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As well as hosting Henry III's coronation and housing Edward II's tomb, | 0:00:02 | 0:00:05 | |
this 1,000-year-old cathedral also contains one of the earliest | 0:00:05 | 0:00:09 | |
known depictions of one of Britain's most popular sports. | 0:00:09 | 0:00:12 | |
Find out which sport and which cathedral in just a moment. | 0:00:12 | 0:00:15 | |
'Today, our couple both have very different views | 0:00:27 | 0:00:30 | |
'of what they want from their move to the country.' | 0:00:30 | 0:00:33 | |
One seems to prefer modern. | 0:00:33 | 0:00:35 | |
You don't like the beams? No? | 0:00:35 | 0:00:38 | |
-No. -Too much beamage? -Oh, yeah. | 0:00:38 | 0:00:40 | |
-The other favours period properties. -This is a great house, but it's not because of the look. | 0:00:40 | 0:00:45 | |
But who will win the battle? | 0:00:45 | 0:00:47 | |
I'm holding myself. I like it. I really like. | 0:00:47 | 0:00:50 | |
Don't hold yourself. Let go. | 0:00:50 | 0:00:52 | |
Mark is already cutting my head off. | 0:00:52 | 0:00:55 | |
Welcome to the glories of Gloucester Cathedral, here in the heart of the Cotswolds. | 0:00:56 | 0:01:01 | |
You won't be surprised to see a stained-glass window in the cathedral, | 0:01:01 | 0:01:04 | |
but you might be surprised to see a golfer in a stained-glass window. | 0:01:04 | 0:01:09 | |
There he is in that little red circle and he's not a modern golfer. | 0:01:09 | 0:01:12 | |
He's been there since 1350. | 0:01:12 | 0:01:14 | |
But it's not necessarily sport that's made the Cotswolds famous. | 0:01:14 | 0:01:18 | |
Situated within six counties in the upper part of south-west England, | 0:01:18 | 0:01:22 | |
the region has attracted artists, writers and composers, | 0:01:22 | 0:01:25 | |
all falling for the fluid landscape and beautiful stone homes. | 0:01:25 | 0:01:29 | |
In fact, novelist and playwright J B Priestly wrote | 0:01:29 | 0:01:32 | |
about this local limestone, saying, "Even when the sun is obscured and the light is cold, these walls are | 0:01:32 | 0:01:39 | |
"still faintly warm and luminous, as if they knew the trick of keeping the lost sunlight of centuries." | 0:01:39 | 0:01:45 | |
Covering 790 square miles, this is Britain's largest Area of Outstanding Natural Beauty. | 0:01:45 | 0:01:51 | |
Manor houses overlook vistas of lush, green pastures, | 0:01:51 | 0:01:54 | |
dotted with grazing sheep, wandering in and out of medieval stone enclosures. | 0:01:54 | 0:01:58 | |
In fact, that's where the name Cotswolds comes from. | 0:01:58 | 0:02:02 | |
A "cot" was a stone pen for sheep and the "wolds" are rolling hills. | 0:02:02 | 0:02:07 | |
In fact, the landscape is scattered with medieval wool churches and | 0:02:07 | 0:02:11 | |
handsome market towns built on the profits of those sheep's fleeces. | 0:02:11 | 0:02:16 | |
And cathedral choirboys have been singing the Cotswolds' praises for centuries. | 0:02:16 | 0:02:21 | |
Of course, in the idyllic English countryside stakes, the Cotswolds does score pretty highly. | 0:02:23 | 0:02:29 | |
I mean, it has beautiful architecture, | 0:02:29 | 0:02:32 | |
lush, verdant countryside and great train links into London. | 0:02:32 | 0:02:35 | |
But, oh, boy, is it expensive! Up to 45% above the national average. | 0:02:35 | 0:02:40 | |
Yes, that's right, 45%. | 0:02:40 | 0:02:43 | |
But take a look at what that can buy you. | 0:02:43 | 0:02:45 | |
For £1.25 million, you're not just paying for the overwhelming views across the lush countryside. | 0:02:45 | 0:02:52 | |
This five-bedroom, beautifully appointed, Victorian farmhouse | 0:02:52 | 0:02:56 | |
has a modern kitchen that keeps the spirit of the house intact, | 0:02:56 | 0:03:00 | |
a dining room anyone would be proud of, and after the meal, | 0:03:00 | 0:03:04 | |
why not relax with a drink in the grand drawing room? | 0:03:04 | 0:03:06 | |
If you're looking for a cottage, then this £695,000 property is literally a barnstormer, | 0:03:06 | 0:03:13 | |
making use of the attached barn and converting it into a lovely reception with a vaulted ceiling. | 0:03:13 | 0:03:18 | |
The kitchen opens out into the dining room | 0:03:18 | 0:03:21 | |
for a great entertaining space with character beams and a log burner. | 0:03:21 | 0:03:25 | |
With four bedrooms, this cottage can certainly handle a few city folk dropping in for the weekend. | 0:03:25 | 0:03:31 | |
For £345,000, this two-bedroom, Grade II listed cottage is like taking a stroll into another time. | 0:03:31 | 0:03:39 | |
Overlooking a beautifully manicured garden, | 0:03:39 | 0:03:41 | |
this living room is the perfect place to sit by the fire | 0:03:41 | 0:03:44 | |
after a meal whipped up in the pretty little kitchen. | 0:03:44 | 0:03:48 | |
Surely, even the most hardened city dweller could be lured out of their urban ways | 0:03:48 | 0:03:54 | |
by those beautiful properties, which is a good job, | 0:03:54 | 0:03:57 | |
because at least one half of our couple today is a hardened urbanite. | 0:03:57 | 0:04:01 | |
Only one half, though. Let's meet them. | 0:04:01 | 0:04:03 | |
Mark and Luciano own a small listed apartment within the City of London's square mile. | 0:04:05 | 0:04:11 | |
Mark works in finance and Luciano is a trained chemical engineer. | 0:04:11 | 0:04:15 | |
But Mark, in particular, is starting to outgrow their cosy urban bolt-hole. | 0:04:15 | 0:04:20 | |
It's a relatively small one-bedroom flat, where I really want at least, I think, at maximum, three - | 0:04:20 | 0:04:26 | |
Luciano wants four - bedrooms. The kitchen is incredibly small. | 0:04:26 | 0:04:30 | |
-Very tiny kitchen. -Out of date. | 0:04:30 | 0:04:33 | |
Bathroom, don't even go there. It has no outdoor space. | 0:04:33 | 0:04:37 | |
We can't do anything with the house because it's listed. | 0:04:37 | 0:04:42 | |
Even with its limitations, being just five minutes from Mark's work has been very convenient | 0:04:42 | 0:04:47 | |
and they are in the fortunate position of being able to hang on | 0:04:47 | 0:04:51 | |
to the flat and upsize to a spacious country home, although Luciano does have reservations. | 0:04:51 | 0:04:57 | |
Most of the time Mark is working, so I have only my friends to go and talk and have a coffee or something. | 0:04:57 | 0:05:04 | |
And if I live too far away, how am I going to do it? I don't drive. | 0:05:04 | 0:05:09 | |
Even though Luciano doesn't drive, they do agree that the best region for them to move to | 0:05:09 | 0:05:14 | |
is the Cotswolds, so he's not too remote from his friends in the city. | 0:05:14 | 0:05:18 | |
It's got great communications to London. | 0:05:18 | 0:05:20 | |
It's incredibly beautiful. You're also near South Wales and some natural beauty there. | 0:05:20 | 0:05:26 | |
It's countryside, but there's a degree of sophistication in the Cotswolds | 0:05:26 | 0:05:31 | |
which may not be there in some more remote areas of the countryside. | 0:05:31 | 0:05:36 | |
Mark's right about the connections to London, especially if Luciano | 0:05:36 | 0:05:40 | |
needs some time in the city with his friends. | 0:05:40 | 0:05:43 | |
But is there anything that might persuade Luciano to stay in the country? | 0:05:43 | 0:05:47 | |
When you buy a house, it's not like buying clothes. | 0:05:47 | 0:05:51 | |
You buy a house, you want to keep a house for a long time. | 0:05:51 | 0:05:53 | |
And for a long time, I want to have kids. | 0:05:53 | 0:05:56 | |
And because I want to have kids, I want a bigger house because I want them to have their own rooms. | 0:05:56 | 0:06:01 | |
OK. So what are the other must-haves? | 0:06:01 | 0:06:05 | |
For me, it must have a big kitchen. | 0:06:05 | 0:06:07 | |
I don't mind an open-plan kitchen which connects with the sitting room, | 0:06:07 | 0:06:14 | |
where I can cook and my friends can be there and sit and we can talk. | 0:06:14 | 0:06:18 | |
I don't need to stop and go and see what they're doing. Just go one side or another. | 0:06:18 | 0:06:22 | |
And if it's possible, | 0:06:22 | 0:06:24 | |
have a lake... a river, nearby. | 0:06:24 | 0:06:30 | |
-A pond, you mean? -I like to live by the water. No, not a pond. | 0:06:30 | 0:06:33 | |
I love to live by the water. | 0:06:33 | 0:06:35 | |
One of the things I've always wanted to do | 0:06:35 | 0:06:38 | |
is have a garden. I mean, I kill plants in two seconds flat, mind you. | 0:06:38 | 0:06:42 | |
What I'm hoping to do is find someone who knows how to garden who could teach me. | 0:06:42 | 0:06:47 | |
But it's more actually about being in the country, as much in the country as I can persuade Luciano to be. | 0:06:47 | 0:06:53 | |
-As far as possible. -Exactly. | 0:06:53 | 0:06:55 | |
So without selling their flat, how much do they have to spend? | 0:06:55 | 0:06:59 | |
Maximum budget I think, for the actual house itself, is about £600,000, cos that means we've got | 0:06:59 | 0:07:04 | |
another 100,000 or so which we could then spend on the house and make it a little bit more perfect for us. | 0:07:04 | 0:07:10 | |
I have an impression this could be one of our most interesting escapes, because not only do we have to find | 0:07:13 | 0:07:19 | |
the two of them a beautiful house, and Mark and Luciano both have quite exacting tastes, | 0:07:19 | 0:07:24 | |
but we have to convince Luciano that moving to the countryside is not the end of the world. | 0:07:24 | 0:07:29 | |
What we don't want to end up with is an escape from the countryside! | 0:07:29 | 0:07:33 | |
Today, we're casting our property net across two counties, | 0:07:35 | 0:07:38 | |
Oxfordshire and Gloucestershire, prime Cotswolds territory. | 0:07:38 | 0:07:42 | |
Prices in this area are at a premium, so on reflection, | 0:07:42 | 0:07:45 | |
Mark and Luciano have decided to up their budget from 600 to £700,000. | 0:07:45 | 0:07:50 | |
We'll show them some properties that'll whet their appetite for country life, | 0:07:50 | 0:07:55 | |
but I'm not going to tell them the price until the end of the tour, | 0:07:55 | 0:07:58 | |
and who knows, maybe the mystery house | 0:07:58 | 0:08:00 | |
will bring this pair of personalities into alignment. | 0:08:00 | 0:08:03 | |
-Morning, gentlemen. -Good morning. -How are you? -Very well. | 0:08:03 | 0:08:07 | |
Welcome to, well, Oxfordshire, bit of the Cotswolds. We're on the edge of the countryside, Luciano. | 0:08:07 | 0:08:12 | |
-I know. -How are you feeling? Getting jittery? -No, no. I really like. | 0:08:12 | 0:08:15 | |
So that's the plan, convince Luciano to... | 0:08:15 | 0:08:18 | |
We've got to try to sort of integrate Luciano into the countryside, little bit by little bit. | 0:08:18 | 0:08:22 | |
We'll find you a beautiful house, of course, that makes all the difference. Before anything else, | 0:08:22 | 0:08:28 | |
-I just want to be clear about the budget. -Yes. The budget's 700,000. -Ah. -Maybe more, maybe a bit less. | 0:08:28 | 0:08:33 | |
-It all depends, really. -But also, nicely for us, you're not really interested in period properties, | 0:08:33 | 0:08:39 | |
-or not old, old period... -No. I think we're quite broad spread in what we think we might like. | 0:08:39 | 0:08:44 | |
-That's perfect. -Perfect. | 0:08:44 | 0:08:46 | |
Well, the only way we're going to find out is by looking and | 0:08:46 | 0:08:50 | |
you've obviously got to take a deep breath of this lovely country air. Brace yourself. | 0:08:50 | 0:08:55 | |
What is the thing you fear most about the countryside? | 0:08:55 | 0:08:58 | |
-Oh, get stuck in the kitchen, chained to the oven, and never see my friends again. -Ah. | 0:08:58 | 0:09:03 | |
Which is ridiculous, because one of the reasons we want to come here is it's a couple of hours from London. | 0:09:03 | 0:09:09 | |
I feel like I'm refereeing a kind of argument! | 0:09:09 | 0:09:12 | |
-I feel that might happen all day long. Let's start looking at houses. -Thank you. | 0:09:12 | 0:09:16 | |
So let's do a quick recap. With a top budget of £700,000, | 0:09:16 | 0:09:20 | |
Mark and Luciano are after a detached property with at least three bedrooms | 0:09:20 | 0:09:25 | |
to cater for the future pitter-patter of tiny feet. | 0:09:25 | 0:09:27 | |
An open-plan kitchen/diner is on the menu for entertaining and a garden for Mark to develop his green thumb. | 0:09:27 | 0:09:34 | |
Luciano is also very keen on a home near a river or a lake. | 0:09:34 | 0:09:38 | |
Our first property is situated in Great Rollright in north-west Oxfordshire. | 0:09:41 | 0:09:46 | |
It's 11 miles by bus from the mainline station at Banbury, | 0:09:46 | 0:09:49 | |
should Luciano need a quick escape to the city. | 0:09:49 | 0:09:52 | |
It's a small village, where limestone-built houses hide | 0:09:52 | 0:09:55 | |
behind the stone walls that line the pretty lane. | 0:09:55 | 0:09:58 | |
Manor houses and well-kept larger estates congregate around the partly Norman St Andrew's Church | 0:09:58 | 0:10:04 | |
and the local primary school. | 0:10:04 | 0:10:06 | |
'And just outside the village, Mark can even pick up some supplies for his gardening hobby.' | 0:10:06 | 0:10:11 | |
This is the first house I want to show you guys. | 0:10:11 | 0:10:14 | |
-What do you think? -I think it looks lovely. | 0:10:14 | 0:10:17 | |
It's gorgeous. I love it. | 0:10:17 | 0:10:19 | |
This was built in the 1970s. | 0:10:19 | 0:10:22 | |
-Oh, OK. -So it's actually quite a new build, | 0:10:22 | 0:10:25 | |
but obviously built using original materials and it has been extended. | 0:10:25 | 0:10:29 | |
This sort of garage wing, if you like, was put on 15 years ago. So there has been some work done. | 0:10:29 | 0:10:35 | |
-But it's actually quite a modern property. -Great. -It looks very nice. | 0:10:35 | 0:10:40 | |
'Not a bad start, really. | 0:10:40 | 0:10:42 | |
'Outside, the tiled roof complements the reclaimed stone, which I think is a lovely touch. | 0:10:42 | 0:10:46 | |
'And inside, the hallway connects all six rooms on the ground floor.' | 0:10:46 | 0:10:52 | |
Straight into the sitting room. | 0:10:52 | 0:10:56 | |
Yes, this is lovely. It's a nice size. | 0:10:56 | 0:10:59 | |
-A nice fireplace, too. -Nice. | 0:10:59 | 0:11:02 | |
I don't like the wood, though. | 0:11:02 | 0:11:04 | |
You don't like the beams? No? | 0:11:04 | 0:11:07 | |
-No. -Too much beamage? -Yeah. -I think you could possibly get used to this. | 0:11:07 | 0:11:11 | |
And then you go through these double doors into a formal dining room, but it could be anything. | 0:11:11 | 0:11:16 | |
Do you use a formal dining room? | 0:11:16 | 0:11:19 | |
No, not on a regular basis. | 0:11:19 | 0:11:20 | |
Cos you could just extend the sitting room into here. | 0:11:20 | 0:11:23 | |
Also I think because it's more connected to the sitting room, | 0:11:23 | 0:11:27 | |
-you're probably going to use more than we use where we are now. -Or I could use it as my office. | 0:11:27 | 0:11:31 | |
Not in the middle of my sitting room! | 0:11:31 | 0:11:34 | |
"Not in my sitting room!" | 0:11:34 | 0:11:36 | |
-Sorry about that. -Quite territorial. I like that. | 0:11:36 | 0:11:39 | |
Yeah. I apologise for suggesting it. | 0:11:39 | 0:11:41 | |
'Next stop, Luciano's domain, the kitchen.' | 0:11:42 | 0:11:45 | |
This is actually the part of the house that was finished most recently. | 0:11:47 | 0:11:51 | |
They renovated it completely, put in this range, | 0:11:51 | 0:11:55 | |
which gives off a lot of heat. | 0:11:55 | 0:11:57 | |
-Which is very country. -Very country. | 0:11:57 | 0:12:00 | |
Yeah, exactly. But I was worried about the size of this room. | 0:12:00 | 0:12:03 | |
Yeah. It's not really big enough. | 0:12:03 | 0:12:06 | |
It's bigger than we've got at the moment, I have to say, but it is a bit small. | 0:12:06 | 0:12:10 | |
I gather it's not difficult to be bigger than the one you've got. | 0:12:10 | 0:12:13 | |
-Anything is bigger than that. -A postage stamp! | 0:12:13 | 0:12:16 | |
What's your ideal in terms of a kitchen? | 0:12:16 | 0:12:19 | |
I want an open-plan kitchen. | 0:12:19 | 0:12:21 | |
I want to have a kitchen that has straight access to the sitting room. | 0:12:21 | 0:12:25 | |
It might be difficult to make it open-plan to that sitting room, cos these are quite thick walls. | 0:12:25 | 0:12:30 | |
But this extension could work. | 0:12:30 | 0:12:33 | |
This, if you remember, is the extension they put on 15 years ago. | 0:12:33 | 0:12:38 | |
But I think this would actually make a lovely kitchen. | 0:12:38 | 0:12:41 | |
I think so. It's very, very bright in here as well. | 0:12:41 | 0:12:44 | |
I like it. I really like it. | 0:12:44 | 0:12:45 | |
Good. Cos that's not all. | 0:12:45 | 0:12:47 | |
There's more on the ground floor. | 0:12:47 | 0:12:49 | |
'Back down the hall is a shower room and at the other end of the house | 0:12:49 | 0:12:53 | |
'is a spot I think Mark will find rather interesting.' | 0:12:53 | 0:12:57 | |
Cos you've also got this. | 0:12:57 | 0:13:00 | |
This is lovely. Nice and bright. | 0:13:02 | 0:13:04 | |
-This is my room. -You can use your books to keep you warm. | 0:13:04 | 0:13:09 | |
Book burning?! | 0:13:10 | 0:13:11 | |
-He doesn't like my books. -Really? Have you got too many? | 0:13:11 | 0:13:14 | |
-I don't think I've got too many. -You can never have too many books. -Exactly. I agree. | 0:13:14 | 0:13:19 | |
And then you've also got this delightful little conservatory at | 0:13:19 | 0:13:22 | |
the end, so when you're done with working, you can go and chill out. | 0:13:22 | 0:13:26 | |
Luciano, you'll be there watering the plants. | 0:13:26 | 0:13:29 | |
'And I thought Mark was the keen gardener! The plot thickens. | 0:13:29 | 0:13:33 | |
'Heading upstairs, there are some lovely details created with | 0:13:33 | 0:13:37 | |
'the reclaimed materials, like this slit window on the spiral stairs. | 0:13:37 | 0:13:41 | |
'Upstairs, there are two good-size doubles built into the eaves, a cosy single and a family bathroom, | 0:13:41 | 0:13:47 | |
'which means any children will be well catered for. | 0:13:47 | 0:13:50 | |
'But we're heading to the main bedroom.' | 0:13:50 | 0:13:54 | |
-This is a nice size. This is big enough. -It's perfect. | 0:13:54 | 0:13:57 | |
You've got an en suite with a shower. You've got a lot of built-in storage. | 0:13:57 | 0:14:01 | |
But, extraordinarily, attached to this... | 0:14:01 | 0:14:05 | |
..is this magical little place. | 0:14:07 | 0:14:11 | |
-Wow! -So this is above the extension and they use it as a sort of nursery, the little girl's room. | 0:14:11 | 0:14:17 | |
It would be great to have the baby in here. | 0:14:17 | 0:14:20 | |
No, this will be good for your dressing room, I think. | 0:14:20 | 0:14:23 | |
'I do like a dressing room with a view. | 0:14:23 | 0:14:27 | |
'Most of the rooms in the house look out onto the manicured, | 0:14:27 | 0:14:29 | |
'wrap around gardens, which is where we're heading next. | 0:14:29 | 0:14:32 | |
'Although not massive, what the gardens lack in space, they make up for in manageability. | 0:14:32 | 0:14:37 | |
'After all, Mark freely admits he's a novice when it comes to keeping plants alive.' | 0:14:37 | 0:14:42 | |
So that's your garden. It's not a massive country garden. | 0:14:42 | 0:14:46 | |
-No. -Mark won't be working in the garden anyway. | 0:14:46 | 0:14:49 | |
Well, I'd have a gardener, but I would like a vegetable garden. | 0:14:49 | 0:14:52 | |
I like the idea of having a few chickens and that kind of thing. | 0:14:52 | 0:14:56 | |
I mean, you know, it's compromising, isn't it? So it's kind of... There's enough space to have some of that. | 0:14:56 | 0:15:01 | |
The crucial question is price, this is the first property we've looked at. | 0:15:01 | 0:15:05 | |
We need to get a gauge of what you get for your money. How much do you think this costs? | 0:15:05 | 0:15:10 | |
If I was going to guess, I would say 695. | 0:15:10 | 0:15:14 | |
-How about you? -650. -650? -650, yeah. | 0:15:14 | 0:15:17 | |
-It's actually in the market for 700. -OK. Right. | 0:15:17 | 0:15:19 | |
It's been on the market a while and there's flexibility in the market, so you could put in an offer. | 0:15:19 | 0:15:25 | |
Have a look around inside, then I'll meet you out the front and then we can go on to the next house. | 0:15:25 | 0:15:30 | |
At the top of their budget at £700,000, this modern build offers the space they're looking for. | 0:15:30 | 0:15:36 | |
With potential for an open-plan kitchen/diner and five bedrooms, Luciano seems very pleased about | 0:15:36 | 0:15:42 | |
the space for any future additions to their family. | 0:15:42 | 0:15:44 | |
But will the wrap around gardens measure up for Mark? | 0:15:44 | 0:15:48 | |
Ideally, I'd like a bigger garden. But frankly, I haven't been a gardener before, | 0:15:48 | 0:15:52 | |
-so it's a starting place. -There is a lot of place for you to kill the plants. -Exactly. | 0:15:52 | 0:15:58 | |
I like the fact there's lots | 0:15:58 | 0:15:59 | |
of little tiny rooms. They're all kind of a very human size, quite comfortable. | 0:15:59 | 0:16:04 | |
I'm quite surprised of my reaction, actually. | 0:16:04 | 0:16:07 | |
I didn't realise I would like it as much as I like it. | 0:16:07 | 0:16:11 | |
I'm going to have to tear you away, I'm afraid, gents, cos we've got other properties to look at, | 0:16:13 | 0:16:18 | |
the rest of the Cotswolds to explore. But generally, good vibes? | 0:16:18 | 0:16:23 | |
Yes, not too bad. | 0:16:23 | 0:16:25 | |
Keeping your cards close to your chest. I like it. | 0:16:25 | 0:16:27 | |
If Mark wants Luciano to fall in love with country life, | 0:16:38 | 0:16:41 | |
then the majesty of the landscape, the architectural sophistication and the wonderfully rich history of | 0:16:41 | 0:16:47 | |
Chipping Campden is a very good place to start convincing him. | 0:16:47 | 0:16:52 | |
And this small town is a shining example of village life in this part of the country. | 0:16:52 | 0:16:57 | |
Typical of the Cotswolds, with its 17th century limestone architecture, | 0:16:57 | 0:17:02 | |
historian G M Trevelyan said, "Chipping Campden has the most beautiful village street | 0:17:02 | 0:17:07 | |
"now left on the island." So we organised for Mark and Luciano to rendezvous | 0:17:07 | 0:17:12 | |
with local guide Tim Sexton at this 300-year-old market hall in the town centre. | 0:17:12 | 0:17:17 | |
-Good morning. -Good morning. Lovely to meet you. | 0:17:17 | 0:17:20 | |
-Nice to meet you, too. Right, let's go and see Chipping Campden. -Great. | 0:17:20 | 0:17:23 | |
In its early days, this pretty town thrived due to the wool trade. | 0:17:23 | 0:17:27 | |
In fact, the term "chipping" actually comes from an old English word meaning "market". | 0:17:27 | 0:17:32 | |
William Greville, one of the most influential wool merchants of his time, built this wonderful house | 0:17:32 | 0:17:37 | |
in 1380, when it would have been the first property to have chimneys instead of holes in the roof. | 0:17:37 | 0:17:45 | |
It's a pretty big house. Was he a very wealthy man? | 0:17:45 | 0:17:49 | |
Yeah. He was a very wealthy man. | 0:17:49 | 0:17:52 | |
As a wool merchant, he was probably one of the wealthiest men in England. | 0:17:52 | 0:17:57 | |
He was so wealthy, he used to lend money to the crown, which was King Richard II at the time. | 0:17:57 | 0:18:02 | |
So why did he build a house here? | 0:18:02 | 0:18:03 | |
The reason he built here was because Campden was one of the foremost | 0:18:03 | 0:18:07 | |
centres for the wool trade in that period. | 0:18:07 | 0:18:10 | |
We'd get wool in from as far away as the Welsh Marches and it was brought | 0:18:10 | 0:18:14 | |
here to be graded and packed, ready for transport to the continent. | 0:18:14 | 0:18:19 | |
The wool was of such a fine quality. | 0:18:19 | 0:18:22 | |
The local breed, the Cotswold Lion, produced such good quality wool | 0:18:22 | 0:18:28 | |
and it just flourished on the local hills. | 0:18:28 | 0:18:31 | |
Another thread woven into the fabric of this 600-year-old town | 0:18:31 | 0:18:34 | |
is that of the Cotswolds Arts and Crafts movement. | 0:18:34 | 0:18:38 | |
In 1880, architect Charles Robert Ashbee created the Guild of Handicraft in London, | 0:18:38 | 0:18:45 | |
an eclectic mix of blacksmiths, silversmiths, | 0:18:45 | 0:18:48 | |
jewellers, wood carvers, printers and cabinet makers. | 0:18:48 | 0:18:52 | |
In 1902, in search of inspiration, Ashbee relocated the entire guild to Chipping Campden. | 0:18:52 | 0:18:58 | |
Today, Julian Hart, the great-grandson of one of the original guild members, | 0:18:58 | 0:19:03 | |
runs his silversmith workshop in the original building where the guild was housed over 100 years ago. | 0:19:03 | 0:19:09 | |
One of the main reasons they moved here was, this was an old silk mill, | 0:19:09 | 0:19:13 | |
that was lying empty, so it was ideal for the workshops. | 0:19:13 | 0:19:17 | |
There were lots of houses that were quite run down at the time, ripe for renovation and there was a station in | 0:19:17 | 0:19:22 | |
Campden with a direct line straight to London, with easy access back to London, where they had a front shop. | 0:19:22 | 0:19:28 | |
-Has the workshop changed much? -It hasn't changed much. | 0:19:28 | 0:19:31 | |
I mean, pretty much everything in here is as it was back then. | 0:19:31 | 0:19:35 | |
We've moved things round a bit, but the tools, the benches, were what they brought with them in 1900 | 0:19:35 | 0:19:41 | |
and we've been using them in here ever since. | 0:19:41 | 0:19:45 | |
And today, unless you have a sharp eye and ignore the cars, | 0:19:45 | 0:19:48 | |
you might be convinced not much has changed here in the last 100 years, except property prices, of course. | 0:19:48 | 0:19:55 | |
Our second property is equidistant by bus from Oxford | 0:20:02 | 0:20:05 | |
and Didcot Parkway for those all important rail links into London. | 0:20:05 | 0:20:09 | |
Standlake is a typical Oxfordshire village with more local shops than | 0:20:09 | 0:20:13 | |
our first property and this should certainly appeal to Luciano. | 0:20:13 | 0:20:17 | |
And for Mark, there are some prize examples of chocolate-box kept properties. | 0:20:17 | 0:20:21 | |
I fear the budget they have won't necessarily offer | 0:20:21 | 0:20:24 | |
the location and period build they're after, which brings us to our next property. | 0:20:24 | 0:20:29 | |
House number two. | 0:20:29 | 0:20:30 | |
A very different confection. | 0:20:30 | 0:20:34 | |
-Yeah, it's very different. -I quite like it again, actually. -I like it. | 0:20:34 | 0:20:39 | |
Obviously, this is not disguised as an old property. | 0:20:39 | 0:20:42 | |
This is a fairly modern property, built in the 1980s. | 0:20:42 | 0:20:45 | |
-Is that wisteria? -It's not wisteria, actually. | 0:20:45 | 0:20:47 | |
-It's Russian vine. -I like it because it ages the house a bit, gives it a bit more character. | 0:20:47 | 0:20:52 | |
-I can't wait to get inside and have a look. -And you're happy to have neighbours? -Yes, very happy. | 0:20:52 | 0:20:57 | |
-Very happy. -I thought you might be. -Completely opposite of Mark. | 0:20:57 | 0:21:01 | |
Well, compromise is the name of the game. | 0:21:01 | 0:21:04 | |
Let's look inside. | 0:21:04 | 0:21:05 | |
'Mark may be hesitant about having neighbours close by, but if he can get over that, | 0:21:07 | 0:21:11 | |
'he should be impressed by the space, including an extension above the garage. | 0:21:11 | 0:21:16 | |
'Heading into the main hall is easy on the eye, too, | 0:21:16 | 0:21:19 | |
'as the interior has been rather tastefully remodelled throughout.' | 0:21:19 | 0:21:23 | |
Here is the formal sitting room. | 0:21:23 | 0:21:26 | |
This is quite a size. And again, the fireplace. | 0:21:28 | 0:21:32 | |
Lovely fireplace and then also, this really nice vaulted music part. | 0:21:32 | 0:21:39 | |
-Wow! -You always wanted to have a piano, didn't you? | 0:21:39 | 0:21:43 | |
Yes, if I ever learn how to play. | 0:21:43 | 0:21:46 | |
What do you think? | 0:21:46 | 0:21:48 | |
Ah, it's a good-size room. | 0:21:48 | 0:21:50 | |
I'm holding myself. I like it. I really like. | 0:21:50 | 0:21:53 | |
Don't hold yourself. Let go. | 0:21:53 | 0:21:55 | |
Mark is already cutting my head off. | 0:21:55 | 0:21:58 | |
-Ah! Don't listen to him. -Don't listen to me, exactly. | 0:21:58 | 0:22:02 | |
-I like this place. A lot of space. There's no... -Beams. -There are no beams. | 0:22:02 | 0:22:06 | |
The layout here is much, much simpler than it was in the last house. | 0:22:06 | 0:22:10 | |
Spacious rooms. French doors out into the garden. | 0:22:10 | 0:22:13 | |
-Lots and lots of light. -I really like it. | 0:22:13 | 0:22:16 | |
So far, so good, but the kitchen was a slight stumbling block in the last property, so fingers crossed. | 0:22:16 | 0:22:21 | |
Here's the kitchen. | 0:22:21 | 0:22:24 | |
There's my kitchen. | 0:22:24 | 0:22:26 | |
There's your kitchen. | 0:22:26 | 0:22:28 | |
This is quite a kitchen. | 0:22:28 | 0:22:30 | |
It's beautifully laid out. A huge T-shaped kitchen. | 0:22:30 | 0:22:33 | |
Chinese slate on the floor, great big range, masses of storage. | 0:22:33 | 0:22:36 | |
These are all reclaimed wooden units from a Victorian conservatory | 0:22:36 | 0:22:42 | |
-that was going to be pulled down, so they've been reinstated. -I really like it. | 0:22:42 | 0:22:46 | |
-Taken it all in? -Yes, thank you. -Can you imagine cooking and entertaining here? | 0:22:46 | 0:22:50 | |
-Yeah. I can imagine myself chained to that oven there. -It's got a bar there for that. | 0:22:50 | 0:22:57 | |
But in terms of entertaining, would this work? | 0:22:57 | 0:23:00 | |
Because this is the dining space. There isn't another room. | 0:23:00 | 0:23:03 | |
No, I think so. Can do something about it. | 0:23:03 | 0:23:06 | |
Doesn't really need to be a dining room here. | 0:23:06 | 0:23:08 | |
As I said, the layout of this house is much simpler. There's the formal sitting room and music room, | 0:23:08 | 0:23:14 | |
there's this dining room/kitchen and then there's one more room down here. | 0:23:14 | 0:23:18 | |
With the utility room off the kitchen and a study next to that, it's a very functional ground floor, | 0:23:18 | 0:23:24 | |
but there is another option for Mark's workspace. | 0:23:24 | 0:23:27 | |
This is the space above the garage that they built up into | 0:23:27 | 0:23:30 | |
a couple of years ago and turned it into a sort of family, TV, snug room. | 0:23:30 | 0:23:34 | |
-This could be my office. -It's a bit different from the other ones. | 0:23:34 | 0:23:38 | |
But there's only really two major rooms on the ground floor and this little tiny room up here. | 0:23:38 | 0:23:44 | |
-Does that work for you or do you prefer more rooms? -It works for me. | 0:23:44 | 0:23:49 | |
You're sold. I won't even talk to you. What about you, Mark? | 0:23:49 | 0:23:52 | |
-Er... -I love the house. | 0:23:52 | 0:23:55 | |
Again, a little bit agnostic at the moment. | 0:23:55 | 0:23:58 | |
"Agnostic", that's the first time I've heard that word in a house tour. | 0:23:58 | 0:24:02 | |
Even if he is non-committal about the space above the garage, this house does deliver, | 0:24:02 | 0:24:07 | |
with no less than five double bedrooms, so Luciano will have plenty of space for children. | 0:24:07 | 0:24:12 | |
Three have a dual aspect, one comes complete with en suite and there's also a good-sized family bathroom. | 0:24:12 | 0:24:19 | |
But we're heading to the master suite. | 0:24:19 | 0:24:23 | |
-This is the master bedroom. -Mm. | 0:24:23 | 0:24:26 | |
What do you think? | 0:24:27 | 0:24:29 | |
I don't like the windows. Too small windows. | 0:24:29 | 0:24:31 | |
But that's not a problem. There's enough light. | 0:24:31 | 0:24:34 | |
-Yes. I mean, it's... -Simple. -Simple. That's the word for it, exactly. | 0:24:34 | 0:24:40 | |
You do have an en suite. | 0:24:40 | 0:24:41 | |
Poke your head in there. | 0:24:41 | 0:24:43 | |
It's a good size. Got a bath, not a shower. | 0:24:43 | 0:24:46 | |
-That's quite nice. -Yes, nice. | 0:24:46 | 0:24:48 | |
"Nice"? That's not exactly the response I was hoping for. | 0:24:48 | 0:24:52 | |
On the whole, this is a spacious property and as we make our way | 0:24:52 | 0:24:55 | |
into the garden, I'm hoping Mark will finally be impressed. | 0:24:55 | 0:24:59 | |
It's much more substantial than the last one and beautifully maintained. | 0:25:00 | 0:25:04 | |
And over the back there there's a fenced off area... | 0:25:04 | 0:25:07 | |
-They've got a dog. You could easily make that a veggie patch. -Plenty of space for Mark's chickens. | 0:25:07 | 0:25:13 | |
-A much nicer garden. -I love the trees. I really like them. | 0:25:13 | 0:25:16 | |
-Still not winning you over is it, Mark? -Well, no, no. I'm sorry, I do like the garden. | 0:25:16 | 0:25:21 | |
I want us to go to the country. | 0:25:21 | 0:25:23 | |
I do love the Cotswold look and this is a great house, but it's certainly not a Cotswold look. | 0:25:23 | 0:25:29 | |
You mentioned the budget of the first house, which had the right look. | 0:25:29 | 0:25:34 | |
-How much do you think this costs? -I would say that it's probably 670. | 0:25:34 | 0:25:37 | |
I think I go back to 650, I think. | 0:25:37 | 0:25:39 | |
It might be a surprise to you to know that this on the market for 725. | 0:25:39 | 0:25:43 | |
This sort of chunk of house in this location, even though it's not your favourite location, | 0:25:43 | 0:25:50 | |
-does fetch way up the top of your budget. -Yeah. | 0:25:50 | 0:25:53 | |
Why don't you have a look around the house and I'll see you out the front? | 0:25:53 | 0:25:58 | |
-Sure. -No scrapping though. | 0:25:58 | 0:26:00 | |
Although it's just over-budget at £725,000, this modern-built house | 0:26:02 | 0:26:07 | |
comes with lots of space, five or six bedrooms, | 0:26:07 | 0:26:10 | |
depending on what you do with the room above the garage, | 0:26:10 | 0:26:14 | |
four bathrooms, | 0:26:14 | 0:26:15 | |
a large formal reception and the kitchen with dining room attached. | 0:26:15 | 0:26:20 | |
The large garden also seemed to impress Mark. | 0:26:20 | 0:26:23 | |
So what do they think after a second look around? | 0:26:23 | 0:26:26 | |
I love the kitchen. The kitchen is perfect for me. | 0:26:26 | 0:26:29 | |
There are a lot of aspects of this house I like. | 0:26:29 | 0:26:31 | |
The garden's a great size. It's a mature garden. | 0:26:31 | 0:26:34 | |
So there are lots of things I do like about this house. | 0:26:34 | 0:26:38 | |
But it's simply not how I envisaged a house in the country. | 0:26:38 | 0:26:42 | |
I can see myself living here, but not Mark. | 0:26:42 | 0:26:46 | |
He won't live here. | 0:26:46 | 0:26:48 | |
See, this is wisteria. A bit wet. | 0:26:48 | 0:26:51 | |
-Hello. -Are you still talking? -Just about. -Just about, yeah. | 0:26:51 | 0:26:56 | |
-Peace is maintained. Very good. -It's a good sign. | 0:26:56 | 0:26:59 | |
On you go. | 0:26:59 | 0:27:01 | |
Well, that was quite a day, and as it turned into night, Mark and Luciano have plenty to discuss. | 0:27:10 | 0:27:17 | |
It may be a tricky one tomorrow. | 0:27:17 | 0:27:19 | |
The plot thickens on our controversial mystery house, but will it divide or unit? | 0:27:23 | 0:27:28 | |
I really like it. Really, really modern. | 0:27:28 | 0:27:31 | |
I'm kind of lost for words. | 0:27:31 | 0:27:33 | |
Lost for words! | 0:27:33 | 0:27:34 | |
This was never going to be an easy assignment and it became apparent yesterday that Mark has | 0:27:36 | 0:27:42 | |
the controlling vote, but he would like a two- to three-bedroom, | 0:27:42 | 0:27:47 | |
little, historic cottage in the Cotswolds made of Cotswold stone. | 0:27:47 | 0:27:51 | |
But we were going on the brief that Luciano also had a say | 0:27:51 | 0:27:54 | |
and he wanted four to five bedrooms for his children and something quite modern. | 0:27:54 | 0:27:59 | |
So we're not going to show them a country cottage for the mystery house. That would be far too easy. | 0:27:59 | 0:28:04 | |
We're going to show them something completely different. | 0:28:04 | 0:28:07 | |
Our mystery house is in South Cerney, | 0:28:09 | 0:28:11 | |
over the border into Gloucestershire, | 0:28:11 | 0:28:14 | |
just a bus ride from a mainline rail link to London via Swindon, | 0:28:14 | 0:28:19 | |
for when our buyers want a taste of the city. | 0:28:19 | 0:28:22 | |
South Cerney is thriving and comes with plenty of amenities... | 0:28:22 | 0:28:25 | |
post office, local shops, church, three local pubs and a river. | 0:28:25 | 0:28:31 | |
Mark's going to love the typical stone cottages, which are perfect period properties, | 0:28:31 | 0:28:36 | |
but our mystery house is meant to challenge their buying criteria. | 0:28:36 | 0:28:40 | |
So we're about to see something they are definitely not expecting. | 0:28:40 | 0:28:44 | |
Ah, I love the mystery house. | 0:28:44 | 0:28:47 | |
Particularly this week! | 0:28:47 | 0:28:49 | |
Cos it's basically a big, fat cat among your property pigeons. | 0:28:49 | 0:28:54 | |
-We are in the heart of the Cotswolds and this is obviously a modern complex. -Yes. | 0:28:54 | 0:28:59 | |
And as the story's progressed, clearly I've been aware | 0:28:59 | 0:29:02 | |
that this is going to please you less and less and... | 0:29:02 | 0:29:05 | |
I almost bought a house like this when I lived in America, so... | 0:29:05 | 0:29:10 | |
The house itself, I quite like. | 0:29:10 | 0:29:12 | |
I suppose the reason we picked it, apart from the fact that it's very different, | 0:29:12 | 0:29:16 | |
is that it is officially a second home. All of these properties here have to be second homes. | 0:29:16 | 0:29:21 | |
-Oh, is that right? -In fact, they're so much a second home that you can't live here all year round. | 0:29:21 | 0:29:27 | |
There's one month, January, | 0:29:27 | 0:29:29 | |
when you can't be resident here. Cos this is an area of outstanding natural beauty and the only way | 0:29:29 | 0:29:35 | |
that the developers could develop here is by making sure that they were not permanently occupied. | 0:29:35 | 0:29:41 | |
So you have at least a month where you don't have to be in the countryside. | 0:29:41 | 0:29:45 | |
For sure I won't be here at least a month. For sure I won't be here. | 0:29:45 | 0:29:49 | |
-Luciano, what do you think from outside? Because we are on water. -Yeah, I love the water. | 0:29:49 | 0:29:55 | |
I don't know about the house. | 0:29:55 | 0:29:57 | |
That's a bit of a surprise. I think the exterior is rather handsome. | 0:29:57 | 0:30:01 | |
But inside, Luciano can't complain about the layout. | 0:30:01 | 0:30:05 | |
Come on. | 0:30:08 | 0:30:10 | |
And we come into this very big, open-plan space. | 0:30:10 | 0:30:16 | |
-It's nice. -It is really lovely, isn't it? | 0:30:16 | 0:30:18 | |
-It is nice. Beautiful. -I thought you'd like this, Luciano. | 0:30:18 | 0:30:21 | |
I like it. I really it. It's really, really modern, isn't it? | 0:30:21 | 0:30:24 | |
-There's not much period about this. -Not at all. -Not in the two years that it's been built. | 0:30:24 | 0:30:30 | |
But you have a lot of space. We can have everyone here and cook at the same time there. | 0:30:30 | 0:30:35 | |
Following your line of argument, in the sense of having everything on one space. | 0:30:35 | 0:30:40 | |
You've got oak flooring, under-floor heating throughout and light coming in everywhere. | 0:30:40 | 0:30:45 | |
It's beautiful. It is beautiful. | 0:30:45 | 0:30:48 | |
What do you think, Mark? | 0:30:48 | 0:30:50 | |
Er, er... Well, Luciano likes it. | 0:30:50 | 0:30:54 | |
So diplomatic. So diplomatic! | 0:30:54 | 0:30:57 | |
Well, at least Luciano has his truly open-plan dining experience. | 0:30:57 | 0:31:04 | |
What do you reckon to the kitchen? | 0:31:04 | 0:31:06 | |
I like it, but it's a bit too modern for me. | 0:31:06 | 0:31:08 | |
-Too modern? -Yes. -Ah! We've touched the edge of modernity. | 0:31:08 | 0:31:13 | |
Well, I mean, of course, this is the show home. | 0:31:13 | 0:31:16 | |
You can talk to the architects and put what you like in. | 0:31:16 | 0:31:19 | |
There's a big utility room there with all your washing machines. | 0:31:19 | 0:31:23 | |
I like country-style kitchens and this is not. | 0:31:23 | 0:31:26 | |
I was intrigued when we were talking yesterday about the dining room. | 0:31:26 | 0:31:31 | |
-Is that kind of what you were thinking of, a space in-between the sitting room and the kitchen? -Yes. | 0:31:31 | 0:31:36 | |
The house does sort of centre round the outside space. | 0:31:36 | 0:31:39 | |
Let's have a little peek of that out on the decking. | 0:31:39 | 0:31:42 | |
Well, I can see that although he wants period, Mark can appreciate the space, light and finish. | 0:31:42 | 0:31:48 | |
More interestingly, I have a suspicion that Luciano has started | 0:31:48 | 0:31:52 | |
to think that modern may not be for him, at least in the country. | 0:31:52 | 0:31:56 | |
So here's your garden, Mark. | 0:31:56 | 0:31:57 | |
I mean, it's a water garden, essentially. | 0:31:57 | 0:32:00 | |
The lake is in two parts at the moment, but they're going to get rid of that wake-boarding park | 0:32:00 | 0:32:05 | |
and knock through as it were, so join the two lakes together so it becomes one private boating pond. | 0:32:05 | 0:32:12 | |
-I'm kind of lost for words. -Lost for words! | 0:32:12 | 0:32:14 | |
-I'm feeling this kind of blankness coming from you. -I think I've started to change my mind | 0:32:14 | 0:32:21 | |
-about the style of the house in the countryside. -In what way? | 0:32:21 | 0:32:25 | |
I'm going more in favour of Mark's opinion. | 0:32:25 | 0:32:30 | |
Maybe Luciano and Mark are finally starting to agree on what they want from a country house. | 0:32:30 | 0:32:35 | |
Heading upstairs, there are two spacious double bedrooms, one with an en suite, | 0:32:35 | 0:32:40 | |
a family bathroom and a single room, which could easily be used as Mark's study. | 0:32:40 | 0:32:46 | |
We're heading up to the second floor, to the main bedroom, complete with a swish wet-room. | 0:32:46 | 0:32:52 | |
This is the master bedroom. | 0:32:54 | 0:32:57 | |
You can't say you don't like it, Mark. | 0:32:57 | 0:32:59 | |
No, I don't say I don't like it. I do like the render of it. | 0:32:59 | 0:33:03 | |
It's lovely to have balconies and the elevation as well. | 0:33:03 | 0:33:07 | |
To get to see the life of the whole building site. | 0:33:07 | 0:33:10 | |
But I must show Mark and Luciano where their plot will be. | 0:33:10 | 0:33:15 | |
-The property you could buy is over there. -OK. -The gap. Ah, OK. What do you think about that? | 0:33:15 | 0:33:21 | |
-It isn't there yet? -And you can visualise it. -You don't have to visualise it. | 0:33:21 | 0:33:25 | |
You can go over and feel it. | 0:33:25 | 0:33:27 | |
The plot does have a very different aspect to the show room, | 0:33:29 | 0:33:34 | |
so, hopefully, when we get there, it will help them visualise their very own piece of the project. | 0:33:34 | 0:33:40 | |
Interestingly, Luciano is changing his tune about wanting a modern house in the country after all. | 0:33:40 | 0:33:45 | |
Quite a surprise, considering this property is right on the water, which was on his wish list. | 0:33:45 | 0:33:51 | |
Here it is. | 0:33:51 | 0:33:52 | |
All this rubble could be yours. | 0:33:52 | 0:33:54 | |
-A house with just a little bit of conversion to do. -A little !bit of work, yes -Yes. | 0:33:54 | 0:34:00 | |
Yes, not exactly what we were looking for. | 0:34:00 | 0:34:04 | |
But it will be interesting to know what you think this plot costs or how much this sort of project costs. | 0:34:04 | 0:34:09 | |
-Well, what do you think? -I think it will be quite expensive. | 0:34:09 | 0:34:13 | |
750. | 0:34:13 | 0:34:15 | |
-675. -Actually, you're almost spot on. | 0:34:15 | 0:34:18 | |
It's actually on the market at 670. | 0:34:18 | 0:34:21 | |
And then you have to factor in quite hefty service charges, cos you'd be a leaseholder. | 0:34:21 | 0:34:26 | |
Because of this sort of quirky... So it's about £4,000 a year service charge. | 0:34:26 | 0:34:32 | |
That looks after the lake and grounds, and gives you membership to the local golf club and spa. | 0:34:32 | 0:34:37 | |
It's a very desirable area. Probably not quite made for you, but I mean, in terms of property, | 0:34:37 | 0:34:44 | |
-it's a very viable concept. -I think it's a specific taste. | 0:34:44 | 0:34:47 | |
We're going to go back and you can wander round. | 0:34:47 | 0:34:51 | |
Great. Thank you very much indeed. | 0:34:51 | 0:34:53 | |
At £670,000 this home does have the open-plan living room, | 0:34:53 | 0:34:58 | |
which was a must-have for Luciano. | 0:34:58 | 0:35:01 | |
There are three light and spacious bedrooms. | 0:35:01 | 0:35:03 | |
The balcony provides views, which Mark asked for. | 0:35:03 | 0:35:06 | |
And it is right by a lake. | 0:35:06 | 0:35:08 | |
In theory, this property ticks plenty of boxes, but in practice, | 0:35:08 | 0:35:11 | |
we'll have to find out. | 0:35:11 | 0:35:13 | |
My first impression of the mystery house was quite a thing, | 0:35:13 | 0:35:17 | |
because I could see the water nearby, so I got excited | 0:35:17 | 0:35:22 | |
and I thought it would be something I would like. | 0:35:22 | 0:35:27 | |
I can see why you would say this is the mystery house for us. | 0:35:27 | 0:35:30 | |
Luciano loves water. He wanted to be by water. | 0:35:30 | 0:35:33 | |
So, you know, here you've got a great big lake outside the kitchen windows. | 0:35:33 | 0:35:37 | |
Deep inside what I'm trying to do is have a house what I want in London, | 0:35:37 | 0:35:44 | |
a busy house where we going to raise kids and everything, in the countryside. | 0:35:44 | 0:35:50 | |
This thing just doesn't really fit it. | 0:35:50 | 0:35:55 | |
Last-minute conversion? | 0:35:57 | 0:35:59 | |
-Scales fallen from eyes. -I don't think so, Alistair. -Damascus road? | 0:35:59 | 0:36:03 | |
-Nothing like that? -Nothing like that, no, no. | 0:36:03 | 0:36:07 | |
No blinding moment of wanting to take the house. | 0:36:07 | 0:36:10 | |
-Do you want me to take you away from here? -Yes, please. | 0:36:10 | 0:36:12 | |
Just a few years ago, when I was a child, I sang every week in my local church choir. | 0:36:24 | 0:36:29 | |
And if you live in the Cotswolds, | 0:36:29 | 0:36:31 | |
the chances are that your local church might have a very fine choir indeed. | 0:36:31 | 0:36:36 | |
Gloucester Cathedral, used as a filming location in the Harry Potter series, | 0:36:36 | 0:36:41 | |
is also a stunning example of 11th-century architecture and a lot more than just a film set. | 0:36:41 | 0:36:48 | |
I thought I'd reacquaint myself with the life of a chorister | 0:36:48 | 0:36:51 | |
and met up with the cathedral's musical director Adrian Partington. | 0:36:51 | 0:36:57 | |
-Adrian, morning. -Morning. -Thanks for taking the time. | 0:36:57 | 0:37:00 | |
-This is amazing. It's an astonishing piece of architecture. This is the cloisters? -Yeah. | 0:37:00 | 0:37:05 | |
It's just a very fancy corridor that connected the different parts | 0:37:05 | 0:37:09 | |
-of the monastery to other parts so that the monks didn't get wet. -It's like a forest of stone. | 0:37:09 | 0:37:15 | |
It is. It's just beautiful. | 0:37:15 | 0:37:17 | |
And the first of its kind in Europe. | 0:37:17 | 0:37:19 | |
-And tell me about the choir. -Well, the choir in its current form dates from 1541. | 0:37:19 | 0:37:25 | |
Henry VIII and his ministers abolished the monastic system, | 0:37:25 | 0:37:29 | |
but he had to replace it with something, | 0:37:29 | 0:37:33 | |
so the most important abbeys he turned into cathedrals and appointed bishops. | 0:37:33 | 0:37:38 | |
And he was a great musician and not the Philistine that legend has him, | 0:37:38 | 0:37:44 | |
and he organised choir schools at all these cathedrals. | 0:37:44 | 0:37:48 | |
I sang at my little parish church and I sang when I was at university | 0:37:48 | 0:37:51 | |
and, for me, it's given me a lifelong love of church music and singing together. | 0:37:51 | 0:37:57 | |
You see boys go through the system in a four- or five-year cycle I presume. | 0:37:57 | 0:38:02 | |
-What are the things that it instils in the boys? -They spend so much time together. | 0:38:02 | 0:38:07 | |
They must be like an army unit or something like that. | 0:38:07 | 0:38:10 | |
It's wanting to do well for the team and I think that's a fantastic thing to take through your life. | 0:38:10 | 0:38:17 | |
BOYS SING CHORAL PIECE | 0:38:17 | 0:38:21 | |
It's something that England leads the world at. | 0:38:40 | 0:38:43 | |
Cos across Europe, with the various religious wars | 0:38:43 | 0:38:46 | |
and things, all this has been destroyed, everywhere except here. | 0:38:46 | 0:38:50 | |
It is a unique tradition and this building, which has one of the best acoustics in the entire world, | 0:38:50 | 0:38:58 | |
it just sounds like you're in heaven. | 0:38:58 | 0:39:00 | |
The boys sing every day, so if you live locally, you can pop in and enjoy a free concert. | 0:39:08 | 0:39:13 | |
And speaking of concerts, combining their forces with two cathedrals in Worcester and Hereford, | 0:39:13 | 0:39:19 | |
this choir takes part in a major choral gathering called the Three Choirs Festival every August, | 0:39:19 | 0:39:24 | |
a 250-year-old tradition that makes it the oldest continuing music festival in the world. | 0:39:24 | 0:39:32 | |
And now it's time to find out what properties hit the right note for Mark and Luciano. | 0:39:46 | 0:39:51 | |
-Hello, guys. -Hello. | 0:39:51 | 0:39:53 | |
Let's talk about the houses one by one and then perhaps we can talk more generally | 0:39:53 | 0:39:59 | |
about the whole experience of property shopping together. The first house that I showed you. | 0:39:59 | 0:40:05 | |
Looked very old. In fact, wasn't so old. What are your thoughts about that now? | 0:40:05 | 0:40:09 | |
I really liked the house. | 0:40:09 | 0:40:11 | |
It was just the kitchen wasn't exactly what I want. | 0:40:11 | 0:40:16 | |
But, generally, it was a nice house. | 0:40:16 | 0:40:19 | |
I think it's grown on me, the more I've been thinking about it. | 0:40:19 | 0:40:23 | |
The location, you can't beat it. | 0:40:23 | 0:40:26 | |
And the garden? Cos the garden was a bit... | 0:40:26 | 0:40:28 | |
A bit small, but actually, you know, the garden, in retrospect... | 0:40:28 | 0:40:32 | |
-Compromise. -Yeah, exactly. It seems to me perfectly adequate. | 0:40:32 | 0:40:36 | |
Let's talk about the second house, cos this was a much bigger garden, certainly in a bigger house. | 0:40:36 | 0:40:41 | |
I like it from outside. | 0:40:41 | 0:40:43 | |
I like from inside. | 0:40:43 | 0:40:45 | |
I like the back garden. | 0:40:45 | 0:40:47 | |
I just loved the house. | 0:40:47 | 0:40:48 | |
Mark doesn't have exactly the same opinion. | 0:40:48 | 0:40:51 | |
If that house had been in a different location, if that house had been | 0:40:51 | 0:40:56 | |
in the location of the first house, would I compromise? Yeah. | 0:40:56 | 0:41:01 | |
I think I probably would. I am open to listening to what Luciano wants and compromising on that. | 0:41:01 | 0:41:06 | |
But it's not necessarily what I would choose myself. | 0:41:06 | 0:41:09 | |
That sounds like a diplomatic way of saying, "No, I won't negotiate on location." | 0:41:09 | 0:41:13 | |
Let's move on to the mystery house. Just to change the subject. | 0:41:13 | 0:41:17 | |
This seemed to crystallise a lot of things. Did it help bring some things into focus? | 0:41:17 | 0:41:23 | |
For me, it did a lot. | 0:41:23 | 0:41:25 | |
Because now I know exactly what we're looking for. | 0:41:25 | 0:41:29 | |
It's not a big house. | 0:41:29 | 0:41:32 | |
Cos we need to compromise. It cannot be modern. | 0:41:32 | 0:41:35 | |
Mark's not going to be 100% happy with a modern house at all. | 0:41:35 | 0:41:40 | |
For you, Mark, did it bring anything into focus? | 0:41:40 | 0:41:42 | |
It focused the fact that coming to the Cotswolds, | 0:41:42 | 0:41:48 | |
I would like, a Cotswold house. | 0:41:48 | 0:41:52 | |
And, you know, it's all part of a cunning plan I had that perhaps Luciano would come here, | 0:41:52 | 0:41:57 | |
see the Cotswolds and actually, you know, sense that he could be happy here | 0:41:57 | 0:42:03 | |
and could be happy living in a country house. | 0:42:03 | 0:42:05 | |
-Is that true? Have you had a... -Yeah, I think it helps. It did help. | 0:42:05 | 0:42:09 | |
What about any of the properties? Would you pursue any of them? | 0:42:09 | 0:42:13 | |
-Would you go back and look at any of them? -The first house. | 0:42:13 | 0:42:16 | |
-So, it hasn't all been... -No. | 0:42:16 | 0:42:19 | |
It's been challenging. Oh, it's been wonderfully entertaining to see you work through | 0:42:19 | 0:42:23 | |
the kind of challenges that happen when two people want to buy a house with different templates. | 0:42:23 | 0:42:29 | |
And I really hope it works out. But all the best. | 0:42:29 | 0:42:32 | |
-Thank you very much indeed. -Thank you very much. | 0:42:32 | 0:42:34 | |
This is the house we should have shown Mark. | 0:42:35 | 0:42:38 | |
Although, of course, Luciano wouldn't have stood for it, being too old and too small. | 0:42:38 | 0:42:44 | |
And that's been our problem all along, trying to balance these two very different wish-lists. | 0:42:44 | 0:42:49 | |
But we've contributed to a compromise that could make this couple's country idyll come true. | 0:42:49 | 0:42:54 | |
Make sure you join us next time for more Escape To The Country, | 0:42:54 | 0:42:58 | |
where we will be exploring other corners of rural Britain. | 0:42:58 | 0:43:02 | |
If you'd like to Escape To The Country in Northern Ireland, | 0:43:03 | 0:43:07 | |
Wales, Scotland or England and need our help, please apply online at... | 0:43:07 | 0:43:11 | |
Subtitles by Red Bee Media Ltd | 0:43:30 | 0:43:32 | |
E-mail: [email protected] | 0:43:32 | 0:43:35 |