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Built during the mid-15th century, this magnificent castle behind me | 0:00:02 | 0:00:06 | |
was once the stronghold of the powerful Campbell clan. | 0:00:06 | 0:00:09 | |
With its strategic position on Loch Awe, it was a symbol | 0:00:09 | 0:00:13 | |
of the clan's growing supremacy | 0:00:13 | 0:00:14 | |
and a base from which to wage a blood-soaked quest for more land. | 0:00:14 | 0:00:19 | |
Where am I? Find out, as we escape to the country. | 0:00:19 | 0:00:22 | |
'On today's show, I'll be helping a couple realise their grand vision | 0:00:37 | 0:00:40 | |
'of finding a Scottish retreat. They're quite daunted at first.' | 0:00:40 | 0:00:44 | |
It's so massive! | 0:00:44 | 0:00:46 | |
I don't know if I can take it in! | 0:00:46 | 0:00:47 | |
But living like lord and lady seems to grow on them. | 0:00:47 | 0:00:50 | |
It's gone from an "interesting" to a "woo-hoo!" | 0:00:50 | 0:00:53 | |
And then there's our mystery house, which will certainly require some blue-sky thinking. | 0:00:53 | 0:00:58 | |
I'm in Scotland, in the region of Argyll and Bute, and behind me, | 0:01:01 | 0:01:05 | |
the remains of Kilchurn Castle. Thirsty for power, | 0:01:05 | 0:01:08 | |
the Campbells formed a strong allegiance with Scottish kings | 0:01:08 | 0:01:11 | |
and began a 400-year-long feud with their neighbours, the MacDonald and the MacGregor clans. | 0:01:11 | 0:01:17 | |
Well, with royalty on their side, they stripped away enemy land | 0:01:17 | 0:01:20 | |
and, through bloodshed, expanded their own empire. | 0:01:20 | 0:01:23 | |
So these ruins behind me not only act as a reminder of the area's rich history, they're also | 0:01:23 | 0:01:28 | |
a perfect place from which to start our own house hunt, with hopefully a little less bloodshed. | 0:01:28 | 0:01:34 | |
Characterised by its sea lochs, mountains and scattering of islands, | 0:01:36 | 0:01:40 | |
Argyll serves up a remote, yet dramatic landscape | 0:01:40 | 0:01:43 | |
on which centuries of civil unrest have been played out, | 0:01:43 | 0:01:47 | |
including wars of independence in the 14th century. | 0:01:47 | 0:01:50 | |
It was this victory that secured the fortunes of the Campbell family, | 0:01:50 | 0:01:54 | |
who were ennobled as the Dukes of Argyll, | 0:01:54 | 0:01:57 | |
and to this day are major landowners in the region. | 0:01:57 | 0:02:00 | |
As the third least populated county in Scotland, well over | 0:02:00 | 0:02:04 | |
three-quarters of its residents live within easy reach of its coastal | 0:02:04 | 0:02:07 | |
villages and towns, such as the pretty Georgian town of Inveraray | 0:02:07 | 0:02:12 | |
on the shores of Loch Fyne, | 0:02:12 | 0:02:14 | |
and, as we'll see, these glorious loch-side locations | 0:02:14 | 0:02:17 | |
will be a recurring theme in today's house search. | 0:02:17 | 0:02:19 | |
Anyone interested in becoming lord of the manor here in Scotland | 0:02:24 | 0:02:27 | |
should be aware that there is a different buying procedure. | 0:02:27 | 0:02:30 | |
For instance, all offers have to go through a solicitor, which moves the process along quicker. | 0:02:30 | 0:02:35 | |
It also means that gazumping is virtually impossible, as contracts are binding. | 0:02:35 | 0:02:40 | |
Another thing to remember is that properties are advertised at the minimum asking price, | 0:02:40 | 0:02:44 | |
which means you've got to offer more than that if you're going to acquire your dream home here. | 0:02:44 | 0:02:49 | |
But just look at that, it's worth it, isn't it? | 0:02:49 | 0:02:52 | |
It's a big budget, | 0:02:52 | 0:02:54 | |
but for £895,000 this seven-bedroom Edwardian | 0:02:54 | 0:02:58 | |
country house near Benderloch does give you a lot for your money. | 0:02:58 | 0:03:02 | |
Its four stylishly decorated reception rooms have coastal views over your very own private beach. | 0:03:02 | 0:03:09 | |
Or there's this 1850s Victorian Villa in Blairmore for £675,000, | 0:03:10 | 0:03:16 | |
with impressive high ceilings and bay windows in its living areas, | 0:03:16 | 0:03:20 | |
along with stunning views over the Clyde estuary. | 0:03:20 | 0:03:23 | |
This charming three-bedroom cottage in Rothesay on the Isle of Bute | 0:03:23 | 0:03:27 | |
could be yours for £320,000. | 0:03:27 | 0:03:31 | |
There's a cosy sitting room, and outside the patio overlooks open countryside. | 0:03:31 | 0:03:36 | |
There are some stunning properties out here in Argyll, | 0:03:36 | 0:03:40 | |
and if it's space you're after, you're in the right place, | 0:03:40 | 0:03:43 | |
but will the peace and tranquillity be enough to tempt this week's high-flying couple? | 0:03:43 | 0:03:49 | |
Leah, a senior air stewardess, and Raymond, a former businessman, | 0:03:49 | 0:03:54 | |
have lived in their four-bedroom property on the outskirts of Glasgow | 0:03:54 | 0:03:57 | |
with Leah's daughter Molly for 12 years, but Raymond's recent hobby | 0:03:57 | 0:04:00 | |
has turned into an all-consuming obsession, which is a driving factor | 0:04:00 | 0:04:05 | |
in their move to the country. | 0:04:05 | 0:04:07 | |
What triggered this was Leah buying me a set of oil paints back in 2002. | 0:04:07 | 0:04:13 | |
That gave me the opportunity to pick up this hobby of painting, | 0:04:13 | 0:04:19 | |
and I took it with a passion. | 0:04:19 | 0:04:20 | |
I really want to try and push this dream of having an artist's retreat. | 0:04:20 | 0:04:24 | |
You have the business expertise, and I have the front-of-house. | 0:04:24 | 0:04:30 | |
-Customer care. -So hopefully that will work well together. | 0:04:30 | 0:04:33 | |
But the dream team seem to disagree on the perfect location. | 0:04:33 | 0:04:38 | |
I would like to be closer to a village, | 0:04:38 | 0:04:43 | |
because of Molly, one, and, two, I'm a very sociable person, and I don't | 0:04:43 | 0:04:48 | |
want to be too isolated, where, Raymond, I think you'd rather... | 0:04:48 | 0:04:52 | |
I've always dreamed of something far more remote than what Leah would settle for. | 0:04:52 | 0:04:57 | |
Ideally, we would love somewhere with a mountain view, | 0:04:57 | 0:05:00 | |
with maybe a loch or a glen. | 0:05:00 | 0:05:03 | |
But they hold the same vision for their perfect property. | 0:05:03 | 0:05:07 | |
We're very flexible, because we know what we're looking for | 0:05:07 | 0:05:11 | |
isn't out there as we envisage it. We need a starting block that we can | 0:05:11 | 0:05:17 | |
then create the dream that we have, | 0:05:17 | 0:05:21 | |
and we know we have to build that. | 0:05:21 | 0:05:26 | |
They're flexible about the business, which is good news, | 0:05:26 | 0:05:29 | |
but what are they looking for in their dream home? | 0:05:29 | 0:05:32 | |
Three bedroom, minimum, detached, a couple of acres, | 0:05:32 | 0:05:36 | |
nice tranquil location, not too rural. | 0:05:36 | 0:05:40 | |
Studio space and outbuildings with development potential. | 0:05:40 | 0:05:44 | |
And there are two rooms that will need special attention. | 0:05:44 | 0:05:48 | |
Here we are in my studio, but it's not just big enough. | 0:05:48 | 0:05:52 | |
It's not got the capacity that I need. The light's not very good. | 0:05:52 | 0:05:56 | |
Hopefully, we're going to find somewhere that has got | 0:05:56 | 0:05:59 | |
a far bigger studio space that can accommodate maybe 12 artists. | 0:05:59 | 0:06:03 | |
So this is our kitchen. | 0:06:03 | 0:06:05 | |
As you can see, it's not the biggest of kitchens. | 0:06:05 | 0:06:08 | |
Myself and Raymond both love to cook, | 0:06:08 | 0:06:11 | |
and we just end up getting in each other's way. | 0:06:11 | 0:06:13 | |
Storage isn't great in this kitchen, so ideally a big dining kitchen | 0:06:13 | 0:06:19 | |
that we could all sit around and socialise would be great. | 0:06:19 | 0:06:23 | |
With their current property valued at £370,000 and on the market, | 0:06:23 | 0:06:28 | |
they're in a strong financial position, | 0:06:28 | 0:06:30 | |
so what's the budget for their next move? | 0:06:30 | 0:06:33 | |
Our budget for this property is £500,000 with a further 150,000 | 0:06:33 | 0:06:39 | |
towards developing the business. | 0:06:39 | 0:06:42 | |
Raymond and Leah have a huge wish-list for their family and business needs, | 0:06:46 | 0:06:50 | |
but house prices in Argyll do work in our favour, | 0:06:50 | 0:06:55 | |
so they'll get more for their money here than in neighbouring counties. | 0:06:55 | 0:06:59 | |
And they seem happy to cast their net wide, so we'll draw a fairly big | 0:06:59 | 0:07:02 | |
circle around the town of Inveraray, | 0:07:02 | 0:07:05 | |
keeping lochside locations firmly in mind. | 0:07:05 | 0:07:08 | |
I'll be showing them some prize properties in the area but, as ever, | 0:07:08 | 0:07:11 | |
I won't be revealing the price until they've had a guess first. | 0:07:11 | 0:07:15 | |
Last, but not least, | 0:07:15 | 0:07:16 | |
there's the ultimate challenge in the form of the mystery house. | 0:07:16 | 0:07:20 | |
-Hey, Leah. -Hi. -Raymond, good to see you. | 0:07:23 | 0:07:26 | |
-Good to see you. -How are you? -Good. | 0:07:26 | 0:07:28 | |
-You've brought the fine weather with you. -We have, it's beautiful. | 0:07:28 | 0:07:32 | |
Long may it continue, that's what I say. | 0:07:32 | 0:07:33 | |
Are you ready to make this gargantuan leap, then, from Glasgow to Argyll? | 0:07:33 | 0:07:37 | |
-Yes. -Ready and willing. | 0:07:37 | 0:07:38 | |
I make a joke of it, it's only about an hour and a half or something in the car, isn't it? | 0:07:38 | 0:07:42 | |
-It's actually not too bad at all. -But it's a different way of life. | 0:07:42 | 0:07:45 | |
-Completely. -You're going to give up the high life. | 0:07:45 | 0:07:48 | |
-Maybe. -Maybe. | 0:07:48 | 0:07:49 | |
-It depends on what you find us. -She's quite cagey, isn't she? | 0:07:49 | 0:07:52 | |
-She is. -She keeps her cards close to her chest, this one. | 0:07:52 | 0:07:55 | |
It's a big ask for you, you see the world in your job. | 0:07:55 | 0:07:58 | |
I know, but I think it's time for me to wind down a little bit, | 0:07:58 | 0:08:02 | |
-and what better place than Argyll? -Let's talk about the budget, | 0:08:02 | 0:08:07 | |
still 500 grand? | 0:08:07 | 0:08:09 | |
£500,000, and we've got about 150, thereabouts, to develop the idea | 0:08:09 | 0:08:15 | |
further if we don't find it within the £500,000 mark, | 0:08:15 | 0:08:19 | |
so that's the kind of ballpark figure. | 0:08:19 | 0:08:22 | |
Any rush or anything like that? | 0:08:22 | 0:08:23 | |
-Well, yeah. -OK! | 0:08:23 | 0:08:27 | |
Put it this way, we've been looking for three years. | 0:08:27 | 0:08:30 | |
-Right, so you're picky. -No...but we know what we want. -OK. | 0:08:30 | 0:08:34 | |
We just haven't been able to find it. That's why we need your help. | 0:08:34 | 0:08:38 | |
Shall we get on with it, then? Come on, let's go. | 0:08:38 | 0:08:41 | |
For their £500,000 budget, Raymond and air stewardess Leah | 0:08:43 | 0:08:47 | |
are looking for a period property with business potential | 0:08:47 | 0:08:50 | |
that will give them a large family kitchen-diner, | 0:08:50 | 0:08:54 | |
an artists' studio for Raymond, three bedrooms for the family | 0:08:54 | 0:08:58 | |
and separate accommodation for up to 12 guests, | 0:08:58 | 0:09:01 | |
along with a couple of acres, all wrapped up in a stunning setting | 0:09:01 | 0:09:05 | |
that will deliver their vision for the artists' retreat. | 0:09:05 | 0:09:09 | |
We're kicking off your property search in Garelochhead, | 0:09:09 | 0:09:12 | |
which gained a reputation back in the 1820s | 0:09:12 | 0:09:15 | |
as a summer holiday retreat with its beautiful setting looking out over the Gareloch. | 0:09:15 | 0:09:20 | |
And Leah should like the sense of community here, too. | 0:09:20 | 0:09:24 | |
Along with a few shops, there is a local primary school for Molly. | 0:09:24 | 0:09:27 | |
Just on the edge of the village, our first property was in fact | 0:09:27 | 0:09:30 | |
a wealthy tea merchant's holiday home, built back in 1865, | 0:09:30 | 0:09:34 | |
and over the past seven years it's been restored to its former glory. | 0:09:34 | 0:09:40 | |
-The stone is lovely, isn't it? -Oh, it's fantastic. | 0:09:40 | 0:09:43 | |
-Not a bad view, either, eh? -It's very unique, this position. | 0:09:43 | 0:09:46 | |
No, this is very interesting, indeed. | 0:09:46 | 0:09:48 | |
And I've grown up by the sea, and it's always something | 0:09:48 | 0:09:51 | |
I've wanted to move back to. | 0:09:51 | 0:09:54 | |
Do you know what I love about you? You're saying all the right things already. | 0:09:54 | 0:09:57 | |
-Big enough for you? -Yeah. -Yeah. | 0:09:57 | 0:09:59 | |
-You can't wait to get in there. -Take me in. | 0:09:59 | 0:10:01 | |
I can do that, follow me. | 0:10:01 | 0:10:04 | |
From the outside, this property certainly has loads of historic | 0:10:04 | 0:10:08 | |
appeal, and the inside, well, it's just as impressive. | 0:10:08 | 0:10:12 | |
Come on in, don't be shy. | 0:10:16 | 0:10:17 | |
It is what you call a very big hallway. | 0:10:17 | 0:10:20 | |
Yes. The wood is...is really nice. | 0:10:20 | 0:10:24 | |
-It's lovely, isn't it? -Very deceptive. | 0:10:24 | 0:10:27 | |
-Look at the staircase. -What do you make of it? | 0:10:27 | 0:10:29 | |
This is fantastic. So far, it's positive, positive, positive. | 0:10:29 | 0:10:33 | |
What I love about both of you, you're both backing off. | 0:10:33 | 0:10:36 | |
"It's so massive! I don't know if I can take it in!" | 0:10:36 | 0:10:39 | |
It'll be fine. It could be yours, you know! | 0:10:39 | 0:10:42 | |
-It could be. -Well, if they're overwhelmed by the hallway, | 0:10:42 | 0:10:45 | |
the other living spaces will definitely knock their socks off. | 0:10:45 | 0:10:49 | |
It's fantastic. The views! | 0:10:49 | 0:10:53 | |
Brilliant light, fantastic light in here with all the windows. | 0:10:53 | 0:10:56 | |
There speaks an artist. | 0:10:56 | 0:10:58 | |
At the moment it's a living room, but it could be a studio. | 0:10:58 | 0:11:01 | |
Look at the fireplace. There's so much to take in. | 0:11:01 | 0:11:04 | |
Just off the living room is a lovely conservatory with terrific views of the loch, | 0:11:04 | 0:11:10 | |
but there's much more in store. | 0:11:10 | 0:11:13 | |
Oh! | 0:11:13 | 0:11:16 | |
Now, there's a shock! | 0:11:16 | 0:11:19 | |
Welcome to your very own consecrated Masonic lodge, believe it or not. | 0:11:19 | 0:11:24 | |
-I'm speechless. -This is very William Wallace, 20th century, eh? -Yes, yeah. | 0:11:24 | 0:11:29 | |
-Unbelievable. -You've got the original Victorian windows in the top, letting in so much light. | 0:11:29 | 0:11:34 | |
-This is actually perfect conditions to use as a studio. -Really? -Yeah. | 0:11:34 | 0:11:38 | |
This is better. | 0:11:38 | 0:11:41 | |
You have literally become speechless. | 0:11:41 | 0:11:42 | |
-No, I have become speechless! -Do you not like it? | 0:11:42 | 0:11:46 | |
No, I do like it, it's just... | 0:11:46 | 0:11:50 | |
-It's just so out there. -You don't expect it when you walk in. | 0:11:50 | 0:11:53 | |
It's not what I expected at all. | 0:11:53 | 0:11:55 | |
Erm... | 0:11:55 | 0:11:58 | |
Honestly! | 0:11:58 | 0:12:00 | |
Honestly, this is amazing. | 0:12:00 | 0:12:02 | |
They're completely blown away by this room as a possible studio | 0:12:02 | 0:12:05 | |
and yet more surprises. | 0:12:05 | 0:12:07 | |
There's a bar next door, where their guests could enjoy a wee dram after a hard day's painting. | 0:12:07 | 0:12:12 | |
Back through the conservatory is a cosy inviting living room, | 0:12:12 | 0:12:16 | |
which could be a great family hangout for them and Molly. | 0:12:16 | 0:12:19 | |
However, for such a large-proportioned house, | 0:12:19 | 0:12:22 | |
the kitchen may come as a bit of a shock. | 0:12:22 | 0:12:24 | |
Uh-oh. Oh, check out that face! | 0:12:24 | 0:12:28 | |
Come on, spill the beans. | 0:12:28 | 0:12:30 | |
Just, for me personally, too small...as a kitchen. | 0:12:30 | 0:12:35 | |
-I would agree. -I wanted family. | 0:12:35 | 0:12:38 | |
I mean, it's a nice-sized kitchen. | 0:12:38 | 0:12:40 | |
It's fine, but just for what I had in mind... | 0:12:40 | 0:12:44 | |
I was thinking family-sized kitchen, all sitting around. | 0:12:44 | 0:12:47 | |
Behind the kitchen is a huge downstairs annexe with spacious kitchen-diner and a utility room. | 0:12:47 | 0:12:55 | |
There's also a comfortable lounge and a decent-sized bathroom, so there's lots of space for Leah | 0:12:55 | 0:13:00 | |
to extend to create her vision for their family kitchen. | 0:13:00 | 0:13:04 | |
So with the downstairs rooms covered, we'll head up the impressive staircase. | 0:13:04 | 0:13:08 | |
-I don't think I'd ever get tired of walking up and down these stairs. -No, you wouldn't, would you? | 0:13:08 | 0:13:13 | |
So majestic! | 0:13:13 | 0:13:14 | |
Again, everywhere you go, there's that light pouring in. | 0:13:14 | 0:13:17 | |
Yeah. | 0:13:17 | 0:13:19 | |
You could even do some painting here. | 0:13:19 | 0:13:21 | |
-Well... -Or am I pushing it? -Yeah, I think you're pushing it. -OK. | 0:13:21 | 0:13:25 | |
With seven bedrooms, they can take their three for the family and put the rest aside for the business. | 0:13:25 | 0:13:32 | |
The five in the main house include a spacious double | 0:13:32 | 0:13:35 | |
with a bright spruce bathroom next door. | 0:13:35 | 0:13:38 | |
Also leading off the landing is a small double room with its own | 0:13:38 | 0:13:41 | |
roll-top en-suite bathroom and a large double with an impressive bay window. | 0:13:41 | 0:13:47 | |
The fourth room is currently set up as a twin. | 0:13:47 | 0:13:49 | |
Let's turn our attention to where they would sleep. | 0:13:49 | 0:13:53 | |
-So currently this is the master bedroom. -OK. | 0:13:53 | 0:13:57 | |
I don't know if you'd keep this as a master or, you know, use one of the others. | 0:13:57 | 0:14:03 | |
Yeah, it depends... but it's a good size. | 0:14:03 | 0:14:07 | |
Dual aspect as well, so plenty of light coming in. | 0:14:07 | 0:14:10 | |
And next door the family bathroom certainly measures up. | 0:14:10 | 0:14:14 | |
This is rather impressive. | 0:14:14 | 0:14:16 | |
Oh, yeah. | 0:14:16 | 0:14:18 | |
This is big! This is really big. | 0:14:18 | 0:14:21 | |
I love that old wood effect, the old-style wood panelling. Lovely. | 0:14:21 | 0:14:26 | |
It's good enough for artists, isn't it? | 0:14:26 | 0:14:28 | |
What are they used to, these artists? | 0:14:28 | 0:14:30 | |
They're used to living in squalor for their art! | 0:14:30 | 0:14:33 | |
-This is practically perfect for them. -Brilliant. | 0:14:33 | 0:14:37 | |
The other two bedrooms are tucked away in the annexe part, | 0:14:37 | 0:14:41 | |
so there are lots of options where they could put their paying guests. | 0:14:41 | 0:14:45 | |
This enormous property certainly offers Leah and Raymond a fine | 0:14:45 | 0:14:48 | |
family home and huge scope to develop their business. | 0:14:48 | 0:14:53 | |
Let's go down by the water's edge | 0:14:53 | 0:14:56 | |
and survey the one acre grounds and scenery that could be theirs. | 0:14:56 | 0:15:00 | |
Oh, I'm getting so bored of that view, I really am. | 0:15:00 | 0:15:03 | |
-Imagine waking up in the morning and looking at that! -You couldn't get bored of it, could you? | 0:15:03 | 0:15:07 | |
It's beautiful, isn't it? Absolutely beautiful. | 0:15:07 | 0:15:10 | |
All this could be yours. | 0:15:10 | 0:15:11 | |
I think, on the whole, you have been impressed with it, haven't you? | 0:15:11 | 0:15:14 | |
-Yeah, very. -And what about the outside space in itself? | 0:15:14 | 0:15:17 | |
Well, I think when you have the ocean as your garden, an extended garden, | 0:15:17 | 0:15:23 | |
that the actual ground itself, it doesn't bother me, anyway, does it? | 0:15:23 | 0:15:28 | |
Does it bother you? | 0:15:28 | 0:15:29 | |
You're right on a sea loch here, you've got the ocean right on your doorstep, | 0:15:29 | 0:15:34 | |
and it's a lovely view, you've got a fantastic view. | 0:15:34 | 0:15:37 | |
You can imagine the way the light changes there throughout the day. | 0:15:37 | 0:15:41 | |
-All right, then, let's talk money. -Who is going first? | 0:15:41 | 0:15:44 | |
-It's up to you. -You go first. | 0:15:44 | 0:15:46 | |
Do you want me to give the bad news? | 0:15:46 | 0:15:48 | |
I think you're well over budget, excess of 550. | 0:15:48 | 0:15:53 | |
-A lot of money, isn't it? -It is, it is. | 0:15:53 | 0:15:56 | |
Offers in the region of...525. | 0:15:58 | 0:16:04 | |
£525,000. OK. | 0:16:04 | 0:16:06 | |
Oh, you want to know, do you? | 0:16:08 | 0:16:10 | |
Oh, sorry! I was taking in the surroundings then. It's lovely here. | 0:16:10 | 0:16:13 | |
All I can tell you is that it could | 0:16:13 | 0:16:15 | |
most definitely be yours, offers over £460,000. | 0:16:15 | 0:16:21 | |
-460? -Yeah. | 0:16:23 | 0:16:25 | |
-460. -No way! That's a lot for 460. | 0:16:25 | 0:16:28 | |
It is a lot, but there's a lot to be done. | 0:16:28 | 0:16:33 | |
-But you've got the money to do it. -But we would potentially have the money to do it! | 0:16:33 | 0:16:37 | |
Don't make up your mind, go and have a look around, and I'll come and catch you. | 0:16:37 | 0:16:40 | |
£40,000 under budget, this listed Victorian house | 0:16:42 | 0:16:45 | |
is on the market at £460,000, | 0:16:45 | 0:16:48 | |
leaving them a substantial pot of funds to develop the business. | 0:16:48 | 0:16:53 | |
It gives them a whole host of reception areas for family living and for guests to relax in, | 0:16:53 | 0:17:00 | |
its own Masonic hall, which could be transformed into a great artists' studio, seven bedrooms, including | 0:17:00 | 0:17:06 | |
two in the self-contained annexe, | 0:17:06 | 0:17:08 | |
and an acre of garden leading down to the shores of the Gareloch. | 0:17:08 | 0:17:13 | |
So has the property and its fantastic location inspired their vision? | 0:17:13 | 0:17:18 | |
This is the biggest of the bedrooms, I think. | 0:17:18 | 0:17:20 | |
-Yep. -I mean, look at the view! | 0:17:20 | 0:17:23 | |
-It's perfect, isn't it? -That's fantastic. | 0:17:23 | 0:17:26 | |
I think it's been a surprise. | 0:17:26 | 0:17:28 | |
I think as we've came in and explored, it's opened up a different way of thinking for me. | 0:17:28 | 0:17:33 | |
Without doubt, this is the place where you would use as a studio. | 0:17:33 | 0:17:39 | |
That's great, that's a bigger-sized room, | 0:17:39 | 0:17:42 | |
but look at the light in there, compared to there. | 0:17:42 | 0:17:45 | |
Yeah, perfect. I think the house is fantastic. | 0:17:45 | 0:17:48 | |
There's a lot to be done, but it has the aspect that we've been looking for. | 0:17:48 | 0:17:54 | |
Hey, you whipped around there pretty quickly! | 0:17:54 | 0:17:57 | |
-And you're still smiling, what a bonus. -Yes. | 0:17:57 | 0:17:59 | |
-Come on, plenty more to see, follow me. -OK! | 0:17:59 | 0:18:03 | |
Argyll's vast landscape may dwarf the towns and villages, | 0:18:08 | 0:18:12 | |
but their heritage is deeply rooted in this area's fascinating history. | 0:18:12 | 0:18:17 | |
Perched on the edge of Loch Fyne, Inveraray is renowned as | 0:18:17 | 0:18:20 | |
the ancestral home of the Duke of Argyll. | 0:18:20 | 0:18:22 | |
The old town was originally where the castle stands, | 0:18:22 | 0:18:25 | |
but in the 18th century the Duke had radical plans for the town's redevelopment. | 0:18:25 | 0:18:31 | |
Earlier in the week, Leah and Raymond met local resident Colin Stephenson to find out more. | 0:18:31 | 0:18:36 | |
The man who started rebuilding the town and moving it over here, the second Duke of Argyll, | 0:18:36 | 0:18:41 | |
was a member of the Campbell family, who have lived in this area for not only centuries, | 0:18:41 | 0:18:47 | |
but a couple of thousand years, basically, going right back into their Celtic background. | 0:18:47 | 0:18:52 | |
They were the guardians of the western approaches at the bottom of Loch Awe | 0:18:52 | 0:18:55 | |
against Viking pirates and other people, | 0:18:55 | 0:18:58 | |
and for their services to the crown, they were promoted to being Earls of Argyll in the early 1400s. | 0:18:58 | 0:19:03 | |
The old town was moved because the dukes wanted a bit more space. | 0:19:03 | 0:19:06 | |
They wanted to build policies, gardens, round their castle, and the old town was in the way. | 0:19:06 | 0:19:12 | |
It wasn't exactly falling apart, but it was very cramped for accommodation. | 0:19:12 | 0:19:16 | |
The circuit judges came here, and there was virtually no room for them. | 0:19:16 | 0:19:20 | |
So all in all, it was one of these periods in history were things were | 0:19:20 | 0:19:23 | |
due for a change and a tidy up, and that's what was done. | 0:19:23 | 0:19:27 | |
Repositioning the town meant the second duke could set about rebuilding his castle, | 0:19:27 | 0:19:31 | |
which incorporates a range of styles from its French-inspired turrets to its gothic windows. | 0:19:31 | 0:19:37 | |
First by sketched by Vanbrugh in 1720, it was finally completed in 1789 by Robert Adam, | 0:19:37 | 0:19:43 | |
three generations later, ready for the fifth duke to move into. | 0:19:43 | 0:19:47 | |
It remains the family home today and, unsurprisingly, | 0:19:47 | 0:19:50 | |
has seen some illustrious figures cross its threshold. | 0:19:50 | 0:19:54 | |
Going back to the early days, you had Benjamin Franklin, the famous American politician. | 0:19:54 | 0:19:58 | |
He and his son stayed here before American independence. | 0:19:58 | 0:20:02 | |
And Queen Victoria was probably one of the more famous for two reasons. | 0:20:02 | 0:20:06 | |
She was here as a visitor, first of all, | 0:20:06 | 0:20:09 | |
but she latterly became not only the monarch, she became | 0:20:09 | 0:20:12 | |
the mother-in-law, as her daughter Louise married the ninth Duke of Argyll. | 0:20:12 | 0:20:18 | |
When the Campbells moved the family seat to Inveraray in the mid-1400s, | 0:20:18 | 0:20:22 | |
they clearly had their sights set on the perfect location. | 0:20:22 | 0:20:26 | |
They have a fairly important part to play in the development of the town. | 0:20:26 | 0:20:30 | |
First of all, the original reason for the Campbells | 0:20:30 | 0:20:32 | |
moving from Loch Awe to Inveraray was strategy in the old days. | 0:20:32 | 0:20:35 | |
There was literally no road transport, and the loch there | 0:20:35 | 0:20:38 | |
was your road to the outside world, to Europe, to middle Scotland, to England and across to Ireland. | 0:20:38 | 0:20:45 | |
It's directly positioned for that. | 0:20:45 | 0:20:47 | |
And over the years, it also became important for trade. | 0:20:47 | 0:20:50 | |
The prevailing winds brought boats from France in a direct line, | 0:20:50 | 0:20:54 | |
bringing liquid refreshment and other things from France. Seriously! | 0:20:54 | 0:20:58 | |
All the way up here. | 0:20:58 | 0:21:00 | |
We then had the growth of the herring industry, which lasted up until about the First World War. | 0:21:00 | 0:21:05 | |
I can see why the Campbells moved to enjoy the spoils of this remarkable setting. | 0:21:05 | 0:21:10 | |
And our second property has a strong historical link to the family. | 0:21:10 | 0:21:14 | |
Located three miles outside the coastal village of Ardrishaig, with a convenient primary school | 0:21:14 | 0:21:18 | |
for Molly, its location on the edge of Loch Fyne would provide Raymond and his guests | 0:21:18 | 0:21:24 | |
with more artistic inspiration than they could shake a brush at. | 0:21:24 | 0:21:28 | |
As would this Victorian country residence, built by the Campbells. | 0:21:28 | 0:21:32 | |
Will this do you? | 0:21:32 | 0:21:34 | |
If you hold on here a second, take it all in. | 0:21:34 | 0:21:38 | |
-It's like a little mini castle. -It is a mini castle, exactly that. What do you think? | 0:21:38 | 0:21:44 | |
-It's... -Interesting. -..pretty unique. | 0:21:44 | 0:21:47 | |
-It is unique, isn't it? -I've never seen anything quite like it. | 0:21:47 | 0:21:51 | |
What did you expect when you were driving up the drive? It's quite a long way. | 0:21:51 | 0:21:54 | |
It is quite a long way, and it's also the walls, | 0:21:54 | 0:21:56 | |
a big turreted wall at the entrance, which is really quite intriguing. | 0:21:56 | 0:22:01 | |
Do you fancy having your own walled garden, do you? | 0:22:01 | 0:22:04 | |
No! | 0:22:04 | 0:22:05 | |
-Two-acre walled garden. -No way. | 0:22:05 | 0:22:07 | |
It used to be the finest fruit-growing garden | 0:22:07 | 0:22:10 | |
in the whole of Scotland. Did you also notice a little ice house? | 0:22:10 | 0:22:14 | |
Yes, I was just asking Raymond. | 0:22:14 | 0:22:16 | |
That's where they preserved the fruit so it would last longer. This is a house with masses of history. | 0:22:16 | 0:22:21 | |
If you can block out the '50s bit, which isn't too bad, maybe you can do something with that, | 0:22:21 | 0:22:25 | |
what you've got here is a massive slice of Scottish history, you really do. | 0:22:25 | 0:22:30 | |
The turrets, basically, the farmers used to live in the turrets, | 0:22:30 | 0:22:33 | |
so you've got three rooms in one turret, which you would have to redo, and two rooms in the other. | 0:22:33 | 0:22:38 | |
So imagine your guests living in those turrets looking out over a walled garden. | 0:22:38 | 0:22:42 | |
-And that would be ours! -Well, it could be. | 0:22:42 | 0:22:45 | |
Don't jump the gun. | 0:22:45 | 0:22:47 | |
You're smiling now. It's gone from an "interesting" to a "woo-hoo!" and a little jig. | 0:22:47 | 0:22:52 | |
Let's get in. That sounds like a good idea, the best one you've come up with all day. | 0:22:52 | 0:22:57 | |
Despite much of the original house being demolished in the 1950s, | 0:22:57 | 0:23:00 | |
with modern living in mind, apparently, | 0:23:00 | 0:23:03 | |
this property thankfully retains much of its original character, as we'll see inside. | 0:23:03 | 0:23:08 | |
Come on in. | 0:23:10 | 0:23:12 | |
-Very impressive, isn't it? -Who's he? | 0:23:12 | 0:23:15 | |
He's our friend, the guardian of the house, and if you don't like it, he sorts you out. | 0:23:15 | 0:23:20 | |
As you can tell, at the moment he's not a-moose-d. | 0:23:20 | 0:23:23 | |
-Come on through. -Oh, yeah. | 0:23:23 | 0:23:26 | |
First impressions, guys? | 0:23:26 | 0:23:28 | |
This is...fantastic, it has a really...traditional feel about it. | 0:23:28 | 0:23:34 | |
Yeah, it's got that kind of castle feel. | 0:23:34 | 0:23:36 | |
It's not a huge entrance, but it's impressive. | 0:23:36 | 0:23:39 | |
I think this has definitely got the flavour of Scotland all over it. | 0:23:39 | 0:23:43 | |
It sure has, Raymond. | 0:23:43 | 0:23:45 | |
And I'm sure that the living room will measure up. | 0:23:45 | 0:23:48 | |
-Good size. -Yeah. | 0:23:48 | 0:23:51 | |
-Oh, yeah. -Dual aspect, but a great window there. | 0:23:51 | 0:23:54 | |
Fantastic window. | 0:23:54 | 0:23:57 | |
Again, having the two windows in either wall brings in a lot of light. | 0:23:57 | 0:24:01 | |
Would you use this as a studio? | 0:24:01 | 0:24:03 | |
Yeah, you could do, I mean it's big enough. | 0:24:03 | 0:24:06 | |
-You're quite liking it as a living room. -Oh, yeah. | 0:24:06 | 0:24:09 | |
Yeah, I think we could find your studio somewhere else. | 0:24:09 | 0:24:12 | |
Uh-oh! | 0:24:12 | 0:24:14 | |
This will be interesting, who wins this battle? | 0:24:14 | 0:24:17 | |
Well, Raymond has thrown down the gauntlet early on, | 0:24:17 | 0:24:21 | |
but if he holds out till the end, I might just have the answer. | 0:24:21 | 0:24:25 | |
The dining room also has those dual-aspect windows. | 0:24:25 | 0:24:28 | |
Next door, the kitchen may be smaller than Leah would like, but there is scope to extend, | 0:24:28 | 0:24:33 | |
and it leads through into a conservatory, which gives them extra space to play with. | 0:24:33 | 0:24:38 | |
Well, now downstairs is covered, we'll explore the first floor, | 0:24:38 | 0:24:41 | |
where there's a lovely family bathroom with great views | 0:24:41 | 0:24:46 | |
and two of the five bedrooms, both potentially good-sized doubles. | 0:24:46 | 0:24:52 | |
Here's one of the bedrooms anyway. | 0:24:52 | 0:24:54 | |
OK, that's a nice size. | 0:24:54 | 0:24:56 | |
-It is, isn't it? -Yeah. | 0:24:56 | 0:24:58 | |
And there again, you have the view. | 0:24:58 | 0:25:00 | |
It is a lovely view. Well, it's the same view as the bathroom. | 0:25:00 | 0:25:04 | |
Again, you've got the high ceilings, though. | 0:25:04 | 0:25:06 | |
-It gives that fantastic element of space, doesn't it? -These are big rooms. | 0:25:06 | 0:25:10 | |
Well, they are. | 0:25:10 | 0:25:12 | |
Let me take you up now. How are you with heights? | 0:25:12 | 0:25:15 | |
-Good. -Oh, excellent. | 0:25:15 | 0:25:16 | |
Upstairs again on the second floor are three other bedrooms. | 0:25:16 | 0:25:20 | |
Another very bright room. Good size? | 0:25:24 | 0:25:27 | |
-Yeah. -It's very pleasant, isn't it? -It is, it's fine. | 0:25:27 | 0:25:30 | |
If I was an artist, I really would enjoy waking up in the morning and seeing the view of the loch. | 0:25:30 | 0:25:35 | |
-It is just spectacular, it really is. -Stunning. | 0:25:35 | 0:25:38 | |
Along with converting those turrets, the remaining two bedrooms | 0:25:38 | 0:25:42 | |
are spacious and could both serve as great doubles. | 0:25:42 | 0:25:45 | |
So let's go downstairs again and head outside, where there's | 0:25:47 | 0:25:50 | |
a stone stable block, which would be a fantastic conversion project, | 0:25:50 | 0:25:55 | |
as it's got planning permission to be developed sympathetically into a dwelling. | 0:25:55 | 0:25:59 | |
Or Raymond could look at converting it into an enormous studio space. | 0:25:59 | 0:26:04 | |
The grounds certainly leave room for them to spread out. | 0:26:04 | 0:26:07 | |
The two-acre walled garden is just part of the staggering seven acres | 0:26:07 | 0:26:11 | |
that comes with this property. | 0:26:11 | 0:26:14 | |
-You could just let the guests loose into the grounds. -Yeah, you could. | 0:26:14 | 0:26:19 | |
Oh it's fantastic, it really is amazing. | 0:26:19 | 0:26:22 | |
You don't have to take them out on location, it is on location! | 0:26:22 | 0:26:25 | |
The way we're seeing the garden now is as natural as it gets. | 0:26:25 | 0:26:29 | |
It's up to you how much work you want to put in. | 0:26:29 | 0:26:31 | |
How much do you think this property is on the market for? | 0:26:31 | 0:26:35 | |
-I think we're talking nearer £600,000. -OK. | 0:26:35 | 0:26:40 | |
I would say we are up sort of high 500,000, up end of that...for all this. | 0:26:40 | 0:26:46 | |
OK, £600,000. OK. How about you? | 0:26:46 | 0:26:49 | |
595. | 0:26:49 | 0:26:51 | |
OK, 600, 595. | 0:26:51 | 0:26:52 | |
Offers above £475,000. | 0:26:54 | 0:26:57 | |
See you! | 0:26:57 | 0:26:59 | |
Bye! | 0:26:59 | 0:27:02 | |
-We're moving in! You've given us a lot to think about. -Good. | 0:27:02 | 0:27:06 | |
I won't be in the garden, because you will never find me. | 0:27:06 | 0:27:09 | |
-I'll be by the front door, is that all right? -We're off. | 0:27:09 | 0:27:12 | |
Well...how exciting was that? | 0:27:15 | 0:27:18 | |
You should see them, they're dancing for joy, they really are. | 0:27:18 | 0:27:21 | |
There's a big difference between £600,000 and £475,000. | 0:27:21 | 0:27:25 | |
I can really imagine them both here. | 0:27:25 | 0:27:28 | |
I think that they would have the time of their lives, I really would. | 0:27:28 | 0:27:31 | |
I'm not going to say any more, because really I am being bitten to shreds. | 0:27:31 | 0:27:35 | |
Under budget at £475,000, Leah and Raymond would be | 0:27:35 | 0:27:40 | |
buying a historic landmark, which has scope to be developed into their perfect property. | 0:27:40 | 0:27:46 | |
It offers them two large reception areas with period features, | 0:27:46 | 0:27:50 | |
five bedrooms, a barn which has potential to be Raymond's studio | 0:27:50 | 0:27:54 | |
and turrets to renovate for their holiday guests, | 0:27:54 | 0:27:58 | |
all set in seven acres of grounds looking out over Loch Fyne. | 0:27:58 | 0:28:02 | |
It sounds like a dream come true, doesn't it? | 0:28:02 | 0:28:05 | |
The question is, do they think so? | 0:28:05 | 0:28:07 | |
This house is just...jaw-dropping. | 0:28:07 | 0:28:12 | |
Erm... | 0:28:12 | 0:28:14 | |
It is everything I ever dreamt about when we have been talking about our | 0:28:14 | 0:28:19 | |
venture and what we were looking for and what we wanted from a property. | 0:28:19 | 0:28:24 | |
I think this house is very characterful. | 0:28:24 | 0:28:28 | |
It has so many aspects to it that I'm really interested in. | 0:28:28 | 0:28:32 | |
But it does need a little bit of work. | 0:28:32 | 0:28:33 | |
Can you tell? | 0:28:39 | 0:28:40 | |
I'm half the man I was, I've been eaten alive, I really have. | 0:28:40 | 0:28:44 | |
-You like? -I love it, I love it. | 0:28:44 | 0:28:46 | |
I think it's fantastic. | 0:28:46 | 0:28:48 | |
I think it's got a real good feel about it. | 0:28:48 | 0:28:50 | |
Well, I want you to go and have some you time, have a chat about it all, | 0:28:50 | 0:28:53 | |
because you've seen two very different properties, and I'll catch up with you later. | 0:28:53 | 0:28:57 | |
Come on, let's go. | 0:28:57 | 0:28:59 | |
As the day draws to a close over the Scottish Highlands, | 0:29:05 | 0:29:08 | |
it marks the end of the first day of our property search. | 0:29:08 | 0:29:11 | |
Armed with a £500,000 budget, Leah and Raymond want to quit the Glasgow | 0:29:14 | 0:29:19 | |
suburbs and get creative by setting up an artists' retreat in Argyll. | 0:29:19 | 0:29:24 | |
They've been stunned by the two properties I have shown them so far. | 0:29:24 | 0:29:28 | |
Erm... | 0:29:28 | 0:29:31 | |
Honestly! Honestly, this is amazing. | 0:29:31 | 0:29:33 | |
But could the mystery property be their field of dreams or a project too far? | 0:29:33 | 0:29:38 | |
It's a new day, and our search continues to find artist Raymond | 0:29:41 | 0:29:45 | |
and his lovely wife Leah a dream property here in Argyll. | 0:29:45 | 0:29:49 | |
Yesterday, it's fair to say that we opened their eyes to the potential | 0:29:49 | 0:29:52 | |
of what's available here for their budget. | 0:29:52 | 0:29:55 | |
My legs are killing me, walking around those massive properties, | 0:29:55 | 0:29:59 | |
and it was good to see that they're willing to compromise. Their ideal wish list isn't set in stone. | 0:29:59 | 0:30:05 | |
It's a great house-hunting word, that, isn't it, compromise? | 0:30:05 | 0:30:08 | |
But can they be pushed too far? | 0:30:08 | 0:30:10 | |
Let the mystery property be the judge of that. | 0:30:10 | 0:30:13 | |
Our mystery property is in the small West Highland village of Kilchrenan, | 0:30:15 | 0:30:20 | |
with a primary school for Molly and a pub within walking distance from where we're heading. | 0:30:20 | 0:30:25 | |
With spectacular panoramic views over Loch Awe, | 0:30:25 | 0:30:28 | |
this tiny village is in a stunning but very remote location, which I hope will inspire them. | 0:30:28 | 0:30:33 | |
What I love about you two is neither of you have really asked me why I've brought you to a field. | 0:30:33 | 0:30:39 | |
Well, actually, we were just about to. We wondered. | 0:30:39 | 0:30:43 | |
I might not have asked you, but I'm thinking it. | 0:30:43 | 0:30:45 | |
OK. Well, this is a two-acre plot of land. | 0:30:45 | 0:30:49 | |
In front of me, you can see two cottages. | 0:30:49 | 0:30:52 | |
Currently, two three-bedroomed cottages with living room, kitchen, bathroom. | 0:30:52 | 0:30:57 | |
And you've got a little forest area there. | 0:30:57 | 0:31:00 | |
So the potential here is massive. | 0:31:00 | 0:31:02 | |
You can knock that property down if you wanted a bigger one, | 0:31:02 | 0:31:05 | |
-and you could actually build double the size. -Yeah. | 0:31:05 | 0:31:08 | |
OK. And where would we live? | 0:31:08 | 0:31:11 | |
Well, you'd live there as well, and then you would develop that into your artists' retreat. | 0:31:11 | 0:31:17 | |
That...sounds good. | 0:31:17 | 0:31:20 | |
Is it too much to take on? | 0:31:20 | 0:31:23 | |
I think we're a bit far out here | 0:31:23 | 0:31:26 | |
to develop what we would want here. To demolish that, to rebuild it? | 0:31:26 | 0:31:29 | |
I don't know if it's too big a project. | 0:31:29 | 0:31:33 | |
I love the area, I'm just thinking about the size of a project. | 0:31:33 | 0:31:38 | |
-It is a massive project to take on. -Yeah. -It is, but... | 0:31:38 | 0:31:41 | |
-could we do it? -I'm not sure, because it's not | 0:31:41 | 0:31:44 | |
something that I've thought about before, so you have me thinking now. | 0:31:44 | 0:31:49 | |
So you are willing to do a little bit of work, then? | 0:31:49 | 0:31:51 | |
No, I'm willing to do a lot of work, | 0:31:51 | 0:31:53 | |
but this is from the ground up. | 0:31:53 | 0:31:57 | |
Right, yeah. I reckon, if you took on this project, she'd go from being standby to being full-time again. | 0:31:57 | 0:32:03 | |
THEY LAUGH | 0:32:03 | 0:32:05 | |
"How are you getting on, darling? Is the first floor finished?" | 0:32:05 | 0:32:08 | |
"Oh, yeah, I'm just by the pool in Miami. Oh, weather's terrible. | 0:32:08 | 0:32:12 | |
-"Anyway, you carry on. Lovely." -"It's turned into a ten-day trip." | 0:32:12 | 0:32:16 | |
"Love you." | 0:32:16 | 0:32:17 | |
-I'll tell you what, I think you should go and have a look around, and I'll come and find you. -OK. | 0:32:19 | 0:32:25 | |
-Keep smiling. -I am! | 0:32:25 | 0:32:28 | |
This should be interesting. | 0:32:28 | 0:32:30 | |
As they stand, the two cottages are perfectly serviceable, offering up | 0:32:30 | 0:32:34 | |
very similar living spaces and could be run as a holiday-let business | 0:32:34 | 0:32:40 | |
with sitting rooms that look out over the surrounding mountains. | 0:32:40 | 0:32:43 | |
There's also a kitchen in each, a bathroom, | 0:32:43 | 0:32:47 | |
-and three bedrooms, two large enough to be double rooms, and a single room. -What do you think? | 0:32:47 | 0:32:53 | |
Yeah, look at the views. I'm just looking out the windows, really. | 0:32:55 | 0:32:59 | |
It's a great spot, it's a fantastic spot, absolutely idyllic. | 0:32:59 | 0:33:02 | |
It's a blank canvas, you know? | 0:33:02 | 0:33:04 | |
You've got to think if you completely stripped this and just went up the way. | 0:33:04 | 0:33:09 | |
-I think developing out there may be a huge task. -Yeah. | 0:33:09 | 0:33:14 | |
Now they've had a chance to consider their options, let's rendezvous with the chickens | 0:33:14 | 0:33:18 | |
in the woods and see if it's a development opportunity too far. | 0:33:18 | 0:33:23 | |
This is fantastic, look at this. | 0:33:23 | 0:33:24 | |
-You wanted to look after chickens. -Yeah, I did. | 0:33:24 | 0:33:27 | |
YOU wanted to look after chickens. | 0:33:27 | 0:33:29 | |
Myself and Molly want to look after chickens. This is great, look at them. | 0:33:29 | 0:33:33 | |
-Something you've got to do in the country, isn't it? -They're fantastic. | 0:33:33 | 0:33:36 | |
-I think this little forest area is lovely as well. -Yeah, beautiful. | 0:33:36 | 0:33:40 | |
It's nice shading, isn't it? | 0:33:40 | 0:33:44 | |
Is it too big a project for you, do you think? | 0:33:44 | 0:33:46 | |
-No. -I think it may well be for you. I don't see you... | 0:33:46 | 0:33:50 | |
-I just said no, did you see my lips saying no? -You said no. | 0:33:50 | 0:33:54 | |
I wouldn't write it off. | 0:33:54 | 0:33:56 | |
-OK. -I think it's something that we haven't thought about, | 0:33:56 | 0:34:00 | |
so we'd need to, really... | 0:34:00 | 0:34:02 | |
It would all hinge on whether you could get planning permission and where we could go from there. | 0:34:02 | 0:34:07 | |
And also you have the design element to take in as well, that's exciting. | 0:34:07 | 0:34:10 | |
-You could create whatever you wanted. -Yeah. | 0:34:10 | 0:34:13 | |
-We haven't talked money, of course. -No. | 0:34:13 | 0:34:17 | |
We've been so bad at this. | 0:34:17 | 0:34:18 | |
-You have been pretty bad, I have to say. -Yeah. | 0:34:18 | 0:34:21 | |
Well, be good now. | 0:34:21 | 0:34:23 | |
I'm going to say offers in the region of 160. | 0:34:23 | 0:34:30 | |
-I think it's more, I think it's about 350 for the whole thing. -OK. | 0:34:30 | 0:34:34 | |
You're closer to the mark. It's 340. | 0:34:34 | 0:34:37 | |
-There you go. -OK. | 0:34:39 | 0:34:41 | |
-You seem really surprised. -Yeah. | 0:34:41 | 0:34:43 | |
I think we're going to have to really think about this one. | 0:34:43 | 0:34:47 | |
I mean, at that kind of money, | 0:34:47 | 0:34:52 | |
this location and the potential... | 0:34:52 | 0:34:54 | |
I mean, as it stands, we would need to do an awful lot here. | 0:34:54 | 0:34:58 | |
Don't say no straight away. Don't chicken out of the project. | 0:34:58 | 0:35:02 | |
I'm here all day! | 0:35:02 | 0:35:04 | |
What I think you should do is go away, have a long conversation, not | 0:35:04 | 0:35:08 | |
just about this property, but how do the others compare now as well. | 0:35:08 | 0:35:12 | |
You've got three very, very different properties to think about, and I think we should | 0:35:12 | 0:35:17 | |
sit down over a drink later on, somewhere nice, nice with a view. | 0:35:17 | 0:35:20 | |
-OK. -Sounds good. | 0:35:20 | 0:35:22 | |
I can promise you that. Come on, let's go. | 0:35:22 | 0:35:26 | |
Priced at £340,000, that's a whopping £160,000 under budget. | 0:35:26 | 0:35:32 | |
Our mystery proposition gives them the chance to be real free-thinkers | 0:35:32 | 0:35:35 | |
with their business venture, offering them two existing three-bedroom cottages, | 0:35:35 | 0:35:41 | |
which they could rebuild and in doing so double the footprint. | 0:35:41 | 0:35:46 | |
All in all, an outstandingly beautiful location by the shores | 0:35:46 | 0:35:49 | |
of Loch Awe, so an idyllic holiday bolthole for their potential guests. | 0:35:49 | 0:35:53 | |
Now our house tours are over, there's a lot for Raymond and Leah to think about. | 0:35:53 | 0:35:58 | |
I'm in Knapdale Forest, and back in the 16th century this was home to the European beaver. | 0:36:05 | 0:36:11 | |
It's been extinct around here for over 400 years, | 0:36:11 | 0:36:14 | |
but I'm on my way to meet a man, Simon Milne, whose mission it is to bring the beaver back to Argyll. | 0:36:14 | 0:36:20 | |
I really hope I get to see one. | 0:36:20 | 0:36:23 | |
27 other countries have reintroduced beavers, and although | 0:36:23 | 0:36:26 | |
it's sparked some controversy here, the Government has granted a licence | 0:36:26 | 0:36:30 | |
for the Scottish Wildlife Trust to carry out a five-year trial introduction of the beaver. | 0:36:30 | 0:36:36 | |
Ecologically, we need to restore processes back into the environment. | 0:36:36 | 0:36:39 | |
Nature can't work in a box, we're missing various key species, and the beaver is one of those. | 0:36:39 | 0:36:44 | |
Although there's perhaps a moral obligation to bring back species that are being wiped out, | 0:36:44 | 0:36:49 | |
we also need to look at those animals which have a profound impact on maintaining | 0:36:49 | 0:36:56 | |
wildlife and the habitats as we would like them, and the beavers | 0:36:56 | 0:36:59 | |
are essentially natural habitat creators and maintainers. | 0:36:59 | 0:37:03 | |
They create wetlands, they create coppiced woods and make sure that that variety of the countryside | 0:37:03 | 0:37:09 | |
that's so important for different animals and different species, it's there for them to live and thrive. | 0:37:09 | 0:37:14 | |
So it's to the benefit of a lot of other wildlife, not just the beavers. | 0:37:14 | 0:37:17 | |
In medieval times, beavers were hunted for their fur, meat | 0:37:17 | 0:37:20 | |
and for medicinal purposes, producing a secretion | 0:37:20 | 0:37:24 | |
rich in salicylic acid from their diet of willow, which is now known as a forerunner of aspirin. | 0:37:24 | 0:37:30 | |
Simon is taking me to a site in the forest where these industrious creatures have clearly been at work. | 0:37:30 | 0:37:37 | |
And this is the dam. | 0:37:37 | 0:37:40 | |
What, this is a dam they have created? | 0:37:40 | 0:37:43 | |
Probably the first beaver dam to be created in the wild in the United Kingdom for 400 years. | 0:37:43 | 0:37:50 | |
-How long would it have taken a family of beavers to create that? -They've been working on that | 0:37:50 | 0:37:55 | |
for the best part of nine months, I suppose, but the bulk of that work | 0:37:55 | 0:37:59 | |
has been done in the space of three or four months. | 0:37:59 | 0:38:01 | |
Beavers build dams primarily for security, | 0:38:01 | 0:38:05 | |
because the entrances to the lodges are underwater, and they like to maintain a steady depth of water, | 0:38:05 | 0:38:12 | |
and they don't like water which goes up and down in depths, | 0:38:12 | 0:38:15 | |
because it exposes them or indeed could flood their lodges. | 0:38:15 | 0:38:19 | |
So what we believe triggers dam building is the sound of running water. | 0:38:19 | 0:38:23 | |
Beavers don't like running water. Because it's moist and quite warm here, | 0:38:23 | 0:38:26 | |
the regeneration happens very quickly. | 0:38:26 | 0:38:28 | |
We're seeing where they've cut trees, the growth is coming back up again, | 0:38:28 | 0:38:32 | |
and that's what we want, we want trees at different stages of maturity. | 0:38:32 | 0:38:36 | |
-Could we go to an area where you think they're living? -We can certainly go and have a look. | 0:38:36 | 0:38:40 | |
I wouldn't put any money on seeing one, who knows, but we'll certainly have a go. | 0:38:40 | 0:38:44 | |
Since releasing three beaver families a year ago, Simon and his team | 0:38:44 | 0:38:48 | |
are successfully monitoring the activity of two of them, although they tend to be rather elusive. | 0:38:48 | 0:38:54 | |
(What is the longest time you have ever waited to see one?) | 0:38:54 | 0:38:57 | |
-(Three or four hours and then still not seen one. -Really?) | 0:38:57 | 0:39:00 | |
-(So it's not definite that we'll see one. -It's not, you can be lucky.) | 0:39:00 | 0:39:04 | |
Well, all that waiting was not in vain, as eventually we struck gold and got a brief sighting. | 0:39:04 | 0:39:10 | |
If all goes to plan and the beavers here successfully breed, | 0:39:10 | 0:39:14 | |
the hope is that colonies can be reintroduced elsewhere in Scotland. | 0:39:14 | 0:39:18 | |
Leah and Raymond are positive people, which always makes it an easier house hunt. | 0:39:21 | 0:39:26 | |
They've seen the potential in three very different properties. | 0:39:26 | 0:39:30 | |
We now need to find out how much effort they're willing to put in. | 0:39:30 | 0:39:33 | |
Do they really want a blank canvas to work with? Let's find out. | 0:39:33 | 0:39:38 | |
Well, I have to say, it doesn't get much more idyllic than this, does it? | 0:39:40 | 0:39:44 | |
-No, it doesn't. -This is perfect. -I can see why you want to live here. | 0:39:44 | 0:39:47 | |
Let's start with the property down by the loch. | 0:39:47 | 0:39:49 | |
Out of all the properties we've seen, I think that had the most potential in terms of the layout. | 0:39:49 | 0:39:54 | |
It was almost ready-made, wasn't it, for our requirements? | 0:39:54 | 0:39:59 | |
I liked the internal, I liked the view down the loch. | 0:39:59 | 0:40:02 | |
I think for the venture, I think for the business plan, | 0:40:02 | 0:40:05 | |
I think we might have struggled to attract people to come to there. | 0:40:05 | 0:40:08 | |
Although it was stunning and it was a lovely house, I don't think it had that kind of rural appeal. | 0:40:08 | 0:40:14 | |
-OK. Well, let's move on, then. -OK. | 0:40:14 | 0:40:17 | |
How do you fancy owning a castle? | 0:40:17 | 0:40:19 | |
-That was stunning. That really was. -That was a wow. | 0:40:19 | 0:40:23 | |
Yeah, that was a real surprise. The walled gardens, | 0:40:23 | 0:40:27 | |
just the whole set up there, it was just totally unexpected. | 0:40:27 | 0:40:31 | |
It's what you would dream of owning, | 0:40:31 | 0:40:35 | |
but thinking that you would never be able to afford something like that. | 0:40:35 | 0:40:39 | |
That's what you were like, the both of you, when you were walking round. | 0:40:39 | 0:40:42 | |
Again, what that place had, that needed a bit more work to it, but you could see it. | 0:40:42 | 0:40:47 | |
A lot more work to be done, but your imagination could really run wild. | 0:40:47 | 0:40:53 | |
I think that property, there's something very special about it. | 0:40:53 | 0:40:57 | |
You're talking as if you want to own it. | 0:40:57 | 0:40:59 | |
Yeah, well, I do. It's convincing Raymond. | 0:40:59 | 0:41:01 | |
What's panicking you, the work that needs to be done? | 0:41:01 | 0:41:05 | |
I think the kitchen area and living area for us as a family to work in, | 0:41:05 | 0:41:10 | |
that was a bit small, so we'd really need to look at building out from the side, | 0:41:10 | 0:41:15 | |
and maybe the barn, converting that into a studio space. | 0:41:15 | 0:41:18 | |
I think that's really what we were talking about. | 0:41:18 | 0:41:21 | |
Dare I ask, then, if that's too much work for you, then obviously | 0:41:21 | 0:41:24 | |
-the mystery property is going to be a no-no. -Well, I wouldn't say that. | 0:41:24 | 0:41:27 | |
I think there's a lot of homework to be done on the mystery property. | 0:41:27 | 0:41:32 | |
It was completely...thrown at us. | 0:41:32 | 0:41:36 | |
I don't think we were prepared for that. | 0:41:36 | 0:41:38 | |
No. Well, I mean, as I said before, what it did do was really... | 0:41:38 | 0:41:42 | |
open up our minds to the fact that maybe we should consider looking at plots and building. | 0:41:42 | 0:41:51 | |
Location-wise, I thought it was perfect. | 0:41:51 | 0:41:53 | |
Oh, beautiful location. Is there one property that you | 0:41:53 | 0:41:56 | |
think you'd be willing to put an offer in on, or...? | 0:41:56 | 0:41:59 | |
I think the castle. We'd definitely like to go back and have another look. | 0:41:59 | 0:42:02 | |
The third mystery house I would like to look into further. We'd need to check out the planning. | 0:42:02 | 0:42:08 | |
Purely because of the location. | 0:42:10 | 0:42:12 | |
But the castle, definitely, and do you know what you have done for us? | 0:42:12 | 0:42:17 | |
We've discovered a part of Argyll that we didn't know before. | 0:42:17 | 0:42:20 | |
-It's amazing, isn't it? -It's incredible. | 0:42:20 | 0:42:23 | |
Well, good luck being shown around the castle. It will be like this a little bit. | 0:42:23 | 0:42:27 | |
I think so. | 0:42:27 | 0:42:28 | |
Well, I really hope that you do find what you're looking for here, because if any couple deserved it, | 0:42:28 | 0:42:34 | |
you do, and it's been really good fun as well. | 0:42:34 | 0:42:36 | |
Well, we've loved every minute of it. Thank you. | 0:42:36 | 0:42:40 | |
Leah and Raymond's sunny outlook on life will, I'm sure, stand them in | 0:42:42 | 0:42:45 | |
good stead when they're looking for their ideal home, and they really have chosen the right area. | 0:42:45 | 0:42:51 | |
Argyll is a beautiful region, | 0:42:51 | 0:42:53 | |
it has everything you could want from country living. | 0:42:53 | 0:42:56 | |
It has the great mountain ranges, | 0:42:56 | 0:42:58 | |
the stunning loch views and spectacular houses. | 0:42:58 | 0:43:02 | |
Tell you what, if I was an artist, I'd like to retreat here. | 0:43:02 | 0:43:06 | |
Until next time, goodbye. | 0:43:06 | 0:43:07 | |
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