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Legend has it these stones are all that remains of a witches' coven. | 0:00:02 | 0:00:05 | |
They also form the second-largest stone circle in Britain. | 0:00:05 | 0:00:09 | |
Find out where I am in just a moment. | 0:00:09 | 0:00:11 | |
In today's show, I'll be helping a couple desperate for the outdoors life | 0:00:41 | 0:00:45 | |
find their first home together in the country. | 0:00:45 | 0:00:48 | |
However, they're keeping their cards close to their chest. | 0:00:48 | 0:00:52 | |
I don't what know what to say. | 0:00:52 | 0:00:53 | |
You're quite hard to read. You have this poker face! | 0:00:53 | 0:00:56 | |
But maybe our mystery house will force them to open up a bit. | 0:00:56 | 0:01:00 | |
It's quite romantic. | 0:01:00 | 0:01:03 | |
Welcome to Cumbria, a county filled with mountains, poets, | 0:01:07 | 0:01:12 | |
and this stone circle, known as Long Meg. | 0:01:12 | 0:01:15 | |
Meg, which is this one, was claimed to be a witch | 0:01:15 | 0:01:17 | |
and she and her many daughters were turned into rocks. | 0:01:17 | 0:01:21 | |
This stone circle, it's said, is protected by magic. | 0:01:21 | 0:01:25 | |
It's impossible to go around it | 0:01:25 | 0:01:27 | |
and count the same number of stones twice. | 0:01:27 | 0:01:30 | |
So while I test that theory, you take a look at the rest of the county. | 0:01:30 | 0:01:34 | |
One, two, three, four, five... | 0:01:35 | 0:01:37 | |
As the most north-westerly of England's counties, | 0:01:38 | 0:01:41 | |
Cumbria's charms are countless, | 0:01:41 | 0:01:44 | |
many of them lying within the Lake District National Park. | 0:01:44 | 0:01:48 | |
Among the 16 lakes scattered across the county's dramatic and mountainous terrain | 0:01:48 | 0:01:53 | |
is Windermere, which, at ten and a half miles long and a mile wide | 0:01:53 | 0:01:57 | |
claims the title of England's largest natural lake. | 0:01:57 | 0:02:01 | |
Its scenic splendour is a draw for over 8 million visitors a year, | 0:02:01 | 0:02:05 | |
many who come to enjoy the raft of outdoor pursuits this area lends itself to. | 0:02:05 | 0:02:10 | |
The outlying fells and villages beyond the National Park | 0:02:11 | 0:02:14 | |
are also a compelling option for many people seeking a home here. | 0:02:14 | 0:02:19 | |
In fact, in some parts of the Lake District, Coniston, for example, | 0:02:48 | 0:02:52 | |
51% of the property belongs to second-home owners. | 0:02:52 | 0:02:56 | |
But if you ARE looking to move to the area, | 0:02:57 | 0:02:59 | |
there are properties to suit every budget. | 0:02:59 | 0:03:02 | |
For £260,000, this three-bedroom stone barn conversion outside Wigton | 0:03:02 | 0:03:08 | |
provides a generous open-plan kitchen diner | 0:03:08 | 0:03:10 | |
and bedrooms with impressive roof beams. | 0:03:10 | 0:03:13 | |
Outside, the garden has views over the adjoining fields. | 0:03:13 | 0:03:17 | |
Or how about this four-bedroom barn conversion near Foxfield | 0:03:17 | 0:03:21 | |
for £420,000? | 0:03:21 | 0:03:23 | |
It has a state-of-the-art kitchen-diner, a lovely garden | 0:03:23 | 0:03:27 | |
and a roof terrace which offers stunning views | 0:03:27 | 0:03:30 | |
towards Kirkby Moor and the local woodland. | 0:03:30 | 0:03:32 | |
For larger budgets, | 0:03:33 | 0:03:35 | |
£675,000 could buy you this four-bedroom farmhouse in Alston. | 0:03:35 | 0:03:40 | |
It has a light, airy feel with wooden truss ceilings | 0:03:40 | 0:03:43 | |
a running theme throughout the main house. | 0:03:43 | 0:03:46 | |
Our house-buyers are desperate to leave their town life behind | 0:03:49 | 0:03:52 | |
and move into the glories of the countryside, | 0:03:52 | 0:03:55 | |
so let's find out why they want to make their escape to Cumbria. | 0:03:55 | 0:03:58 | |
Lesley, a retail manager, and Carl, a school teacher, | 0:03:58 | 0:04:02 | |
have lived together in their three-bedroom home | 0:04:02 | 0:04:05 | |
in the suburbs of northern Blackpool for two years. | 0:04:05 | 0:04:08 | |
But since becoming a couple, they both want to head out of town | 0:04:08 | 0:04:12 | |
and pursue a more active lifestyle in the Cumbrian countryside. | 0:04:12 | 0:04:16 | |
We both want to move to the country. I think we like the outdoor lifestyle | 0:04:16 | 0:04:22 | |
and the accessibility to the countryside, basically. | 0:04:22 | 0:04:27 | |
This'll be our first property that we'll have bought together, | 0:04:27 | 0:04:31 | |
and that's one of our main reasons. We want to be quite rural | 0:04:31 | 0:04:35 | |
and have the ideal that we've always wanted. | 0:04:35 | 0:04:38 | |
One of my interests is cycling. Lesley and I used to do quite a lot. | 0:04:38 | 0:04:41 | |
Unfortunately, the traffic around here is just ridiculous. | 0:04:41 | 0:04:45 | |
The chance to go out and cycle in the countryside | 0:04:45 | 0:04:50 | |
is something we're looking forward to. | 0:04:50 | 0:04:52 | |
Becoming a fully fledged gardener | 0:04:52 | 0:04:55 | |
is part of Lesley's outdoor ambition. | 0:04:55 | 0:04:58 | |
As you can see, this is my little vegetable patch and it is very small. | 0:04:58 | 0:05:02 | |
At the moment, all we can really grow are strawberries and raspberries, | 0:05:02 | 0:05:06 | |
and when we move to the country, what we'd really like to do | 0:05:06 | 0:05:09 | |
is grow a greater variety of fruit and vegetables. | 0:05:09 | 0:05:12 | |
Whilst striving to fulfil their rural dream, they also realise | 0:05:13 | 0:05:17 | |
that initially they'll have to commute back to Blackpool for work. | 0:05:17 | 0:05:21 | |
Because of this, | 0:05:21 | 0:05:22 | |
they want to settle in the Kendal area with easy access to the M6, | 0:05:22 | 0:05:25 | |
and besides being insistent that their next home should be detached, | 0:05:25 | 0:05:30 | |
there are other priorities to factor in. | 0:05:30 | 0:05:32 | |
For me, I'd like the new house to be pretty much | 0:05:32 | 0:05:35 | |
everything that this place isn't, to be honest. | 0:05:35 | 0:05:39 | |
The main thing for me is location. | 0:05:39 | 0:05:42 | |
It would be wonderful to see some scenery, wildlife, et cetera. | 0:05:42 | 0:05:47 | |
The property itself, | 0:05:47 | 0:05:49 | |
I don't mind whether it's an older property | 0:05:49 | 0:05:52 | |
or whether it's a newer build, | 0:05:52 | 0:05:54 | |
but I would prefer it to have some character features. | 0:05:54 | 0:05:57 | |
So I would like a nice, unusual fireplace | 0:05:57 | 0:06:00 | |
or it to have character inside. Ideally, I'd love a big kitchen. | 0:06:00 | 0:06:06 | |
Two bedrooms would be fine. | 0:06:06 | 0:06:07 | |
Ideally, we need somewhere that could be a studio, | 0:06:07 | 0:06:10 | |
so that might be some outbuildings that come along with the property. | 0:06:10 | 0:06:15 | |
It's more about the location. | 0:06:15 | 0:06:16 | |
I'd prefer it to be a bit more out on its own, whereas Lesley | 0:06:16 | 0:06:20 | |
would probably prefer to be a bit closer or actually in a community. | 0:06:20 | 0:06:25 | |
Lesley sold her property two years ago, | 0:06:25 | 0:06:28 | |
and with Carl's on the market for £145,000, | 0:06:28 | 0:06:32 | |
they've agreed their top limit. | 0:06:32 | 0:06:34 | |
The maximum budget we're looking to spend | 0:06:34 | 0:06:37 | |
would be around the £300,000 mark. | 0:06:37 | 0:06:39 | |
I know we always say that it's going to be challenge to find | 0:06:46 | 0:06:49 | |
what our homebuyers want, but in Carl and Lesley's case, | 0:06:49 | 0:06:52 | |
there are some specific factors that could trip us up. | 0:06:52 | 0:06:55 | |
Firstly, their budget's not the biggest. | 0:06:55 | 0:06:57 | |
Secondly, everybody wants to move to this beautiful corner of the countryside, | 0:06:57 | 0:07:02 | |
and thirdly, local occupancy restrictions really do limit | 0:07:02 | 0:07:06 | |
the number of properties that incomers like Carl and Lesley can buy. | 0:07:06 | 0:07:10 | |
The good news is, here on Escape, we love a challenge. | 0:07:10 | 0:07:14 | |
At their request, we'll be focussing Carl and Lesley's property search | 0:07:17 | 0:07:20 | |
in the Kendal area, although their budget may mean | 0:07:20 | 0:07:23 | |
we have to push the boundaries to get them what they want. | 0:07:23 | 0:07:27 | |
We've selected three handsome Cumbrian homes to tempt them with, | 0:07:27 | 0:07:31 | |
but I won't be revealing the price of each until they've had a guess. | 0:07:31 | 0:07:35 | |
The last property is our mystery house | 0:07:35 | 0:07:37 | |
which we hope will push them beyond their comfort zone. | 0:07:37 | 0:07:40 | |
-Welcome to Cumbria. -Thank you. -Where the sun is always like this. | 0:07:45 | 0:07:48 | |
-It never, ever rains. -Glorious, isn't it? -Yeah. | 0:07:48 | 0:07:51 | |
I can understand why you want to move here. | 0:07:51 | 0:07:54 | |
Has it always been your destination of choice? Why here? | 0:07:54 | 0:07:57 | |
We had a conversation a while back and we decided | 0:07:57 | 0:08:01 | |
we only ever wanted to move one more time, so we actually made a list. | 0:08:01 | 0:08:05 | |
We did it separately to make sure it wasn't one person's choice | 0:08:05 | 0:08:08 | |
over the other, of places where we really want to live, | 0:08:08 | 0:08:11 | |
and top of our list was the Lake District. | 0:08:11 | 0:08:12 | |
-That's nice. -So it made sense, basically. | 0:08:12 | 0:08:16 | |
It sounds like you have perfect unison | 0:08:16 | 0:08:18 | |
when it comes to where you want to live. | 0:08:18 | 0:08:20 | |
What about the kind of property? Do you have the same taste there? | 0:08:20 | 0:08:24 | |
I think Carl is definitely more to do with the location of the property. | 0:08:24 | 0:08:30 | |
These views are amazing and that's what we're moving here for. | 0:08:30 | 0:08:35 | |
I'm probably more to do with the interior of the house, | 0:08:35 | 0:08:38 | |
whereas Carl is more to do with the exterior. | 0:08:38 | 0:08:40 | |
-Your budget is 300. -Correct, yes. -Fixed in stone. | 0:08:40 | 0:08:45 | |
-The top of our budget. -Because you have sold your property and yours is in the market. | 0:08:45 | 0:08:50 | |
It's on the market at the moment, and we're also looking to let, | 0:08:50 | 0:08:54 | |
so we're ready to go, basically. | 0:08:54 | 0:08:57 | |
We have found some lovely properties to show you, so let's start looking. | 0:08:57 | 0:09:01 | |
Happily, with their budget of £300,000, | 0:09:04 | 0:09:07 | |
Lesley and Carl have realistic expectations, | 0:09:07 | 0:09:10 | |
but ideally they are after a detached property that provides them | 0:09:10 | 0:09:13 | |
with a living room, preferably with a lovely period fireplace, | 0:09:13 | 0:09:18 | |
a large kitchen-diner, a minimum of two bedrooms, | 0:09:18 | 0:09:22 | |
space for Carl's studio | 0:09:22 | 0:09:25 | |
along with a good-sized garden for Lesley to grow vegetables | 0:09:25 | 0:09:28 | |
and countryside views are a must. | 0:09:28 | 0:09:31 | |
We're getting our property search under way with location | 0:09:35 | 0:09:38 | |
at the top of the agenda as we head to the village of Brigsteer. | 0:09:38 | 0:09:42 | |
With all the amenities of Kendal just three miles away, | 0:09:42 | 0:09:45 | |
this is a superbly rural spot with a well-regarded pub, | 0:09:45 | 0:09:49 | |
a small parish church and a scattering of properties | 0:09:49 | 0:09:53 | |
which enjoy views over the Lyth Valley, | 0:09:53 | 0:09:55 | |
and our first house is no exception. | 0:09:55 | 0:09:58 | |
So this is the spot I wanted to bring you to. | 0:10:01 | 0:10:03 | |
-And this is the property I want to show you. -Excellent. | 0:10:03 | 0:10:08 | |
First impressions? Yours, because you were trembling as we approached. | 0:10:08 | 0:10:14 | |
A gorgeous setting, absolutely gorgeous. | 0:10:14 | 0:10:17 | |
Couldn't have asked for a nicer setting. | 0:10:17 | 0:10:19 | |
Really like it from the outside. | 0:10:19 | 0:10:21 | |
-Really intrigued to see what's inside. -It's attached. | 0:10:21 | 0:10:24 | |
How do you feel about that? | 0:10:24 | 0:10:27 | |
That's the first thing I noticed, | 0:10:27 | 0:10:30 | |
but obviously, in this location, something's got to give. | 0:10:30 | 0:10:34 | |
Quite like the fact that we've got neighbours that are near, | 0:10:34 | 0:10:38 | |
but we'll have to wait and see what inside brings. | 0:10:38 | 0:10:41 | |
I can see there's going to be a bit of tension! | 0:10:41 | 0:10:43 | |
The dog will decide, I think. | 0:10:43 | 0:10:46 | |
Hopefully, the dog will give the heads-up to the large double garage | 0:10:47 | 0:10:50 | |
which has studio potential for Carl. | 0:10:50 | 0:10:53 | |
But it's the windows in the main house | 0:10:53 | 0:10:55 | |
that I think will hold his attention. | 0:10:55 | 0:10:58 | |
Come in to the sun room. What are your thoughts? | 0:10:59 | 0:11:02 | |
It's the view that I'm looking at. It captures the view perfectly. | 0:11:04 | 0:11:08 | |
The view is one of the main things that we're after. | 0:11:08 | 0:11:11 | |
Certainly from my side of things, I want to be able to sit | 0:11:11 | 0:11:15 | |
and admire the view. | 0:11:15 | 0:11:16 | |
-Quite cosy. I quite like it. -QUITE like it? -Quite like it. | 0:11:16 | 0:11:20 | |
What do you think of the style of it? | 0:11:20 | 0:11:22 | |
This is quite a taster of the whole house. | 0:11:22 | 0:11:25 | |
It's very modern, which obviously, ideally, I wanted some period features, | 0:11:26 | 0:11:32 | |
but I do like the general feel and the presentation of the room. | 0:11:32 | 0:11:36 | |
OK, well, let's move on. | 0:11:36 | 0:11:38 | |
This was the original front door before they put it on the sun room, | 0:11:41 | 0:11:45 | |
but now it's become the back door. | 0:11:45 | 0:11:47 | |
-This is the sitting room. -I like the fireplace. -I like the fireplace. | 0:11:47 | 0:11:51 | |
Eyes immediately drawn to the period detail. | 0:11:51 | 0:11:55 | |
Size-wise, it's cosy. | 0:11:56 | 0:11:58 | |
I'm just wondering if it's a little bit too small. Ceilings are OK. | 0:11:58 | 0:12:03 | |
But then it could be positioning of furniture. | 0:12:04 | 0:12:06 | |
'Let's see if Lesley warms to the kitchen.' | 0:12:06 | 0:12:10 | |
Right, now. You've seen everything on the ground floor. | 0:12:14 | 0:12:17 | |
-What do you think? -I think it's lovely. | 0:12:19 | 0:12:22 | |
Everything you could need in the kitchen. Quite modern. | 0:12:22 | 0:12:26 | |
It's not a huge property. | 0:12:27 | 0:12:29 | |
You've got to take that on board, | 0:12:29 | 0:12:31 | |
but what they've done with it is really great. | 0:12:31 | 0:12:34 | |
-Ideal for entertaining. I can't fault the kitchen at all. -That's good. | 0:12:34 | 0:12:39 | |
You're quite hard to read. | 0:12:39 | 0:12:42 | |
You've got this poker face when you come into a room. So you like it? | 0:12:42 | 0:12:45 | |
I take everything in first. I love the floor. | 0:12:45 | 0:12:48 | |
'We have a quiet but positive reaction to the downstairs, | 0:12:51 | 0:12:55 | |
'and upstairs the space has also been well configured | 0:12:55 | 0:12:58 | |
'to offer three bedrooms spread over two floors. | 0:12:58 | 0:13:01 | |
'There's a single room with a small but sleek | 0:13:01 | 0:13:04 | |
'refitted modern bathroom, and next door is a possible master.' | 0:13:04 | 0:13:08 | |
-This is one of the two bedrooms on this floor. -Excellent view. | 0:13:11 | 0:13:17 | |
Beautiful view. Imagine waking up to that. Lots of storage. | 0:13:17 | 0:13:21 | |
-Is this the main bedroom? -They use this as their master bedroom, yeah. | 0:13:21 | 0:13:26 | |
-But all the bedrooms are pretty much the same size. -Size is fine for me. | 0:13:27 | 0:13:33 | |
'We'll head upstairs again and see | 0:13:33 | 0:13:36 | |
'if they have any creative thoughts for the third bedroom.' | 0:13:36 | 0:13:39 | |
Up in the eaves, they've added an extra room. | 0:13:41 | 0:13:44 | |
So this is a new addition in the last few years. | 0:13:44 | 0:13:47 | |
The reason they didn't use this as the master is | 0:13:49 | 0:13:51 | |
because you're a bit leany-over. | 0:13:51 | 0:13:54 | |
But it's got great views | 0:13:54 | 0:13:55 | |
and it might be a good work space or an office. | 0:13:55 | 0:13:59 | |
Be ideal for you if you wanted it. | 0:13:59 | 0:14:00 | |
Yeah, I've already got my mark on it, to be honest. | 0:14:00 | 0:14:03 | |
The view is stunning. | 0:14:03 | 0:14:04 | |
It's ideal size, the light's good, it's out of the way | 0:14:04 | 0:14:09 | |
so I wouldn't be in the way downstairs. | 0:14:09 | 0:14:12 | |
'This cottage has all the requisite rooms they were after | 0:14:14 | 0:14:16 | |
'and would be an extremely comfortable first home for them. | 0:14:16 | 0:14:20 | |
'Outside, the location gives them glorious countryside | 0:14:20 | 0:14:23 | |
'on their doorstep, but at the expense of the size of the garden.' | 0:14:23 | 0:14:27 | |
Come on out. | 0:14:29 | 0:14:31 | |
So this is where we have to compromise. | 0:14:33 | 0:14:37 | |
I was waiting for that word. | 0:14:37 | 0:14:40 | |
Because this is your back garden, | 0:14:40 | 0:14:43 | |
essentially just a little patio garden. | 0:14:43 | 0:14:45 | |
Space enough to have a barbecue and a big kennel, | 0:14:45 | 0:14:49 | |
-but not really room for a veggie patch. -No. | 0:14:49 | 0:14:52 | |
I can't see myself just sitting out here too long, | 0:14:54 | 0:14:56 | |
to be honest with you. It would be more the sun room at the front. | 0:14:56 | 0:15:00 | |
What do you think this property is on the market for? | 0:15:00 | 0:15:04 | |
I think because it's a semi-detached property, | 0:15:04 | 0:15:08 | |
I'm thinking it might be around 270. | 0:15:08 | 0:15:12 | |
Knowing you're a man of your word | 0:15:12 | 0:15:14 | |
and you wouldn't go above our budget, | 0:15:14 | 0:15:15 | |
-I'm going to go, actually, 290. -290. | 0:15:15 | 0:15:18 | |
Clearly you overestimate my word, because sadly, this is over budget. | 0:15:18 | 0:15:23 | |
This is actually on the market for 315, | 0:15:23 | 0:15:26 | |
but have a look around again, explore at your leisure, | 0:15:26 | 0:15:30 | |
and I'll meet you out in the front in the sun room | 0:15:30 | 0:15:32 | |
and then we can take it from there. | 0:15:32 | 0:15:34 | |
-OK. Thank you. -In you go. | 0:15:34 | 0:15:36 | |
'The fact that this semi-detached cottage is over-budget | 0:15:38 | 0:15:42 | |
'at 315,000 only highlights the premium' | 0:15:42 | 0:15:44 | |
they have to pay for location. | 0:15:44 | 0:15:47 | |
However, it's also in excellent decorative order | 0:15:47 | 0:15:50 | |
and provides them with two living rooms, one with great views | 0:15:50 | 0:15:54 | |
and the other with a stone fireplace, | 0:15:54 | 0:15:56 | |
a beautiful kitchen diner and three bedrooms, | 0:15:56 | 0:16:00 | |
one of which Carl has already earmarked as his studio. | 0:16:00 | 0:16:03 | |
The main drawback for them was the courtyard garden, | 0:16:03 | 0:16:06 | |
but it's offset by being in their ideal location with great access | 0:16:06 | 0:16:10 | |
to Kendal, the Lakes and the M6 for driving to work. | 0:16:10 | 0:16:13 | |
Internally, I think it offers us all the space and the rooms that we need. | 0:16:13 | 0:16:21 | |
We've got two potential living rooms. | 0:16:21 | 0:16:24 | |
I think the kitchen/dining room is absolutely amazing. | 0:16:24 | 0:16:29 | |
Location-wise, this is probably as good as it gets, so the question | 0:16:29 | 0:16:35 | |
is are we prepared to lose the back garden for being in this space? | 0:16:35 | 0:16:39 | |
-Hello. -Hello. -All done in there? -Yes. | 0:16:39 | 0:16:43 | |
Keep your thoughts about this house to yourselves | 0:16:43 | 0:16:45 | |
because we have got another one to look at. | 0:16:45 | 0:16:48 | |
Sitting on the outskirts of the national park, | 0:16:57 | 0:17:01 | |
Kendal is Cumbria's third largest town and is often dubbed | 0:17:01 | 0:17:04 | |
the southern gateway to the Lakes | 0:17:04 | 0:17:06 | |
and is defined by its limestone grey buildings. | 0:17:06 | 0:17:09 | |
From 1941, it was home to Alfred Wainwright and was where | 0:17:09 | 0:17:14 | |
he served as borough treasurer | 0:17:14 | 0:17:15 | |
and worked on his famous Pictorial Guides of the Lakeland Fells. | 0:17:15 | 0:17:19 | |
Along with exploring the terrain on foot, | 0:17:19 | 0:17:21 | |
there is also a fantastic network of accessible cycle routes, | 0:17:21 | 0:17:26 | |
and as Carl and Lesley are keen to take to two wheels, | 0:17:26 | 0:17:28 | |
earlier in the week we arranged for them to meet Toby Dalton who's lived | 0:17:28 | 0:17:32 | |
in the Kendal area most of his life and owns a local cycle company. | 0:17:32 | 0:17:36 | |
He's taking them on a leisurely ride which takes in some local | 0:17:36 | 0:17:40 | |
beauty spots, starting with a pause for breath in Staveley. | 0:17:40 | 0:17:45 | |
Great little stopping place, this. | 0:17:45 | 0:17:46 | |
This is Barley Bridge and the Barley weir, | 0:17:46 | 0:17:49 | |
and we've just come back from Kendal, | 0:17:49 | 0:17:51 | |
so we're five miles into the ride or so. | 0:17:51 | 0:17:54 | |
Mountain bikers come from all over the country | 0:17:54 | 0:17:57 | |
to ride the trails round here. There's some big famous trails. | 0:17:57 | 0:18:00 | |
One in particular is called Garburn Pass. | 0:18:00 | 0:18:03 | |
It's real steep, a very technical descent. | 0:18:03 | 0:18:05 | |
a real challenge for a lot of people. | 0:18:05 | 0:18:06 | |
-So would that be a good one for me and Leslie? -Maybe in a year's time! | 0:18:06 | 0:18:11 | |
Cyclists are asked to avoid foot paths. | 0:18:12 | 0:18:15 | |
That's not a problem here as Cumbria | 0:18:15 | 0:18:17 | |
has more than 1,200 miles of bridleway, | 0:18:17 | 0:18:20 | |
more than any other county, | 0:18:20 | 0:18:22 | |
which helps pull in £33 million from outdoor pursuits each year. | 0:18:22 | 0:18:26 | |
It's easy to see why with views like this over Kendal | 0:18:26 | 0:18:30 | |
towards the northern lakes. But that's just for starters. | 0:18:30 | 0:18:33 | |
OK, guys. If you're up for it, we're going to go | 0:18:33 | 0:18:36 | |
and check out Windermere now. | 0:18:36 | 0:18:37 | |
It's a little bit of a cycle, 15 miles in that direction. | 0:18:37 | 0:18:41 | |
We're going to go on a little curve round on some country lanes. | 0:18:41 | 0:18:45 | |
Toby has mapped out a comfortable two-hour right for them | 0:18:45 | 0:18:49 | |
which ends in a well-earned rest by the shores of Lake Windermere. | 0:18:49 | 0:18:54 | |
Nice bench and a good view. | 0:18:55 | 0:18:57 | |
Did you enjoy the ride? Do you think you'll be | 0:18:57 | 0:18:59 | |
out on your bikes quite a bit when you eventually move up here? | 0:18:59 | 0:19:02 | |
It was an excellent ride. | 0:19:02 | 0:19:04 | |
It's where to go, there's so many choices, | 0:19:04 | 0:19:07 | |
I think that's our bigger problem, which direction you head off in. | 0:19:07 | 0:19:10 | |
Even for me, because I'm not that experienced with all of the hills, | 0:19:10 | 0:19:14 | |
it was all right for my level cos I'm quite a novice, | 0:19:14 | 0:19:18 | |
-yet it was still a challenge in parts for Carl. -Excellent. | 0:19:18 | 0:19:21 | |
The great privilege is that you don't have to go home | 0:19:21 | 0:19:24 | |
and after work you can nip out on your bike | 0:19:24 | 0:19:27 | |
or put your running shoes on and go out on the fells. | 0:19:27 | 0:19:29 | |
Within ten minutes, you can be out in the wilderness. | 0:19:29 | 0:19:32 | |
Can't beat it, to be honest. It's a cracking place. | 0:19:32 | 0:19:36 | |
Being able to enjoy the magnificent countryside of the Lakes | 0:19:38 | 0:19:41 | |
is key to their move. | 0:19:41 | 0:19:43 | |
Although, our second property also factors in their request for land. | 0:19:43 | 0:19:47 | |
As we edge over to the western side of the Lakes, | 0:19:47 | 0:19:49 | |
close to Broughton-in-Furness, just over 30 miles from Kendal. | 0:19:49 | 0:19:53 | |
In the past, this small market town prospered | 0:19:53 | 0:19:56 | |
from the trading of wool and cattle. | 0:19:56 | 0:19:58 | |
Many of its historic buildings surround its Georgian market square | 0:19:58 | 0:20:03 | |
with its central obelisk marking the Jubilee of King George III in 1810. | 0:20:03 | 0:20:08 | |
On the outskirts of the town, and with stunning views | 0:20:08 | 0:20:11 | |
of the Duddon Valley, we find our second property, | 0:20:11 | 0:20:14 | |
whose remote setting should appeal to Carl, | 0:20:14 | 0:20:17 | |
whilst giving Leslie the original character she wants. | 0:20:17 | 0:20:20 | |
Now, you know you were worried about neighbours... | 0:20:21 | 0:20:25 | |
We thought we'd bring you somewhere | 0:20:27 | 0:20:30 | |
that was just a little bit more remote. | 0:20:30 | 0:20:32 | |
Yes. This is just what I was after, | 0:20:32 | 0:20:35 | |
but I don't know about Leslie? Location wise, this is perfection. | 0:20:35 | 0:20:39 | |
It's a great location and this is the property I want to show you. | 0:20:39 | 0:20:43 | |
-It again is attached. -OK. | 0:20:43 | 0:20:46 | |
-We couldn't rustle up all of this for you in your budget. -Why not?! | 0:20:46 | 0:20:51 | |
But what do you think of this architectural style? | 0:20:51 | 0:20:54 | |
This is probably more in your... | 0:20:54 | 0:20:56 | |
From what I can see, I like the outside of the building. | 0:20:56 | 0:21:01 | |
I like the fact that it's built in stone so that's very appealing. | 0:21:01 | 0:21:05 | |
Let's have a look inside. | 0:21:05 | 0:21:07 | |
Let's see if she's sold on the internal quirks | 0:21:07 | 0:21:10 | |
that inevitably crop up in such a historic conversion. | 0:21:10 | 0:21:13 | |
Come into the pigsty aka the dining hall. | 0:21:15 | 0:21:20 | |
I like the features. | 0:21:25 | 0:21:26 | |
I like the fact that it's uneven walls | 0:21:26 | 0:21:30 | |
and not finished to a smooth finish. | 0:21:30 | 0:21:33 | |
I'm just trying to think how we'd actually use this space, | 0:21:33 | 0:21:38 | |
if we would actually use it as a dining room. | 0:21:38 | 0:21:42 | |
Sure. | 0:21:42 | 0:21:43 | |
This is billed as the dining room because it's next to the kitchen. | 0:21:43 | 0:21:46 | |
Why don't you have a peek in the kitchen? | 0:21:46 | 0:21:48 | |
Mind the step. | 0:21:51 | 0:21:53 | |
It's not huge. | 0:21:57 | 0:21:59 | |
No, I think if you look in the English dictionary, the term little | 0:21:59 | 0:22:03 | |
is a picture of this kitchen. | 0:22:03 | 0:22:05 | |
Maybe the features of the living room can work their charm. | 0:22:06 | 0:22:11 | |
This is the other room on the downstairs. | 0:22:12 | 0:22:16 | |
This would be the sitting room, lounge. | 0:22:16 | 0:22:19 | |
Great, great thick walls again with a little alcove and a window seat. | 0:22:19 | 0:22:23 | |
So, it's a bit more period-y. | 0:22:23 | 0:22:26 | |
It is much more period-y. | 0:22:26 | 0:22:27 | |
It's certainly cosy. It's got the features. | 0:22:27 | 0:22:31 | |
The features are lovely. I love the window seat | 0:22:31 | 0:22:34 | |
and the view outside. | 0:22:34 | 0:22:36 | |
And the little features they've done and the fireplace. | 0:22:36 | 0:22:39 | |
I'm just trying to think | 0:22:39 | 0:22:41 | |
if it's a workable space. | 0:22:41 | 0:22:44 | |
And you've got three bedrooms. | 0:22:44 | 0:22:46 | |
The views are a big theme upstairs where there are | 0:22:50 | 0:22:54 | |
three bedrooms which like the last property are spread over two floors. | 0:22:54 | 0:22:58 | |
The first consists of two cosy, little singles | 0:22:58 | 0:23:01 | |
and a well-furnished family bathroom. | 0:23:01 | 0:23:04 | |
But we'll see if the master on the second floor measures up. | 0:23:04 | 0:23:09 | |
So the present owners have just put this on. | 0:23:11 | 0:23:14 | |
This is a top floor extension | 0:23:14 | 0:23:16 | |
to give themselves this master bedroom. | 0:23:16 | 0:23:20 | |
Obviously, this is by far the biggest upstairs room. | 0:23:20 | 0:23:24 | |
This is fine for me. | 0:23:24 | 0:23:26 | |
It's got a nice feeling, with the light coming in through there. | 0:23:26 | 0:23:30 | |
And from there as well, behind the door. | 0:23:30 | 0:23:33 | |
So far, it's just the kitchen really that's an issue for me. | 0:23:33 | 0:23:38 | |
Although they feel that the room sizes overall have come up short, | 0:23:38 | 0:23:42 | |
there is the possibility to extend downstairs | 0:23:42 | 0:23:44 | |
as the current owners have drawn up plans to build a glass sun room | 0:23:44 | 0:23:48 | |
out from the current porch. | 0:23:48 | 0:23:50 | |
Subject to planning permission, of course. | 0:23:50 | 0:23:53 | |
There are also other opportunities outside | 0:23:53 | 0:23:55 | |
that would exceed their expectations. | 0:23:55 | 0:23:59 | |
You may have fallen in love with the house in the last property but you didn't like the land. | 0:23:59 | 0:24:03 | |
-There was no land to like. Fair enough? -Fair enough. | 0:24:03 | 0:24:07 | |
So this property has a bit more land. | 0:24:07 | 0:24:11 | |
All of this is yours, the mown, green grass bit, | 0:24:11 | 0:24:17 | |
but there is also the possibility for a small purchase price | 0:24:17 | 0:24:21 | |
of buying all the two acres right up to the top of the hill. | 0:24:21 | 0:24:27 | |
So without that big parcel of land, | 0:24:27 | 0:24:29 | |
how much do you think this property costs? | 0:24:29 | 0:24:33 | |
250? | 0:24:33 | 0:24:34 | |
I might say it's slightly more than that. | 0:24:36 | 0:24:40 | |
270. | 0:24:40 | 0:24:41 | |
Well, this property is on the market for 250 | 0:24:43 | 0:24:46 | |
and that parcel of land could be yours for £10,000. | 0:24:46 | 0:24:51 | |
So that makes 260 all together, | 0:24:51 | 0:24:53 | |
but the vendor's keen to accept offers from you, | 0:24:53 | 0:24:56 | |
so you could probably get it for around 250. | 0:24:56 | 0:24:59 | |
Why don't you go have a look. | 0:24:59 | 0:25:01 | |
You can have a wander up there as well. | 0:25:01 | 0:25:03 | |
Take a look in, see what you think about the house again, | 0:25:03 | 0:25:06 | |
what you think you can do with the land and then we'll meet at the end. | 0:25:06 | 0:25:09 | |
-OK. -OK. -Off you trot. | 0:25:09 | 0:25:11 | |
Priced at just a shade under £250,000, | 0:25:15 | 0:25:18 | |
this stone cottage is well under their budget threshold | 0:25:18 | 0:25:21 | |
and offers them a wealth of period features, | 0:25:21 | 0:25:24 | |
including exposed beams and a stone fireplace, | 0:25:24 | 0:25:28 | |
three bedrooms | 0:25:28 | 0:25:30 | |
and a sizeable garden which they could extend to two acres | 0:25:30 | 0:25:34 | |
if they spent £10,000 on the adjoining woodland, | 0:25:34 | 0:25:37 | |
all wrapped up in a spectacular setting | 0:25:37 | 0:25:40 | |
with far-reaching Lakeland views. | 0:25:40 | 0:25:43 | |
I love all the period features that we have in this property. | 0:25:43 | 0:25:46 | |
Obviously, the little window seat and the beams. | 0:25:46 | 0:25:49 | |
But for me, I think the living area downstairs | 0:25:49 | 0:25:52 | |
is just a little bit on the small side. | 0:25:52 | 0:25:54 | |
I can see why you brought us here. | 0:25:54 | 0:25:57 | |
Again, you do need to look at the potential | 0:25:57 | 0:26:00 | |
as opposed to what's actually here. | 0:26:00 | 0:26:02 | |
This does offer the potential to become the house for ever. | 0:26:02 | 0:26:08 | |
Beautiful views but maybe a few too many pieces to this jigsaw. | 0:26:08 | 0:26:12 | |
-Are you all done? -We are. -You're still smiling. That's good. | 0:26:12 | 0:26:16 | |
Come on, let's go and regroup. | 0:26:16 | 0:26:17 | |
As evening falls over the Cumbrian hills, | 0:26:26 | 0:26:29 | |
it marks the end of the first day of our property search. | 0:26:29 | 0:26:33 | |
With their £300,000 budget, Carl and Leslie want to quit | 0:26:40 | 0:26:44 | |
the Blackpool suburbs and build a new life for themselves in the country. | 0:26:44 | 0:26:48 | |
The two houses we've seen so far have proved just how tricky | 0:26:48 | 0:26:52 | |
balancing the equation of house, land and location can be. | 0:26:52 | 0:26:56 | |
But for our mystery house, we are throwing caution to the wind... | 0:26:56 | 0:27:00 | |
Ta-da! | 0:27:00 | 0:27:02 | |
..and I get a taste of one of Cumbria's sweetest claims to fame. | 0:27:02 | 0:27:05 | |
Smells nice. | 0:27:07 | 0:27:09 | |
I've already clocked that Carl has a strong, but probably slightly frustrated, creative streak, | 0:27:15 | 0:27:20 | |
but I realised yesterday that Leslie has it too. They're both dreamers. | 0:27:20 | 0:27:24 | |
They're both always looking forward to the next room, the next project, the next house, the next field. | 0:27:24 | 0:27:29 | |
Really, this move is a lot more than just changing houses. | 0:27:29 | 0:27:32 | |
It's almost like they're both coming together to start something completely new. | 0:27:32 | 0:27:36 | |
Then when I think about their commute, how realistic is it | 0:27:36 | 0:27:40 | |
to travel for an hour-and-a-half every morning, back and forth to Blackpool, | 0:27:40 | 0:27:44 | |
when what they really want, I think, is something totally new? | 0:27:44 | 0:27:49 | |
We need to force their hand and the mystery house certainly does that. | 0:27:49 | 0:27:54 | |
We're going to see the mystery house. What do you think that will involve? | 0:27:58 | 0:28:02 | |
Just so long as it's not a terraced house in the middle of town, | 0:28:03 | 0:28:08 | |
that's my only stipulation. | 0:28:08 | 0:28:10 | |
Hoping that it will be a detached property. But not too remote. | 0:28:10 | 0:28:14 | |
For our mystery property, we're staying on Cumbrian soil | 0:28:16 | 0:28:19 | |
with the Lakes 25 miles away, | 0:28:19 | 0:28:21 | |
and heading to Alston in the North Pennines. | 0:28:21 | 0:28:25 | |
Reputedly the highest market town in England at over 1,000 feet | 0:28:25 | 0:28:28 | |
above sea level, it provides them with great walking terrain | 0:28:28 | 0:28:32 | |
for their new outdoors lifestyle. | 0:28:32 | 0:28:34 | |
Five miles from Alston, our mystery barn conversion challenges them | 0:28:34 | 0:28:39 | |
to think about turning their back on the commute to Blackpool, | 0:28:39 | 0:28:42 | |
and gives them a taste of how they could earn an income from running a holiday let. | 0:28:42 | 0:28:47 | |
So, I appreciate I've taken you on quite a hike | 0:28:47 | 0:28:50 | |
but luckily I've brought some Kendal mint cake to keep you fired up. | 0:28:50 | 0:28:54 | |
-Thank you. -It's good, high energy. -Thank you. | 0:28:55 | 0:28:58 | |
And it's this property here. | 0:29:00 | 0:29:03 | |
The whole stone-built, from the 1700s, | 0:29:03 | 0:29:08 | |
old miners' cottage in a beautiful location. | 0:29:08 | 0:29:12 | |
-Detached! -Detached. -Excellent. | 0:29:12 | 0:29:15 | |
From the outside, I love the stone-built property. | 0:29:15 | 0:29:18 | |
And the location is absolutely mind blowing. | 0:29:18 | 0:29:23 | |
So this is actually two holiday lets joined together. | 0:29:23 | 0:29:26 | |
So you need to decide what you're going to do with it. | 0:29:26 | 0:29:29 | |
Sounds like a positive challenge. | 0:29:29 | 0:29:32 | |
'Now they've taken the bait, we'll explore the larger cottage, | 0:29:32 | 0:29:36 | |
'whose two bedrooms and living areas are set out over three storeys.' | 0:29:36 | 0:29:41 | |
Come on in. | 0:29:44 | 0:29:45 | |
Bearing in mind it is a sort of upside-down house - | 0:29:48 | 0:29:51 | |
to take advantage of all the views, | 0:29:51 | 0:29:53 | |
the bedrooms in both cottages are downstairs. | 0:29:53 | 0:29:56 | |
Yes, I completely agree, I would have all the bedrooms downstairs. | 0:29:56 | 0:30:00 | |
You need to appreciate the view, | 0:30:00 | 0:30:02 | |
so there's no point having your living room downstairs. | 0:30:02 | 0:30:05 | |
-I'd probably keep it the same. -Outside, you ticked all my boxes. | 0:30:05 | 0:30:09 | |
-It's just Leslie you've got to convince now. -Oh, right. One down! | 0:30:09 | 0:30:12 | |
Tacked onto the side of the property is a laundry room used by holiday guests, | 0:30:14 | 0:30:18 | |
and downstairs there is a good-sized bathroom | 0:30:18 | 0:30:20 | |
along with a separate sauna. | 0:30:20 | 0:30:22 | |
But I think Leslie is going to be convinced about the upstairs kitchen | 0:30:22 | 0:30:26 | |
when she sees its main focal point. | 0:30:26 | 0:30:29 | |
Ta-da! | 0:30:29 | 0:30:30 | |
That's what you call a fireplace! | 0:30:33 | 0:30:35 | |
This is what you call a period detail. | 0:30:35 | 0:30:39 | |
-It is a period detail. -It is a period detail. | 0:30:39 | 0:30:42 | |
It is an old miners' kitchen stove. | 0:30:42 | 0:30:46 | |
What do you think of the bones of the kitchen? | 0:30:46 | 0:30:49 | |
It's bigger than the last one. | 0:30:49 | 0:30:53 | |
The size of the kitchen is fine. | 0:30:53 | 0:30:55 | |
It's really good. I could imagine, you know, modernising this, | 0:30:55 | 0:30:58 | |
and look at the view. | 0:30:58 | 0:31:00 | |
-Is that a positive poker face? -THEY LAUGH | 0:31:00 | 0:31:03 | |
Let's have a look upstairs. | 0:31:03 | 0:31:05 | |
'We've notched up brownie points from Leslie for the kitchen, | 0:31:05 | 0:31:08 | |
'so time to admire the views from the upstairs living room.' | 0:31:08 | 0:31:12 | |
Up the stairs to the view! | 0:31:15 | 0:31:18 | |
-Wow. -Makes sense to have the sitting room upstairs. | 0:31:19 | 0:31:23 | |
It's better than I was expecting. | 0:31:23 | 0:31:26 | |
I was worried there were going to be smaller views | 0:31:26 | 0:31:28 | |
that we had to stick our heads out of. | 0:31:28 | 0:31:30 | |
I do really like it. | 0:31:30 | 0:31:32 | |
I can see if our furniture was in here, facing out to that view, | 0:31:32 | 0:31:35 | |
it would just be wonderful. | 0:31:35 | 0:31:38 | |
OK, now, you might be wondering where you sleep. | 0:31:38 | 0:31:42 | |
Is that the surprise? | 0:31:42 | 0:31:43 | |
No, it's not downstairs. Because there is a room here. | 0:31:43 | 0:31:47 | |
They do have one room upstairs, which is the master bedroom. | 0:31:53 | 0:31:57 | |
-It's quite romantic. -It is, actually. | 0:31:57 | 0:32:01 | |
And then, in the morning, ta-da! | 0:32:01 | 0:32:06 | |
It's the view. | 0:32:08 | 0:32:09 | |
'Now we've seen the house they can call home, | 0:32:09 | 0:32:12 | |
'we'll go and explore the second part of our mystery proposition. | 0:32:12 | 0:32:15 | |
'These two holiday lets combined are currently bringing in | 0:32:15 | 0:32:19 | |
'an annual income of around £20,000 based on just a 20-week occupancy. | 0:32:19 | 0:32:25 | |
'The second cottage also has a double bedroom downstairs, | 0:32:25 | 0:32:29 | |
'and benefits from a Victorian fireplace and flagstone floors | 0:32:29 | 0:32:33 | |
'with a spacious modern bathroom opposite. | 0:32:33 | 0:32:36 | |
'But it's time for a game of compare or contrast | 0:32:36 | 0:32:39 | |
'as we take a look at the main living area upstairs.' | 0:32:39 | 0:32:42 | |
Coming through to the sitting room again with a beautiful view. | 0:32:46 | 0:32:50 | |
And with the kitchen all part of it. | 0:32:50 | 0:32:56 | |
That definitely passes! | 0:32:59 | 0:33:02 | |
'While they mull over which side of our mystery house | 0:33:02 | 0:33:05 | |
'to take as their own, we'll head outside, | 0:33:05 | 0:33:07 | |
'where they get more than they could have ever expected.' | 0:33:07 | 0:33:11 | |
Ah, it's the big moment. | 0:33:13 | 0:33:17 | |
These two cottages together come with a parcel of seven acres of land. | 0:33:17 | 0:33:21 | |
Oh, my God. | 0:33:21 | 0:33:24 | |
-I don't know what to say. -OK, well, let's talk money. | 0:33:25 | 0:33:30 | |
I'm going to say 340. | 0:33:31 | 0:33:33 | |
I'd certainly say it's worth that, but I'm going to hope it's 320. | 0:33:35 | 0:33:41 | |
This is on the market for... | 0:33:41 | 0:33:46 | |
£300,000. | 0:33:46 | 0:33:48 | |
THEY CHUCKLE | 0:33:48 | 0:33:51 | |
-You could afford it. -Neither of us know what to say. | 0:33:51 | 0:33:54 | |
Well, why don't you have a wander around, | 0:33:54 | 0:33:56 | |
while you think about it, | 0:33:56 | 0:33:58 | |
-and when you've found some words, we can talk afterwards. -OK. | 0:33:58 | 0:34:03 | |
Aww! Now, that was a very, very long punt, | 0:34:06 | 0:34:10 | |
bringing them all the way here. | 0:34:10 | 0:34:12 | |
You know what? It seems to have paid off. | 0:34:12 | 0:34:15 | |
Bang on budget at £300,000, | 0:34:17 | 0:34:19 | |
our mystery house is the ultimate test for them to sever work ties to Blackpool. | 0:34:19 | 0:34:23 | |
But if they are brave enough to go the distance, | 0:34:23 | 0:34:26 | |
they will get two houses in one, providing a two-bedroom | 0:34:26 | 0:34:30 | |
and one-bedroom cottage, both with upper-storey living rooms | 0:34:30 | 0:34:34 | |
from which to soak up those incredible views. | 0:34:34 | 0:34:37 | |
And along with the ready-made holiday let business, | 0:34:37 | 0:34:39 | |
there are over seven acres of land | 0:34:39 | 0:34:42 | |
to fulfil Leslie's dream of self-sufficiency. | 0:34:42 | 0:34:45 | |
So we could either be in the other property and rent this one out, | 0:34:45 | 0:34:50 | |
because that would give us more income, | 0:34:50 | 0:34:52 | |
or we could stay in this one, depending on the job situation. | 0:34:52 | 0:34:59 | |
I think this property is absolutely amazing. | 0:34:59 | 0:35:02 | |
It's got a fabulous location, it's detached, | 0:35:02 | 0:35:06 | |
the decisions are which part of the property do we potentially live in? | 0:35:06 | 0:35:11 | |
This property is too good to be true, to be honest. | 0:35:11 | 0:35:14 | |
There are no negatives. | 0:35:14 | 0:35:16 | |
The only problem as I see it is which side of the house | 0:35:16 | 0:35:21 | |
do we want to live on? | 0:35:21 | 0:35:23 | |
As the teachers would say, it is an A+, top of the class. | 0:35:23 | 0:35:27 | |
There's your little gold star. | 0:35:27 | 0:35:30 | |
And that, ladies and gentlemen, was a good mystery house. | 0:35:30 | 0:35:34 | |
-Have you found words to express your joy? -A few! | 0:35:34 | 0:35:38 | |
Good, well, let's share them in the car. We're going home. | 0:35:38 | 0:35:41 | |
Cumbria's mountainous landscape is a playground for outdoor enthusiasts. | 0:35:51 | 0:35:57 | |
In 1869, it also inspired a sugar-rich foodstuff that today | 0:35:57 | 0:36:01 | |
you are likely to find in most mountaineers' pockets. | 0:36:01 | 0:36:05 | |
I'm talking of course of the world-famous Kendal mint cake, | 0:36:05 | 0:36:09 | |
and I've come to the town from which it hails | 0:36:09 | 0:36:11 | |
to visit one of the oldest surviving mint cake companies, | 0:36:11 | 0:36:14 | |
and to meet its owner, Peter McCafferty, | 0:36:14 | 0:36:18 | |
to find out more about its origins and its enduring appeal. | 0:36:18 | 0:36:22 | |
-Look at that. Glittering. -Fantastic. | 0:36:23 | 0:36:26 | |
I quite like the idea of a sort of sweet-makers war, | 0:36:26 | 0:36:29 | |
confectioners battling it out on the streets of Kendal. Is that the case? | 0:36:29 | 0:36:33 | |
Yes, everyday(!) It's really vicious. | 0:36:33 | 0:36:35 | |
You're not the only people to make it, are you? | 0:36:35 | 0:36:38 | |
There are only three companies that make Kendal mint cake, | 0:36:38 | 0:36:41 | |
and we are competitors, but we are friendly competitors. | 0:36:41 | 0:36:44 | |
So often if we run out of chocolate, | 0:36:44 | 0:36:46 | |
we'll approach one of the other companies and say, "Can you help us out until our delivery?" | 0:36:46 | 0:36:50 | |
And vice versa, if they run short, like last week they ran short of something, | 0:36:50 | 0:36:54 | |
so we let them borrow some glucose. | 0:36:54 | 0:36:55 | |
I know you're going to be biased, | 0:36:55 | 0:36:57 | |
but is this the best thing about Kendal? | 0:36:57 | 0:36:59 | |
There are some very good things about Kendal. | 0:36:59 | 0:37:02 | |
-Kendal mint cake is one of the good things about Kendal. -So diplomatic. | 0:37:02 | 0:37:06 | |
Brilliant. | 0:37:06 | 0:37:08 | |
'This homegrown product is very well travelled, | 0:37:08 | 0:37:10 | |
'having accompanied Sir Edmund Hillary's team | 0:37:10 | 0:37:13 | |
'on their ascent of Everest, | 0:37:13 | 0:37:15 | |
'as well as Shackleton's Antarctic expedition. | 0:37:15 | 0:37:17 | |
'It's even the fuel of choice for some gold medal athletes. | 0:37:17 | 0:37:22 | |
'Despite its illustrious history, | 0:37:22 | 0:37:24 | |
'the way it is made has remained unchanged.' | 0:37:24 | 0:37:27 | |
It's like Willy Wonka! | 0:37:27 | 0:37:29 | |
'The process starts by adding a huge amount of sugar | 0:37:31 | 0:37:34 | |
'to a water, salt and glucose solution in a copper pan.' | 0:37:34 | 0:37:38 | |
-So that's 30 pounds of sugar? -Yes. | 0:37:40 | 0:37:44 | |
'It's then boiled for around 20 minutes | 0:37:44 | 0:37:47 | |
'until it reaches the right white colour, | 0:37:47 | 0:37:49 | |
'when the sugary fondant is added and stirred in. | 0:37:49 | 0:37:53 | |
'Next, it's time to add another essential ingredient.' | 0:37:53 | 0:37:56 | |
This is the mint, we pour in the mint now. | 0:37:56 | 0:37:59 | |
That's a special blend of Californian mint, | 0:37:59 | 0:38:01 | |
the very best mint in the world. | 0:38:01 | 0:38:03 | |
Oh, that's nice. | 0:38:04 | 0:38:06 | |
Then you give it a good stir. | 0:38:06 | 0:38:08 | |
What David is doing now is stirring the fondant. | 0:38:08 | 0:38:11 | |
The reason we have the fondant, | 0:38:11 | 0:38:13 | |
that just encourages the mint cake to recrystallise. | 0:38:13 | 0:38:17 | |
So that just sort of speeds up the setting process. | 0:38:17 | 0:38:20 | |
'Once the mixture has thickened and started to crystallise, | 0:38:20 | 0:38:24 | |
'it's ready to be poured into the moulds to set.' | 0:38:24 | 0:38:27 | |
David is making that look easy but that is actually quite hard. | 0:38:29 | 0:38:33 | |
If you have a go at that, | 0:38:33 | 0:38:34 | |
you'd find there would be a big splodge everywhere. | 0:38:34 | 0:38:37 | |
So you just... | 0:38:37 | 0:38:39 | |
Well, maybe not, you might be an expert. | 0:38:39 | 0:38:42 | |
You might be a natural. | 0:38:42 | 0:38:44 | |
David, your job is toast! | 0:38:47 | 0:38:49 | |
'This batch will typically make 190 bars. | 0:38:54 | 0:38:57 | |
'It is left for a full day to set | 0:38:57 | 0:38:59 | |
'and breathe before it goes through to the wrapping room. | 0:38:59 | 0:39:02 | |
'With exports to Canada, Australia and America, | 0:39:02 | 0:39:05 | |
'it's heartening that such a traditional product | 0:39:05 | 0:39:08 | |
'can hold its own in the competitive sweet market.' | 0:39:08 | 0:39:11 | |
Even by Escape standards, that was an epic mystery house. | 0:39:18 | 0:39:23 | |
Not only did they totally love it against all the odds, | 0:39:23 | 0:39:25 | |
it seems to have blown the other two houses out of the water. | 0:39:25 | 0:39:29 | |
Let's find out what they really think. | 0:39:29 | 0:39:32 | |
I'm quite excited to hear what you have to say, | 0:39:37 | 0:39:41 | |
because you've been playing poker face, | 0:39:41 | 0:39:43 | |
and you've had all sorts of crazy ideas left, right and centre. | 0:39:43 | 0:39:47 | |
So, it's time to gather the threads together. | 0:39:47 | 0:39:49 | |
So, spinning back the clock to the first house. | 0:39:49 | 0:39:52 | |
This was the almost-perfect house that didn't have the dream garden. | 0:39:52 | 0:39:56 | |
What do we feel about that now? | 0:39:56 | 0:39:58 | |
I still really like that property. | 0:39:58 | 0:40:00 | |
The downside of that is obviously | 0:40:00 | 0:40:03 | |
the back garden wasn't as big as we would have liked | 0:40:03 | 0:40:07 | |
for potentially growing vegetables, et cetera. | 0:40:07 | 0:40:11 | |
But the actual property was beautiful. | 0:40:11 | 0:40:13 | |
Now, the second house was pretty remote. | 0:40:13 | 0:40:16 | |
What you think about that one in retrospect? | 0:40:16 | 0:40:19 | |
The location was good again. | 0:40:19 | 0:40:20 | |
I was relatively happy, I think it was the house that probably | 0:40:20 | 0:40:24 | |
didn't fulfil the ticked boxes. | 0:40:24 | 0:40:27 | |
I mean, to be honest, you weren't too keen on the house. | 0:40:27 | 0:40:30 | |
I think the layout didn't work properly for me downstairs. | 0:40:32 | 0:40:34 | |
I didn't get a nice feeling downstairs. | 0:40:34 | 0:40:37 | |
Having said that, upstairs the bedrooms and the bathroom | 0:40:37 | 0:40:40 | |
were more than adequate for me. | 0:40:40 | 0:40:43 | |
Now, the mystery house certainly gave you space to be adventurous. | 0:40:43 | 0:40:47 | |
The house itself is just too good to be true to be honest with you. | 0:40:47 | 0:40:52 | |
The river at the bottom, the view, you know, the B&B. | 0:40:52 | 0:40:58 | |
I think we're both in agreement for the mystery property. | 0:40:58 | 0:41:02 | |
Like you said, there is a lot of opportunity to decide in which | 0:41:02 | 0:41:07 | |
property we actually want to live. | 0:41:07 | 0:41:09 | |
And which property we could use as a B&B as a source of income. | 0:41:09 | 0:41:15 | |
Initially when we first went there, | 0:41:15 | 0:41:17 | |
it was a lot further out than we had anticipated. | 0:41:17 | 0:41:22 | |
It was a real long shot because it was so far away from Blackpool, | 0:41:22 | 0:41:26 | |
totally uncommutable, and we wondered if it would ever work for you. | 0:41:26 | 0:41:31 | |
It all boils down to the interview I've got next week, as it happens, | 0:41:31 | 0:41:35 | |
for a position just outside Carlisle. | 0:41:35 | 0:41:39 | |
-Oh, right! That's handy. -So, I mean, again, fate has intervened here. | 0:41:39 | 0:41:43 | |
This is all falling into place. | 0:41:43 | 0:41:45 | |
Ker-ching! So it looks like the mystery house came up trumps. | 0:41:45 | 0:41:49 | |
And will you go back and look at it? What will happen next? | 0:41:49 | 0:41:52 | |
I think we'd definitely like to go back for a second viewing. | 0:41:52 | 0:41:55 | |
To speed things up, we're probably going to put our house to let, | 0:41:55 | 0:41:59 | |
just to speed the process up. | 0:41:59 | 0:42:00 | |
Well, I really hope things work out. | 0:42:00 | 0:42:03 | |
You've been great to show around because you're so creative and thinking ahead. | 0:42:03 | 0:42:07 | |
Sometimes five steps ahead. | 0:42:07 | 0:42:09 | |
It is a real joy to see that you found somewhere that you can keep on doing that. | 0:42:09 | 0:42:13 | |
-I hope it goes ahead. Good luck with your interview. -Thank you. | 0:42:13 | 0:42:17 | |
I am so pleased about the way this show panned out, | 0:42:23 | 0:42:26 | |
because we often start off saying, "This is a challenge | 0:42:26 | 0:42:29 | |
"and there's going to be a compromise | 0:42:29 | 0:42:31 | |
"and no-one will really be pleased," | 0:42:31 | 0:42:33 | |
but, actually, the mystery house pleased everyone. | 0:42:33 | 0:42:35 | |
It pleased Carl, it pleased Leslie, it certainly pleased me, | 0:42:35 | 0:42:38 | |
because in one swoop, Carl's news about getting a job 25 miles away | 0:42:38 | 0:42:44 | |
made all the pieces fit together. Property perfection. | 0:42:44 | 0:42:47 | |
If you want to see more of that, | 0:42:47 | 0:42:49 | |
make sure you tune in next time for Escape To The Country. | 0:42:49 | 0:42:53 | |
Once Carl and Leslie have explored new possibilities for work | 0:42:53 | 0:42:57 | |
in the area, they are hoping to make an offer on the mystery house. | 0:42:57 | 0:43:02 | |
If you'd like to escape to the country in Scotland, Wales, | 0:43:04 | 0:43:07 | |
Northern Ireland or England and would like our help, | 0:43:07 | 0:43:10 | |
please apply online. | 0:43:10 | 0:43:12 | |
Subtitles by Red Bee Media Ltd | 0:43:31 | 0:43:34 | |
Email [email protected] | 0:43:34 | 0:43:37 |