Browse content similar to Kent. Check below for episodes and series from the same categories and more!
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Today's county is associated with this type of hazelnut. | 0:00:02 | 0:00:07 | |
These were a favourite with the Victorian and Edwardian hoi polloi, served with cheese and port. | 0:00:07 | 0:00:13 | |
Where am I? Well, find out in an appetising Escape To The Country. | 0:00:13 | 0:00:19 | |
'Today, we're attempting to find a new home for a bride and groom. | 0:00:37 | 0:00:42 | |
'It's got to be something old, not new.' | 0:00:42 | 0:00:45 | |
This isn't what you want. I don't think so. | 0:00:45 | 0:00:48 | |
'Heart strings will be tugged in all directions.' | 0:00:48 | 0:00:51 | |
Really making this difficult. | 0:00:51 | 0:00:53 | |
'And there won't be a dry eye in the house.' | 0:00:53 | 0:00:56 | |
Are you OK? Yes. It's beautiful. | 0:00:56 | 0:00:58 | |
Today, I'm in Kent, home of the Kentish cobnut. | 0:01:01 | 0:01:05 | |
Until the early 20th century, there were over 7,000 acres | 0:01:05 | 0:01:09 | |
of cobnut plantations, or plats, throughout the UK. | 0:01:09 | 0:01:13 | |
Most of those were here in Kent. | 0:01:13 | 0:01:16 | |
Sadly, after the First World War, the industry went into decline. | 0:01:16 | 0:01:20 | |
But the cobnut is having a comeback. | 0:01:20 | 0:01:23 | |
In the last five years, nearly 200 acres have been replanted. | 0:01:23 | 0:01:27 | |
These are far from the only things grown in the county. | 0:01:27 | 0:01:32 | |
'For centuries, Kent has been a rural playground for city folk, | 0:01:32 | 0:01:38 | |
'bordering London to the west, and to the east, 350 miles of coastline. | 0:01:38 | 0:01:44 | |
'Kent became known as the "garden of England" during Tudor times. | 0:01:44 | 0:01:49 | |
'Apple orchards were planted here in the 16th and 17th centuries. | 0:01:49 | 0:01:53 | |
'Kent resident Charles Dickens gave a nod to the county in The Pickwick Papers. | 0:01:53 | 0:01:59 | |
'Apples, cherries and hops all made an appearance. | 0:01:59 | 0:02:03 | |
'Oast houses that were once used to dry hops are a familiar sight. | 0:02:03 | 0:02:09 | |
'Many of these old industrial Victorian buildings | 0:02:09 | 0:02:13 | |
'have been converted into exclusive attractive homes.' | 0:02:13 | 0:02:17 | |
But what are today's buyers after? Let's find out. | 0:02:21 | 0:02:25 | |
Meet recently retired Major General Malcolm and fiancee Catalina, who works in green technology. | 0:02:25 | 0:02:32 | |
Catalina lives in this two-bed terrace in a busy Surrey town. | 0:02:32 | 0:02:36 | |
Malcolm's house is an hour's drive away in Hampshire. | 0:02:36 | 0:02:40 | |
With a wedding planned in months, the key thing missing from the wedding list is the marital home. | 0:02:40 | 0:02:47 | |
Catalina often works from home. I have commitments all over the place. | 0:02:47 | 0:02:51 | |
We don't spending much time together so as soon as we can get our own place, make it ours, | 0:02:51 | 0:02:58 | |
get together all the time, the better. | 0:02:58 | 0:03:01 | |
And it's hard to find something for someone this tall! | 0:03:01 | 0:03:04 | |
'At six feet six inches tall, space is a priority for Malcolm | 0:03:04 | 0:03:09 | |
'when they cross the threshold. | 0:03:09 | 0:03:11 | |
'And they have specific ideas about their preferred style of home.' | 0:03:11 | 0:03:16 | |
We're looking for a very large hall space with beautiful oak-beam ribs, | 0:03:16 | 0:03:21 | |
very high ceilings, a lot of history. | 0:03:21 | 0:03:24 | |
It doesn't have to be in a perfect state. | 0:03:24 | 0:03:27 | |
It can be an older barn that's yet to be made into this. | 0:03:27 | 0:03:30 | |
I've been collecting tapestries and old master paintings for 20 years. | 0:03:30 | 0:03:37 | |
This is a Flemish piece I'm looking at restoring. | 0:03:37 | 0:03:40 | |
I can't hang it up properly, or the others. | 0:03:40 | 0:03:44 | |
So it is a bit of a crisis, | 0:03:44 | 0:03:46 | |
'Catalina has a passion for historic treasures. | 0:03:46 | 0:03:49 | |
'Her current home is a 17th-century listed building. How does she feel about other styles?' | 0:03:49 | 0:03:56 | |
Big no-nos for me would be modern. My skin would crawl. Really. | 0:03:56 | 0:04:01 | |
Georgian is a bit too pompous, | 0:04:01 | 0:04:03 | |
a bit too much for us - although I love it. | 0:04:03 | 0:04:07 | |
It isn't where I want to live. | 0:04:07 | 0:04:08 | |
'What about the outside space?' | 0:04:08 | 0:04:11 | |
Now I've got a big piece of grass to cut, uphill. | 0:04:11 | 0:04:14 | |
You're spending all the effort working, as opposed to enjoying it. | 0:04:14 | 0:04:20 | |
So, if possible, I'd like to have, perhaps, a bit more wild of an area, | 0:04:20 | 0:04:25 | |
not high-maintenance, but natural. | 0:04:25 | 0:04:28 | |
And some sort of water, maybe a pond or lake? With ducks? | 0:04:28 | 0:04:32 | |
'They've decided to relocate to Kent but, aside from its countryside, | 0:04:32 | 0:04:37 | |
'why have they chosen this county?' | 0:04:37 | 0:04:40 | |
I've got family ties in Hampshire. | 0:04:40 | 0:04:42 | |
I've got three daughters in their 20s, two of whom live in London. Don't want to be far away from them. | 0:04:42 | 0:04:48 | |
'Both of their properties are on the market. | 0:04:48 | 0:04:52 | |
'What's the budget these nearly newly-weds have for their first home together?' | 0:04:52 | 0:04:57 | |
?600,000, maybe to ?630,000. | 0:04:57 | 0:05:00 | |
Catalina is after something specific - | 0:05:04 | 0:05:07 | |
a timber-framed historic building with a large open-plan living space. | 0:05:07 | 0:05:12 | |
Whilst ?630,000 isn't to be sniffed at, these properties are in high demand. | 0:05:12 | 0:05:19 | |
The good news is that we seem to be looking in the right area. | 0:05:19 | 0:05:23 | |
Traditionally, agriculture in Kent is done on a small scale | 0:05:23 | 0:05:27 | |
and throws up a wealth of timber-framed barns. | 0:05:27 | 0:05:30 | |
Hopefully, we should have plenty to look at. | 0:05:30 | 0:05:35 | |
'Having to make trips into London for business and to visit family, | 0:05:35 | 0:05:39 | |
'Malcolm and Catalina want to be within a reasonable commute. | 0:05:39 | 0:05:44 | |
'Our search will take us around Maidstone. | 0:05:44 | 0:05:47 | |
'We'll see some incredible properties, including a development opportunity, | 0:05:47 | 0:05:53 | |
'but I won't reveal the price straightaway. | 0:05:53 | 0:05:57 | |
'Finally, the mystery house promises to unearth | 0:05:57 | 0:06:01 | |
'more than they'd bargained for.' | 0:06:01 | 0:06:03 | |
This is a start of a new chapter. | 0:06:05 | 0:06:06 | |
You're living in separate houses and are both coming together. Exactly. | 0:06:06 | 0:06:12 | |
The budget was 630. Is that still the case? I'd hoped for that. | 0:06:12 | 0:06:18 | |
To keep something in reserve for the project or daughters. | 0:06:18 | 0:06:22 | |
But I realise we've had to push up a bit. 650, 670, if we're realistic. | 0:06:22 | 0:06:28 | |
We've got properties to look at. Are you excited? Yes. Let's go. Thank you. | 0:06:28 | 0:06:33 | |
'For a top budget of ?670,000, | 0:06:35 | 0:06:38 | |
'Malcolm and Catalina haven't given us an extensive wish list, | 0:06:38 | 0:06:42 | |
'but it is precise. | 0:06:42 | 0:06:44 | |
'A detached historic property, preferably a barn, | 0:06:44 | 0:06:48 | |
'with exposed timbers... | 0:06:48 | 0:06:51 | |
'With that in mind, we're kicking off not far from Paddock Wood, | 0:07:03 | 0:07:08 | |
'a popular bolt hole for commuters | 0:07:08 | 0:07:10 | |
'situated eight miles southwest of Maidstone. | 0:07:10 | 0:07:15 | |
'Our first property is situated close to a town, | 0:07:15 | 0:07:18 | |
'is in easy reach of amenities and benefits from a great rural setting. | 0:07:18 | 0:07:24 | |
'Let's see what our buyers think.' | 0:07:24 | 0:07:26 | |
What do you think, Catalina? I don't want to speak before I get inside. | 0:07:26 | 0:07:31 | |
Let's get inside and find out some more, shall we? | 0:07:31 | 0:07:35 | |
'Malcolm and Catalina are reserving judgment | 0:07:35 | 0:07:39 | |
'on this beautiful two-storey 18th-century barn. | 0:07:39 | 0:07:43 | |
'It was converted 20 years ago and has an unconventional layout | 0:07:43 | 0:07:47 | |
'that places the open-plan living area on the first floor.' | 0:07:47 | 0:07:52 | |
So what are we thinking? | 0:07:52 | 0:07:55 | |
Very nice beams, as requested. There's some heritage there. | 0:07:56 | 0:08:00 | |
Got character. | 0:08:00 | 0:08:02 | |
Is it tall enough? | 0:08:02 | 0:08:04 | |
That is still a potential Malcolm headache. | 0:08:04 | 0:08:08 | |
Yes. Probably. | 0:08:08 | 0:08:10 | |
But I'd get used to one. | 0:08:10 | 0:08:13 | |
It's if I was having to bob up and down. It's got a lot of light. | 0:08:13 | 0:08:18 | |
There's a good sense of space. | 0:08:18 | 0:08:21 | |
I'm looking forward to seeing the rest, to understand a bit better what could be done. | 0:08:21 | 0:08:27 | |
'The vaulted ceiling and walls feature a wealth | 0:08:27 | 0:08:30 | |
'of original beams that have been dated to the early 1700s. | 0:08:30 | 0:08:35 | |
'The top floor is also home to the master bedroom | 0:08:35 | 0:08:39 | |
'with exposed woodwork and an en suite shower room.' | 0:08:39 | 0:08:43 | |
What do we think? Is it big enough? | 0:08:43 | 0:08:46 | |
It's big enough. You've gone very quiet, Catalina. | 0:08:46 | 0:08:49 | |
I kind of wanted something all on one level, like a big traditional barn with the height. | 0:08:49 | 0:08:56 | |
Then we could maybe add something on later or develop it slowly | 0:08:56 | 0:09:00 | |
with other period barns, if we needed to. This is interesting. | 0:09:00 | 0:09:05 | |
So many people like to go up or down a set of stairs to bed. | 0:09:05 | 0:09:09 | |
This isn't what you want. I don't think so. | 0:09:09 | 0:09:12 | |
'It's apparent that their vision for their dream property | 0:09:12 | 0:09:16 | |
'is even more specific than we'd thought. | 0:09:16 | 0:09:19 | |
'Let's get down to the ground floor to the kitchen.' | 0:09:19 | 0:09:23 | |
Fabulous! Good and open. | 0:09:23 | 0:09:25 | |
We like open. Mm. I like your reactions, then. | 0:09:25 | 0:09:30 | |
Catalina has a lovely long table which deserves to be used. | 0:09:30 | 0:09:34 | |
In terms of visions, I saw this long table and everyone around it. | 0:09:34 | 0:09:39 | |
So there's no room for that table here? We'd struggle. | 0:09:39 | 0:09:43 | |
'To the opposite end of the ground floor | 0:09:43 | 0:09:46 | |
'is the family bathroom and two bedrooms. | 0:09:46 | 0:09:49 | |
'One is a single being used as an office. | 0:09:49 | 0:09:52 | |
'The other is a double room with storage.' | 0:09:52 | 0:09:55 | |
We've now see every room in the house. What do we think? | 0:09:55 | 0:10:01 | |
It's a family home. | 0:10:01 | 0:10:03 | |
It's been designed into little compartments. | 0:10:03 | 0:10:06 | |
We were thinking maybe we could open up a bit more. Yes, exactly. | 0:10:06 | 0:10:11 | |
'This is an historic and homely family property, | 0:10:11 | 0:10:14 | |
'but it's clear that it's not delivering the right vibe. | 0:10:14 | 0:10:18 | |
'Perhaps the beautiful garden | 0:10:18 | 0:10:20 | |
'will be more to their liking. | 0:10:20 | 0:10:22 | |
'There's a double garage with storage space. | 0:10:22 | 0:10:25 | |
'The grounds are in terraced areas, with patios and water features, | 0:10:25 | 0:10:30 | |
'which should be to Catalina's liking. | 0:10:30 | 0:10:32 | |
This was a real surprise to me, the whole style of this garden. | 0:10:32 | 0:10:37 | |
It's gorgeous. You like it? Yeah. It's lovely. Catalina likes water. | 0:10:37 | 0:10:42 | |
A little piece of water flowing through it gently. | 0:10:42 | 0:10:45 | |
How much do you think this house is on the market for? I'll say 620. | 0:10:45 | 0:10:51 | |
Higher or lower? Probably lower. | 0:10:51 | 0:10:54 | |
Probably lower? You're right. | 0:10:54 | 0:10:57 | |
This house is on the market for offers around ?585,000. Gosh. | 0:10:57 | 0:11:03 | |
'Very comfortably under budget at... | 0:11:03 | 0:11:06 | |
'Dating back to the 18th century, | 0:11:21 | 0:11:23 | |
'our first house delivers on period features, | 0:11:23 | 0:11:26 | |
'but will it match their very particular requirements?' | 0:11:26 | 0:11:31 | |
Shall we move on? Mm-hm. Good. | 0:11:31 | 0:11:34 | |
'A crop that swept to popularity in the 19th century was a wild hazelnut | 0:11:41 | 0:11:46 | |
'called the cobnut, cultivated in Kent as it could be easily transported to London. | 0:11:46 | 0:11:51 | |
'By the mid 20th century, the Kentish cob was eclipsed by more exotic imported varieties. | 0:11:51 | 0:11:57 | |
'Cobnuts grow in clusters | 0:11:57 | 0:12:00 | |
'and are harvested by hand, as each nut | 0:12:00 | 0:12:03 | |
'is individually inspected for quality. | 0:12:03 | 0:12:05 | |
'Product manager Catherine Robinson showed me the ropes.' | 0:12:05 | 0:12:08 | |
It's pretty simple, really. You just shake the tree. | 0:12:08 | 0:12:13 | |
What? As simple as that? You'll hear the nuts come. | 0:12:13 | 0:12:17 | |
NUTS PATTER | 0:12:17 | 0:12:19 | |
There they go. They're camouflaged! | 0:12:19 | 0:12:22 | |
Yeah... Look. There's loads of them. | 0:12:22 | 0:12:25 | |
Why are people starting to eat the cobnut now? | 0:12:25 | 0:12:29 | |
People are looking for locally sourced food. | 0:12:29 | 0:12:32 | |
They're the only type of nut to be commercially grown in the UK. | 0:12:32 | 0:12:36 | |
If people want local produce, nuts, they're looking at cobnuts. | 0:12:36 | 0:12:40 | |
'But nutcracking is a very seasonal trend, | 0:12:40 | 0:12:44 | |
'so this farm has diversified by tapping into a market where cobnuts can be savoured all year round.' | 0:12:44 | 0:12:51 | |
We designed a machine | 0:12:51 | 0:12:53 | |
to crack the shells, to get the kernel out, | 0:12:53 | 0:12:57 | |
then once we have nut kernels, we roast them and press them for oil. | 0:12:57 | 0:13:01 | |
These have been pressed for oil. OK. | 0:13:01 | 0:13:03 | |
So, may I? | 0:13:03 | 0:13:06 | |
See what you think of the taste. Lovely colour. | 0:13:06 | 0:13:09 | |
It is a lovely golden colour. | 0:13:09 | 0:13:11 | |
Mm, that's... That would rival any olive oil I've had. | 0:13:15 | 0:13:19 | |
It's very tasty. Mm. Very good for your skin. | 0:13:19 | 0:13:22 | |
It's full of vitamin E, B vitamins and no cholesterol. | 0:13:22 | 0:13:25 | |
'No wonder that demand outweighed supply this year. | 0:13:25 | 0:13:29 | |
'The future looks bright for a successful revival | 0:13:29 | 0:13:33 | |
'of this tasty Kentish treat. | 0:13:33 | 0:13:36 | |
'It's back to the house hunt to see if I can unearth their perfect property. | 0:13:38 | 0:13:44 | |
'They may be unfazed by a bit of work, | 0:13:44 | 0:13:47 | |
'but how will they feel about starting from scratch? | 0:13:47 | 0:13:51 | |
'We'll find out at our second destination, | 0:13:51 | 0:13:54 | |
'the village of Bredgar, in an Area of Outstanding Natural Beauty. | 0:13:54 | 0:13:58 | |
'Surrounded by hills and woodland, | 0:13:58 | 0:14:01 | |
'Bredgar has a 13th-century Norman flint church and a farm shop | 0:14:01 | 0:14:05 | |
'with a post office. | 0:14:05 | 0:14:07 | |
'We're upping the space stakes with our next property | 0:14:07 | 0:14:11 | |
'in the centre of the village, but it's not much to look at - yet.' | 0:14:11 | 0:14:16 | |
So... The lady wanted a barn. CATALINA GIGGLES | 0:14:20 | 0:14:24 | |
Is this barn big enough? It's incredible. I can't believe it! | 0:14:24 | 0:14:29 | |
That's the size. It's about 2,500 square foot inside. | 0:14:29 | 0:14:34 | |
It is massive. | 0:14:34 | 0:14:36 | |
This is very tempting. Let's look. | 0:14:36 | 0:14:38 | |
Come over this way. | 0:14:38 | 0:14:41 | |
Our boundary... comes to this corner. | 0:14:41 | 0:14:43 | |
You're on the corner of your plot. Everything that way is yours. | 0:14:43 | 0:14:49 | |
Does it have planning to become residential? | 0:14:49 | 0:14:51 | |
Or is that a question mark? No. That's a full stop. It has planning. Wow. | 0:14:51 | 0:14:57 | |
Happy? Yes. | 0:14:57 | 0:14:59 | |
It's probably a ruin inside and his face will drop. | 0:14:59 | 0:15:03 | |
Suddenly, it's a longer term project, not a walk-in and live-in. Let's do one thing at a time. | 0:15:03 | 0:15:09 | |
'They're both more animated outside this historic agricultural barn | 0:15:09 | 0:15:15 | |
'than at our first property, and I'm certain Malcolm's height won't be an issue. | 0:15:15 | 0:15:20 | |
'But has it got the potential to fit Catalina's vision?' | 0:15:20 | 0:15:24 | |
CATALINA LAUGHS Wow! What do you think? | 0:15:24 | 0:15:29 | |
Big enough? | 0:15:29 | 0:15:31 | |
Speechless? | 0:15:31 | 0:15:33 | |
Tears. Are you OK? Yeah. | 0:15:33 | 0:15:35 | |
MALCOLM LAUGHS | 0:15:35 | 0:15:37 | |
Are you OK? Yes. It's beautiful. | 0:15:37 | 0:15:40 | |
So...how old is this? | 0:15:42 | 0:15:44 | |
It's mid 16th century. It's a real piece of Kent history. | 0:15:44 | 0:15:50 | |
All the beams are from then. Yeah. This was a threshing barn. | 0:15:50 | 0:15:55 | |
The more you look at it, hopefully, | 0:15:55 | 0:15:58 | |
the more you can see the useable space, the very rare opportunity | 0:15:58 | 0:16:04 | |
to get an untouched barn with that big space. | 0:16:04 | 0:16:07 | |
It's a little bit intimidating as to where you would... | 0:16:07 | 0:16:11 | |
start! | 0:16:11 | 0:16:13 | |
It does look in very warm condition. | 0:16:13 | 0:16:16 | |
Honestly, this is not as rotted as you might have expected. | 0:16:16 | 0:16:20 | |
I see some tidying and things that have been done, but done well. | 0:16:20 | 0:16:25 | |
The barn is listed. Mm-hm. | 0:16:25 | 0:16:28 | |
So you can't cut a beam to put a window in. Don't want to. Good. | 0:16:28 | 0:16:32 | |
So you've got long slatted windows. | 0:16:32 | 0:16:35 | |
'Catalina's full of great ideas of what to do here. | 0:16:35 | 0:16:40 | |
'I can almost hear the cogs turning as she mentally creates a home. | 0:16:40 | 0:16:45 | |
'It covers an enormous footprint which, I suspect | 0:16:45 | 0:16:49 | |
'is a daunting prospect for Malcolm. | 0:16:49 | 0:16:52 | |
'I've brought architect's plans, which should help them configure the massive interior.' | 0:16:52 | 0:16:58 | |
This is the proposed layout. Just proposed. | 0:16:58 | 0:17:01 | |
Look at these words! "Open-plan living space"! | 0:17:01 | 0:17:04 | |
I saw that straightaway! | 0:17:04 | 0:17:07 | |
They've got it open plan at one end. | 0:17:07 | 0:17:11 | |
Then your three bedrooms at the other end. | 0:17:11 | 0:17:15 | |
You should be able to change this. | 0:17:15 | 0:17:18 | |
It should give you an idea | 0:17:18 | 0:17:21 | |
of what you might want to put where. | 0:17:21 | 0:17:24 | |
One thing the planners might stipulate on keeping is the porch. | 0:17:24 | 0:17:29 | |
All glass. Of course. There's a doorway here. | 0:17:29 | 0:17:32 | |
So...2,500 square foot of useable living space | 0:17:32 | 0:17:38 | |
all wrapped up in a lovely-looking barn. | 0:17:38 | 0:17:41 | |
You know what's coming, don't you? Guess the price. | 0:17:41 | 0:17:45 | |
Let's have a look at it. | 0:17:45 | 0:17:48 | |
I always have to go first, don't I? I have no idea, really. | 0:17:48 | 0:17:52 | |
300? 350? | 0:17:54 | 0:17:56 | |
Let's say 350. 350,000. | 0:17:56 | 0:17:59 | |
OK. Higher or lower? | 0:17:59 | 0:18:01 | |
That's all you have to say. Maybe a bit higher. I don't know. | 0:18:01 | 0:18:05 | |
Well... It's in very nice condition. It is. | 0:18:05 | 0:18:08 | |
Though there's a lot of work, hundreds of thousands of pounds to make that suitable. | 0:18:08 | 0:18:14 | |
But, Malcolm, I take my hat off. It's on the market for ?350,000. | 0:18:14 | 0:18:20 | |
That's a pretty good guess! It was a guess, though. | 0:18:20 | 0:18:25 | |
Trust me. | 0:18:25 | 0:18:26 | |
'For ?350,000, our second offering is substantially under budget. | 0:18:26 | 0:18:32 | |
'But at the same time, it needs a huge amount of money, time and TLC | 0:18:32 | 0:18:37 | |
'to turn it into their dream home... | 0:18:37 | 0:18:39 | |
'With a basic refit estimated at about ?150,000. | 0:18:52 | 0:18:57 | |
'The prospect of the work is enough to reduce most people to tears. | 0:18:57 | 0:19:02 | |
'Fortunately for our buyers, theirs are tears of joy.' | 0:19:02 | 0:19:05 | |
All done in here? Yes. All inspired? All planned out? | 0:19:05 | 0:19:10 | |
Thinking it through. Lots to think about. | 0:19:10 | 0:19:13 | |
It's almost the end of the day. Let's find somewhere to warm up. OK. | 0:19:13 | 0:19:16 | |
'With the sun setting | 0:19:23 | 0:19:24 | |
'on a day of high emotion, excitement and apprehension, | 0:19:24 | 0:19:28 | |
'the first day of our property quest comes to an end.' | 0:19:28 | 0:19:33 | |
Yesterday was a roller coaster, but I think it ended on a high. | 0:19:33 | 0:19:37 | |
Today, we show them the mystery house, which often surprises our buyers. | 0:19:37 | 0:19:43 | |
I hope they're not expecting another barn conversion. | 0:19:43 | 0:19:47 | |
'Time we challenged their preconceptions | 0:19:47 | 0:19:49 | |
'about an alternative architectural period, | 0:19:49 | 0:19:52 | |
'just under a mile from the village of Cooling. | 0:19:52 | 0:19:56 | |
'Surrounded by traditional farmland, Cooling has a public house, | 0:19:56 | 0:20:01 | |
'a 14th-century castle | 0:20:01 | 0:20:03 | |
'and a 13th-century church believed to be the setting of Pip's encounter | 0:20:03 | 0:20:08 | |
'with Magwitch in Dickens' Great Expectations. | 0:20:08 | 0:20:12 | |
'The house is a Grade II-listed farmhouse | 0:20:12 | 0:20:15 | |
'built during the reign of William and Mary. | 0:20:15 | 0:20:17 | |
'This early Georgian neoclassical style | 0:20:17 | 0:20:20 | |
'is the type of property our buyers described as pompous. | 0:20:20 | 0:20:23 | |
'It's full of gems that I hope will deliver an historic authenticity | 0:20:23 | 0:20:28 | |
'that they'll both appreciate.' | 0:20:28 | 0:20:30 | |
This property was built around 1700, so we've got a lot of history. | 0:20:30 | 0:20:36 | |
Always been a farmhouse. Excellent. | 0:20:36 | 0:20:39 | |
Let's take a look. OK. OK. | 0:20:39 | 0:20:42 | |
'Intrigued by its 300-year-old pedigree, | 0:20:42 | 0:20:45 | |
'let's find out whether what lies beyond the facade excites them, | 0:20:45 | 0:20:49 | |
'starting in the first of two elegant reception rooms.' | 0:20:49 | 0:20:53 | |
Let's talk dining tables. BOTH LAUGH | 0:20:53 | 0:20:56 | |
Yes, it could fit! You've got space, you've got beams. | 0:20:56 | 0:21:00 | |
It's tall, isn't it? It's a good height. You're right. | 0:21:00 | 0:21:04 | |
This has almost been modernised a bit too far for your tastes. | 0:21:04 | 0:21:09 | |
Would you say that's fair? Yeah. | 0:21:09 | 0:21:12 | |
Could you bring this back? The history's there, isn't it? | 0:21:12 | 0:21:18 | |
Is it one layer underneath or a bit deeper? | 0:21:18 | 0:21:20 | |
Is it listed? It is. Grade II. Only II. | 0:21:20 | 0:21:24 | |
There might be bits and bobs you can do internally. | 0:21:24 | 0:21:27 | |
'Across the hallway, the second reception room is presented | 0:21:27 | 0:21:31 | |
'as a sitting room with a fireplace. | 0:21:31 | 0:21:34 | |
'What do they make of the kitchen?' | 0:21:34 | 0:21:36 | |
That is absolutely original. | 0:21:36 | 0:21:39 | |
Look at that. It's lovely. | 0:21:39 | 0:21:42 | |
I would put the table in here. Great. | 0:21:42 | 0:21:45 | |
What they've done is to retain this more as a reception room. | 0:21:45 | 0:21:50 | |
They've got the nuts and bolts of the kitchen next door. | 0:21:50 | 0:21:53 | |
You'd at least keep it as a working utility. | 0:21:53 | 0:21:57 | |
Get all your white goods out there, non-period items. | 0:21:57 | 0:22:01 | |
Keep this pretty much as it is. It's a lovely room. | 0:22:01 | 0:22:06 | |
This is a beautiful view, too. | 0:22:06 | 0:22:09 | |
'Catalina and Malcolm are starting to appreciate | 0:22:09 | 0:22:12 | |
'the character of this house. | 0:22:12 | 0:22:14 | |
'We head through to the hallway to the first floor, | 0:22:14 | 0:22:17 | |
'where the family bathroom serves four bedrooms. | 0:22:17 | 0:22:22 | |
'At the back are two double bedrooms with fireplaces and sash windows. | 0:22:22 | 0:22:28 | |
'The smallest bedroom sits at the front | 0:22:28 | 0:22:30 | |
'and is another double with dark timber floorboards, | 0:22:30 | 0:22:34 | |
'which are also a feature in the largest bedroom.' | 0:22:34 | 0:22:37 | |
Ah! | 0:22:39 | 0:22:41 | |
I thought you'd like the floorboards. Original floorboards. | 0:22:41 | 0:22:44 | |
Painted dark chocolate but that's not a problem. | 0:22:44 | 0:22:48 | |
'Catalina and Malcolm are warming to the mystery house. | 0:22:48 | 0:22:52 | |
'But I've got a surprise that should turn up the heat another notch.' | 0:22:52 | 0:22:56 | |
You don't mind getting on your hands and knees? Let's have a look. | 0:22:56 | 0:23:01 | |
Look at this staircase. Oh, my gosh! It's untouched. | 0:23:01 | 0:23:05 | |
Come in. Mind your heads, especially you, Malcolm. | 0:23:05 | 0:23:10 | |
CATALINA GIGGLES Oh, my gosh! | 0:23:10 | 0:23:14 | |
If you were a fan of timbers... LAUGHTER | 0:23:14 | 0:23:17 | |
It's phenomenal. A lot of new work. | 0:23:17 | 0:23:19 | |
How many fireplaces? Two. That's incredible. | 0:23:19 | 0:23:23 | |
You've both got quite wry smiles. | 0:23:23 | 0:23:27 | |
Haven't you? Looking at this! | 0:23:27 | 0:23:29 | |
Cos we're going to have to give joined-up views in a minute. Yeah. | 0:23:29 | 0:23:34 | |
'The untouched open plan second floor | 0:23:34 | 0:23:37 | |
'is full of possibilities, subject to planning, | 0:23:37 | 0:23:40 | |
'and has given them food for thought. | 0:23:40 | 0:23:43 | |
'We weave our way down the two sets of stairs to check out the garden | 0:23:43 | 0:23:47 | |
'or - dare I say? - grounds. | 0:23:47 | 0:23:50 | |
'The land is mainly laid to lawn with a pond bordered by flower beds | 0:23:50 | 0:23:55 | |
'and a weeping willow.' | 0:23:55 | 0:23:57 | |
I can't believe I'm apologising for the amount of land. | 0:23:57 | 0:24:00 | |
One and a half acres. Oh, gosh! | 0:24:00 | 0:24:03 | |
Cos I said my lawn-mowing days were behind me? Yes. | 0:24:03 | 0:24:07 | |
What do we think of the house? | 0:24:07 | 0:24:09 | |
It definitely deserves restoring. It's stunning. | 0:24:09 | 0:24:13 | |
It's got a lot of heart, some beautiful features. OK. | 0:24:13 | 0:24:17 | |
So, tough question but I've got to ask it. | 0:24:17 | 0:24:21 | |
How much is it on the market for? | 0:24:21 | 0:24:22 | |
I'm going to say ?680,000. | 0:24:22 | 0:24:25 | |
OK. 680. A bit more, I think. A bit more? Mm. | 0:24:25 | 0:24:29 | |
Then you'll both be pleasantly surprised. Oh! It's on the market for ?625,000. What? | 0:24:29 | 0:24:36 | |
It's a beautiful property. A lot to think about. | 0:24:38 | 0:24:42 | |
'At ?625,000, this extensive period mystery property | 0:24:42 | 0:24:47 | |
'is again well under budget. | 0:24:47 | 0:24:50 | |
'Stately yet simple, the house is full of historic charm... | 0:24:50 | 0:24:54 | |
'You get a lot for your money with a little left over for remodelling. | 0:25:06 | 0:25:11 | |
'Would they take on a classical property rather than a Tudor barn?' | 0:25:11 | 0:25:16 | |
So, that's three properties. | 0:25:16 | 0:25:18 | |
Let's find somewhere for you to have a sit down and a chat. | 0:25:18 | 0:25:23 | |
After three properties, I clearly got the best reactions from the barn conversion project, | 0:25:29 | 0:25:34 | |
but I do think the mystery house gave them something to think about. | 0:25:34 | 0:25:39 | |
Let's find out what they want to do next. | 0:25:39 | 0:25:42 | |
I thought I'd bring you to one of the county's most famous buildings, Leeds Castle. | 0:25:45 | 0:25:51 | |
It started off fairly challenging. A barn conversion already converted. | 0:25:51 | 0:25:58 | |
On reflection, not for you guys. | 0:25:58 | 0:26:00 | |
Loved the garden. Nice family home. | 0:26:00 | 0:26:04 | |
The way the space was used | 0:26:04 | 0:26:06 | |
probably means we're unlikely to follow up on that one. | 0:26:06 | 0:26:10 | |
The second property certainly gave you an open-plan layout! | 0:26:10 | 0:26:14 | |
But that's all it gave you! | 0:26:14 | 0:26:17 | |
I can't believe you got the depth and width. | 0:26:17 | 0:26:20 | |
Beautiful beams. Really left as is. | 0:26:20 | 0:26:23 | |
Hopefully, we can look very carefully at that detail | 0:26:23 | 0:26:27 | |
and try to enhance it rather than ruin it. | 0:26:27 | 0:26:31 | |
I'm being the practical one. | 0:26:31 | 0:26:33 | |
I'm, as I said before, both excited and daunted in equal measure. | 0:26:33 | 0:26:37 | |
That was a great end to a day. This morning, the mystery house | 0:26:37 | 0:26:42 | |
gave you something very different. | 0:26:42 | 0:26:45 | |
There were some beautiful heritage pieces, honest to God. | 0:26:45 | 0:26:49 | |
Someone will fall madly in love and treasure that. | 0:26:49 | 0:26:53 | |
The favourite is the barn project. | 0:26:53 | 0:26:56 | |
What do you want to do about that? We want to follow up on it. | 0:26:56 | 0:27:00 | |
You showed us some interesting plans but that's one version. | 0:27:00 | 0:27:03 | |
There's enormous potential there. | 0:27:03 | 0:27:06 | |
It's such an exciting project. | 0:27:06 | 0:27:09 | |
You look like you can't wait to get your hands on it. I can't. | 0:27:09 | 0:27:12 | |
Very few people protect the fabric and integrity of a building. | 0:27:12 | 0:27:17 | |
And it's small enough for us to get our arms around it and keep going. | 0:27:17 | 0:27:22 | |
It has a lot of benefit. | 0:27:22 | 0:27:24 | |
It could be falling into the right hands. Let us know how you get on. I wish you the best of luck. | 0:27:24 | 0:27:30 | |
Thank you for looking after us so splendidly. | 0:27:30 | 0:27:33 | |
Quite a fitting location after spending time | 0:27:36 | 0:27:40 | |
with a couple who are passionate about England's historic buildings. | 0:27:40 | 0:27:45 | |
By choosing the barn-conversion project, | 0:27:45 | 0:27:48 | |
they could well be putting their money where their mouth is. | 0:27:48 | 0:27:52 | |
We wish them both the very best of luck. We'll see you next time. | 0:27:52 | 0:27:57 | |
'Malcolm and Catalina went back for another viewing | 0:27:57 | 0:28:00 | |
'and are currently in consultation with the agents. | 0:28:00 | 0:28:05 | |
'If you'd like to escape to the country in Northern Ireland, Wales, | 0:28:05 | 0:28:08 | |
'Scotland or England, and need our help, please apply online at:' | 0:28:08 | 0:28:13 | |
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