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Today's county is associated with Britain's most famous 20th-century composer. | 0:00:02 | 0:00:06 | |
Fans have erected this rather impressive monument on the beach near where he used to live and work. | 0:00:06 | 0:00:12 | |
Find out who he is and where I am in today's Escape To The Country. | 0:00:12 | 0:00:15 | |
Today we're helping a couple swap the fast lanes of London for an artistic life in the country, | 0:00:28 | 0:00:34 | |
but will any of our properties match their dream? | 0:00:34 | 0:00:37 | |
I think we're maybe looking for something that's a bit more... | 0:00:37 | 0:00:40 | |
open and invites the countryside and the light in a bit more. | 0:00:40 | 0:00:44 | |
And today's mystery house - will it turn out to be the masterpiece? | 0:00:44 | 0:00:48 | |
-And you can see out and beyond. -And the view! Yes! | 0:00:48 | 0:00:51 | |
Today I'm in Suffolk, home and birthplace of Benjamin Britten | 0:00:55 | 0:00:59 | |
and this is Aldeburgh, the place where he spent the greatest part of his life. | 0:00:59 | 0:01:03 | |
Here we've got the scallop, the monument in his honour, | 0:01:03 | 0:01:06 | |
and it feature a bit of text: "I hear those voices that will not be drowned," | 0:01:06 | 0:01:10 | |
from his most famous work, Peter Grimes, an opera that is set on this stretch of the Suffolk coast | 0:01:10 | 0:01:15 | |
which was a constant source of inspiration to Britten. | 0:01:15 | 0:01:18 | |
And this forty-mile stretch of heritage coast continues to inspire. | 0:01:21 | 0:01:26 | |
In recent years, affluent city folk have headed up the A12 to snap up | 0:01:26 | 0:01:30 | |
first and second homes both in Aldeburgh | 0:01:30 | 0:01:33 | |
and in nearby Southwold, turning these genteel seaside towns into increasingly fashionable hotspots. | 0:01:33 | 0:01:39 | |
Suffolk's location in East Anglia, sandwiched between Norfolk, | 0:01:39 | 0:01:42 | |
Essex and Cambridgeshire, makes it the ideal weekend getaway for southern urbanites. | 0:01:42 | 0:01:48 | |
And it's not just the seaside that's a big draw... | 0:01:49 | 0:01:52 | |
Suffolk is home to classic scenery. | 0:01:52 | 0:01:54 | |
It's a landscape that inspired one of Britain's most famous artists, John Constable. | 0:01:54 | 0:01:59 | |
He immortalised it on canvas 200 years ago and, remarkably, it's changed little since. | 0:01:59 | 0:02:05 | |
Unspoilt market towns, villages and hamlets offer up character properties aplenty, | 0:02:05 | 0:02:12 | |
from Tudor timber frames to Georgian townhouses and an abundance of thatched cottages. | 0:02:12 | 0:02:19 | |
And if you have an artistic temperament, this county has its own traditional colour statement - | 0:02:19 | 0:02:25 | |
Suffolk Pink. | 0:02:25 | 0:02:26 | |
So, Suffolk is clearly a winner and here are some more statistics to enthuse you. | 0:02:32 | 0:02:35 | |
The crime rate here is 5% below the national average and it's not too heavily populated... | 0:02:35 | 0:02:40 | |
66% less than neighbouring Essex and yet it's still commutable | 0:02:40 | 0:02:45 | |
into London and house prices are pretty reasonable, too. Take a look at what you can get. | 0:02:45 | 0:02:49 | |
There's plenty to suit all budgets. | 0:02:51 | 0:02:53 | |
If your pockets are very deep indeed, £1.3 million | 0:02:53 | 0:02:56 | |
will purchase this six-bedroom 18th-century barn conversation in the hamlet of Cove Bottom. | 0:02:56 | 0:03:03 | |
It's a huge country pile with four reception rooms, a super sized kitchen/diner | 0:03:03 | 0:03:07 | |
and bags of rustic charm, all set in an acre of land. | 0:03:07 | 0:03:11 | |
Or you could be horsing around in this five-bedroom modern house with paddocks and stables in Gislingham. | 0:03:14 | 0:03:20 | |
It offers masses of space with three reception rooms | 0:03:20 | 0:03:23 | |
and despite being just five years old, there's a real injection of character charm. | 0:03:23 | 0:03:28 | |
To ride away with this one, you'll need £625,000. | 0:03:28 | 0:03:33 | |
Finally, you could be sitting pretty in pink in this traditional Suffolk thatched cottage in Redgrave. | 0:03:33 | 0:03:39 | |
It comes with four bedrooms, three cosy reception rooms, | 0:03:39 | 0:03:42 | |
packed with must-have original features, a made-to-measure country kitchen and pretty, lawned garden. | 0:03:42 | 0:03:47 | |
However, the £395,000 price tag shouldn't put you in the red. | 0:03:47 | 0:03:54 | |
Pretty impressive stuff but is it gonna be enough to impress today's house buyers? Let's meet them. | 0:03:54 | 0:03:59 | |
Today's very creative couple are freelance writer Malcolm and artist and gallery owner, Meryl. | 0:03:59 | 0:04:06 | |
For the last 31 years they've lived in a five-bedroom Victorian house in North London | 0:04:06 | 0:04:11 | |
but so desperate are they to make the move to the country, | 0:04:11 | 0:04:15 | |
they've already sold up and are now renting in Hampstead. | 0:04:15 | 0:04:18 | |
I have always wanted to live in the country, since I was about four. | 0:04:18 | 0:04:23 | |
I told people that my uncle had a farm and we brought back milk and butter from it. | 0:04:23 | 0:04:29 | |
It never existed, but I've always had a rich fantasy life! | 0:04:29 | 0:04:33 | |
Turning a childhood fantasy into reality is a tall order, but we like a challenge! | 0:04:33 | 0:04:38 | |
Whether the reality of downsizing will live up to their expectations, though, remains to be seen. | 0:04:38 | 0:04:43 | |
They're splitting the proceeds of the sale of their North London home between a small flat | 0:04:43 | 0:04:47 | |
near Meryl's gallery in London's East End | 0:04:47 | 0:04:50 | |
and a country house in Suffolk, which is an ideal location, | 0:04:50 | 0:04:53 | |
given its direct rail and road links to that part of the city, | 0:04:53 | 0:04:56 | |
but there are other reasons behind this move, too. | 0:04:56 | 0:04:58 | |
We were involved for a long time with an arts festival, and a lot of the people who founded it | 0:04:58 | 0:05:03 | |
live out along in Suffolk and also now we've got friends | 0:05:03 | 0:05:08 | |
who live along the coast there and in Darsham. | 0:05:08 | 0:05:11 | |
They know the area but haven't viewed a single property, so do they have a clear location in mind? | 0:05:11 | 0:05:17 | |
I think we're looking for the edge of a village or close to civilisation, we were saying | 0:05:17 | 0:05:24 | |
in a distance you could walk for a pint of milk or a pint, | 0:05:24 | 0:05:31 | |
so not way out in the back of nowhere but not in the village itself, probably. | 0:05:31 | 0:05:37 | |
Keen equestrian Malcolm also plans to move his horse, Neville, from a livery outside London | 0:05:37 | 0:05:42 | |
to stables in Suffolk, | 0:05:42 | 0:05:44 | |
but we need to pin down exactly what kind of accommodation Meryl and Malcolm are after. | 0:05:44 | 0:05:49 | |
It could be anything from a plain old Victorian vicarage to an 18th-century straightforward house. | 0:05:49 | 0:05:58 | |
It could even be a complete new-build, architect-designed glass number. | 0:05:58 | 0:06:03 | |
Meryl and Malcolm are downsizing from a large townhouse, so what's on their wish list? | 0:06:03 | 0:06:10 | |
We want three bedrooms, | 0:06:10 | 0:06:13 | |
two bathrooms, we need a good, big kitchen that's gonna be the hub of the place, | 0:06:13 | 0:06:20 | |
a good big reception room so we can have lots of friends round, | 0:06:20 | 0:06:25 | |
outside, we need outbuildings for days, | 0:06:25 | 0:06:30 | |
an acre or two... | 0:06:30 | 0:06:33 | |
That's a sizeable wish-list! Do they have a sizeable budget to match? | 0:06:33 | 0:06:37 | |
Our budget for a house in Suffolk is around £400,000. | 0:06:37 | 0:06:42 | |
I think this is going to be a challenge! | 0:06:42 | 0:06:44 | |
So if it was good enough to inspire John Constable and Benjamin Britten, | 0:06:45 | 0:06:50 | |
I'm sure Suffolk will be good enough to inspire our arty couple, Meryl and Malcolm. | 0:06:50 | 0:06:55 | |
Now they want a three-bedroom house with a big kitchen/diner | 0:06:55 | 0:06:57 | |
so they can have their artistic friends round for weekends, | 0:06:57 | 0:07:00 | |
but what they'd really like is some space outside and some outhouses | 0:07:00 | 0:07:04 | |
to build a studio so they can continue being creative. | 0:07:04 | 0:07:07 | |
Well, they've got £400,000 so it might be a bit of a squeeze. | 0:07:07 | 0:07:13 | |
With friends in East Suffolk, Malcolm and Meryl know the area quite well | 0:07:13 | 0:07:17 | |
and want to focus the search in a narrow 24-mile strip of countryside | 0:07:17 | 0:07:21 | |
between Woodbridge, Halesworth and the coast. | 0:07:21 | 0:07:25 | |
This will give them easy access to the A12 into London | 0:07:25 | 0:07:28 | |
but will make it trickier | 0:07:28 | 0:07:29 | |
to get everything on their wish list for £400,000. | 0:07:29 | 0:07:32 | |
In today's show we'll view three of the best homes on the market for the money | 0:07:32 | 0:07:36 | |
but as always, I won't reveal the price tags until they've had a good look around, | 0:07:36 | 0:07:41 | |
And the last of the three, our mystery house, will take them | 0:07:41 | 0:07:43 | |
out of their comfort zone, but will it hit the spot? | 0:07:43 | 0:07:47 | |
Welcome to Suffolk, guys. | 0:07:50 | 0:07:52 | |
-Thank you. -How are you feeling about our adventures here? | 0:07:52 | 0:07:55 | |
-Excited! -Nervous! -Excited and nervous, that's a good combination! | 0:07:55 | 0:07:59 | |
Well, I've brought you to the Snape Maltings | 0:07:59 | 0:08:01 | |
where Benjamin Britten founded the Aldeburgh Festival | 0:08:01 | 0:08:04 | |
which takes place every year so we're continuing a Benjamin Britten theme, | 0:08:04 | 0:08:07 | |
cultural theme, because I've got you pegged as the cultural couple. | 0:08:07 | 0:08:11 | |
-Is that fair? -Oh, yes, of course! -Yes, we ooze culture! -Oozing culture! | 0:08:11 | 0:08:15 | |
And I also sort of imagine that this move down here you're gonna set up an artists' colony | 0:08:15 | 0:08:20 | |
with painters and sculptors popping round for tea? | 0:08:20 | 0:08:23 | |
Oh, yeah, that would be great! We've got lots of friends who are working artists in this area | 0:08:23 | 0:08:28 | |
but also in London, so I think that would be the dream. | 0:08:28 | 0:08:31 | |
Since we spoke to you last, you've bought a property in London. | 0:08:31 | 0:08:34 | |
Yes, we've bought a flat in Whitechapel, so right in the gritty heart of East London, | 0:08:34 | 0:08:40 | |
close to All Hallows, where we operate from, and close to Liverpool Street Station. | 0:08:40 | 0:08:47 | |
You're still planning to get on the train and come out here? | 0:08:47 | 0:08:50 | |
Oh, yeah, this is very much part of the dream. | 0:08:50 | 0:08:53 | |
And has that had an impact on your budget? | 0:08:53 | 0:08:57 | |
Well, it's tight and pips are squeaking slightly but no, I think we should be all right. | 0:08:57 | 0:09:04 | |
So we're still talking about £400,000? | 0:09:04 | 0:09:06 | |
-Yep, that's the target area. -Well, we've got some lovely properties | 0:09:06 | 0:09:10 | |
including the mystery house, so shall we stroll through the reeds? | 0:09:10 | 0:09:13 | |
Let's do it. | 0:09:13 | 0:09:14 | |
Armed with £400,000, Malcolm and Meryl want a detached period or ultra-modern home | 0:09:18 | 0:09:24 | |
on the edge of a village near the A12. | 0:09:24 | 0:09:26 | |
Their must-haves include... | 0:09:26 | 0:09:30 | |
I think the reality of downsizing here in Suffolk will have to involve that word "compromise"! | 0:09:43 | 0:09:48 | |
This is the very first time Meryl and Malcolm | 0:09:48 | 0:09:50 | |
have looked for properties here so I wonder how they're feeling. | 0:09:50 | 0:09:54 | |
This is a long-held dream, so I'm excited but kind of apprehensive | 0:09:59 | 0:10:04 | |
as well because something in me can't quite believe that you'll be able to find the dream place! | 0:10:04 | 0:10:10 | |
-You're a bit scared of your dream coming true! -Well, there's always that! | 0:10:10 | 0:10:14 | |
It looks like we're going down a philosophical route today | 0:10:17 | 0:10:21 | |
and this voyage of discovery takes us to our first property, in Snape itself. | 0:10:21 | 0:10:25 | |
Situated on the banks of the River Alde, this pretty Suffolk village is tranquillity personified. | 0:10:25 | 0:10:31 | |
With just a couple of pubs serving the 600-strong population, it's an ideal escape | 0:10:31 | 0:10:36 | |
and the A12 is just a few minutes' drive away, so it's well-connected to London. | 0:10:36 | 0:10:40 | |
The location of our first property should be spot-on too... | 0:10:40 | 0:10:44 | |
it's right on the edge of the village, situated down a quiet country lane | 0:10:44 | 0:10:48 | |
and we're starting off with the most traditional of Suffolk properties, a pink cottage. | 0:10:48 | 0:10:52 | |
Surely as artists, Malcolm and Meryl will appreciate the colour palette. | 0:10:52 | 0:10:56 | |
So this is the cottage I wanted to show you, | 0:11:00 | 0:11:02 | |
but it is a proper Suffolk cottage, so what are your thoughts about that? | 0:11:02 | 0:11:05 | |
It's very pretty, isn't it? | 0:11:05 | 0:11:07 | |
-It is pretty. -Classic garden, beautiful. | 0:11:07 | 0:11:09 | |
If you could draw a country cottage, this is probably what it would look like. What do you think, Malcolm? | 0:11:09 | 0:11:13 | |
Cottage is an interesting option. | 0:11:13 | 0:11:17 | |
We've been living in a Victorian house with very tall ceilings and I don't like the feeling of being | 0:11:17 | 0:11:22 | |
sort of enclosed too much, so everything depends on how it feels inside, I think. | 0:11:22 | 0:11:27 | |
Originally two separate cottages dating from the 1700s, this picture-perfect house could have | 0:11:27 | 0:11:33 | |
come straight out of a fairytale book, so I'm hoping it will fit Malcolm's childhood dream, | 0:11:33 | 0:11:38 | |
but it will be a very different proposition | 0:11:38 | 0:11:41 | |
to their London townhouse and it will definitely be a downsize in terms of room dimensions. | 0:11:41 | 0:11:46 | |
-In you come. -Thank you. | 0:11:46 | 0:11:49 | |
This is the dining room. | 0:11:49 | 0:11:51 | |
Absolutely classic, I'd say! | 0:11:51 | 0:11:53 | |
-Yes, it's cosy and it's beamy. -Beamy - is that good or bad? | 0:11:53 | 0:11:57 | |
That's good for a cottage! | 0:11:57 | 0:11:59 | |
-But for you? -For us, well... | 0:11:59 | 0:12:02 | |
Not great for me, but you know, | 0:12:02 | 0:12:05 | |
I don't want to rule these things out just because of... | 0:12:05 | 0:12:09 | |
Certainly as it's the first one we've seen. | 0:12:09 | 0:12:11 | |
That's right, but it's good for me to collect your preferences. | 0:12:11 | 0:12:14 | |
-You're not mad on beams? -Not mad on beams and low ceilings. | 0:12:14 | 0:12:19 | |
It looks like I'm gonna have my work cut out for me but at least they're keeping an open mind. | 0:12:19 | 0:12:24 | |
This is the kitchen. | 0:12:24 | 0:12:26 | |
We love kitchens. I mean, food's very important to us, entertaining, eating together, it's all key for us. | 0:12:28 | 0:12:35 | |
So the kitchen's quite an essential part of the setup? | 0:12:35 | 0:12:39 | |
Absolutely, and space to sit is important. | 0:12:39 | 0:12:43 | |
As you can see, there's not really space to eat in this bit of the kitchen but if you walk through... | 0:12:43 | 0:12:47 | |
-it goes into a sort of breakfast area here. -Yeah. | 0:12:49 | 0:12:52 | |
That wall is pretty structural because that was the separating wall between the two cottages, | 0:12:52 | 0:12:57 | |
-otherwise it would be kind of easy to... -That's pretty solid, isn't it? | 0:12:57 | 0:13:01 | |
But it's not a listed building so you could always move out into the garden and make this much bigger. | 0:13:01 | 0:13:06 | |
There's one more room downstairs, which is the big sitting room. | 0:13:06 | 0:13:09 | |
So there's a wash room. | 0:13:09 | 0:13:11 | |
This is the main sitting room. | 0:13:13 | 0:13:15 | |
Struck you dumb! | 0:13:16 | 0:13:18 | |
-What do you think about this? -It has, hasn't it! | 0:13:18 | 0:13:20 | |
Well, again it's cosy. I like the wood-burning stove. That's good. | 0:13:20 | 0:13:26 | |
You could settle here for the evening, glass of brandy, be lovely. | 0:13:26 | 0:13:29 | |
I get the impression you're being terribly polite but you actually don't like it. | 0:13:29 | 0:13:34 | |
It's not "not like", I think it's probably just not us. | 0:13:34 | 0:13:36 | |
I mean, if this belonged to friends of ours, we'd come here and say | 0:13:36 | 0:13:40 | |
"It's fantastic, what a lovely place you've got." | 0:13:40 | 0:13:43 | |
You don't have to be embarrassed! | 0:13:43 | 0:13:44 | |
-No. -It is lovely but it's not to everybody's taste and if it's not to yours, that's what we need to hear. | 0:13:44 | 0:13:49 | |
I think we're maybe looking for something that's a bit more open | 0:13:49 | 0:13:53 | |
and invites the countryside and the light in a bit more. | 0:13:53 | 0:13:56 | |
-A greenhouse! -Yes, or an atrium, there you go! | 0:13:56 | 0:14:00 | |
They have made an effort to kind of open those little French windows... | 0:14:00 | 0:14:03 | |
-Yes, to the garden. -Into the garden. | 0:14:03 | 0:14:05 | |
Yes, that's a good point, that does. | 0:14:05 | 0:14:06 | |
Quite a lot of light coming in... | 0:14:06 | 0:14:08 | |
and upstairs is quite light as well. | 0:14:08 | 0:14:10 | |
Shall we look? Mind your head - it's quite a tight staircase. | 0:14:10 | 0:14:13 | |
OK. | 0:14:13 | 0:14:15 | |
Well, that's positive! | 0:14:15 | 0:14:16 | |
Could this cottage be gradually growing on Malcolm? Let's find out as we head upstairs. | 0:14:16 | 0:14:21 | |
Let's look at this room first. This is the master bedroom. | 0:14:21 | 0:14:25 | |
Beams for miles! | 0:14:27 | 0:14:28 | |
And it walks through into this enormous sort of | 0:14:28 | 0:14:31 | |
dressing room/bathroom suite. | 0:14:31 | 0:14:33 | |
That's nice, isn't it? | 0:14:33 | 0:14:35 | |
Yes, it's quite voluminous! | 0:14:35 | 0:14:37 | |
Yes, for a cottage, it's quite spacious upstairs. | 0:14:37 | 0:14:40 | |
I do like attic rooms, actually. | 0:14:40 | 0:14:42 | |
It's one of those areas, funnily enough, where I kind of | 0:14:42 | 0:14:47 | |
contradict myself because they are... bedrooms are good like that and I like the slope of the ceilings. | 0:14:47 | 0:14:54 | |
OK, well, next door there's two more bedrooms. | 0:14:54 | 0:14:57 | |
Mind your head! | 0:15:06 | 0:15:08 | |
So again, quite a good sized room for a cottage. | 0:15:10 | 0:15:13 | |
-Lots of light. -Yes. | 0:15:13 | 0:15:15 | |
And you've got another bedroom down here which is joined by a back staircase. | 0:15:15 | 0:15:21 | |
-Oh, yes! -So you can lock this door and have that as a sort of separate room for guests. | 0:15:21 | 0:15:26 | |
We don't need big bedrooms. | 0:15:26 | 0:15:28 | |
I think bedrooms for us are where you sleep, they're not a sort of big play area, | 0:15:28 | 0:15:34 | |
so the dimensions aren't necessarily an issue. | 0:15:34 | 0:15:39 | |
Malcolm seems to be warming to this property, but I get the feeling it's a reality check in terms of space | 0:15:39 | 0:15:44 | |
and outside, although relatively roomy with a paved entertaining area and two front gardens, it certainly | 0:15:44 | 0:15:51 | |
isn't the one or two acres they've asked for but acreage on their budget is a very tall order. | 0:15:51 | 0:15:58 | |
Here we've come full circle, in fact to the front of the house but you may not have noticed this | 0:16:01 | 0:16:06 | |
bit of garden on the side. | 0:16:06 | 0:16:07 | |
This is all kind of squashed in and enclosed, isn't it? | 0:16:07 | 0:16:10 | |
And you also want some outside, some outbuildings, don't you, | 0:16:10 | 0:16:14 | |
for your artists' studio, which I'm envisaging very vividly in my mind. | 0:16:14 | 0:16:17 | |
-Yes. -Right, good. -And I guess that garage won't cut it? | 0:16:17 | 0:16:21 | |
Well, it would need a bit of attention, wouldn't it? | 0:16:21 | 0:16:25 | |
It would need something doing to it to transform it... | 0:16:25 | 0:16:27 | |
Are you looking to have those buildings already there | 0:16:27 | 0:16:31 | |
are studios, or would you be happy to do some work and do them up? | 0:16:31 | 0:16:34 | |
Do some work, yes, as long as they were sound, not too much work to be done on structurally. | 0:16:34 | 0:16:39 | |
Let's step through here and then we can talk a bit about money, | 0:16:39 | 0:16:42 | |
because I get the impression that this is not | 0:16:42 | 0:16:45 | |
spatially quite what you're looking for, but there is the issue of budget and yeah, | 0:16:45 | 0:16:50 | |
I was just wondering what you thought this was worth, what it was on the market for? | 0:16:50 | 0:16:54 | |
Well, it's tough to tell, because we're at the beginning of the journey, but I'll plump for 390. | 0:16:54 | 0:17:02 | |
-I was gonna go 380. -Pretty good. | 0:17:02 | 0:17:06 | |
-That's sort of high in your budget, but it's actually on at 375. -Oh, really? | 0:17:06 | 0:17:10 | |
-Wander round the house, inside and out and I'll meet you out the front. -OK. | 0:17:10 | 0:17:15 | |
So Meryl and Malcolm could be living in the pink for £375,000 - £25,000 under budget. | 0:17:16 | 0:17:23 | |
This traditional cottage comes with bags of period features... | 0:17:23 | 0:17:27 | |
With three separate garden areas, there's potential to create an art studio. | 0:17:31 | 0:17:35 | |
This is a fairytale cottage but will it deliver a fairytale ending to Malcolm and Meryl's house hunt? | 0:17:35 | 0:17:42 | |
I like the windows and the French doors but... | 0:17:42 | 0:17:45 | |
Yeah, that would be nice, that would open out into the garden. | 0:17:45 | 0:17:48 | |
The location's good, | 0:17:48 | 0:17:50 | |
I like the pink traditional Suffolk exterior | 0:17:50 | 0:17:54 | |
-but it's not for me because I feel a tiny bit claustrophobic in here. -Decent size. | 0:17:54 | 0:17:59 | |
Yeah, I think with the table... | 0:17:59 | 0:18:01 | |
Almost the nicest room in the house. | 0:18:01 | 0:18:05 | |
I could see ourselves in here. | 0:18:05 | 0:18:07 | |
It's been well-organised and modernised, very liveable in, cosy | 0:18:07 | 0:18:13 | |
but for us, I think it's just not quite the right thing. | 0:18:13 | 0:18:16 | |
We have never lived in cottage sort of spaces and I think that it's just not the right kind of place for us. | 0:18:16 | 0:18:23 | |
There are bees everywhere! | 0:18:23 | 0:18:25 | |
-Are you all done? -Yes. | 0:18:25 | 0:18:27 | |
So if you pull the door to, we have the rest of Suffolk to discover. | 0:18:27 | 0:18:32 | |
OK. | 0:18:32 | 0:18:33 | |
Malcolm and Meryl aren't the only ones to take inspiration from Suffolk's beautiful countryside. | 0:18:42 | 0:18:47 | |
For composer Benjamin Britten, it was his constant muse. | 0:18:47 | 0:18:51 | |
Now I'm a huge fan of Britten, so I couldn't miss the opportunity of visiting his Aldeburgh home | 0:18:51 | 0:18:57 | |
of 30 years, The Red House, where I'm meeting up with Dr Lucy Walker, Academic Research Officer. | 0:18:57 | 0:19:03 | |
During his adult life, Britten produced over 13 operas and stage works and many orchestral pieces, | 0:19:05 | 0:19:11 | |
and The Red House became a hotbed of creativity, attracting musicians and artists from all over the world. | 0:19:11 | 0:19:18 | |
-What's this? -This is the composition sketch for Peter Grimes. The original material, yes. | 0:19:20 | 0:19:25 | |
-I'm a bit of a Benjamin Britten geek so that's quite an honour to see that! -Oh, really! | 0:19:25 | 0:19:29 | |
-"Peter Grimes" is his most famous and very important for us because we're in Suffolk... -Yes. | 0:19:29 | 0:19:34 | |
And it's set in Suffolk, isn't it? | 0:19:34 | 0:19:36 | |
It's set in, yes, in a village called "The Borough" | 0:19:36 | 0:19:37 | |
-which is really effectively Aldeburgh. -It is Aldeburgh? | 0:19:37 | 0:19:40 | |
Yes, so it's very much rooted in Suffolk. | 0:19:40 | 0:19:45 | |
It was Britten's first big breakthrough? | 0:19:45 | 0:19:47 | |
It really was. It kick-started our English opera again as well. | 0:19:47 | 0:19:51 | |
It was a hugely important moment when it was first performed. | 0:19:51 | 0:19:54 | |
Today Britten is recognised as one of the most significant contributors | 0:19:54 | 0:19:58 | |
to 20th-century British classical music | 0:19:58 | 0:20:01 | |
and he was a passionate promoter of young musicians - | 0:20:01 | 0:20:04 | |
not surprising, considering the age he started writing. | 0:20:04 | 0:20:09 | |
He started at the age of six. | 0:20:09 | 0:20:11 | |
Oh! I hate those people who start when they're six... it's so depressing! | 0:20:11 | 0:20:14 | |
Yes, it is quite depressing and he wrote over 730 pieces before he was 18! So...yes. | 0:20:14 | 0:20:20 | |
-Have you got any that we can look at? -Yes. | 0:20:20 | 0:20:23 | |
We've got a couple here and we have a piano duet here that he wrote for him and his elder sister Barbara to play. | 0:20:23 | 0:20:30 | |
-Shall we have a go? -We could have a go, yes. | 0:20:30 | 0:20:32 | |
-Shall we take a seat? -Certainly! | 0:20:32 | 0:20:34 | |
And after two, one... two. | 0:20:37 | 0:20:39 | |
THEY PLAY COMPETENTLY | 0:20:41 | 0:20:45 | |
-Oh, we got through that! -Just about! -Benjamin's probably spinning in his grave! | 0:20:56 | 0:21:01 | |
-How old was he when he wrote this? -About ten! -Oich! | 0:21:01 | 0:21:04 | |
-Fantastic. Thank you so much, Lucy. it's been a real pleasure. -You're very welcome. -A real excitement! | 0:21:04 | 0:21:10 | |
We're restricted in our house hunt to a very specific area | 0:21:15 | 0:21:18 | |
and the next house we're viewing is situated just five miles north-west of Southwold, in rural Clay Common. | 0:21:18 | 0:21:25 | |
For amenities, Meryl and Malcolm can head to the positively blooming village of Wangford. | 0:21:25 | 0:21:29 | |
The community is serviced by one church and one pub | 0:21:29 | 0:21:33 | |
and since the London to Great Yarmouth road, which used to run through the village was bypassed, | 0:21:33 | 0:21:38 | |
peace and quiet is assured. | 0:21:38 | 0:21:40 | |
Our next property is situated just a couple of minutes' drive away. | 0:21:41 | 0:21:46 | |
This is where we're going, | 0:21:46 | 0:21:48 | |
down a quiet country lane to this sprawling, spacious property. | 0:21:48 | 0:21:55 | |
-Right. -It looks interesting, yes. -Yes, I like it. | 0:21:55 | 0:21:58 | |
Yeah, I like the squareness of it. | 0:21:58 | 0:22:00 | |
-That's good. -It's a house. -It's a house! | 0:22:00 | 0:22:04 | |
Nice, simple little house. | 0:22:04 | 0:22:06 | |
-This has got lots of options, this property. -Good. | 0:22:06 | 0:22:08 | |
In terms of space. | 0:22:08 | 0:22:10 | |
-Shall we look inside? -Yep. -Yeah. | 0:22:12 | 0:22:13 | |
Built in 1850, this property has been fully renovated and extended | 0:22:13 | 0:22:18 | |
by the current owners in the last five years | 0:22:18 | 0:22:20 | |
so it's a Victorian house but has a modern light and spacious feel, | 0:22:20 | 0:22:24 | |
which should be just right for Malcolm and Meryl. | 0:22:24 | 0:22:27 | |
Step in. | 0:22:29 | 0:22:31 | |
Thank you. | 0:22:31 | 0:22:33 | |
So this is a little sort of atrium porch/office... | 0:22:33 | 0:22:39 | |
-cum music room. -Oh, yes. | 0:22:39 | 0:22:40 | |
You've given us beams again... | 0:22:40 | 0:22:42 | |
-wonderful! -Beams, but high beams. | 0:22:42 | 0:22:44 | |
-Slightly higher, yes. -And there's no beams through here. | 0:22:44 | 0:22:48 | |
This is beamless, | 0:22:50 | 0:22:52 | |
-and much more modern. -It is. | 0:22:52 | 0:22:54 | |
Actually the dimensions I like, it's nice and spacious and light, isn't it. | 0:22:54 | 0:22:59 | |
Yes, it's smallish but... | 0:22:59 | 0:23:03 | |
I guess, yes, any house this age and style will be. | 0:23:03 | 0:23:07 | |
So if you come into the dining area, you can see the sort of heritage of the building. | 0:23:07 | 0:23:11 | |
-This was the outside wall. -Oh, right. | 0:23:11 | 0:23:13 | |
And then this is a lean-to that they've kind of extended out. | 0:23:13 | 0:23:16 | |
Right, quirky. | 0:23:16 | 0:23:18 | |
This is a spacious house but Meryl and Malcolm seem slightly underwhelmed so far. | 0:23:18 | 0:23:23 | |
I think they're so used to living in a sprawling Victorian townhouse | 0:23:23 | 0:23:27 | |
that they can't quite get their heads around the fact that this is a downsize! | 0:23:27 | 0:23:31 | |
However, I have high hopes for the kitchen. | 0:23:31 | 0:23:33 | |
It's next door to the living room and has all the right ingredients to be the hub of the house. | 0:23:33 | 0:23:38 | |
In you come. | 0:23:40 | 0:23:42 | |
Now I think this is a good space. I'm quite surprised, really. | 0:23:46 | 0:23:49 | |
I like the panoramic windows with the garden. That's nice. | 0:23:49 | 0:23:52 | |
Really nice, and that's a nice kitchen with sink. | 0:23:52 | 0:23:56 | |
Yes, beech work surfaces throughout. | 0:23:56 | 0:23:58 | |
-Yep. -So you've got all this and then there is a big utility room there as well. -Excellent. | 0:23:58 | 0:24:02 | |
Which goes out into the garden. | 0:24:02 | 0:24:04 | |
Is this adequate to your kind of kitchen/dining/utility needs? | 0:24:04 | 0:24:08 | |
-Yes, I would say so. -This works. | 0:24:08 | 0:24:11 | |
Well, that's better! Let's hope we can keep up the good work upstairs. | 0:24:11 | 0:24:15 | |
There's a bright, neutrally decorated bathroom | 0:24:15 | 0:24:17 | |
with tongue and groove detail, and the bedrooms are next. | 0:24:17 | 0:24:22 | |
The first is a good size for guests but we're heading into the second bedroom | 0:24:22 | 0:24:25 | |
which has been cleverly reappointed. | 0:24:25 | 0:24:28 | |
And then here, this would have been another bedroom but it's been turned into a walk-in wardrobe. | 0:24:30 | 0:24:36 | |
Oh, yes, just a room full of wardrobe! | 0:24:36 | 0:24:39 | |
An enormous wall of wardrobe! | 0:24:39 | 0:24:42 | |
-Is that good for you? -To die for, I would have thought! | 0:24:42 | 0:24:44 | |
-But you are down a bedroom at this point. -Yes. | 0:24:44 | 0:24:47 | |
But you do have an en-suite with some serious bathroom kit. | 0:24:47 | 0:24:51 | |
This is a sauna shower. | 0:24:51 | 0:24:55 | |
-Wow! -Not just a shower... | 0:24:55 | 0:24:57 | |
-a sauna shower. -That looks... | 0:24:57 | 0:24:59 | |
Turn it on outside, half an hour later, | 0:24:59 | 0:25:01 | |
roasting hot sauna. | 0:25:02 | 0:25:04 | |
Let's look at your bedroom. | 0:25:04 | 0:25:06 | |
What do you think of the layout? | 0:25:09 | 0:25:11 | |
-Slightly unusual. -It is. | 0:25:11 | 0:25:14 | |
We're up in the eaves. I quite like that. I like loft spaces. | 0:25:14 | 0:25:19 | |
Well, the interior has got a reasonably positive reception, but let's turn our attention to the | 0:25:19 | 0:25:24 | |
outside space, which is just as important to our creative duo. | 0:25:24 | 0:25:29 | |
This property comes with nearly half an acre in all and there's an added extra out there, too. | 0:25:29 | 0:25:33 | |
It's an interesting garden, I think, because when they moved in in 2004, it was all like this... | 0:25:38 | 0:25:42 | |
it was all this sort of asbestos outhouses and it was all concreted | 0:25:42 | 0:25:46 | |
so they've done an enormous amount of work re the structuring but I think there's lots of potential. | 0:25:46 | 0:25:51 | |
Can you see potential here? | 0:25:51 | 0:25:53 | |
-Definitely, yes. -Yes, there's quite a bit of space. -It's nice, yeah. | 0:25:53 | 0:25:56 | |
-And this is the latest addition to their garden landscape. -It's a log cabin! There you go. | 0:25:56 | 0:26:01 | |
What I was thinking is you wanted some outside space for your art and stuff. | 0:26:01 | 0:26:05 | |
-Certainly. -Shall we have a look? | 0:26:05 | 0:26:08 | |
Yeah. | 0:26:08 | 0:26:09 | |
Oh, I thought that would get more of a reaction, | 0:26:10 | 0:26:13 | |
but these two are playing their cards very close to their chest! | 0:26:13 | 0:26:17 | |
It's a really substantial space they've got going on in here. | 0:26:18 | 0:26:22 | |
Indeed, yes, it is. | 0:26:22 | 0:26:24 | |
It's a Wendy house isn't it, but for grown-ups. | 0:26:24 | 0:26:27 | |
It's really not a Wendy house, it's a WENDY house, | 0:26:27 | 0:26:31 | |
because you've got a fully fitted-out kitchen and a bathroom and shower room at the back | 0:26:31 | 0:26:39 | |
and a very nice space here with a pull-out bed. | 0:26:39 | 0:26:42 | |
-Amazing! -It's good, isn't it! -Yeah. | 0:26:42 | 0:26:44 | |
I think this is a real addition to the property because it | 0:26:44 | 0:26:47 | |
really is like having another big living room/kitchen. | 0:26:47 | 0:26:49 | |
Yes, it is, and if you've lost a bedroom up there, you've actually got guest... | 0:26:49 | 0:26:53 | |
-You've more than made it up here. -Yes. -..space. | 0:26:53 | 0:26:56 | |
Well, let's go into the garden and see what you think about the price. | 0:26:56 | 0:26:59 | |
It's an interesting proposition in terms of a package because it's lots of different things, really. | 0:27:03 | 0:27:09 | |
It's got a bit of the garden, lots of extensions possibilities. | 0:27:09 | 0:27:14 | |
-Yeah. -What sort of ball-park figure would you go for? | 0:27:14 | 0:27:17 | |
385. | 0:27:17 | 0:27:19 | |
-And I was gonna go 375. -375. | 0:27:19 | 0:27:21 | |
You're quite high, you're a little less high, but both of you are a bit too high, | 0:27:21 | 0:27:26 | |
-cos it's actually on the market for 365. -Really! | 0:27:26 | 0:27:29 | |
-So, have a wander around and then we'll met out front and then mull it over. -Thanks. | 0:27:29 | 0:27:36 | |
On the market for £365,000, this detached modernised Victorian home is a sizeable £35,000 under budget | 0:27:36 | 0:27:45 | |
and on paper it has nearly everything Malcolm and Meryl have asked for... | 0:27:45 | 0:27:48 | |
I think there's lots of potential | 0:27:58 | 0:28:00 | |
to put their own stamp on it, | 0:28:00 | 0:28:02 | |
but will Malcolm and Meryl | 0:28:02 | 0:28:04 | |
buy into the possibilities? | 0:28:04 | 0:28:06 | |
I like quite a lot of aspects of the house, particularly, funnily enough, towards the back. | 0:28:06 | 0:28:10 | |
I like the kitchen/diner, particularly like the garden and all | 0:28:10 | 0:28:15 | |
the sort of bits and bobs that make the garden full of possibilities. | 0:28:15 | 0:28:20 | |
I wouldn't discount it out of hand. Certainly something to think about. | 0:28:20 | 0:28:24 | |
I quite like this. | 0:28:24 | 0:28:26 | |
I like the fact that you can cook here and you can talk to people, it's all one big space. | 0:28:26 | 0:28:32 | |
And good outlook onto the garden, especially the doors there. | 0:28:32 | 0:28:36 | |
But this is house is quite perplexing and I can't quite get my head round it, because there are so many bits | 0:28:36 | 0:28:44 | |
and some of them work and some of them don't, yet there's bags of potential | 0:28:44 | 0:28:51 | |
in the garden and the outbuildings and outdoors so it needs a bit of consideration, really, I think. | 0:28:51 | 0:28:57 | |
With the sun beginning to set over Suffolk, the first day of our house-hunt is at an end. | 0:29:05 | 0:29:10 | |
Creative couple Meryl and Malcolm are looking for an artistic retreat in Suffolk. | 0:29:18 | 0:29:23 | |
We've already shown them two properties for their £400,000 budget, | 0:29:23 | 0:29:27 | |
one of which is a definite maybe. | 0:29:27 | 0:29:29 | |
This works. | 0:29:29 | 0:29:30 | |
But there's plenty more to come in the form of the mystery house, | 0:29:31 | 0:29:35 | |
which could be a masterpiece in the making! | 0:29:35 | 0:29:37 | |
It's put a smile on your face too! | 0:29:37 | 0:29:38 | |
-Almost! -Almost a beam! -Almost a beam! | 0:29:38 | 0:29:41 | |
Malcolm and Meryl aren't moving to Suffolk alone. | 0:29:47 | 0:29:50 | |
Neville, Malcolm's horse, will be joining them, too. | 0:29:50 | 0:29:53 | |
Finding out where he can saddle up and canter to his heart's content | 0:29:53 | 0:29:56 | |
is a priority for Malcolm so we've sent him | 0:29:56 | 0:29:58 | |
along to East Farm Park on the outskirts of Woodbridge to meet up with stable hand Steve Swann. | 0:29:58 | 0:30:05 | |
-Hi, Meryl. -Malcolm. -Hello Malcolm, nice to meet you. | 0:30:05 | 0:30:08 | |
In 1974, the farm opened to the public and was the second farm park in all of England. | 0:30:08 | 0:30:15 | |
In the last few years, it's created 15 miles of horse tracks in the area where riders can gallop safely | 0:30:15 | 0:30:20 | |
in off-road countryside, but it's also home to a unique breed of horse, particular to this county... | 0:30:20 | 0:30:27 | |
the Suffolk Punch. | 0:30:27 | 0:30:30 | |
This is Polly and this is Major behind her. | 0:30:30 | 0:30:34 | |
Major was bred here. He's about 18 years old, | 0:30:34 | 0:30:38 | |
18 hands high, weighs just under a tonne, capable of pulling twice his own body weight. | 0:30:38 | 0:30:46 | |
With origins dating back to 1506, the Suffolk Punch is the oldest breed of heavy horse in Britain. | 0:30:46 | 0:30:52 | |
Bred to pull farm machinery, these chestnut gentle giants have a unique shape, | 0:30:52 | 0:30:57 | |
large body and stocky legs designed specifically to cope with the low-lying muddy terrain of Suffolk. | 0:30:57 | 0:31:03 | |
But these are quite rare, is that right? | 0:31:05 | 0:31:07 | |
Apparently, when the tractors came on the scene in the '50s, horses were disregarded slowly | 0:31:07 | 0:31:14 | |
and farmers' sons and things didn't want the horses, they wanted tractors and they faded them out. | 0:31:14 | 0:31:19 | |
They sort of got to the stage where they, you know, became endangered, so to speak. | 0:31:19 | 0:31:26 | |
They did say at one stage there were more giant pandas in the world than there were Suffolk horses! | 0:31:26 | 0:31:31 | |
-No! -Apparently so. | 0:31:31 | 0:31:32 | |
Thanks to enthusiasts like Steve and the Suffolk Horse Society, the Punch is slowly making a comeback. | 0:31:32 | 0:31:39 | |
Today there are 200 grazing in England | 0:31:39 | 0:31:43 | |
and every one of them can be traced back to the same stallion from 1768. | 0:31:43 | 0:31:48 | |
Well, thank you, Steve, that was really great. | 0:31:50 | 0:31:51 | |
-Thank you, I'm glad you enjoyed it. -Fantastic! | 0:31:51 | 0:31:54 | |
Yeah, thanks, loved meeting the horses, that was great! | 0:31:54 | 0:31:57 | |
Suffolk does have some striking properties, | 0:32:01 | 0:32:03 | |
such as the House In The Clouds in Thorpeness. | 0:32:03 | 0:32:06 | |
Sadly it's not for sale, so I can't offer that to Meryl and Malcolm, | 0:32:06 | 0:32:09 | |
but I do feel that we need to pull out the big guns because they haven't | 0:32:09 | 0:32:13 | |
been exactly bowled over by the properties I've shown them so far, so time for the mystery house. | 0:32:13 | 0:32:18 | |
Of course, the mystery house always involves a twist, and today it's all about location. | 0:32:18 | 0:32:24 | |
We're breaking out of our search area and heading to Metfield, a 20-minute drive north-east | 0:32:24 | 0:32:29 | |
of Malcolm and Meryl's preferred location. | 0:32:29 | 0:32:34 | |
It's a lovely village with a strong community. | 0:32:34 | 0:32:36 | |
There's one pub, a 13th-century church and a shop that's run entirely by volunteers. | 0:32:36 | 0:32:43 | |
To save it from closure in 2006, a committee of local residents | 0:32:43 | 0:32:47 | |
bought the store and today the villagers serve the villagers, seven days a week. | 0:32:47 | 0:32:52 | |
The mystery house is situated on the outskirts of the village, in very rural surroundings. | 0:32:52 | 0:32:57 | |
It will need some cosmetic TLC but I have high hopes for this one. | 0:32:57 | 0:33:02 | |
Ta-da! | 0:33:02 | 0:33:05 | |
-That is a house! -Yes! -This is a proper house. | 0:33:05 | 0:33:09 | |
-Yes, it is! -No more cottages! | 0:33:09 | 0:33:10 | |
Wow, a good, solid house, yes. | 0:33:10 | 0:33:14 | |
-Smiles! -Definitely, yes. -I saw the smile on your face too, Malcolm! -Almost! | 0:33:14 | 0:33:18 | |
-Almost a beam! -Almost a beam... | 0:33:18 | 0:33:20 | |
a different kind of beam! | 0:33:20 | 0:33:22 | |
-There are none of those beams in this property. -Oh, right. -Let's look. | 0:33:22 | 0:33:25 | |
Well, we're off to a good start and I think this 1920s-built house | 0:33:25 | 0:33:30 | |
will have the room sizes Meryl and Malcolm are more used to. | 0:33:30 | 0:33:33 | |
Let's find out if lots of space will make up for the shift in location. | 0:33:33 | 0:33:37 | |
What I want you to bear in mind with this property is that | 0:33:41 | 0:33:44 | |
it's the bones that count. | 0:33:44 | 0:33:46 | |
I like it, I like the scope of this room, the height, | 0:33:46 | 0:33:53 | |
-and you can see in the beyond. -The view! Yes! | 0:33:53 | 0:33:56 | |
That's the best response we've had from Meryl yet. | 0:33:56 | 0:33:59 | |
Just next door is a further reception room, currently used as a study, and I'm | 0:33:59 | 0:34:04 | |
quietly confident the kitchen will live up to expectations. | 0:34:04 | 0:34:08 | |
So we come through this sort of strange atrium that's got | 0:34:08 | 0:34:11 | |
lots and lots of storage there, there's a downstairs loo, | 0:34:11 | 0:34:16 | |
into... | 0:34:16 | 0:34:18 | |
-your kitchen. -Oh, yes! | 0:34:18 | 0:34:20 | |
Well, it's a lovely big country kitchen, isn't it? | 0:34:20 | 0:34:23 | |
-Mmm. -Lots of space, you could get everybody in here, all together. | 0:34:23 | 0:34:27 | |
-Yep. -Got lots and lots of possibility. | 0:34:27 | 0:34:31 | |
And you're sort of south-east facing, so you get a lot of the sun through the day. | 0:34:31 | 0:34:36 | |
I'm a bit shell-shocked because it is a surprise as it should be, | 0:34:37 | 0:34:42 | |
so I'm trying to envisage this, but there are lots and lots of things you could do, so I'm trying to | 0:34:42 | 0:34:52 | |
get past what we've got in front of us to see how it could be, but there are definitely lots of possibilities. | 0:34:52 | 0:34:59 | |
I think the fact that Malcolm is visualising what they could do here can only be a positive sign. | 0:34:59 | 0:35:04 | |
Let's see if the creativity continues upstairs. | 0:35:04 | 0:35:09 | |
-Lovely big wide staircase, no head-banging. -No. | 0:35:09 | 0:35:13 | |
And you've got four bedrooms, a nice big bathroom, | 0:35:13 | 0:35:19 | |
study room here. This is a very typical... | 0:35:19 | 0:35:21 | |
it's the end bedroom. I think they're really nice | 0:35:23 | 0:35:25 | |
sized rooms, so you could easily turn one of these upstairs into another office, or a study room. | 0:35:25 | 0:35:32 | |
Back along the corridor is a further double bedroom and the master. | 0:35:32 | 0:35:37 | |
At the other end of the upstairs this is the one... | 0:35:37 | 0:35:41 | |
-The reverse of the other end. -Exactly. -In fact more light. | 0:35:41 | 0:35:44 | |
More light because you've got triple aspect. | 0:35:44 | 0:35:46 | |
In terms of upstairs space, is this adequate? | 0:35:46 | 0:35:50 | |
-Oh, more. -Upstairs, yes, it's good. -More than enough! | 0:35:50 | 0:35:53 | |
I'm getting a good feeling from the place. | 0:35:53 | 0:35:55 | |
Yes, I like it, yes. I think... | 0:35:55 | 0:35:58 | |
I like the way it is, I like the views particularly and | 0:35:58 | 0:36:02 | |
the light and the solidness of the way it's built, yeah, I like it. | 0:36:02 | 0:36:07 | |
-You've got a big smile on your face! -Yeah. | 0:36:07 | 0:36:08 | |
Good, well, let's take a look outside. | 0:36:08 | 0:36:11 | |
Well, the mystery house seems to be working its magic. | 0:36:11 | 0:36:14 | |
Hopefully the outside space will charm them, too. | 0:36:14 | 0:36:17 | |
This property is set in a very secluded half-acre plot | 0:36:17 | 0:36:20 | |
and there's plenty of potential for art parties and studios. | 0:36:20 | 0:36:24 | |
-Lots of lovely outside space. -Yes. | 0:36:26 | 0:36:29 | |
I'm picturing full-on soiree here! | 0:36:29 | 0:36:33 | |
Oh, yeah, look, places to sit! | 0:36:33 | 0:36:35 | |
Yes. Are those old stables? | 0:36:35 | 0:36:38 | |
They are indeed old stables, yes. | 0:36:38 | 0:36:40 | |
-There's two here and there's actually another one round the corner. -For studio space possibly | 0:36:40 | 0:36:44 | |
or all sorts of other workshop ideas. | 0:36:44 | 0:36:46 | |
Let's look inside the stable. | 0:36:46 | 0:36:47 | |
-This is a proper workshop. -Even smells like a workshop! | 0:36:54 | 0:36:57 | |
-It does. Power tools... -Terrific! | 0:36:57 | 0:37:00 | |
-Vice. -Bench. -Makes you just want | 0:37:00 | 0:37:04 | |
to mend things, doesn't it! | 0:37:04 | 0:37:05 | |
It makes Meryl want to mend things! | 0:37:05 | 0:37:07 | |
-Ellie, our daughter, would like this, I think. -Is she a workwoman? | 0:37:07 | 0:37:12 | |
She is indeed, yeah, yeah, she's the sculptor, so she's working in ceramics and glass and things. | 0:37:12 | 0:37:18 | |
Oh, great! Wow, you could have a pottery in here! That would be cool! | 0:37:18 | 0:37:21 | |
Yes, definitely, cool. Try to stop her, I think! | 0:37:21 | 0:37:25 | |
Things are definitely looking up and I don't think the rest of the garden will disappoint, either. | 0:37:25 | 0:37:31 | |
Lots of potential in this garden. | 0:37:31 | 0:37:33 | |
They haven't really done an awful lot with it but you've got these great views, this magnificent tree. | 0:37:33 | 0:37:40 | |
Any idea how much space there is in acreage? | 0:37:40 | 0:37:43 | |
It's about half an acre, because it actually goes all the way down here, | 0:37:43 | 0:37:47 | |
-through this gate, goes down to this woodland bit on the other side of the tree. -Right to that point? | 0:37:47 | 0:37:53 | |
What do you think it's on at? | 0:37:53 | 0:37:56 | |
Shall I go with 425? | 0:37:56 | 0:37:59 | |
I'm gonna be more optimistic and go for 390. | 0:37:59 | 0:38:05 | |
390? | 0:38:05 | 0:38:07 | |
Well, this property is on the market for... | 0:38:07 | 0:38:11 | |
£380,000 and it's been on for a fair amount of time, | 0:38:11 | 0:38:18 | |
so you could probably put in a cheeky offer, should you wish. | 0:38:18 | 0:38:22 | |
Yes, that gets the mind whirring, doesn't it! | 0:38:22 | 0:38:25 | |
-Yeah, it does. -It's great that your great minds are whirring! | 0:38:25 | 0:38:29 | |
Why don't you wander round the property and whirr some more? | 0:38:29 | 0:38:33 | |
-OK, see you in a minute. -Yep. -See you out the front. | 0:38:33 | 0:38:35 | |
That's fantastic, you see! | 0:38:37 | 0:38:38 | |
There's asking lots of questions, they're imagining where their daughter can do her sculpture. | 0:38:38 | 0:38:43 | |
These are the questions of somebody who's interested in buying a property. | 0:38:43 | 0:38:47 | |
At £380,000, the mystery house is £20,000 under budget | 0:38:49 | 0:38:53 | |
so plenty of spare change to convert the stable blocks and make any decorative alterations they want. | 0:38:53 | 0:38:59 | |
It comes with two reception rooms, farmhouse kitchen and four bedrooms. | 0:38:59 | 0:39:05 | |
We've taken them out of their preferred location | 0:39:05 | 0:39:07 | |
to get them more for their money | 0:39:07 | 0:39:09 | |
so will the gamble pay off? | 0:39:09 | 0:39:10 | |
I wanted to have another look at this room because it's such an unusual space, isn't it. | 0:39:10 | 0:39:16 | |
Yes. This extra bit. | 0:39:16 | 0:39:18 | |
It's nice though. I mean you could read in there, couldn't you? | 0:39:18 | 0:39:21 | |
Yeah, it would be a great little reading spot. Now this is a plus. | 0:39:21 | 0:39:25 | |
What I really like about this place is that it's a | 0:39:25 | 0:39:27 | |
proper house with proper rooms, lots of light, lots of ground and outbuildings so all that's good. | 0:39:27 | 0:39:33 | |
It's a bit of a project but if we can get the asking price down a bit, then that will give us some room to move. | 0:39:33 | 0:39:42 | |
I like the windows all three sides, that really works. | 0:39:42 | 0:39:45 | |
Yes, light, waking up to views of the fields, trees, lovely. | 0:39:45 | 0:39:52 | |
The garden is fantastic, there's lots of space, there's outbuildings | 0:39:52 | 0:39:55 | |
and rough space and then the view, which is really lovely and I think against it is only the fact that | 0:39:55 | 0:40:02 | |
there's a few bits that need moving around or sorting out, especially this kitchen perhaps, so I think | 0:40:02 | 0:40:08 | |
this one's one that I'd like to go into further and there's a distinct possibility. | 0:40:08 | 0:40:13 | |
OK, pull the door to. | 0:40:13 | 0:40:14 | |
Our work here is done. | 0:40:14 | 0:40:16 | |
Well, that's nearly it for our property tour of East Suffolk. | 0:40:22 | 0:40:26 | |
We've had some ups and downs but will any of our houses have truly inspired Meryl and Malcolm? | 0:40:26 | 0:40:31 | |
Our long Suffolk adventure has come to a close. | 0:40:33 | 0:40:37 | |
The first property I showed you was that pink cottage, Suffolk pink. What are your memories of that? | 0:40:37 | 0:40:42 | |
From the minute we got there, it felt enclosed. | 0:40:42 | 0:40:46 | |
Lovely as an example of Suffolk rural architecture but too constricted for me. | 0:40:46 | 0:40:54 | |
Certainly not enough space. | 0:40:54 | 0:40:56 | |
And so the next house I showed you was slightly less cottage-y. | 0:40:56 | 0:40:59 | |
They're all sort of cottage size because that's the sort of budget, | 0:40:59 | 0:41:02 | |
but it had made steps towards modernity including that chalet in the garden. | 0:41:02 | 0:41:07 | |
That had many more possibilities and it wasn't simply to do with it being more contemporary... | 0:41:07 | 0:41:13 | |
it was actually to do with the fact that it was a bit more open | 0:41:13 | 0:41:18 | |
and a bit more light and it led out into the garden area. | 0:41:18 | 0:41:23 | |
And the garden was terrific. | 0:41:23 | 0:41:25 | |
At the stage in the proceedings you both looked quite glum | 0:41:25 | 0:41:28 | |
and then I showed you the mystery house, the 1930s vicarage. | 0:41:28 | 0:41:31 | |
Well, I was much more enthusiastic about that, I have to say, and again there was a lot of options | 0:41:31 | 0:41:37 | |
with the garden and outhouses and space and I think the only thing | 0:41:37 | 0:41:40 | |
about that might be that you might need to do a bit of work to make the kitchen area work. | 0:41:40 | 0:41:47 | |
It feels like we've been juggling throughout the whole process between your expectations of this... | 0:41:47 | 0:41:53 | |
wonderful artistic colony in Suffolk and then the reality of your budget, | 0:41:53 | 0:41:58 | |
so I was wondering whether you'd had any thoughts about that? | 0:41:58 | 0:42:01 | |
It's a matter of... | 0:42:01 | 0:42:03 | |
dealing with a dream, because it's a long-held dream, particularly of mine, to move to the country and | 0:42:03 | 0:42:10 | |
I realise there are elements of fantasy with that so you've got to manage as a fantasy | 0:42:10 | 0:42:17 | |
but still hold on to the vision somehow, but I think that there are two possibilities. | 0:42:17 | 0:42:24 | |
I think the chalet house and the mystery house have both got possibilities which I think that | 0:42:24 | 0:42:31 | |
we should pursue and actively look at and see | 0:42:31 | 0:42:36 | |
whether they can turn the dream into a reality. | 0:42:36 | 0:42:41 | |
Yes, I think we'll look at those. | 0:42:41 | 0:42:43 | |
I think you're right to chase that dream. I'm sure the dream property is out there somewhere. | 0:42:43 | 0:42:47 | |
The market's very slippery at the moment | 0:42:47 | 0:42:50 | |
so you just need to plug away and you've got a place in Whitechapel to stay safe, | 0:42:50 | 0:42:54 | |
so I hope you find it soon and I can't wait to be invited to your first artistic soiree! | 0:42:54 | 0:43:01 | |
-We'll do it! -We will have the bottles waiting for you! | 0:43:01 | 0:43:05 | |
Well, that was a turn-up for the books. | 0:43:08 | 0:43:11 | |
Meryl and Malcolm really liked some of the properties that we showed them, though I think they're | 0:43:11 | 0:43:15 | |
probably well-advised to keep on plugging away until they find their dream artistic home here in Suffolk. | 0:43:15 | 0:43:21 | |
I hope you enjoyed the show and do tune in if you want more Escape To The Country. | 0:43:21 | 0:43:25 | |
But if you want to make a break for the countryside and want our help, please apply online: | 0:43:25 | 0:43:31 | |
Subtitles by Red Bee Media Ltd | 0:43:43 | 0:43:45 | |
E-mail [email protected] | 0:43:45 | 0:43:47 |