:07 | |
I'd like to be able to complain about walking to the local shop | 0:05:07 | 0:05:11 | |
taking three hours, cos everybody stops to talk to you. | 0:05:11 | 0:05:14 | |
Chris needs a games room to wage war with his model army. | 0:05:14 | 0:05:17 | |
What else are they hoping to find in their English country home? | 0:05:17 | 0:05:22 | |
We would like a view. | 0:05:22 | 0:05:23 | |
A view, I think, is very important and everything needs to be open. | 0:05:23 | 0:05:26 | |
Large, light rooms. At least four double bedrooms, if possible. | 0:05:26 | 0:05:31 | |
Chris is going to steal one for his toy room. | 0:05:31 | 0:05:34 | |
I'd like a nice big kitchen, a big cooker so that I can cook big meals. | 0:05:34 | 0:05:38 | |
Large lounge, open fireplace or a log-burner for a nice traditional feature. | 0:05:38 | 0:05:43 | |
My book-lined study of course with my oak desk. | 0:05:43 | 0:05:47 | |
We would want at least a double garage, I think, | 0:05:47 | 0:05:50 | |
to get some of our cars away. | 0:05:50 | 0:05:52 | |
Well, that's quite a list and that's just the inside. | 0:05:52 | 0:05:56 | |
But outside seems just as important. | 0:05:56 | 0:05:58 | |
I'd like a bigger garden than we have, more private. | 0:05:58 | 0:06:01 | |
As you can see, it's heavily overlooked. | 0:06:01 | 0:06:03 | |
I spend a lot of time in the garden sunbathing, gardening. | 0:06:03 | 0:06:06 | |
I'd like a vegetable plot, so I can grow more tortoise lettuce, greenhouse, poly tunnel... | 0:06:06 | 0:06:11 | |
Maybe join a local gardening club, so that I can integrate | 0:06:11 | 0:06:14 | |
and get to know people, which would be wonderful. | 0:06:14 | 0:06:16 | |
One of the things I'd like to pick up in the country | 0:06:16 | 0:06:19 | |
is an old childhood hobby of mine, which is astronomy. | 0:06:19 | 0:06:22 | |
Looking up at the sky and seeing the stars and the planets with a telescope. | 0:06:22 | 0:06:27 | |
And they've another BIG hobby. | 0:06:27 | 0:06:30 | |
We love off-roading. | 0:06:30 | 0:06:32 | |
We've had various off-roaders. | 0:06:32 | 0:06:34 | |
In the town we've had to downsize, we don't have the parking. | 0:06:34 | 0:06:37 | |
When we get to the country we're going to buy some more. | 0:06:37 | 0:06:40 | |
Helen and Chris plan to rent out their current property, | 0:06:40 | 0:06:43 | |
so how much do they have to spend on their country home? | 0:06:43 | 0:06:46 | |
Our budget for the new property is ?500,000. | 0:06:46 | 0:06:50 | |
So, it's a property in Madeira versus a property in Wiltshire. | 0:06:54 | 0:06:58 | |
Both are such different propositions. | 0:06:58 | 0:07:01 | |
In Madeira, Chris and Helen worked together with the architect | 0:07:01 | 0:07:05 | |
to design their "dream home" - a light, open, airy space, | 0:07:05 | 0:07:09 | |
big kitchen, a book-lined library, parking for three cars, | 0:07:09 | 0:07:12 | |
hobby room... And, oh! Let's not forget the glorious view. | 0:07:12 | 0:07:16 | |
A wish list that hasn't changed now that they're looking for a ?500,000 period property in Wiltshire, | 0:07:16 | 0:07:23 | |
a county where a detached property will set you back ?150,000 | 0:07:23 | 0:07:27 | |
above the national average. | 0:07:27 | 0:07:29 | |
Who said I'm not up for a challenge? | 0:07:29 | 0:07:31 | |
Our house search will focus on the south-west corner | 0:07:35 | 0:07:37 | |
of Wiltshire and radiate out from the town of Devizes, where they have friends. | 0:07:37 | 0:07:42 | |
It'll also bring them closer to Helen's family, who live just over the border into Dorset. | 0:07:42 | 0:07:47 | |
I'll be showing Chris and Helen some fantastic Wiltshire homes | 0:07:47 | 0:07:50 | |
and, as always, I'll be asking them to guess the price once they've had a good look around. | 0:07:50 | 0:07:56 | |
Finally, there's our mystery house which will put what they think they're looking for to the test. | 0:07:56 | 0:08:01 | |
Chris, Helen, welcome to Wiltshire. | 0:08:02 | 0:08:05 | |
Thank you very much. Nice to see you. | 0:08:05 | 0:08:07 | |
It's lovely here. It's fantastic. | 0:08:07 | 0:08:09 | |
Just what we've been looking for. | 0:08:09 | 0:08:11 | |
Madeira, it ain't. | 0:08:11 | 0:08:13 | |
A little bit overcast, can't see the tropical plants. | 0:08:13 | 0:08:16 | |
But we can't do Madeira so we're looking here. | 0:08:16 | 0:08:19 | |
We know that a house that looks great in Wiltshire looks stupid | 0:08:19 | 0:08:22 | |
in Madeira and a house that looks great in Madeira looks stupid in Wiltshire. | 0:08:22 | 0:08:26 | |
We're not comparing the same things, we're looking for a different dream. | 0:08:26 | 0:08:30 | |
You are willing to compromise, do work on the property? | 0:08:30 | 0:08:33 | |
Absolutely. Put our own stamp on it. | 0:08:33 | 0:08:35 | |
Definitely. It would be nice to have something we can make ours. | 0:08:35 | 0:08:38 | |
So go on then, let's talk about budget. | 0:08:38 | 0:08:41 | |
Right, the big B word. We'd prefer not to spend over 500,000. | 0:08:41 | 0:08:46 | |
It's mainly because of the stamp duty. | 0:08:46 | 0:08:48 | |
But that does leave us doing work to anything that needs doing. | 0:08:48 | 0:08:51 | |
And also, 500,000 just seems a ridiculously big sum of money to me. | 0:08:51 | 0:08:55 | |
Yes, yes. But it doesn't get you that much these days. Not in Wiltshire. | 0:08:55 | 0:08:59 | |
No. Or anywhere, really. | 0:08:59 | 0:09:02 | |
But if you did find something that was over the budget we could stretch it. | 0:09:02 | 0:09:06 | |
I have a spreadsheet and it tells us | 0:09:06 | 0:09:08 | |
that we can probably afford up to 570... But it has to be perfect! | 0:09:08 | 0:09:12 | |
It has to be absolute top billing. | 0:09:12 | 0:09:15 | |
I'm loving your spreadsheets. | 0:09:15 | 0:09:17 | |
She's called Prudence. | 0:09:17 | 0:09:19 | |
So, a top figure of 570. Very top. | 0:09:19 | 0:09:21 | |
You've got your strange hobby, the toy soldiers, | 0:09:21 | 0:09:24 | |
which sounds like it takes up quite a bit of space. | 0:09:24 | 0:09:26 | |
Yeah. If you can get a, sort of, 10 by 4 foot table in the room, that would be good. | 0:09:26 | 0:09:31 | |
You're quite precise, aren't you? Very. | 0:09:31 | 0:09:34 | |
I tell you what, I think we should get going. | 0:09:34 | 0:09:36 | |
We've got some lovely properties, including the mystery one, | 0:09:36 | 0:09:39 | |
which will put a smile on your face. Let's go. | 0:09:39 | 0:09:42 | |
So, for ?500,000 we have to find Chris and Helen a home that gives them - | 0:09:44 | 0:09:48 | |
a large dining kitchen for Helen to serve up her culinary creations, | 0:09:48 | 0:09:52 | |
a study as well as a games room for Chris's toy soldiers, | 0:09:52 | 0:09:55 | |
a garage and plenty of parking space | 0:09:55 | 0:09:59 | |
along with a large garden so that they can grow their own | 0:09:59 | 0:10:02 | |
and enjoy fabulous countryside views. | 0:10:02 | 0:10:04 | |
So picture the scene - | 0:10:08 | 0:10:10 | |
we find you an AMAZING house, | 0:10:10 | 0:10:13 | |
the only problem is, it hasn't got a games room. | 0:10:13 | 0:10:17 | |
My God, he's beginning to shake! | 0:10:17 | 0:10:19 | |
THEY LAUGH | 0:10:19 | 0:10:20 | |
Games rooms can be built. | 0:10:20 | 0:10:22 | |
There can be a little corner of the garden which you could put a garden shed in. | 0:10:22 | 0:10:26 | |
Helen would quite happily banish me from the house | 0:10:26 | 0:10:30 | |
quite a lot of the time, I would think. Absolutely. | 0:10:30 | 0:10:33 | |
That's a very simple one to compromise on. | 0:10:33 | 0:10:36 | |
We kick off our house search 16 miles from Devizes in the small village of Bushton. | 0:10:39 | 0:10:44 | |
Surrounded by fields, you couldn't get a much more rural location. | 0:10:44 | 0:10:48 | |
Leading off the quiet country lanes are some well-marked cycle pathways, | 0:10:48 | 0:10:52 | |
with a welcome pint on tap at the local pub. | 0:10:52 | 0:10:56 | |
Just down the road brings us to this property. | 0:10:56 | 0:10:59 | |
It's cream! | 0:11:01 | 0:11:02 | |
Got some kerb appeal. | 0:11:02 | 0:11:03 | |
And a garage. And parking! | 0:11:03 | 0:11:06 | |
Is it rural enough for you? Yeah. | 0:11:06 | 0:11:08 | |
I can see some lovely views up that end, | 0:11:08 | 0:11:10 | |
and we've already checked out this area here and we can see | 0:11:10 | 0:11:13 | |
lots of weeds our tortoises like. | 0:11:13 | 0:11:15 | |
What about the house itself? | 0:11:15 | 0:11:16 | |
It's got kerb appeal. Nice so far. | 0:11:16 | 0:11:19 | |
It's got some history - parts of the house date back 250 years. | 0:11:19 | 0:11:23 | |
It's been extended over the last 20 years. | 0:11:23 | 0:11:26 | |
But I feel I'm telling you too much. | 0:11:26 | 0:11:27 | |
Shall we go and look? Yes, please! Let's go. | 0:11:27 | 0:11:30 | |
'What a great start, even the tortoises will be happy. | 0:11:30 | 0:11:34 | |
'Let's stick our heads inside and see what they think.' | 0:11:34 | 0:11:38 | |
Come on in. | 0:11:38 | 0:11:40 | |
Lovely little hallway, bags of character. | 0:11:40 | 0:11:43 | |
Downstairs loo, lots of storage. Storage, always good. Good. | 0:11:43 | 0:11:47 | |
Let me show you the dining room. Lovely. | 0:11:47 | 0:11:49 | |
Is this big enough for you? Yes. | 0:11:49 | 0:11:53 | |
All you need in a dining room is a table, and it's plenty big enough for a table. | 0:11:53 | 0:11:57 | |
So hallway and dining room so far...? | 0:11:57 | 0:11:59 | |
So far, so good. OK. | 0:11:59 | 0:12:00 | |
Excellent. Follow me. | 0:12:00 | 0:12:02 | |
So, we're now in the oldest part of the house, 250 years old. | 0:12:05 | 0:12:10 | |
Even got a bar! Few interesting things with...the light. | 0:12:10 | 0:12:13 | |
Conversation might be a bit difficult here. Mind your head. | 0:12:13 | 0:12:16 | |
I've got some friends about right for that. | 0:12:16 | 0:12:19 | |
That bulb's gone. There we go. Magic touch, I've got! | 0:12:19 | 0:12:22 | |
You like this room as a snug? | 0:12:22 | 0:12:23 | |
It's very nice. Is that a real fire? | 0:12:23 | 0:12:26 | |
There's a chimney there, yeah. | 0:12:26 | 0:12:28 | |
Real fires are good. Want to see the kitchen? Yeah! | 0:12:28 | 0:12:31 | |
Oh, yeah. Helen's domain. | 0:12:31 | 0:12:33 | |
So, Helen, the kitchen is your domain, is it? | 0:12:36 | 0:12:38 | |
Oh, yes. I don't get involved in this room. | 0:12:38 | 0:12:40 | |
This would do as a kitchen, certainly plenty of worktop space. | 0:12:40 | 0:12:44 | |
Plenty of possibility as well. | 0:12:44 | 0:12:45 | |
There's a large utility room through there. | 0:12:45 | 0:12:49 | |
You could knock down that wall and make a substantial-sized kitchen. | 0:12:49 | 0:12:53 | |
It's a possibility. It certainly is. | 0:12:53 | 0:12:55 | |
You wanted another living room, didn't you? Please. | 0:12:55 | 0:12:58 | |
Follow me. Wonderful. | 0:12:58 | 0:13:00 | |
Good, a sitting room. Nice size. | 0:13:03 | 0:13:08 | |
We prefer having big sofas to lounge on rather than chairs, | 0:13:08 | 0:13:11 | |
so it's got two sofas already so it's obviously big enough. | 0:13:11 | 0:13:15 | |
Then this lovely conservatory, looking onto the garden. | 0:13:15 | 0:13:18 | |
Let's lots of light in. | 0:13:18 | 0:13:21 | |
Neither of you have asked me, "Where does that door lead?" | 0:13:21 | 0:13:24 | |
I didn't want to be rude. I'm sure you're going to show us. | 0:13:24 | 0:13:28 | |
I'm not actually. No, I'm going to sulk! | 0:13:28 | 0:13:31 | |
It actually leads to the garage. That's useful. | 0:13:31 | 0:13:34 | |
Let's face it, a month after moving in, it won't be a garage, | 0:13:34 | 0:13:37 | |
it'll be a room for his toy soldiers or his book-lined study. | 0:13:37 | 0:13:41 | |
We need garages, we've got two soft-top vehicles - | 0:13:41 | 0:13:44 | |
you can't leave them out in the rain. | 0:13:44 | 0:13:46 | |
You've got a garage, then. And you've got four rooms upstairs for your toy soldiers. Come on! | 0:13:46 | 0:13:51 | |
'Chris and Helen are fabulous and I'm loving their positive attitude. | 0:13:51 | 0:13:56 | |
'With downstairs covered, we'll head upstairs, taking in some special features on the way.' | 0:13:56 | 0:14:01 | |
This old wood panelling is lovely. | 0:14:01 | 0:14:03 | |
That's very nice. I like that. LOVE the door. | 0:14:03 | 0:14:07 | |
At the moment, the current owners have this as a study. | 0:14:07 | 0:14:10 | |
I want to bring you to this room. | 0:14:10 | 0:14:12 | |
It's currently the third bedroom. Right. | 0:14:12 | 0:14:14 | |
Oh, but it's a double. | 0:14:14 | 0:14:16 | |
It is. I'm thinking, maybe, not keeping it as a bedroom. | 0:14:16 | 0:14:19 | |
I wonder what you're getting at(!) | 0:14:19 | 0:14:21 | |
I don't know, Helen. What do you think? | 0:14:21 | 0:14:23 | |
Could it be a war games room, possibly? It could be. | 0:14:23 | 0:14:26 | |
I reckon it could work. Yeah! | 0:14:26 | 0:14:29 | |
Natural light is very important. | 0:14:29 | 0:14:31 | |
I'd probably do a lot of my painting in here as well, | 0:14:31 | 0:14:34 | |
and there's nothing better for painting tiny little soldiers than natural light. | 0:14:34 | 0:14:39 | |
It's been good for you, so far. You've got the study, you've got the toy soldier room. | 0:14:39 | 0:14:43 | |
Can I have something now? Yes, let's look after you now. | 0:14:43 | 0:14:47 | |
'Further down the landing is the main bathroom with bath and shower, | 0:14:47 | 0:14:51 | |
'and another nice-sized double room with fitted wardrobes. | 0:14:51 | 0:14:54 | |
'But I'm gunning for what would be THEIR bedroom.' | 0:14:54 | 0:14:58 | |
This is your master bedroom! | 0:14:58 | 0:14:59 | |
Wonderful. Good size. | 0:14:59 | 0:15:02 | |
Begs the natural question, what's round the corner? What d'you think? | 0:15:02 | 0:15:06 | |
At a guess, big lump taken out of the bedroom - got to be en suite. | 0:15:06 | 0:15:10 | |
You're far too bright. I'm sharp, aren't I? You are sharp! | 0:15:10 | 0:15:13 | |
It is an en suite. That was on our list of things we wanted. | 0:15:13 | 0:15:18 | |
What d'you think of the size? It's a good size. | 0:15:18 | 0:15:21 | |
Yeah, even I could actually get down the side of the bed. | 0:15:21 | 0:15:23 | |
Nice big window, so that lets in lots of light. | 0:15:23 | 0:15:26 | |
Could you imagine yourself in here? | 0:15:26 | 0:15:28 | |
Yeah. Yeah. Yes, it has character. | 0:15:28 | 0:15:32 | |
I'm really thrilled you like the inside of the house. | 0:15:32 | 0:15:35 | |
I thought you would - the mixture of history as well. | 0:15:35 | 0:15:38 | |
It's a nice house. | 0:15:38 | 0:15:40 | |
Good, I'm glad. Outside? | 0:15:40 | 0:15:41 | |
Let's go and see the garden. I don't think it's raining. Good. | 0:15:41 | 0:15:45 | |
'It's early days, but I think we have a thumbs up. | 0:15:45 | 0:15:48 | |
'Let's get some fresh air and see if the garden would be good tortoise terrain.' | 0:15:48 | 0:15:52 | |
What I like is the unusual layout of this garden. | 0:15:52 | 0:15:55 | |
It's certainly different. It's got some useful areas. | 0:15:55 | 0:15:59 | |
Useful areas?! | 0:15:59 | 0:16:00 | |
We've worked out that the tortoises could live in the area by the conservatory. | 0:16:00 | 0:16:04 | |
Oh, I had that as a vegetable plot. | 0:16:04 | 0:16:07 | |
No, no. That's the vegetable plot. | 0:16:07 | 0:16:09 | |
OK. You don't hang around, you two, do you! | 0:16:09 | 0:16:12 | |
Let's talk money, shall we? | 0:16:12 | 0:16:14 | |
What do you reckon all this is on the market for? | 0:16:14 | 0:16:16 | |
I was going to say 475. | 0:16:16 | 0:16:18 | |
475,000? OK. | 0:16:18 | 0:16:21 | |
I was going to go a bit less than that, I'd say about 465. | 0:16:21 | 0:16:26 | |
How far out are we? | 0:16:26 | 0:16:28 | |
It's currently on the market for ?450,000, well within your budget. | 0:16:28 | 0:16:32 | |
The current owners have had a couple of offers around the ?400,000 mark. | 0:16:32 | 0:16:37 | |
Go and have a look round and I'll find you. | 0:16:37 | 0:16:39 | |
See you shortly. See you in a bit. | 0:16:39 | 0:16:42 | |
This house has character and a fair price tag. | 0:16:42 | 0:16:45 | |
Under budget at ?450,000, it offers Chris and Helen - | 0:16:45 | 0:16:49 | |
three reception rooms, | 0:16:49 | 0:16:50 | |
four bedrooms, including that important master en suite, | 0:16:50 | 0:16:54 | |
a large, zoned garden, | 0:16:54 | 0:16:56 | |
a double garage and lots of parking space for all their cars. | 0:16:56 | 0:17:00 | |
Although there aren't any panoramic views, | 0:17:00 | 0:17:02 | |
the house IS in a quiet location. | 0:17:02 | 0:17:05 | |
It's quite a nice garden. | 0:17:05 | 0:17:07 | |
We hoped for more, but the tortoises would be happy. | 0:17:07 | 0:17:10 | |
As long as we made them a nice grassy area with lots of weeds. | 0:17:10 | 0:17:13 | |
Yes, I could make a vegetable plot, but...there's no views. | 0:17:13 | 0:17:17 | |
If only it had a view. | 0:17:17 | 0:17:19 | |
I like it. It's got a bit of history to it - very nice. | 0:17:19 | 0:17:22 | |
I reckon you'd probably have this wall down, wouldn't you, love? | 0:17:22 | 0:17:26 | |
Probably, hammer finger's itching. Yes, make a nice big kitchen. | 0:17:26 | 0:17:30 | |
'It looked like an interesting match up between old things and new things. | 0:17:30 | 0:17:35 | |
'We saw more of that on the inside.' | 0:17:35 | 0:17:36 | |
But there was character to it on the outside. | 0:17:36 | 0:17:39 | |
You took your time, so you obviously like it. Got to see everything. | 0:17:40 | 0:17:44 | |
It's worth taking a closer look at. | 0:17:44 | 0:17:46 | |
That's what I like about you, you're thorough. | 0:17:46 | 0:17:49 | |
But we've got loads to see, so let's crack on. | 0:17:49 | 0:17:52 | |
Devizes is certainly a real hub of a place to be basing our house hunt round - | 0:17:55 | 0:17:59 | |
it has its fair share of history with medieval streets still | 0:17:59 | 0:18:02 | |
surrounding its impressive 12th-century castle. | 0:18:02 | 0:18:08 | |
There's also the imposing Corn Exchange, built in 1857, | 0:18:08 | 0:18:11 | |
which stands as a lasting testament to the town's wealth from its agricultural trade. | 0:18:11 | 0:18:18 | |
Transporting goods using the local waterways became possible | 0:18:18 | 0:18:22 | |
in the early-19th century, thanks to a triumph of engineering. | 0:18:22 | 0:18:25 | |
Chris and Helen are meeting town guide Simon Fisher by the water's edge to learn how it came about. | 0:18:25 | 0:18:31 | |
Here we are at the Kennet And Avon Canal. | 0:18:31 | 0:18:34 | |
To emphasise how important Devizes was as a trading centre - | 0:18:34 | 0:18:37 | |
they had to bring the canal through Devizes, which then linked Bristol and London. | 0:18:37 | 0:18:42 | |
What they did, they created 29 locks. | 0:18:42 | 0:18:44 | |
The architect, John Rennie, started the project in the late-1700s and it took till 1810 to finish it. | 0:18:44 | 0:18:50 | |
It was a big piece of work. | 0:18:50 | 0:18:52 | |
To get down the canal, it would take a whole day to get down the 29 locks. | 0:18:52 | 0:18:56 | |
Today it's a marvellous challenge for anybody in a pleasure boat, | 0:18:56 | 0:19:00 | |
but obviously in those days it was a major feat. | 0:19:00 | 0:19:02 | |
Before they're tempted to mess about in boats, | 0:19:02 | 0:19:05 | |
we'd better continue our house hunt. | 0:19:05 | 0:19:08 | |
Our next property is just 13 miles away in the quiet village of Foxham. | 0:19:13 | 0:19:18 | |
As well as a pub, a great spot to meet the locals, | 0:19:18 | 0:19:21 | |
Chris can explore Foxham's historic church, | 0:19:21 | 0:19:23 | |
and I think they're going to love the countryside views they'll get from our next house. | 0:19:23 | 0:19:28 | |
First impressions of the house? | 0:19:29 | 0:19:32 | |
Gorgeous. Wow! Stone and mullioned windows. | 0:19:32 | 0:19:35 | |
Leaded windows... Looks absolutely wonderful. | 0:19:35 | 0:19:38 | |
You're smiling, but not REALLY smiling. | 0:19:38 | 0:19:41 | |
I want to get in there and have a look! It's a bit of shock. | 0:19:41 | 0:19:44 | |
It looks really, really nice. | 0:19:44 | 0:19:46 | |
Let's have a look in, shall we? | 0:19:46 | 0:19:48 | |
'The excitement is definitely building. | 0:19:48 | 0:19:50 | |
'This house is not 30 years old, but with the Cotswold stone | 0:19:50 | 0:19:53 | |
'features outside and in, there's a great blend of old and new. | 0:19:53 | 0:19:57 | |
'I hope they agree.' | 0:19:57 | 0:20:00 | |
Imposing property and imposing doorway. It's fantastic, isn't it? | 0:20:00 | 0:20:03 | |
I love the knocker! Nice solid door. | 0:20:03 | 0:20:06 | |
Come through here. | 0:20:06 | 0:20:07 | |
Ooh. | 0:20:09 | 0:20:11 | |
Ooh! That's nice, isn't it? | 0:20:11 | 0:20:14 | |
I think we can fit in here! | 0:20:14 | 0:20:16 | |
Great fireplace there, working fireplace. | 0:20:16 | 0:20:19 | |
And a sort of a bay. | 0:20:19 | 0:20:21 | |
This was put in by the current owners. | 0:20:21 | 0:20:23 | |
There's SO much to show you. | 0:20:23 | 0:20:24 | |
I'm excited about it! Nearly as excited as us, by the sound of it! | 0:20:24 | 0:20:28 | |
Shall we get on with it? Yes, please. | 0:20:28 | 0:20:30 | |
'Across the entrance hall, the large dining room | 0:20:30 | 0:20:33 | |
'is just perfect for friends to feast on Helen's cooking. | 0:20:33 | 0:20:36 | |
'Let's see if she's fired up by the kitchen.' | 0:20:36 | 0:20:39 | |
This is the kitchen. | 0:20:39 | 0:20:42 | |
Ah-ha. Country kitchen. | 0:20:42 | 0:20:44 | |
It's not the biggest kitchen I've ever seen, | 0:20:44 | 0:20:46 | |
but there's room for a table. There is. | 0:20:46 | 0:20:48 | |
Plenty of cupboard space. | 0:20:48 | 0:20:50 | |
To my left, there's a utility room. | 0:20:50 | 0:20:52 | |
Is this big enough for you as it is now? | 0:20:52 | 0:20:54 | |
Yes. | 0:20:56 | 0:20:58 | |
It's not my perfect kitchen, but it's certainly big enough to move in and use. | 0:20:58 | 0:21:04 | |
Notice I haven't asked Chris. | 0:21:04 | 0:21:06 | |
Pointless, isn't it? Like he'd know! | 0:21:06 | 0:21:09 | |
Shall we go upstairs? Yes, please. | 0:21:09 | 0:21:13 | |
'Chris and Helen are decisive and seem to be weighing up the options, which I just love. | 0:21:13 | 0:21:18 | |
'So we'll take a look at how the five bedrooms upstairs could work for them.' | 0:21:18 | 0:21:22 | |
Come into the smallest bedroom, which is currently used as a study. | 0:21:22 | 0:21:27 | |
Right. And a big loft ladder. | 0:21:27 | 0:21:29 | |
The reason the loft ladder is down | 0:21:29 | 0:21:32 | |
is because I want YOU to poke your head up there. | 0:21:32 | 0:21:36 | |
Happy poking! I'm off for a poke. | 0:21:36 | 0:21:38 | |
(I'm trying to save you a bedroom.) (Thank you.) (No problem.) | 0:21:38 | 0:21:42 | |
Ah-ha. It's potentially a very, very long room. | 0:21:46 | 0:21:51 | |
I don't know how many books you've got, but what about transforming | 0:21:51 | 0:21:54 | |
that into a pretty impressive library? Library. | 0:21:54 | 0:21:57 | |
Spiral staircase from the office. | 0:21:57 | 0:22:00 | |
That could work. Box ticked? | 0:22:00 | 0:22:03 | |
It's TICKING, yeah. | 0:22:03 | 0:22:06 | |
Ticking! He's getting picky now. | 0:22:06 | 0:22:08 | |
Come on, let's go. | 0:22:08 | 0:22:10 | |
I'm not favouring Chris. | 0:22:14 | 0:22:15 | |
Well, I am a little bit. | 0:22:15 | 0:22:17 | |
No, favour me, favour me! | 0:22:17 | 0:22:19 | |
This could be a bedroom, but then again it could be a great toy soldier room. | 0:22:19 | 0:22:23 | |
It could. Do you know the dimensions? | 0:22:23 | 0:22:25 | |
Fourteen three by eleven five. | 0:22:25 | 0:22:29 | |
That's a 10 by 4 war games table. | 0:22:29 | 0:22:32 | |
That's a big one. Oh, really? | 0:22:32 | 0:22:34 | |
That would be VERY nice. | 0:22:34 | 0:22:36 | |
You've just been into the little study. | 0:22:36 | 0:22:38 | |
You could of course knock through there, make the study | 0:22:38 | 0:22:41 | |
and the toy soldier room, | 0:22:41 | 0:22:43 | |
AND maybe the library, spiral staircase here, all your domain. | 0:22:43 | 0:22:48 | |
Potentially, yes. | 0:22:48 | 0:22:49 | |
That would be great. | 0:22:49 | 0:22:51 | |
'Chris has options and there are four other bedrooms, including a single room | 0:22:51 | 0:22:56 | |
'with built-in wardrobes, and a light, bright double room. | 0:22:56 | 0:22:59 | |
'The main bathroom has a huge corner bath and separate shower cubicle. | 0:22:59 | 0:23:04 | |
'Now it's time to scope the master.' | 0:23:04 | 0:23:07 | |
Right. Old eagle eyes has spotted the en suite! | 0:23:09 | 0:23:13 | |
It's a necessity. Laser-guided! | 0:23:13 | 0:23:15 | |
Yes, yes. Then you've got this view. | 0:23:15 | 0:23:19 | |
Yeah, we can cope. | 0:23:19 | 0:23:21 | |
You're saying all the right things. Good. Big enough for you? | 0:23:21 | 0:23:24 | |
Built-in wardrobes. Yes, I think our bed will fit. | 0:23:24 | 0:23:28 | |
Okey-doke, that's the house inside. Brilliant. | 0:23:28 | 0:23:31 | |
Do I get to go into my garden? | 0:23:31 | 0:23:33 | |
You do, but tell me what you think of inside first. | 0:23:33 | 0:23:35 | |
It's...all right. | 0:23:35 | 0:23:38 | |
No, I really like it. Really? Yes. | 0:23:38 | 0:23:40 | |
It's ticking those boxes again. | 0:23:40 | 0:23:42 | |
There's scope for us to change things and update things, | 0:23:42 | 0:23:46 | |
and possibly move some things around, | 0:23:46 | 0:23:49 | |
but, in essence, pretty well everything is there. Absolutely. | 0:23:49 | 0:23:52 | |
Let's go out to the garden, shall we? | 0:23:52 | 0:23:55 | |
'Let battle commence, the house seems to have won them over. | 0:23:55 | 0:23:59 | |
'Let's hope the garden can seal a victory.' | 0:23:59 | 0:24:02 | |
I'd say it's a good-sized garden, wouldn't you? | 0:24:02 | 0:24:05 | |
Yes. Got some nice features again. | 0:24:05 | 0:24:07 | |
You can see there's a greenhouse, | 0:24:07 | 0:24:09 | |
there's a lovely little seating area AND... | 0:24:09 | 0:24:12 | |
My veggie plot! Ready made! | 0:24:12 | 0:24:15 | |
Perfect. Absolutely perfect. Raised borders and everything. | 0:24:15 | 0:24:18 | |
I'm not sure if this garden is big enough. Tell me. | 0:24:18 | 0:24:21 | |
Yes, there's garden at the front as well, it's got my vegetable plot. | 0:24:21 | 0:24:25 | |
Not sure where the tortoises would go but I'm sure they wouldn't mind. | 0:24:25 | 0:24:29 | |
OK. It sounds all really positive. | 0:24:29 | 0:24:31 | |
It is pretty positive. Very positive. | 0:24:31 | 0:24:33 | |
It just depends whether we can afford it. | 0:24:33 | 0:24:36 | |
It does, I suppose. Oh. Hmm. Is it that time again? | 0:24:36 | 0:24:39 | |
What do you think this property's currently on the market for? | 0:24:39 | 0:24:43 | |
I would say 485,000. | 0:24:43 | 0:24:48 | |
I would say 520. | 0:24:48 | 0:24:51 | |
It's currently on the market for ?545,000. OK. Oh. | 0:24:51 | 0:24:56 | |
The current owners have said that they will take offers. | 0:24:56 | 0:24:59 | |
Right. It's been on the market for just over three months. OK. | 0:24:59 | 0:25:02 | |
There's a lot to take in. | 0:25:02 | 0:25:04 | |
Go and look and check out the view again, that might sway it for you. | 0:25:04 | 0:25:07 | |
The view was a big plus. | 0:25:07 | 0:25:09 | |
Yeah. OK. Thank you very much, see you in a minute. Thank you. | 0:25:09 | 0:25:13 | |
This beautiful stone house is ?45,000 over budget, | 0:25:13 | 0:25:18 | |
but Chris and Helen can see where a sensible offer would get them. | 0:25:18 | 0:25:22 | |
It meets their brief in SO many ways, giving them - | 0:25:22 | 0:25:24 | |
two large reception rooms with character stone fireplaces, | 0:25:24 | 0:25:28 | |
five bedrooms with the master en suite, | 0:25:28 | 0:25:31 | |
a large garden with vegetable plot, | 0:25:31 | 0:25:35 | |
ample parking for their fleet of monster trucks. | 0:25:35 | 0:25:39 | |
The garden's a good size, but it's not open. | 0:25:39 | 0:25:45 | |
There's a big hedge at the back. | 0:25:45 | 0:25:46 | |
I like to feel open and not overlooked. | 0:25:46 | 0:25:49 | |
'It was perhaps REALLY nice from the front and then,' | 0:25:49 | 0:25:53 | |
the further we went through... Perhaps the shine came off it a bit. | 0:25:53 | 0:25:56 | |
'For the work that we'd like to do, I think it's a little worrying.' | 0:25:56 | 0:26:02 | |
We'd have to think about it VERY carefully and maybe do a bit of negotiation. | 0:26:02 | 0:26:06 | |
I don't know about Chris and Helen, but I can imagine myself sat here, | 0:26:06 | 0:26:09 | |
looking at that view with a glass of wine. | 0:26:09 | 0:26:12 | |
Notice anything missing? Nice house, isn't it? It is, it's lovely. | 0:26:12 | 0:26:15 | |
It is, it is. It's very nice. | 0:26:15 | 0:26:18 | |
Lovely garden. It's at the top of your budget, but you've got to take into account THAT view. | 0:26:18 | 0:26:22 | |
It's not bad. You keep bringing that up! | 0:26:22 | 0:26:24 | |
It could be yours. | 0:26:24 | 0:26:26 | |
You need to talk. We do. Oh, yes. | 0:26:26 | 0:26:28 | |
Come on, let's go. OK. | 0:26:28 | 0:26:30 | |
Now, I've always been fascinated by neoclassical architecture and couldn't miss out on a visit | 0:26:35 | 0:26:41 | |
to one of the first Palladian mansions to be built in England. | 0:26:41 | 0:26:45 | |
The UK has a wealth of stately homes, | 0:26:46 | 0:26:48 | |
but Wiltshire has a landed estate with a difference. | 0:26:48 | 0:26:52 | |
One built up by a family with humble origins whose fortune was made | 0:26:52 | 0:26:56 | |
on the mean streets of London's fledgling banking industry. | 0:26:56 | 0:26:59 | |
The Stourhead Estate was the brainchild of Henry Hoare, | 0:26:59 | 0:27:02 | |
whose father made his fortune in the late-17th century | 0:27:02 | 0:27:05 | |
establishing Hoare's Bank, the oldest, privately-owned bank in the country. | 0:27:05 | 0:27:09 | |
I'm meeting Alan Power, the head gardener at Stourhead, | 0:27:09 | 0:27:13 | |
who's offered to show me around. | 0:27:13 | 0:27:15 | |
Alan, good to meet you. Good morning, welcome. Thank you. | 0:27:15 | 0:27:19 | |
On a day like this, you've got the best job in the world. | 0:27:19 | 0:27:21 | |
I'm lucky to work somewhere like this. | 0:27:21 | 0:27:23 | |
When the sun's out, it's even better. | 0:27:23 | 0:27:25 | |
So tell me a bit about this house. | 0:27:25 | 0:27:27 | |
Was this unique at the time? It was REALLY contemporary at the time. | 0:27:27 | 0:27:31 | |
Andrea Palladio, who was a fantastic architect and designer, | 0:27:31 | 0:27:34 | |
his style of architecture started becoming popular in England | 0:27:34 | 0:27:39 | |
in the very early 18th century. | 0:27:39 | 0:27:40 | |
Do people come here for the house or the gardens? | 0:27:40 | 0:27:44 | |
They come here for the gardens. | 0:27:44 | 0:27:45 | |
Inspired by the European landscape paintings | 0:27:45 | 0:27:49 | |
he saw during his grand tour, | 0:27:49 | 0:27:51 | |
Henry turned his back on the style of formal French gardens | 0:27:51 | 0:27:54 | |
and created a more natural, romantic landscape | 0:27:54 | 0:27:57 | |
based around a 15-acre lake. | 0:27:57 | 0:27:59 | |
He also commissioned young architect Henry Flitcroft to design some stunning classical features. | 0:27:59 | 0:28:05 | |
Alan is going to take me to the Temple Of Flora where it began. | 0:28:05 | 0:28:09 | |
These follies are magnificent to look at, but there's more to them. | 0:28:09 | 0:28:12 | |
There certainly is. The Temple Of Flora is the start of Stourhead's journey from initial conception. | 0:28:12 | 0:28:18 | |
It's sat here since the 1740s and it watched the 30 years | 0:28:18 | 0:28:21 | |
of development that happened subsequently. | 0:28:21 | 0:28:23 | |
There's an inscription from The Aeneid over the door - | 0:28:23 | 0:28:26 | |
"Procul o procul este profani," be gone all you who are uninitiated - | 0:28:26 | 0:28:30 | |
if you're not going to appreciate my garden, don't visit. | 0:28:30 | 0:28:33 | |
Get out. Exactly. | 0:28:33 | 0:28:34 | |
This is an amazing lake. It's fantastic. | 0:28:34 | 0:28:36 | |
It's...well spotted. | 0:28:36 | 0:28:38 | |
It provides reflection, almost another dimension to your visit. | 0:28:38 | 0:28:42 | |
It's got beautiful serpentine edges. | 0:28:42 | 0:28:44 | |
It increases the scale, it doubles the height of the trees through reflection in the garden. | 0:28:44 | 0:28:49 | |
It is a wonderful feature. | 0:28:49 | 0:28:51 | |
It's an amazing place. It really is. | 0:28:51 | 0:28:53 | |
It's the sort of place where I'd love to sit and stare. | 0:28:53 | 0:28:56 | |
Stourhead is a magnificent monument to the neoclassical tradition, whose blending of art and nature | 0:28:56 | 0:29:02 | |
pushed the boundaries of the early-18th-century English landscape movement. | 0:29:02 | 0:29:07 | |
As the first day of our house search draws to a close, | 0:29:09 | 0:29:12 | |
Helen and Chris compare notes on what they think | 0:29:12 | 0:29:14 | |
of the properties they've seen. | 0:29:14 | 0:29:16 | |
Crikey, what a day! | 0:29:16 | 0:29:18 | |
Yes, busy, but saw some nice houses. | 0:29:18 | 0:29:23 | |
We did. What do you reckon on the cottage? | 0:29:23 | 0:29:25 | |
It really was very nice. | 0:29:25 | 0:29:26 | |
I loved that it was 250 years old. Yes, history is good, I like history. | 0:29:26 | 0:29:31 | |
Ceilings were a little low in places, | 0:29:31 | 0:29:33 | |
I can see you cracking your head a few times. I would, at some point, yeah! | 0:29:33 | 0:29:38 | |
The kitchen was a little small, | 0:29:38 | 0:29:40 | |
and the garden, again, a little small without the open aspect. | 0:29:40 | 0:29:45 | |
It looked like there were views down the road, although you couldn't see them. | 0:29:45 | 0:29:49 | |
There were no views from the house itself, but it would be a short walk to find some nice, open fields. | 0:29:49 | 0:29:53 | |
Then there was the stone house. | 0:29:53 | 0:29:55 | |
The stone house, yes, it was a very good first impression, wasn't it? | 0:29:55 | 0:30:00 | |
I... You were a little dumbstruck! I was blown away by that, | 0:30:00 | 0:30:03 | |
I've never felt like that with a house before - | 0:30:03 | 0:30:06 | |
kerb appeal in spades. Absolutely. | 0:30:06 | 0:30:08 | |
The sitting room, fantastic, and I think the further in we went, | 0:30:08 | 0:30:12 | |
maybe it did...didn't live up to the initial promise. | 0:30:12 | 0:30:15 | |
I lost my focus a bit there, and the kitchen was obviously not what you wanted. | 0:30:15 | 0:30:21 | |
Very good location, nice and quiet, | 0:30:21 | 0:30:23 | |
small village, sounds very friendly. Yeah. | 0:30:23 | 0:30:26 | |
Yes... Let's see what comes up next, then. | 0:30:26 | 0:30:28 | |
Absolutely, very much looking forward to tomorrow. Yeah. | 0:30:28 | 0:30:32 | |
With dreams of building a new home in Madeira now on ice, | 0:30:35 | 0:30:38 | |
Chris and Helen want to head for the Wiltshire plains. | 0:30:38 | 0:30:42 | |
Chris's trusty spreadsheet Prudence has calculated they have a ?500,000 budget | 0:30:42 | 0:30:46 | |
and they have got a wish list which even includes a toy soldier room. | 0:30:46 | 0:30:51 | |
They've seen two houses | 0:30:52 | 0:30:54 | |
and, coming up, we may have found perfection. | 0:30:54 | 0:30:57 | |
Can you see it? I CAN see it. | 0:30:57 | 0:30:59 | |
A huge garden, isn't it? Absolutely huge. | 0:30:59 | 0:31:03 | |
And we might just be victorious with our mystery house. | 0:31:03 | 0:31:06 | |
It's a brand new day, | 0:31:06 | 0:31:07 | |
and our search continues to find the lovely Chris and Helen | 0:31:07 | 0:31:10 | |
their dream property here in Wiltshire. | 0:31:10 | 0:31:13 | |
On the whole, it went rather well yesterday, I thought. | 0:31:13 | 0:31:16 | |
But I do have my reservations - | 0:31:16 | 0:31:18 | |
I think they're slightly unrealistic about what their budget can buy them in this expensive county. | 0:31:18 | 0:31:23 | |
What I'm hoping is, by the time we get to the mystery property, | 0:31:23 | 0:31:26 | |
Chris, Helen and, more importantly, Prudence, are all singing from the same spreadsheet. | 0:31:26 | 0:31:32 | |
Let's get on with it. | 0:31:32 | 0:31:33 | |
Our next house is 17 miles from Devizes, | 0:31:36 | 0:31:39 | |
in the pretty village of Oare. There's everything they could wish for - a village pub, | 0:31:39 | 0:31:43 | |
a Victorian church to satisfy Chris's craving for local history, | 0:31:43 | 0:31:47 | |
and sweeping fields with the impressive backdrop of Oare Hill. | 0:31:47 | 0:31:52 | |
Among the variety of properties there's this one, | 0:31:52 | 0:31:55 | |
next to the village primary school. | 0:31:55 | 0:31:57 | |
We couldn't have a better day for it! Perfect! | 0:31:58 | 0:32:01 | |
Here you go. Right! | 0:32:01 | 0:32:04 | |
Silence. | 0:32:05 | 0:32:06 | |
We're just enjoying the silence really, | 0:32:06 | 0:32:09 | |
this is the Pewsey Vale. Ah, you know! | 0:32:09 | 0:32:11 | |
We know this area, yeah. | 0:32:11 | 0:32:13 | |
So you like the area? The area's fantastic. It's very nice. | 0:32:13 | 0:32:16 | |
What about the location of the house? | 0:32:16 | 0:32:18 | |
I do notice there is a primary school next door, which is possibly a worry. | 0:32:18 | 0:32:23 | |
How much of a worry? I don't know, it depends on the rest of the house. | 0:32:23 | 0:32:26 | |
Somewhere... There is a compromise somewhere, | 0:32:26 | 0:32:29 | |
and we need to work out whether that's it, so... OK. | 0:32:29 | 0:32:33 | |
I'll tell you, it's a house with potential. | 0:32:33 | 0:32:35 | |
I like that word. As you can see, there is a garage there, | 0:32:35 | 0:32:38 | |
which you could extend out into another room or use it as a garage. | 0:32:38 | 0:32:43 | |
As usual, you're chomping at the bit, revving yourself up... | 0:32:43 | 0:32:47 | |
Shall we? After three, ready? Come on, let's go! | 0:32:47 | 0:32:50 | |
'Tell you what, I can't hold them back! | 0:32:52 | 0:32:54 | |
'This house was built in the 1950s and extended 20 years ago. | 0:32:54 | 0:32:58 | |
'Let's keep that word "potential" firmly in our minds | 0:32:58 | 0:33:01 | |
'as we go inside, shall we?' | 0:33:01 | 0:33:02 | |
I love it when you get into a house, there's a massive smile on your face. | 0:33:04 | 0:33:07 | |
It's a good size, isn't it? Yeah. | 0:33:07 | 0:33:10 | |
Maybe slightly dated, but that's a huge advantage. | 0:33:10 | 0:33:13 | |
Hold on - "it's dated, that's a huge advantage"? | 0:33:13 | 0:33:16 | |
Yeah, I like to get in and do things, | 0:33:16 | 0:33:18 | |
get my paint brushes out and fix things... So it's a project, in a way? | 0:33:18 | 0:33:23 | |
Project, good, yes. Pretty well every house is a project for Helen. | 0:33:23 | 0:33:27 | |
OK. I like to play. I love Helen. | 0:33:27 | 0:33:29 | |
Oh, thank you! No, I do. | 0:33:29 | 0:33:31 | |
I see there's an open fire but it's covered over. | 0:33:31 | 0:33:34 | |
Is it fully working? It is working, yeah. OK. | 0:33:34 | 0:33:38 | |
Lovely. Onward. Let's carry on. Lovely. | 0:33:38 | 0:33:40 | |
Yes, lovely indeed. Leading off the entrance hall is a useful toilet. | 0:33:40 | 0:33:44 | |
And next... | 0:33:44 | 0:33:45 | |
The kitchen! The kitchen - my kitchen! | 0:33:45 | 0:33:49 | |
Um...it needs a new one which, again, advantage... | 0:33:49 | 0:33:54 | |
Put in exactly what I want. Yeah. Fantastic. | 0:33:54 | 0:33:57 | |
OK, good. Come on. Excellent. | 0:33:57 | 0:34:00 | |
They can breakfast in the kitchen and lunch in the separate dining-room | 0:34:01 | 0:34:04 | |
with open views over the garden. | 0:34:04 | 0:34:06 | |
But we'll press on through to the conservatory. | 0:34:06 | 0:34:09 | |
Good size, isn't it? This is a focal point, isn't it? Yeah. Isn't it? | 0:34:10 | 0:34:14 | |
I'll bet this is where the current family spend most of their time. | 0:34:14 | 0:34:17 | |
And nice view of the garden. Very nice! Shall we go upstairs? OK, come on. | 0:34:17 | 0:34:21 | |
'They liked the conservatory, didn't they? | 0:34:21 | 0:34:24 | |
'Let's hope it'll be enough to make them forget about the neighbouring school. | 0:34:24 | 0:34:27 | |
'Fingers crossed that upstairs measures up.' | 0:34:27 | 0:34:30 | |
You've got five bedrooms up here, | 0:34:30 | 0:34:32 | |
a good-sized family bathroom, a double room there. | 0:34:32 | 0:34:36 | |
You're not going to get your book-lined study, I'm afraid, | 0:34:36 | 0:34:39 | |
it's more a box room. Another empty box without a tick. | 0:34:39 | 0:34:43 | |
Never mind. Oh, he's harsh, isn't he? | 0:34:43 | 0:34:46 | |
I could feel the hatred there... | 0:34:46 | 0:34:48 | |
But this is a room I really do want to show you. | 0:34:48 | 0:34:50 | |
Right... Big enough for a war? | 0:34:50 | 0:34:52 | |
I reckon I could get an eight by four table in here. | 0:34:52 | 0:34:56 | |
Lives are ruled by sizes of tables. | 0:34:56 | 0:34:58 | |
Let's all go to the master bedroom. Brilliant. | 0:34:58 | 0:35:01 | |
On the way, we pass the final bedroom, certainly big enough to be a double. On to the master. | 0:35:01 | 0:35:07 | |
Spacious. Not tremendously, not to me. | 0:35:07 | 0:35:11 | |
Notice something that possibly may be missing, | 0:35:11 | 0:35:15 | |
along the lines of en suite. | 0:35:15 | 0:35:17 | |
Yes. They're always nice, but it's not a deal-breaker, obviously, but... | 0:35:17 | 0:35:22 | |
You're going to get to know your guests because there's one bathroom. Yes. | 0:35:22 | 0:35:26 | |
The room is a good size. You can put a bed in it. | 0:35:26 | 0:35:29 | |
It's not a no? Nothing is a no. Everything is worthy of consideration. Absolutely. | 0:35:29 | 0:35:35 | |
Until... Having not seen the garden yet, definitely can't make a decision. Let's see the garden. | 0:35:35 | 0:35:41 | |
'I love the fact that they're trying to see the potential in this house, | 0:35:41 | 0:35:44 | |
'but I'm not convinced we've hit the nail on the head with this property.' | 0:35:44 | 0:35:48 | |
If it's a sun trap you're after... It is rather a sun trap. Oh, yeah. | 0:35:48 | 0:35:53 | |
I do like my sun. Yeah, me too. It's nice and private as well. | 0:35:53 | 0:35:57 | |
Like with the rest of the property, there are doors opening and closing everywhere. | 0:35:57 | 0:36:01 | |
I do like to be able to get in and out of different rooms. | 0:36:01 | 0:36:04 | |
I'm glad you like this. Yes, I can hear the birds. You can. | 0:36:04 | 0:36:07 | |
Birds full in song there. Yes. | 0:36:07 | 0:36:11 | |
Isn't that lovely? Yes, that's all you can hear really. Very nice. | 0:36:11 | 0:36:14 | |
It is. I could listen to that all day. | 0:36:14 | 0:36:16 | |
Very private garden. It is. Yeah. That's wonderful. The garden is really nice. | 0:36:16 | 0:36:22 | |
Yes, I can see the place where the vegetable plot would go. Down there? | 0:36:22 | 0:36:25 | |
Absolutely. Ideal. The one thing I would do, it sounds like a travesty, | 0:36:25 | 0:36:30 | |
but I would have quite a lot of these trees down to really open up | 0:36:30 | 0:36:33 | |
the view of the hills, let more light in. Yes. | 0:36:33 | 0:36:37 | |
Yes, you want to be private, but you don't want that privacy to spoil | 0:36:37 | 0:36:41 | |
what is essentially a fantastic view. Mm. | 0:36:41 | 0:36:43 | |
That has the potential to be glorious. OK, let's talk about money. Right yes. | 0:36:43 | 0:36:48 | |
Yes. It's a quarter of an acre we're talking about here. Right. | 0:36:48 | 0:36:51 | |
Lovely view. Mm hm. Five bedrooms, with huge potential as you say. | 0:36:51 | 0:36:55 | |
Yes. So what do you think it's on the market for? | 0:36:55 | 0:36:57 | |
I would probably say about 485. | 0:36:57 | 0:37:01 | |
I would say it's going to be probably the famous 499,950. | 0:37:01 | 0:37:06 | |
OK. It was on the market for ?525,000... Right. It was... | 0:37:06 | 0:37:12 | |
It's been on the market for four months. OK. | 0:37:12 | 0:37:14 | |
How much did you say? | 0:37:14 | 0:37:16 | |
499,950...and 35p! | 0:37:16 | 0:37:20 | |
Now you've ruined it with the 35p. | 0:37:20 | 0:37:21 | |
It's on the market for ?499,950. | 0:37:21 | 0:37:24 | |
Right. Well done. Congratulations. Thank you. Winner! Champion! | 0:37:24 | 0:37:28 | |
Very impressive. | 0:37:28 | 0:37:30 | |
You're smiling. | 0:37:30 | 0:37:31 | |
I think that's right. Yes. I think that's right. Yes. | 0:37:31 | 0:37:34 | |
Still you've got some money to play around with haven't you? Yes. | 0:37:34 | 0:37:37 | |
We have the scope to do what we feel the house needs. | 0:37:37 | 0:37:40 | |
Go and get your tape measure out and find out how close to the primary school you are - | 0:37:40 | 0:37:44 | |
whether it's just a little bit too close or not, | 0:37:44 | 0:37:47 | |
and have a good look around. I'll come and find you. OK. Thank you. See you in a bit. Bye. | 0:37:47 | 0:37:51 | |
With ?50 to spare this detached property | 0:37:51 | 0:37:54 | |
has great potential and if Chris and Helen | 0:37:54 | 0:37:56 | |
dug into their slush fund for refurb work, | 0:37:56 | 0:37:58 | |
it could give them everything they're looking for. | 0:37:58 | 0:38:00 | |
There are three large reception rooms | 0:38:00 | 0:38:04 | |
including that bonus of a conservatory, | 0:38:04 | 0:38:05 | |
five bedrooms, so room for Chris's soldiers, | 0:38:05 | 0:38:09 | |
a private, quarter acre, south facing garden. | 0:38:09 | 0:38:13 | |
And although the primary school is close by | 0:38:13 | 0:38:15 | |
the house is in a secluded location, | 0:38:15 | 0:38:17 | |
so it will be birdsong from dawn till dusk. | 0:38:17 | 0:38:21 | |
The garden's lovely. I can see things I'd like to do with it, | 0:38:21 | 0:38:25 | |
which is always a good thing. I can see where the vegetable plot would go, | 0:38:25 | 0:38:29 | |
the tortoises would find their own nice little spot. | 0:38:29 | 0:38:31 | |
I'd like to think we can see through what the house needs. | 0:38:31 | 0:38:35 | |
I like to have a project. I like to visualise how it's going to be. | 0:38:35 | 0:38:40 | |
This one is a large project. | 0:38:40 | 0:38:43 | |
We'd have to carefully sit down and look at the budget, | 0:38:43 | 0:38:46 | |
and work out whether it would be worth it and whether it would add the value that we wanted it to do. | 0:38:46 | 0:38:50 | |
There are things that can be done. | 0:38:50 | 0:38:53 | |
Whether they would turn the house into our dream house | 0:38:53 | 0:38:56 | |
we would have to give serious thought to. | 0:38:56 | 0:38:58 | |
Ah-ha! We made it finally. | 0:38:58 | 0:39:01 | |
I found the perfect place to wait for you. | 0:39:01 | 0:39:04 | |
Rather a soggy bottom, but there we go! | 0:39:04 | 0:39:06 | |
Seen enough? Yes, I think we have, thank you. Come on. let's go. Wonderful. | 0:39:06 | 0:39:10 | |
Chris and Helen both love cars, with Helen harbouring | 0:39:17 | 0:39:19 | |
particular passion for 4X4 off-roading. | 0:39:19 | 0:39:22 | |
With that in mind we arranged for them to visit one of Wiltshire's | 0:39:22 | 0:39:25 | |
specially made tracks to meet Colin Reid, | 0:39:25 | 0:39:27 | |
former British 4X4 off-roading champion, | 0:39:27 | 0:39:30 | |
who's going to give them a gentle introduction to the terrain. | 0:39:30 | 0:39:33 | |
So, Helen, I hear you're into off-road driving. | 0:39:35 | 0:39:38 | |
We certainly are. We've got two off-roaders at home. Right. We just need to do some more really. | 0:39:38 | 0:39:42 | |
Right. We've got 700 acres here. | 0:39:42 | 0:39:44 | |
It's all purpose built man-made courses. | 0:39:44 | 0:39:47 | |
We have ascents, descents, angles, ditches to get across, | 0:39:47 | 0:39:53 | |
all bits and pieces... Fantastic. Sounds good. | 0:39:53 | 0:39:55 | |
..so we'd best go and have a play, OK? | 0:39:55 | 0:39:57 | |
My turn first? Your turn first. Wonderful. Thank you. | 0:39:57 | 0:40:00 | |
You want to jump in there? Chris, jump in the back. | 0:40:00 | 0:40:02 | |
So it's all aboard for a bumpy ride. | 0:40:02 | 0:40:06 | |
Off-roading demands responsible driving on designated terrain | 0:40:09 | 0:40:12 | |
and it's important to be mindful of the countryside | 0:40:12 | 0:40:15 | |
and not trespass on protected farming land. | 0:40:15 | 0:40:17 | |
But it's time for Helen to get the measure of the first obstacle. | 0:40:17 | 0:40:20 | |
This what we call a ditch crossing. | 0:40:22 | 0:40:23 | |
What we need to do is to find an angle, all right? | 0:40:23 | 0:40:27 | |
The angle is approximately 50 degrees, something like that, | 0:40:27 | 0:40:31 | |
and then what you do is you roll a wheel in at a time. | 0:40:31 | 0:40:34 | |
Nice and gentle, first gear, just roll down in with the car, | 0:40:34 | 0:40:37 | |
so you'll always have a wheel in contact with the ground to pull you through. | 0:40:37 | 0:40:41 | |
I you'd like to get in the car... Wonderful. | 0:40:41 | 0:40:43 | |
Chris, if you'd like to go over that side, far enough out of the way and watch what's going on. | 0:40:43 | 0:40:47 | |
Well Helen seems revved up and raring to go | 0:40:49 | 0:40:51 | |
with Chris standing by for moral support. | 0:40:51 | 0:40:54 | |
That's good. Don't touch down on the pedals. Perfect. Straighten your steering a little bit. | 0:40:56 | 0:41:01 | |
Gently back onto the gas now to pull yourself out. | 0:41:01 | 0:41:03 | |
Slowly does it. She finds the right angle and clears the ditch successfully. | 0:41:03 | 0:41:09 | |
Thank you very much. Was that all right. I enjoyed that. Good. That was wonderful. | 0:41:10 | 0:41:13 | |
Next up it's Chris's turn to get into the driving seat. | 0:41:13 | 0:41:17 | |
Let's see if he has Helen's nerves of steel | 0:41:17 | 0:41:19 | |
when he faces his challenge of mastering the steep slope. | 0:41:19 | 0:41:23 | |
It's downhill all the way. | 0:41:23 | 0:41:26 | |
Right, Chris, what we've got here is a nice steep drop, OK? | 0:41:28 | 0:41:31 | |
It's probably round about 50 degrees, | 0:41:31 | 0:41:34 | |
so it's quite steep. OK. | 0:41:34 | 0:41:36 | |
Nice and dry today though. Lots of traction on it. | 0:41:36 | 0:41:39 | |
It's chalk with some flints and that's sticking out as you can see. Yes. | 0:41:39 | 0:41:42 | |
So there is some grip on it so the car's not going to slide away from us. All right? | 0:41:42 | 0:41:46 | |
If you'd like to get in. Helen, if you'd like to stand back over there. Yep. | 0:41:46 | 0:41:49 | |
So it's all systems go as Chris takes to the wheel. | 0:41:51 | 0:41:53 | |
Here we go. That's it. Then off of both pedals. | 0:41:57 | 0:42:00 | |
On the wheel and down we go. | 0:42:00 | 0:42:02 | |
The secret to speed control on terrain like this | 0:42:02 | 0:42:05 | |
is to stay in a low gear, engage both the axles, | 0:42:05 | 0:42:08 | |
and hold off braking so the car doesn't skid. | 0:42:08 | 0:42:10 | |
Magic. That's lovely, well done. If you'd like to pull forward and stop there. That's wonderful. | 0:42:10 | 0:42:17 | |
It's mission accomplished for Chris and now the adrenalin buzz has kicked in, | 0:42:17 | 0:42:21 | |
it's time to regroup. | 0:42:21 | 0:42:23 | |
Helen, come and join us. Where have you been? | 0:42:24 | 0:42:27 | |
I made it down the slope. | 0:42:27 | 0:42:29 | |
Good, well done. Excellent. Thank you very much, guys. | 0:42:29 | 0:42:32 | |
That's been brilliant. You've both been very good pupils. | 0:42:32 | 0:42:35 | |
Chris and Helen seem really fired up by their off-roading antics. | 0:42:35 | 0:42:39 | |
I hope they feel as passionate about our next property. | 0:42:39 | 0:42:42 | |
So now, here's a teaser for you - | 0:42:45 | 0:42:46 | |
what sort of property do you find a couple who have lived | 0:42:46 | 0:42:50 | |
in a bungalow for 20 years and vowed never to step foot in one again? | 0:42:50 | 0:42:54 | |
You've guessed it, but this is a bungalow with a difference. | 0:42:54 | 0:42:58 | |
We're delivering the one thing we haven't so far - | 0:42:58 | 0:43:00 | |
a lovely view. Will that ONE aspect swing it for them? | 0:43:00 | 0:43:03 | |
Let's find out. | 0:43:03 | 0:43:06 | |
Well, I do hope so, | 0:43:06 | 0:43:07 | |
because I'm not sure they're into bungalows any more. | 0:43:07 | 0:43:10 | |
For the last 20 years, before the move to Newbury, we had a 1973 bungalow. OK. | 0:43:10 | 0:43:16 | |
When we were looking for it originally, | 0:43:16 | 0:43:18 | |
I was wanting a nice little country cottage, but this one came up, | 0:43:18 | 0:43:22 | |
Chris dragged me to it kicking and screaming... | 0:43:22 | 0:43:25 | |
Why were you kicking and screaming? | 0:43:25 | 0:43:28 | |
I've always considered bungalows to be a total waste of space. | 0:43:28 | 0:43:31 | |
Um... They need a much larger plot, for example. And it's quite nice, | 0:43:31 | 0:43:36 | |
sometimes, to have a separation between living and bedrooms. | 0:43:36 | 0:43:40 | |
Well, let's see what they make of our mystery property. | 0:43:40 | 0:43:44 | |
It's only six miles from Devizes | 0:43:44 | 0:43:46 | |
in the popular village of Great Cheverell. | 0:43:46 | 0:43:49 | |
Helen could get stuck into community life here, | 0:43:49 | 0:43:51 | |
which centres around the pub, the village shop and post office. | 0:43:51 | 0:43:55 | |
And, what a location, with the Salisbury Plain right on their doorstep. | 0:43:55 | 0:43:59 | |
Among the assortment of properties dotted about is this low-lying one. | 0:43:59 | 0:44:04 | |
What's that I see in front of me? | 0:44:04 | 0:44:06 | |
No, it couldn't be. It could. | 0:44:06 | 0:44:08 | |
It's a house in a hole | 0:44:08 | 0:44:10 | |
or a house where somebody's stolen the top bit. | 0:44:10 | 0:44:14 | |
I think they call it a bungalow. | 0:44:14 | 0:44:16 | |
Do they? I've never seen one before. | 0:44:16 | 0:44:18 | |
You liar, you. I am a bit. | 0:44:18 | 0:44:21 | |
How do you feel about this bungalow with that view? | 0:44:21 | 0:44:24 | |
Well, the view certainly does help an awful lot. | 0:44:24 | 0:44:27 | |
That's panoramic, isn't it? | 0:44:27 | 0:44:28 | |
Yes. We'll have to see if the bungalow itself takes advantage of said views. | 0:44:28 | 0:44:32 | |
Are you willing to give it a go? | 0:44:32 | 0:44:34 | |
Definitely. With a bungalow we KNOW what we're talking about. | 0:44:34 | 0:44:37 | |
Exactly. You've been there and done it. | 0:44:37 | 0:44:40 | |
Yes, good at bungalows. | 0:44:40 | 0:44:42 | |
Keep saying to yourself, it's got a great view. | 0:44:42 | 0:44:44 | |
It's the view, it's the view. And the plot. Let's go. | 0:44:44 | 0:44:47 | |
Let's go for it. | 0:44:47 | 0:44:49 | |
'In fact, our mystery bungalow is far from ordinary. | 0:44:49 | 0:44:52 | |
'It's a 19th-century lodge house bungalow which has been extended, | 0:44:52 | 0:44:55 | |
'so Chris would get his dose of history. Let's hope it can work its magic on them.' | 0:44:55 | 0:45:00 | |
Come on in. Lovely. Thank you. | 0:45:03 | 0:45:05 | |
It's very welcoming. Yes, it's an impressive hallway. | 0:45:05 | 0:45:08 | |
This almost looks like a separate house. | 0:45:08 | 0:45:10 | |
You've got a double glazed window inside the house. | 0:45:10 | 0:45:14 | |
I think this was the front door and this is an extension. | 0:45:14 | 0:45:17 | |
Useful there, you've got a good sized double bedroom and a wet room. | 0:45:17 | 0:45:22 | |
So if you've got guests coming that want their privacy... Or we want rid of them, yes. | 0:45:22 | 0:45:26 | |
I've got loads to show you, but I'm going to treat YOU first. It's always me. | 0:45:26 | 0:45:31 | |
I'll let YOU go first if he's treating YOU. | 0:45:31 | 0:45:35 | |
Chris, I think this may make you happy. | 0:45:35 | 0:45:37 | |
I think I know what you're going to say. What, Chris? | 0:45:37 | 0:45:40 | |
Book-lined study. That's exactly what I was going to say, Chris. | 0:45:40 | 0:45:43 | |
You've got the original 19th-century fireplace, working fireplace. | 0:45:43 | 0:45:47 | |
That's nice. Through there, that's a bedroom at the moment. | 0:45:47 | 0:45:50 | |
A very light and airy bedroom just ideal for... | 0:45:50 | 0:45:55 | |
My little toy soldiers. | 0:45:55 | 0:45:57 | |
I can imagine sitting here, a couple of nice armchairs, | 0:45:57 | 0:46:01 | |
loads of books around, roaring log fire... | 0:46:01 | 0:46:04 | |
Roaring wife. I'm there. | 0:46:04 | 0:46:06 | |
I'm curling up. Paradise on Earth. | 0:46:06 | 0:46:08 | |
Can you see it? I CAN see it. Brilliant. | 0:46:08 | 0:46:12 | |
There's a plus point for you as well. | 0:46:12 | 0:46:15 | |
Good. We'll leave you there. | 0:46:15 | 0:46:17 | |
Just stand there for a minute. OK. You come with me... We're alone. | 0:46:17 | 0:46:20 | |
We stand at the door. | 0:46:20 | 0:46:21 | |
Ah! And there's a chain where we can lock you in. | 0:46:21 | 0:46:26 | |
Isn't that great? | 0:46:26 | 0:46:27 | |
THEY LAUGH | 0:46:27 | 0:46:28 | |
You can come out when Britain's won. I feel so rejected. | 0:46:28 | 0:46:32 | |
Come on, follow us. 'Now Chris can be imprisoned in his games room, | 0:46:32 | 0:46:37 | |
'let's go next door and attack Helen's wish list.' | 0:46:37 | 0:46:40 | |
You've got exposed floorboards. | 0:46:40 | 0:46:42 | |
They are gorgeous, aren't they? | 0:46:42 | 0:46:44 | |
It is tiled when you walk in and then you get to the floorboards. | 0:46:44 | 0:46:47 | |
And this is your room. It's a jolly good size, isn't it? | 0:46:47 | 0:46:50 | |
It is. It's a proper eat-in kitchen. | 0:46:50 | 0:46:52 | |
Yeah, but what about the space? The space is absolutely brilliant. | 0:46:52 | 0:46:56 | |
'Down the other end of the hallway is the third of the four bedrooms, | 0:46:56 | 0:47:00 | |
'but let's check out the main bathroom.' | 0:47:00 | 0:47:02 | |
Come in here. Ah! The bathroom. | 0:47:02 | 0:47:05 | |
It's a jolly good size, isn't it? | 0:47:05 | 0:47:07 | |
It is, isn't it? It's a really good family bathroom, I'd say. | 0:47:07 | 0:47:10 | |
It's a jolly good size. | 0:47:10 | 0:47:12 | |
Yeah. Excellent. | 0:47:12 | 0:47:14 | |
Let me show you where you're going to kip. | 0:47:14 | 0:47:17 | |
Ooh! | 0:47:17 | 0:47:18 | |
Room for a four poster, then? Yes. | 0:47:21 | 0:47:24 | |
Plenty of space to... breathe in here, isn't there? | 0:47:24 | 0:47:27 | |
And also, waking up in the morning | 0:47:27 | 0:47:29 | |
and the first thing you see is your garden. | 0:47:29 | 0:47:32 | |
Ooh, it's got a wood burner! | 0:47:32 | 0:47:33 | |
Isn't that cute? Isn't that gorgeous? | 0:47:33 | 0:47:36 | |
Imagine those cold winter nights. | 0:47:36 | 0:47:38 | |
Well... They wouldn't be cold. After the two glasses of port. | 0:47:38 | 0:47:42 | |
So you'd go from the... | 0:47:42 | 0:47:44 | |
From the fire in there to the fire in here and you wouldn't get cold in between. | 0:47:44 | 0:47:50 | |
And there's one in the middle! | 0:47:50 | 0:47:52 | |
It's my favourite room, I'll show you that last. | 0:47:52 | 0:47:55 | |
We're fired with enthusiasm. | 0:47:55 | 0:47:58 | |
'That's what I like to hear. And it's the biggest one yet, | 0:47:58 | 0:48:00 | |
'so let's hope they give the room a warm reception.' | 0:48:00 | 0:48:03 | |
Ooh. Ah-ha, the living room. | 0:48:06 | 0:48:08 | |
Yes, that's a very OBVIOUS feature, isn't it? | 0:48:08 | 0:48:11 | |
I love the beam above the top. | 0:48:11 | 0:48:13 | |
A nice sort of study area there... That's nice. | 0:48:13 | 0:48:16 | |
Wonderful, that is. | 0:48:16 | 0:48:17 | |
This is a good room for entertaining. | 0:48:17 | 0:48:19 | |
Totally. Superb, absolutely superb. | 0:48:19 | 0:48:22 | |
And the room with the views. | 0:48:22 | 0:48:24 | |
Yes. Have we won you over? | 0:48:24 | 0:48:26 | |
Yes. I think you have. I'm impressed. | 0:48:26 | 0:48:29 | |
I'd still like to see the outside, because the garden's important. | 0:48:29 | 0:48:32 | |
I didn't know you'd say that. You couldn't have guessed. | 0:48:32 | 0:48:35 | |
It's got all of the things we asked for. | 0:48:35 | 0:48:37 | |
We said nothing was going to tick all the boxes, | 0:48:37 | 0:48:40 | |
but there's more ticks than we expected, perhaps. | 0:48:40 | 0:48:43 | |
I remember that bottom box that just said, "View." | 0:48:43 | 0:48:48 | |
Let's tick it. | 0:48:48 | 0:48:49 | |
Come on out. | 0:48:55 | 0:48:57 | |
This is what it's all about, isn't it? | 0:48:57 | 0:49:00 | |
And how. Fresh air and uninterrupted views. | 0:49:00 | 0:49:04 | |
I think it needs a conservatory, so that you can actually sit here | 0:49:04 | 0:49:07 | |
in the winter and take advantage of the view. | 0:49:07 | 0:49:10 | |
How fantastic would that be? Snow-covered fields... | 0:49:10 | 0:49:13 | |
'They're getting creative, that's a good sign. | 0:49:13 | 0:49:16 | |
'They also get a store room and a double-length garage, | 0:49:16 | 0:49:19 | |
'with a chance to buy the whole barn if they wanted to. | 0:49:19 | 0:49:22 | |
'But let's give Chris and Helen the opportunity to soak up surroundings in the one-acre garden. | 0:49:22 | 0:49:27 | |
This is lovely. It is. | 0:49:27 | 0:49:28 | |
It's wonderful, isn't it? It's close to idyllic. | 0:49:28 | 0:49:31 | |
It is. Lovely stand of trees, | 0:49:31 | 0:49:35 | |
there's a, sort of, wilderness patch there that really cries out | 0:49:35 | 0:49:38 | |
to be levelled off and have something nice done. | 0:49:38 | 0:49:41 | |
I could do that. | 0:49:41 | 0:49:42 | |
So, what do you think this one-acre plot of land with a bungalow on it is worth? | 0:49:42 | 0:49:47 | |
It's got to be about ?530,000. | 0:49:47 | 0:49:51 | |
OK, how about you, Helen? | 0:49:51 | 0:49:53 | |
I'm going to say 510. | 0:49:53 | 0:49:54 | |
Would it make a massive difference if I said it was way over budget? | 0:49:54 | 0:49:58 | |
If it was 550 or something? | 0:49:58 | 0:49:59 | |
Yes, it would. It's not. | 0:49:59 | 0:50:02 | |
It's currently on the market for ?520,000. | 0:50:02 | 0:50:06 | |
Oh! Middle ground! | 0:50:06 | 0:50:08 | |
For the size of the plot, the size of the building, the original | 0:50:08 | 0:50:12 | |
features, the obvious history, I think it's a fair price. | 0:50:12 | 0:50:16 | |
Yes, I do, it is. Go and have a look round, take it all in. | 0:50:16 | 0:50:20 | |
See you later. And I'm glad you didn't say, "No." | 0:50:20 | 0:50:22 | |
Ha! We never say "No". You never say "No," that's what I love about you. | 0:50:22 | 0:50:26 | |
The mystery property has done it again, it's added that element of confusion, hasn't it? | 0:50:26 | 0:50:31 | |
You can hear the cogs working as they're walking back. | 0:50:31 | 0:50:34 | |
You know, it's not always that you instantly fall for a property. | 0:50:34 | 0:50:38 | |
I got the impression that Helen wasn't too keen on the fact | 0:50:38 | 0:50:41 | |
that it was a bungalow to start with, but I've just heard her say | 0:50:41 | 0:50:44 | |
to Chris when she thought I was out of earshot, | 0:50:44 | 0:50:47 | |
"I'm really falling in love with this place." | 0:50:47 | 0:50:49 | |
So, maybe it's a case of "bungalo-yes", not "bungalo-no". | 0:50:49 | 0:50:54 | |
Apologies for that, I do hope so though. | 0:50:54 | 0:50:56 | |
Because although it's ?20,000 over budget, they do have room for manoeuvre on the money. | 0:50:56 | 0:51:01 | |
Our bungalow gives them - | 0:51:01 | 0:51:03 | |
a huge sitting room with period features, | 0:51:03 | 0:51:05 | |
a large dining kitchen for Helen, and a study for Chris, | 0:51:05 | 0:51:10 | |
four bedrooms and a one-acre plot | 0:51:10 | 0:51:12 | |
which is a real blank canvas with spectacular views | 0:51:12 | 0:51:15 | |
over the Salisbury Plain. | 0:51:15 | 0:51:17 | |
It's a huge garden, isn't it? Absolutely huge. | 0:51:17 | 0:51:21 | |
The outside of the house is absolutely everything | 0:51:21 | 0:51:24 | |
we're looking for. The views are to die for. | 0:51:24 | 0:51:27 | |
The stand of trees in the garden is almost idyllic. | 0:51:27 | 0:51:31 | |
The mystery house is always going to be a curve ball, and this is the ultimate curve ball. | 0:51:31 | 0:51:36 | |
We weren't expecting it, we weren't ready for it. | 0:51:36 | 0:51:39 | |
We had to revise all our opinions, really, | 0:51:39 | 0:51:42 | |
and start again from scratch. | 0:51:42 | 0:51:43 | |
This bungalow actually has everything - | 0:51:43 | 0:51:46 | |
It's got character, it's got space, it's got views. | 0:51:46 | 0:51:50 | |
Ah! What a vision, both of you through that dappled sunlight - | 0:51:51 | 0:51:55 | |
absolutely idyllic. You're too kind. | 0:51:55 | 0:51:57 | |
It wasn't a strain for me, leaning on this post. | 0:51:57 | 0:52:00 | |
No, it's hard, standing looking at the view. | 0:52:00 | 0:52:02 | |
Well, the property tour is over, | 0:52:02 | 0:52:04 | |
there's a hell of a lot to take in. Just a bit. | 0:52:04 | 0:52:06 | |
Oh yes. Bit of thinking to be done. | 0:52:06 | 0:52:08 | |
I'm not going to put you on the spot, | 0:52:08 | 0:52:10 | |
you should go away and have a good think, | 0:52:10 | 0:52:13 | |
and we'll catch up later. | 0:52:13 | 0:52:15 | |
Sounds fantastic. Fine. | 0:52:15 | 0:52:16 | |
Our house search has certainly given Chris and Helen a whole host of different options to mull over, | 0:52:24 | 0:52:29 | |
but will one property rise above them all? | 0:52:29 | 0:52:32 | |
Well, it's decision time. Which, if any of the houses, will Helen and Chris go for? | 0:52:36 | 0:52:41 | |
This is going to be a difficult one to call, | 0:52:41 | 0:52:43 | |
they've had positive things to say about ALL the properties. | 0:52:43 | 0:52:47 | |
But have we found them the right house, with the right garden, in the right location? | 0:52:47 | 0:52:52 | |
Let's go and find out. | 0:52:52 | 0:52:54 | |
Trust you two, finding the most idyllic spot in the whole building. | 0:52:57 | 0:53:01 | |
We thought we'd managed to escape. Well, you haven't, not quite yet. | 0:53:01 | 0:53:04 | |
We're working on it. Are you going to escape to Wiltshire? | 0:53:04 | 0:53:09 | |
Let's talk about the properties, let's start with the cottage. | 0:53:09 | 0:53:12 | |
It was a nice traditional house, it had some nice features. | 0:53:12 | 0:53:16 | |
The rooms were small and I would have had a problem with the head height in a number of rooms. | 0:53:16 | 0:53:22 | |
The garden was pleasant, | 0:53:22 | 0:53:23 | |
but it missed the important features of the view and... | 0:53:23 | 0:53:27 | |
Let's move on. OK. The stone house. The stone house! | 0:53:27 | 0:53:30 | |
I have never, in all the times I've gone to look at houses, | 0:53:30 | 0:53:37 | |
felt the way I did when I saw the stone house. | 0:53:37 | 0:53:40 | |
It just looked so traditional, | 0:53:40 | 0:53:43 | |
the front garden looked nice. Inside, the lounge was superb - | 0:53:43 | 0:53:47 | |
the fireplace was lovely, | 0:53:47 | 0:53:49 | |
the, sort of, bay extension was really nice. The lounge was superb. | 0:53:49 | 0:53:53 | |
It was the back, for me, that was possibly a bit more of a let down. | 0:53:53 | 0:53:57 | |
What, the garden, then? | 0:53:57 | 0:53:59 | |
The garden itself was lovely, | 0:53:59 | 0:54:01 | |
it did feel a little enclosed to me and the back was a lot plainer. | 0:54:01 | 0:54:04 | |
Let's talk about the 1950s house. Do we talk about the elephant in the room, | 0:54:04 | 0:54:10 | |
which is the school next door? Yes. We haven't got children, we never wanted children, | 0:54:10 | 0:54:14 | |
and we don't want everybody else's children. | 0:54:14 | 0:54:18 | |
I think it's probably a very good house for young families. Mm hm. | 0:54:18 | 0:54:21 | |
There's a school next door. Just throw them over the hedge in the morning | 0:54:21 | 0:54:24 | |
and fish them back in the afternoon. | 0:54:24 | 0:54:26 | |
But for us it just didn't have the feel. | 0:54:26 | 0:54:29 | |
It almost felt wrong to take that opportunity away from a young family. | 0:54:29 | 0:54:33 | |
It's just the two of us. We wouldn't need it. | 0:54:33 | 0:54:36 | |
All right, we'll move on to the mystery property, the bungalow. | 0:54:36 | 0:54:41 | |
I didn't like it when I first walked in, I must admit. | 0:54:41 | 0:54:44 | |
And then, room by room, | 0:54:44 | 0:54:47 | |
it just grew and grew. | 0:54:47 | 0:54:49 | |
The sitting room, with the views, and the nice little window seats and the huge great fireplace. | 0:54:49 | 0:54:55 | |
You're never going to get cold in that house, are you? | 0:54:55 | 0:54:58 | |
And the fact that there's the perfect terrace | 0:54:58 | 0:55:00 | |
to just put on a small conservatory. | 0:55:00 | 0:55:03 | |
To me, I actually loved it. | 0:55:03 | 0:55:05 | |
Whereas, as I walked around, the further I went, the colder I got. | 0:55:05 | 0:55:11 | |
It just failed to move me one iota. | 0:55:11 | 0:55:14 | |
But I had this conflict, because I could see Helen's excitement rising. | 0:55:14 | 0:55:18 | |
Let's cut to the chase. It's not going to be the cottage... BOTH: No. | 0:55:18 | 0:55:22 | |
..I don't think it's going to be the 1950s property... No. No. | 0:55:22 | 0:55:25 | |
..which leaves us with two properties... It does. | 0:55:25 | 0:55:29 | |
..the stone house and the mystery property. | 0:55:29 | 0:55:34 | |
And we can't decide between the two. | 0:55:34 | 0:55:36 | |
No, we're still left with two, we're going to have to do lots of research, | 0:55:36 | 0:55:40 | |
and I think you can probably be fairly sure | 0:55:40 | 0:55:42 | |
that it will be one of them. | 0:55:42 | 0:55:44 | |
It's been fantastic. You are such an inspiration to anyone who's looking for a house, | 0:55:44 | 0:55:48 | |
because you can see past the bricks and mortar, | 0:55:48 | 0:55:51 | |
you're positive, you put your heart and soul into everything you do, | 0:55:51 | 0:55:56 | |
and good things happen to good people... We're stuffed! | 0:55:56 | 0:55:59 | |
You're going to find a lovely property. | 0:55:59 | 0:56:01 | |
Thank you very much. Cheers. Cheers! Cheers. | 0:56:01 | 0:56:04 | |
When we were confronted with Helen and Chris's extensive house move | 0:56:08 | 0:56:12 | |
wish list, I thought to myself, "Uh-oh, we're in trouble, here." | 0:56:12 | 0:56:16 | |
But, I needn't have worried - | 0:56:16 | 0:56:18 | |
they've embraced the word "compromise" over the last two days and it's been a joy to behold. | 0:56:18 | 0:56:23 | |
They're just bursting with ideas. | 0:56:23 | 0:56:25 | |
You know, this move to the country isn't just a nice idea for them, it's necessary for them to exist. | 0:56:25 | 0:56:31 | |
And I'd say Madeira's loss is very much Wiltshire this beautiful county's, gain. | 0:56:31 | 0:56:36 | |
Until next time on Escape To The Country, goodbye. | 0:56:36 | 0:56:39 | |
Helen and Chris didn't waste any time buying the mystery house. | 0:56:40 | 0:56:44 | |
After some finishing touches from the builders, they're looking to move in very soon. | 0:56:44 | 0:56:48 | |
And if you want to escape to the country in Scotland, Wales, | 0:56:48 | 0:56:53 | |
Northern Ireland or England, and need our help, | 0:56:53 | 0:56:56 | |
please contact us through our website... | 0:56:56 | 0:56:58 | |
Subtitles by Red Bee Media Ltd | 0:57:07 | 0:57:10 | |
E-mail [email protected] | 0:57:10 | 0:57:13 |