Browse content similar to Essex. Check below for episodes and series from the same categories and more!
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I do love a good castle and this is one of the best. | 0:00:03 | 0:00:06 | |
It's the largest surviving Norman keep in England | 0:00:06 | 0:00:09 | |
and it comes with some pretty impressive vital statistics. | 0:00:09 | 0:00:12 | |
That tower is 110 ft high. | 0:00:12 | 0:00:15 | |
And it's said that the walls are 12ft thick, | 0:00:15 | 0:00:18 | |
which goes some way to explaining why it has been here for the last 900 years or so. | 0:00:18 | 0:00:23 | |
So join me as we lay siege to yet more gorgeous, | 0:00:23 | 0:00:26 | |
rural properties on today's Escape To The Country. | 0:00:26 | 0:00:29 | |
Today we have two London-based sisters looking for a country property | 0:00:44 | 0:00:48 | |
to suit their sense of individuality and style. | 0:00:48 | 0:00:52 | |
This is me! | 0:00:52 | 0:00:53 | |
Quite excitable. | 0:00:53 | 0:00:55 | |
Aaaaahhhh! | 0:00:57 | 0:00:59 | |
Mwah! Ohhh! Jules! | 0:00:59 | 0:01:03 | |
And when they see the mystery house, there's a moment of enlightenment. | 0:01:05 | 0:01:09 | |
# Hallelujah! # | 0:01:09 | 0:01:11 | |
Today we're in Essex, inside the great keep at Hedingham Castle. | 0:01:14 | 0:01:18 | |
Home to the de Vere family for the last 550 years, | 0:01:18 | 0:01:21 | |
over the centuries, they have had some pretty impressive house guests, | 0:01:21 | 0:01:25 | |
amongst them Henry VII, Henry VIII and Elizabeth I. | 0:01:25 | 0:01:27 | |
All of whom, it's thought, dined here in the banqueting hall, | 0:01:27 | 0:01:31 | |
underneath this enormous arch, | 0:01:31 | 0:01:33 | |
thought to be one of the biggest Norman arches in England. | 0:01:33 | 0:01:36 | |
All 28ft of it. | 0:01:36 | 0:01:38 | |
Situated north east of London and due south of neighbouring Suffolk, | 0:01:42 | 0:01:46 | |
Essex offers up the best of both town and country. | 0:01:46 | 0:01:50 | |
With excellent transport links into the city, | 0:01:50 | 0:01:52 | |
West Essex is a popular base for commuters to set up home, | 0:01:52 | 0:01:56 | |
while the north of the county is full of picturesque villages with beautiful countryside, | 0:01:56 | 0:02:00 | |
which inspired some of the country's most prolific landscape painters. | 0:02:00 | 0:02:06 | |
Meanwhile, more than 300 miles of coastline makes the most | 0:02:06 | 0:02:09 | |
of some of the highest summer temperatures in the UK. | 0:02:09 | 0:02:12 | |
In the heart of the county, | 0:02:12 | 0:02:14 | |
Colchester was the capital of Roman Britain | 0:02:14 | 0:02:16 | |
and still boasts remnants of the occupation. | 0:02:16 | 0:02:20 | |
Many buildings, such as the Norman-built Colchester Castle, appropriated Roman bricks | 0:02:20 | 0:02:24 | |
as there's very little natural stone in the area. | 0:02:24 | 0:02:27 | |
Essex's rich history explains its 14,000 listed buildings, | 0:02:27 | 0:02:31 | |
characterised by the medieval timber-framed houses scattered throughout the county. | 0:02:31 | 0:02:36 | |
So, if value for money is what you're after, Essex could be a pretty good bet. | 0:02:40 | 0:02:45 | |
There is plenty on the market. What are today's buyers after? | 0:02:45 | 0:02:48 | |
Well, let's go and meet them. | 0:02:48 | 0:02:50 | |
This is Morva her younger sister Doreen, who, | 0:02:50 | 0:02:53 | |
after raising a family in her three-bedroomed terrace in South London, | 0:02:53 | 0:02:56 | |
wants to swap the city for the country and has enrolled her big sister to help. | 0:02:56 | 0:03:01 | |
Although Morva won't be moving, | 0:03:01 | 0:03:04 | |
she knows better than anybody what makes her sibling tick. | 0:03:04 | 0:03:07 | |
Doreen is a self-confessed dreamer with one big personality, | 0:03:07 | 0:03:10 | |
so this move isn't just about a better quality of life. | 0:03:10 | 0:03:13 | |
This is about fulfilling a lifelong ambition - and she wants it all. | 0:03:13 | 0:03:17 | |
Which is where her sister comes in, to keep things in perspective. | 0:03:17 | 0:03:21 | |
We are really a team because, of course, my imagination is huge, | 0:03:21 | 0:03:26 | |
but my pocket is small. | 0:03:26 | 0:03:27 | |
Although Doreen loves her current home, | 0:03:27 | 0:03:31 | |
this move is about changing location. | 0:03:31 | 0:03:33 | |
The area has never been ideal. It's just very, very busy. | 0:03:33 | 0:03:38 | |
If there is a diversion, it goes down this road. | 0:03:38 | 0:03:41 | |
So, it's goodbye to city traffic, and hello to Essex countryside. | 0:03:41 | 0:03:46 | |
But what style of property is she after? | 0:03:46 | 0:03:48 | |
New builds - no, that's not me. | 0:03:48 | 0:03:51 | |
But Edwardian, Victorian... Oh, my God, churches. | 0:03:51 | 0:03:57 | |
With the old features still there, intact. | 0:03:57 | 0:04:00 | |
The steeple again. That's what we've talked about before. | 0:04:02 | 0:04:05 | |
The smell of old wood. | 0:04:05 | 0:04:07 | |
Doreen, don't get carried away! | 0:04:07 | 0:04:11 | |
Before we lose Doreen to her impressive imagination, | 0:04:11 | 0:04:14 | |
let's find out about the details. | 0:04:14 | 0:04:17 | |
Detached property that has three to four bedrooms. | 0:04:17 | 0:04:21 | |
That Gone With The Wind hallway, where the stairs go up like that. | 0:04:21 | 0:04:27 | |
You're not going to get that! | 0:04:27 | 0:04:29 | |
Huge kitchen, enough to put a settee, fireplaces. | 0:04:29 | 0:04:33 | |
Love fireplaces in the living area. | 0:04:33 | 0:04:36 | |
En suite is good, two is a bonus. | 0:04:36 | 0:04:40 | |
I love windows that are very church-like. I don't like square. | 0:04:40 | 0:04:45 | |
I'm not a square person. Don't give me nothing square! | 0:04:45 | 0:04:48 | |
No, don't give me square. It must have some form of curves on it. | 0:04:48 | 0:04:53 | |
Grounds. Grounds. | 0:04:53 | 0:04:54 | |
Good-sized grounds. A great plot. Enough plot that I can manage anyway. | 0:04:54 | 0:04:58 | |
Anything under my budget so that I'm able to change things to how I want them would be the ace card. | 0:04:58 | 0:05:06 | |
It sounds like Doreen is expecting a country manor to me. | 0:05:06 | 0:05:10 | |
Thank goodness we have Morva to calm things down. | 0:05:10 | 0:05:13 | |
Doreen will be selling her house to fund the move, | 0:05:13 | 0:05:15 | |
so what is the budget? | 0:05:15 | 0:05:17 | |
The maximum budget that I have to spend is ?400,000. | 0:05:17 | 0:05:20 | |
Well, I think I'm in for a bit of a treat here. | 0:05:23 | 0:05:26 | |
Doreen is clearly good fun and is after a nice property | 0:05:26 | 0:05:29 | |
with a few quirks and as much character as she's got. | 0:05:29 | 0:05:32 | |
Squares are out, curves are in and modern? | 0:05:32 | 0:05:35 | |
Well, that's a dirty word as far as Doreen is concerned. | 0:05:35 | 0:05:38 | |
But she's also clearly a bit of a dreamer. | 0:05:38 | 0:05:41 | |
?400,000 for a mansion in Essex with a Gone With The Wind staircase, | 0:05:41 | 0:05:45 | |
that is going to be tricky. | 0:05:45 | 0:05:47 | |
But fortunately, she's brought her sister along to keep her feet firmly on the ground. | 0:05:47 | 0:05:52 | |
That is going to be quite a task. | 0:05:52 | 0:05:54 | |
Doreen wants a rural home | 0:05:57 | 0:05:59 | |
that also has good commuting links into London, | 0:05:59 | 0:06:02 | |
so we'll be focusing our search between Braintree and Colchester. | 0:06:02 | 0:06:05 | |
We'll be showing them three properties | 0:06:05 | 0:06:07 | |
without telling them the prices until the end of the tours. | 0:06:07 | 0:06:10 | |
The third, of course, is the mystery house, | 0:06:10 | 0:06:12 | |
which may challenge Doreen's idea of a character country home | 0:06:12 | 0:06:16 | |
and push the boundaries of her colourful imagination. | 0:06:16 | 0:06:19 | |
Well, guys, it's lovely to see you here in Essex. | 0:06:21 | 0:06:24 | |
How does it feel to be finally starting your house hunt, Doreen? Very, very exciting, Jules. | 0:06:24 | 0:06:29 | |
Just remind us of the budget. | 0:06:29 | 0:06:32 | |
Well, the budget I have is ?400,000. | 0:06:32 | 0:06:35 | |
And how do you feel about her moving out of London? | 0:06:35 | 0:06:37 | |
All your family are there, your extended family. | 0:06:37 | 0:06:40 | |
You've got a huge family. You're going to be out on a limb. | 0:06:40 | 0:06:43 | |
No, no, no, because as I said, it's only an hour | 0:06:43 | 0:06:47 | |
and that is no distance because we are enormously close, so an hour is nothing. | 0:06:47 | 0:06:53 | |
We've got three properties to show you, including, of course, the mystery house. | 0:06:53 | 0:06:57 | |
Let's go and see what we can find you. OK, please, let's go. | 0:06:57 | 0:07:01 | |
Follow me, follow me. | 0:07:01 | 0:07:02 | |
With a budget of ?400,000, Doreen is after a detached character property. | 0:07:04 | 0:07:08 | |
She'd like a kitchen that could accommodate a sofa, | 0:07:08 | 0:07:11 | |
a spacious living room, and at least three bedrooms. | 0:07:11 | 0:07:14 | |
Ideally, she'd also like outbuildings, a garage and land. | 0:07:14 | 0:07:19 | |
All quite an ask for the budget. So this is going to be a tough one. | 0:07:19 | 0:07:23 | |
Our first property lies in Sible Hedingham, a mile away | 0:07:24 | 0:07:28 | |
from the attractive medieval village of Castle Hedingham. | 0:07:28 | 0:07:31 | |
Developed around the Norman motte-and-bailey castle, | 0:07:31 | 0:07:34 | |
Castle Hedingham also boasts an impressive 12th century Gothic church. | 0:07:34 | 0:07:38 | |
The area is home to a wide selection of timber-framed houses that date back to the 1400s. | 0:07:38 | 0:07:43 | |
Just 15 minutes from Braintree with good rail links back to London, | 0:07:43 | 0:07:48 | |
our first property is ideally situated for commuting | 0:07:48 | 0:07:51 | |
and also has loads of period charm. | 0:07:51 | 0:07:53 | |
Let's start with this one. What do you reckon? | 0:07:53 | 0:07:56 | |
Oh! It's very different. | 0:07:56 | 0:07:59 | |
A lot of the properties here are listed. This is one of them. | 0:07:59 | 0:08:02 | |
It's listed? Yep. It used to be the old bakery, years and years ago. | 0:08:02 | 0:08:06 | |
It has been extended in the '70s | 0:08:06 | 0:08:08 | |
but it has also been recently renovated. | 0:08:08 | 0:08:11 | |
That's good. So, you've got something with loads of character and history. | 0:08:11 | 0:08:17 | |
Jules. I just so want to go inside. Please, let's just get inside! | 0:08:17 | 0:08:22 | |
Stop talking, Jules. Come on! | 0:08:22 | 0:08:24 | |
Well, no messing about, then. Let's see what this old bakery can cook up for Doreen and Morva. | 0:08:24 | 0:08:30 | |
Now then. Come on in. What do you reckon? I think it's lovely! | 0:08:31 | 0:08:38 | |
This is definitely me, I've got to say. | 0:08:38 | 0:08:40 | |
I just think that it's a bit small. | 0:08:40 | 0:08:43 | |
Mm. I've got four boys who are 6ft 3in. | 0:08:43 | 0:08:46 | |
Do you know what I'm saying? | 0:08:46 | 0:08:48 | |
I'm thinking they will be walking like... | 0:08:48 | 0:08:51 | |
They made 'em smaller in medieval England. | 0:08:51 | 0:08:54 | |
Not a bad first impression | 0:08:55 | 0:08:57 | |
but Doreen has to realise that a period property on her budget | 0:08:57 | 0:09:01 | |
isn't going to have the dimensions of a stately manor. | 0:09:01 | 0:09:04 | |
So, leading on, we've got this. This is quite sweet. Dining area for you. | 0:09:04 | 0:09:08 | |
Yes, it's actually sweet. | 0:09:10 | 0:09:11 | |
You see, Morva's worrying me because I know exactly what you're doing. | 0:09:11 | 0:09:15 | |
You're saying small, small, small. It's a very cosy dining room. | 0:09:15 | 0:09:18 | |
Nice multi-fuel burner there. Really, really cosy. | 0:09:18 | 0:09:22 | |
This would be more like a study. As a study, would it be better? | 0:09:22 | 0:09:26 | |
Yes it would be, I think so. No, it's a hallway. | 0:09:26 | 0:09:30 | |
Excellent. Let's carry on and have a look at the kitchen. | 0:09:30 | 0:09:34 | |
This is the kitchen, as you can see. | 0:09:36 | 0:09:39 | |
Oh, it's sweet. You see, I'm worried straight away. This is gorgeous. | 0:09:39 | 0:09:45 | |
I do like the feel of the kitchen. I could work in here. | 0:09:45 | 0:09:49 | |
But it's not big enough at all. | 0:09:49 | 0:09:51 | |
Well, let's have a look upstairs through the dining room, well, hallway, shall we say? | 0:09:51 | 0:09:55 | |
Nice chimney breast there. That's coming up from downstairs. | 0:09:59 | 0:10:03 | |
It's got such a good feel. | 0:10:03 | 0:10:05 | |
Nice, isn't it? I do. I really like the feel of up here. | 0:10:05 | 0:10:07 | |
Now, you know, I'm changing again. I'm thinking this works. | 0:10:07 | 0:10:12 | |
This is a nice room. I do like that. | 0:10:12 | 0:10:15 | |
OK, so you're happy in here? I'm happy in here. | 0:10:15 | 0:10:18 | |
Let's find you a master bedroom. | 0:10:18 | 0:10:20 | |
This is your room. | 0:10:20 | 0:10:22 | |
I love this. I do. | 0:10:22 | 0:10:23 | |
This is just the type of bedroom I love. It is nice. | 0:10:23 | 0:10:28 | |
The rusticness of it is so me. | 0:10:28 | 0:10:31 | |
The other two further bedrooms are set in the eaves | 0:10:31 | 0:10:34 | |
with one currently being used as a library, and there's also a family bathroom. | 0:10:34 | 0:10:38 | |
Outside there's a charming 100-foot garden for Doreen to make her own. | 0:10:38 | 0:10:43 | |
Out you come. | 0:10:43 | 0:10:44 | |
What do you think of the garden? | 0:10:44 | 0:10:46 | |
It's a workable garden, I'll give you that, yeah. I think so, too. | 0:10:46 | 0:10:49 | |
Yeah? You've got the patio behind us. | 0:10:49 | 0:10:51 | |
Then over there, quite a well-established vegetable patch and so forth. | 0:10:51 | 0:10:55 | |
Let's have a think about the price, shall we? Yeah. | 0:10:55 | 0:10:58 | |
The price I'm thinking of is 389,950. | 0:10:58 | 0:11:04 | |
389,950, yeah, OK. | 0:11:04 | 0:11:07 | |
I think ?350,000. ?350,000? Is that what you're trying to say? | 0:11:07 | 0:11:14 | |
Actually, yeah, that's what I'm trying to say. ?350,000. | 0:11:14 | 0:11:18 | |
Well, the good news is that you're both wrong. | 0:11:18 | 0:11:21 | |
This could be yours for 335. | 0:11:21 | 0:11:23 | |
Jules, that is actually very good. | 0:11:25 | 0:11:27 | |
Ah now, look at you change your tune, Doreen! | 0:11:27 | 0:11:30 | |
That's a decent price, isn't it? It's a very good price. | 0:11:30 | 0:11:32 | |
It's a very good price. | 0:11:32 | 0:11:33 | |
You have got my feel. That's definitely got me written on it. | 0:11:33 | 0:11:38 | |
Under budget at ?335,000, this property has four bedrooms, | 0:11:39 | 0:11:44 | |
a practical, modern kitchen | 0:11:44 | 0:11:46 | |
and the living areas offer a host of period features. | 0:11:46 | 0:11:49 | |
There's a good-sized garden to the rear | 0:11:49 | 0:11:51 | |
but will the dimensions of the property | 0:11:51 | 0:11:54 | |
satisfy Doreen's high expectations? | 0:11:54 | 0:11:57 | |
Let's go and find you... something else. Yeah. | 0:11:58 | 0:12:02 | |
Over the last century, Essex has lost 59 historic houses. | 0:12:09 | 0:12:14 | |
Including Marks Hall, in Coggeshall, which was demolished in 1951, | 0:12:14 | 0:12:18 | |
after falling into disrepair. | 0:12:18 | 0:12:20 | |
This once magnificent mansion was part of an estate | 0:12:20 | 0:12:24 | |
that covered more than 2,000 acres | 0:12:24 | 0:12:26 | |
and although the house no longer stands, a charitable trust was established in 1971 | 0:12:26 | 0:12:31 | |
to breathe new life into the grounds. | 0:12:31 | 0:12:33 | |
I went to meet head curator Jonathan Dukes | 0:12:33 | 0:12:35 | |
to find out about the impressive arboretum that's been developed. | 0:12:35 | 0:12:38 | |
How many acres does it cover? The area here we've got as a garden arboretum | 0:12:38 | 0:12:42 | |
is about 200 acres. | 0:12:42 | 0:12:44 | |
The estate is now home to a stunning collection of trees and plants | 0:12:44 | 0:12:47 | |
from around the world, including many rare and endangered species. | 0:12:47 | 0:12:52 | |
I have to say, it's absolutely lovely. | 0:12:52 | 0:12:55 | |
In terms of the planting we've got here, is this typical? | 0:12:55 | 0:12:57 | |
The way we decided to form our collection here was geographically. | 0:12:57 | 0:13:01 | |
This is pretty much Asia. A lot of these are Chinese, Japanese species in here. | 0:13:01 | 0:13:05 | |
So, plants like to grow with their friends, so we group them like that. | 0:13:05 | 0:13:09 | |
I love that! | 0:13:09 | 0:13:10 | |
So, after a stroll through Europe, past one of the last | 0:13:10 | 0:13:14 | |
of 700-year-old oaks left in the park, | 0:13:14 | 0:13:17 | |
it's time to experience something even older. | 0:13:17 | 0:13:20 | |
This looks very prehistoric. What is this? | 0:13:20 | 0:13:23 | |
This is the Wollemi pine. | 0:13:23 | 0:13:24 | |
This was found, astonishingly, | 0:13:24 | 0:13:27 | |
growing in Australia in the early '90s. | 0:13:27 | 0:13:29 | |
So it was lost to us completely? | 0:13:29 | 0:13:32 | |
This is what tree collections are all about. | 0:13:32 | 0:13:34 | |
A rare plant in an endangered environment, | 0:13:34 | 0:13:36 | |
propagated and moved all over the world, so it's safe in collections. | 0:13:36 | 0:13:40 | |
It's a terrific testament to your 25 years here, Jonathan. | 0:13:40 | 0:13:43 | |
You've rescued this estate from certain destruction. | 0:13:43 | 0:13:48 | |
So, whilst the house may have disappeared from Marks Hall, | 0:13:48 | 0:13:52 | |
thanks to Jonathan and the rest of the team here, they've gained an important arboretum | 0:13:52 | 0:13:56 | |
and saved the estate from being swept away into the mists of time. | 0:13:56 | 0:14:00 | |
It's time we returned to the house-hunt. | 0:14:00 | 0:14:04 | |
Our second property lies near the village of Panfield. | 0:14:06 | 0:14:10 | |
Mentioned in the Domesday Book of 1086, | 0:14:10 | 0:14:12 | |
the village is also home to a charming 15th century church. | 0:14:12 | 0:14:16 | |
If Doreen wants to get to know the locals, there's an inviting pub | 0:14:16 | 0:14:19 | |
and it's also just ten minutes from Braintree for those all-important rail links. | 0:14:19 | 0:14:24 | |
Jules, where are you taking us? | 0:14:24 | 0:14:26 | |
Well, it's not the normal approach to a property on Escape To The Country, is it? | 0:14:26 | 0:14:30 | |
But it will all make sense in just a moment, look. Have a look at this. | 0:14:30 | 0:14:34 | |
Now, what was that thing about chapels you said? I love chapels. | 0:14:34 | 0:14:38 | |
There you go. Is that a chapel? It's a converted chapel. | 0:14:38 | 0:14:41 | |
Late Victorian chapel. Described as an "Evangelical" chapel. Really? | 0:14:41 | 0:14:46 | |
Just like me. Just like you! | 0:14:46 | 0:14:48 | |
Jules, my heart is beating too fast. Yeah? | 0:14:48 | 0:14:50 | |
Can we get inside, please? She wants to go in - we'd better do that! | 0:14:50 | 0:14:55 | |
Well, it looks like this former Evangelical chapel is singing the right tune for Doreen so far. | 0:14:55 | 0:15:02 | |
Right. | 0:15:02 | 0:15:03 | |
Come on in here. | 0:15:04 | 0:15:05 | |
Let's start with one of the two reception rooms you've got to play with. | 0:15:05 | 0:15:11 | |
Oh, it's nice. | 0:15:11 | 0:15:13 | |
I'm feeling a bit belly belly belly, because I'm liking it so much, I love it, yeah. | 0:15:13 | 0:15:19 | |
It's just so me. Yeah, no, I love it. Is the floor...? | 0:15:19 | 0:15:22 | |
That's all original. So light, yeah, I know, seriously, loving it. | 0:15:22 | 0:15:27 | |
It does feel good, and I think this is Doreen. It's actually me as well. | 0:15:27 | 0:15:33 | |
But you're not buying it! I know! Brilliant. | 0:15:33 | 0:15:35 | |
Well, then, come and have a look at this kitchen. Yeah. | 0:15:35 | 0:15:39 | |
I love this house. Come on in. | 0:15:41 | 0:15:45 | |
Aaaargh! | 0:15:45 | 0:15:48 | |
Come on in! Now then. | 0:15:48 | 0:15:50 | |
It's nice. I love this house! | 0:15:50 | 0:15:52 | |
Please, guys, I'm so grateful. I'm going to cry. | 0:15:52 | 0:15:56 | |
Don't cry, don't cry, don't cry. | 0:15:56 | 0:15:58 | |
Because I want you to take it all in. | 0:15:58 | 0:16:00 | |
This was the old Sunday school bit of the chapel. | 0:16:00 | 0:16:03 | |
It's got this old, you know, this feel about it, that is so me. | 0:16:03 | 0:16:09 | |
It's so my family. It's got my cooker. I've got that cooker at home! | 0:16:09 | 0:16:13 | |
In green. Really? It's a sign! It's a sign! | 0:16:13 | 0:16:17 | |
So, the whole sofa thing? Yes. My spirit has moved in. | 0:16:17 | 0:16:22 | |
I'm here already. | 0:16:22 | 0:16:23 | |
Come with me. Come and have a look at the third room. Come on. In here. | 0:16:23 | 0:16:28 | |
Right, now then, you've got this other second reception room. | 0:16:28 | 0:16:31 | |
Oh, my God, do you know what I feel like? This is the honest truth. | 0:16:31 | 0:16:35 | |
I feel like I've won the lottery. This is me! This! Is! Me! | 0:16:35 | 0:16:40 | |
You may have to win the lottery to pay for it! Jules! Mwah! | 0:16:40 | 0:16:44 | |
Oh, my God, Morva. | 0:16:44 | 0:16:45 | |
There's always a first on this show, and that's a first! | 0:16:45 | 0:16:48 | |
I love this house, just love it! It is nice. Oh, Jules. | 0:16:48 | 0:16:54 | |
I am speechless, and that's very rare. | 0:16:54 | 0:16:57 | |
She's not speechless at all - I can't shut you up! | 0:16:57 | 0:17:00 | |
Hopefully, the bedrooms will continue to impress. | 0:17:00 | 0:17:03 | |
Let's start in here. | 0:17:05 | 0:17:09 | |
Come here, darling. | 0:17:09 | 0:17:09 | |
Now, this is one of the three that's up here. Three bedrooms. | 0:17:11 | 0:17:16 | |
Now, two of them are this size and there's a smaller box room next door. Right. | 0:17:16 | 0:17:20 | |
OK, so this would be the guest room. | 0:17:20 | 0:17:22 | |
This will be where I will be and I think it's a nice room. | 0:17:22 | 0:17:26 | |
It's enough, yeah. I'm loving it. I'm loving it. Isn't that an advert? | 0:17:26 | 0:17:29 | |
I am... Yeah! | 0:17:29 | 0:17:30 | |
Well then, a thumbs-up from Morva and Doreen. | 0:17:30 | 0:17:33 | |
Now for the master bedroom. | 0:17:33 | 0:17:35 | |
And then this, Doreen, is for you, and to be honest with you, they're both very similar, | 0:17:35 | 0:17:40 | |
although this one is next to the family bathroom, because there's no en suite. I see. | 0:17:40 | 0:17:45 | |
It's workable. | 0:17:45 | 0:17:46 | |
Well, it looks like we've got a deal, so will the garden seal it? | 0:17:50 | 0:17:54 | |
Out you come. Look at this. Lovely, late evening sunshine. | 0:17:54 | 0:17:59 | |
I'm home, I've said it. She's landed. I am home. | 0:17:59 | 0:18:03 | |
Let's have a think about it. You've got ?400,000 to spend, Doreen. | 0:18:03 | 0:18:07 | |
Yeah, but I think it's over budget. | 0:18:07 | 0:18:09 | |
I think it's 400, 415. 415. Yeah? | 0:18:09 | 0:18:16 | |
Morva? I think it might be just spot-on. | 0:18:16 | 0:18:19 | |
Well, here's the thing. | 0:18:19 | 0:18:21 | |
You're both sort of right and you both sort of wrong. | 0:18:21 | 0:18:23 | |
It's offers in excess of ?400,000. | 0:18:23 | 0:18:29 | |
But it's within your grasp. | 0:18:29 | 0:18:33 | |
I'm happy. | 0:18:33 | 0:18:35 | |
It's meant to be. It is meant to be. Enough said. | 0:18:36 | 0:18:41 | |
For offers over ?400,000, it is potentially just over budget, | 0:18:44 | 0:18:49 | |
but Doreen does seem completely taken with this place. | 0:18:49 | 0:18:52 | |
There are three bedrooms, two reception rooms, | 0:18:52 | 0:18:55 | |
and a garden with a lovely rural aspect. | 0:18:55 | 0:18:57 | |
Not to mention that there's even room for that sofa in the kitchen. | 0:18:57 | 0:19:01 | |
Quite a result. | 0:19:01 | 0:19:03 | |
Come on, let's go. | 0:19:03 | 0:19:05 | |
So, as the sun sinks over rural Essex, | 0:19:08 | 0:19:12 | |
I'm pretty sure that both Doreen and Morva will be curious to see whether | 0:19:12 | 0:19:16 | |
the mystery house tomorrow can compete with our second property. | 0:19:16 | 0:19:20 | |
Well, it's our final day and it's mystery house time. | 0:19:22 | 0:19:26 | |
The mystery house, as often happens on this show, | 0:19:26 | 0:19:28 | |
has a lot to compete with after a successful day yesterday, | 0:19:28 | 0:19:32 | |
but can it be done, I wonder? I'm pretty sure it can, and who knows? | 0:19:32 | 0:19:35 | |
If I'm successful, I might get another kiss! | 0:19:35 | 0:19:38 | |
Just 20 minutes from rail links in Colchester, | 0:19:40 | 0:19:43 | |
our mystery house lies in the rural village of Layer Breton. | 0:19:43 | 0:19:47 | |
Surrounded by agricultural land, | 0:19:47 | 0:19:48 | |
the village itself offers a local pub, a convenience store | 0:19:48 | 0:19:51 | |
and a charming church with a timber tower. | 0:19:51 | 0:19:55 | |
Our final property is in a prime location overlooking open heathland. | 0:19:55 | 0:20:00 | |
OK. That is the mystery house. | 0:20:00 | 0:20:06 | |
Oh! Now then, Doreen, what do you reckon? | 0:20:06 | 0:20:08 | |
It is adorable. I'm loving it. | 0:20:08 | 0:20:10 | |
What we've got here is a Sunday school. | 0:20:10 | 0:20:14 | |
Ha-ha! Argh! # Hallelujah! # | 0:20:14 | 0:20:19 | |
Isn't it great? | 0:20:19 | 0:20:21 | |
I am so excited. | 0:20:21 | 0:20:23 | |
This is my dream. It is just... Morva, it's lovely! | 0:20:23 | 0:20:26 | |
It does look good from outside. Yeah? Yeah. | 0:20:26 | 0:20:29 | |
Let's have a look inside, follow me. I don't know if I can contain myself! | 0:20:29 | 0:20:32 | |
Now, to be honest, the Victorian facade is a little misleading | 0:20:32 | 0:20:36 | |
because, whilst Doreen does love period features, | 0:20:36 | 0:20:39 | |
our mystery house today has been gutted | 0:20:39 | 0:20:41 | |
and totally modernised inside, with not a beam in sight. | 0:20:41 | 0:20:43 | |
So, I can't wait to see what she makes of it. | 0:20:43 | 0:20:47 | |
Come on in, guys. There we are. | 0:20:47 | 0:20:50 | |
I think it's a lovely house. Isn't it? Yes. It's a lovely house. | 0:20:50 | 0:20:54 | |
Let's start in here with this reception room. | 0:20:54 | 0:20:57 | |
Yeah, it's lovely. | 0:20:57 | 0:20:59 | |
It's big enough. | 0:20:59 | 0:21:00 | |
I mean, this is workable. It's very clean, and, yeah, I am liking it. | 0:21:00 | 0:21:04 | |
OK. | 0:21:04 | 0:21:06 | |
On the other side of the hallway | 0:21:06 | 0:21:07 | |
there are two smaller reception rooms, both currently used | 0:21:07 | 0:21:11 | |
for office and study space. But let's cut to the chase | 0:21:11 | 0:21:14 | |
and get to Doreen's favourite part of the house. | 0:21:14 | 0:21:17 | |
Through here is the kitchen... | 0:21:17 | 0:21:20 | |
Doreen. | 0:21:20 | 0:21:22 | |
Oh, the kitchen's lovely. | 0:21:23 | 0:21:26 | |
I love the kitchen. This is a nice kitchen. | 0:21:26 | 0:21:29 | |
It's really, really welcoming. I am feeling it as well. | 0:21:29 | 0:21:32 | |
Are you? Yes. | 0:21:32 | 0:21:34 | |
Just off the kitchen is a utility room, | 0:21:34 | 0:21:37 | |
but there's also something here none of the other properties have. | 0:21:37 | 0:21:41 | |
OK, have a look in there. That's your dining room. | 0:21:41 | 0:21:43 | |
Oh, yeah, this is a lovely room. | 0:21:45 | 0:21:47 | |
Yeah? Yeah. Lovely room. I do like this room. That's true, it's a lovely colour. | 0:21:47 | 0:21:51 | |
It's very inviting, this room. I think it's lovely. | 0:21:51 | 0:21:54 | |
And if you like it down here, | 0:21:54 | 0:21:55 | |
I actually think it gets better upstairs. | 0:21:55 | 0:21:58 | |
Really? Which isn't the case with many houses. | 0:21:58 | 0:22:01 | |
Because up there, not only have we got four bedrooms, | 0:22:01 | 0:22:03 | |
we've also got you three bathrooms. | 0:22:03 | 0:22:06 | |
No! Yeah, come and have a look. Come and check this out. | 0:22:06 | 0:22:09 | |
This place really does get better and better. | 0:22:11 | 0:22:14 | |
If you ask me, it's a real competitor to the property yesterday that Doreen absolutely loved. | 0:22:14 | 0:22:19 | |
It's lovely. I love it. Love it, love it, love it. | 0:22:19 | 0:22:22 | |
The feeling here is, yeah. It's beautiful. | 0:22:22 | 0:22:27 | |
I am amazed that up here is like this. OK. So this could be you then? | 0:22:27 | 0:22:32 | |
Um, I haven't seen all the rooms yet! | 0:22:32 | 0:22:35 | |
Well, you can fight over the master bedroom because this is nice. Have a look at this. | 0:22:35 | 0:22:40 | |
Now then, Doreen, I think this is going to work... | 0:22:40 | 0:22:43 | |
Wow! Of course this is Doreen's room. ..in a way none of the others have, really. | 0:22:43 | 0:22:48 | |
I love this room. | 0:22:48 | 0:22:50 | |
I am seeing that dream, do you know what? | 0:22:50 | 0:22:54 | |
You see? You've got the views, you've got a really gorgeous en suite in there. | 0:22:54 | 0:23:00 | |
Well, go and get excited with what's through there. Off you go. | 0:23:00 | 0:23:03 | |
What's through there? Go and have a look. | 0:23:03 | 0:23:06 | |
Oh, my God! Ha-ha! | 0:23:06 | 0:23:09 | |
Oh, my God, a dressing room! I can't believe this! | 0:23:12 | 0:23:15 | |
I'm loving this! Come on, out you come. Oh, Jules, mwah! | 0:23:15 | 0:23:21 | |
I am in your bedroom after all, so it's all fair enough, isn't it? | 0:23:23 | 0:23:27 | |
The other two bedrooms are both a good size | 0:23:27 | 0:23:29 | |
and also benefit from skylights. | 0:23:29 | 0:23:32 | |
There's also a modern family bathroom and a shower room, | 0:23:32 | 0:23:35 | |
so the only thing left to view is the garden. | 0:23:35 | 0:23:38 | |
Right, guys, out you come. | 0:23:38 | 0:23:40 | |
Oh! Yeah. Now, it's very manageable, this. | 0:23:42 | 0:23:46 | |
But we have got the common opposite. | 0:23:46 | 0:23:49 | |
And that's the thing. | 0:23:49 | 0:23:51 | |
The location is perfect. This, to me, doesn't matter. | 0:23:51 | 0:23:54 | |
Because I've got - that! It just feels so right. | 0:23:54 | 0:23:57 | |
Well, let's see if the price is right. | 0:23:57 | 0:23:59 | |
Let's get Morva to guess our final price of the week. | 0:23:59 | 0:24:04 | |
450,000. | 0:24:04 | 0:24:06 | |
450,000, which would be way over the top, | 0:24:06 | 0:24:10 | |
and even if you could push it, to 425, but it's a lovely property. | 0:24:10 | 0:24:14 | |
That location there is what my dream is. | 0:24:14 | 0:24:17 | |
Because 425 is the figure that's attached to this house. | 0:24:17 | 0:24:21 | |
But... Yeah? | 0:24:21 | 0:24:23 | |
It's been reduced. This could be yours for ?390,000. | 0:24:23 | 0:24:27 | |
No! Jules! | 0:24:27 | 0:24:30 | |
Really? Yes, really. Oh, my God! | 0:24:34 | 0:24:38 | |
Yes, really. I love you! | 0:24:38 | 0:24:40 | |
It's been reduced? This has been quite a week, you know? | 0:24:40 | 0:24:45 | |
Yeah, ?390,000. | 0:24:45 | 0:24:47 | |
Fantastic. That's good. | 0:24:47 | 0:24:49 | |
Team hug. There we are. Brilliant. | 0:24:49 | 0:24:51 | |
So, for ?390,000, this Victorian detached house | 0:24:52 | 0:24:57 | |
offers plenty of character on the outside and, inside, | 0:24:57 | 0:25:00 | |
there's a large kitchen-diner and four good-sized bedrooms. | 0:25:00 | 0:25:04 | |
Although the garden is small, | 0:25:04 | 0:25:05 | |
the property's location opposite the heath has clearly impressed Doreen. | 0:25:05 | 0:25:10 | |
Well, guys, that was the mystery house. Beautiful house. Happy? | 0:25:11 | 0:25:15 | |
I am so happy. You love that one, don't you? I do, I do. | 0:25:15 | 0:25:18 | |
She's loved them all, in a way. | 0:25:18 | 0:25:20 | |
No, but I think that's the one she really... Look where we are. | 0:25:20 | 0:25:24 | |
What's not to love? | 0:25:24 | 0:25:26 | |
We're in the middle of nowhere! Come on. | 0:25:26 | 0:25:29 | |
It's now decision time for Morva. | 0:25:34 | 0:25:36 | |
And in particular, for Doreen. What does the future hold, I wonder? | 0:25:36 | 0:25:40 | |
Well, after the week we've had, it could be anything with these two. | 0:25:40 | 0:25:44 | |
It's been a huge amount of fun. | 0:25:46 | 0:25:48 | |
Let's remind ourselves of where we started. | 0:25:48 | 0:25:52 | |
That lovely, beamed 14th-century cottage in Sible Hedingham. | 0:25:52 | 0:25:57 | |
I wasn't over-loving the outside of the property, and then, | 0:25:57 | 0:26:01 | |
when I got inside, you had to keep ducking and that really wasn't practical. | 0:26:01 | 0:26:07 | |
That was the first thing that struck me, the beams were so low. | 0:26:07 | 0:26:10 | |
And the upstairs, oh, I loved the upstairs | 0:26:10 | 0:26:14 | |
but that wasn't practical for the same reason, but I loved it. | 0:26:14 | 0:26:18 | |
Well, it was with some nervousness that we then took you to our second property. | 0:26:18 | 0:26:23 | |
Oh, Jules. I just loved it. Straight away. | 0:26:23 | 0:26:26 | |
The kitchen is what I'm coming from, but just a little bit bigger. | 0:26:26 | 0:26:30 | |
And that dining room! Oh! It is just perfect. | 0:26:30 | 0:26:35 | |
But my dilemma came in when I went upstairs. | 0:26:35 | 0:26:38 | |
I didn't feel the same love upstairs. | 0:26:38 | 0:26:41 | |
Now then, the mystery house. | 0:26:41 | 0:26:43 | |
I always said, outside my house, I want to see the land. | 0:26:43 | 0:26:47 | |
I fell in love straight away because it felt so good. | 0:26:47 | 0:26:50 | |
When I went inside I felt like, hmm, yeah, it was all do-able and whatever. | 0:26:50 | 0:26:56 | |
But upstairs was awesome. | 0:26:56 | 0:26:58 | |
You couldn't even count the showers we had up there! | 0:26:58 | 0:27:02 | |
And then, to top it off, my own dressing room. | 0:27:02 | 0:27:05 | |
Your own dressing room. The price, ?390,000. And the price | 0:27:05 | 0:27:09 | |
was another thing, so the jigsaw puzzle just slotted in. | 0:27:09 | 0:27:11 | |
The price was a give-away price. It was meant to be. I'm very happy. | 0:27:11 | 0:27:16 | |
So, what happens next, then? | 0:27:16 | 0:27:18 | |
Well, now, obviously I've got to sell my house, | 0:27:18 | 0:27:20 | |
so it's a case of, whoever wants my house, come and buy it. | 0:27:20 | 0:27:24 | |
I don't think it will be hard to sell. No. | 0:27:24 | 0:27:26 | |
Thank you very much indeed. And best of luck selling yours, | 0:27:26 | 0:27:30 | |
and I hope to see you moving in there in the near future. You will. | 0:27:30 | 0:27:33 | |
Thank you so much, and thanks, everybody on the show. Pleasure. Thank you. | 0:27:33 | 0:27:37 | |
Well, there's no doubt about it. | 0:27:41 | 0:27:43 | |
Doreen's not the first person to come on this show | 0:27:43 | 0:27:46 | |
with an overly ambitious list of requirements, | 0:27:46 | 0:27:49 | |
but the good news is we've been able to simplify all that. | 0:27:49 | 0:27:52 | |
Armed with the good sense of her very sensible sister, Morva, | 0:27:52 | 0:27:56 | |
what we've got is something much more realistic. | 0:27:56 | 0:27:59 | |
Gone is the mansion, the stables, the sweeping Gone With The Wind staircase, | 0:27:59 | 0:28:04 | |
and in her words, "a nice house in a nice location". | 0:28:04 | 0:28:07 | |
And, as you can probably tell, we've had an awful lot of fun along the way. | 0:28:07 | 0:28:11 | |
If you'd like to escape to the country in Northern Ireland, Wales, | 0:28:13 | 0:28:17 | |
Scotland or England, or even further afield to the Continent and would like our help, | 0:28:17 | 0:28:20 | |
then please apply online: | 0:28:20 | 0:28:22 | |
Subtitles by Red Bee Media Ltd | 0:28:35 | 0:28:38 | |
# One, two, three, four... # | 0:28:53 | 0:28:54 | |
A family memoir that captured the hearts of millions. | 0:28:54 | 0:28:58 | |
A potter telling stories out of porcelain | 0:28:58 | 0:29:00 | |
and making objects out of words. | 0:29:00 | 0:29:02 |