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Today I'm in a county that is famous for two things. | 0:00:02 | 0:00:04 | |
The first, a very decisive battle that was fought here in 1645. | 0:00:04 | 0:00:08 | |
The second is shoes. Want to know how the two of them are linked? | 0:00:08 | 0:00:12 | |
Join me in a moment to find out. | 0:00:12 | 0:00:14 | |
In today's show, I'll be helping two city slickers cast off from life | 0:00:26 | 0:00:30 | |
by the River Thames and seek out peace and relaxation in the country. | 0:00:30 | 0:00:36 | |
We'll be seeing houses that make them jump for joy. | 0:00:36 | 0:00:39 | |
SHE LAUGHS | 0:00:39 | 0:00:40 | |
Not just space for hanging! | 0:00:40 | 0:00:42 | |
Fantastic! | 0:00:42 | 0:00:44 | |
Jumping up and down. | 0:00:44 | 0:00:46 | |
Brilliant! | 0:00:46 | 0:00:47 | |
And there's our mystery house, which might call for some drastic action. | 0:00:47 | 0:00:51 | |
The furniture we have at the moment | 0:00:51 | 0:00:53 | |
we'll just stick on a bonfire and start again. | 0:00:53 | 0:00:56 | |
Today I'm in Northamptonshire and this is a monument to the | 0:01:00 | 0:01:04 | |
Battle of Naseby, the definitive battle in the English Civil War. | 0:01:04 | 0:01:08 | |
Not only did Oliver Cromwell's New Model Army win that fight, | 0:01:08 | 0:01:12 | |
they did it wearing shoes and boots made in this very county. | 0:01:12 | 0:01:16 | |
And that is something that Northamptonshire | 0:01:16 | 0:01:18 | |
is still famous for. There were 600 pairs of boots | 0:01:18 | 0:01:22 | |
and 4,000 pairs of shoes marching across this field. | 0:01:22 | 0:01:26 | |
That's a lot of leather. | 0:01:26 | 0:01:28 | |
But leather is not the only thing that this county is famous for. | 0:01:28 | 0:01:31 | |
Northamptonshire has been shaped by its | 0:01:34 | 0:01:36 | |
strategic position in central England | 0:01:36 | 0:01:39 | |
since the time of the Romans, with transport links by road | 0:01:39 | 0:01:43 | |
and river ensuring it became a prosperous trading centre. | 0:01:43 | 0:01:47 | |
The production of leather emerged as one of Northamptonshire's key trades | 0:01:49 | 0:01:53 | |
and at the height of the Industrial Revolution | 0:01:53 | 0:01:56 | |
was reputed to be the tanning capital of the world. | 0:01:56 | 0:01:58 | |
Besides being a hub for industry, Northamptonshire is often dubbed | 0:01:59 | 0:02:03 | |
the county of spires and squires, due to the many stately homes | 0:02:03 | 0:02:07 | |
and churches that rise up from its vast, undulating landscape. | 0:02:07 | 0:02:11 | |
As for properties, there's a great range, from thatched cottages | 0:02:12 | 0:02:16 | |
made from local sand ironstone, to lavish mansion houses, | 0:02:16 | 0:02:20 | |
making it an ideal place to seek out a rural hideaway. | 0:02:20 | 0:02:23 | |
Northamptonshire is great for commuters. | 0:02:26 | 0:02:28 | |
The M1 runs right the way through the county and there's a regular | 0:02:28 | 0:02:32 | |
hour service from Northampton station direct to London Euston. | 0:02:32 | 0:02:36 | |
And those transport links are set to improve. | 0:02:36 | 0:02:38 | |
In 2011, they are upgrading Northampton station and by 2015, | 0:02:38 | 0:02:43 | |
there should be brand-new high-speed trains travelling at 125mph. | 0:02:43 | 0:02:48 | |
And the property prices are pretty attractive round here, too. | 0:02:48 | 0:02:51 | |
The average detached house comes in at 11% less | 0:02:51 | 0:02:54 | |
than the national average. | 0:02:54 | 0:02:56 | |
So let's take a look at what's on offer right now. | 0:02:56 | 0:02:59 | |
For £1.5 million, this seven bedroom | 0:02:59 | 0:03:03 | |
stone built house in Gayton | 0:03:03 | 0:03:05 | |
has spectacular character features in spades. | 0:03:05 | 0:03:08 | |
The kitchen diner has been beautifully modernised with doors | 0:03:08 | 0:03:11 | |
leading out to the large garden and a host of outbuildings. | 0:03:11 | 0:03:15 | |
This restored three bedroom thatched cottage in Spratton, | 0:03:17 | 0:03:20 | |
on at £410,000, has a contemporary feel | 0:03:20 | 0:03:24 | |
but retains its beams and fireplaces. | 0:03:24 | 0:03:28 | |
The kitchen is impressively high spec with granite worktops | 0:03:28 | 0:03:31 | |
and there are doors opening out to the garden. | 0:03:31 | 0:03:34 | |
For £325,000, this attractive three bedroom cottage | 0:03:36 | 0:03:40 | |
has a cosy inglenook fireplace in the dining hall | 0:03:40 | 0:03:43 | |
and an inviting sitting room with lots of light. | 0:03:43 | 0:03:46 | |
The garden is divided into zones and has the bonus | 0:03:47 | 0:03:50 | |
of a separate stone built office. | 0:03:50 | 0:03:53 | |
With such delightful properties on the market, I am pretty hopeful | 0:03:53 | 0:03:56 | |
about our house hunt for today's buyers. So let's meet them. | 0:03:56 | 0:04:00 | |
Paul, a tax adviser, and Lorna, have lived in their London | 0:04:01 | 0:04:05 | |
end-of-terrace townhouse in Docklands for the last five years | 0:04:05 | 0:04:09 | |
and have loved lapping up urban life on the river. | 0:04:09 | 0:04:12 | |
But after a six month holiday in New Zealand, they have recently | 0:04:12 | 0:04:15 | |
had a major rethink of their priorities | 0:04:15 | 0:04:18 | |
and a move to Northamptonshire is very much on the cards, | 0:04:18 | 0:04:21 | |
which racing car addict, Paul, is very pleased about. | 0:04:21 | 0:04:24 | |
I regularly visit Silverstone so I know the area well | 0:04:24 | 0:04:28 | |
and I've gradually introduced Lorna to that area. | 0:04:28 | 0:04:32 | |
But it's not just Silverstone that's a driving factor | 0:04:32 | 0:04:35 | |
for their move to Northamptonshire. | 0:04:35 | 0:04:37 | |
Paul needs space for a few cars of his own. | 0:04:37 | 0:04:40 | |
The house is not ideal for me any more because I have several cars. | 0:04:40 | 0:04:44 | |
It would be great to get them out of storage and into our own garage. | 0:04:44 | 0:04:48 | |
He also has an urge to have a boy's shed. | 0:04:48 | 0:04:52 | |
They may need more space but don't want to feel isolated. | 0:04:53 | 0:04:56 | |
I think the sort of location we're looking for for our next house | 0:04:56 | 0:05:00 | |
is a village location within striking distance of a market town | 0:05:00 | 0:05:04 | |
so we can cycle in, which is what we like doing. | 0:05:04 | 0:05:07 | |
What kind of lifestyle are they hoping for in the country? | 0:05:07 | 0:05:10 | |
The lifestyle we are looking for in the country is probably | 0:05:10 | 0:05:13 | |
a lot more relaxed and quiet than we have had in London. | 0:05:13 | 0:05:16 | |
We are both used to rushing around for work | 0:05:16 | 0:05:19 | |
and our social lives are really busy. | 0:05:19 | 0:05:21 | |
Lorna in particular has very definite ideas | 0:05:21 | 0:05:24 | |
on her likes and dislikes. | 0:05:24 | 0:05:26 | |
The sort of house I don't want to move to is the typical | 0:05:26 | 0:05:29 | |
chocolate-box thatched cottage style, with lots and lots of beams | 0:05:29 | 0:05:33 | |
running across the ceiling, low ceilings, small rooms. | 0:05:33 | 0:05:36 | |
In the new house I would like to have four bedrooms, | 0:05:36 | 0:05:39 | |
dining room, study, utility room, outdoor space, garage, | 0:05:39 | 0:05:44 | |
and if we can get all those in one place that would be fantastic. | 0:05:44 | 0:05:47 | |
I'm more flexible than Lorna. | 0:05:47 | 0:05:50 | |
As long as there's room for me to either have an outbuilding | 0:05:50 | 0:05:53 | |
which I can use for the vehicles, or create one myself, that's fine. | 0:05:53 | 0:05:57 | |
Interesting. In a county full of rustic properties, | 0:05:57 | 0:06:01 | |
Lorna's saying "no" to thatch, and "yes" to minimal. | 0:06:01 | 0:06:04 | |
I'm used to clean lines, minimalist interiors, contemporary feel, | 0:06:04 | 0:06:07 | |
so I'm hoping that whatever we find | 0:06:07 | 0:06:09 | |
has that modern feel that we've become used to. | 0:06:09 | 0:06:12 | |
This is my study. I run my business from here. It's really important | 0:06:12 | 0:06:16 | |
that, when we move, that I have an equivalent room. | 0:06:16 | 0:06:19 | |
One of the main reasons for moving is more outdoor space | 0:06:19 | 0:06:22 | |
as now we only have a balcony with two window boxes. | 0:06:22 | 0:06:25 | |
I want to be able to grow my own vegetables. | 0:06:25 | 0:06:27 | |
You can't imagine growing carrots in a window box, so if we can move and | 0:06:27 | 0:06:31 | |
have that outdoor space and vegetable patch, that would be really cool. | 0:06:31 | 0:06:35 | |
So that they can buy a new home, | 0:06:35 | 0:06:36 | |
they need to know how much they have to spend. | 0:06:36 | 0:06:39 | |
We've asked a local estate agent to value their house. | 0:06:39 | 0:06:42 | |
This property's beautifully presented, | 0:06:42 | 0:06:45 | |
brilliantly positioned for a family home, | 0:06:45 | 0:06:47 | |
so we recommend an initial asking price of £575,000. | 0:06:47 | 0:06:50 | |
With that in mind, what's the budget for the new house? | 0:06:52 | 0:06:56 | |
Our budget for the new house is around £500,000. | 0:06:56 | 0:07:00 | |
Thatches are a no-go zone. | 0:07:03 | 0:07:05 | |
But if there's a garage for the car collection | 0:07:05 | 0:07:08 | |
and enough space in the garden for a vegetable patch, they'll be happy. | 0:07:08 | 0:07:12 | |
As long as we also find them four bedrooms, a study, some reception rooms and a large kitchen. | 0:07:12 | 0:07:18 | |
And they want that elusive mix of old and new. | 0:07:18 | 0:07:21 | |
Some beams but not too many. An old shell with a contemporary interior. | 0:07:21 | 0:07:26 | |
That's becoming something of a trend on this show. I'm seeing it a lot - | 0:07:26 | 0:07:30 | |
but it doesn't make it any easier. | 0:07:30 | 0:07:32 | |
With Paul and Lorna looking for good road links, | 0:07:34 | 0:07:36 | |
our house search will radiate out from the market town of Brackley, taking in some stunning countryside. | 0:07:36 | 0:07:43 | |
In today's show, we'll be viewing three great properties | 0:07:43 | 0:07:45 | |
so I won't reveal the price until they have had a guess first. | 0:07:45 | 0:07:49 | |
The last of the three will be our awe-inspiring mystery house. | 0:07:49 | 0:07:53 | |
Good morning, Paul and Lorna. | 0:07:53 | 0:07:57 | |
Thank you for bringing me here on this fabulous morning. | 0:07:57 | 0:07:59 | |
Great county, Northamptonshire. | 0:07:59 | 0:08:02 | |
Close to Silverstone. Is that the only reason we're here? | 0:08:02 | 0:08:04 | |
Yes. | 0:08:04 | 0:08:07 | |
Different ideas on this one. | 0:08:07 | 0:08:09 | |
We are in central London at the moment and love it, but with friends and family moving out of London | 0:08:09 | 0:08:14 | |
and being located around the country, if we can move somewhere a bit more central, it would make life easier. | 0:08:14 | 0:08:18 | |
So, a lot of thought has gone into this. | 0:08:18 | 0:08:20 | |
Yes. | 0:08:20 | 0:08:22 | |
Not just about the car racing. | 0:08:22 | 0:08:25 | |
After six months in New Zealand, you have had time to consider this. | 0:08:25 | 0:08:29 | |
New Zealand's pretty stunning. Why back home rather than there? | 0:08:29 | 0:08:32 | |
It's a lovely place to visit, beautiful scenery, wonderful people | 0:08:32 | 0:08:37 | |
-but we don't think we could live there. We would rather go and visit people. -And the style of property? | 0:08:37 | 0:08:43 | |
Conversions - that's really what you're looking for. | 0:08:43 | 0:08:47 | |
I would love a barn conversion. | 0:08:47 | 0:08:49 | |
Something that's got a period look, character, but inside, modern, contemporary, a little bit funky. | 0:08:49 | 0:08:57 | |
New Zealanders are very keen on a bloke shed and I think that's a wonderful idea. | 0:08:57 | 0:09:01 | |
So, it's a big wish list. How much money do we have to play with? | 0:09:01 | 0:09:03 | |
-We have around £500,000. -If it was perfect, we would go to 550. | 0:09:03 | 0:09:08 | |
OK, so there's a little bit of room there if it's the ideal property and you don't have to do anything. | 0:09:08 | 0:09:12 | |
That's good to know because we obviously have fantastic properties. We should get going. | 0:09:12 | 0:09:18 | |
This is a real, big change for you. | 0:09:51 | 0:09:52 | |
Are you sure you going to be able to make the decision easily together? | 0:09:52 | 0:09:57 | |
When you look at the house, do you think you're going to just know? | 0:09:57 | 0:10:00 | |
I believe, if you walk into a place, it feels right or it feels wrong. | 0:10:00 | 0:10:05 | |
So I'm hoping that sort of gut instinct will kick in, either way. | 0:10:05 | 0:10:09 | |
It certainly happened for us as soon as we walked in at London. | 0:10:09 | 0:10:13 | |
Yeah, the house that we're in at the moment. | 0:10:13 | 0:10:15 | |
-So you're expecting the same magic again. -Yes. | 0:10:15 | 0:10:18 | |
If a conversion is what they want, a conversion is what they will get. | 0:10:20 | 0:10:24 | |
Our first property is just over four miles from Brackley in the village of Croughton. | 0:10:24 | 0:10:29 | |
For drink and provisions, they could bike a couple of miles down the road | 0:10:29 | 0:10:31 | |
to Charlton with its traditional pub, village shop and post office. | 0:10:31 | 0:10:37 | |
There are some eye-catching properties in the area, including a Methodist chapel dating back to 1904 | 0:10:37 | 0:10:44 | |
but converted some 15 years ago. Right, this is it. | 0:10:44 | 0:10:49 | |
I didn't realise you were bringing us to the mystery house first. | 0:10:49 | 0:10:53 | |
It feels like it should be the mystery but given the requirement of a conversion, | 0:10:53 | 0:10:58 | |
this is going to deliver on that. | 0:10:58 | 0:11:00 | |
You're surrounded by neighbours and obviously we are on a road. | 0:11:00 | 0:11:03 | |
How do you feel about the location? | 0:11:03 | 0:11:05 | |
That's my only reservation is the road. | 0:11:05 | 0:11:08 | |
-It's quite busy. -But I like the front. | 0:11:08 | 0:11:12 | |
The front's amazing. You've got wonderful arched windows | 0:11:12 | 0:11:16 | |
and that feeling of a church but you can see it's been converted. | 0:11:16 | 0:11:19 | |
Well, the unique character appeals to Lorna. | 0:11:19 | 0:11:23 | |
Let's hope they both see the light as we step inside. | 0:11:23 | 0:11:28 | |
In we come. | 0:11:28 | 0:11:29 | |
Through the vestibule. | 0:11:29 | 0:11:31 | |
-Wow! -Indeed. | 0:11:31 | 0:11:34 | |
-Nice space. -You have some useful things through here as well. | 0:11:34 | 0:11:38 | |
you've got a room through there which they're currently using as a gym - quite a good space. | 0:11:38 | 0:11:43 | |
Over here we've got the downstairs loo and a utility room. | 0:11:43 | 0:11:47 | |
-That's the washing area, so it's away from things. -Good. I like that sort of thing. | 0:11:47 | 0:11:52 | |
The room I really want you to see - one of the many - is through here. | 0:11:52 | 0:11:57 | |
Through the big, grand entrance hallway into... | 0:11:57 | 0:12:01 | |
Very grand... | 0:12:01 | 0:12:03 | |
Yes! Like! | 0:12:03 | 0:12:04 | |
Good space. | 0:12:07 | 0:12:09 | |
Wood burner. | 0:12:09 | 0:12:11 | |
This would be perfect. | 0:12:11 | 0:12:13 | |
It's a nice shape as well. | 0:12:13 | 0:12:15 | |
Easy to put things in and move things around. Yeah, I like it. | 0:12:15 | 0:12:20 | |
-What else? -She likes it, what else? | 0:12:22 | 0:12:24 | |
A fabulous kitchen. If you like this, you're going to love what I'm going to show you next. | 0:12:24 | 0:12:30 | |
'Can it get any better? I can't wait to see Lorna's reaction.' | 0:12:30 | 0:12:35 | |
What do you think of this? | 0:12:35 | 0:12:39 | |
Like it. Look at the size of this. | 0:12:39 | 0:12:41 | |
I love it already. I just want to be able to sell our house! | 0:12:41 | 0:12:46 | |
This kitchen is exactly what I'd want. Space. Storage. | 0:12:46 | 0:12:49 | |
Everything's been done to the highest specifications, great attention to detail. | 0:12:49 | 0:12:55 | |
-That, for example, is your fridge. -Sold! Are they leaving it?! | 0:12:55 | 0:12:59 | |
-They're leaving it. All of this stays. -Stunning. Stunning room. | 0:12:59 | 0:13:03 | |
Stunning. | 0:13:03 | 0:13:05 | |
Two big yeses so far. | 0:13:05 | 0:13:08 | |
We're heading upstairs now. | 0:13:08 | 0:13:09 | |
What do I need to show you up there? | 0:13:09 | 0:13:11 | |
Bedrooms, bathrooms en suite. | 0:13:11 | 0:13:13 | |
"Bedrooms, bathrooms en suite!" | 0:13:13 | 0:13:14 | |
More of the same please. | 0:13:14 | 0:13:17 | |
This is a kitchen where no expense has been spared and there are more | 0:13:17 | 0:13:21 | |
beautiful design features on the way upstairs. | 0:13:21 | 0:13:25 | |
The light streaming through on this stairway is glorious. Isn't it? | 0:13:25 | 0:13:29 | |
-All thanks to these amazing windows which have obviously stayed from the original chapel. -Double aspect. | 0:13:29 | 0:13:35 | |
Double aspect with huge windows, a great feature. | 0:13:35 | 0:13:39 | |
You've got the beams and a fair amount of space. | 0:13:39 | 0:13:42 | |
Bit more than perhaps you were expecting? | 0:13:42 | 0:13:45 | |
Can't see yet. | 0:13:45 | 0:13:46 | |
-How many bedrooms were you looking for, Lorna? -I wanted four. | 0:13:46 | 0:13:50 | |
I'm quite happy with three. | 0:13:50 | 0:13:52 | |
-He'd go down to three. -Do you think you could cope with five? | 0:13:52 | 0:13:55 | |
-Five? Up here? -Yes. | 0:13:55 | 0:13:56 | |
Yes, indeed. There are five bedrooms. | 0:13:56 | 0:13:59 | |
One would make an ideal study for Paul. | 0:13:59 | 0:14:02 | |
And that leaves them three comfortable guest rooms including a nice sized double | 0:14:02 | 0:14:06 | |
and two stylish singles, one with some lovely old beam details. | 0:14:06 | 0:14:11 | |
But we'll take a look at the family bathroom. | 0:14:11 | 0:14:14 | |
-Here we go. -Wow! Oh! | 0:14:17 | 0:14:20 | |
It's small space but actually we've got a lot in it and it doesn't feel small. It feels really big. | 0:14:20 | 0:14:26 | |
I like the huge mirror and that, in itself, is what makes the room look twice the size. | 0:14:26 | 0:14:33 | |
The skylight, if you're looking out at the sky, brilliant. Right. | 0:14:33 | 0:14:37 | |
Time to look at that master suite. | 0:14:37 | 0:14:39 | |
Excellent. | 0:14:39 | 0:14:41 | |
And through this way. | 0:14:41 | 0:14:43 | |
Lovely. Another great room. Really good. | 0:14:44 | 0:14:48 | |
So this could work. | 0:14:48 | 0:14:51 | |
I did call it a master suite. | 0:14:51 | 0:14:52 | |
I did, didn't I? | 0:14:52 | 0:14:54 | |
Perhaps that's because behind here, there's a little bit more. | 0:14:54 | 0:14:59 | |
Have a look in there. | 0:14:59 | 0:15:01 | |
Walk-in wardrobe. Go on, walk in to the walk-in wardrobe. | 0:15:01 | 0:15:04 | |
Space for hanging stuff. | 0:15:04 | 0:15:07 | |
And not just space for hanging! Fantastic! | 0:15:08 | 0:15:11 | |
-A proper wet room. -A proper wet room. | 0:15:13 | 0:15:15 | |
Exactly like we have at home, which is the one room I wanted | 0:15:15 | 0:15:18 | |
to take with me and be able to plonk somewhere else. Brilliant. | 0:15:18 | 0:15:22 | |
I've just gone from being a little disappointed to being really happy. | 0:15:22 | 0:15:27 | |
It's like Narnia! | 0:15:27 | 0:15:30 | |
This is me, just totally. | 0:15:33 | 0:15:34 | |
So, you're saying this is you. | 0:15:34 | 0:15:37 | |
But we're doing a "we", so... | 0:15:37 | 0:15:39 | |
If Lorna's happy, I'm happy. Suits me fine. | 0:15:42 | 0:15:45 | |
So, what else would this house have to give you, or are you happy already? | 0:15:45 | 0:15:49 | |
I'm happy with the interior. I need to see what's going on outside. | 0:15:49 | 0:15:54 | |
I want the same kind of reaction out of you. | 0:15:54 | 0:15:57 | |
I'm working on you, Paul. I want the joy. And I want some jumping. | 0:15:57 | 0:16:01 | |
-Come on. -I can't believe I did jump, actually. | 0:16:01 | 0:16:03 | |
Let's get outside. | 0:16:03 | 0:16:05 | |
This is an impeccable conversion and I can see Lorna is totally in love with it. | 0:16:05 | 0:16:10 | |
I'm praying the outside space holds the same magic for Paul. | 0:16:10 | 0:16:15 | |
This is the area I am going to come to you a little bit more, Paul, to see what do you think. | 0:16:15 | 0:16:22 | |
Front of the house, you could park five vehicles and on this side | 0:16:22 | 0:16:26 | |
there was planning permission to build a garage. | 0:16:28 | 0:16:32 | |
How do you feel about that? | 0:16:32 | 0:16:33 | |
This is the area where you compromise a bit with this property. | 0:16:33 | 0:16:35 | |
Yeah, it is. | 0:16:35 | 0:16:37 | |
But it's a compromise I'm quite happy with. | 0:16:37 | 0:16:39 | |
OK, we've reached the moment! | 0:16:39 | 0:16:42 | |
Go on. You're going to tell me how much you think it's worth. | 0:16:42 | 0:16:44 | |
I'm going to say 600. | 0:16:44 | 0:16:46 | |
I would definitely go lower. 545. | 0:16:46 | 0:16:50 | |
That is very precise. | 0:16:50 | 0:16:52 | |
And I've got to say, the winner is Paul. That's spot-on. | 0:16:52 | 0:16:57 | |
How did you do that? | 0:16:57 | 0:16:58 | |
This property's on the market and has been on for three weeks at £545,000. | 0:16:58 | 0:17:03 | |
Three weeks? That's... | 0:17:03 | 0:17:05 | |
Well, if the... That's great. | 0:17:08 | 0:17:11 | |
It's do-able. Reversing out of there still could be a problem but let's have a look at it. | 0:17:11 | 0:17:17 | |
Let's going have another look at the front. | 0:17:17 | 0:17:19 | |
I don't know if you can reverse out of the other side of the house. | 0:17:19 | 0:17:23 | |
Lorna's going to find a way to make this work. Off you go! | 0:17:23 | 0:17:27 | |
Investigate how you'll back out of the front and where the cars will go. | 0:17:27 | 0:17:31 | |
Oh, my word. It's only property number one. | 0:17:31 | 0:17:33 | |
They love it. Paul, a little bit more reserved, but I have feeling that Lorna gets what she wants, | 0:17:33 | 0:17:40 | |
but will she still want it when she's seen our other houses? | 0:17:40 | 0:17:42 | |
At £545,000, this unique chapel conversion is at the top of their budget. | 0:17:44 | 0:17:50 | |
But there's nothing to change. | 0:17:50 | 0:17:51 | |
Are you prepared to compromise on...? | 0:18:08 | 0:18:10 | |
There's only one person making the compromises here. | 0:18:10 | 0:18:13 | |
I'm compromising on the garden! There's no garden. | 0:18:13 | 0:18:17 | |
Initially, I was disappointed because of the traffic noise | 0:18:17 | 0:18:22 | |
but once you come in, you completely forget about it and it's just stunning. | 0:18:22 | 0:18:26 | |
I'm totally attached emotionally to the house already. | 0:18:26 | 0:18:30 | |
I like just playing with the drawers! | 0:18:30 | 0:18:33 | |
You'd do that all day, couldn't you? | 0:18:33 | 0:18:35 | |
I'm going to have to be careful because this doesn't compromise anything, particularly, for me. | 0:18:35 | 0:18:40 | |
It will be more of a compromise for Paul and we can't always work on what I want. | 0:18:40 | 0:18:45 | |
I think Lorna's over the moon with this property. | 0:18:45 | 0:18:47 | |
She will put up with any compromises in order to have it. | 0:18:47 | 0:18:52 | |
A-ha! Plenty of space for your cars out here and I reckon we can reverse out no problem. | 0:18:54 | 0:19:00 | |
I'm going to make Paul practise now. | 0:19:00 | 0:19:02 | |
I know you love this one but there's so many more to see. | 0:19:02 | 0:19:05 | |
So let's get moving. | 0:19:05 | 0:19:07 | |
Northamptonshire has a fascinating shoe-making history. | 0:19:14 | 0:19:16 | |
In the late 1940s, there were around 240 shoe-making factories in the county of which about 34 remain. | 0:19:16 | 0:19:24 | |
I'm meeting David Dickerson from one of the renowned local companies | 0:19:24 | 0:19:28 | |
to find out how a best of British shoe is made. | 0:19:28 | 0:19:30 | |
This is where it all starts. The beginning of the process. | 0:19:30 | 0:19:34 | |
I can smell the leather! | 0:19:34 | 0:19:36 | |
An amazing array. | 0:19:37 | 0:19:39 | |
This is a typical calf leather. It's probably three to four months old. | 0:19:39 | 0:19:42 | |
-This is a by-product, isn't it? -Yes, a by-product of the meat industry. | 0:19:42 | 0:19:47 | |
Although nowadays modern machinery has kicked in to cut out the leather linings, | 0:19:47 | 0:19:53 | |
the traditional skills are still employed in what's known as the clicking room. | 0:19:53 | 0:19:58 | |
So, here, we're actually cutting by hand and this is where the term "clicking room" comes from | 0:19:59 | 0:20:04 | |
because the knife, as it goes round the brass-bound patterns tended to make a clicking noise. | 0:20:04 | 0:20:10 | |
And that's where the term clicking came from. | 0:20:10 | 0:20:14 | |
And it's next door in the closing room where the shoe uppers start to take shape. | 0:20:14 | 0:20:18 | |
Well, it's a hive of activity in here, isn't it? | 0:20:20 | 0:20:23 | |
Here, we're actually doing an operation called under edging. | 0:20:23 | 0:20:26 | |
This is trimming off the surplus lining material and stitching around the top at the same time. | 0:20:26 | 0:20:31 | |
What style of shoe is this, then? | 0:20:33 | 0:20:35 | |
This is a classic brogue Oxford. | 0:20:35 | 0:20:36 | |
So, where do we find the finished product? | 0:20:36 | 0:20:40 | |
-Through in the next department. -OK, thank you very much. | 0:20:40 | 0:20:42 | |
From start to finish, these shoes go through about | 0:20:42 | 0:20:46 | |
200 different stages and typically take around seven weeks to make. | 0:20:46 | 0:20:50 | |
It's certainly no quick stitch job. What's happening here? | 0:20:50 | 0:20:54 | |
This is called welt sewing. | 0:20:54 | 0:20:56 | |
-This is the most important part. -And what exactly is that? | 0:20:56 | 0:20:59 | |
We stitch a leather welt to the rib here and we then stitch the sole | 0:20:59 | 0:21:04 | |
to the welt so the whole thing is then held together. | 0:21:04 | 0:21:09 | |
Does it make it more waterproof, longer lasting? | 0:21:09 | 0:21:12 | |
It's a flexible process. | 0:21:12 | 0:21:14 | |
The main thing is, the shoes can be repaired three or four times so they become good value for money. | 0:21:14 | 0:21:21 | |
How much money would a shoe like that cost? | 0:21:21 | 0:21:23 | |
It's been through a lot of processes. | 0:21:23 | 0:21:25 | |
Retail, you're talking probably £200. | 0:21:25 | 0:21:29 | |
Some of our customers charge £300 - £400. | 0:21:29 | 0:21:32 | |
So, what does the final shoe look like? | 0:21:32 | 0:21:34 | |
This is pretty well at the end of the process, so... | 0:21:34 | 0:21:39 | |
Look at that. A thing of beauty. | 0:21:39 | 0:21:41 | |
-It is. -Isn't it? Just gorgeous. | 0:21:41 | 0:21:43 | |
I have a new appreciation of what has gone into making it. | 0:21:43 | 0:21:47 | |
A hand-made British shoe. | 0:21:47 | 0:21:50 | |
100% British, yes. | 0:21:50 | 0:21:52 | |
With evening drawing in over Northamptonshire, the first day of our house hunt is at an end. | 0:21:56 | 0:22:02 | |
Paul and Lorna want to escape from London and, with their £550,000 budget, are on a mission | 0:22:11 | 0:22:17 | |
to find their perfect country pad in rural Northamptonshire. | 0:22:17 | 0:22:21 | |
Lorna's already got her heart set on the first property we showed them. | 0:22:21 | 0:22:25 | |
But, coming up, our mystery house could well scupper her plans. | 0:22:25 | 0:22:28 | |
-I'm loving it. -He's loving it! A big chuckle. -I knew he would! | 0:22:28 | 0:22:33 | |
Don't tell him that. Up the numbers a bit. | 0:22:33 | 0:22:38 | |
Yesterday, I think I may have peaked a little too early. | 0:22:40 | 0:22:44 | |
Lorna's reaction to that chapel is probably the best reaction I've had to a first house on this show, | 0:22:44 | 0:22:51 | |
so my challenge today is to try to top that. Wish me luck. | 0:22:51 | 0:22:54 | |
Our house hunt continues 27 miles from Brackley in the village of Cogenhoe. | 0:22:58 | 0:23:03 | |
Paul and Lorna could stride out down the Nene Way into unspoilt countryside. | 0:23:03 | 0:23:08 | |
Alongside the Norman church that overlooks the village green | 0:23:08 | 0:23:12 | |
is yet another conversion, dating back to 1843. | 0:23:12 | 0:23:16 | |
And this used to be the old school house. | 0:23:16 | 0:23:20 | |
That's nice. Lovely windows. | 0:23:20 | 0:23:22 | |
-You like, but I'm not feeling love. -I like the concept. | 0:23:22 | 0:23:24 | |
I think it looks really nice. Looks really pretty. | 0:23:24 | 0:23:28 | |
-But what's inside? -You always just want to see inside, don't you? | 0:23:28 | 0:23:31 | |
Seen the outside now, let's move on! | 0:23:31 | 0:23:33 | |
Come on, let's see if I can get you jumping up and down. | 0:23:33 | 0:23:37 | |
This is a really impressive house from the outside. | 0:23:37 | 0:23:40 | |
And hopefully, they will give the inside a warm reception. | 0:23:40 | 0:23:44 | |
It's a great door, there, very solid. | 0:23:44 | 0:23:47 | |
Come on in. | 0:23:47 | 0:23:49 | |
So, this house was bought by an old shoemaker who did the renovation back in the '70s. | 0:23:49 | 0:23:55 | |
-Wow! Nice kitchen. -He didn't do this. | 0:23:57 | 0:23:59 | |
-I love the oven. Look at that. Really nice. -That's very good. | 0:24:02 | 0:24:06 | |
-I quite like it. -You quite like it? You're surprised, aren't you? | 0:24:06 | 0:24:09 | |
This is quite nice! Yes, it is. | 0:24:09 | 0:24:13 | |
I like the flooring, too. | 0:24:13 | 0:24:15 | |
Through there is a utility space and a downstairs loo. | 0:24:15 | 0:24:18 | |
Everything covered and plenty of space to entertain as well. | 0:24:18 | 0:24:22 | |
Let's go and have a look at the living room. | 0:24:22 | 0:24:25 | |
Right, through the glass door, into your living room. | 0:24:31 | 0:24:33 | |
Fantastic windows all around. | 0:24:33 | 0:24:35 | |
-Beautiful. Lovely windowsills. -Mullioned windows. | 0:24:35 | 0:24:39 | |
Over here, this great fireplace. You can still smell it, can't you? | 0:24:39 | 0:24:41 | |
You can, actually. It does feel really nice and comfortable. | 0:24:41 | 0:24:45 | |
You can imagine being cosy in here. | 0:24:45 | 0:24:47 | |
It has a nice feel to it. | 0:24:47 | 0:24:50 | |
Through there we have another reception room which could easily be a dining room if you wanted it to. | 0:24:50 | 0:24:56 | |
OK. Let's have a look upstairs. Upstairs we've got a few bedrooms. | 0:24:56 | 0:25:01 | |
-A few? -A few. | 0:25:01 | 0:25:04 | |
We've got three in fact. | 0:25:04 | 0:25:05 | |
We've got three. | 0:25:07 | 0:25:09 | |
-See if that's enough for you. -OK. | 0:25:09 | 0:25:12 | |
At the moment, this property seems like a contender. | 0:25:14 | 0:25:16 | |
Let's see if Lorna can compromise on her demands for upstairs. | 0:25:16 | 0:25:21 | |
Great shutters on the windows up here. | 0:25:21 | 0:25:23 | |
And we follow through into this, which is the master bedroom. | 0:25:23 | 0:25:27 | |
Nice size. | 0:25:27 | 0:25:30 | |
But there is no en suite. | 0:25:30 | 0:25:32 | |
Er, right. That's a bit of a negative. | 0:25:32 | 0:25:35 | |
In as much as if we are looking for a property where we could have more friends and family for a visit, | 0:25:35 | 0:25:42 | |
the one bathroom situation is not ideal. | 0:25:42 | 0:25:46 | |
If we come up with an option for you, for your guests... | 0:25:46 | 0:25:48 | |
If there is an option, if there is a workaround. | 0:25:48 | 0:25:50 | |
I feel as if it's been growing on you as we've been walking around. | 0:25:50 | 0:25:53 | |
I felt quite comfortable with it. | 0:25:55 | 0:25:57 | |
In fact I've probably gone slightly down, knowing there is no en suite, | 0:25:57 | 0:26:00 | |
-but if there's a solution... -We're still in with a chance! | 0:26:00 | 0:26:03 | |
Well, Lorna, fear not. | 0:26:05 | 0:26:07 | |
There's a surprise to follow later. | 0:26:07 | 0:26:09 | |
Upstairs there are two other bedrooms, a good sized double and a nice, cosy single. | 0:26:09 | 0:26:16 | |
There's also a bright, modern family bathroom. | 0:26:16 | 0:26:18 | |
I think they're still on board with this house and my surprise outside should hook them even more. | 0:26:18 | 0:26:24 | |
-A good sized garden. -Very nice. | 0:26:26 | 0:26:28 | |
-Staircase! -You spotted that already! | 0:26:30 | 0:26:33 | |
Concentrate on the garden first of all. Lovely views. | 0:26:35 | 0:26:38 | |
There's no one going to be building on that piece. | 0:26:38 | 0:26:42 | |
And, over here, Paul, a bloke shed. It looks a bit girly at the moment. | 0:26:42 | 0:26:46 | |
-Looks more like a doll's house. -It looks really pretty. | 0:26:48 | 0:26:50 | |
You can toughen it up a bit. | 0:26:50 | 0:26:53 | |
Finally, I'm going to put you out of your misery. | 0:26:53 | 0:26:54 | |
There is a fourth bedroom. | 0:26:54 | 0:26:57 | |
The staircase leads to... | 0:26:57 | 0:26:58 | |
The guest room. Come on. | 0:26:58 | 0:27:01 | |
The bedroom maybe in a quirky place but it's not short on space. | 0:27:01 | 0:27:06 | |
Now, look at this for an extra room. | 0:27:06 | 0:27:09 | |
-Great space. -Something you weren't expecting. | 0:27:09 | 0:27:12 | |
-No. Granny annexe. -Yeah! It is, if she can make it up the stairs. | 0:27:12 | 0:27:17 | |
It's got its own lovely en suite there. Got the shower in there. | 0:27:17 | 0:27:21 | |
It's actually a great room. | 0:27:21 | 0:27:23 | |
So, take it all in, let's go back outside. And then guess the price. | 0:27:23 | 0:27:26 | |
All right. Put your thinking hat on. | 0:27:26 | 0:27:28 | |
This house and garden has a bit of everything they have asked for. | 0:27:28 | 0:27:31 | |
But now we need to go and talk money. | 0:27:31 | 0:27:34 | |
This is such a beautiful time of year, isn't it? | 0:27:34 | 0:27:36 | |
The leaves falling, the colours, and that would be your view if you lived here. | 0:27:36 | 0:27:41 | |
-Wonderful village, 10 minutes from Northampton. -Very quiet. | 0:27:41 | 0:27:45 | |
Quiet. Quaint. | 0:27:45 | 0:27:47 | |
-You know where I'm going with this, don't you? -I'm struggling already. | 0:27:47 | 0:27:50 | |
I'm hoping you will keep talking, to give me more time. | 0:27:50 | 0:27:53 | |
How much do you think it's on the market for? Paul? | 0:27:53 | 0:27:57 | |
I would say it's 500,000. | 0:27:57 | 0:27:59 | |
I'm going to go higher. I'm going to go 540. | 0:27:59 | 0:28:02 | |
This property could be yours for... | 0:28:02 | 0:28:06 | |
..£435,000. | 0:28:07 | 0:28:10 | |
Oh, wow! | 0:28:10 | 0:28:12 | |
-We were both well out. -Well out. | 0:28:12 | 0:28:15 | |
It's well under your budget. | 0:28:15 | 0:28:17 | |
-Gosh, that changes things. -It does. | 0:28:17 | 0:28:19 | |
So, we could afford to put the staircase in. | 0:28:19 | 0:28:21 | |
And make that annexe an integral part of the house. | 0:28:21 | 0:28:24 | |
Still don't know where we're going to put all the cars. | 0:28:24 | 0:28:26 | |
But you do keep some of your cars in a separate location at the moment, don't you? | 0:28:26 | 0:28:32 | |
Off you go, start thinking about it. | 0:28:32 | 0:28:34 | |
I'll see you later on. | 0:28:34 | 0:28:36 | |
Under budget at £435,000, this old school house is a great property. | 0:28:36 | 0:28:42 | |
But anything we show them now is going to come up against the chapel conversion which they loved. | 0:28:42 | 0:28:48 | |
This is a good space. | 0:29:01 | 0:29:03 | |
It's all set up as a study. | 0:29:03 | 0:29:05 | |
Get all your work stuff in here. | 0:29:05 | 0:29:07 | |
I'm very concerned about the lack of parking. The garden is lovely. | 0:29:07 | 0:29:12 | |
Nice little surprise to have a balcony where we can sit out and look out across the fields. | 0:29:12 | 0:29:16 | |
I quite like this property. | 0:29:16 | 0:29:18 | |
The downstairs space is really good. | 0:29:18 | 0:29:20 | |
Upstairs is a bit disappointing. | 0:29:20 | 0:29:22 | |
There is the annexe but, at the moment, it is a bit impractical. | 0:29:22 | 0:29:27 | |
We could integrate it with the house but it is going to take time and money, so... | 0:29:27 | 0:29:30 | |
The upstairs lets it down for me. | 0:29:30 | 0:29:33 | |
I think this is where the schoolchildren may have carved their initials into the wall. | 0:29:33 | 0:29:36 | |
Something that Lorna and Paul could be doing... Hello! | 0:29:36 | 0:29:39 | |
If you moved in here, you could put your name... | 0:29:39 | 0:29:43 | |
There's more to see. We haven't finished yet. Come on. | 0:29:43 | 0:29:47 | |
Right, for the mystery house, we have decided to show them something old, packed with period features | 0:29:52 | 0:29:58 | |
and at a completely different end of the county to that which they were looking for | 0:29:58 | 0:30:04 | |
but they are going to get a lot more for their money here and they could end up lord and lady of the manor. | 0:30:04 | 0:30:11 | |
Our mystery property is 38 miles from Brackley, in the village of Barton Seagrave. | 0:30:14 | 0:30:19 | |
As well as a handy post office, | 0:30:19 | 0:30:21 | |
there's a Norman church right on the village green. | 0:30:21 | 0:30:25 | |
And, surprise, it's NOT a conversion. | 0:30:25 | 0:30:28 | |
It's a seventeenth-century manor house. | 0:30:28 | 0:30:31 | |
I know you like contemporary, so, for the mystery, we've brought you period. | 0:30:31 | 0:30:34 | |
Grade 2 listed period. | 0:30:34 | 0:30:36 | |
-I think it looks beautiful. -It looks substantial, solid, old. | 0:30:36 | 0:30:40 | |
-Paul? -I'm loving it! -He's loving it. | 0:30:42 | 0:30:45 | |
I got a nice, big chuckle. I'm going to score highly with this house with you, I'm sure. | 0:30:45 | 0:30:49 | |
-Let's have a look inside. -OK. | 0:30:49 | 0:30:51 | |
Well, Lorna seems a bit awestruck by the period grandeur but, dare I say, Paul's revved up and raring to go. | 0:30:51 | 0:30:58 | |
This house is full... | 0:30:58 | 0:31:02 | |
of period features. Amazing hallway. | 0:31:02 | 0:31:05 | |
All of the panelling. Actually, this was put up in the '30s. | 0:31:05 | 0:31:09 | |
It doesn't date back that far. | 0:31:09 | 0:31:11 | |
And this room... | 0:31:11 | 0:31:14 | |
This is what you call a dining room. | 0:31:14 | 0:31:16 | |
A dining room. Wonderful fireplace there. | 0:31:16 | 0:31:19 | |
Yeah, the stone hearth. | 0:31:19 | 0:31:20 | |
-Huge fireplace. -Love the dining-table. | 0:31:20 | 0:31:22 | |
-Yeah. -This is very different to the contemporary sharp lines, clean... | 0:31:22 | 0:31:27 | |
Yeah, it's totally removed from that. | 0:31:27 | 0:31:30 | |
-Paul? -I love it already. | 0:31:30 | 0:31:33 | |
And I'm loving this role reversal. | 0:31:33 | 0:31:36 | |
Giggles and smiles from Paul, and Lorna is considering her opinion. | 0:31:36 | 0:31:41 | |
-Let's work on that. -OK. | 0:31:41 | 0:31:43 | |
So, through here you've got a lovely living room. | 0:31:46 | 0:31:50 | |
Another period part of the property. | 0:31:50 | 0:31:53 | |
-Lots of beams. -Look at that fireplace. -Wonderful fireplace. | 0:31:53 | 0:31:55 | |
-It's huge. -So deep. | 0:31:55 | 0:31:58 | |
I could live here quite happily. | 0:31:58 | 0:32:01 | |
You're going to have to convince Lorna this time. | 0:32:01 | 0:32:05 | |
Some good arguments about this one. | 0:32:05 | 0:32:06 | |
Not all of it dates back so far. There are some extensions, some modern touches. | 0:32:06 | 0:32:10 | |
Some slightly more modern touches. | 0:32:10 | 0:32:13 | |
Let's go back to the 20th century. | 0:32:13 | 0:32:17 | |
Circa 1960. Through here. | 0:32:17 | 0:32:19 | |
A bit more space. | 0:32:19 | 0:32:22 | |
Another sort of seating area. | 0:32:22 | 0:32:24 | |
I think this would make a nice reading area. | 0:32:24 | 0:32:26 | |
Nice reading area. A bonus. | 0:32:26 | 0:32:28 | |
-Something you haven't even asked for. -Yeah, exactly. | 0:32:28 | 0:32:31 | |
-Something you have asked for, though, is a good kitchen. You might like this one. -Go on, then. | 0:32:31 | 0:32:36 | |
We need Lorna to love this kitchen | 0:32:36 | 0:32:39 | |
if we're going to convince her of living the manor house lifestyle. | 0:32:39 | 0:32:41 | |
So fingers crossed. | 0:32:41 | 0:32:44 | |
Now, the kitchen is not the biggest, but I still think it's pretty nice. | 0:32:44 | 0:32:49 | |
It's smaller, from what we've seen of the house so far from the outside, | 0:32:49 | 0:32:53 | |
the house looks huge and the kitchen is disproportionately small. | 0:32:53 | 0:32:57 | |
But you've got everything you want. | 0:32:57 | 0:32:59 | |
"Everything I want", I hear you say! | 0:32:59 | 0:33:01 | |
-"You've got everything you want!" "I love the house, you like the kitchen!" -Yes, you will like it. | 0:33:01 | 0:33:08 | |
In all seriousness, it's smaller than many kitchens and it's obviously not a kitchen diner | 0:33:08 | 0:33:14 | |
but this house does extend that way as well, you've got two other fairly sizeable rooms down the corridor. | 0:33:14 | 0:33:20 | |
Perhaps you could put a kitchen in there, but this is Grade 2 listed. | 0:33:20 | 0:33:25 | |
There's a lot of space, a lot of options. | 0:33:25 | 0:33:27 | |
-Let's go upstairs and see the bedrooms. -OK. | 0:33:27 | 0:33:30 | |
Paul seems at home here but Lorna's still reserving judgement. | 0:33:30 | 0:33:34 | |
She should be happy as there are four bedrooms upstairs. | 0:33:34 | 0:33:37 | |
Let's see if the master can win her over. | 0:33:37 | 0:33:40 | |
You get even more character upstairs, I think. | 0:33:40 | 0:33:43 | |
Partly the furnishings. | 0:33:43 | 0:33:45 | |
They've really found furniture that fits the period. | 0:33:45 | 0:33:49 | |
You've got the big four poster bed. What would you do with it? | 0:33:49 | 0:33:52 | |
I think this is a room where we could perhaps modernise it to satisfy Lorna's tastes. | 0:33:52 | 0:33:59 | |
The en suite round here, you get a shower, a stand-up shower, and it's quite nice, that room. | 0:34:00 | 0:34:06 | |
-Could become your wet room. -Could indeed, yes. | 0:34:06 | 0:34:07 | |
-Paul, I think you love this house already. -I do. -Safe to say. | 0:34:07 | 0:34:12 | |
But what I really want is to make you jump up and down with joy. | 0:34:12 | 0:34:16 | |
So come and see what I'm going to show you next. | 0:34:16 | 0:34:18 | |
There are other three bedrooms - | 0:34:21 | 0:34:23 | |
a very grand double room, | 0:34:23 | 0:34:25 | |
a single tucked away in the eaves | 0:34:25 | 0:34:28 | |
and a generous single currently used as a dressing room. | 0:34:28 | 0:34:32 | |
There's also a family bathroom with a roll-top bath. | 0:34:32 | 0:34:35 | |
But now let's make Paul a happy boy. | 0:34:35 | 0:34:38 | |
Right, outside, Paul, and I have finally found you what I think is a bloke shed. | 0:34:38 | 0:34:46 | |
I'm in heaven. | 0:34:46 | 0:34:49 | |
Jumping up and down. | 0:34:49 | 0:34:53 | |
Brilliant. You have got your carport, a garage and an extra room. | 0:34:53 | 0:34:58 | |
Come on, let's have a look. | 0:34:58 | 0:35:01 | |
'Oh, dear. While Paul's jumping and up-and-down, Lorna's gone very quiet. | 0:35:01 | 0:35:05 | |
'This is no ordinary garage. | 0:35:05 | 0:35:07 | |
'There's an upstairs with endless possibilities.' | 0:35:07 | 0:35:10 | |
Yes, Paul. You don't just get space for the cars, | 0:35:12 | 0:35:15 | |
you get space for the toys as well. | 0:35:15 | 0:35:18 | |
-Movie room. -Yes? | 0:35:19 | 0:35:22 | |
Yes, I think it would be a music room. | 0:35:22 | 0:35:25 | |
-A music room. -I like this, you're actually excited about this. | 0:35:25 | 0:35:28 | |
-Yeah. -I prefer... | 0:35:28 | 0:35:30 | |
This could be my ladies' outdoor shed. House, parlour. | 0:35:34 | 0:35:39 | |
Bloke shed out the window. | 0:35:39 | 0:35:41 | |
Lorna's moving in. Sorry, I tried. | 0:35:41 | 0:35:44 | |
As long as I've still got downstairs, that's fine. | 0:35:44 | 0:35:47 | |
And that is it. Just the garden to look at and time to talk about how much all this costs. | 0:35:47 | 0:35:51 | |
Oh dear! | 0:35:51 | 0:35:53 | |
Well, the mystery house has certainly delivered for Paul but it might be a project too far for Lorna | 0:35:55 | 0:36:00 | |
unless the garden and the price can swing it. | 0:36:00 | 0:36:04 | |
Well, the house is big and so is the garden. | 0:36:04 | 0:36:07 | |
Compared to everything else we've shown you, plenty of room for a vegetable patch up here. | 0:36:07 | 0:36:12 | |
Good entertaining area. | 0:36:12 | 0:36:14 | |
And from back here you can have a good look at the manor which could be yours. | 0:36:14 | 0:36:18 | |
And it comes at a price. What do you think that price is? | 0:36:18 | 0:36:21 | |
-Well, because I'm so in love with it, I'm going to say it's right at the top of our price... -Yeah. | 0:36:21 | 0:36:27 | |
So I would say, all right, I'll go 540. | 0:36:27 | 0:36:32 | |
540, OK. | 0:36:32 | 0:36:34 | |
I'm going to go for 575. | 0:36:34 | 0:36:36 | |
-575? Over budget. -Oh, dear. -It's a lot, isn't it? | 0:36:36 | 0:36:38 | |
But you could get your hands on it for £499,000. | 0:36:40 | 0:36:44 | |
Wow! | 0:36:44 | 0:36:46 | |
Don't tell him that, please! Can't you up the numbers a bit?! | 0:36:46 | 0:36:51 | |
We have to bear in mind there are things we would need to do to it. | 0:36:51 | 0:36:55 | |
With my heart, I would say whatever the price, and just pay it | 0:36:55 | 0:36:59 | |
but we've got to take into account the work that needs doing. | 0:36:59 | 0:37:02 | |
And the furniture we have at the moment... | 0:37:02 | 0:37:04 | |
The furniture we have at the moment we just stick on a bonfire and start again! | 0:37:04 | 0:37:09 | |
That's the first time anyone's ever said that! | 0:37:11 | 0:37:14 | |
I was looking for a reaction from you, Paul. I wasn't expecting that. | 0:37:14 | 0:37:19 | |
You love it enough to burn all of your furniture. Brilliant. | 0:37:19 | 0:37:21 | |
-And start again. -I think you'll have to convince Lorna of that. | 0:37:21 | 0:37:25 | |
And while you work on that, off you go. | 0:37:25 | 0:37:29 | |
Lot of work to do. | 0:37:29 | 0:37:31 | |
Who expected that? | 0:37:31 | 0:37:33 | |
I did not see that coming. | 0:37:33 | 0:37:35 | |
I wanted Paul to love it, but not that much. | 0:37:35 | 0:37:38 | |
-Here's the space that you wanted. -It is. | 0:38:00 | 0:38:03 | |
Garage next door to keep the valuable cars. | 0:38:03 | 0:38:07 | |
I love it. | 0:38:08 | 0:38:11 | |
Oh dear, oh dear! | 0:38:12 | 0:38:14 | |
This house was not at all what I was expecting to see | 0:38:14 | 0:38:18 | |
but the more I walked around it, the more I could see that it would be a wonderful home to live in. | 0:38:18 | 0:38:24 | |
And to come out the back and find this as well was just phenomenal. | 0:38:24 | 0:38:29 | |
My initial reaction about the house when we first arrived was, | 0:38:29 | 0:38:33 | |
it looks pretty, it looks stable, it looks good in its setting. | 0:38:33 | 0:38:37 | |
I still feel this is a really large property where just the two of us | 0:38:37 | 0:38:42 | |
in an average week, we would bumble about it and we would never meet. | 0:38:42 | 0:38:47 | |
Do you reckon they're still talking to each other? | 0:38:47 | 0:38:50 | |
Hmm? Smiles? | 0:38:50 | 0:38:52 | |
Fixed grin, I think. | 0:38:52 | 0:38:54 | |
Right. Decisions to be made, so let's find somewhere quiet. | 0:38:54 | 0:38:57 | |
Lorna and Paul's journey around our properties is at an end. | 0:39:04 | 0:39:07 | |
I don't think they ever thought they'd find themselves disagreeing on their favourite property. | 0:39:07 | 0:39:13 | |
Just when they think they know exactly what they want, | 0:39:16 | 0:39:19 | |
we show a couple the mystery house and throw everything into turmoil. | 0:39:19 | 0:39:23 | |
The problem here is that Lorna and Paul's country dream seems to be going in two different directions. | 0:39:23 | 0:39:29 | |
Can they get it together? Let's find out. | 0:39:29 | 0:39:33 | |
A-ha! What a nice place to find the two of you. | 0:39:35 | 0:39:37 | |
It's great, isn't it? | 0:39:37 | 0:39:39 | |
In front of an open, roaring fire. | 0:39:39 | 0:39:41 | |
And...? | 0:39:41 | 0:39:43 | |
We're talking at the moment. | 0:39:43 | 0:39:44 | |
Let's just reflect and go through all of them, starting with the chapel conversion. | 0:39:44 | 0:39:50 | |
What were you thinking when you arrived? | 0:39:50 | 0:39:54 | |
It was just fantastic. | 0:39:54 | 0:39:55 | |
Kitchen was fantastic. Really high-spec. | 0:39:55 | 0:39:59 | |
For me, the whole house worked. | 0:39:59 | 0:40:00 | |
It was a great compromise between old and new. | 0:40:00 | 0:40:04 | |
They had mixed the two styles together really well and there was nothing I'd want to do to it. | 0:40:04 | 0:40:08 | |
I could do with somewhere to keep my cars and a bloke's shed, | 0:40:08 | 0:40:10 | |
so that was totally missing but there was space for it. | 0:40:10 | 0:40:14 | |
Sticking with our conversion theme, we took you to a converted schoolhouse. | 0:40:14 | 0:40:20 | |
So, did it tick all the boxes for you? | 0:40:20 | 0:40:23 | |
No. | 0:40:23 | 0:40:25 | |
Why not? It should have done. | 0:40:25 | 0:40:28 | |
Why not? Where am I supposed to put my cars? | 0:40:28 | 0:40:31 | |
There was absolutely nowhere. | 0:40:31 | 0:40:33 | |
No potential. | 0:40:33 | 0:40:36 | |
The cars would have had to go. | 0:40:36 | 0:40:38 | |
That is a step too far! | 0:40:38 | 0:40:40 | |
Now, at this point in the show, leading up to the mystery house, | 0:40:43 | 0:40:48 | |
I was pretty sure we'd already shown you your dream house, the chapel. | 0:40:48 | 0:40:52 | |
And our mystery, designed to throw a curve ball, might not do the trick. | 0:40:52 | 0:40:57 | |
What a shock I had. | 0:40:57 | 0:40:59 | |
I was hoping you would like it, Paul, but you loved it. | 0:40:59 | 0:41:02 | |
Yeah, I really loved it. | 0:41:02 | 0:41:04 | |
Beautiful setting, little village green, just looked stunning from the outside. | 0:41:04 | 0:41:08 | |
Inside it offered a lot more space than even you were expecting. | 0:41:08 | 0:41:14 | |
Lots of rooms, and of course on the outside, so much room you had your own bloke shed, finally. | 0:41:14 | 0:41:21 | |
I even got you to jump up and down for that property. | 0:41:21 | 0:41:25 | |
The problem is we have ended up with two houses. | 0:41:25 | 0:41:27 | |
-Usually I would ask you which one you were interested in but I think it's very clear. -Chapel. -Manor. | 0:41:27 | 0:41:34 | |
OK, have we progressed this any further, | 0:41:34 | 0:41:37 | |
the discussion between you two as to which one you would go for? | 0:41:37 | 0:41:39 | |
We've got to decide which is it we want. | 0:41:39 | 0:41:43 | |
-If we go for the chapel, yes, the location's ideal. -And so is the property. | 0:41:43 | 0:41:51 | |
The house is ideal but it's got nothing that I want. | 0:41:51 | 0:41:55 | |
I could build it... | 0:41:55 | 0:41:57 | |
Ideal but not anything that you want. | 0:41:57 | 0:41:59 | |
It's ideal, the house, but the grounds have not got what I want | 0:41:59 | 0:42:04 | |
so I'm going to have to spend a lot of money and a lot of time to build what I want | 0:42:04 | 0:42:08 | |
so that I've got somewhere to work. | 0:42:08 | 0:42:11 | |
Whereas the manor house has got it already. | 0:42:11 | 0:42:14 | |
Is this the first time you've had a challenge like this between you? | 0:42:14 | 0:42:16 | |
-Do you usually agree on everything? -We do. | 0:42:16 | 0:42:19 | |
-It's been quite interesting. -Paul would normally side with me if I've got a preference. | 0:42:19 | 0:42:24 | |
This is the first time I've stuck up for myself. | 0:42:24 | 0:42:27 | |
Probably one of the first times where he's actually said, "We need to fight this one out." So... | 0:42:27 | 0:42:32 | |
-So watch this space. -Watch this space indeed. | 0:42:32 | 0:42:34 | |
It's been a great journey with you. | 0:42:34 | 0:42:36 | |
I've really enjoyed it. I can't wait to find out where you end up. | 0:42:36 | 0:42:40 | |
Ah! Whoever said the course of true property hunting would run smoothly? | 0:42:43 | 0:42:47 | |
We started with such a high, then a little low, | 0:42:47 | 0:42:50 | |
then Paul came to life and fell in love with the mystery house. | 0:42:50 | 0:42:54 | |
Now, which one are they going to go for? The chapel or the mystery? I really don't know. | 0:42:54 | 0:42:58 | |
One thing I do know for sure - whichever one they go for will be ideal for the two of them. | 0:42:58 | 0:43:03 | |
I'll see you next time on Escape To The Country. | 0:43:03 | 0:43:06 | |
Paul and Lorna couldn't agree on either house so for the moment they're happy staying put in London. | 0:43:07 | 0:43:13 | |
So, if you'd like to escape to the country in Scotland, Wales, | 0:43:13 | 0:43:17 | |
Northern Ireland or England | 0:43:17 | 0:43:19 | |
and need our help, apply online at... | 0:43:19 | 0:43:26 |