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In the 1970s, | 0:00:02 | 0:00:04 | |
this hill was probably one of the most instantly recognisable views in England. | 0:00:04 | 0:00:09 | |
And just like the rest of today's county, | 0:00:09 | 0:00:12 | |
it oozes with old-world charm. | 0:00:12 | 0:00:15 | |
So, does it look familiar? | 0:00:15 | 0:00:17 | |
I'm sure if you use your LOAF, you'll figure out where you've seen this beautiful vista before. | 0:00:17 | 0:00:23 | |
On today's show, we meet a Canadian with her heart set on a home in the English countryside. | 0:00:41 | 0:00:47 | |
It's beautiful. The landscape just rolls forever, doesn't it? | 0:00:47 | 0:00:50 | |
And although she seems taken with our offerings, | 0:00:50 | 0:00:53 | |
her English husband isn't so sure. | 0:00:53 | 0:00:56 | |
John, give me something back. I reserve judgment. | 0:00:56 | 0:01:00 | |
But will our mystery house unite her yin with his yang? | 0:01:00 | 0:01:04 | |
Wow. Wow! | 0:01:04 | 0:01:06 | |
Wow. Nice. Yeah. | 0:01:06 | 0:01:08 | |
Today I'm in Dorset, and this is Gold Hill in Shaftesbury. | 0:01:12 | 0:01:16 | |
In 1973, it became the backdrop for a well-known bread advert | 0:01:16 | 0:01:21 | |
directed by the now world-famous film maker Ridley Scott. | 0:01:21 | 0:01:25 | |
At the time, many of us believed this scene was set hundreds of miles away in Yorkshire. | 0:01:25 | 0:01:31 | |
But with its thatched cottages, medieval walls and cobbled stone, | 0:01:31 | 0:01:36 | |
it really couldn't be anywhere else | 0:01:36 | 0:01:38 | |
than the unspoilt countryside of Dorset. | 0:01:38 | 0:01:41 | |
Bordered by four other counties in the south of England, | 0:01:43 | 0:01:46 | |
Dorset is largely rural, | 0:01:46 | 0:01:48 | |
dotted with farms, peaceful villages | 0:01:48 | 0:01:51 | |
and thriving market towns. | 0:01:51 | 0:01:54 | |
Covering an area of 1,024 square miles, | 0:01:54 | 0:01:57 | |
Dorset is a winning combination of stunning coastline and classic countryside, | 0:01:57 | 0:02:02 | |
boasting the highest proportion of conservation areas for its size in England. | 0:02:02 | 0:02:07 | |
Over 40% of the county is designated an Area of Outstanding Natural Beauty, | 0:02:07 | 0:02:12 | |
with 139 Sites of Special Scientific Interest | 0:02:12 | 0:02:16 | |
and a World Heritage Site in the form of the Jurassic Coast. | 0:02:16 | 0:02:20 | |
Frequented by King George III, | 0:02:20 | 0:02:23 | |
the county has been a popular tourist destination since the 1800s, | 0:02:23 | 0:02:27 | |
which has helped create a prosperity evident in the region's housing stock, | 0:02:27 | 0:02:32 | |
from the grand country homes made of local limestone | 0:02:32 | 0:02:35 | |
to the picturesque thatched cottages. | 0:02:35 | 0:02:38 | |
But is today's house hunters' dream home out there too? | 0:02:41 | 0:02:45 | |
Let's meet them. | 0:02:45 | 0:02:46 | |
Let me introduce you to John, | 0:02:46 | 0:02:48 | |
a self-employed management consultant | 0:02:48 | 0:02:51 | |
and his Canadian partner Christina. | 0:02:51 | 0:02:54 | |
After meeting via the Internet three years ago, | 0:02:54 | 0:02:56 | |
John travelled to Canada to meet Christina in person and the rest is history. | 0:02:56 | 0:03:02 | |
Now sharing John's one-bedroom flat in central London, | 0:03:02 | 0:03:05 | |
with their dog Willow and Jack the cat, | 0:03:05 | 0:03:07 | |
they're hoping to ditch the Big Smoke for country air. | 0:03:07 | 0:03:11 | |
We'd like to move to the country for space, | 0:03:11 | 0:03:15 | |
to be able to be outdoors more, with trees surrounding me. | 0:03:15 | 0:03:22 | |
I'm either in a city or I'm in the country. | 0:03:22 | 0:03:25 | |
I'm not in a halfway. I don't want to live in the suburbs. | 0:03:25 | 0:03:29 | |
They're both drawn to the rural beauty of Dorset. | 0:03:29 | 0:03:32 | |
So let's find out what they want from their dream property. | 0:03:32 | 0:03:37 | |
One, possibly two big reception rooms, | 0:03:37 | 0:03:41 | |
big bathroom, a nice big kitchen | 0:03:41 | 0:03:44 | |
and minimum three bedrooms, I think. | 0:03:44 | 0:03:47 | |
We want nice, large open-plan spaces, | 0:03:47 | 0:03:49 | |
whether it's the kitchen or the main living area. | 0:03:49 | 0:03:52 | |
We want a nice big garden. | 0:03:52 | 0:03:55 | |
That's the bigger picture covered. But what about the details? | 0:03:55 | 0:04:00 | |
Wood-burning stoves. Love that smell. | 0:04:00 | 0:04:03 | |
John's just accepted an offer on his flat for nearly ?900,000. | 0:04:03 | 0:04:09 | |
So how much will they have for their home in the country? | 0:04:09 | 0:04:12 | |
Our budget for the property is around ?750,000. | 0:04:12 | 0:04:17 | |
We may go to ?800,000 for something absolutely exceptional. | 0:04:17 | 0:04:20 | |
After 25 years of city living, John can't wait to make a break for the country. | 0:04:24 | 0:04:30 | |
And Christina, used to the wide-open landscapes of Canada, | 0:04:30 | 0:04:34 | |
obviously can't wait to embrace country living too. | 0:04:34 | 0:04:38 | |
Now they've got a rather hefty budget of up to ?800,000, | 0:04:38 | 0:04:42 | |
so finding them space to manoeuvre both inside and out | 0:04:42 | 0:04:46 | |
shouldn't be too much of a problem. | 0:04:46 | 0:04:49 | |
The big question is, can we find them a property | 0:04:49 | 0:04:52 | |
with as much character and quirkiness as they have? | 0:04:52 | 0:04:56 | |
John and Christina are flexible | 0:04:56 | 0:04:58 | |
when it comes to a specific location within Dorset, | 0:04:58 | 0:05:01 | |
so we'll be scouring the entire county, | 0:05:01 | 0:05:04 | |
keeping in mind they want something rural. | 0:05:04 | 0:05:06 | |
We'll be showing our house hunters three Dorset delights, | 0:05:06 | 0:05:10 | |
but I'll be keeping schtum about the price tags until the end of the tour. | 0:05:10 | 0:05:15 | |
Lastly there's our mystery house, | 0:05:15 | 0:05:17 | |
which will challenge their idea of country living. | 0:05:17 | 0:05:21 | |
John and Christina, hello and welcome to Dorset. | 0:05:22 | 0:05:25 | |
Thank you. Are you looking forward to the next few days? We are. | 0:05:25 | 0:05:30 | |
We've driven around a lot in Dorset, the gorgeous villages, the Jurassic Coast, | 0:05:30 | 0:05:34 | |
from one end to another, but we've not seen anything yet. | 0:05:34 | 0:05:38 | |
So what about work? John, will you need to commute? I'll work wherever I need to. | 0:05:38 | 0:05:44 | |
If I need to work away from home, that's fine. | 0:05:44 | 0:05:46 | |
And time is of the essence | 0:05:46 | 0:05:49 | |
because you're about to complete on your property. Yes. | 0:05:49 | 0:05:53 | |
We sold it within three weeks of putting it on the market, with two competing bidders. | 0:05:53 | 0:05:58 | |
They want to complete within six weeks. | 0:05:58 | 0:06:00 | |
So we really have to find you your dream house. Yes. And budget-wise? | 0:06:00 | 0:06:05 | |
Still looking around ?750,000? 750, could go to 800 if we see the exceptional one. | 0:06:05 | 0:06:11 | |
Right, so that's our top limit. Yeah. Yes. | 0:06:11 | 0:06:14 | |
Well, we have got some fantastic properties lined up. | 0:06:14 | 0:06:17 | |
Shall we get started? Let's go. Come on, then. | 0:06:17 | 0:06:20 | |
For a top budget of ?800,000, | 0:06:24 | 0:06:27 | |
John and Christina are after a spacious country home, | 0:06:27 | 0:06:30 | |
consisting of a minimum of... | 0:06:30 | 0:06:32 | |
Our first property is just outside the village of Cranborne, | 0:06:45 | 0:06:48 | |
on the Dorset-Hampshire border. | 0:06:48 | 0:06:50 | |
Used as a setting for Thomas Hardy's Tess Of The d'Urbervilles | 0:06:50 | 0:06:54 | |
under the pseudonym Chaseborough, | 0:06:54 | 0:06:56 | |
this 800-strong village boasts an imposing 15th-century church tower, | 0:06:56 | 0:07:01 | |
a pub, convenience store and plenty of appealing period buildings. | 0:07:01 | 0:07:07 | |
Here is house number one. What d'you think? | 0:07:07 | 0:07:10 | |
The size overwhelms me. I'm used to compact, | 0:07:10 | 0:07:13 | |
but the house looks really nice from the outside. | 0:07:13 | 0:07:16 | |
Now, we are on a road. Yes. | 0:07:16 | 0:07:19 | |
It's a B-road connecting the two villages, | 0:07:19 | 0:07:21 | |
as we're right on the edge of a village. John? | 0:07:21 | 0:07:24 | |
I like the look of the house, nice shape. | 0:07:24 | 0:07:26 | |
OK. It is a bit nippy, shall we start the tour? Please. Come on. | 0:07:26 | 0:07:31 | |
Come on through. Got the late-Victorian tiles here. | 0:07:35 | 0:07:39 | |
It opens up straightaway into the first reception room. It does. | 0:07:39 | 0:07:44 | |
Hm. | 0:07:44 | 0:07:46 | |
Smaller than I expected, this room. | 0:07:46 | 0:07:49 | |
Did you expect huge, high ceilings? Yes. | 0:07:49 | 0:07:52 | |
What do you think of the entrance? I love it. I love the tiles. | 0:07:52 | 0:07:56 | |
It just makes such a big statement. | 0:07:56 | 0:07:58 | |
Let me take you across to the other room, then you'll see there's a bit more space. | 0:07:58 | 0:08:04 | |
So here's your second reception room. | 0:08:04 | 0:08:06 | |
It's actually been divided up. | 0:08:06 | 0:08:09 | |
You've got this space and a bit more, big enough for a baby-grand piano. | 0:08:09 | 0:08:14 | |
You can see where it opens up a bit more | 0:08:14 | 0:08:17 | |
on this side of the house. | 0:08:17 | 0:08:20 | |
It's got more character as well. Definitely. | 0:08:20 | 0:08:22 | |
Let's look at the kitchen next. Great. | 0:08:22 | 0:08:25 | |
Generous room dimensions are key to their move, | 0:08:26 | 0:08:30 | |
so we head to the rear of the property | 0:08:30 | 0:08:32 | |
where the space really starts to open up. | 0:08:32 | 0:08:34 | |
And here you have a very handsome country kitchen. | 0:08:37 | 0:08:41 | |
Love the beams. | 0:08:41 | 0:08:43 | |
It's deceiving, isn't it? It is. It's almost like a different house. | 0:08:44 | 0:08:49 | |
I like the light. | 0:08:49 | 0:08:50 | |
You get so much natural light from each area of the house. | 0:08:50 | 0:08:56 | |
So quite a lot of space downstairs, lots of reception rooms. | 0:08:56 | 0:09:00 | |
But I haven't shown you everything. | 0:09:00 | 0:09:03 | |
Come on. | 0:09:03 | 0:09:05 | |
Next door to the kitchen is a utility room and a cloakroom, | 0:09:05 | 0:09:08 | |
and across the other side of the house is yet another living space, | 0:09:08 | 0:09:13 | |
a perfect spot to relax on a sunny summer's afternoon. | 0:09:13 | 0:09:16 | |
So this home also has a conservatory. | 0:09:16 | 0:09:19 | |
What a nice surprise. I didn't expect this. | 0:09:19 | 0:09:23 | |
Yeah. Not at all. | 0:09:23 | 0:09:24 | |
Bit of an added bonus? Yeah. Yeah, added bonus. | 0:09:24 | 0:09:27 | |
Not necessarily something we'd need, but it's nice. | 0:09:27 | 0:09:30 | |
Could be something we want. | 0:09:30 | 0:09:32 | |
I'm getting a different warmth here. | 0:09:32 | 0:09:35 | |
OK, well, John's not so sure, but you and I are excited | 0:09:35 | 0:09:39 | |
about a conservatory. We'll head upstairs. | 0:09:39 | 0:09:42 | |
And here's your master bedroom. | 0:09:46 | 0:09:50 | |
Smaller than what we're used to. | 0:09:50 | 0:09:52 | |
Is this smaller than you have at home at the moment? | 0:09:52 | 0:09:56 | |
Yes. Yeah, it is, definitely. | 0:09:56 | 0:09:58 | |
The one thing you're both used to is having one bedroom. | 0:09:58 | 0:10:02 | |
Mm. You've got four. | 0:10:02 | 0:10:04 | |
So if you wanted a dressing room, you've got plenty of space. | 0:10:04 | 0:10:09 | |
The other three bedrooms include one dual-aspect double, | 0:10:10 | 0:10:13 | |
next to which is a similar-sized room that shares a common wall. | 0:10:13 | 0:10:17 | |
Knocking through to create a larger master bedroom is an option. | 0:10:17 | 0:10:21 | |
There's also a single bedroom and a large family bathroom, | 0:10:21 | 0:10:25 | |
so there are plenty of options upstairs. | 0:10:25 | 0:10:28 | |
Now let's see what they make of the garden. | 0:10:28 | 0:10:31 | |
So here's your garden. | 0:10:33 | 0:10:34 | |
Quite a mature garden. | 0:10:34 | 0:10:36 | |
The total acreage including the footprint of the house is about half an acre. | 0:10:36 | 0:10:41 | |
You've got the garage there, a little greenhouse, | 0:10:41 | 0:10:44 | |
a sunken garden | 0:10:44 | 0:10:46 | |
and plenty of lawn to mow, because you like mowing your lawn, don't you? I do. | 0:10:46 | 0:10:51 | |
Well, it is price time. Let's see if that puts you in a better mood. | 0:10:51 | 0:10:56 | |
Who wants to go first? | 0:10:56 | 0:10:57 | |
Go ahead. Apparently me. | 0:10:57 | 0:11:00 | |
I think it's around 650,000. OK. | 0:11:00 | 0:11:04 | |
I was going to go lower, about 570. | 0:11:04 | 0:11:07 | |
Interesting from both of you. | 0:11:09 | 0:11:11 | |
Current asking price - ?675,000. | 0:11:11 | 0:11:17 | |
So ?125,000 under your top budget, | 0:11:17 | 0:11:21 | |
so lots of flexibility there, but a lot of house for that price. | 0:11:21 | 0:11:27 | |
Because Dorset, Hampshire, all these counties are expensive. | 0:11:27 | 0:11:31 | |
A rather muted response, considering there's so much house for the price. | 0:11:33 | 0:11:38 | |
All right, let's keep going, more to show you. | 0:11:56 | 0:11:59 | |
It's hard to believe that thousands of years ago, Dorset was almost entirely forest, | 0:12:09 | 0:12:15 | |
when today less than 10% of the county is woodland. | 0:12:15 | 0:12:19 | |
One local resident, who has a vested interest in the regeneration | 0:12:19 | 0:12:23 | |
and preservation of the county's woodland | 0:12:23 | 0:12:25 | |
is eminent British furniture designer John Makepeace. | 0:12:25 | 0:12:30 | |
John, great to meet you. Hello, Nicki. | 0:12:30 | 0:12:32 | |
As a furniture designer, your passion is wood, isn't it? | 0:12:32 | 0:12:36 | |
It is. I can't really explain it. | 0:12:36 | 0:12:38 | |
It's just a material with which I have an empathy. | 0:12:38 | 0:12:41 | |
It's responsive, | 0:12:41 | 0:12:44 | |
it's something which I can work without very expensive equipment, | 0:12:44 | 0:12:48 | |
I can produce individual things in it. | 0:12:48 | 0:12:51 | |
It's a material right for furniture. | 0:12:51 | 0:12:54 | |
Considered the father of modern British furniture, | 0:12:57 | 0:13:01 | |
John favours indigenous and sustainable wood in his designs. | 0:13:01 | 0:13:05 | |
John doesn't make the furniture himself, | 0:13:06 | 0:13:08 | |
but employs local craftsmen to translate his drawings into physical forms. | 0:13:08 | 0:13:13 | |
Organic shapes and curves are a signature of his designs, | 0:13:13 | 0:13:17 | |
and inside his 16th-century house, the wood that is so carefully seasoned and crafted | 0:13:17 | 0:13:22 | |
sits in pride of place with a natural elegance. | 0:13:22 | 0:13:26 | |
And is this your dining table? It is. | 0:13:26 | 0:13:29 | |
And do you use this as a family? Surely, surely, yes. | 0:13:29 | 0:13:33 | |
What it is, is one tree of ash. Yes. | 0:13:33 | 0:13:36 | |
And it's got this wonderful marking in here, the ripple, | 0:13:36 | 0:13:40 | |
which is a feature of trees that grow in wavy grain | 0:13:40 | 0:13:44 | |
and it produces this light and shade. | 0:13:44 | 0:13:46 | |
John's strong belief in the importance of native trees led him to purchase Hooke Forest, | 0:13:46 | 0:13:53 | |
a 350-acre of sustainable woodland, | 0:13:53 | 0:13:56 | |
now used for research and development, | 0:13:56 | 0:13:59 | |
ensuring the forests of Dorset remain useful | 0:13:59 | 0:14:02 | |
and stay intact for future generations. | 0:14:02 | 0:14:06 | |
But for now, it's back to the house hunt. | 0:14:06 | 0:14:08 | |
Set in an Area of Outstanding Natural Beauty, | 0:14:10 | 0:14:13 | |
our second property lies in the outskirts | 0:14:13 | 0:14:16 | |
of the village of Thorncombe. | 0:14:16 | 0:14:18 | |
With an active community, an impressive 19th-century church | 0:14:18 | 0:14:21 | |
and an agricultural heritage, Thorncombe | 0:14:21 | 0:14:24 | |
offers a typical slice of Dorset rural living. | 0:14:24 | 0:14:27 | |
Property number two sits far enough outside the village | 0:14:27 | 0:14:31 | |
to deliver that rural setting for John. | 0:14:31 | 0:14:33 | |
Surrounded by a generous plot of land, | 0:14:33 | 0:14:36 | |
the house dates back to the 19th century, | 0:14:36 | 0:14:39 | |
and was originally thought to be a flax worker's cottage, typical of the area. | 0:14:39 | 0:14:44 | |
So we've travelled from east to west Dorset. | 0:14:44 | 0:14:47 | |
We're on the Somerset border now, | 0:14:47 | 0:14:49 | |
and here is your second property. | 0:14:49 | 0:14:52 | |
What do you think? | 0:14:52 | 0:14:54 | |
Impressed. Yes? It's like something out of a storybook. | 0:14:54 | 0:14:58 | |
It's very attractive, isn't it? Mm. John? Very solid, yeah. | 0:14:58 | 0:15:03 | |
Nice shape, interesting. | 0:15:03 | 0:15:05 | |
Shall we step inside? Perfect. Come on. | 0:15:05 | 0:15:09 | |
As usual, John's keeping his cards close to his chest. | 0:15:09 | 0:15:13 | |
So, step inside, up the stairs. | 0:15:18 | 0:15:21 | |
Because this part, this is the old worker's cottage. | 0:15:21 | 0:15:25 | |
Mm. The oldest part of the property. | 0:15:25 | 0:15:28 | |
Greeted by a huge inglenook. | 0:15:28 | 0:15:30 | |
Yes, I love that. | 0:15:30 | 0:15:32 | |
It's interesting, it's possibly smaller than the other place, | 0:15:33 | 0:15:37 | |
and yet it feels better. | 0:15:37 | 0:15:40 | |
You get that instant feeling as you come through the door? Yeah. | 0:15:40 | 0:15:44 | |
So this room flows into the study next door. | 0:15:44 | 0:15:47 | |
It's quite a large area and I know that's important for both of you for the business. | 0:15:47 | 0:15:53 | |
OK, let's keep going. | 0:15:53 | 0:15:55 | |
Well, John seems to be coming round. | 0:15:55 | 0:15:58 | |
Let's see what they think of the kitchen. | 0:15:58 | 0:16:01 | |
So, I know we're after a large kitchen. | 0:16:01 | 0:16:05 | |
Yes. How's this for size? This is spectacular. | 0:16:05 | 0:16:08 | |
We could cook in here and be in the same room, not yelling through a wall. | 0:16:08 | 0:16:13 | |
It's social, isn't it, the way it's set out? | 0:16:13 | 0:16:16 | |
So you wouldn't change a lot in this room? | 0:16:16 | 0:16:20 | |
No, maybe just the furniture. Yes, and how we use it. Yeah. | 0:16:20 | 0:16:25 | |
Put your own mark on it. Mm. | 0:16:25 | 0:16:28 | |
Like the first property, the kitchen has a utility room, adjacent to which is a cloakroom. | 0:16:30 | 0:16:35 | |
And upstairs there are three bedrooms to choose from. | 0:16:35 | 0:16:38 | |
I think this could make a fantastic master bedroom. | 0:16:42 | 0:16:46 | |
The exposed beams just add so much to the room. | 0:16:46 | 0:16:50 | |
Even the wall, it's not a straight wall. | 0:16:50 | 0:16:54 | |
The chimney's underneath us, the inglenook. | 0:16:54 | 0:16:57 | |
So you can see that's the flue going up. | 0:16:57 | 0:17:00 | |
What do you think, John? Nice shape. Window onto the road. Not sure about that. | 0:17:00 | 0:17:05 | |
The only good thing is, there's hardly any traffic. That's the good news. | 0:17:05 | 0:17:10 | |
This room may overlook the country lane, but it has a spacious en-suite, | 0:17:10 | 0:17:15 | |
and there's another option for a master bedroom. | 0:17:15 | 0:17:18 | |
Or you could use this bedroom as your master, | 0:17:20 | 0:17:24 | |
as it has a bathroom next door. | 0:17:24 | 0:17:26 | |
Wonderful. This is a really big room as well, and almost | 0:17:26 | 0:17:30 | |
brighter. | 0:17:30 | 0:17:31 | |
Yes, well, it's triple aspect, | 0:17:31 | 0:17:34 | |
and you've got similar views. | 0:17:34 | 0:17:38 | |
Next door, the second bathroom also has generous proportions, | 0:17:38 | 0:17:42 | |
as does the third bedroom. | 0:17:42 | 0:17:44 | |
Outside, there's a garage with space for a workshop, which is important to John. | 0:17:44 | 0:17:50 | |
In the last property, Christina said she'd like lots of nooks and crannies to explore. | 0:17:50 | 0:17:55 | |
This property offers that and a whole lot more. | 0:17:55 | 0:17:59 | |
I wanted to bring you up here so that you could really appreciate the property. | 0:18:03 | 0:18:08 | |
It's beautiful. The landscape just rolls forever, doesn't it? | 0:18:08 | 0:18:13 | |
This is all yours. | 0:18:13 | 0:18:15 | |
There's a vegetable patch which comes with the property, | 0:18:15 | 0:18:18 | |
and you've got three outbuildings as well. | 0:18:18 | 0:18:21 | |
One's just been made into a stable block, you've got the barn, | 0:18:21 | 0:18:24 | |
and there's planning permission | 0:18:24 | 0:18:26 | |
to take that down and build, on the same footprint, another stable block, should you want to. | 0:18:26 | 0:18:32 | |
So, time to guess the price. | 0:18:32 | 0:18:34 | |
Oh, I'd say higher end of our budget. | 0:18:34 | 0:18:38 | |
Eight. OK, 800,000 for you. | 0:18:38 | 0:18:41 | |
John? | 0:18:41 | 0:18:43 | |
Hm, interesting. | 0:18:43 | 0:18:46 | |
815. | 0:18:46 | 0:18:47 | |
815? So you're both quite close, really, aren't you? | 0:18:47 | 0:18:51 | |
?750,000. HE LAUGHS | 0:18:52 | 0:18:56 | |
50,000 under your budget, and | 0:18:56 | 0:18:59 | |
it only has just gone on the market. Right. | 0:18:59 | 0:19:02 | |
Wow! | 0:19:02 | 0:19:04 | |
John, any feedback? | 0:19:21 | 0:19:23 | |
I reserve judgment. I reserve the right to not commit. | 0:19:23 | 0:19:26 | |
Lots to think about. | 0:19:26 | 0:19:28 | |
As the sun sets over the Dorset fields, | 0:19:36 | 0:19:38 | |
John and Christina have plenty to consider after their first day of house hunting. | 0:19:38 | 0:19:43 | |
Well, it's day two. | 0:19:49 | 0:19:51 | |
Yesterday didn't go quite as well as I hoped it would. | 0:19:51 | 0:19:55 | |
Now, I seem to have a supporter in Christina, but John wasn't bowled over at all. | 0:19:55 | 0:20:01 | |
So today we're going to show them our third property, the mystery house. | 0:20:01 | 0:20:06 | |
Like John, I'm not going to give too much away, | 0:20:06 | 0:20:09 | |
but I will say this - | 0:20:09 | 0:20:10 | |
character and quirkiness they've asked for, | 0:20:10 | 0:20:13 | |
and that's exactly what we're going to show them. | 0:20:13 | 0:20:17 | |
Our mystery property lies in the village of Axmouth, | 0:20:18 | 0:20:21 | |
over the border in east Devon. | 0:20:21 | 0:20:24 | |
Taking its name from its position at the mouth of the River Axe, | 0:20:24 | 0:20:28 | |
the 500 residents enjoy views stretching out over the estuary, | 0:20:28 | 0:20:31 | |
past an impressive 15th-century church tower. | 0:20:31 | 0:20:35 | |
The village is laden with charming thatched cottages, | 0:20:35 | 0:20:38 | |
but our very attached mystery property has a more regal air. | 0:20:38 | 0:20:42 | |
So, third and final property. It is our mystery house. | 0:20:44 | 0:20:48 | |
Extremely different from the others that we've shown you. | 0:20:48 | 0:20:51 | |
What do you think? Beautiful, classic. | 0:20:51 | 0:20:55 | |
Surprised? Yeah, very surprised, yeah. | 0:20:55 | 0:20:57 | |
Built in 1878, it was one family's home, can you believe? | 0:20:57 | 0:21:02 | |
Later on it became a school, | 0:21:02 | 0:21:03 | |
and then it's been renovated into five amazing homes. | 0:21:03 | 0:21:08 | |
Wow. Nice. Yeah. | 0:21:08 | 0:21:10 | |
Fantastic. Well, let's start the tour, | 0:21:10 | 0:21:11 | |
because this is a house like I've never seen before. Come on. | 0:21:11 | 0:21:16 | |
Architecturally, the property is fascinating. | 0:21:16 | 0:21:19 | |
The exterior is a mishmash of architectural styles, | 0:21:19 | 0:21:23 | |
from Tudor to Jacobean. | 0:21:23 | 0:21:25 | |
Once inside, the living areas can be found on the first floor. | 0:21:26 | 0:21:30 | |
And here is your kitchen. | 0:21:30 | 0:21:32 | |
Magnificent. It is. | 0:21:32 | 0:21:35 | |
JOHN LAUGHS | 0:21:35 | 0:21:36 | |
The windows, the big working area. | 0:21:36 | 0:21:41 | |
Originally, it was the butler's bedroom. | 0:21:41 | 0:21:43 | |
Wow. Big bedroom. So it didn't look like this. | 0:21:43 | 0:21:47 | |
Beautiful. | 0:21:47 | 0:21:49 | |
It's the first one that's made me think I could move in. | 0:21:49 | 0:21:53 | |
Oh, yeah. Good, well, let's continue. | 0:21:53 | 0:21:55 | |
Mm. Great. | 0:21:55 | 0:21:57 | |
John's positivity is a refreshing surprise, and I'm sure the next room won't disappoint. | 0:22:00 | 0:22:06 | |
And this is your drawing room. | 0:22:08 | 0:22:11 | |
Wow! | 0:22:11 | 0:22:13 | |
Gosh. Oh! Oh! | 0:22:15 | 0:22:17 | |
JOHN LAUGHS | 0:22:17 | 0:22:18 | |
A little bit of a gem, isn't it? It is, isn't it? The size of it. | 0:22:18 | 0:22:22 | |
So the panelling around, that is the original Victorian panelling. | 0:22:22 | 0:22:26 | |
The most amazing fireplace is actually Georgian. | 0:22:26 | 0:22:31 | |
It's Italian marble, so it's a lot older than this property. | 0:22:31 | 0:22:35 | |
Oh, it's just spectacular. | 0:22:35 | 0:22:37 | |
I know I keep using that word, but... | 0:22:37 | 0:22:40 | |
And you know what? There's even more to discover with this home. Let's proceed. | 0:22:41 | 0:22:46 | |
I think the level of finish and the room dimensions are really hitting the mark so far. | 0:22:48 | 0:22:53 | |
Laid out over the second and third floors, | 0:22:53 | 0:22:56 | |
the four bedrooms don't disappoint either. | 0:22:56 | 0:22:59 | |
And here you have a rather palatial master bedroom. | 0:23:02 | 0:23:05 | |
Wow. Wow. | 0:23:05 | 0:23:07 | |
Oh, look at the ceiling and the windows! | 0:23:07 | 0:23:12 | |
It's pretty ornate, isn't it? Oh! | 0:23:12 | 0:23:14 | |
It continues the theme, doesn't it? It does. The level of decor and the quality. | 0:23:14 | 0:23:19 | |
And the doors are all original, the panelling. | 0:23:19 | 0:23:22 | |
This is how it would have looked. Downstairs it's been painted on. | 0:23:22 | 0:23:27 | |
And the windows, it's fantastic, isn't it? | 0:23:27 | 0:23:30 | |
That leaded glass is just beautiful. | 0:23:30 | 0:23:33 | |
Wow. | 0:23:33 | 0:23:35 | |
Follow me. | 0:23:35 | 0:23:36 | |
The other bedroom is equally regal and comes with an en-suite. | 0:23:39 | 0:23:43 | |
There's also a large family bathroom on this floor. | 0:23:43 | 0:23:47 | |
On the top floor, there's still more to come, | 0:23:47 | 0:23:50 | |
with yet another bathroom, bedroom number three | 0:23:50 | 0:23:54 | |
and the final room, which could be the perfect work hideaway. | 0:23:54 | 0:23:58 | |
This is the fourth bedroom. I think it makes a fantastic study/office. | 0:23:58 | 0:24:03 | |
It's beautiful. Look at the view. | 0:24:03 | 0:24:05 | |
Mm. Lovely. | 0:24:05 | 0:24:06 | |
And I can see two desks, plenty of space. | 0:24:06 | 0:24:09 | |
You could work side by side. | 0:24:09 | 0:24:11 | |
Or I could just go to the beach while he's working. Yeah. | 0:24:11 | 0:24:15 | |
Why don't we head back downstairs and you can look at the outside again? Perfect. | 0:24:15 | 0:24:20 | |
And think how much it's all worth. Mm. | 0:24:20 | 0:24:22 | |
John, do you want to lead the way? | 0:24:22 | 0:24:24 | |
Outside, the communal grounds are made up of woodland and pasture, | 0:24:27 | 0:24:31 | |
so the only thing left to discuss is the price. | 0:24:31 | 0:24:34 | |
So, that's the grand tour over, So, guess the price. | 0:24:37 | 0:24:42 | |
I think it's around ?850,000. | 0:24:42 | 0:24:45 | |
OK. Christina? | 0:24:45 | 0:24:47 | |
I'm close to that. I'd say 875. | 0:24:47 | 0:24:51 | |
You're ?100,000 over. | 0:24:54 | 0:24:57 | |
The asking price is ?775,000, | 0:24:57 | 0:25:01 | |
and that includes all the furniture and fittings, should you want them. | 0:25:01 | 0:25:07 | |
Wow! | 0:25:07 | 0:25:09 | |
Wow. Yeah. | 0:25:09 | 0:25:11 | |
That makes quite a difference, doesn't it? Yeah. | 0:25:11 | 0:25:15 | |
Well, it looks like the mystery house has done it again. | 0:25:15 | 0:25:19 | |
And for the first time on this tour I really think we've shown John | 0:25:34 | 0:25:39 | |
something he would consider buying. | 0:25:39 | 0:25:41 | |
I think you need to discuss and collect your thoughts. Come on. | 0:25:41 | 0:25:45 | |
Our house hunters have seen everything we had to show them in this beautiful part of Britain. | 0:25:55 | 0:26:01 | |
But were any of the properties right for them? Let's find out. | 0:26:01 | 0:26:05 | |
Well, Christina and John, from the bustle of London to the tranquillity of Dorset, | 0:26:12 | 0:26:17 | |
we've certainly seen this county. Have you enjoyed it? | 0:26:17 | 0:26:21 | |
Now the first property we saw, we went to the Hampshire border | 0:26:21 | 0:26:26 | |
and that four-bedroom house, very attractive from the outside. | 0:26:26 | 0:26:31 | |
It just didn't have that warm feel, like it could be home | 0:26:31 | 0:26:36 | |
We moved on to the second property in the west of Dorset, | 0:26:36 | 0:26:39 | |
just on the Somerset border this time. Beautiful. | 0:26:39 | 0:26:43 | |
First impressions for both of you I thought were quite good. | 0:26:43 | 0:26:47 | |
John, you're quite difficult to read, but I think you warmed up as we went round. | 0:26:47 | 0:26:52 | |
It just seemed to flow better. | 0:26:52 | 0:26:54 | |
So it gave me a better impression of the house, even though it was narrow and thin. | 0:26:54 | 0:26:58 | |
I think we did better with our mystery house. | 0:26:58 | 0:27:03 | |
It was absolutely perfect. | 0:27:03 | 0:27:06 | |
There isn't anything that I could fault. | 0:27:06 | 0:27:09 | |
The inside of the property, it was just spectacular. | 0:27:09 | 0:27:13 | |
I could picture both of us there. | 0:27:13 | 0:27:17 | |
It was literally like picking up our existing place | 0:27:17 | 0:27:19 | |
and moving it to the sea. | 0:27:19 | 0:27:22 | |
I think we need more space, away from people. | 0:27:22 | 0:27:25 | |
You want that isolation. I think we do. | 0:27:25 | 0:27:28 | |
So what is the next step for you both? | 0:27:28 | 0:27:31 | |
Is Dorset the county? | 0:27:31 | 0:27:32 | |
We like Dorset and we haven't really explored this area a lot. | 0:27:32 | 0:27:37 | |
Well, hopefully we've helped you narrow the search to Dorset | 0:27:37 | 0:27:42 | |
and showed you some houses you might not have considered. You definitely did. | 0:27:42 | 0:27:46 | |
We wish you all the best and I hope you make the move soon. | 0:27:46 | 0:27:50 | |
Thanks very much. | 0:27:50 | 0:27:52 | |
It seems John and Christina really crave the rural lifestyle without any close neighbours. | 0:27:59 | 0:28:06 | |
Now although we didn't manage to find them their perfect property, | 0:28:06 | 0:28:09 | |
I hope we've helped on their journey | 0:28:09 | 0:28:12 | |
to find their dream home. | 0:28:12 | 0:28:14 | |
Join us again next time. Bye-bye. | 0:28:14 | 0:28:18 | |
If you'd like to escape to the country | 0:28:18 | 0:28:20 | |
in Wales, Scotland, N Ireland or England and need our help, | 0:28:20 | 0:28:26 | |
please apply online at - | 0:28:26 | 0:28:28 | |
Subtitles by Red Bee Media Ltd | 0:28:50 | 0:28:53 |